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Nat Lipstadt Jul 2013
Offshore Oil Exploration

Months of preparatory work,
Permits obtained.
Maps explored, sited,
Ground and beneath scanned,
Each contour drawn, plotted, named.

Equipment assemblage.
Platform designed and towed,
Pre-commencement government inspection
Constant.

We test. Slowly, the loose, easy dirt,
Gives in.  No rejoicing yet, premature.
The diverter in place, functions well.

The deeper the bit, the harder the resistance.

The camera's eyes monitor until
We reach depths too deep for their functioning.

The derrickhands order about the junior roustabouts,
Check the mud pumps, check the pH levels,
Do this, do that. The pecking order on board clear.

The kings of the rig, the drillers, in charge.

Then, disaster.

Oil spill.

Worse.



Not only smiling,
She has
Opened her eyes and
Ceased purring.

P.S. This would as is my custom be,
Re-entitled properly:
First Poem of the Day:** Offshore Oil Exploration
Wink.
Research and technical guidance obtained at:
http://www.shmoop.com/careers/oil-rig-worker/typical-day.html
And then in just a click of a button,
I'm all alone. Nothin' but 2 Mutton.
For I have been stranded,
and perhaps abandoned
from my dear friends.
I see some stems
of an old tree, dying in despair.
I see a new land offshore,
but the distant island has no grass.
I went to the cave, nothin’ but bats.
So I went deeper forward,
toward the mighty horrors.
I found some iron and gold,
I make a tool to behold.
After some more iron,
I acquire some attire.
Then suddenly, out of the dark abyss
I found my true and only bliss!


After a few days more,
I have my tools galore.

A long time from then…
I built myself zen
All along the old island,
a long time after my first diamond,
I see something strange…
I know something’s a change
I see it coming closer,
I peek out like a toaster.
And there a person behold!
He was in a boat, looking bold,
I went out to the shore,
After all, I’m not gonna ignore.
I love Minecraft
GL Thompson May 2019
When you're lonely
You feel only
Lonely thoughts.
You don't wanna be stuck indoors disassociating,
I need a boring colleague.
But I've tried worrying before.
More thoughts -
I know you think I'm offshore,
A matador for you and me
Don't like your score?
Offshore offshore
A poem written by a song lyrics generator online, which I've used to explore the idea of the reliance on the internet, and it's self awareness to be able to create it's own art based on learned sentence structures of popular music, based off a trigger with my input of the word "friend".
The end product is a rather postmodern reflection on the world. With the bot's work exploring loneliness and anxious thoughts. Explored with a subtext of wealth, with the repeated use of the word offshore - very much exploring societal issues in the late 2010s
Krysel Anson Sep 2018
I am half-Chinese and a half Filipino-Spanish.
I have only learnt to speak Filipino my whole life.

The best advises I have received is that there is no right or wrong,
that labels does not always help.
That no matter what, I should just go
and "Live my life", or "Sing in Full Voice, Until Then".

Attentive to a fault to the work or person at hand.
Because of routine and living demands, sometimes I
only pay attention to what is available or given to me.

Like the quest for the Spices of the East, I could no longer live the same way when the time came. I had to learn preservation and other flavors.

In a Asian Food Show, someone shares
How some later generation Chinese had to study their own native language in secret between 1966 to 1998.  
Stories of how their migrant or refugee heritage have made them scapegoats of many local tensions.
And varieties of words and ingredients also native to Chinese and later generations that lived offshore.

Many of us now in the thrash of our collective songs
towards healing and full living as humanity, continuing
refugees and wanderers in our own ways.

Where we see our indigenous-selves and our oppressor-selves,
is not as difficult as we are usually made to,
in a world of artificial
demands and surpluses.

One old song gently reminds me
in many languages singing,
as another bowl of handmade noodles
breaks open into countless random pieces:

We are only passing through earth.
Made to experience, and let go of our fears
and limitations.To gather our remains so that
it is inanimate buildings and objects that are used
by the living instead, and nothing is left behind.
To not leave a trace. To learn how to love.#
Tammy M Darby Sep 2018
They are checking their list and checking it twice
Making a note whose leaning left or right
The CIA is coming to town.

They know when your cheating on your taxes
Checking Facebook they know when your awake
When your smoking Humboldt ****
Or chatting online with the Russians
So knock off for goodness sake

With hidden accounts offshore
Track and keep score
They know exactly who you are voting for
The CIA is coming to town.

OOOOOOOOOO you better watch out
You better not shout
You better be good
Check under the hood ( boooom)
The CIA is coming to tooooooooooooown

Dont panic........ its Political Satire folks

@ copyright Tammy M Darby Sept. 6, 2018
I
Hear the story of our oil –
Hail to oil!
From the glory days of Drake well we recoil,
To see seabirds flap and shudder,
Dolphins, turtles flop and sputter
With collective dying groan.
Hear our population moan
When the gasoline price geysers to the sky.
Still we drive, drive, drive,
To keep consumer binge alive,
Amid a maritime disaster fast evolving from the spoil
Of the oil.
For the oil, oil, oil, oil,
Oil, oil, oil,
For the gushing and the oozing of the oil.

II
Smell the ancient dark crude oil
Stinking oil!
Engulf the products made refining from a boil:
Guzzle gasoline flambé,
Drive-through fast food every day,
Raise our carbonated toast to Arctic roast…
Then drill more oil!
GM corn and corn-fed beef --
Both born of oil,
The shaving cream I slather on my face is made from oil,
Toothpaste, vitamins and lipstick,
Tires, everlasting plastic,
Come from oil;
All American affliction
Petrolopium addiction –
Truth is stranger now than fiction
And it does not set us free;
We are prisoners of oil,
And as slaves to OPEC pricing we all toil,
For the tapping and the lapping
Of the oil.
For the oil, oil, oil, oil,
Oil, oil, oil,
For the drilling and the swilling of the oil.

III
Soak in news of spilling oil –
Offshore oil!
In grim images of damage that the television splays;
First blow-out slimed in sixty-nine at Santa Barbara Bay
Then ten years next blew Ixtoc
In the Gulf of Mexico,
Two-ninety day gush tick tock
Slick slopped thousand miles away
To Texas shores!
In Alaska’s Prince William Sound
Exxon Valdez ran aground in eighty-nine;
Full tanker load erupted,
Left the rocky coast corrupted –
Prudhoe crude!
Seals and otters stuck in goo
Seabirds suffered coatings too,
Cruising tourists supped in view
Of the oil, oil, oil,
Thickened slick encrusted oil
On the shore!
How it clings and clogs and covers;
All aquatic life it smothers
Marsh and beach are left in cataclysmic mire!
Still we “drill baby drill,”
All our gas tanks gotta fill,
We must shop, shop, shop,
Lest our wasteful lifestyle stop,
So we run, run, run,
Take our car vacation fun --
At the beach…
See the sheen -- how it shines!
Pretty rainbow-colored lines
From the oil!
We love our oil, oil, oil, oil,
Oil, oil, oil,
For economy cachinging in the oil!

IV
Hear the praise of offshore oil,
Miles deep oil!
For the goal of independence on our oceans now we toil,
Till ungraceful conflagration
Twenty April rocked the nation
On the Deepwater Horizon drilling rig.
Eleven lives were lost in blast
As the deep crude spewed out fast,
Gushing Hell!
Couldn’t stop it with top ****,
Junk shot, golf *****, caps wouldn’t still
Gushing well,
And the spreading, spreading, spreading
In a steady surging crawl,
Gulf coast residents all dreading
That their livelihoods might stall,
Now the fish and shrimp are ill,
Tourist business will be nil,
And still oil spews…
We must thank God that there’s *****,
For there’s nothing but bad news
And the ooze, ooze, ooze
Oily ooze.
Who will pay, who will pay?
Who will make this go away?
Who’s to blame? Who’s to shame?
Many pointy fingers aim –
Lefty points to rich BP,
Righty points to rock Obama,
And there’s six sticks pointing back at you and me!
We will pay, pay, pay,
At the gas pumps we will pay,
So we can drive, drive, drive,
And keep America alive;
Despite the grim disaster that arises from the spill,
The way we live and spend won’t easily end;
So we’ll still say “drill baby drill,”
Each time our gas tanks get a fill,
And we will shop, shop, shop
To do our patriotic duty --
Spend our *****, *****, *****
For the oil.
For the oil, oil, oil, oil,
Oil, oil, oil,
For the gushing and the oozing of the oil!

Drafted 6/8/10, revised 6/14/10
Best read to the "tune" of Edgar Allan Poe's "The Bells"....with apologies to Poe for repurposing his meter scheme for a theme less cheerful!
c m Jun 2013
You all know how I died,
And I do not.
But I hope it was a fantastic
Spectacle of how to make your heart stop.

I hope I died flying backwards
in a crimson ball of flame,
Or fighting off a tiger
that never could to tame.

I hope I died with a smile on my face,
Beaming from ear to ear,
Or laughing so that everyone around
Could hear.

I hope I died doing something
To which my mother always said “No”,
“But if we don’t try,
How will we ever know?”

I hope I died not waiting for
Air to no longer suffice,
Lying in a bed with a tube
In every orifice.

I hope you did not let me age
And forget you,
Because I would be
Filled with regret too.

So I hope it was a spectacular expression
Of more than just existing,
I hope they oohed and aahed while
I flew through the air a-twisting.

And I can see some of you are grieving,
yet I know not why,
Because this is a celebration of
Life having been lived
And not a sombre lullaby.

So fill your glasses,
Cups and jugs,
And let’s see a smile on those
Ugly old mugs.

There’s a lesson too be learned,
and that is clear to see.
So without much further ado,
“Here’s to me!”
Nigel Morgan Nov 2013
I sew therefore I am. This is what women do she thought, even with the television on, muttering and flickering in the corner. But its turning on was but a reflex action to being alone when she came down stairs after reading to her child, and the sitting room empty of his presence. Only the cats occupied her chair where she now sat and sewed.

For once her sewing pile had his nightshirt, a tear at the bottom, a missing button. It was old, well-worn, of a light blue stripe. That was what he wore in bed, and, as he invariably read to her each night, she would slip her hand inside the shirt, across his stomach to a place she had discovered at the top of his pelvis that seemed to be there for her hand to rest. One night she had felt the tear and thought, I must mend this.

She knew something of the feminist canon: Rozsika Parker's Subversive Stitch lay browsed but unread on her bookshelf. The impact of the book was enough: that the relationship between women’s lives and embroidery had brought sewing out from the private world of female domesticity into the fine arts and created a breakthrough in art history and criticism. She remembered writing that somewhere in a student essay. But mending clothes was hardly fine art. And then she remembered Sashiko, the ‘little stabs’, that functional stitching of clothes in Japan.

They had met at the station for a 30-mile train journey to a nearby city. It was a blue-cold December day and they had felt warmed by seeing from the train window a covering of snow on the ploughed fields. She had worn her grey coat with the green lining and an indigo blue-pattern scarf, a swinging denim skirt and orange-patterned top. Tights and boots. He: she had forgotten. Funny that, remembering what she had worn, but for the man she was beginning to feel so hopelessly in love with, and by the end of that day, hold in her heart, seemingly, for evermore, she could not remember. His old brown jacket perhaps . . . No, she couldn’t be certain.

He had loved the exhibition. It was an unencountered world, though he had experienced Japan, but not, as he said (at length), the rural fastness of an offshore island where women were loggers and men were firemen. It was the simplicity of the stitch that captured his attention, the running white-cotton stitch on the blue indigo workware, occasionally a red thread on a decorative piece – a fireman’s tunic. This was stitching about mending, reinforcing a worn area by stitching on a new patch, and in doing so novel patterns evolved, so novel that this traditional stitch became an inspiration for Reiko Sudo, Hideko Takahshi, and the cutting edge textile designers of 20C Japan. It was reuse that made sense.

He had loved the names of the stitches: passes in the mountain, fishing nets, the interlaced circles of two birds in flight, woven bamboo, the seven treasures of Buddha.  She remembered the proximity of him, touching his arm to show, and sometimes just to touch his arm – yes, he was wearing that old brown coat. It was before they were lovers, but she was sure then they were in love, and it seemed impossible and quite wrong to be in this large gallery, flowing too and fro, apart then together, apart then together. She thought: he knows how I want to be when looking at such things; I need space. And she supposed he needed space too because the moment they entered the gallery he left her alone. But that coming together was, and remained ever after, a warm thing, and she remembered that day being a little aroused by it being so.

Later, they had walked a short way from the gallery to a tiny cottage-like bookshop he knew, a bookshop full of impossibly large books on art and architecture. He had something to find: The Crystal Chain Letters – architectural fantasies Bruno Taut and his circle by Ian Boyd Whyte. There had been her favourite  Mark Hearld cards and his collaged pictures in the window. She went upstairs and knelt on the wooden floor to take out the books on gardens on the lowest shelves. The winter sun had poured through a nearby window, warming her face till it glowed. But she was already glowing inside. And he came and knelt behind her. He rested his head on her shoulder and she had turned and put her arms around him. They had kissed, a delicate, exploratory, yet to be lovers kiss that had made her feel weaker than she already felt. She knew she would remember that moment, and she had, here on her chair years later, now in a different sitting room from the one she had returned to that evening without him, returning to her husband and children. And she had missed him beyond any measure and written to him the next day, a letter written in her head before she had slept, and then the following morning, with the children at school, she had lain on her bed and calmly touched herself to remember his kiss, their kiss.
"Wagons East (1994) - IMDb www.imdb.com/title/tt0111653/ Internet Movie Database Rating: 4.7/10 - ‎3,545 votes (stylized onscreen as ‘Wagons East’) is a 1994 western comedy film directed by Peter Markleand starring John Candy and Richard Lewis. The film marked one of Candy's last film appearances although it was not his last film release. His last film, Canadian Bacon which he had completed before “Wagons East,” had a delayed release in 1995. The film was notable for its leading actor Candy dying of a heart attack during the final days of the film's production. A stand-in and special effects were used to complete his remaining scenes and it released five months after his death."

And it’s Wagons East!
John Candy’s last mega-bomb,
Released 5 months postmortem.
Alas, even the sympathy vote stayed home,
Reject the we-owe-it-to-him-for
“Planes, Trains & Automobiles”(1987, IMDB).
The role, like money in the bank,
Earning diminishing returns,
Yielding interest but losing value over time.
The myth of INTEREST:
Das Capital, 2015.
The Prime is at 0%,
Yet, Inflation soars at, well,
At inflationary rates,
Digit-pounding inflation,
Higher food & shelter prices,
Masked ever so cleverly,
So deftly obscured by benevolent gasoline prices.

“Planes, Trains & Automobiles” (1987, IMDB)
Meet Del Griffith,
An obnoxious slob,
A complete schlemiel
(Also shle·miel (shlə-mēl′),
A serene shower curtain ring
Salesman and tour de force.
A film illustrative of everything
We love about farce,
(Merci beaucoup, Molière!)
And love about any
John Hughes/Steve Martin collaboration.

Needless to say,
I watched “Wagons East”
On TV the other day.
It was ten o’clock in the morning.
Will-o'-wisping in the ashtray,
Smoke from my first joint of the day.
The ashtray, a mosh pit carbonara--
Actually, an inverted exoskeleton dome--
One of dem big muthas,
I once free-dived for,
Offshore Mendocino Coast,
Back in the day,
Back when THE FRENCH LAUNDRY . . .
(The French Laundry: Thomas Keller Restaurant Group, www.thomaskeller.com. Chef Thomas Keller visited Yountville, California in the early 1990's on a quest for a space to fulfill a longtime culinary dream: to establish a destination for fine --314 Google reviews · Write a review 6640 Washington St, Yountville, CA 94533 (707) 944-2380. Daily Menus - ‎Make a Reservation - ‎Restaurant)
Back when THE FRENCH LAUNDRY
Paid beaucoup bucks for
Well-tenderized,
Sledge hammered slabs of illegal,
Black Market abalone.
Most assuredly, I digress.

So where else would I be?
My laptop was open & willing,
Legs spread, wet and waiting for
Whatever comes what may.
What came was a film
Earning pitch perfect
Dramatic chops for Candy.
We owe you, Del.
We owe you for this Anthem:
“You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right, I talk too much. I also listen too much. I could be a cold-hearted cynic like you . . . but I don't like to hurt people's feelings. Well, you think what you want about me; I'm not changing. I like . . . I like me. My wife likes me. My customers like me. Cause I'm the real article. What you see is what you get.”
But that was then,
This is now.
Wagons East:
A disastrous ****** bomb.
A vapid character jambalaya:
(1) A defrocked doctor
(2) A sagebrush *****.
(3) A queer book vendor.
(4) A Donner Party Survivor
Sounds can’t miss, right?
Or was it a classic Broadway/Hollywood sting?
Redux: “Spring Time for ******.”
N'est-ce pas?
Four *******
Heading east by wagon train;
Giving up on The West,
Heading east for Saint Louie,
Where freaks & geeks go undercover.
Down go their guards.
Camouflaging the chimera,
Transits the urban Wasteland,
Vast & nasty, as it were.

St. Louis, Missouri:
A much more tolerant
Hideout place.
THE WEST:
Just too much of
A hassle, I guess,
Too much for one’s
Flat-lined human mind,
Bored too shitless by
Buffalo turds to venture thought.
THE WEST:
Neorealismo italiano.
Complete Jolting-Joe reality,
A veritable wake-up call
Devouring any & all
Residual romantic fantasies . . .
THE WEST:
Struggle & Drudge,
Life lived west of the Mississippi.

Rangeland Romances #9 Go West For Your Man! Kindle (www.amazon.com) Books Literature & Fiction Amazon.com, Inc. Start reading Rangeland Romances #9 Go West For Your Man! Get the free Kindle Reading App or read on your Kindle in under a minute. Don't have a Kindle? www.amazon.com

That’s right: another advertisement,
Smack dab in the middle of
Of the ******* poem!
My invention, by the by,
Putting herein another plug for
A preferred memorial gravesite,
The Shrine To Me!
Situated in Scituate,
(Always wanted to say that.)
Scituate MA (www.scituatema.gov)
Knowing my kryptonite crypt,
My not-marble-nor-gilded
Princely-monument,
Had no chance to outlive
This fakakta rhyme scheme . . .
The Shrine To Me!
My final resting place:
My very tony, exclusive
Sub Zip Code?
The South Transept
Westminster Abbey
The so-called Poets’ Corner,
Of course!

Which brings me to my true purpose:
My true intentions for you this morning?
To publicize the strange Case of
CHARLES ROCKET:
(Go ahead, ******* Google him!)
“Charlie Rocket, found dead in a field near
His Connecticut home on October 7, 2005,
His throat had been cut.
He was 56 years old.
The state medical examiner
Later ruled the death a suicide.”
And if you believe the Coroner,
A Medicine Man &
Master of Self-Interest;
If you give that sharp-dealing,
Proverbial Connecticut Yankee his due,
Then you will probably also think
That millionaire Robert Durst
Didn’t **** Susan Berman,
Even as we see him
Getting away with ******.
Again.
Victor Thorn Jan 2013
Deny it; it makes no difference:
the American government pitches its deceitful realtor-reality to the world:
flaunting our flag as the banner of the free, but avoiding
our faults and failures as a country.
“Oh yes! We’re rollin’ in the (borrowed) bucks!
We’re a proud superpower capable of chaos; calamity!”
Well, kudos on your catastrophes: we all know it’s a hollow show.

See, we’re slaves to China, bound by China’s chains
to billions of dollars, the deficit deepening daily.
And who’s to blame?
“Not I!” says the Democrat.
“Not I!” says the Republican.
“Not I” say I, but we
weaved our financial woes together.
It’s not stupidity; if we could see into the future, we’d be shakin’ our money makers.
But have you seen the current fiscal guillotine
whose blade looms low and approaching our throats?
Oh, irony of ironies: the American government isn’t free.
Oh mah gee.
Freak out!
Calm down...
Forbes informs me that federal spending spurs private sector growth.
But when fifty-four thousand buckaroos from you
and you
and you
and me too is just enough
to cover Congress’ **** until the dimwits there do another... (insert something dumb),
it’s time to draw the line.

And time to erase lines previously drawn:
George Washington warned us once before:
“...the common and continual mischiefs of [political] parties are sufficient to make it the... duty of a wise people to discourage... it.”
Yet here we are: the media’s reporting majority wars
that serve only to sail us further offshore from Pristine America
and a time when things really seemed to matter, especially when they did.
Deny it; it doesn’t matter; it doesn’t change
our chances of escaping another Cuban
Missile
Crisis. If we waged World
                               War
                                            Three, what would we
                                                       do?
                                                               One
thing: debate, procrastinate, our fate
a fragile plaything fought over
by infantile, full-grown fanatics who never quite phased out of high school debate.
They never learned to lose, and so they play the inane blame game,
I say quite frankly: gurl. Dat cray-cray.

Dear Democracy, when will my words hold water?
When will the weight of a rainbow OREO or a
monogamous monotone monotheistic chicken sandwich
on my guilty conscience be lifted?
Must I muster a hungry lackluster life in the land of opportunity
to oppose tyranny
and uphold justice? I turned eighteen last December,
but for as long as I can remember
I’ve been voting with the dollar bill, my ballot
traveling through the bloodstream, fueling the body of big business, who fuel the daring charities, who fuel their bills in congress.

Democracy, do you know me?

For this faux-democratic nation where the population waits for the government to lay itself to waste, the Founding Fathers sob, disgraced.
                                                       Oh, God Bless America!
the nation where when faced with any
[man, woman, child, intersex, genderqueer, etc.] who dares defile the status quo,
accept the stigma like a crown of thorns, on top of all the scorn
                                                                    We The People
donate millions to “charities” who dare to speak for
Jesus,
the meek and mild. John chapter eight, verses one through eight:
he drew a
fine line in the
sand, man:
it’s where your rights end and mine begin. Irony, irony: they are as good as
mine.
For this faux-democratic nation where the population waits for the government to lay itself to waste, the Founding Fathers sob, disgraced.
I have days.
Megan Jones Sep 2015
“Put pressure on it, it needs more pressure”
Holding your wounds shut
That senseless force is what took you away
Pressure- to be... whilst not desiring to be
You saw the clouds moving in greyscale
I saw the hills below scattered in shades of green,
Cavernous, shadowed, cryptic, familiar-

We were advised to go as the crow flies
I cried to a nameless God that your crow’s feet
Were from insurmountable happiness, not the pressures endured
I’ve forgotten much since the storm some-178 weeks ago
Though my body remembers yours over and over again
My skin has yours imprinted, correlated
Forged into one point on the axis between here and there
You the X, I the Y

The Earth crept between the crevices, curling
Through the distance between the Right radius and ulna
Elbows breaking knuckles, blood remains to be spilt
Blood doesn’t connect, if anything it merely separates

Scarecrows don’t help much when the crops won’t grow this year
Ants crawled out of the barrel of a shotgun
Observing the process of cleaning bones after tragedy

Follow the moss to find your way North with no direction-
Sometimes on the other side it’s not greener,
It’s more terrifying than ever before
Terrain untouched, unspoiled, sacred-

Climb up the trees with me, find your quiet
We won’t carve our names but we’ll find our niche
You’ll have quills and I’ll have armor
Not even the thought of stolen arrows,
Lost time through distance,
Or perhaps a slew of chemical imbalances
Can reach us up here
I chose to glue your pieces back together with mud and straw
Taken from the fallen, the loved and now distant memories

You may be an abandoned military base offshore
What was once used by many-
Witnesses life again, life of a different kind
The vegetation will ease its way into the cracks
Constructed when the foundation began to decay
It has a beauty of its own, one of self-sustainment
An everlasting beauty that connects itself
To the surrounding extravagance, often times ignored,
Death isn’t the only way to be forged into nature, remembered

Fear doesn’t always win, nor death do us part so soon
I hope your skin and bones remember before the end
Aaron Reisinger Jul 2015
You know I've fought sadness,
And the madness of despair,
I've broken my own body,
And I know I am prepared.

I've taken on my demons,
Fought and lost the war.
But something still binds me kindly,
Knowing I'll be around for sure.

I've felt the highs and lows,
That come with drugs and love.
I've felt the ***** of needles,
And the warmth of that rush.

I've known times so maddening,
I thought perhaps Id die.
Sadly there's a plan for me,
And I know naught why.

My body keeps on breathing,
My hearts beats shakenly.
I feel the darkness coming,
But somehow you light the way.

There's love in a needle,
A feeling so profound,
That I've come to you with sadness,
And left feeling proud.

I don't know why it happens,
But I know I've lived too long.
Give me my old sadness,
And calming of this song.
M Elee Apr 2015
I swim through tremendous oceans,
through waters of worry and crisis shoals
paranoia forms a tidal wave,
that threatens to swallow me whole.
The currents are strong against me
to swim, I try my best
and soon I am tired and lost,
and ****** into the depths.
I see anger's buoy beckon,
but I know that is no better.
I can cling to it for long,
but I cannot cling forever
My arms would soon tire
and away, I'd soon be swept
Once more gasping and fighting
Against the gravity of the depths
Lost at sea, is the sailor
who did not follow the sun.
And if he looks down in shame,
He will not see the stars point on.
When rescue ships are far and few
and supplies are back on beach
I sigh and think of shorelines,
that I know are out of reach.
I want to float on my back,
and let the waves take me home,
The search party stopped looking,
For too long I've been gone.
But it takes a strong swimmer
to make it back to shore,
when one is this far out,
and I cannot swim anymore.
As the waves roll beneath,
and try to pull me under
while the gale whips salt
to tear me asunder
The pull grows stronger
and the water surrounds me
and what I long for most,
is that I did not fear drowning.
It is in her oceanic heart
that the beginning shall start
every tide will bring in a
new day.

Every way she can be
she is the deep of the sea
and the flow of the river
in me.
Ocean Blue Jan 2015
With our untold dreams
On the beach we've built a castle
To put in our sighs, our whims.
Then suddenly, you left the vessel,
To sail your way, offshore.
The walls, made stronger by my tears,
Can now resist the Ocean much more.
Though I have no fears
That, horse riding as a white knight,
As you vanished, you will reappear,
Sooner or later, maybe in the night,
Back to our sand castle,
my Dear.
She keeps appearing and disappearing in my life. No doubt she will appear again   :)
Homunculus Feb 2019
01/31/2019

Today, I learned the true extent to which I loathe the IRS. To be fair, I've always known that I hated them. I've had plenty of legitimate reasons for this in the past. For instance, every year, they casually extort our wage and salary, pretending to allocate it for the building of bridges, roads, and schools. While in reality, the infrastructure and educational system crumble, and defense spending grows without limit.
But then again, I do suppose that in a certain sense, roads, bridges, and schools are built indirectly with these funds; but only after the funds are used to blow these institutions to smithereens in third world countries, and private corporations like Halliburton are contracted to rebuild them for egregious profits. Profits, mind you, which are shuffled to dozens of offshore shell corporations, ensuring that they are taxed at a rate exponentially lower than the profits of the average working citizen.
But today, I experienced a type of hatred entirely novel to my conceptions of what is even possible in the realm of consciousness. A loathing so intense that it paralyzed my rationality, sending me into fits of rage and bewildered astonishment that I would wish on NO ONE . . . except Cheney or Kissinger, the ******* *******. For today, for the first time in all my 28 years of life, I filed my federal income taxes. I knew that one day the chore would inevitably arise, but I still consider it an accomplishment to have made it through an entire third or more of my life without ever actually dirtying my hands with the wretched muck. All that aside, the story goes like this:
I work as an “independent contractor” for a friend who runs a small business. I perform various services around the office, and he cuts me a check at the end of the week. I've been working there “on paper” for about a year, really a bit longer, but “what they don't know...” so goes the old adage. We had, the both of us, anticipated with tempered irritation, the arrival of this bureaucratic beast of burden. However, neither of us knew that the deadline mailing date for “independent contractors” comes nary two months sooner than for payroll employees. This information was sprung on us at the very last minute by his tax attorney who, from this point on, will be referred only to as 'G.S.' (grease stain).
As I was fulfilling my duties, my friend urgently beckoned to me “STOP WHAT YOU'RE DOING. TAXES ARE DUE TODAY, AND WE HAVE TO FILE THEM NOW!” Naturally, I panicked. I had seen an income tax form . . . perhaps once or twice? . . .  much less filled one out . . .  maybe once at 17 during the employment process at a fast food joint? . . . Initially, we had thought it would be a simple matter of the W-2, the likes of which had been filled out automatically for me by employers in the past as a part of the hiring phase. Nonetheless, since my status of “independent contractor” placed me into a different tax category, I had to fill out what is known as a 1099-MISC. “Simple enough!” thought I, “I'll just fill in the relevant details and get back to work.” . . . “NOT SO FAST, CASEY JONES!” screamed the form, with all its talk of “fishing boat expenses” and “crop insurance” . . . “O...K?” “and what precisely has this to do with me?” thought I.
My employer, courteous as he can sometimes be, called up (t)rusty old G.S., who referred us to a site where the form could be understood more intelligibly. After a bit of head scratching and chin stroking, we figured it out. No matter, though! Because once we figured the form out, we couldn't figure out what to DO with the ******* thing. 'G.S.' was once again consulted, and he told us that we could simply print the form, and take it to an H&R Block office for submission. “Okay, simple enough!” thought I . . . but alas! It was not to be so. When we arrived at said office, the agent . . . who looked like a burned out caricature of William H. Macy . . .  reviewed the forms, and said that to apply the deductions I had calculated, he would require a $300 fee for his services, and that I would need to fill out a “Section-C.” This lanky, rasp-voiced, twig of a man then withdrew from his cubicle, at which point, my employer whispered to me “**** that, I've done Section-C forms hundreds of times, we're ditching these crooks”
At this point, we retreated back to the office, found what we thought to be the relevant forms, but were soon swept up in a vicious monsoon of bureaucratic legalese which, although it resembled English, bore few similarities other than word spelling and grammatical form. It is sometimes alleged that Kafka was haunted by ghosts which had an insatiable appetite for stories. The legend further has it that he would write for them to quell their unyielding wrath. Those of us who have read Kafka know intimately of his satirical preoccupation with the absurdity of bureaucracy. Perhaps these stories pleased the ominous specters which loomed over him like the fluorescent light beaming down upon me as I type these words. Some things can never be known for certain. If, however, this were truly the case, then it would seem that Kafka's ghost had now taken the role of writing MY story for his own amusement. Every cliché of the DMV and social services building was present in this ghastly affair. “Fill out this form; stand in this line; oh, I'm sorry, sir. You've got the wrong form. You'll need to file a (…) and take it to (…), their hours are MwAhMwAhMwAhMwAhMwAh” This futile circumlocution went on for SIX HOURS. All the while, thoughts of a perfectly wound noose, crafted of thick hemp rope, with thirteen pristine wraps forming a slipknot to be fitted as though tailor made around my neck filled my mind, as the acute stages of benzodiazepene withdrawal began to set it. Luckily enough, or so we suspect. We figured it out, and now I have only to wait for my return to come in the mail to see what I owe.
But once I got home, I got to thinking. There is a copy of 'Infinite Jest' on my coffee table. A literary epic whose magnitude cannot possibly be overstated. I began to think deeply reverential thoughts of the author of this book, and then something clicked in my mind: on that fateful day when Wallace took his own life  by the noose, he was in the middle of writing a novel about nothing less than the 1985 Tax Code in Illinois, and a group of IRS agents. Being the adamant researcher of all topics that he was, we can hardly imagine that he did not give this terrible ******* of language what he felt to be its due diligence. Of course, any responsible thinker understands that correlation does not equal causation; but as the admittedly ironic thoughts of suicide filled my mind over the course of this afternoon and evening, I can't help but be left to wonder if a mind so vastly superior to mine as his did not experience these ideas with markedly less irony as he reveled in the vile idiosyncrasies of bureaucratic jargon. Again. Some things can never be known.
I have begun keeping a journal. Not so much for the sake of documenting my daily experience, but more so to experiment with different writing styles and, perhaps to help clarify my own thoughts. I will also continue to write poems, of course.
All-knowing,
My great lord:
From the eternal palace,
Wherein we serve,
On the field of Sahiga,
Looking back
At the isles far offshore:
Where on the fresh, clean shoreline
With the blowing of the wind,
Breakers roar
And with the ebbing of the tide,
They go cutting jewelled seaweed:
From the age of gods
An awesome,
Jewelled mountain isle.
Yenson Aug 2018
Lost in the majority
hiding within the masses
seeking acceptance
afraid to be yourself

The bullies' 'democracy' claims another victim
the chains are for you
not your so-called prisoner
Not the one who dared call it as it is
Not the one unafraid to stick his head above the fence

What is a person if not their truths
Be it right or wrong, better die than a ******* sheep
The Dodo was wiped out because they were flightless
Couldn't escape the clutches of human
Was it their fault
Or the God who made them without wings
and also created man in charge of earth

Man is the highest being
who professes to know more than God
Do what they want and take what they like
We can, so we do
We'll just make it up as we go along
Its unlawful to **** but our Police can **** the Darkies
You do jail time for stealing a loaf
At the top they are stealing millions slashed in Offshore Accounts

Then some flatulences of deranged ******* ranges along
declaring we are Red Devils against the Privileged
See that man go make his life a misery
Don't befriend him, don't even talk to him
Come join our club cause we are the majority

The flatulence of ******* have just stolen your Free-Will
Pitting you against another who has done you no wrong
But it's alright because everyone is in with it
No it's not OK because they have just made you a slave
Played on your fears and made you feel inferior
Judged on your behalf without your consent
And manipulate you without your approval
Because they have fooled you
Made you think you're only strong in a pack
While tainting your mind with Hate
And stealing your free Will

Welcome to Cowardsville, Have a nice stay
Cause you're staying your lifetime
Real Democracy is seeking Common good for all by all
Not common destruction of another blameless Human
as sport to hang asinine trite banners on, to **** your mind in
That is not Power, its a scam by Cheats, thugs and hooligans
who also want a slice of the Top table pies and cherries,
without learning the rules of the game
What these shites call Power is hate and Bullying
And bullying is Wrong and cowardly
It could be YOU someday

You may not have much but at least own yourself
And own your mind
Make your own decision
Don't do because someone stole your free Will
Least of all a Flatulences of Red *******
Who banish Freedom while yelling Freedom For All
Who lies we are fighting for the common people
While their union Leaders earn same as the ******* PM
and live Rent free in mansions with fortunes in Banks

Is Putin equal to all the others he rules over
Is Trump giving up his Billions to make America great
Has Corbyn given a spare room to a Palestinian refugee
or donated half of his wages to the poor
Do you honestly believe Politicians tell you the TRUTH
Whether Red, Blue, Orange, Gold or ******* Rainbow

Then some Shyster Flatulences of Red Nincompoops steals
your Free will and sends you like dogs to go harass
and torment one single Man and calls it Revolution...hahaha

Go have a coffee and smell the Roses....people!
Jeremy Corbyn publishes tax return, revealing total income of £114,342
I instigated the most soporific cephalic act, An Argonaut sailing within your strange eyes of others pointed retina membranes, An unsaid exodus wishes to browse your meridians sunsets tainted of that meridian, As evening falls back upon you bathed the earthly mud, Nymph Ninfuceanicus sheltering your labours of bird waste in galactic extinction and creation...

For soft aromatic worlds, you went by your house ruined Zodiac
Blurring the lost romance policy profiles, threading peat spinning the metafhysist think of his tabernacle.

The ship in question was the beautiful delicacy of numbness primary Sun, Lost Halo where one day there was countless number age, to get lost in the cold of your trellis resigned and touching your going through the watery landscape of your soul cornered iron., Spark fleeing evaporated...

How many times my Ninfoceanicus very thin you migrated with your frosty, almost scary legs traveling in a foreign-owned bird…?, Where migrating is hard to see his crosses snowy mountain plants.

What if you. Ninfoceánicas lines will plan my rickety Saturn's own trapeze degraded never stood the lofty life of the living present all this happened? Divided scratchy body plowing all unexplored fountain.


Among several of them, thousands of them managed to be among others, but one of them, violated any protocol as beautiful geese and ducks in the window of my sky, coming to ask for my company, just on the threshold of spring, next to the threshold of my window and yours…, adopted eternal brother.

She mimics the snowy Nymph the feet of all the courts of the world freely, Dancing in tight spaces where sounds beautiful my favorite track other stragglers lost images of my beautiful bird of beautiful threshold of my window as timeless dances belfry rusty sounds.
For the dark wall between your gene, which will open the whistle of your detachment, every time your commander demolition subdued light and energy to take my humble mischief…
by the way, your eyes and mine, in the vigor of sepals loved everlasting flowers insults.

Together unfairly they united as dim flowers in the air,
Divided separately exile scattered your garden,
My chronic bad inside my hundred chronically ill
I will see  Nymph hiperoceánicus, hyper rusty
By iron hanging over the mask gestures cold weather martial iron watering soil and branded satin mask stays plebeian worms my ruined face of phases of my face closet and wardrobe.


The upward castle by fierce hillsides, notify more rasterize
Your morning visit.

Among many castles many seas gang signs of femininity,
As a sliding plushy receiving a Nymph Satardia;
The first and most powerful inhabitant of the ascending Ninfuocenicus castle.

When I'm alone,
I am on the side of the broth augury sling,
Holding my application
Almost like a plumber object in the hands of a blind astronomer.

Only three steps income
Where three steps have to meet me on the runaway shadows
Of my ancestors, right neighbor pine crafty,
That hid my totemic animality...
As the blood currents green,
I lost myself…

As a front polygon,
As a front wormy adventure story demolished
In the densest darkness of your house arcane absence ashes
The cadaverous presence of the wind of my roles in pain and ossuary  of that princely that emotional solstice who anchored in your flowery landscape of love,
Spinning wheel to square steps
As contraindication to love, then need you more.


You jump on my doorstep, plain unlicensed...
So the propaedeutic of Ninfaoceánicus begins,
You write my signs and my losses as prescribed
The loneliest adage constantly fading green robes.

I often feel sad as all times outside the elapsed time,
When I feel the absence of your webbed feet oily,
Aligning by walking wearing my sun off you,
With foreign attire migrating my sunshine clothing doze...
As a gale of tulle for the South Seas who died in the wreckage of a pirate ship Pliocene…

And your sea south sorry awakening as between species
Jungle, eater vampire  as the swirl start your being lost in my
Desert be... want to be mummy augur…
Lips worst evils of unrestrained fantasy tribal worse,
They concluded entirely confined irritability.
As the bipolar lost hope,

The graft of your nomadic existence and entrepreneurial ship traveling
settled that the bipolar economy of your means of anti-life,
Closing my eyes... black aniline,
Black lost roads dancing notch watermark,
Of the hypertensive empty string, as the rope pulls and
Solves the crescent of your face depressed ocher rain.


When river, and watch your lips precursors,
I watch the surf offshore devouring my joint,
In search of  nymph Titania, your age who live with me,
My Perfect for you and my image, my imperfect picture of you and me, silky movement shores of my soul looking for you,
When I sit at the knee I bend my knee for you,
I sit on the bank remains with you.
My codex collected from you, only you...

When the cave steppe fear rages,
Tongues of fire gigantic move me by your rivers adventure
I park in your loud voice drawled from the acute bonfire
In the wooded rested than ever, it grew on your side close.

Your life was almost a straight bipolar errors,
I am now businessman making your life nearby,
Hit blowing winds greater...
And at your life in my financial life,
If you think with your hands clasped over your face
know that almost live together with you,
unbecoming my libertarian release of master your flight
hell, beastly dessert.

Most hellish ******* lastly zain,
Of the greatest forces of your body eater the myth king, fabulous race The disabled senior verse confined treaty,
Confined you that is farthest from you **** nymph Ninfuoceánica,
requalification boiling in behaviors you to exist in the relief of your abysmal way but your gooey body resting on you..., rests meditating  Do not get tired, you do not pretend to be the ruin of your prey voice sound muffled, only animals that disturb you bring your pursue days true…

Your lovers sulfur knew your colors and smells of the most pestilential entity, that overshoot and tone your threefold, as a roar of the soul that comes from your soul, do not let mental baseness mimics with anemic,
lower hostile masts your anti angels have to ride on gold gatekeepers... For the spot, if mythomania and your alcoholic schizophrenia infinity, ...

hulks  of alcohol vapors in the pulmonary vessels by butterfly flocks,
They roam the reins of collecting and rasterized your weakness sudden death, As well as the sudden resurrection of my body.
And rebukes the storm, rebuke thy right entity endowed *****'s nerve
That's where I have to pursue your side embraces more hug me,
More than your own warmth, rather than your own bravery, unbridled carriage.


I often repeat a million times,
The times I did not hear your perpendicular attentive pauses, stutters hurry ****** your frequent alcoholism, not to distinguish only slicing nonsensical attitudes sometimes slow thinking agility of a lover, Thinking that ****** and reduces that sinister and discouraging, that scrape thin that limits who want to be and not dominate.


Mapping by hiding places unusual materials,
Brochures polished of the scruffy codex and guide you an  unguided
By the groves close views as telescopic sights that are lost.


I know, my biggest Ninfuoceánica death may not be reborn on the third day…!!, But if it is not to lose lost when the day ends.
Wise ancestry and slavery will govern the pale fronts
Your hidden and mobile lives on an olive orchard,
Hiper meditate funny without feeling any known gene passed ******, nor read past experience in your prodigious map of oblivion.

Satardia; He lit a match just as night fell,
Sea and sky colours compressing regrets that burned their matches

It burned his blessed same figure as the little pair of gifts
That remained on hold as senior Ninfuoceanica,
Only his dark side Petric windmill stone...


Someday reborn to confuse his disciples confused gentlemen,
And their abandoned phrases that he dominates.

Feverish ardor,
Feverish torpor
Every living illusion is extinguished...
Go to your coward stampede
Of gatekeepers on buffalo between bloodthirsty goats...


Jose Luis Carreño Troncoso Copyright 2015
Related  August 2006
NeuroBio Poetry Essay -  analysing human behavioural depressed,  at the same time fantastic forest voyage  into the Nymph's World
Krysel Anson Sep 2018
Hello, Poetry Incorporated,
how are you now, coming after
the world's 3rd breakdown?
Where do we go from here?

Here beside us now, another gift
after the deathly blows.After children entrusts
us yet again pieces of their lives and deaths to us.

A Japanese animation in the 1970s was banned
somewhere offshore. Not just because
the landowners who banned it was just evil,
Nor because one was "better than the other".

It was forbidden maybe because of many questions 
still haunting us to and fro, beckoning us into
living our lives fully, not because of the light and dark,
but rather despite of it.
Like the dark and beautifully frightening
ocean tides that have capsized whaling ships
and yet have given birth to all our species.

Unlike many other animations,
the banned show did not have crudely offensive content.
It was a story of different people coming together
inside a big machine and operating it as one
as they manifest themselves as the Voltes Five.
Work in progress. Written after watching online interviews with Elon Musk.
Denel Kessler Mar 2016
Ten black crows
in a red-budded
cottonwood tree
basking in the eerie
glow of the waning sun
bruised, livid sky
weighted air
waves shush, shush
on the receding tide
serenity reigns
but I can feel it
hovering offshore
a curled fist
wound tight
ready to strike
ryn Nov 2015
••
•now-
here near,
you   exist
so far•fur-
ther    than
my   vision
could  ever
reach•many
kilometres away is wh-
ere you are•faraway land on a distant beach•let
foreign winds drench my senses•let the offshore sand greet
my feet • let us come to a consensus....• that soon our gazes
would me-
et•chance
might sur-
face by the
end of this
night•wi-
th the dawning of mo-
rrow's morn•grant me the wings
to take flight • put me on a plane




and render me airborne
stone the bear Apr 2016
I think with my heart;
not my head
in my hand
or buried deep under the sand.

Because when everything comes from the core,
i don’t need to wonder any more.
Thinking is not a chore:
like folding laundry into a tidy drawer.
But that’s what draws our glass floor,
and causes us to continully snore.
But what we chose to ignore,
should be infact, exactly what we adore.
Then maybe we’d ask for an encore
instead of a 24/7 drug store.

_______

To you, i may be a boar,
but we must bust down the door.
Stop fighting the war!
Live for evermore(
if we wish to soar).

_____

But today our biggest sore
may be the us marine corp.
i hurt for their souls, scattered galore.

it is i who they fend for,
it is why their blood continues to pour.
But that doesn’t effect you,
because it happens on another shore.

Your questions? i have answer for,
but please don’t ask me the baseball score.
Those fact are not in my houses’ decor,
all forms of politics, i choose to ignore.

__________

You can call me a dinosaur,
regardless, I am not a cannibalistic carnivore.

_________

I know you may ridicule,
but i prefer to be the recluse,
only coming out, when looking for a spruce.

So, when i do explore,
you will not find me with the busy bodies,
you will find me with the mircoscopic spores.
After all, it's we they provide for.

After this adventure, i know they swore,
they could create me a commodore.
On our yaht, somewhere offshore.
There would be no more war.
just hugs, tugs, and kisses galore.

Before, I was a skeptic, *******.
i now believe holeheartedly in folklore.
My faith in prewar,
is now eternally restored.

Because mother against man always out scores,
that is why i look no more.
Nature is my only mentor.

________

now, i see myself as a matador.
i can be anything,
that is the underscore.
https://www.flickr.com/photos/140736599@N08/26397561165/in/dateposted-public/
at the end of the pier
no one is fishing

a couple from Jersey
leans out over the
rail looking down into
the brown swill
rolling under the
weathered boards

The wife remarked
“Belmar's water
is much nicer.”

on the Gulf’s edge
unhappy gulls convene,
plaintively gazing
over gray waves
ebbing at their feet

Brown Pelican crews
fly in long
ordered formations
incessantly circling
in widening rounds
seemingly reluctant to
plunge into the
endless depletion
of this aquatic
dead zone

I speak with a
Jefferson Parish employee
working a shovel
to regrade disturbed sand
boasting a consistency
of moist drying cement

“How did the Gulf oil spill
affect this place?” I ask

“It took evarding.” she said
With a slight Cajun accent,
“dig down a foot or two in da sand
you hit earl. It nevar goes away. Nevar.

“I live down bay side
near forty years.
Had’nt been in de water fer
twenty five.  The ******
******* took evarding.
They should go back
to Englund”

She went back to
tilling the sand.

Deepwater Horizon
yet festers a short
forty miles out to sea
is now covered by
an advancing storm
swelling in the Gulf

standing at the end
of the long pier
my hands  grasp the
sun bleached lumber
straining my eyes
peering into a
dark avalanche

the serenade
of bird songs
have been replaced
by the motorized drone
of tenders servicing
offshore rigs
sounding
a constant refrain
filling my ears
with a disquieting  
seaside symphony

the taste of
light sweet crude
dances on my tongue
the pungent sting
of disbursements
climbs into nostrils
rends my face
prickles my eyes

grandeur is a
conditional state
never permanent
forever temporary

Music Selection:
Cajun Music:
Hippy To-Yo

Grand Isle
2/20/17
jbm
Grand Isle, Cajun, Deepwater Horizon, ecological distress, Gulf of Mexico
love  
dove
bird
hurt pain rain
washing laundry dryer  shrunk
too hot   summer  beach  tanned skins
bikini girls   lifeguards  bodybuilders  
Schwarzenegger
robocop criminals politicians votes
lobbyists corporations   special interests
stock exchange oil price pipelines
pollution profits   leaded water   oily shores
banking wall street   99percent
wealth CEOs distribution education defloration
exploitation union struggle macjobs
Walmart amazon   tax evasion    offshore banking
islands caimans reptiles alligators walruses
snapping turtles  manatees  albatrosses
birds
dove
love
just for fun, sort of ...
Robert Zanfad Sep 2009
This was my sand yesterday,
Hot and gritty,
Yet comforting, embracing
Under my towel.
Troves of precious shards of shell
Mapped into mind
With the jellyfish abandoned
By the tide
Just out of reach of cool waters
And a pool carved
With ramparts and towers,
An ambitious child's construction
Proudly pronounced eternal.
But we took pictures
To remember,
Anyway.

Now, after breakfast,
Into blue too perfect
This morning's sun rose
To a sky spilled
Cloudless and clear
Over new land
Reformed by night swells
Gulls and terns blown on,
Friends' footprints cleared,
The castle lost
By waves or wind's gusts.
It seems alien now.
My toes dig ever deeper
To discover if warmth
Is still here, hiding below
The surface of what I can see.

Morning's winds fling
Biting bits chipped
From far-off mountains
Cheek and legs sting
In force of anger born
Far offshore,
While the children nestle
My jacket for shelter
It can't give them today.
The tourists left - the sand is ours
To reshape, imprint with feet again.
And plan for tomorrow -
Umbrella, blanket, pails,
Embrace sea's eternal rhythm.
We'll stay.
Ocean Blue Feb 2016
Influenced by the Moon,
You push me offshore,
You swap to a different mood,
You applause for a last encore.
I comply, I am your slave,
To you, forever I am tied,
'Cause I am a loving wave,
Prisoner of your tide.
.......
In the bend of my road
That way offshore
Call me with my old name
What song I sing for her

Someday in some moments
Did I leave something!
In this dusts of the way
Maybe in the monsoon of May
Or my empty way can say!

What that I couldn't understand
Wanted to understand
How all is lost
In the wheels of time
And why today all those
Cast me

I'm a tired traveler
Sitting in the shade of shadow
At the time of sunset in the meadow
What causes of an illusion!

What I have lost
Behind the mind
Does she come back certainly!
In that lost obsessed path!

I think the day has turned
Lost in the bend of road
Maybe taken the new way
In the bend of the road
.....
@Musfiq us shaleheen
*****if like please share your comments.......
Elioinai Oct 2014
April 7th
Late one night as I walked the shore,
There came to me whispers, whispers of lore,
And there, her tail sparkling amid moonlit foam,
Arose such a lady, of mermaid kingdom,
She sang to her sisters, sang of her lover,
With tears in her eyes, the voice of a mother,
His valor was great, and his gilded gills strong,
But to quarrel with men, was where he went wrong.
One day as he swam, he met with a ship,
Swollen boards, barnacles, iron bolts rusted,
A pirate ship, not to be trusted,
And captive on board, were children for Haiti,
Who cried for their homeland, their hearts feeling weighty.
Their African voices, and African songs,
The voice of a mother, for her child she longs,
The prince’s heart broke, and he wept for his cousins,
Bound for a life of back breaking strife,
He could not leave them and return to his wife.
“From whence have you came?” His voice through a crack,
“In Fanga and Dmindi our feet were entrapped,
Our hands roughly shackled, and lips cruelly slapped.
Oh Fanga of bananas sweet, where blue sky that river meets,
Oh Dmindi, great bronze walled city, now ransacked and devoid of pity.”
“My Family!” cried the Merman, “Just a day offshore you are!”
“If I could get you back . . . do you think you’ve traveled far?”
“We cannot see the sun, don’t know when our sorrow begun.”
“Wait”! One says, “They’ve fed us twice. Two days ago we were cast off.
Surely we could travel back, and if not, in Africa we’d rather rot,
Than in this sinking, stinking ***.”
So the sea prince called his creatures many, whales and dolphins,
Turtles and sharks, in the sun they made their marks.
The Pirates on board became perplexed!
The sea was soupy, their course upset!
What could they do, with this onset?!
The Captain snarled and shook his braids,
“Of no man or beast am I afraid!”
And on his rifle his callused hand laid,
“Let war on these creatures now be made!”
Every Pirate with his gun! The captain now was having fun!
Bullets hit the water, but very few found their marks,
For there was but little marks to see, except the tracks of swimming sharks,
The sailors groaned, what magic is this?
What has happened to the fish?
That they would around our boat amass, where do we go? Oh, alas!
The day grew later and so sign was seen,
The pace was kept, for the shore they were bound,
If this keeps up, we’ll run aground!
With half-fish leading, in the front he swam
He encouraged his army, and called to his friends
“Toward Cote’d  Ivoire  we are a sailing,
Do not let your hearts be failing.”
(No pirate could hear his voice, this was the half-man’s special choice)
“I shall take you not to a harbor, but to an island inhabited by few,
With food in abundance and canoe trees for you.”
That night as the stars rose, he sang them to sleep,
In their own mother tongue, no more did they weep.
For they were surrounded by magic of love,
Love of the keeper of the sea, a father himself.
But then in the morning, the morning of slaughter.
He let his tail slip above the bright water,
The Captain roared with guffaws of cruel laughter.
“To arms again my men!” He cried,
And on that day the Merman died,
For with his dark blue back exposed,
The Captain knew the enemy he loathed,
His aim was sharp, and his propellants deadly,
A shot rang out among the medley
Of orca chants, and dolphin chirps,
And at once clouds moved across the sun.
As purple blood stained the water, the Captain shouted “We have won!”
But the race toward land didn’t slow one knot,
The outcome wasn’t changed by a single shot.
The great fish knew that their command hadn’t died and the death of their king,
Though for sure they cried, His body was dead but his word was alive.
Two porpoises left to carry his body, away to a grave, to lay with his family
To the Castle of Coral their burden did bring, to sisters to mourn and his dirge to sing,
They wrapped his long body, laid him in a cave,
Cursed the old Captain, oh **** the cold Knave!
And brothers did leave to do that hard deed, and carry the prince’s wish out.
They swam in a swarm to the creaky old Roger,
In the night they did find her,
Her crew in a bother,
And climbed they the boards that held her together,
Soon she was taken, the pirates all killed
And prisoners unshackled, as the Merman had willed
(some mermen did die, in the scuffle preceding, but most wore protection,
Their brother’s fate heeding)
The sun did arise, in the brilliant sky,
A Hero’s day! The African’s cry.
The mermen guided the vessel to shore,
And of the Queen’s story there was little more,
Except that now she sings in the evenings,
As she raises her girls and little menlings,  
No one will she find to replace her Prince,
No such lonely valor has she ever seen since.
So she sings to her sisters, under full moon waves
And calls to her cousins, on land that are slaves
That saviors will come, their own lives the cost
And vengeance will fall, happiness is not lost.
April 7th, 2012
Please forgive my unresearched work of fiction
No ethnocentrism implied, mermaids are the cousins of all humans
Nigel Morgan Oct 2014
A GARLAND FOR NATIONAL POETRY DAY 2014

My Once and Only Garden

It’s no longer mine
But I pass it
Nearly every morning.
It’s untended,
Overgrown, autumned,
The camellia needs a prune,
The irises have gone;
The garden needs
A good seeing to.
A sad garden to pass
Nearly every morning.



The Chestnut Avenue

I came back to fallen chestnut
Shells, conkers, everywhere,
But the leaves are still
Thinking about falling.
No wind you see.
On other trees I pass,
The lime,the white-beam,
There’s a crinkly brownness
Scattered across the path.
So dry, no wind,
September sun.
The chestnut avenue
Has some way to go.
Wind, rain, frost perhaps
And the leaves will fall.


******* a Boat

There’s this girl,
A young woman really,
On a boat.
Not living on it yet
But plans are afoot,
Along with essential repairs.
It’s not ‘Offshore’
Like Penelope Fitzgerald’s
Boat on the Thames.
But in a quiet and placid mooring
On the River Lea instead.
I thought of sending her this book,
But it’s all about liminality,
People somewhere in between,
People who don’t belong on land or sea
. . . And the boat (eventually) sinks.


Still Waiting

We sat on the seat
Under a bower of roses
In the herb garden
And she talked in that singing
Way of talking that she does;
Such a tessitura she commands
Between the high and the low
With a falling off portamento
Glide - from the high to the low.
Her hair stills falls
Across serious freckles, auburn hair,
Gold with a touch of red
Like her mother’s only softer,
Like mine once was, and my mother’s too.
She has a slighter frame though,
and is still waiting, waiting
For a real life, a woman’s life.


Cyclamen Restored

I went away and left it
On a saucer, watered,
In a north light
Near a window sill.
Its pink flowers were *****
And nodded a little
When I moved about the room.

On my return it had drooped,
Its leaves yellowed.
There were tiny pink petals
Scattered on the floor.
I put the plant in the sink
For half an hour.
It revived,
And the next day
Seemed quite restored.


Driving South

Driving south through
Dalton, Shoreditch,
Hackney and Hoxteth,
The Hasidic community
Garnished the Sunday street.
Driving down the A10
South towards the city:
The Gleaming Gerkin,
the Walkie Talkie,
and further still,
a Misty Shard.

As a child, the buildings here
Were so much slighter
And a grimy black;
The highest then, the spires
Of Wren’s city churches.

Sundays to sing at ‘Temple’,
With lunch at the BBC,
Driving south from New Barnet
In my Great Uncle’s Morris,
Great Aunt Violet dozing in the back.


Gallery

Small but beautifully right
For her London show,
Good to see her surrounded
By tide marks from the shore,
Those neutral surfaces,
Colours of sand and stone,
Rust (of course) from the beaches
Treasured trove, metal
Waiting to become wet
And stain those marks with colour.


Ascemic Sewing

Having no semantic content
These ‘words’ appear on the back
Of a chequered cloth of leaves
Backed all black
Stitched white,
A script of a garden
Receding into
Trans-linguistical memory.


September Dreaming

Facing the morning
Above a barrier of trees,
Oaked, foxed, hardly birded,
I would  wonder while she slept
About the richness of her dreams,
Dreams she had spoken of
(Yesterday, and out of the blue)
And, for the first time, in all
These precious but frustrating
years we’d slept together,
shared together.
I had always thought her dreamless;
Too fast asleep to experience
Envisioned images,
Sounds and sensations.


Think of a Poem

She told me in a text about
Think of a Poem
On National Poetry Day
Just a week away.
That’s easy, I thought,
There’s always that poem
Safe and sure in my memory store
Once spoken nervously,
under a rose garden walk,
but there, there
for evermore . . .

Who says it’s by my desire
This separation, this living so far from you. . .



Missing Music

Today I read a poem
Called The Lute: a Rhapsody.
‘From the days of my youth
I have loved music,
So have practised it ever since,’
Says Xi Kung.

In his exquisite language
He then describes its mysterious virtues,
And all the materials from which it’s made.

How I miss my lute, its music,
And the voice that once sang to its song.


Drawing

I wonder if she’s drawn today,
And what? I wonder.
John Berger says:
Drawing goes on every day.
It is that rare thing
That gives you a chance
Of a very close identification
With something, or somebody
Who is not you.

I wonder if she’s drawn today,
And what? I wonder.
In the UK October 2 is National Poetry Day
http://www.forwardartsfoundation.org/national-poetry-day/what-is-national-poetry-day/
Mateuš Conrad Nov 2016
it's a common theme, a pastoral even... a sing-along with the words: when i was in Rotherham... i was never in England... when i was a Rotherham i was never going to imagine myself eating falafel. yes, it's that ****** ugly, which is why i'm hardly a premature ejaculator into assembling myself as bulldog Brit - use the language: well, obviously... but assemble the other bits and bobs? can't happen... it's like asking: tell a Jew to not be a Jew by sitting in one place for a long period of time... the nomad in him will evidently counter that proposal and say: **** it! see you on Mars! and to think that i could have actually invested my life into a diameter that's Poland... people still find it a bit odd: oh, wait, are they back on the map? that's us, Jews of the north... can't believe we're being blamed for the failure of the treaty of Rome: all because the English stopped flirting with the idea of Turkey being in the union: even though they dabble in a lamb kebab after binging on *****... but hey, no one want to be a hypocrite these days... that's of course provisional given your Jose Mourinho relationship: is as special as you suppose with the lady and the trump; someone tell Disney to stop writing those ****** scripts! how thoughtful of a prophet-merchant (merchant of Mecca, Shakespeare should have written that one) to have encouraged the sigma-bleaching-project: one world, one book, one something or other: either the telescope or the microscope answers: otherwise evolving into ****-naked baboons and elsewhere furry Gucci to strut the feline ****; it's not like i want to go back to the past, but i certainly don't want to experience a Monday in the year 2086 either.

i wouldn't have been one of them, their services required
a nobility, which i can partially claim,
but partially discredit as:
a family squabble, where the Eden
project would have flourished -
because of the lies -
         but you know, no biggie,
or the notorious -
one part of my family actually did
settle in america with my seven
tongued great-grandfather *sprechen güt

it's necessarily applied here:
hence it's not gút: miracles!
                     who would have thought
that trigonometry bit into the *****
of those pixy, foxy whatever clot in the
English department....
that's the thing with immigration and
integration and ethnic cleansing:
when i write,
    the desk is as rickety as a bed when
i **** a *******
and she tells me i'm a decent chap -
and says a variant of awe because i paid
£10 extra to pucker her floral arrangement
and she feels ashamed at having had
an ******: and all the feminists are
out there, in the cold, with their banter
     slogans that reach Zeno via
turtle, as snail, to compete with Achilles:
yeah, that hurt, because you enjoyed it
on the hobnob you call a job.
******* pretty enough for you now?
   well: two ***** and a smoking ****** later:
it better be!
               people think that you can just
"integrate" into a foreign land...
they coerce a foretfulfulnes that you
sometimes practice etymology -
        and find yourself a bit like a Jew
but more of a Slav, feeling at most romantic about
the land that is cleft to your ***** in terms
of language patriotism still leech-like,
because you can't forget the asking
that's already there: from the Baltic Sea
toward the Black Sea: our commonwealth was,
and could have been!
          globalisation is so Emi ******* M -
you bleach throughout, and so suddenly,
people get bothered -
         like a Cluedo but unlike who did it?
who's who?
             i write this on a rickety table,
like i might **** an Amsterdam dame of the credo
in all that's left: red -
       baby, that brickwork with your chub
layers does it for me: always a Puerto Rican to
have a laugh with...
20+ years in England and the roses are still
roses, but nettles in some obscure Greece island
designated for offshore debauchery -
hey, no one is a saint: but give a little -
   have at least the remote humanity in you
to breed the ******* Beatles rather than an antiquated
variation of Breivik.
                obviously not to be.
i payed because i wasn't getting any:
hands up, sycamore! so scythe so more -
i just feel uprooted and Jew -
  dispositioned like i have to have an inferiority
complex tattooed on my **** designated for
halal butchers -
           there's a problem though...
i have patriotism with regards to the tongue:
but to the people? a true Conrad (minus the Joseph)
would sell you out, like you already
have: to the highest Saudi bidder -
           ethnicity reemerges - strangely enough:
even after all that ethnic cleansing that's politely
called globalisation: because English cultural
emphasis is plain said: ****!
                      a bunch of fairies say i can't feel
a certain way because it will hardly become economised
and benefit an inbreeding:
so i outsourced you there,
   Dover Monsieur without his Turk and Mongol
invaders -
                   you could call it romantic:
but i'm not writing from an ivory tower within
framework of the land that needs tilling by
a familiar hand,
                 the last time i spoke to a Pollack -
it was in a shady alley at night, debating the clues
to making a living on Ebay -
                  so much for the romantics -
fair game in learning the tongue, but to attack
ethnicity? you have to be ******* me...
they call it the exotica in England:
all that coconut milk went to their heads -
   Baltic coconuts? sure... once you start eating
the pickled herrings like us: quasi-Scandi devils.
     so ******* twinned with Israel:
they said Amsterdam was the Venice of the north
they said Edinburgh was the Athens of the north
they might as well call it Tel Aviv Warsaw
and Jerusalem Krakow - too little to be said
otherwise.
             you could say Moscow and St. Petersburg:
oh sure, seen a bit of the world: ought to be
a *******...           really?
       does the world need another Golgotha
congregation? i just don't see why i require
to give more than linguistic acumen -
i'd never sing god save the queen
because i'd probably sing queen save the taxman...
and it really is a shame i can't engage in
any sort of nationalism - whether over there
or over here, it's a true shame...
           well i do have a grand history to aspire to,
variously interpreted with what gets my heart
thumping:
          ogniem i mieczem - hussaria ginie
(with fire and with sword - winged hussars die) /
          krzesimir dębski:
which i also translate in feeling within
the framework of Górecki's (3rd symphony?
fun-*******-tastic reassembling jazz's double
base, or bees, or other variations of humming
drones: anti-thesis of the crescendo)
three olden pieces, no. ii -
and yes: without cinema classical music would
be dead... the only classical music these days
is cinematic transcript -
                 the complexity of a Liszt or a Chopin
is frowned at, what has remained and endured
is a Satie yawn - a brushing of a piano like
a dustmaid: a sort of accenting the silence -
nothing with a technical claustrophobia of
smug finger litanies of the abacus:
that swamp women's feelings with eerie ahs
and yesses in would be marriage proposals.
   i wish i could be a lazy Welshman
or a Scot that forgot Celtic in order to glorify
a Glaswegian idiosyncratic-syllabalisation
    of wee, as in small: high off my rockers
on the Afghani thought train that's *****.
  i wish i were that ****** lazy...
  as to simply let go of where i was and where
i wasn't...
       as someone in Cardiff once said:
never been to London -
or as someone in Glasgow once said:
           a banch of ****** all with the Edinburgh
Judases.
              i don't think i could ever
have enough lost self-respect to not play the ethnic
joker card without a romantic agitation -
but it's still the piano that truly survives in
the modern world of pop **** trance i-wish-i-were-shot,
any other name from american beauty -
once again: the minimalism is self-explanatory.
no, i don't think i could ever fully integrate:
and happy are those who have their
lives filled with the existentially trivial:
never moved home, never descended a class below
or rise a class above their parent's status -
what a grand scheme of lotto!
                    i love these squamish pixies -
i love them so much that i experience nausea when
hearing about their lot in life...
  after which i turn to a lullaby, handpicked,
christopher young's - something to think about
from the hellraiser franchise, or as i like to call it:
i like these sort of tracks, these life infuriating
   chattering:
              like throwing yourself into either
nouns or onomatopoeias:
                           and yes, art is difficult:
because it's supposedly lazy -
                   oh the plumber in me that never was,
oh the roofer of industrial sized roofs in me that
somehow was, but then wasn't...
            the part of me that writes like Joseph Conrad
but actually wants to scream:
                       zzé skury odrzeć! (variant: ob-      +
-drzec)    to strip the skin.
                 a z tym: nadać ducha gniew alter solo
wbrew temu co mówi, czyli: razem;
                    nawet katedra św. piotra nie jest
                   minimalizm zwany: Golgota.

              (and with this: give the ghost's anger
alter solo, against that, which says,
namely: together; even st. peter's cathedral
                 isn't the minimalism of Golgotha).
keith daniels Jun 2021
hush,

hear it?
listen.

all those waves
rolling in,
out,

dragging all you hate,
all you fear,
in tides
offshore.

no pen can trace ink
faster than the sea
can wash it
all away,
promise.

your words are water,
dissolving in the saline sounds
of neap and spring,
rise and fall;
lunar rhythms.

eye the sky
and wait for everything,
the whole god ****** world
to take a breath
and quiet down

so you,
with shaking hands,
might find some peace
below the seabreeze scented winds.
just wait for it.

now,
a moment.
a cosmic pause,
and even nature waits
for what should happen next.

recede.
gradual fade
of throbbing veins,
and wet skin tingles

prickles
with delight
of marine air.

you
are safe;

free.
Playing with the shape of waves.
Format (by word count per line):
1
2,1
3,2,1
4,3,2,1
5,4,3,2,1
4,5,4,3,2
3,4,5,4,3
2,3,4,5,4
1,2,3,4,5
   1,2,3,4
      1,2,3
         1,2
            1
Del Maximo Oct 2011
from here you can see the ocean
a distant dulled blue mesa
standing still, yet running
an offshore marine layer clouds the horizon
dark gray cumulus with fluffy white tops
mimic snow capped mountains
clean bright sunshine illuminates the earth
a cheerful contrast to yesterday's rain and gloom
the city is alive with light
as morning fills the room
awakening my mind
with expanding consiousness
a feeling that I AM
gratitude and thankfulness abound
rising emotions remind me
thoughts become spoken words
"I love life"
"I love myself"
"God, I love myself"
© 10/06/11
Laurent Jun 2016
A Lighthouse to light beyond the Reasons
An Astragal to tone down the Passion
A Lantern to bright beyond the Horizons
In that permanent Love's Peregrination
Some wished him to be an Anchor
He is just a moored Beacon, offshore.
stone the bear Oct 2016
I think with my heart;
not my head
in my hand
or buried deep under the sand.

Because when everything comes from the core,
i don’t need to wonder any more.
Thinking is not a chore:
like folding laundry into a tidy drawer.
But that’s what draws our glass floor,
and causes us to continully snore.
But what we chose to ignore,
should be infact, exactly what we adore.
Then maybe we’d ask for an encore
instead of a 24/7 drug store.

_

To you, i may be a boar,
but we must bust down the door.
Stop fighting the war!
Live for evermore(
if we wish to soar).



But today our biggest sore
may be the us marine corp.
i hurt for their souls, scattered galore.

it is i who they fend for,
it is why their blood continues to pour.
But that doesn’t effect you,
because it happens on another shore.

Your questions? i have answer for,
but please don’t ask me the baseball score.
Those fact are not in my houses’ decor,
all forms of politics, i choose to ignore.

__

You can call me a dinosaur,
regardless, I am not a cannibalistic carnivore.

_

I know you may ridicule,
but i prefer to be the recluse,
only coming out, when looking for a spruce.

So, when i do explore,
you will not find me with the busy bodies,
you will find me with the mircoscopic spores.
After all, it's we they provide for.

After this adventure, i know they swore,
they could create me a commodore.
On our yaht, somewhere offshore.
There would be no more war.
just hugs, tugs, and kisses galore.

Before, I was a skeptic, *******.
i now believe holeheartedly in folklore.
My faith in prewar,
is now eternally restored.

Because mother against man always out scores,
that is why i look no more.
Nature is my only mentor.

_

now, i see myself as a matador.
i can be anything,
that is the underscore.
https://www.flickr.com/photos/140736599@N08/26397561165/in/dateposted-public/
Palm trees swaying leaves
Beach-comb is its foundation,
white long sandy beaches,
Emerald sea on the shore,
Turquoise sea of offshore coral reefs,
and blue sea at the depths
rich in marine life; diversified,
is my island in the sun,
Paradise
is my Island Home.

— The End —