These are interesting times
Blessing cursing each moment
Smelling like the '80s
Rhyming with the '60s
Cringing like the '40s
Gasping at '17

It's The War of The Worlds II
Man versus man versus nature and self
A free-for-all melee, just name it
Where bacteria and viruses
     and gas and atoms
Will be our doom in the end
But not before we've wreaked havoc

on all that we love.

Everyone wants to hear a poem that rhymes from the girl who rhymes
But I’ve got no rhythm tip toe around the precision of other writers  
I get lost easily in the waves of patterns and structure
Rupture my skin in the process
Destroying words and phrases in the mess of my skin and blood
Dragging myself through the mud I am a jumble of words that don’t even fit together in sentences
My types of fetish’s aren’t feet or latex, but poetry
Supposedly everyone can rhyme but
My fingers can find the time from the space between pen and paper
Maybe if i cover my room in wallpaper made from failed poems
I’ll finally get there
Rip out all my hair
I’ve never successfully written rhyme worth sharing
I’ve been in this despairing state for a while
Ran miles on my tongue  
Wrung myself dry from all my creativity
Found I have a bigotry towards everything I write

Everyone wants to hear a poem that rhymes from the girls who rhymes
I ask for an example
Sample sounds on paper
Ending up with ample amounts of couplets
But its never enough, its always going to fall short
Someone needs to take me to court I’m copying the sound of other writers
Profound thoughts never said eloquently enough
It’s rough to be a writer that doesn’t know how to write
But I’ve never been the type to give up
Cover up all my failed attempts at rhyming with free-verse
Curse me, Or even worse
Coerce me into thinking I know what I’m doing
Because whats worse than blissful ignorance
Hand my a fistful of advice and set me free
But I’ll never be the girl who rhymes rhymes
My fingers will never find the time lost between pen and paper

Everyone wants to hear a poem that rhymes from the girl who rhymes
Sometimes they nearly get their wish
But all dreams parish in jumbles of words in phrases
Blaze through whole journals trying to write two poems
Crumbling my own thoughts in my too fast thought process

Everyone wants to hear a poem that rhymes from the girls who rhymes
I still with pencil and paper
Set out on this caper
With a website that gives me words that rhyme
I’ve decided to let people get their fix
Try my hand at rhymes
Take my time
And slow down my too fast thought process
Soak up all my creativity
A rid my mind of every bigotry I ever had
Because the girl who rhymes
Will always be the girl who rhymes

rhyming is hard
who do you think I am,
a bard?

i try my best,
but i fail the test
of being funny
or rhyming, buddy

Me again
yes you guessed it
hold this pen
can't get arrested

Rhyming Is My Business

Working on a secret mission,
brain in unstable condition,
don't believe in superstition,
will charge for admission.
Life flashing before my eyes,
tongue tied between her thighs,
maggots soon become flies,
my ***** is the perfect size.
I am number one,
writing is just for fun,
never will I own a gun,
life has just begun.
I'm my own best friend,
friends and family, I will defend,
texted you, but forgot to send,
my funeral, I will attend.
Sometimes I need a helping hand,
life never goes as planned,
Facebook is becoming bland,
nothing beats a good hair band.
****** is a bad addiction,
why is fact called nonfiction,
dying is not a prediction,
life is just a contradiction.
With me you're in awe,
it's just an unwritten law,
never miss Monday Night Raw,
when I don't write, you go through withdraw.
I am just the very best,
to hell with all the rest,
nothing beats a woman's chest,
knowing me, you should be blessed.

Find a Poet Not a poser, not a "it's just a hobby" poet. Find one who mumbles lines as they scramble for a pen at breakfast; who shakes their head randomly when their thoughts aren't rhyming properly;  who has notebooks stashed around the house that you must never touch.
2. Listen Savor the spoken words, for those are harder to express. Keep in mind that they can't be edited and re-written, and be forgiving when a mistake is made.
3. Read The body speaks as loudly as words on a page do. When their eyes are closed or focused on the ceiling and the fingers are tapping out syllables, recognize the unique process. Respect the need for quiet, because if you look closely, you can read the poem on their face before they write it on the page.
4. Write Write your story together. Grab hold of the pen and hang on as you move across the page of life. Sometimes you will dance across, others you will be dragged. You may have to cross out a word, or a line, or a page, but don't give up. Discouragement is a poet's biggest enemy, inarticulateness their biggest fear. So end each day with a semi-colon, because the story will never end the way you think it will, and there must be room for more. There is always room for more, more words, more laughter, more tears, more love,
When you love a poet.

We’re all reptilian; our skins slough free
Each hour, a few epidermal cells cleared
Sliding away so silently that we
Don’t even know that we have disappeared

And then the dermis – it steps bravely up
The hypodermis in its place stands to
All cells and capillaries to duties new
And slowly, slowly, there is a brand new you

But what is truly important every day
Is that we don’t slough our dear friends away

Some people feel like rhyming is important
But I think they're blind to truth
The most beautiful poems
I have ever read in my life
Contain no planned rhymes
They're the words that pour out of you
Straight from that center in your body
That controls your emotions
When you write from that place
Your words speak to people
So write from there
Don't worry about if this word rhymes
With that one or whichever one

I really like to read poems all the time
but its sad to say how few actually rhyme
a lot of your poems i tend to find boring
when they honestly should leave me adoring

So if your up for the challenge
and want to show me your talent
then spit out a good rhyme
way beyond its time

So make me feel like im singing a song
with ever last word i stumble upon
so go now no time to waste
spit out those rhymes in great haste

P.S. please avoid copy and paste

After taking a gulp of water, M. opens a new Word document, inhaling deeply. He begins to write a sort of Introduction or Author’s Note:

‘This is to be my first real poem. No *******, cheesy rhyming or painfully forced verbiage. I am now only a seeker of truth…’

M., having just crushed two Focalin pressed pills, rolls a five-dollar bill and proceeds to insufflate, pausing momentarily when the line is halfway finished; he exhales before immediately finishing it off. His sinus burns fiercely. There is something masochistic about his preferred method of ingestion w/r/t pills. And but with a sudden albeit expected (in fact, M. was utterly beholden to it) rush of vitality, M. spends the next ten minutes finishing his half-page poetic manifesto [sic] (which term he actually wrote as a heading. “Poetic Manifesto”, that is), before beginning what he considers to be the first stanza. He likes that the location of the beginning of his poem is ambiguous. And so he begins thusly, consciously avoiding conventional rhyme scheme, instead opting for what he considers to be abstract.

‘My first poem, ostensibly an attempt at catharsis, was in fact a failed expression of my latent desire to be accepted. For today it’s a poem and last week a novel; tomorrow I’ll ferociously ******* some fashionably obscure, formidably pretentious prose [sic]. Consuming all but absorbing nothing…’

If he is to discover vicious truths [sic] in his writing, he cannot hold anything back. He thinks of a double-entendre using the word ‘blunt’, but decides not to employ it. Perhaps yesterday. Suddenly, M. begins to ruminate on his poem from the day before, which had earned him the opposite of acclaim from his peers. He must simply do the opposite of what he had done before! When he resumes writing, M. eventually begins to subconsciously fall back into the 12-syllable AABB rhyme scheme of his yesterday’s poem.

‘…Perhaps the following phase will stick for more than a wretched week.
Why have I wasted words on wan, vapid, wheezing lines
Of sickeningly phony, sophomoric, pseudo-sentimental ****?
Surely you see the salient theme,
That from which I hide,
Refusing to acknowledge life’s flaccid, tan **** as it floats in front of me,
Beckoning me forth,
A one-eyed, furiously fetid viper...’

M. chortles at his alliterative stanza’s ending. ‘This is how I write,’ he mutters to himself, maintaining a straight face. He writes without pause for nearly an hour. He is pleased.

‘…A generalist—that’s what I tell myself I am,
Because simply knowing a few facts,
Even for forty or fifty fields,
Is surely worthy of that
Respect which is given to those men and women
Who earn it by grinding away
At that which determine the sycophant vermin
Is worthy of lifting a lash…’

Hours pass. The poem approaches two thousand words in length. After taking a truncated cigarette break (the break, not the cigarette, was truncated), M. continues where he left off.*

‘…Believe you not for a second the frost-bitten-phallus,
That Freudian façade [sic],
The false faces I display to fake friends
Whose frequent fornication
Fills my mind with fossilized fleas,
******-spiritual formication [sic]
For which there’s no vaccine…

…Once I’ve come down from the mountainous apogee atop which I sit,
Calmly surveying the ever-receding landscape through the lens of fleeting euphoria
Which, fading faster always, gives way to—no, I will not say it—I refuse to legitimate her lies.
As I descend with increasing speed,
specters of judgment torment me into insanity…
    
B  r  e
a   t  h
     e  ;

...this feeling I simply cannot bear—
their sirens threaten to burst my eardrums.
Although it’s undoubtedly pathetic,
I can no longer lie to myself;
I desire the approval
of those specters
who haunt
m-
e
...’

M. begins to hyperventilate, panicking at his embarrassment at publishing such a bad poem the day before. He grasps his heart, which is beating out of his chest. The fear of cardiac arrest simply increases his anxiety. Laying down on the ****-carpeted floor, M. attempts to meditate, imagining this to be how it might feel to do TM on *******. Minutes then an hour pass.
Suddenly, a much-welcomed epiphany presents itself to M.; as if it fluttered through his window and hovered, eerily still in the way that only hummingbirds can be, just in front of his face. So obvious does it seem (the epiphany) that he begins to laugh maniacally in the pitch of a female voice either pre-pubescent or near-dead; a kind of

YEE!    

YEE!      

YEE!    

HEEEE!

HE!

HEE!                      

HEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!

sound.
After minutes of uncontrollable mirth, M. holds his abdomen and makes the lugubrious [sic], delirious noises of tired suffering. After a few more YEE’s and HEEEE’s escape, he begins to regain control, trying not to focus on what he’d realized w/r/t futility as it relates to shame, but certainly ensuring that he won’t forget. M. sits in his chair with a old-man grunt, the sort of noise over which wives divorce their husbands.
He sips water.
M. opens a new document and begins to type:

For what do we write, we talentless wretches?
To publish some
gooey garbage
in hopes
that some fleet of demonic tween-age sociopaths
adopts our work as part of the canon of cuntiness?  

Not we, the veritable “un-poets”,
Our haphazardly-conceived writing stinks,
No, it reeks of fetid, smegmatic phalluses;
Of a ****** of maniacal madmen,
Blue-balled after an abysmal night/morning
Tossing crumpled ***** of money
At Patti’s plump-lipped, positively putrid-looking

&&&&               *****               &&&&

In an I-95 truck stop;
“Taste **** and *****
At Trucker Tom’s ***** Taphouse
                                        Where friends meet
                                            and literally throw money
                                              into syphilitic snatches.”

We write for the duty of identity,
We who might be found with a serious face on,
Writing rhyming, rhythmic,
quasi-**** lines of lead-heavy, snobbish lifeforce-larcen.
The sort of **** that keeps you from getting up in the morning.

But of course we are writers, as sure as the sea
Is blue, the day is long, who daresay that I am wrong?
And he who
doth [sic] dare,
I point to that long
******* I posted
ere the day began.
There lies his evidence though it belongs in the can.

“Orange doesn’t rhyme.”
Well, that’s what we were taught.
So, what it really needs is
Some careful new thought.

So, just for a moment
Let’s get a bit strange;
Let’s take the word ‘orange’
And let us deftly rearrange.
It can become something
Like ‘no rage’ instead.
Doesn’t that fit much more
Comfortably inside the head
And inside your rhyme scheme
As you gleefully poeticize
And smoothly abandon
The conundrum of other guys?

For instance, change orange:
On gear a transmission,
In discussion, ‘go near’?
Maybe some kind of Russian?
“An gore?’, on of Vidal’s children?
Or maybe like ‘Ego ran’,
A stuck-up jogging chicken?
‘Graneo’, something to call
Mother’s mom, if you’re hip?
“Groane’, an archaic manner
To let a moan escape your lips.
‘No gare’, a French gate
Too far away to easily use.
‘Neo gar’, a species of fish
That is sometimes in the news.

That doesn’t not signal
The orange issue surrender.
It just means I am willing
To consider almost any other
Way to look at this word
Another entire way instead
For this rather comfortable color
Halfway between yellow and red.

hey pete!
by michael r. burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy’s dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then
you'll be a Superstar.

Note: Pete Rose was my favorite baseball player as a boy; this poem is not a slam at him, but rather ironic commentary on the term “superstar.” Keywords/Tags: Pete Rose, baseball, season, star, superstar, sun, sky, schoolboy, dreams, winter, spring, summer, Cincinnati Reds, Big Red Machine, Elite Eight, Charlie Hustle, Hit King



Sinking
by Michael R. Burch

for Virginia Woolf

Weigh me down with stones ...
fill all the pockets of my gown ...
I’m going down,
mad as the world
that can’t recover,
to where even mermaids drown.



VILLANELLES

These are villanelles and villanelle-like poems, including a new new poetic form I invented, the “trinelle” or “triplenelle.”

What happened to the songs of yesterdays?
by Michael R. Burch

Is poetry mere turning of a phrase?
Has prose become its height and depth and sum?
What happened to the songs of yesterdays?

Does prose leave all nine Muses vexed and glum,
with fingers stuck in ears, till hearing’s numbed?
Is poetry mere turning of a phrase?

Should we cut loose, drink, guzzle jugs of ***,
write prose nonstop, till Hell or Kingdom Come?
What happened to the songs of yesterdays?

Are there no beats to which tense thumbs might thrum?
Did we outsmart ourselves and end up dumb?
Is poetry mere turning of a phrase?

How did a feast become this measly crumb,
such noble princess end up in a slum?
What happened to the songs of yesterdays?

I’m running out of rhymes! Please be a chum
and tell me if some Muse might spank my ***
for choosing rhyme above the painted phrase?
What happened to the songs of yesterdays?



Trump’s Retribution Resolution
by Michael R. Burch

My New Year’s resolution?
I require your money and votes,
for you are my retribution.

May I offer you dark-skinned scapegoats
and bigger and deeper moats
as part of my sweet resolution?

Please consider a YUGE contribution,
a mountain of lovely C-notes,
for you are my retribution.

Revenge is our only solution,
since my critics are weasels and stoats.
Come, second my sweet resolution!

The New Year’s no time for dilution
of the anger of victimized GOATs,
when you are my retribution.

Forget the ****** Constitution!
To dictators “ideals” are footnotes.
My New Year’s resolution?
You are my retribution.



Why I Left the Right
by Michael R. Burch

I was a Reagan Republican in my youth but quickly “left” the GOP when I grokked its inherent racism, intolerance and retreat into the Dark Ages.

I fell in with the troops, but it didn’t last long:
I’m not one to march to a klanging gong.
“Right is wrong” became my song.

I’m not one to march to a klanging gong
with parrots all singing the same strange song.
I fell in with the bloops, but it didn’t last long.

These parrots all singing the same strange song,
with no discernment between right and wrong?
“Right is wrong” became my song.

With no discernment between right and wrong,
the **** marched on in a white-robed throng.
I fell in with the rubes, but it didn’t last long.

The **** marched on in a white-robed throng,
enraged by the sight of boys in sarongs.
“Right is wrong” became my song.

Enraged by the sight of boys in sarongs
and girls with butch hairdos, the clan klanged its gongs.
I fell in with the dupes, but it didn’t last long.
“Right is wrong” became my song.



The vanilla-nelle
by Michael R. Burch

The vanilla-nelle is rather dark to write
In a chocolate world where purity is slight,
When every rhyming word must rhyme with white!

As sure as night is day and day is night,
And walruses write songs, such is my plight:
The vanilla-nelle is rather dark to write.

I’m running out of rhymes and it’s a fright
because the end’s not nearly (yet) in sight,
When every rhyming word must rhyme with white!

It’s tougher when the poet’s not too bright
And strains his brain, which only turns up “blight.”
Yes, the vanilla-nelle is rather dark to write.

I strive to seem aloof and recondite
while avoiding ancient words like “knyghte” and “flyte”
But every rhyming word must rhyme with white!

I think I’ve failed: I’m down to “zinnwaldite.”
I fear my Muse is torturing me, for spite!
For the vanilla-nelle is rather dark to write
When every rhyming word must rhyme with white!



I may have invented a new poetic form, the “trinelle” or “triplenelle.”

Ars Brevis
by Michael R. Burch

Better not to live, than live too long:
this is my theme, my purpose and desire.
The world prefers a brief three-minute song.

My will to live was never all that strong.
Eternal life? Find some poor fool to hire!
Better not to live, than live too long.

Granny ******* or a flosslike thong?
The latter rock, the former feed the fire.
The world prefers a brief three-minute song.

Let briefs be brief: the short can do no wrong,
since David slew Goliath, who stood higher.
Better not to live, than live too long.

A long recital gets a sudden gong.
Quick death’s preferred to drowning in the mire.
The world prefers a brief three-minute song.

A wee bikini or a long sarong?
French Riviera or some dull old Shire?
Better not to live, than live too long:
The world prefers a brief three-minute song.



This is a "trinelle" or "triplenelle" about one of my favorite basketball players:

The Ballad of Dalton "Connect" Knecht
by Michael R. Burch

The basket's bent, the nets are charred.
It's hard to **** his will, as well.
Dalton Knecht is hard to guard.

To all defenders, it's "en garde!"
It's hard to **** his will, as well.
The basket's bent, the nets are charred.

There's no defense, all exits 're barred.
It's hard to **** his will, as well.
Dalton Knecht is hard to guard.

All hope is lost, not even a shard.
It's hard to **** his will, as well.
The basket's bent, the nets are charred.

The opposing coach's faith is jarred.
It's hard to **** his will, as well.
Dalton Knecht is hard to guard.

The defense's pride is maimed and scarred.
It's hard to **** his will, as well.
The basket's bent, the nets are charred.
Dalton Knecht is hard to guard.



Door Mouse
by Michael R. Burch

I’m sure it’s not good for my heart—
the way it will jump-start
when the mouse scoots the floor
(I try to **** it with the door,
never fast enough, or
fling a haphazard shoe ...
always too slow too)
in the strangest zig-zaggedy fashion
absurdly inconvenient for mashin’,
till our hearts, each maniacally revvin’,
make us both early candidates for heaven.



Prose Poem: The Trouble with Poets
by Michael R. Burch

This morning the neighborhood girls were helping their mothers with chores, but one odd little girl was out picking roses by herself, looking very small and lonely. Suddenly the odd one refused to pick roses anymore because she decided it might “hurt” them. Now she just sits beside the bushes, rocking gently back and forth, weeping and consoling the vegetation!
Now she’s lost all interest in nature, which she finds “appalling.” She dresses in black “like Rilke” and says she prefers the “roses of the imagination”! She mumbles constantly about being “pricked in conscience” and being “pricked to death.” What on earth can she mean? Does she plan to have *** until she dies?

For chrissake, now she’s locked herself in her room and refuses to come out until she has “conjured” the “perfect rose of the imagination”! We haven’t seen her for days. Her only communications are texts punctuated liberally with dashes. They appear to be badly-rhymed poems. She signs them “starving artist” in lower-case. What on earth can she mean? Is she anorexic, or bulimic, or is this just a phase she’ll outgrow?



Mercedes Benz
by Michael R. Burch

I'd like to do a song of great social and political import. It goes like this:

Oh Donnie, won't you sell me your Mercedes Benz?
My friends ***** in Porsches, I must make amends!
Like you, I ****** my partners and now have no friends.
So, Donnie won't you sell me your Mercedes Benz?

Oh Donnie, won't you sell me a **** import?
You need to pay your lawyers: a **** for a tort!
I’ll await her delivery, each day until three.
And Donnie, please throw in Ivanka for free!

Oh, Donnie won't you buy me a night on the town?
I'm counting on you, Don, so please don't let me down!
Oh, prove you're a ******* and bring them around.
Oh, Donnie won't you buy me a night on the town?

Oh Donnie, won't you sell me your Mercedes Benz?
My friends ***** in Porsches, I must make amends!
Like you, I ****** my partners and now have no friends.
So, Donnie won't you sell me your Mercedes Benz?



Syndrome
by Michael R. Burch

When the heart of a child,
fragile, like a flower, unfolds;
when his soul emerges from its last concealment,
nestled in the womb’s muscular whorls, its secret chambers;
when he kicks and screams,
flung from the watery darkness into the harsh light’s glare,
feeling its restive anger, its accusatory stare;
when he feels the heart his emergent heart remembers
fluttering against his cheek,
then falls into the lilac arms of heavy-lidded sleep;
when he reopens his eyes to the bellows’ thunder
(which he has never heard before, save as a drowned echo)
and feels its wild surmise, and sees—with wonder
the tenderness in another’s eyes
reflecting his startled wonder back at him,
as his heart picks up the beat of his mother’s grieving hymn for the world’s intolerable slander;
when he understands, with a babe’s discernment—
the *******, the hands, that now, throughout the years,
will bless him with their comforts, console him with caresses,
the gentle eyes, which, with their knowing tears,
will weep him away from the world’s slick, writhing dangers
through all his restlessly-flowering years;
as his helplessly-frail fingers curl around the nose now leaning to catch his powdery talcum scent ...
Remember—it is the world’s syndrome, its handicap, not his,
that will insulate assumers from the gentle pollinations of his loveliness,
from his gifts of enchantment, from his all-encompassing acceptance,
from these tender angelic charms now lifting awed earthlings who gladly embrace him.

Published by the National Association for Down Syndrome



Homer translations

Surrender to sleep at last! What a misery, keeping watch all night, wide awake. Soon you’ll succumb to sleep and escape all your troubles. Sleep. — Homer, loose translation/interpretation by Michael R. Burch

Passage home? Impossible! Surely you have something else in mind, Goddess, urging me to cross the ocean’s endless expanse in a raft. So vast, so full of danger! Hell, sometimes not even the sea-worthiest ships can prevail, aided as they are by Zeus’s mighty breath! I’ll never set foot on a raft, Goddess, until you swear by all that’s holy you’re not plotting some new intrigue! — Homer, loose translation/interpretation by Michael R. Burch

Let’s hope the gods are willing. They rule the vaulting skies. They’re stronger than men to plan, execute and realize their ambitions. — Homer, loose translation/interpretation by Michael R. Burch

Few sons surpass their fathers; most fall short, all too few overachieve. — Homer, loose translation/interpretation by Michael R. Burch

Death is the Great Leveler, not even the immortal gods can defend the man they love most when the dread day dawns for him to take his place in the dust. — Homer, loose translation/interpretation by Michael R. Burch

Any moment might be our last. Earth’s magnificence? Magnified because we’re doomed. You will never be lovelier than at this moment. We will never pass this way again. — Homer, loose translation/interpretation by Michael R. Burch

Beauty! Ah, Terrible Beauty! A deathless Goddess, she startles our eyes! — Homer, loose translation/interpretation by Michael R. Burch

Many dread seas and many dark mountain ranges lie between us. — Homer, loose translation/interpretation by Michael R. Burch

The lives of mortal men? Like the leaves’ generations. Now the old leaves fall, blown and scattered by the wind. Soon the living timber bursts forth green buds as spring returns. Even so with men: as one generation is born, another expires. — Homer, loose translation/interpretation by Michael R. Burch

Since I’m attempting to temper my anger, it does not behoove me to rage unrelentingly on. — Homer, loose translation/interpretation by Michael R. Burch

Overpowering memories subsided to grief. Priam wept freely for Hector, who had died crouching at Achilles’ feet, while Achilles wept himself, first for his father, then for Patroclus, as their mutual sobbing filled the house. — Homer, loose translation/interpretation by Michael R. Burch

“Genius is discovered in adversity, not prosperity.” — Homer, loose translation/interpretation by Michael R. Burch

Ruin, the eldest daughter of Zeus, blinds us all with her fatal madness. With those delicate feet of hers, never touching the earth, she glides over our heads, trapping us all. First she entangles you, then me, in her lethal net. — Homer, loose translation/interpretation by Michael R. Burch

Death and Fate await us all. Soon comes a dawn or noon or sunset when someone takes my life in battle, with a well-flung spear or by whipping a deadly arrow from his bow. — Homer, loose translation/interpretation by Michael R. Burch

Death is the Great Leveler, not even the immortal gods can defend the man they love most when the dread day dawns for him to take his place in the dust.—Homer, loose translation/interpretation by Michael R. Burch



Giacomo da Lentini

Giacomo da Lentini, also known as Jacopo da Lentini or by the appellative Il Notaro (“The Notary”), was an Italian poet of the 13th century who has been credited with creating the sonnet.

Sonnet 26
by Giacomo da Lentini
loose translation/interpretation by Michael R. Burch

I've seen it rain on sunny days;
I’ve seen the darkness split by light;
I’ve seen white lightning fade to haze;
Seen frozen snow turn water-bright.

Some sweets have bitter aftertastes
While bitter things can taste quite sweet:
So enemies become best mates
While former friends no longer meet.

Yet the strangest thing I've seen is Love,
Who healed my wounds by wounding me.
Love quenched the fire he lit before;
The life he gave was death, therefore.

How to warm my heart? It eluded me.
Yet extinguished, Love sears all the more.



Haiku

Am I really this old,
so many ghosts
beckoning?
—Michael R. Burch

Sleepyheads!
I recite my haiku
to the inattentive lilies.
—Michael R. Burch

The sky tries to assume
your eyes’ azure
but can’t quite pull it off.
—Michael R. Burch

The sky tries to assume
your eyes’ arresting blue
but can’t quite pull it off.
—Michael R. Burch

Early robins
get the worms,
cats waiting to pounce.
—Michael R. Burch

Two bullheaded frogs
croaking belligerently:
election season.
—Michael R. Burch

An enterprising cricket
serenades the sunrise:
soloist.
—Michael R. Burch

A single cricket
serenades the sunrise:
solo violinist.
—Michael R. Burch

My life:
how little remains
of a night so brief?
—Masaoka Shiki, loose translation/interpretation by Michael R. Burch

Masaoka Shiki struggled with tuberculosis and died at age 35.
Yesterday’s snows
that fell like cherry blossoms
are mudpuddles again.

—Koshigaya Gozan, loose translation/interpretation by Michael R. Burch
I write, erase, revise, erase again,
and then...
suddenly a poppy blooms!

—Katsushika Hokusai, loose translation/interpretation by Michael R. Burch
Vanishing spring:
songbirds lament,
fish weep with watery eyes.

—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Wearily,
I enter the inn
to be welcomed by wisteria!

—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Pale moonlight:
the wisteria’s fragrance
seems equally distant.

—Yosa Buson, loose translation/interpretation by Michael R. Burch
By such pale moonlight
even the wisteria's fragrance
seems distant.

—Yosa Buson, loose translation/interpretation by Michael R. Burch
Pale moonlight:
the wisteria’s fragrance
drifts in from afar.

—Yosa Buson, loose translation/interpretation by Michael R. Burch
Pale moonlight:
the wisteria’s fragrance
drifts in from nowhere.

—Yosa Buson, loose translation/interpretation by Michael R. Burch
Plum flower temple:
voices ascend
from the valleys.

—Natsume Soseki, loose translation/interpretation by Michael R. Burch
limping to the grave under the sentence of death,
should i praise ur LORD? think i’ll save my breath!
–michael r. burch

Because you made a world where nothing matters,
our hearts lie in tatters.
—Michael R. Burch



Hurrian Hymn No. 6
ancient Akkadian hymn
loose translation/interpretation by Michael R. Burch

"Hurrian Hymn No. 6" was discovered in the ruins of Ugarit, near the modern town of Ras Shamra in Syria. It is the oldest surviving substantially complete work of notated music, dating to around 1400 BCE. The hymn is addressed to the goddess Nikkal (aka Ningal), the wife of the moon god Sin in ancient Mesopotamian mythology. "Hurrian Hymn No. 6" is one of 36 ancient Akkadian hymns called the "Hurrian Hymns" that were preserved in cuneiform, although the rest of the hymns are not as well-preserved.

1.
Having endeared myself to the Deity, she will embrace me.
May this offering of bread I bring wholly cover my sins.
May the sesame oil purify me as I bow low before your divine throne in awe.
Nikkal will make the sterile fertile, cause the barren to be fruitful:
They will bring forth children like grain.
The wife will bear her husband’s children.
May she who has not yet borne children now conceive them!

2.
For those who receive my offerings,
I place two loaves in their bowls as I perform the rites.
The couple have raised sacrifices to the heavens for their health and good fortune!
I have placed the loaves before your Divine Throne.
I will purify their sins, without denying them.
I will bring the lovers to you, that you may find them agreeable, for you love those who come forward to be reconciled.
I have brought their sins before you, to be removed through the reconciliation ritual.
I will honor you at your footstool.
Nikkal will strengthen them.
She allows married couples have children.
She allows children to be conceived by their fathers.
But the unreconciled will weep: "Why have I not yet born my husband children?"


Ammiditāna's Hymn to Ištar
Ancient Akkadian poem, author unknown
loose translation/interpretation by Michael R. Burch

1 iltam zumrā rašubti ilātim
2 litta''id bēlet iššī rabīt igigī
3 ištar zumrā rašubti ilātim
4 litta''id bēlet ilī nišī rabīt igigī

1 Sing the praises of the Goddess, our awe-inspiring Goddess!
2 Sing the praises of our Lady, the greatest of the gods!
3 Sing the praises of Ishtar, our awe-inspiring Goddess!
4 Sing the praises of our Lady, the greatest of the gods!

5 šāt mēleṣim ruāmam labšat
6 za'nat inbī mīkiam u kuzbam
7 šāt mēleṣim ruāmam labšat
8 za'nat inbī mīkiam u kuzbam

5 Ishtar who becomes aroused, exuding lust,
6 dripping desire—voluptuous and amorous!
7 Ishtar who becomes aroused, exuding lust,
8 dripping desire—voluptuous and amorous!

9 šaptīn duššupat balāṭum pīša
10 simtišša ihannīma ṣīhātum
11 šarhat irīmū ramû rēšušša
12 banâ šimtāša bitrāmā īnāša šitārā

9 Her lips drip honey-sweetness, her mouth is life itself,
10 Her cheeks are flushed with delight!
11 She is lovely, with beads braided in her hair!
12 Her cheeks are comely, her eyes are iridescent!

13 eltum ištāša ibašši milkum
14 šīmat mimmami qatišša tamhat
15 naplasušša bani bu'āru
16 baštum mašrahu lamassum šēdum

13 Our Goddess is pure, her counsel uncontested;
14 She holds the fates of all worlds in her hands!
15 Seeing her brings prosperity and happiness
16 for her pride, splendor, and protective spirit!

17 tartāmī tešmê ritūmī ṭūbī
18 u mitguram tebēl šīma
19 ardat tattadu umma tarašši
20 izakkarši innišī innabbi šumša

17 She is the Goddess of love-making and seduction,
18 of pleasure and harmony!
19 She teaches the naked girl to become a mother;
20 She will advance her name among the people!

21 ayyum narbiaš išannan mannum
22 gašrū ṣīrū šūpû parṣūša
23 ištar narbiaš išannan mannum
24 gašrū ṣīrū šūpû parṣūša

21 Who can rival her glory?
22 Her powers are unlimited, exalted and manifest!
23 Who can rival Ishtar's glory?
24 Her powers are unlimited, exalted and manifest!

25 gaṣṣat inilī atar nazzazzuš
26 kabtat awassa elšunu haptatma
27 ištar inilī atar nazzazzuš
28 kabtat awassa elšunu haptatma

25 Highest of the gods, her standing immense,
26 Her word is law, she towers above them!
27 Ishtar among the gods, her standing immense,
28 Her word is law, she towers above them!

29 šarrassun uštanaddanū siqrīša
30 kullassunu šâš kamsūšim
31 nannarīša illakūši
32 iššû u awīlum palhūšīma

29 They beg their queen to issue them orders;
30 they bow down obsequiously before her!
31 Acolytes orbit around her;
32 Men and women approach her in fear!

33 puhriššun etel qabûša šūtur
34 ana anim šarrīšunu malâm ašbassunu
35 uznam nēmeqim hasīsam eršet
36 imtallikū šī u hammuš

33 Foremost in the assembly, her speech altogether exalted,
34 she sits throned among them, an equal to Anu, the king!
35 She is wise beyond comprehension
36 when she and her chieftan confer!

37 ramûma ištēniš parakkam
38 iggegunnim šubat rīšātim
39 muttiššun ilū nazzuizzū
40 epšiš pîšunu bašiā uznāšun

37 They sit at the dais together,
38 in their delightful dwelling,
39 as the gods stand respectfully
40 awaiting her bidding.

41 šarrum migrašun narām libbīšun
42 šarhiš itnaqqišunūt niqi'ašu ellam
43 ammiditāna ellam niqī qātīšu
44 mahrīšun ušebbi li'ī u yâlī namrā'i

41 The king, their favourite, their hearts' beloved,
42 offers his sacrifice before them in splendour.
43 In their presence, Ammiditana, with his own hands
44 makes fattened offerings of bulls and stags.

45 išti anim hāmerīša tēteršaššum
46 dāriam balāṭam arkam
47 madātim šanāt balāṭim ana ammiditāna
48 tušatlim ištar tattadin

45 From Anum, her bridegroom, she has demanded
46 for the king a long fruitful life.
47 Many long years of life for Ammiditana
48 Ishtar has granted!

49 siqrušša tušaknišaššu
50 kibrat erbe'im ana šēpīšu
51 u naphar kalīšunu dadmī
52 taṣammissunūti ana nīrīšu

49 At her command the four corners of the earth
50 bow down to him!
51 She has bound the entire orb of the earth
52 to his yoke!

53 bibil libbīša zamar lalêša
54 naṭumma ana pîšu siqri ea īpuš
55 ešmēma tanittaša irissu
56 libluṭmi šarrašu lirāmšu addāriš

53 Her heart's desire, the praise-filled song,
54 is suited to his mouth, the commandment of Ea.
55 "I have heard her eulogy," said Ea, "and I was delighted with it!"
56 "May her king live long and may she love him forever!"

57 ištar ana ammiditāna šarri rā'imīki
58 arkam dāriam balāṭam šurqī

57 O Ishtar, may he live long and prosper,
58 Ammiditana, the king who loves you!

They call me the smartest *****; they look at me like they would at Sauron.  Maybe I am just destined to be defined like an oxymoron, and also why do people shut their doors on me like I was a Mormon. Did I make the right choice when I took the blue pill and moved into Zion? Don’t know how to feel or who or what I should rely on. Bygones are bygones, got to follow the drill, so best not pull any funny ones. Being spied on, got no where to run, after all when your under a dictatorship there is no time for fun, there is only time to train one how to shoot a gun. Blang blam got a cross on fire on my lawn from the dreaded Ku Klux ****.  One extreme to another, what happened to Jesus’s teachings of how we are all heavenly sisters and brothers? **** the American dream; **** this apparent land of the free where anyone from anywhere can attain cream. Not a joke so turn this into a meme, this is serious if you only saw the things which some claim as the unseen.

Open your mind; don’t bind yourself to devilish things that appear kind. Charging up my chakra, hypnotizing you with my words like I’m the unclaimed child of Big Poppa. I am so waka I get yawl flocking to my flame, my bars aint **** yeah they as lit as Mary Jane. Bulking up like Bain, natural leader and I got a big brain. Some stalker ******* get so shady, thinking that I will spend my gravy, or that I will have their baby. Sorry I am not interested in getting rabies or taking a taste of your dead daisy. This is my loot; ***** the only thing I’ll give you is the boot. Scoot away from me, best stray by the bay before I write a restraining order on thee.  What is this world coming to? Harold be it that we stuck in a rut with a storm beginning to brew.  

People say I should stop drinking because I got family duties and responsibilities but I drink because I have to deal with the stress from family duties and responsibilities.  **** it all; **** my *****, better duck down because one punch and you’ll fall. Got the gall, Pokémon master man **** right I’m about to catch them all! I’m super and I like to smash bro, so better hide your ***** and your side **. Classically unclassified, mentally traumatized from a fall out of a genocide. Time to be unfiltered; rhyming from a heart that used to be good but now has been altered. Maybe I am just an oxymoron, just a sly fox that know how to survive because no matter what my hope for a better world will stay strong. I may live in this world but I am not of it, I may continue to give until I decide to say ah **** it! Isn’t it ironic? Isn’t the whole point of being a rapper to make a profit and strive to rap as fast as the speed of sonic? Let me puff some **** and drink till I’m subatomic. Wouldn’t that be ironic? Wouldn’t that be something if I chose to become like everyone else and live out a life of being toxic. So am I ironic or am I just an oxymoron? Don’t give a **** either way because I am iconic and will take anything you haters bring on!

O, come a little closer - hear what I have to say,
I know that one piece of writing can be interpreted in so many different ways.
O, but do pay attention to my word-play,
To the picture I’m trying to portray.

O, I hope by the end of this you will understand the image I am trying to convey,
But do not get me wrong, the end of this is something I am attempting to delay.
O, it is saddening to know that sooner or later my rhymes will fade away
So I will replay, replay, replay.

O, how I pray that what we have will not decay.
Like all the flowers & bouquets that I watched wither/die a bit more every day.
O, but how pretty were they?
Sad to know that each & every single one was thrown out like the contents of an ashtray.

O, how you must have noticed the repetition of O’s - I think they are here to stay,
Unlike my pathetic, childish rhymes that I am struggling to hold at bay.
O, do not get me wrong - the rules to rhyme are so easy to obey,
They are so easy to slay.

O, like tray, cafe, puree,
For god sake, even JFK.
O, please tell me - do you see the problem on display?
Do you see what I am trying to say, what is coming my way?

O, it feels like a betrayal
No, no, no that’s not a rhyme.
I need to rhyme, I need us to be okay.

Ray, clay, Bombay.
Tray, fray, mae.
Ray, clay, Bombay.
Tray, fray, mae.

O, please stay
I need us to be okay.
O, I know repetition of words is not a rhyme,
Nothing more than copy & paste.

Ray, clay, Bombay,
Tray, fray, mae.
Ray, clay, Bombay,
Tray, fray, mae.

O, please I don't want us to stray
I hate how we went from white to grey.
O, please I don’t us to end this way,
I know I am barely rhyming but I will try my best, okay?

Look - ballet, allay, hooray,
Hay, weigh, olay.
Look - ballet, allay, hooray,
Hay, weigh, olay.

O, please stay
I need us to be okay.
O, I know repetition of words is not a rhyme,
Nothing more than copy & paste.

I’ll come up with more,
Dismay, replay, is-lay.
Tray, cafe, valet,
Delray, Alleyway, Chevrolet.

It is not that I don’t know how to rhyme,
I just need something to rhyme for.
Rhyming is synchronisation, it is compatibility
I just need to know we are.

Please, stay, stay, stay,
Don't go away, don't go away, don't go away.
Please, stay, stay, stay,
Don't go away, don't go away, don't go away.

Ray, clay, Bombay,
Tray, fray, mae.
Ray, clay, Bombay,
Tray, fray, mae.

I know I am barely rhyming, but I will do my best okay?
Please stay,
Don’t go away.

what you have with me is a non-diaviating dogmatism of
the units of language, common colloquial says is
at best attuned: black is black, white is white.
i have a dogmatism surrounding
this...
i''m very rigid in the term a priori,
and in so saying: darwinism
  has no a apriori benefactor
to challenge me...
   i'm rigid in words
    on the basis that's i do not
accept the thesaurus manifesto...
  the game of synonym and antonym
will not make me write a better novel,
i just think that's *******.
      the problem with darwinism
attracting a higher status
      than the miser narcissus quote
of looking into **** similis
leaves the biodiversity of monkeys
paramount above the biodiversity
of other species of animals...
i acknowledge darwinism,
but as science clearly says:
it can never reach the rigidity of
being deemed an a priori certainty...
modern man's rebellion is
against darwinism forcing itself
into the a priori regiment...
as a scientific theory darwinism can't
do just that...
     darwinism is solely
    a posteriori in terms of
conceptualisation... i have no beginning
as man qualifying myself as being
monkey-borne,
i don't have enough time to
       conceptualise such a beginning
with all its viable ceonceits as modes
to state a groundwork to an ontological basis...
worthy of execution...
         to a satisfactory basis...
     darwinism can't exist in the a priori
sphere, because science cannot either...
               darwinism can't equate
itself with theology,
on the simple premise that there's a suffix
-logy involved...
                       and the rest belongs
to the archives of mutilated language...
                or the mutilation of, should i be exact
in the dicta.
                 i cannot be born with
an innate predisposition to state that i am
of money origin...
          primarily because the monkey has adapted
in such a way, as to be so life affirming of its
existence that i'd be in no way similar
in this genesis, as i am bound to affirm the
  life prerogatives of a peacock dancing to the mating
call of a female peacock...
intellectually speaking i'm bound to experience
an intellectual shortcoming and a
               desert of worded experience...
the modern narcissus is the darwinist disciple...
                  i can't see anything more
abhorring than that...
                       to the conclusive demise:
making any history makes no sense,
the 18th century? makes no sense,
given we've been prescribed the platitude...
and the stoppage of time...
                   originating from **** similis
makes us no more noun-denotative
acquiresome of **** sapiens than the
byproduct that is **** insapiens...
                            i know the history is there,
and all the facts are there... but given our
current day-to-day... there's no bias for it making
our lives any different in terms of it having
any effect on us to say otherwise...
                      darwinism forgets that it behaves
like any  a posteriori fabric
                     in a way that it wants to become
rigid... but not rigid in a sense that
you might cling to a posteriori becoming
rigid for an equivalent of a one-man
  table-tennis match.... or *******...
  i mean darwinism doesn't have a place in
the a priori in the first place,
it can't be as pristine as space & time, god & nothing
care to allow it to be...
    i have a life-span of a maximum of 100 years...
i can't make history and tell it from the epoch
of dinosaurs to suit the right sort of palette...
    darwinism isn't inherent (a priori) in me...
it's scientific, therefore a posteriori in me...
                 it's sometimes called being stubborn,
or it's sometimes called communal slack...
      even if taken to the court, i can't defend darwinism...
what i can say is that: enough prayers left
at the darwinian altar has left me a david Attenborough
in the pornographic industry spectacle...
because why can't i be as **** similis as i care
not to be **** sapiens?!
                 the basic fact is that i have obscured
the thesarus in my lexicon...
                 i have made certain words rigid...
opposite of making a chair goo and custards...
it's a rigidness that i expect to spar with,
       i need the stability...
   and this makes me the shadow-man...
because i can't compete for a pulpit and a freedom
to speak... i can't!
    i am bound to shadows and book-worms...
and am for the better for it to be so gravitating me toward
the grave...
      i can't say darwinism exists a priori because i just
can't...
                        i say that because biology is the sole
science that does away with mathematical language...
             biology has no actual need for numbers,
          it has no need for He meaning helium...
it has no need for the laws of physics...
when physicists try to find the glue...
biology is already immersed in the glue...
                    biology doesn't need numbers...
yet it's there: eating up book after book in the domain
of history, fiction and poetry...
           the a priori implant of god is so much
easier to forget in the medium of thought
than establishing the a posteriori implant of god
that you simply don't think about...
i have about a hundred Islamic terrorists to testify...
   i don't understand this attack on the a priori
stronghold of certain ideas being sanctimonious...
  darwinism cannot reach the pinnacle of a priori
inquiry simply because it begins with an a posteriori
requisite...
                            which is why the whole affair
went to court... with the monkey trial...
(and the rest of the argument i accidently deleted...
which is a shame...
                 but then again, i guess i simply
left it trying to reinvent poetic rhyming,
i mean rhyming counter to plague, the hague,
                or vague...
i meant rhyming on the basis of prefix mandatory
reiteration, or the mundane alternative:
repetition, rather than rhyming
and in musical terms: really hitting the *** note
as to avoid even a sense of polyphony...
or polyphony meaning: personnae...
but i deleted the better half of the narrative...)
some ******* about omni re (things again)
culminating in the mora res = res cogitans...
  to think, to delay... a thing that delays a thing that things
when all things repeat themselves...
   by omni re i mean: that bollocking insistance
of autumn... well: it was a nice load of *******,
but then i did **** in my treatment of it;
which is to not say i didn't have more
intentional sentences to work with...
   accidents happens...
sometimes you get champagne,
most of the time: solitary definition of frustration
at the impeding technology...
                     airy fairy, miser's berry.

my rhyme schemes
are often best
to be replaced
because you
can't hear me croon
in the afternoon
as I type out my feelings
alone in my room.

F- For being faithful like a forbidden fruit truthful
R- Ruler of fruit so passionately about his love bite
U- Understatement how she layered her
salad love ingredients
Google it
Utmost website take a bite
I- Included in everything We know it the poets
Ring coming like diamond my fruit of the crop
T- Timing, Fruit for thought rhyming tremendous
but tedious fruit-salad love

I- Truly   

S- Strawberries lips of cherries falling from the tree.
Feeling free Robin bob bobbin along loves strawberry pie
A- For such ambiance, Miss Ambrosia
such allure "Pink lady" apple smiles so
animated graphic artist so cool and waves shore
L- For Living eating in good health breathing
the fresh air Earth Baby Bella green lettuce.
Lacy Length of her wedding bodice spiritual rice
he promised her hand in fruit bountiful marriage
A- For a party of love fruit masquerade party
Connoisseur of fruit smarty oranges
vibrant animation fruit forever apples,
I tune's of apples
D- Divine dressed up with layers
of fruit salad
Devilish eggs toppings designs of
dandelions daisies, fusion
with fruit crazies

D-  Digging exploring forbidden fruit
Cranking up the Cranberries
I am dreaming the Blueberries
No Sir, not your Monday blues
Dow Jones way up I Apple phones?
R- Rev it up Robin Recharge, rambling
lucky reds fruits
Italian the lovers of red wine and a salad
avocado smashing up her Money green
Eldorado entering her fruit palace

                      She rules

E- Energy vitamin E for exceptional inviting
fruit salad with everything piling
Elderberry Evergreens Huckleberry
S- Symmetry art salad Palm of hearts
Fruit season
love storm style sophisticated a poem with
the style you're sure to smile
S- Autumn leaves falling on the
sleeves crabapples
Silver smooth skin Kiwifruit sour cherry on the
          " SILKY"
Dogwood in the Sierra Juniper
E- Enlightening some enchanting evening
how his love fruit fell from the tree
His fruit for the soul so enthusiastic you loved
to entertain this is love fusion nothing simple
I am not one to complain

D- Dressed to the fruit nines perfect 10 salad
Mad Alice in Wonderland hair so much hair
obsessions love of fruit blueberries and
she's a bit sour cream
with daisies and dandelion teas all,
please and what else is another
fruit of a pain
To remain in silence but that burst of flavor
is like science fusion of soulful rain

F- food for thought furry but fireplace hot
love frenzy comfort foods A la carte frosting
"Buttercream" food pleasant dream
The freshly brewed coffee I never heard of
fruit your in luck
Blueberry coffee homemade Moms
I  girl scout you brownies and
Saltwater sea fruity buns of a breeze

U- Unique how you utilize passion-fruit
prize music
fruity Pop blend fires out up-tempo
your feeling unbaked
Not the right ingredients of love fruit cake

S- Serendipity New York City the
fruit never sleeps fruit stands love for
keeps or Dorothy surrender spices
of Sage Superfood salads

I- Yes we have bananas wearing paisley
bandanas fruit is ripe to improve a love
how it's written
Inkwell an index of fruit swell

O- Out worked outlived on time for only
fruit about the abundance of love
So soothing the fruit tunes of his music
Overjoyed Silk Organza

N- Gift of fruit not like any other day
Neighborly of kindness just dress
Organza Gown of fruit
So naturally spoken love so near Fruit salad he left a notorious love tear.

I hired a robot
To write poems for me
Now I'm able to rhyme
In modern technology

Though his imagination
Isn't quite up to par
The relaxation I get
Outweighs it by far

From 0 to 1
To 1 0 1
He likes to write
In binary bytes for fun

As long as the rhymes
Keep flowing from him
He can have all that is mine
From the head of my pen

If all this goes well
We'll just wait and see
But I might even hire
A robot to read poems for me

I find readers still like
Meter and rhyme,
But the rhyming words
Must be sublime
When dangling at
The end the lines.

If you've a message
To get through,
Rhyming lines
Do it for you.
Don't get me wrong,
Free verse is fine,
But I only remember
One or two lines.
A poem that rhymes
Is easily recalled,
All of us do it
All of the time.

in times of peace, “subculture” art becomes all the more aggressive to substitute actual violence with its cartesian extension: imbued by a masochism never really experienced, hence with an exfoliating sadism experienced by the onlookers who forgot: never really experienced.

a: a vector defined by an open field (index v.)...
the: a vector defined by a narrow corridor (v. palm•).
it’s a completely different story should
pronouns become subject to definite / indefinite articulation,
famous for the dittoing out of the ego in existentialism
(in the latter ex-) not even vaguely apparent in sartre
(-ample proofs!)... ultimate freedom with the price of ultimate irresponsibility i.e.,
no point being witty on the page... you have too much time
to revise a joke & play on words... mind the sarcasm... it’s already
delayed standing in greenwich asking for the japanese 8am in winter.

•paradoxical cross-reference, as much akin to the retinal
  image upside down to enable man to not distinguish
  the northern hemisphere from the southern hemisphere
  and make him sane grounded on a spherical orbital -
  i.e. indefinite coupled with an index and definite with a palm,
  although out of bracket... these two lines make perfect sense,
  unless the bracket content is coupled to ensure
  the open field / index (finger) v. narrow corridor / palm
  are staged to a prose linear development / chronology, e.g.
  the renaissance came before the enlightenment,
  then nothing makes sense... and it makes
  perfect sense for a banker to criticise newtonian physics /
  mathematics as completely useless,
  then there's no use in anything that's even vaguely complicated...
  only because it's not in vogue.

you can only prove to me a belief in atheism
once you make language as much incomprehensible unconsciously
as you can make language as much complex consciously;
i will not accept regurgitation of another "atheists" ideas
as your atheism focusing on a broken arm as the misery
of all miseries... ensure me a complication of language
you can explain... stating that you only intended
the complexity to be incomprehensible unconsciously
(aha! siamese adjectives!), rather than incomprehensible consciously;
i mean... i've reached the ultimate anti concept of poetry,
instead of rhymes littering my page i faced the antidote
to rhyming by focusing on kindred words:
direct / indirect            unconscious / conscious
comprehensible / incomprehensible... this is the opposite
of writing rhyming poetry... no wonder i get muddled
and don't sound pretty enough to repeat jive
with                                                        ­ five
of all possible tail offs.

Lights off, ma bad-*** homies are juz drank,
buh then I saw ya dancing in da club.
Ma head was blown, let's kick it!
Cuz ya could be ma tight moll,
o' let's juz put a bullet
on the clock in these tight walls.

If I'm wit ya,
ma heart could fly so high like a G6,
Imma be glad if ya be mine
tho I ain't da niftiest sheik.
And if loving ya could take ma life
to da street, cuz of a set trippin,
then ya could be a flower
on ma Chicago Overcoat on ma big sleep.

Miss me wit dat! Ma bad,
buh I ain't gonna take ma words back,
I ain't no good, buh Imma gangsta poet
juz a poet wit rhyming words as AK,
so Imma put sum shizzle down
and write what it means.

To me love is gangsta, family is gangsta,
loyal is gangsta, if that's not gangsta,
I don't wanna be gangsta.

O' ma sheba, wazzup!
Let's show 'em what is real luv.
Then luv me less, until ya luv me more
and let's live as gangsta poets
in this gangsta world.

It all started with..
"Watch your step when it comes, to finding true love.."
Oh girls like me may slip and fall,
If we don't dream so carefully i thought..
Well I'm a mermaid on the rocks with no feet at all..
Yet I'm running scared and I don't know, where to go..

But it's kind of exciting
I love the rhythm that flows,
in my writing
And you've got a hold,
On my rhyming,
I don't wanna let this, break..
(Oops)

See I love you,
how your 4 lettered name rolls off my tongue too,
I wanna dance to this song too,
I wanna be your day break now

There's a film in class which I think you'd like..
Well I'm just saying that because,
It's a rom com gangsta black&white;
Oh we're a silent film ourselves with lines of poetry as our speech..
And you're the heartbeat behind every piece I write and breathe

So can I stay for longer?,
I've been through heartbreaks before, & I've come out stronger
But you're not a heartbreak,
You're a Wonder..
A Scorpio Wonderland of stars..
Oh I love 'ya'
And I've got secrets to whisper at midnight,
I wanna see London light up only through your eyes
I'll be your special friend if you think that's alright..

It all started with;
A dreamer falling in and out of love..

But I'll be on the edge of the world with you if you ever wanted time to ever stop..

Rhyming in a scheme
You should totally try it
It is not as easy as it may seem
Like finding a shoe that fits

Rhyming cannot be implied
It cannot be faked
It must be applied
It is like a good steak

A rhyme a day
Or is it an apple?
Will keep the lame away
But do not grapple

For it is rhyme time
Time to rhyme

I got 99 problems but hip-hop ain't one.

"Poetry, that's a part of me, retardedly bop
I drop the ancient manifested hip-hop straight off the block"
Nas and Jigga beef was the first I heard of drama in the music industry-
fueled me as a youngin' crowned from my brother's love of it.
Fast forward to when the radio put me on-
in the garage, on my mongoose
I heard someone spitting through the stereo
didn't pay much mind until a high-pitched voice rang through.
"Through the wire-"
no "through the fire?"
I couldn't understand but this dude started rhyming
and speaking through the speakers at me
my hair raised up and I knew this was love-
smile on my face at first listen
never really heard anything like it.
I thought back to the first song like that I heard-
"Life's a ***** and then you die-"
knew that line all too well
resonation in my bones didn't feel so much like a stranger-
my young self started spitting around the older crowd
they looked down and smiled-
a sense of admiration.
Hip-hop was my way in my ticket to acknowledgment.
Started listening to Eminem before I was even 10.
5th grade on the bus rides to and from field trips
"Shut the **** up guys I'm trying to listen"
headphones in, finally found someone to relate
so many thoughts of suicide being taken away-
realized the radio wasn't really my thing
too much pop and not enough soul
the words they sang were nothing to me.
In the beginning hip-hop was just a facade I liked to play
so other people would notice and think I'm pretty cool
but somewhere along the line it took me over
bumping nas, em and pac through my stereo
mom looking in my room like
"where the **** did my daughter go?
she's listening to this ****, she's gotta get a grip-"
But when I hurt the music would listen
bass lines and samples running through my veins
didn't know much about hip-hop
except the way it made me feel..
Technology came abrupt and the computer was my safe haven
the runaway from the abuse I was experiencing
mommy and daddy fighting?
headphones in so I can't hear it.
crying through each verse
and then the chorus hits and I'm better
finally realized I wasn't alone in this hell hole.
Started up a myspace-
more room for discovery
Eazy-e some Biggie more Nas
and **** even some Jeezy.
Every word they spoke
became something that was apart of me.
"Poetry, that's a part of me, retardedly bop
I drop the ancient manifested hip-hop straight off the block."
Nas said it best-
old school rappers speaking to me before bed.
Then I discovered Cudi, more Kanye, andre 3k.  
thought about how I had to write like this
it was my destiny to manifest this passion
put it into my pen until I could learn to lavish
in the luxuries they could afford
not the riches but the rhyme schemes
and the way it helped me
again and again would listen until I got tired
notebooks full of rhymes
my life was on the line and it became wired
then came limewire and my mind blew up
there's an entire world of music I never knew-
download after download the music became me
so much more to go through
****** up my computer
virus to the hard drive
all my music's gone. ****.
Freaking out in my room at midnight
threw a chair, punched the wall
mom asking if i'm alright.
"*******, go away"
She thought the music was to blame
but without that **** is why it happened
never gave up on this **** called rappin'
wrote my first rhyme when I was in 5th grade
poetry turned to rhyme schemes
and samples I liked to play.
Passion turned to aggression
when everyone started spitting
thought this was me and no one elses
has to prove who I was to the masses.
High School came and I was
"The girl who rapped"
freestyle lunch sessions to secure it.
Voices from the crowd
"**** she murdered it".
Slipped up-
started on the pills
too many thoughts in my mind
too many demons to ****-
ran away from the hip-hop
turned that **** to heavy metal
pop-punk and punk rock.
Turned away my from my passion
and started writing poetry
stanzas, sibilance and sonnets
filled my insides.
I suffered without the classics
the dream began to fade away.
We moved-
became a recluse.
didn't eat for weeks
but this time money wasn't the issue.
Heard something bumpin' from the basement
my hair stood up when I heard that base hit
ran down like I was chasin' after my passion again
"what is this?"
my cousin laughed "Life Changes"
"who is it?"
"Wu-tang" he said to me
I bobbed my head and smiled once again
"Wu is indeed for the children"
he laughed and so did I.
Realized my love for hip-hop
would never actually die.
"Poetry, that's a part of me, retardedly bop
I drop the ancient manifested hip-hop straight off the block"

I write to express,
Thoughts I can't suppress,
When something makes me depress,
When things happen in excess
Feels good to pen down, I Guess.

When I am alone,
I get in my own zone,
When my heart groan,
When I miss her skin and bone,
I write words expect them to make perfect tone.

When I am in a long Uber ride,
For sleeping I stride,
For you when my heart cried,
Writing something I tried.
Rhyming I applied.
This is how I write.

I.

Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they ******, ******, ******,
In their icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.

II.

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten golden-notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
To the rhyming and the chiming of the bells!

III.

Hear the loud alarum bells—
Brazen bells!
What a tale of terror now their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now—now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the ***** of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
Of the bells—
Of the bells, bells, bells, bells,
Bells, bells, bells—
In the clamor and the clangor of the bells!

IV.

Hear the tolling of the bells—
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
   Is a groan.
And the people—ah, the people—
They that dwell up in the steeple.
    All alone,
And who toiling, toiling, toiling,
  In that muffled monotone,
Feel a glory in so rolling
  On the human heart a stone—
They are neither man nor woman—
They are neither brute nor human—
    They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
         Rolls
A paean from the bells!
And his merry ***** swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells—
    Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
  To the throbbing of the bells—
Of the bells, bells, bells—
  To the sobbing of the bells;
Keeping time, time, time,
  As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells—
Of the bells, bells, bells—
To the tolling of the bells,
Of the bells, bells, bells, bells,
  Bells, bells, bells—
To the moaning and the groaning of the bells.

Truth is absolutely the most important.

Well, rhythm and then truth;
You can't have a song without rhythm.
Rhythm,
Then truth.
But truth is the second most important.

Okay, rhyming and then rhythm;
People like songs that rhyme.
Rhyming,
Then rhythm,
Then truth.
But truth is the third most important.

Wait, social media and then rhyming;
You've got to connect with your fans.
Facebook,
Then rhyming,
Then rhythm,
Then truth.
But truth is the fourth most important.

End Of An Era

If not for bad luck, Id have none at all,
would love to rise, but always fall.
I've come close a few times,
but all I have are stupid rhymes.
Not sorry for what I used to write,
used to think my future was bight.
Now it's gloomy and it's dark,
I have no bite and barely a bark.
Used to think, I'd be famous,
all I am is a big fat ****.
Doing my best, but nothing works,
can't wait til I'm a corpse.
My caring days are long gone,
nothing more than a silly pawn.
Don't even feel like writing anymore,
rhyming has become nothing but a bore.
Thank you all for your support,
but my rhyming, I must abort.

If not for bad luck, Id have none at all,
would love to rise, but always fall.
I've come close a few times,
but all I have are stupid rhymes.
Not sorry for what I used to write,
used to think my future was bight.
Now it's gloomy and it's dark,
I have no bite and barely a bark.
Used to think, I'd be famous,
all I am is a big fat ****.
Doing my best, but nothing works,
can't wait til I'm a corpse.
My caring days are long gone,
nothing more than a silly pawn.
Don't even feel like writing anymore,
rhyming has become nothing but a bore.
Thank you all for your support,
but my rhyming, I must abort.

it is just enough,
too many in depth lessons.
pain always asks for something,
fear has run out of options,
joy wears light dresses
loneliness refuses dinner,
despair sits at a crossroad.

these are just contours of events
obliterating "the vital impetus"
as in a probabilistic game
or in the second law of thermodynamics
blissful equilibrium is just a special retreat
some form of inner spacial homogeneity

this is just a moment
before dinner is served
on a peaceful evening
by a lake
catching the last rays
of the singing sun

I'm very tired
And it's very late at night
My thoughts keep me up
It's getting harder to fight

I think about my failures
And everything I've done wrong
How I **** everything up
It's all a familiar song

My words are getting literal
I can't disguise my guilt
The hatred for myself
In every direction it's built

Well rhyming gets so hard
When I try to write my mind
Because I'm unable to find the words
That could shed light

Even without a rhyme or a rhythm I find it hard to articulate these dangerous thoughts I have. As many writers do, we have this sense of frustration because no combination of syllables can really portray the emptiness and sadness that lives in us. Styron called it "melancholia", but not even that will suffice.

Darrell
Rhymes with barrel
and Christmas carol
and several names
like Cheryl and Meryl

If I was writing a rhyming poem
I'd rhyme your name with "peril"
Not that I'd do it well
But it's better than rhyming it with "sterile"

I could make up nonsense words for rhyming sake
like...larrell and parrell and tarrell
And I could write a poem especially for you
and the impossible to rhyme with "Darrell"

I'll fail miserably at it
But I love you enough to try
Maybe I'll improve on my list of "Darrell" rhymes
and make you as happy as a pie in the sky next to bread made of rye sitting on the plate of a famished guy, tie, buy, cry, lie

Again, I tried.