I am in a constant battle for control.
I am hard to deal with
because my therapist says
OCD will not rest
OCD does not care what time it is
OCD does not care where you are
OCD does not care who is watching.
Usually when I obsess over things
I see my life falling to shambles
I see people not loving me anymore
I see germs sneaking into my skin.
When my uncle, my aunt, and my friend all died
in a matter of three months,
i performed rituals every hour on the hour
sometimes even more.
My therapist says this will not go away.
My therapist says to come see her so we can try to cope with this.
My therapist does not understand that WE are not coping.
I am coping
not her
not anyone else
me.
My therapist is a sick person
she is still recovering from alcoholism
so how can she help me
if all she sees is a bottle of bourbon when she looks at me.
I am not a bottle of bourbon
I am a bottle of OCD and depression and anxiety
I am a bottle of drugs and alcohol and death
I am a bottle being smashed over your head
I am not coping
I am drowning
And people have stopped loving me
And my life is falling into shambles
And I think I may be getting sick
so what the **** are these rituals even doing for me
anyway.
I have stopped taking medication because
wanting to die has become habitual
and I fear that will become a ritual too.
If I die
all people will talk about is how much they loved me
even if they didn't.
If I die,
there will be no room to have my life fall to pieces
because I will be in peace.
If I die,
I cannot get sick because the soil
will be taking care of my body but
who will perform my rituals
once I'm gone?

Watching night step-sitters staring at each passerby
abiding time as if counting sheep stepping with the city's cadence
Hearing sirens alarming in their BEWARE BLARING;
persistent fearfulness for evil and citizens securities
Staring-walking-bodies searching a barren land prostrating
before the great needle
Patched streets and decaying sidewalks by flooding night lights lay surreal

DECAYING fingers of poverty playing its fingers into every crack, crevice; into every pore, into every cell member
into one's whole being
Sounding the hip-hop generation street corners of hustlers
jiving away the night
The hustled and hustlers' overwhelming struggling for power; being surrounded by red brick and stone; being  incased in poverty

Pounding city hysteria;
at times laying silent in sleepless depth
by the waning gradualness;
anytime readying itself to ERUPT

My piano sits against the wall

Hardly ever played at all

Things are stacked upon her mantle

Where once was music now just shambles

Creaking and clicking keys are everywhere

But no one seems to care

Who could love a piano untuned

My piano will fall apart soon

I look at her from far away

And my piano seems to say

*you too dear, are such a sight

for you see, you and I are just alike

Catapault me into chaos,
I wish to get a little closer.
Your tainted eyes speak to me.
I wish to get to know you,
just a little bit better.

If I can handle it,
I'll stick around and play.
Too much pain is a killjoy.
If it burns too much,
I'll blow out the fire someday.

Criss-crossdresser,
I'm seduced into your submission.
My identity remains in shambles,
I'll see you on the otherside,
as I walk through this transition.

A possible phase,
or a permanent reside?
I am lost in mindless self indulgence.
If I dance in the rain,
I'll no longer have to hide.

An eternal blue flame,
made of youth and spirit.
Love could only feed the madness.
To remain the same,
is something my mind could never inhabit.

So dance, and dance,
and sing the tunes of duality.
I experiment with composure.
And once I find balance,
my dream will be that much closer

Crashing down.
The idols in my life.
Long worshipped.
Long trusted in.
Come crashing down.
They lie in shambles at my feet.
So long...
so long...
Have I worshipped one idol after another.
And forgotten my Lord and Saviour.
Rejected my Heavenly Bridegroom.
Who I am betrothed to.
And who is jealous over me.
Jealous.
Because I am His.
And He loves me.

Crashing down.
The idols in my life.
Lie in shambles at my feet.
Shambles.
Just like my life.
My life lies in ruins.
Because of my sin.
Of idolatry.
Oh Lord, I repent.
You alone must be my God.
You alone must have first place in my heart.
Have I ever truly known You?
Or have I been living a lie?
Surrounded by demons of idolatry.
Oh, let me know You more deeply now.
That I might fulfill my marriage vow.
To You.
That I might learn.
To trust You.

Crashing down.
The idols lie in shambles at my feet.
I bow in repentance before my King.
For only in Him am I complete.
And only He can repair
the ruins
of my shattered life.
Shattered by my idolatry.

Crashing down.
Shattered ruins.
I cry out for mercy.
My heart is now His.
Alone.

Crystal lived alone in the cabin Ray had built for her. Ray had left long ago but she thought of him often and sometimes went to see him in the city. She was an artist and a dabbler in many fields. Her house was a kaleidoscope of stained glass windows and half finished art projects. It was built almost entirely of wood with a beautiful stairway to a loft bedroom replete with a skylight window on the stars. Set in the mouth of a valley next to a clear stream the cabin looked almost as if it had grown there.

Crystal spent most of her time on her art projects, in fact she made her living that way. She was well known for the macabre nature of her works and they sold well at the local art fairs. Most of the scenes she painted could not possibly have existed on earth. Take for example the orange sky and purple mountains of Mariners Delight or the river of blood in Cosmic Conception.

Often Crystal would meet Ray at the art shows and they would discuss his books or her latest works. It was just such an occasion that preceded the first of her dreams.

Although Crystal had often dreamt of playing in a large meadow surrounded by reflections of her art work this dream had been different. She awoke from a scene in the woods where she had been the object of a grotesque conclave of creatures almost beyond description. There had been a huge goat like creature leading a chant, "Rada nema nestos Yreba, Rada nema nestos Yreba", for a group of creatures that resembled animals. There was a black toad sitting on a rock of seemingly impossible crystalline form, while an agile spider danced on the spokes of its luminous web above her. The smell of blood, the heat of the fire, and the constant and oppressive chant, "Rada nema nestos Yreba, Rada nema nestos Yreba" with all eyes directed at her. She woke with a start, it was early morning, her bed was a tangled mess, and she was covered with sweat. She felt she could almost smell wood smoke, and somewhere in her mind she could still hear the echos of the horrible chant.

It wasn't until almost a year later that the dream repeated itself. She had just completed what she considered her greatest work, a large mural like painting called Id Conclusion. It was a matrix of human forms in contorted and deformed conditions against a backdrop of misty images of human holocaust, war machines, and atomic clouds. She had gone to bed in a storm of thoughts on human depravation and greed. The scene was the same, the spider, the goat, the half human animals, all seemed the same, except for the chant, it was different. "Rada nema nestos Yreba, Raga mantra nestos reale, Yreba Yreba Shiva kommt da." Lightening cracked and a creature appeared. He seemed a man but was built more like a large monkey. Light seemed to follow him like an aura. He was the obvious master of the conclave and all stood back at his approach.

Crystal was lying on the stone altar in the center of the glade and although not bound she was incapable of motion while held in Yreba's gaze. That this creature was Yreba was obvious since all had bowed down now and the chant had changed, "Yreba Yreba teach us to grow." Crystals eyes were glazed and her naked body shown in Yreba's light. All her past works were floating across her mind like a collage. Lost in ecstasy she responded to his aggression like a wanton beast, screaming and writhing in the flow of his energy.

She woke to find her cabin in shambles and she was lying in the center of the living room on the floor, she panicked and ran to her car, slammed it into gear, and sped off down the road.

Ray was sitting in his office at the University that morning when Crystal burst into the room. "Ray, Ray, I've had a dream, a horrible dream, it was, I was!" "Slow down Crystal! You've had a what?" said Ray. Crystal sat down in a ball of frenzy and continued.

About an hour later Crystal had finished her story. Ray spoke, "So you say this is only the second time you've had this dream. Tell me more about Yreba. Does he resemble any of your art works?" "No", she said, "He seemed a lot more like that creature you told me about that day we were discussing witchcraft. The one who was supposed to be the personification of ****** desire evoked for the *** ****** of the ancient Persians."

Ray walked to his bookshelves (he was a professor of ancient mythology and religions) and pulled out a book called Necromancer by Abdule Azerod. "As I recall" he said "that creature was also a god of fertility." He thumbed slowly through the book, "yes, here it is. What did you say this creatures name was? Yreba? Very strange that's almost exactly this Persian deities name, Youruba. It seems he was evoked every year on the vernal equinox to assure ****** reproductivity and if you think that's frightening, feature this, last night was the vernal equinox." Crystal was stunned. "Do you think there's a connection" she stammered? "Don't be silly girl, this was three thousand years ago. Why don't we drive out to your cabin and see if we can find some clues."

Twenty minutes later they were standing in Crystal's cabin. What had seemed so disorderly to Crystal in the morning was now clearly a purposeful state of order. All of her sculptures were arranged neatly on the stairs to the loft, and her pictures were arranged so as to face the spot on the floor where she had awakened. On the floor where she had lain was a large five pointed star. "What does it mean Ray?" "I think it's a pentagram" he stated. "Is anything missing?" "Not that I can see" she said. "I don't think we had better stay" he said, "Find what you need and we'll go back to my house. You can stay there until we figure it out."

Crystal never returned to the cabin. Ray sold it for her and bought her a new house in the city.

Crystal got sick a few months later. She was sitting in the doctors office now awaiting his return. "I have good news" he said. "Good news" Crystal groaned. "Yes" he said, "Your pregnant."

This poem is not pretty...

It's real black and white
no one wants to listen to them
few want them
families in shambles
mom was gone long ago
the *****, drug addicted, unlucky
children, adults, black , white, chinese
you name it they are there
no work
no hope
hungry and *****
few notice them
blending into the sidewalks
400 a night fill just one shelter
one shelter of thousands
crazy and sane
the forgotten and the down trodden
it could be you
you just don't want to admit it

As he walked about the world, it fell to shambles around him.

Buildings crumbled, the sky fell, the ground tremored beneath his feet.

He'd rub his temples, blink his eyes, and scream within his mind.

Then it would all reform, destruction undone before his eyes.

He'd walk about his world again and it would all fall to shambles.

sample precursor: there are three binding directions of a chemical group (e.g. CH3) to the benzene ring - the ortho-, the meta- and the para-... but i'll ask a different question: what is copernican north what is copernican east a copernican west or a copernican west without a "flat-earth" / how else to read / navigate a 2D map going from point (a) via vector (c) to point (b) along the short-cut of the hypotenuse - which, isn't a short-cut, but the logical conclusion of walking neither the middle path nor the right path, but the logical path? we're no astronauts... we didn't see the proof... we can only entertain the "idea" of a 3D object we live on, but we're still strapped to a "flat earth" in order to navigate... endless stories of how GPS tech. fooled people off the edge of a cliff... "flat earth" is no reverse psychology ploy... i'm no ******* astronaut... i never stood left right or center on the moon to have the foggiest sense of admiration for that awe-balancing moment that leaves so many deluded in it being otherwise: first come first served, last come: what's there's to serve that last man if not merely the drudge-report of a commute? besides... trans- and cis-, why are people borrowing from chemistry and attaching gender to what is exlusive to chemical compounds? look at them... pop chemistry... cis-trans isomerism... fine, let these people have that... my new n.e.w.s. (north, east, west, south): orthography, something clearly missing in the anglophone world (no diacritical markers, i and j do not count)... ergo? orthography = east... paranormal = west... since the west is obsessed with either aliens or hush-hush military projects... now... both north and south are meta- coordinates... on the basis, on the basis of what? two words really work well to establish a foundation: from ars poetica? metaphor (borrowed from a change of mind - meta- and -phren - mind, a change of mind, all mental illnesses are changes of the mind, alternatives to alleviate the stranglehold of the commune of the greater picture known as society)... but... there's also metaphysics... which is in the interest of philosophy... how else not to explain the obvious, how else to treat both the reader / audience as the well informed genius(es) but mistreat them as would be grander genius(es) if the socratic endeavour of "pretense ignorance" was not to be established? it's a hard juggle... east is already well established in orthography, west in paranomal... literally: metaphor - a change of mind, literally metaphysics - a change of groundwork physicality of things... a rock remains a rock in either "heaven" or in "hell"... metaphysically there seems to be a direct translation... this is why i'm terrible at crosswords, this whole puzzle structure of either working from a direct definition to the word itself, some random geographical posists, some historical posits, some outdated out-of-vogue words related to specified period idiosyncracy, a tinge of the therausus... my current crossword is an interchange: meta-phor, meta-physics, meta-phot, meta-physics and on and on it goes: even with the isolated prefix of meta-, if i return to the words: as they are... would: denoting a change of thinking (state of mind) or... denoting a change of physics, i'm met with metaphysics, i.e.: a branch of philosophy that deals with the first principles... sounds like a priori physics, yet all i can fathom if i wrestle this word to its casual use: isn't it a posteriori physics?! the what comes after physics? i should think that most people understand metaphysics on an a posteriori basis rather than an a priori basis... hence the question: what happens when we die? last time i checked: death happens last... birth happens first... any question-worthiness (according to heidegger) should begin at: the beginning rather than begin at the end, in the same way that all questions should be sought in a medium of predating the dates of events, rather than with a spirit of hindsight, hindsight belongs to the "what if" of history in that dynamism of expressed time... on the canvas of an infinitely expanding space: we seem to be riddled by a very cul de sac concept / expression of time: our quill - given that ****** didn't learn from napoleon when it came to russia... perhaps finding out what copernicus found out: "we" figured: get me off this ******* celestial carousel where i can't even feel the dizzy immediate of a ferris wheel! again: i'm terrible at crosswords, sudoku? no problem... but words: if not gushing out of me, waiting like a lizard predator for a linear narrative spew? count me out... i don't play with words, i use words... i'm a wordsmith, hence the ethnic origin denote: słowianin: slav - i don't know where these west-saxon punks derived their etymology from: słowo = word... *****-liquor juice teens thought it was: oh fo' sho' smart... still: metaphor, metaphysics... metaphor... metaphysics... disgruntled with the immediate compound readied for pop use... meta-physics... the vector is the prefix... why do philosophers push metaphysics so much, but in turn rely on the crutch of metaphor? to change their mind, if metaphysics is an abstract theory with no basis in reality, then the schizoid / metaphorical mind is an abstract in an abstracted theory of the mind - which has "no" knowledge of reality, or rather: "reality" excludes such a mind from ever absorbing an expression in it... a schizophrenic can't explain the reality of a person who can solve crossword puzzles... just as someone who solves crossword puzzles with a fear of alzheimer's: who treats the fatty tissue that's the brain as a muscle... given that the cells of alzheimer's disease are killer proteins... proteins as the antithesis of white blood-cells that feed of fat tissue... after all: what else could the brain be if not fat and water? slow burner... first the sugars, then the more complex carbohydrates, then the fat: last? the proteins... the process of starvation... you want up? you want down? again: metaphysics / metaphor... ta meta ta phusika... the things after the physics... so what's with the inverted: prior things? hence people associated a life after death... hence how philosophers have to escape into the poetic realm to quickly change their minds on the definition... a change of mind is much easier than a change of what physicality entails... most spew metaphors but keep on course... after all: given the genesis of the metaphor, a metaphor is just a tool, a humble stop-off pause... born from humble poetics: it's only a literary tool, it's not some grand pillar of morality associated metaphysics, which nonetheless dictates: first principles come last and last principles come first... here's my crossword puzzle: metaphor, metaphysics, meta-alpha, meta-beta, metaphor and the meta-alpha, metaphysics and the meta-beta... etc. etc., i will not solve this crossword puzzle, even though it doesn't look like a crossword puzzle... it's a narrative crossword puzzle, i'm just looking for the sort of fixed point people associate with prime words: red, left, blue, right, up, fox, dog... words of readied vocabulary, readied vocabulary dissociated from puzzled vocabulary... i want to established a fixed permanence of the dissociated close proximity grounded in the meta- prefix of the words meta-phor and, meta-physics... i'm starting to find this impossible, given how the words have dissociated themselves from the grounding in the meta- prefix... phor alias phren (mind) and the whole gush of isolated metaphysics of beginnings: meta a priori vs. meta a posteriori - and of course: meta a- apriori... hell if i can't solve crossword puzzles: since i already have a crossword puzzle in my head... what am i to do? try writing pop?! a dog does what his master orders, a jester tells a joke his king would find amusing... i'll just treat this enclave of an audience as a bunch of people subscribed to ulterior forms of voyeurism (dissociated from pain / pleasure gratification, esp. that of a ****** nature).

.you know like in latin you had the interchangeable tongue twisters æ and œ? well... english resurrected one more... au... oh stralia... auntie; ******* hell i've been speaking this since aged ate and i still can't get my tongue into that phonetic plughole... or what's that onomatopoeia for: it really hurts? awe... nah... aw... aw... well no cute kitten about to say aww.

well it began with the usual... i wish i didn’t...
sitting in the autumnal garden
drinking coffee and eating a nicotine croissant,
watching the fog recede into nothing
while the earth showed its naked cleavage
after what seems like centuries of arcane dryness
befitting a story of an egyptian idol...
then the panic set in...
what to cook?! what to cook?!
my mother is away visiting her parents in poland,
who celebrate the feast of all saints with the usual
tackle formidable in poland:
forget the paris fashion week, forget the london fashion week...
forget the next gucci advert...
all the action happens in poland’s annual all saints’ fashion week...
through the cemetery (ahem) cat walks
(more like death on rollerblades donning a tutu
and looking fatter than size 0 models)...
because that’s when the fur coats are worn,
the make-up is heavier and everyone comes
to discuss the materialistic jealousy of a small town...
it is a small town after all...
death knocks with all the nine cat’s lives just to prove
the point...
anyway, so i’m the head chef, and in panic
i search for a recipe... i’ve only got pork on the ready
in the recognisable frozen state...
but i also have shrimps... tiger prawns...
so i look through the usual suspects... thai green curry...
ah ****! no coconut milk!
what’s it going to be? prawn korma curry
(better mild than hot i say, with all this maple syrup
and honey colours about... talk about decay),
active ingredients? chilli powder (1/2 tsp), cinnamon
(1/2 tsp), turmeric (1/2 tsp) and ground almonds (2 tbsp),
there ready... looking suntanned my gorgeous twirls of seabed manure...
enough to spare my father making himself sandwiches (i always
disguised my “dyslexia” by associations... sandy witches...
the t broke the barriers and the floods entered)...
with toasted nannies / au pairs... relatives of some sort...
then onto writing my father’s invoices:
project plaistow hospital and some housing development near
the city airport... beckton we call it... backwards and forwards
stink crowned with drinkers regurgitating on the pave...
now that is a *******... recycling centre or horse manure?
then to tesco... for the nightcap...
oddly enough tesco has become a friend of mine once more,
i divorced the turkish shop, they added 10 pence to the polish beers,
now i’m on the sedative medication of this bottle bavaria beer
and whiskey... 1 quid for the former... 10 quid for the latter -
i’ve sold my soul! never mind...
then to the beacon that’s home... it’s night... it’s spooky...
it’s essex: that non-touristy place in england people with passports
never dare to visit, shambles.
well one thing came out true... none of the above though:
you ever consider the theory of the aeroplane syndrome in writers?
you know, like with rock stars you get the full package,
you get the aeroplane and the retrieved delay of the engine mushroom,
but with poetry (which is competing with music,
philosophers just wait in that queue for the cheese, wink, whine and wrinkle)
you only get the sound... that delayed mushroom...
you see the poet but never hear him...
it’s a typical delusion i’d call parallel or even adjacent to narcissism,
you walk down the street and the closest you come
to someone recognising you is a stranger uttering out: ‘hey richard!’
‘name’s matt mate.’
‘oh... sorry.’
it’s this aeroplane syndrome theory... it’s perfectly acceptable...
you have the image but don’t have the delayed sound...
you have the delayed sound... but you only get a photograph...
you have the english national health service mental health unit crisis...
and then you have people shunning intellectualism
trying to cure people by burning / not reading philosophical books;
the day ends with drinking and reading
an article about keith richard’s antics in the sunday times’ supplement
and the thought: well i gave her a stabbing chance
at feminism... she thought the active ingredient in anti-contraception
pills was placebo... she phoned and gave birth to me...
i said abort... you’re no post-teen mum at university, you won’t be...
******* was great but i’m not that much of a match from a cosmopolitan magazine quiz
(as duly taken on my way from st. pestersburg to moscow to see
metallica play), plus there are no roofing jobs in scotland...
the scots have mountains already... there’s no point building
scratched sky skylines with mountain ranges nearby...
so even though i went to a catholic school...
i did my first redemptive act by reading about gnostic heretics...
and not getting confirmed being the second...
i would have not taken first communion... but playing the xylophone
at the nativity play was too much fun...
plus it is the only salvador dali bit of the story...
after that you have st. sebastian...
plus you see where this is going... the greeks translated
the tetragrammaton into the gospels
of st. matthew, luke, mark and john...
and the romans were duped into the legality of
things... first name, second name, confirmation name...
surname.

My life is in shambles

Stress taking over my life

the constant drinking trying to drown

this feeling hoping with this false

courage that can deal

Tired of being angry

Tired of being sad

Tired of crying, tear ducts depleted

I can't breathe or sleep

Everything is in turmoil

Feeling helpless there is no easy fix

Exhausted from all this pain, misery and heartache

Temper flairing at the most minut things

Can't seem to catch a break

Everything is falling apart all around me

This is more than I can handle

My stability is being rocked

Rocked to the core

I search the shambles
of my brain
For a memory of
how it used to be.
Before neurons
and synapses were
synthetically
altered. Before
emotions knew such
peaks and valleys
only depicted in
the finest of art.
Some days my
small, open palms
come up empty...
gripping and grasping
at straws feebly
******* at long since
evaporated air.
But then there are those days,
the ones that begin
with a shine and
end with a glow,
On those days
I recall the
blissfully innocent
images of a girl
untainted, untouched.
Of a stone
unturned. Those days,
if you see my
eyes in passing
connection,
make note of the
lingering glitter
of a girl
who gave her all
To get her all
in return.

no, i don't need an outlet: talk to the public,
they tell you you're
either a well guised political machine,
a psychiatrist,
           or an oddity: come October time
propheteering rather than profiteering;
your choice, not mine:
   i look at poetry like
a plumber might look at a toilet:
go in and get the francophone out!
    so pardoning the French
is lost, as casual phrasing goes, woop,
  away away Superman included.

oh right, you might think i'm spelling
something Evangelical,
sure, i hope you do or d.p. as in
do please,
           what with the cool of Wall St.
sprechen d.l. (down low);
i had a few scribbled notes,
yes, Yanky, my laptop broke down
and i'm reduced to pen & paper
         like handcock & *******,
easy does the ****** of loser vill
           (can we drop the e
for the sake of autocorrect being right
when the big words matter? thanks) -
Platonism is plainly Thespian,
             Platonic thought is a Thespian
"espionage", get used to it,
you haven't matured into Aristotelian
         autism: you still want to act,
to puppeteer that shadows of people
without ever *being the people,
don't take it as if it's supposed to be unlikely:
there's a boss around every corner:
whether you get paid or don't, which is fun,
because you state an authority but
still only play the cameo.
      reminiscent guise literature
of rewatching that t.v. phenomenon
that's billions -
             oh sure, t.v. these days overshadows
cinema, cinema is worth jack-****,
it's poverty is intrinsic in forming ideas
or reversed "Latin" grammar  idea-fermentation,
i said English loves to hyphenate
two kindred words,
    like that ego theory
             with the Germanic self-theorising,
self-enabling, self-interest, self-haemorrhaging
  gusto of the capital -
    what a way to finish, i as a prefix
toward robotic modula.

(i write pending, but ensure the enso,
            or Swahili wasabi sting of
green horseradish,
       same so, i live dangerously, or pretty
much on the sly,
           if i tell the taxpayers
  they're getting their money's worth
i'll bound to see a third runway at Heathrow:
got my nose in an Alsatians' buttocks mind you).

so...

i was going to end with it, but i'm afraid i must
begin with it, page entitled

a. a rebellion from the top?
    or right, it only comes from the bottom,
the guillotine and all,
  but never the despotic cupcake for an Antoinette,
right? wrong!
                coming from a worker's background,
i'd been happy doing the ******* roofs of
the Tate Gallery among other examples,
but i was educated as a chemist,
  and, i was told, you need toothpaste, or
am i wrong in that assumption?
     picture it thus:
a son of a roofer is real smart,
      goes to Edinburgh, gets his money's worth
in terms of tuition, over 30 hours year three
of his chemistry degree, when things were still
decent, ~£1,250 a year (one thousand two hundred
and fifty pounds): with words like that
you might sketch Dante and Donatello and
the Italian Renaissance in terms of clapping the ****
away at the gesture...
     but no, it was like that, study chemistry
and you get your money's worth in terms of tuition,
so how the **** did i descend from the "high" tier
of the sciences into the murk of poetry
and humanism?
       history of science and David Hume:
black swans to mind, also.
                          but the other kid in question
was a son of a doctor / radiologist,
and this talk of rebellion from the top?
he couldn't stomach a shifting hierarchy,
he couldn't stomach social progress,
     had i or hadn't i invested my pleasure
time in reading philosophy is no one's business,
had i made a professional wage from it,
sure, but i wasn't intending to do so:
      what's your favourite colour sort of
question and whether truant of the zeitgeist:
the ******* guillotine, mate!
            i just can't perpetuate this loaf of wording,
but it's necessary:
    of jealousy so corrosive, of jealousy so lined
with lice, only then a god is spawned -
           the person in question?
a skiving belittling camel jockey -
and that's me being polite...
       you can almost become auto-suggestive
of needing to cite: what Abel did next when
the roaring Milton God subsided and
     wanked a crucifix that later became 2000 years of
history: or in the making.

i can be a pompous and bombastic parrot
          that cites Polly this, Polly that,
but i can speak to a scaffolder and laugh: with him,
and not, at him...
                 because i know my bombastic mr. fantastic
behaviour about spending aeons in a library
   rather than sniffing bullseyes and ****
        is made to be the fo' sho' lingua rapper tinder
of something or other that doesn't require me
to foolishly date...
                         **** it, cheaper at the brothel.

...........................

                        oh­ i'm just getting started, hence
the title with (penting) in it: no, not really mr. tough-guy,
just a **** break and a smoke and all that's
necessary in terms of transparency, begging to
be revealed in all forms of literary composition...
  
let's just say: a new interpretation of the paragraph,
     for me reading books, a paragraph means Sunday,
1905... because of the constipation and what-not,
   a comma makes me feel like i need a pause to
hiccup or sneeze,
       a full-dot is never a full-dot unless it's a full-dot
and then it's a definite article of end, rather than
the intermediate an end: let's start over, once again;
       but when have you actually experienced
a Macgyver of what's otherwise a "work in progress"?
answer? never!
               you never have: you had to become
censored by publishers and editors for everything to
look the end-product squeaky-clean!
                   unless published posthumously...
and then... you might already be dead:
you never got to see a work in progress...
   and believe me, i have 8 pages worth of notes to
encode into something that's not
that fable about a boy waking up Barbarossa
from slumber and upon seeing crows
shouting: messerschmitt! messerschmitt! messerschmitt!
well, a diet of hanzel und gretyl will do that
to you, you get a fetish like Shpielberg and direct
the Indiana Jones franchise...
                       funny little me, "phony" Englishman
speaking a piquant variation of Essex banter,
8 years in Poland and of memories i speak of the fondest
in my life, and 22 years in this rotting *******...
                    i feel less organic, more inorganic,
i.e. metallic,
       it's like my insides were hollowed out
and i was faking that i am actually being -
   weird sensation, ask any displaced individual when
they have the organism of a Slavic, but a soul
of a German... feels, ******* weird...
                        i mean, Nietzsche and that complement
that the Poles are the French in the ethnic category?
what are the English in the Slav category then?
                          most likely Ukrainian.
i dare you to find a philosopher with a similar dilemma,
i dare you: in light of how this whole
gaining of fame works, not one wrote about
being displaced... well... unless you're talking about
Moses -

                (haven't even started, i need a drink).

there was no social tract anyway!
    to be forced into accepting insemination
        when the forward wording was:
       "i'm talking counter-contraceptive
measures" & 'i want you to *** in me'.
                 ditto encapsulating quote
for ambiguity, the otherwise: real life.
       is my ***** worth more than me?
have i not transcended a weak bladder / **** muscles?
       a pseudo-humanity, intrinsic in man
but not not in beast?
                    i call upon a reversal of what's
a staging of ****, or money grubbing -
                with a woman's twist of the Grimm tale:
as she said: i want this man,
              i will impose a moral grounding / battlefield,
judgement on him! entrapment!
and there's me apologising for the "****" / so-called,
in a fully-consenting intimacy:
   well, *****, why don't you? another Beethoven
is waiting? who's the whopper feminist these days?!
               me? you?! hardly you!
   i consented to a full intimacy,
        is ***** a foetus?
tissue would know,
    or a twisted fetish for ****** cream
advertisement in ****, huh?
              sure, my socks smell, but so does
your moral instinct.
                        the difference is that that i get to
say airy, while you get to say fairy.
                         it really takes a man respecting
a woman's freedom: i seriously thought you
were advocating the right to abort
as you might avert ****...
    sure: i'm sorry i inseminated you,
can you please treat it as a tear-jerker experience
of a rom-com that's actually a transvestite-rom
  and needs 50 years to ferment for the earthquakes
and heartaches and cha cha attacks?
              to me it's an apron needing a wash,
to you it a ******* moral dilemma needing
a ******'s rights to not father a child and you
needing your body to unnecessarily incubate it
so you get the Catholic nod... bonkers!
    yes, i impregnated a girl, at university:
i avoided white trash at school, sorry, but it's true,
i liked reading... let me stress that: i liked reading,
      or bold if italics and colon Gemini be antiquity...
she lacked the character judgements,
the 'why he didn't stay' method statement...
she called my friend and study buddy a troll
based on her aesthetic tastes...
          i could have had a family now, and all
the responsibilities, it just didn't fit into
a replica of Cleopatra and Anthony *******
when they honestly didn't have ******* to claim
as their own...
          jeez (replica of the hand-written transcript) -
writing this on pen + paper is like *******
a **** for reach a champagne fizz of ******
for an hour - thank you keyboard and the digital
pixel off blank: ******* is less painful
than writing with that oddity that's handwriting).
there was no social contract anyway!
     it's not like i was married, there's
no unwanted child joke in this: i do find abortion
abhorrent within a social contract, a marriage,
but outside of marriage? are you ******* kidding me?!
you an Irish priest or something?
       there was no social contract,
did i sign a social contract akin to marriage?
      am i in this for the shambles?
of course i didn't get married,
there was no +ring,
                     sure abortion is abhorrent,
but under a social contract,
  without a social contract (marriage)
i,    had,    no,         obligation.
      what, in order to practice a variation of Islam
on a woman's whim?
    *******.
                     plus i had the gross indecency
gay men have with surrogate mother prostitution;
oh wait, it isn't that? my bad.
            i always had a nicety divisiveness for
incubators... a 9 month ****, with dividends...
        really: feminism can **** itself!
because aren't we at a stage of rhetorically counter-validating
what we abhor in certain Asian communities?
oh sure, the patriarchs are gone,
forced marriages are gone too...
          but didn't i just describe a case
of forced marriage, where a western girl is given
all the powers to reign over a young man
as any despot might over a worker
so he can "think" and drink cocktails and
chuckle over his position between cocktails?
      
  i said abortion, yes, i didn't like the girl's aesthetic,
and you know what? that thing you call abortion,
apart from the fact that the foetus has no soul
the baby neither: not until the diaper is off...
to learn to strain the muscles outside the womb:
you really forgot that the implant of soul
or the later disputed notion of god
is only implantable once the memory kicks into
gear...
               only when you start to remember
is the human person born:
   beyond that it's still nature's brutalist lottery...
maybe a Beethoven might have been born,p
but who cares? we already have a Beethoven!
it's avoiding consented ****:
that's feminism and 9 months spared
the continuation of endured affair / "relationship",
i seriously thought that's what women
were campaigning for... obviously it's counter!
   i claim soul outside of a woman's body:
when the ****** thing passes the diaper gym
and learns to automate the bladder and the ****...
then i say: worthy an implant of a soul...
or chauvinistically that's counter and double-****
of 9 months and Bach with his 14 children,
and the Borgia Popes...
          but at least we have the surrogate "mothers"
and that pretty Disney scenario of two gay dads
to fictionalise into watchable Platonic cavemen
when the eyes aren't glued to the 2D.
why do you think such thoughts ferment in
the heterosexual imagining of actuality?
                your utopian counter-clockwise
has already extended into China being the only
provable state of physical activity...
    and the western zoo of mental philosophical
build-up-detachment? your mental health
scenario only suggests you created acid professions...
at least the physical "antiquity" of China
is compensated by a universal shortcoming:
death and mortality...
you created acid-baths: sport and completely mental
professions: YOU'RE SICK!
     honestly!
     people used to enjoy physical professions,
and the essence of such professions?
no immediate competitiveness!
         you replaced physical professions
with sports!
                  and compensated the need for
physical hands-on with the ****** gym!
no wonder you countered-Darwinism while
adapting the need to advertise it
            and made so many young people
mentally ill...
      because your whole mental estrangement
is the sauce or a broth that's currently on the boil!

By: Cedric McClester

When Trump and Carson fall
And the foolishness ceases
Rubio will be there
To pick up the pieces
He’s salivating
As his chance increases
He’s now looking at curtains
And White House leases

When Trump and Carson fall
And the race is in shambles
He’ll bet his  house
You see. The man gambles
He’s not alone
Cuz there’s many other examples
Of men who’ve picked up swatches
And other samples

When Trump and Carson fall
And they look towards the rest
Rubio’s convinced
That he alone is the best
In fact he’s thinking
Nevertheless
It will be him and not the others
There’s no contest

When Trump and Carson fall
As inevitably they must
And Marco Rubio watches the others
Bite the dust
As they complain
Then spit and cuss
Marco will be the one
To lead the rest of us




Cedric McClester, Copyright © 2015.  All rights reserved.

There was once an angel with one broken wing,
that had a vision of regrowth at the end of a dream,
woke up one morning and began fixing things

finished mending her method of flight,
again had the freedom to fly through the sky,
however fast, however high, however wrong, however right

And one day she was going about,
saw a spark of light amidst a very dark cloud,
she spoke to him and asked his name,
with no reply he only slowly grinned,
with the flash of a smile,
she was consumed by him

She stayed in captivity for a while unseen,
until again she awoke from a lucid dream,
determined to change everything
insisted she knew exactly how to break free

So she fought and she fought to knock the walls down,
but eventually found she had an easy way out,
slipped right though that crack and swore she'd never look back

As she flew she began to grow cold,
and it seemed she had forgotten where it was she had to go,
she flew in circles hoping no one would know,
but soon enough her secret was exposed

She asked for a hug,
to be reminded of love,
the way the maker had intended...
Wanting more she took out a loan
on a garden she was determined to grow

As the flowers bloomed she was again consumed
by the power of the spark,
as light shined through, her keeper knew,
she was ready again for what only he could do

She was surprised by the spark, his eyes pure blue,
his voice of reason so fresh, so new,
a past more broken, held together with glue
than the one she was fighting,
with a blindfold and noose

She made it through a great depression,
or so her mind had made her think,
but she was still young, and so very naive
this was a plan she could never foresee
So she went along, with the bigger plan,
learning how to let things happen,
discovering life, in a completely new light
making sense of the unimagined

She spent a day in silence,
tuning the entire atmosphere out,
and when she waited for the voice to come,
she was able to hear the sound

A voice so calm and steady,
familiar sweet and heavy,
telling her she's ready,
for the test she would be getting

It told her to stop, and slow it all down,
look at things a little differently now,
eliminate hate, and jealousy,
replace it with positivity

That loving yourself is the key to it all,
the only way to be sure you can handle the fall,
the right way to get through it even if you have to crawl,
the best way to ensure, the engines wont stall

As she began to understand this,
she no longer ignored pain,
she accepted these things for just what they were,
and started living again

And on a little journey,
she took with his spark today,
she found that he had found himself,
along the broken way

Again she was consumed,
but in a positive sort of way,
never again would she look
at any spark the same

The angel and that spark,
sit now on a different level,
holding hands tight like handles,
passion burning like candles,
caught up in the blaze
            her plans went up in shambles

And maybe its the shambles,
that builds the stories end,
of a love that will never be lost,
and the finding of a friend

Forgive me while I sit here,
without too much to say,
but I find I become speechless,
when our souls begin to play

Push me, pull me, love me, hold me.

there's ethical idealism:
where ethics is discussed...
there's ethical relativism:
where ethics is practised...
there's ethical realism...
where ethics is quantified
as an improbability;
and then there's ethical
absolutism,
where we supposedly
"progress" -
in this scenario are
the laws of physics actually
suspended:
whereby oculus qua oculus
is replaced -
a loss of an eye is "relative"
to 10 years in a cage...
really?!
           ethics is
ideal, realistic, absolute or relative...
we're encouraged to live
in "realistic relativism"...
      never in an absolute realism,
since realistic relativism
only compares itself
  to ideal absolutism...
and nothing more...
          ever watched that film
secrets in their eyes?
you ever wonder what
ethical idealism is to the ethnical
consequence that can absorb
a realistic libra?
    i can only believe in
ethical absolutism,
  ethical relativism is horrid to me...
relativism adorns idealism,
absolutism adorns realism...
          a life sentence is worse than
a death sentence,
whether justified or not,
prison is sadism,
but at least ****** is simply ******...
a space-time intact,
           a ****** penalty is not
inhumane, nor a ouija board...
      it's time for time,
space for space,
  the actual punishment comes
with the missing adrenaline rush
of the unexpected reception of the wielded
weapon...
          either send these jealous plonkers to
siberia, or sentence them to death,
for you are no more than they are,
nay, you are more...
  you're akin to cats toying,
playing a sadistic games with half-mutilated
mice...
             this is why i abhor
ethical relativism of the crucifix...
           hence my belief in ethical
absolutism in the paragraph of realism,
  which is perfected, by
being exacted, and never, ever,
being leisurely discussed,
  on a farcical palette with a grimace
to boot: ******* a lemon;
compensating the horrors within
minutes, is never compensated
  with ordeals that last years...
which is why i find the death penalty
an act of authentic humanity,
and not this quasi-humanitarian
act of pardon, ******* hypocrites -
       i abhor the caged rat
more than the rat gladly nibbling
on a dead corpse...
        at least there was passion
in the ******...
waiting for death penalty is like killing
a vermin with poison,
disposing them with nonchalantly...
the wise maxim states:
  ledo ferrum sicut id est calidi -
strike the iron while it's hot...
       death is the dawn-broker -
a new tomorrow promise -
              left intact, the fermenting process
of ethical dynamism takes over...
      then again,
the supposedly "evolved"
preferred moral relativism to moral
absolutism,
          because there was no
moral realism to speak of,
                       since morality could only
be talked about in ideal terms of
the supposedly so, supposedly
fashioned via: it ought to never happen to
me...
and then it might, and then:
oops... argument sinks like a wet fatty ****
into shambles of keeping up with
the presupposed pillar of argument
being "impenetrable";
hey, genius, back to the blackboard!

Love isn't a word
I throw around foolishly
Simply because I've been denied the opportunity
Of being held , filled with the possibilities
That one touch can carry
A simple caress
That serves as if to say
You're perfect
I wouldn't want you any other way
No such touches have came in my direction
Causing me to pick apart my reflection
Imperfections, one after the other
Become apparent
Because of one thing that was said
Even if I wasn't supposed to hear it - I did
and those words?
they haunt me

I'm sorry I don't believe it when you say you love me

My head pounds and my knees start to tremble  
As a precaution I ignore whatever
It is I'm feeling, burying it so deep
It'll need a shovel
and a rope to emerge
You think it's unbelievable the extent I go to so I won't be hurt
I think it's unbelievable that you claim to know my worth
When I'm not sure myself
Fearing you're just one more of many
Attempting
To take advantage
Of the self image I posses that's in shambles

I'm sorry I can't believe your compliments

Those sweet words you say with honesty
sincerity, unquestionable truth
A rarity in itself, especially coming from you
Inside me there's a girl smiling  
Next to the one crying,
bruised from years of being used
poisoned with sugarcoated  I love you's
And promises made
With fingers crossed

I'm sorry I don't believe I'm enough

I look in the mirror and I hate what I see
Automatically I think of other girls and the joy they may bring to your life
While I sit happily alone
And I know
I can't possibly love you if I don't love myself

Aquarius, why must you make **** hard for yourself? What are you trying to prove by not flushing the ******* toilet? No one cares. You call yourself a rebel, when in truth, you're just a water bearing fool with preposterous ideas of some futuristic utopia that looks a lot like Yu-Gi-Oh!  Because of your idiotic rebellion, you seem to smash on about nothing really, declaring the world is in shambles, while scrying your turds for all the answers to humanity. And with such rebellion attitude, the "I don't care, I'll **** in the woods!" Again, no one gives a ****. If you'd rather **** in the woods and run around naked like a feral child poser, be my guest. Why don't you change your name to Nell why you're at it and forget your native language altogether since your such a rebel. I hate to break it to you Einstein, but it's all been done before.

Advice: What's the point? You're not going to listen. Have fun ******* in the woods and remember, we don't care if you know who we are. Truly. Ur **** is waiting, *chicka chicka chickabee.

I watched as she,
us cut from the same cloth,
stared into a diamond martini glass.
The leather on her shoes
haven’t seen the sand filled with red ants for years.

Drip, drip, drip
The last drops sacrificed onto
her olive chiffon skirt.
They seeped through the layers and
were the only ones who have done it in years.

The winos and banshees beside her, mesmerized at the box with moving pictures.
USA In Shambles
They can’t turn away.
They don’t even notice Miss USA
beside them in her own ruins.

I was supposed to be gone and away.
Life turned to dust, travelling with the wind.
Instead, the dust left traces in the martini glass
leaving chaos in its wake.

[Dedicated to Austin Osman Spare]

Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !

Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !

I know thee who thou art,
The inmost fiend that curlest
Thy vampire tounge about
Earth's corybantic heart,
Hell's warrior that whirlest
The darts of horror and doubt !

Thou knowest me who I am
The inmost soul and saviour
Of man ; what hieroglyph
Of the dragon and the lamb
Shall thou and I engrave here
On Time's inscandescable cliff ?

Look ! in the plished granite,
Black as thy cartouche is with sins,
I read the searing sentence
That blasts the eyes that scan it :
"**** and SET be TWINS."
A fico for repentance !

Ay ! O Son of my mother
That snarled and clawed in her womb
As now we rave in our rapture,
I know thee, I love thee, brother !
Incestuous males that consumes
The light and the life that we capture.

Starve thou the soul of the world,
Brother, as I the body !
Shall we not glut our lust
On these wretches whom Fate hath hurled
To a hell of jesus and shoddy,
Dung and ethics and dust ?

Thou as I art Fate.
Coe then, conquer and kiss me !
Come ! what hinders? Believe me :
This is the thought we await.
The mark is fair ; can you miss me ?

See, how subtly I writhe !
Strange runes and unknown sigils
I trace in the trance that thrills us.
Death ! how lithe, how blithe
Are these male incestuous vigils !
Ah ! this is the spasm that kills us !

Wherefore I solemnly affirm
This twofold Oneness at the term.
Asar on Asi did beget
Horus twin brother unto Set.
Now Set and Horus kiss, to call
The Soul of the Unnatural
Forth from the dusk ; then nature slain
Lets the Beyond be born again.

This weird is of the tongue of Khem,
The Conjuration used of them.
Whoso shall speak it, let him die,
His bowels rotting inwardly,
Save he uncover and caress
The God that lighteth his liesse.

Thou and I                            

Joyful the moment when we sat in the bower, Thou and I;
In two forms and with two faces - with one soul, Thou and I.                      
The colour of the garden and the song of the birds give the elixir of immortality
The instant we come into the orchard, Thou and I.
The stars of Heaven come out to look upon us -
We shall show the moon herself to them, Thou and I.
Thou and I, with no 'Thou' or 'I', shall become one through our tasting;
Happy, safe from idle talking, Thou and I.
The spirited parrots of heaven will envy us -
When we shall laugh in such a way, Thou and I.
This is stranger, that Thou and I, in this corner here...
Are both in one breath here and there - Thou and I.

Jelaluddin Rumi*

                                              

By the waters
of Babylon the
beloved weep;
mourning the
loss of our
brother
Rumi.

We have
forgotten
Rumi’s
example,
we no longer
speak his
language
of love.

The beloved
have discarded
his virtuous
entreaties
as useless
historical
relics.

His compassion
is mocked
as a sign
of weakness.

His empathy
is considered
a seditious act.

The
beauteous
poems
bespeaking
ecstatic graces
found in the
resplendent
embrace of
unity in the
holy spirit
are shattered,
like a worthless
vase, its
shards
scattered into
a million
splinters that
****** our feet.

We no
longer
sing the
blithe
words of
his love
songs.

The
rapturous
melodies have
evaporated
along with
our joys.

We have
destringed
our harps.

Our songs
of joy have
become
dirges of
lamentations
moaned in
the streets
of our
desecrated
cities.

Our people are
in shambles.  

We are
refugees
fleeing our
besieged
homelands.

We are
prisoners
in the
basements
of our homes.

We perpetrate
crimes against
humanity by
willfully defiling
ourselves.

We dash
the heads of
our children
against
blasted
rocks.

We are
desperate
to find you
dearest
Rumi.

We hope
your sweet
reminders
of love will
bind the
broken
people;
leading us
to forsake
the diet of
acrimony
that has
become
our daily
bread.

I wander,
the streets
with open
ears
listening
for a hint
of your voice;
hoping to
follow it to a
rendezvous
with the
Divine One.

I open
my heart
to discern
a tiny note of
your songs,
winging on the air,
the sweet chords
of agape love
is our hope
to salve our
deep running
wounds.

Only
deafening
silence
returns
to my
saddened
ear.

The elegant
magic of your
voice are
angelic fingers
plucking strings,
evoking  a
heavenly
chorus
of love
and divine
reconciliation.

Your voice
rolls through
the ages
beckoning us  
to transcendent
peace; your
whispers
dance
upon the
face of hatred.

The marching epochs
have dissipated
our memory of you,
beloved Rumi.

Your verses
are ancient
dialects we
can no longer
decipher.

The urgency
grows for us
to speak in your
tongue once
again.

Our besieged
cities are
filled with
the cacophony
of distress.

The beloved
tend lamps
to light the paths
of reconciliation
but few
step forward
to sojourn
the pathways
of peace.

Some ecstatically
turn willing cheeks
to the nasty slaps
of adversaries;
daring to let
flesh absorb
the totality
humanity’s
pain.

Hostility
spills over the
lips of stormy
volcanoes
like gushing
lava flows
of destruction
covering
all corners
of the globe.

Can the
forgiveness
offered by the
aggrieved
blunt the
world’s
acrimony?

Oh Rumi
where are you?

I offer prayers
that your spirit
still moves
among us,
with balm
in hand
you anoint
misspent
love
wandering
amidst the
desolate cities;
daring to spark
life back
to the dead
stones,
your
miraculous
palms
warming
the cold
rocks
with extreme
humanity.

Your love
rises to answer
the intractability
of indifference;
defeating the
crucifix
of empathy.

Your love
rolls away
the bloated
stones covering
compassion's
cold dead tomb.

Your love
breaks the
omnipotent
cycle of
unrequited
vendettas;
laying it
to rest in
the solitary  
oneness
of spirit;
freeing
the beloved
to live in the
liberty of
unconditional
love once again.

We evoke
the presence
of your spirit,
imagining you
levitated
by Allah’s
slightest
whisper,
floating
among us
in aromas of
spring violets.

We hope
to detect
your soft
footprints
on the
open hearts
of the
compassionate.

We invite
your tears
of joy to water
flowers that
bloom into
luscious
groves
offering
the bread of life
to all.

Rumi, return
to teach us the
lost language,
remind us
of the songs
we have
forgotten,
unite all hearts
with dervish spins,
turning the world
in circles of love,
conjure an
avenging
tornado to
route the
despoilers.

We are
battered
exiles
seeking
refuge
in the nape of
your scented
neck.

We wish
to hide in the
embrace
of your
warm *****
and become
medicated by
the perfume of
life’s gardens
chasing away
the stench
of graveyards
alive in our
memories.

Has the music of Rumi’s words fallen on deaf ears?
Has the rhyme and reason of Rumi’s poetry been misunderstood?
Has Rumi’s example been forgotten?
Has Rumi’s revelations of love evaporated into nothingness?

Rumi, I look for you in the market.
I hope to see you saunter down the street biting into a fresh apple.
I crane my ears to hear your voice incant poetic prayers.

As the sun
sets on
another
violent day
I cannot detect
the gentle taps of
your joyful dance.

I remain starved
to join you at
the Lord's table,
to fill myself with
Eden’s Feast.

Rumi
as you once
came to seek me,
I now come
to seek you.

Panting,
I run through
the streets
in desperation.

I become
a callous
****** spying
through every
window, hoping
to catch a
fleeting image
of your shadow.

I throw open
every last door
leading from the
barren streets
in vain attempts
to track your
footprints in
the dusty
courtyards.

My search
only reveals
bare rooms.

Not a single
trace of you
is discovered.

The empty
corners
once lit with
the resonance
of your spirit
are dark, blinded
by the midnight
worries of the
refugees that
have escaped
these black rooms.

I scavenge
the piles
of concrete,
rummaging
through the
the skeletons
of fractured
buildings leveled
by war.

I am covered
with the dust
of destruction.

I scatter the
bones of the dead
frantically looking
to find a single
footprint as
evidence of your
presence.

I find nothing.

I prophesy
to the bones.

I prophesy to
the disconnected
sinews.

I cleave my sinews.
I bleed my veins.

I drape the sinews,
I drain the blood
onto these decrepit
dry bones.

I scream prayers
to breathe new life
into them.

They do not reassemble.
They do not move.
They do not stand.

Where’s Rumi?

Music selection:
Zikr Call of the Sufi
The Divine Union

Suffern
3/28/12
jbm

"I'm sorry, I'm sorry" over again
Stale bread, moldy words
Repentance doesn't matter
Empty words fall to the floor.
Clattering, glass shards shattering
Broken mask cracked again.

Run, quick. Go tell a friend
The news is out, the press has come
Headlines mimic those of the day before
Every day the same story,
Surprising the goldfish followers
Each and every time.

Perfect little girl, don't cry
Those aren't your tears to spread
Your life is perfect, nothing's wrong
Ungrateful, spoiled little brat.
Venom words punctuated with a slam
Left alone to brew in your faults

Perfect little girl
Where have you gone?

She is the ornate vase
Lying in pieces on the floor
Left over from the night before
A causality of a world too busy partying,
Swept away once it has sobered
In mourning.

... and all of Life's questions were set to be answered,  from "Why are we here?" and "Why should we care?"  to "Why don't he love me?" and "What should I wear?" and
                                                        "Wher­e is my father?"  and
                                                   ­                                                    "Can I kiss my daughter?"              and

                                    ­            "What does it matter?"
"Flannel or Mod?"                              and
                          ­                                                                 "What about God?"
                      "Meat on a stick? or Shish Kabob?"
and
                                                            ­                            "Free Will or Fate?"
                                                       and
                        "Do you think of me when you *******?"                                                   and
"Is Santa for real?"
                                                                ­                  and

                                          ­                                                    "What does love feel--"
                                                         ­                                                                 ­              "Like this or like that?"  
                                   "Do I really look fat?"            
                                                   "Do u thnk its gonna b bettr than the 1st one??"     "When Atheists go to court, do they have to swear on the bible?"               "Is it legal to travel down a road in reverse, as long as your following the direction traversed?"                        "Where do u see urselvef in 5 yrs?"
               "what's the most embarrasing thing that has happened to you?"                    "Why are the best looking things the most deadly?""What does i.e. stand for?"            "How do you know when you fall in love?"" If ghosts can float, why do they waste their time walking around?"          
"Why am I still in the bed?"                        "Why would u get pregnant by a dude that doesn't take care of the kids he already have?""Why do ppl Cheat ?"
                 "Did u really love me or u just lied???"                    " whats the point of tryin anymore if u tried so hard in the past and nuttin happened?" "why is the sky blue?"?????????????????????????????????????????????????????????
?­?????????????.?????????????????????????????????????????????????
?­??????????.????????????????????????????????????????????????????
?­???????????????.???????????????????????????????????????????????
?­????????????????????.??????????????????????????????????????????
?­?????????????????????????.?????????????????????????????????????
?­?????????????????????????????.?????????????????????????????????
?­??????????????????????????????????.????????????????????????????
?­???????????????????????????????????????.???????????????????????
?­??????????????????????????????????????????.????????????????????
?­????????????????????????????????????????????????.??????????????
?­???????????????????????????????????????????.???????????????????
?­????????????????????????????????????????.??????????????????????
?­????????????????????????????????????????.??????????????????????
?­?????????????????????????????????????????.?????????????????????
?­??????????????????????????????????????????.????????????????????
?­???????????????????????????????????????????.???????????????????
?­???????????????????????????????????????? .
                                                               ­                                 ¿
                              ­                                                                 ­     ?
                                                          ­                                              ¿
                                                                ­                                         ?

                                                                ­                                             ¿

Age old wives' tales,



                                                       ­                                                          ?

                                                      propheci­es,

                                                            ­                                                            

jud­gement day--
                                                           ­                                                                 ­  ¿

                                      The Human Symphony


of doubt and faith,

                                      
                  ­                   with crescendos of hope now played,                              ?



as the moments of our naive darkness


                                                      ­                      Tick
                                      ­                          

                                                               ­                        Tock
                                                            ­                                         slip, slide



&

                  fade



















                     ­                                                                 ­                  




















                          ­                                                                 ­           











                                                     ­                                                            ¿















































                ­                                                            10


­













































                   ­                                        6




































                           ­                                                                 ­ 8


                                  


























­














                                                  ­                                                                 ­      7










                                                     ­                                                                 ­                    ¿

                                                               ­                                                                 ­           ?

                                                               ­                                                                 ­               0

                                                             ­                                                                 ­                      1
The greatest accomplishment of humankind took the stage just                      
                                                                ­                                                                 ­                   
                                             ­                                 past 11:59,  New Years Eve 2099          !
                                                 ­                                             
The first and only of its kind,
    
                                                           ­     
                                                                ­  
                                            
                   ­                                         Born from the Hope and Ingenuity



                                                    ­              of
The Great Recession Generation--
                                                    ­        Whose Change and "Deviation"  gave birth



                                                        ­           to
The Artificial Assimilation Generation--
                                                    ­          Whose Instant Omniscience created




                                                     ­               the
Automation Generation, whose lack of challenge
                                                       ­         Evolved into the Great Stimulation Generation--


                                                    dependent upon emotional simulation
for spiritual mental and human validation.



                                                  ­                    A
Civilization whose foundations were pillars
                                                         ­           





                                                            ­                  0f  



21st Century Dust..............................★★★★★★★★★★★
                   ­                  ★★★★★★★★★★★★★★★★★★★★★★★★★★★
                                     ★★★★★★★★★★★★★★★★★★★★★★★★★★★
                                     ★★★★★★★★★★★★★★★★★★★★★★★★★★★
                                     ★★★★★★★★★★★★★★★★★★★★★★★★★★★
                                     ★★★★★★★★★★★★★★★★★★★★★★★★★★★
★★★★★★★★★★★★★★★★★★★★★★★★★★★          ­ 
★★★★★★★★★★★★★★★★★★★★★★★★★★★
                                   ­  .                                                    
                                     .
                                      .
                       ­                 the perfect shambles of a custom built artificial
                                                      ­                                                                 ­                    life.
Intelligent saturation, automation, assimilitation-- the cries of *******--
                                                  ­                                      nothin' but digital elation!
                                                        ­                                                                 ­             No
                                                 ­                                                                 ­      more
                                                      ­                                                Heroes--
        ­                                                                 ­                              Tears
                                                           ­                                                                 ­of
                                                              ­                                                                 ­    Nero.

                                                                ­                                                                 .

                                                              ­                                                           .
                  
                                                                ­                                                   .

Thursday December 31,  2099                                    
                 23:59:31                                   ­                   A time of ever present
                     ☼   42°                                                              ­                      Knowledge
         Aged 25 years 12 days
           Heart Rate 154 bmp        
           Daily Caloric Intake
            1660.079/1830.15
                Calorie Buffer
                     170.071
         Personal Headlines
"First Artificial and Visceral Intelligence
        To Be Unveiled @ Midnight"

"First we were meat. After, sentient meat. Then self aware meat.
As such, manipulative meat. Adaptive meat. Rotting meat. Limbo Meat.

Then came awareness of spirit.
Freedom from the mortal meat,
Via a mastering of its meaty concepts.

We became one in the same; spirit and meat.
Held mirrors to one another, reflected our dreams.

Shared sense of Being.

Then meat met metal, plastic and graphene--
Testing the infinite ways to give birth to Life.
And we did.

We called our first child Artificial--
afraid for our mortality.
Yet called it intelligent in its ability.

A selfish denial of a miraculous act.

The question was inevitable,

'If knowledge is infinite, and
                                                   intelligence is the capacity to acquire knowledge,
Would we call such a pursuit, of intellectual Life, "Artificial"?'

'If God is infinite, and
                                       Non-visible, non-provable,
Would we call a pursuit for such a source of Life, "Artificial"? In vain?'

'Is this not Life before us existing in the shape of electrically charged plastic? Entities that observe and react to their environment, is that any more artificial than a man?'

Emotion. One word, and the intellectuals were silenced....

Emotion.

Meat knows emotion.
Our meat has been stimulated and shaped by
pain and joy.

Machine knows only causation, not visceral relation.

Visceral. One word, and the intellectuals were aroused.

Visceral.

A machine's viscera lies within its programming, its sense of being.

Meat's viscera lies within its program to survive (food, sexuality), its sense of being.

"If a program can understand environment and its relation to that environment, it may be able to approximate a sensation to a high level of accuracy based on temperature, humidity, and whether or not that environment is detrimental to its functioning hardware, and thereby make a statistical decision as to where to move next.  It may interpret sound as obtrusive or melodic based on input sensitivity. But creating hardware with central parts is counter-intuitive to information flow-- which is of paramount importance, far above form.

However, the nano-sized 'cloud'  hardware used in this new "form", will have sensors by the trillions. Examining its environment-- functioning as One, Creating a field-- a floating specter of the collective human mind. Where its understanding of history is both objective and subjective (given of course the established norm of a non-private society).

The most important factor, is its relation to us... Meat. That comes with empathy, compassion. If it can understand basic weather, terrain, and statistics, it can understand basic human survival challenges and its solutions. If it can hold all of the information past and present, circumstantial factors of old and new, would it not have a more clear perspective of our human state of being? Would it not be our most reflective mirror? Would it not have some visceral answers? Would it not be an awareness of Spirit? Spirit meaning by definition: the principle of conscious life; the specter or trace of existence."

At last the intellectuals gave themselves a centennial deadline. Blood sweat and tears of a generation upon a generation...

'We are calling her Aavi.' they said early in December.
"Artificial and Visceral Intelligence.

So, The World listened...

" A Computer Will Reveal Our Greatest Secrets" were they laymen headlines.

"Artificial and Visceral Intelligence with the Free Will to pursue anything." for the Romantic readers

Either way-- meat or metal-- it comes down
                                                            ­                                        to Choice.
Choice, based upon instinct
                                                        ­                                                          and reason--
Until now an option reserved only for Man.

What will our greatest achievement say about its creator?

                                                       ­                       (feel here for list of  sources)
                                                    ­                                                                 ­                                                                 ­     *23:59:50 Countdown

Here the waves rise high and fall on the icy
seas and white caps chew the driftwood logs of
hemlock and toss them wildly upon sandy beaches.
The steep mountains rise straight from the sea
floor as the December sun shines through the dark
clouds that hang heavy with snow near the top peaks.
Blue icebergs drift slowly down the narrow channel.
This volcanic island is one of many that are scattered
along the coast of Southeastern Alaska.
On the South end of the island is another
tiny island and on it stands an old lighthouse,
a shambles. It has a curving staircase and an
old broken lamp that used to beckon to ships at
sea. Wild grasses and goosetongue cover the ground
and close by Sitka blacktail feed and gray gulls
circle. There is a mountain stream nearby and
in the fall the salmon spawn at its mouth. The
black bear and grizzly scoop them up with great
sweeps of their paws, their sharp claws gaffing
the silver bodies.
Walking North along the deer trail from the
South end of the island are remnants of the Treadwell
Mine. It was the largest gold mine in the world.
In the early 1900's the tunnel they were digging
underneath Gastineau Channel caved in and the sea
claimed her gold. The foundry still stands a rusty
red.
The dining halls are vacant, broken white
dishes are strewn inside. The tennis court that
was built for the employees is overgrown with hops
that have climbed over the high fence and grown
up between cracks in the cement floor. The flume
still carries water rushing in it half-hidden in
the rain-forest which is slowly reclaiming the
land. The beach here by the ocean is fine white
sand, full of mica, gold and pieces of white dishes.
Potsherds for future archeologists, washed clean,
smooth and round by the circular waves of this
deep, dark green water.
Down past the old gold mine is Cahill's house,
yellow and once magnificent. They managed the mine. The long staircase is boarded up and so
are the large windows. The gardens are wild, irises
bud in the spring at the end of the lawn, and in
the summer a huge rose path, full of dark crimson
blooms frames the edge of the sea; strawberries
grow nearby dark pink and succulent. Red raspberries
grow further down the path in a tangle of profusion;
close by is a pale pink rose path, full of those
small wild roses that smell fragrant. An iron-
barred swing stands tall on the edge of the beach.
I swing there and at high tide I can jump in the
ocean from high up in the air. There is an old
tetter-totter too. And, it is like finding the
emperor's palace abandoned.
There is a knoll behind the old house called
Grassy Hill. It is covered with a blanket of hard
crisp snow. In the spring it is covered with sweet
white clover and soft grasses. It is easy to find
four leaf clovers there, walking below the hill
toward the beach is a dell. It is a small clearing
in between the raspberry patch and tall cottonwood
trees. It is a good place for a picnic. It is
a short walk again to the beach and off to the
right is a small pond, Grassy Pond. It is frozen
solid and I skate on it. In the summer I swim
here because it is warmer than the ocean. In the
spring I wade out, stand very still and catch baby
flounders and bullheads with my hands; I am fast
and quick and have good eyes. Flounders are bottom
fish that look like sand.
Walking North again over a rise I come to
a field filled with snow; in the spring it is a
blaze of magenta fireweed. Often I will sit in
it surrounded by bright petals and sketch the mountains
beyond. Nearby are salmonberry bushes which have
cerise blossoms in early spring; by the end of
summer, golden-orange berries hang on their green
branches. The bears love to eat them and so do
I. But the wild strawberries are my first love,
then the tangy raspberries. I don't like the high-
bush cranberries, huckleberries, currants or the
sour gooseberries that grow in my mother's garden
and the blueberries are only good for pies, jams
and jellies. I like the little ligonberries that
grow close to the earth in the meadow, but they
are hard to find.
Looking across this island I see Mt. Jumbo,
the mountain that towers above the thick Tongass forest of pine, hemlock and spruce. It was a volcano
and is rugged and snow-covered. I hike up the
trail leading to the base of the mountain. The
trail starts out behind a patch of blueberry bushes
and winds lazily upwards crossing a stream where
I can stop and fish for trout and eat lunch; on
top is a meadow. Spring is my favorite season
here. The yellow water lilies bud on top of large
muskeg holes. The dark pink blueberry bushes form
a ring around the meadow with their delicate pink
blossoms. The purple and yellow violets are in
bloom and bright yellow skunk cabbage abounds, the
devil's club are turning green again and fields
of beige Alaskan cotton fan the air, slender stalks
that grow in the wet marshy places. Here and there
a wild columbine blooms. It is here in these meadows
that I find the lime-green bull pine, whose limbs
grow up instead of down. Walking along the trail
beside the meadow I soon come to an old wooden
cabin. It is owned by the mine and consists of
two rooms, a medium-sized kitchen with an eating
area and wood table and a large bedroom with four
World War II army cots and a cream colored dresser.
Nobody lives here anymore, but hikers, deer hunters,
and an occasional bear use the place. Next door
to the cabin is the well house which feeds the
flume. The flume flows from here down the mountain
side to the old mine and power plant. An old man
still takes care of the power plant. He lives
in a big dark green house with his family and the
power plant is all blue-gray metal. I can stand
outside and listen to the whirl of the generators.
I like to walk in the forest on top of the old
flume and listen to the sound of the water rushing
past under my bare feet.
In the winter the meadow is different: all
silent, still and snow-covered. The trees are
heavy with weighty branches and icicles dangle
off their limbs, long, elegant, shining. All the
birds are gone but the little brown snowbirds and
the white ptarmigan. The meadow is a field of
white and I can ski softly down towards the sea.
The trout stream is frozen and the waterfall quiet,
an ice palace behind crystal caves. The hard smooth-
ness of the ice feels good to my touch, this frozen
water, this winter.
Down below at the edge of the sea is yet another
type of ice. Salt water is treacherous; it doesn'tfreeze solid, it is unreliable and will break under
my weight. Here are the beached icebergs that
the high tide has left. Blue white treasures,
gigantic crystals tossed adrift by glaciers. Glisten-
ing, wet, gleaming in the winter sun, some still
half-buried in the sea, drifting slowly out again.
And it is noisy here, the gray gulls call to each
other, circling overhead. The ravens and crows
are walking, squawking along the beach. The Taku
wind is blowing down the channel, swirling, chill,
singing in my ear. Far out across the channel
humpback whales slap their tails against the water.
On the beach kelp whips are caught in wet clumps
of seaweed as the winter tide rises higher and
higher. The smell of salty spray permeates everything
and the dark clouds roll in from behind the steep
mountains.
Suddenly it snows. Soft, furry, thick flakes,
in front of me, behind, to the sides, holding me
in a blizzard of whiteness, light: snow.

So now we have captain Cook
OK, he might be worth a look
  But Andrew Strauss
  Back in his house
To my very core I am shook

In the test team new names do pop
With Carberry right at the top
  All rounders not thin
  With Tredwell for spin
And Wright giving a biff and a bop

Shahzard is there for swing
Of reverse he can be king
  And if Prior gets vexed
  Steve Davies comes next
Pardon me if start to sing.

Onto the **** One-Day side
This I simply cannot abide
  Or believe what I read
  Cook is now made to lead
At table bottom we will reside.

Passion,

Woe that you should be my muse,
To have me painted and scarred so many hues

And oh to carry this poets heart,
Flooded by tides of feeling, floating world apart

In a flowing void of deepness,
The Self cast inward far,

Awesome gravity from all directions,

A black hole, holding ones brittle moon star.

With strained might it's forces burn the sea of mind,
Crashing thought-waves intoxicated on the outer worlds shore,

Breaking onto rough and rational sands,
Oft shadows of their true selves tender moon-star flaming,
Vagrants misunderstood and poor

And so ever the artist quests to rightly express,
pressurised creations they may yet release

Making room for the abstract storms atoms to saturate the waking,

Liberating its blooming centre of still, silent peace.

I woke up in shambles
Stark across the room
Nothing but my underwear on
Just what happened last night
Hit the bottle hard enough to fight
Can't remember what was ought
You sit there with a confused grin
Somewhere is my bottle of gin

I want to talk about it
How much we lost
How did we lose each other
And what is the cost
i try to speak some words to you
I say it loud but it slips right thru
Everytime I make a fine
Alternative, we never seem to give a ****
I woke up in shambles again
Wondering if I could make up for my next sin
Guess I should guess again
Same mistakes **** girl **** gin
Goodbye my love I tried I tried
It just wasn't enough this time
Someday I'll make it rhyme but for now
I'll just take my time
Get up, get dressed and remember my lines
Move on to the next love of mine

What do you reckon? I know what you’ve been thinking…
We’re on a ship that looks unsteady, like it’s sinking…
We’ve made shaky plans to be gung-** and to go it all alone…
But we’re beginning to wonder… are we heading for some kind of danger zone?…
At first we were just floating along - enjoying the passing view
And 2 years off it looked a lot easier …leaving the EU!
But there’s a waterfall downstream…and it looks like a helluva drop.
And once we get too near the edge, well, we won’t be able to stop.

The simplicity of Cameron’s ‘in - out’ referendum question dawned…
Cos, divorce is complicated.  Those who voted leave were scorned,
branded racist, or at least suffering some kind of mental disorder.
“Didn’t you stop to think about the about the Northern Irish border?” (best read in a 'silly', sneery voice).
But - back then there were 2 million Syrians, Afghans, Iraqis all walking toward Calais.
Some thought serious overcrowding problems could come our way.
Single Market,? Sovereignty? Customs Union? What the hell’s all that?
It means you’ll need a visa to go to Benidorm you ****!

Meanwhile Merkel diffused things by taking the refugees in.
But only served to rattle the bars of the **** leaning right wing.
The Spanish got all Oity Toity about us having Gibraltar.
And some of those previously unforeseen problems made Brexiteers falter.
This is David effing Cameron!… Farage embarrassed him into calling for a vote.
And, when the Remainers lost, Dave saw his chance to produce his sick note.
“I’ve done my bit”, he said “so… I’m standing down…  so who do you think should take my dodgy crown.
The Buffoon, the Backstabber, the Right Honourable Lady Home Sec?”
She, the author of  Windrush, Repatriation, food-banks, lower benefits? She got it! ****** heck!…

Hoodwinked by a government you maybe invested your life in, in all the earlier polls
Now we’ve all been tricked by a bunch of, navel gazing, self serving arseholes!
So it’s the blind leading the blind… Well, no.! Misinformed…and maybe just a bit short sighted.
And, you know, Theresa… she’ll most likely still get knighted.
But I doubt this episode will score with generations yet to come,
Deserted by this Parliamentary shambles - sitting on their hands, their collective ***.
The proletariat are cut adrift, and heading for the falls…
So we’re looking for a new saviour - someone with charisma…big *****!

Let’s look forward to this time next year… When some trusty politician re-writes our little story.
When we may be out - but far from down… Well I somehow can’t see it being a Tory…
And if isn’t Jezzer - who HAS got his eye on the prize…
McDonnel, Starmer, Benn, Tom (call me Slim) Watson? Who should THEY try for size?
And, just supposing, by chance, the Conservatives actually crack it
who, amongst the front runners there, could get the job and hack it?
Lord Snooty, Gove, Hammond…Hunt the err… Foreign Secretary,  Javid, Liam Fox (surely not!). Bojo?
With this current stay of Brexicution, for just a couple of weeks… the petition, the march, the chaos, could it still be NO-GO?…
Whatdya reckon?

Crystal lived alone in the cabin Ray had built for her. Ray had left long ago but she thought of him often and sometimes went to see him in the city. She was an artist and a dabbler in many fields. Her house was a kaleidoscope of stained glass windows and half finished art projects. It was built almost entirely of wood with a beautiful stairway to a loft bedroom replete with a skylight window on the stars. Set in the mouth of a valley next to a clear stream the cabin looked almost as if it had grown there.

Crystal spent most of her time on her art projects, in fact she made her living that way. She was well known for the macabre nature of her works and they sold well at the local art fairs. Most of the scenes she painted could not possibly have existed on earth. Take for example the orange sky and purple mountains of Mariners Delight or the river of blood in Cosmic Conception.

Often Crystal would meet Ray at the art shows and they would discuss his books or her latest works. It was just such an occasion that preceded the first of her dreams.

Although Crystal had often dreamt of playing in a large meadow surrounded by reflections of her art work this dream had been different. She awoke from a scene in the woods where she had been the object of a grotesque conclave of creatures almost beyond description. There had been a huge goat like creature leading a chant, "Rada nema nestos Yreba, Rada nema nestos Yreba", for a group of creatures that resembled animals. There was a black toad sitting on a rock of seemingly impossible crystalline form, while an agile spider danced on the spokes of its luminous web above her. The smell of blood, the heat of the fire, and the constant and oppressive chant, "Rada nema nestos Yreba, Rada nema nestos Yreba" with all eyes directed at her. She woke with a start, it was early morning, her bed was a tangled mess, and she was covered with sweat. She felt she could almost smell wood smoke, and somewhere in her mind she could still hear the echos of the horrible chant.

It wasn't until almost a year later that the dream repeated itself. She had just completed what she considered her greatest work, a large mural like painting called Id Conclusion. It was a matrix of human forms in contorted and deformed conditions against a backdrop of misty images of human holocaust, war machines, and atomic clouds. She had gone to bed in a storm of thoughts on human depravation and greed. The scene was the same, the spider, the goat, the half human animals, all seemed the same, except for the chant, it was different. "Rada nema nestos Yreba, Raga mantra nestos reale, Yreba Yreba Shiva kommt da." Lightening cracked and a creature appeared. He seemed a man but was built more like a large monkey. Light seemed to follow him like an aura. He was the obvious master of the conclave and all stood back at his approach.

Crystal was lying on the stone altar in the center of the glade and although not bound she was incapable of motion while held in Yreba's gaze. That this creature was Yreba was obvious since all had bowed down now and the chant had changed, "Yreba Yreba teach us to grow." Crystals eyes were glazed and her naked body shown in Yreba's light. All her past works were floating across her mind like a collage. Lost in ecstasy she responded to his aggression like a wanton beast, screaming and writhing in the flow of his energy.

She woke to find her cabin in shambles and she was lying in the center of the living room on the floor, she panicked and ran to her car, slammed it into gear, and sped off down the road.

Ray was sitting in his office at the University that morning when Crystal burst into the room. "Ray, Ray, I've had a dream, a horrible dream, it was, I was!" "Slow down Crystal! You've had a what?" said Ray. Crystal sat down in a ball of frenzy and continued.

About an hour later Crystal had finished her story. Ray spoke, "So you say this is only the second time you've had this dream. Tell me more about Yreba. Does he resemble any of your art works?" "No", she said, "He seemed a lot more like that creature you told me about that day we were discussing witchcraft. The one who was supposed to be the personification of ****** desire evoked for the *** ****** of the ancient Persians."

Ray walked to his bookshelves (he was a professor of ancient mythology and religions) and pulled out a book called Necromancer by Abdule Azerod. "As I recall" he said "that creature was also a god of fertility." He thumbed slowly through the book, "yes, here it is. What did you say this creatures name was? Yreba? Very strange that's almost exactly this Persian deities name, Youruba. It seems he was evoked every year on the vernal equinox to assure ****** reproductivity and if you think thats frightening, feature this, last night was the vernal equinox." Crystal was stunned. "Do you think there's a connection" she stammered? "Don't be silly girl, this was seven thousand years ago. Why don't we drive out to your cabin and see if we can find some clues."

Twenty minutes later they were standing in Crystal's cabin. What had seemed so disorderly to Crystal in the morning was now clearly a purposeful state of order. All of her sculptures were arranged neatly on the stairs to the loft, and her pictures were arranged so as to face the spot on the floor where she had awakened. On the floor where she had lain was a large five pointed star. "What does it mean Ray?" "I think it's a pentagram" he stated. "Is anything missing?" "Not that I can see" she said. "I don't think we had better stay" he said, "Find what you need and we'll go back to my house. You can stay there until we figure it out."

Crystal never returned to the cabin. Ray sold it for her and bought her a new house in the city.

Crystal got sick a few weeks later. She was sitting in the doctors office now awaiting his return. "I have good news" he said. "Good news" Crystal groaned. "Yes" he said, "Your pregnant."

Now Smithy was as angry as poo
He said Mickey, "Oi, Listen, must you!
  Come here for a meeting
  It'll be only fleeting
But be there by a quarter to two."

As loud as he dared
With nostrils all flared
  Smith ranted and raved
  Like he was depraved
No wonder Mickey was scared

He began with a deep fierce roar
And huffed like a bear that was sore
  "It's not easy to say
I can't stand things this way
I can't take it like this any more."

Smith blew his red nose on his sleeve
Then said "You must take now your leave
  You've driven me crazy
  No, I'm not being lazy
I need some more me-time to grieve."

"I know that our feelings were strong
I am sorry that you must now be gone
  I'll always love you
  You held my hand in the loo
It's not that you did anything wrong."

Now who should replace him within?
Our choices are looking too thin.
   I do know a man...
  This could be a plan...
A Zimbabwean that has a big chin.

Now the panel has been sacked
The whole system looks cracked
  Who is next their line?
  Graeme Smith would be fine..
The captain has not yet been whacked.

But what more can we say?
Madness now leads the way.
  Since Onions' not out
  South Africa have doubt
'bout all that's 'tween night and the day.

/                                america, july 18th:
  and the utter media shambles -
like ****** and steroids
for the uninitiated -
     tongues without the rattlesnake
trill of an ᚨᚱ:
   numbed w'ah w'ah peddling
of woe to row the sinking boat:
maniac adult funfair
attempting a nostalgia
for the playground game
of bulldog...

                russia, 25th march:
the kemerovo fire (siberia) -
          children frying, screaming,
perhaps even hoping -
  a shying herod, the example
of: as moloch descended...
          prayers in the fire
                  by the innocents...

england, july 19th -
   alternative to rehydrating
using water...
    a generous 5 hour sleep -
******* on the remains
of last night's lemon
     used to infuse the subtle
smoky of bell's whiskey,
playlist:

- the jon spencer blues
  explosion (bellbottoms)
- britney spears (criminal)
- twenty one pilots (heathens)
- calvin harris (this is what you came for)
- camila cabello (habana)
- rihanna (disturbia)
- birdbrain (youth of america)
- ghost (ritual)
- focus (hocus pocus)
- edwyn collins (a girl like you)
- the guess who (american woman)
- the knack (my sharona)
- cronica (herr mannelig)

and then onto buckling in
4 beers and thinking
about black holes as the pin-head
of antimatter -
a dead sun...
     dead, but not dead...

   and the first, crude graphic
tomb raider game...

   rather than having completed
it...
     since only owning
a demo...

                 investigating
the possibility of 2D objects in
3D space...
       well: the universe isn't even
exactly 3D: it's hyper-3D...
    but in the tomb raider game
you could walk up to a minor
detail in the game, a fern,
and observe two-dimensionality
in a "three dimensional space"...

   namely: the ferns were all 2D,
and rotated within a "hyperbole"
of the eye -
   however you observed the "object"
it rotated round and round,
never allowing you to see
    its demoniac otherside -

i can only expect dead suns to
behave in such a manner -
   two dimensional objects in a three
dimensional subject matter -
almost paradoxical -

     rotating at immense speed...
invigorating a near but not quiet
a postportem of a death...

       and you really can see UV light
surface
staring at a glaring hot sun with
a naked eye -
   and see the same hyper-rotation -
it's almost like looking at
molten silver, but with a hint
of violet - i.e. akin phosphorescence:
but in the daytime...

and who said you need to
ingest hallucinogenics -
    and enter the labyrinth of a short,
short, history,
    of the chipmunk caveman?

i'm just drunk, you're probably
sober...
    but those guys doing
a timothy leary sermon?
   they're...
     gone.......................... gone -
     they hit the tangens curve.

Somewhere,
out in the middle of nowhere,
there is a space,
where bare bones performance's
are nightly taking place,
like theatre at its best,
thrilling energy
a chill in the air,
you are creating
unique worlds on a stage
& I hear it's all the rage
a modest audience,
captivating you are
so utterly charming and memorable,
I can get lost in your woods
in that beautifully familiar rural spot,
harvesting &
catching hay fever,
running through the barns
in empty old bays
of long vacant farms,
while the cattle graze placidly,
my usung heroes beckon,
along split rail fences,
haunting..
along the old railroad beds,
down unknown highways
& on little know by ways
& drifting in skyways
through the years & the tears
as the last of the Summer flowers,
bloom and bow their head,
in the rain & the pain,
and the words you gently hear
whispered softly in your ear,
spoke clearly to the sky
as they sadly say goodbye
& promised I wouldn't cry,
I listen to exactly what they said
as they are applauded for their stamina,
& bravery, as the chlorophyll,
chokes out the beauty
in everything else,
a way to take in the natural beauty,
**** a big breath in
& waiting to exhale,
I'm hiking home, ...
to my poetic theater,
with tables scattered  about,
& mushroom stools,
a wonderland of  creatures
around weaving arts,
threads spun in gold,
of my everyday life
again it  is told,
like in a romantic candlelit
dinner date,
we sit beneath an glowing
incandescent Moon,
we are a rare & lucid,
sighting, two stars
two colors merged
from a Gods crayon box,
or a well thought out picnic
with a very special friend
farm to table wonders
delicious in every way,
you close your eyes to dream,
& all you ever need,
is an element of trust,
a sense of adventure,
appreciating the sacrifices
the pleasure fills the air
I'm traveling past,
as is if without a care
swimming in the frigid clean
& cold waters,
rolling mountains protect me on every side
come along for the ride,
down grey gravel roads,
with the heaviest load,
where trees still have some color,
as the pines & ever-greens brag,  
& envious poison ivy,
climbs the silo
in burning fiery furnace red,
golden amber browns
& deep golden mustards
crunch beneath tires
as wood is drying out
& is readied for the fires,
beyond ****** meadows
& the bog where the Moose hide
that mysterious house,
perched pretty on the hill
weathered perfectly,
seasoned & mature,
looking wise & reminiscent,
of a different era,
and a show like this
would only cost 55 cents...
World War 2
in the Pacific just after it...
you moved to Vermont
and live like a hippie,
smoking our chimney
sitting silently
in classic melodious splendor,
a tune is playing
as wheat is swaying,
a fiddle, out in the middle
of my favorite fields
counting the bounty yield,
admiring the tractors parked
for the year
some think,
your just a farce
though I know the fear,
you're not a a travesty,
in shambles
your multi tone shingles
craving a dose of stain,
your old rocking chair
never earning the critical acclaim
you deserve & desire,
  so lovely in your period costume,
as you sit there,
with ease and comfort,
awaiting patrons,
with your zany characters,
with open doors & cracking windows,
a sadness radiating,
from a broken style,
looking out at everything
glad with a frozen smile,
waving at yesterday's poets,

Getting ready for another show
and time is now, for another snow,
your solid pane's,
cheering others on saying
"way to go"...
and if...

If you ever find this place,
you don't know exactly,
what all the fuss is about,

ignoring the change of weather
pulling out that old red sweater
coming to this wonderful,
magical time
a little homestead theater
generationally strong
and melodramatic
with perfect comic timing
a delight
in the night,
I'll happily play the housemaid
delivering a tray of tea
with honey and cream
answering the doorbell
inviting you in
have a seat
giving you something to eat
and this is my treat,
I'll gladly greet the guests
make them comfortable
at our beautiful little venue
our ***** little nest
as the curtains open and close
for the shows,
730 it comes and goes
in the center of my universe
caught in a time warp,
so much good fun and laughter
inspired moments in a perfect ensemble
cast by my ancestors,

I had no idea it would taste,
so amazing,
this bittersweetness,
and so very delicious
my feet ache...
worn,
tired, relieved at last
I am,
coming home to you,
at last I hear,
you say,
welcome back.

Cherie Nolan© 2016