These Memoirs
Ghosts of the past
A solid reminder
Of what had come and gone

Purple pink sunrise hues
Bright red orange sunsets
Interlocked fingers
And sweet seething kisses

Warm hugs in bed
The smell of morning breath
The feel of your skin
The fluttering from within

The fights we never won
The funny moments we own
The laughter we  shared
And the tears I had to bear

You see, it still haunts me
The outline of your face
And it takes all my power away
Just to see you there everyday

Deep in the comfort of another
A peace in your face without utter
A deep calm I craved
Of the memoirs we evenly shared

You see it shatters my heart
Every time I see us apart
You in another man's chest
While memoirs of feelings bleed out with zest

My oh my , dear oh my
Why sole me , deliberate shy
Arrouse me in meself inner sanctum
To cause penises go wild erectum

Why me frail and naive
Touched and grabbed feels so tactile
Breached and pinched gets me unleashed
Fortold and shadowed narrows me leached

Oh how i humble and crumble for pain
Pleasuring may not be enough, but not in vain
Showering me until it rains
Pumping my blood through my veins

Widely and unique i scorge and emerge
Make me *** till i purge
Bright and shiny i humbely traverse
For a non-stoping reverse

i. "Why did the number of parking tickets spike
when Persephone was carried off to the underworld?
Demeter wasn't working."
She liked greek mythology puns.
It was a good thing I was creative.

ii. Truth or Dare, I asked her what
was the best decision she's ever made.
she answered with, "In 7th grade I named my puppy Achilles,
so when I saw him I could say, 'Achilles, heel!'"

iii. It took me two weeks to realise that
when we held hands, I wasn't really
holding her hand, but a chainsaw,
ready to slash through anything that stood in our way like
Hercules chopping off the Hydra's head.
I was immortal.

iv. August eleventh; 9 PM
we watched for the meteor shower.
I connected the freckles splayed upon her knee,
told her they looked like the constellation of Cassiopeia.
"Be Sirius" she jested.

v. She had a bad habit
of smoking at the beach and I
Wondered if she knew that with
every single flick of ash into the water,
Poseidon was cursing her to the River Styx.

vi. Headaches visited her often, I joked that
maybe she was getting ready to birth
a Goddess from her cranium. She
did not find it clever.

vii. You could say we became like Aphrodite and
Hephaestus. I, longing for her. She,
lusting after another. A synonym for her
headaches would be me.

viii. Apparently if you hack off a Hydra head, two
would grow to replace it. Knowing this sooner
probably would have saved me from numerous
amounts of Kleenex and chocolate.

ix. She left me a note on the dresser,
"Fun fact: Medusa's favourite cheese was
Gorgon-zola. PS - you remind me
of Medusa, please remember to brush your hair."
She reminds of Medusa as well, I do not doubt that if we
meet again, her eyes would still turn me into
stone.

.
In a costume of conflicting emotion,
of crossing diamondic colour,
with regal posture in grief,
the Harlequin and the King,
a display of opposites
creating a composite being,
that eases her body
gently into the waiting water,
to float away serene,
on her journey to the nether.

Midnight blue and emerald green,
the regalia of ermine,
both ostentatious and humble,
robeing the aspects,
understated in crowning splendour,
the gentleman King bows,
and the Harlequin laughs,
the bi-polar reaction
to the tragedy of misfortune,
with a sting in the myth-tale.

With the dark hues of mourning,
a legend passes on her way,
across the streams of time,
on a voyage to discover herself,
carrying her Harlequin in a purse,
holding her King to her breast,
owning them both in her heart,
the medicine wheel spins,
knowing the grapes of wrath
yield the wine of spite.

The motley speckles of attire,
a starry parody of night skies,
lighting the decorated funeral barge,
gliding along the rivers of space,
worn with the mantle of sorrow,
and it sails into the sunset,
as the Harlequin and King observe,
the mandala turns,
the bier of the Queen departing,
bears their sadness forth.

The Harlequin laughs and laughs 'til he cries,
his heart grows cold, then withers and dies,
whilst the King, statuesque, memoirs his life,
lamenting the legend of a Queen, his wife.



© Pagan Paul (24/07/18)

Given the apparent magical surrealism that the months of April is the month of fate for and death of writers, artists, dramatis, philosophers and poets, a phenomenon which readily gets support from the cases of untimely and early April deaths of; Max Weber, Miguel de Cervantes, William Shakespeare, Francis Imbuga, and Chinua Achebe  then  Wisdom of the moment behooves me to adjure away the fateful month by  allowing  me to mourn Gabriel José de la Concordia García Márquez by expressing my feelings of grieve through the following dirge of elegy;
You lived alone in the solitude
Of pure hundred years in Colombia
Roaming in Amacondo with a Spanish tongue
Carrying the bones of your grandmother in a sisal sag
On your poverty written Colombian back,
Gadabouting to make love in times of cholera,
On none other than your bitter-sweet memories
Of your melancholic ***** the daughter of Castro,
Your cowardice made you to fear your momentous life
In this glorious and poetic time of April 2014,
Only to succumb to untimely black death
That similarly dimunitized your cultural ancestor;
Miguel de Cervantes, a quixotic Spaniard,
You were to write to the colonel for your life,
Before eating the cockerel you had ear-marked
For Olympic cockfight, the hope of the oppressed,
Come back from death, you dear Marquez
To tell me more stories fanaticism to surrealism,
From Tarzanic Africa the fabulous land
An avatar of evil gods that are impish propre
Only Vitian Naipaul and Salman Rushdie are not enough,
For both of them are so naïve to tell the African stories,
I will miss you a lot the rest of my life, my dear Garbo,
But I will ever carry your living soul, my dear Garcia,
Soul of your literature and poetry in a Maasai kioondo
On my broad African shoulders during my journey of art,
When coming to America to look for your culture
That gave you versatile tongue and quill of a pen,
Both I will take as your memento and crystallize them
Into my future thespic umbrella of orature and literature.

Gabriel Garcia Marquez, an eminent Latin American and most widely acclaimed authors, died untimely at his home in Mexico City on Thursday, 17th April 2014. The 1982 literature Nobel laureate, whose reputation drew comparisons to Mark Twain of adventures of Huckleberry Finny and Charles Dickens of hard Times, was 87 of age. Already a luminous legend in his well used lifetime, Latin American writer, Gabriel Garcia Marquez was perceived as not only one of the most consequential writers of the 20th and 21ist centuries, but also the sterling performing Spanish-language author since the world’s experience of Miguel de Cervantes, the Spanish Jail bird and Author of Don Quixote who lived in the 17th century.
Like very many other writers from the politically and economically poor parts of the world, in the likes of J M Coatze, Wole Soyinka, Nadine Gordimer, Doris May Lessing, Octavio Paz, Pablo Neruda, V S Naipaul, and Rabidranathe Tagore, Marguez won the literature Nobel prize in addition to the previous countless awards for his magically fabulous novels, gripping short stories, farcical screenplays, incisive journalistic contributions and spellbinding essays. But due to postmodern global thespic civilization the Nobel Prize is recognized as most important of his prizes in the sense that, he received in 1982, as the first Colombian author to achieve such literary eminence. The eminence of his work in literature communicated in Spanish are towered by none other than the Bible, especially  in its Homeric style which Moses used when writing the book of Genesis and the fictitious drama of Job.
Just like Ngugi, Achebe, Soyinka, and Ousmane Marquez is not the first born. He is the youngest of siblings. He was born on March 6, 1927 in the Colombian village of Aracataca, on the Caribbean coast. His literary bravado was displayed in his book, Love in the Times of Cholera.  In which he narrated how his parents met and got married. Marguez did not grow up with his father and mother, but instead he grew up with his grandparents. He often felt lonely as a child. Environment of aunts and grandmother did not fill the psychological void of father and mother. This social phenomenon of inadequate parenthood is also seen catapulting Richard Wright, Charlese Dickens, and Barrack Obama to literary excellency.Obama recounted the same experience in his Dreams from my father.

Poverty determines convenience or hardship of marriage. This is mirrored by Garcia Marquez in his marriage to Mercedes Barcha.  An early childhood play-mate and neighbour in 1958. In appreciation of his marriage, Marquez later wrote in his memoirs that it is women who maintain the world, whereas we men tend to plunge it into disarray with all our historic brutality. This was a connotation of his grandmother in particular who played an important role during the times of childhood. The grand mother introduced him to the beauty of orature by telling him fabulous stories about ghosts and dead relatives haunting the cellar and attic, a social experience which exactly produced Chinua Achebe, Okot P’Bitek, Mazizi Kunene, Margaret Ogola and very many other writers of the third world.
Little Gabo as his affectionate pseudonym for literature goes, was a voracious bookworm, who like his ideological master Karl Marx read King Lear of Shakespeare at the age of sixteen. He fondly devoured the works of Spanish authors, obviously Miguel de Cervantes, as well as other European heavyweights like; Edward Hemingway, Faulkner and Frantz Kafka.
Good writers usually drop out of school and at most writers who win the Nobel Prize. This formative virtue of writers is evinced in Alice Munro, Doris Lessing, Nadine Gordimer, John Steinbeck, William Shakespeare, Sembene Ousmane, Octavio Paz as well as Gabriel Garcia Marquez. After dropping out of law school, Garcia Marquez decided instead to embark on a call of his passion as a journalist. The career he perfectly did by regularly criticizing Colombian as well as ideological failures of the then foreign politics. In a nutshell he was a literary crusader against poverty. This is of course the obvious hall marker of leftist political orientation.
Garcia Marquez’s sensational breakthrough occurred in 1967 with the break-away publication of his oeuvre; One Hundred Years of Solitude which the New York Times Book Review meritoriously elevated as ‘the first piece of literature since the Book of Genesis that should be required reading for the entire human race. The position similarly taken by Salman Rushdie. Marquez often shared out that this novel carried him above emotional tantrums on its publication. He was keen on this as his manner of speech was always devoid of la di da.so humble and suave that his genius can only be appreciated not from the booming media outlets about his death, but by reading all of his works and especially his Literature Noble price acceptance speech delivered in 1982.

Memoirs of an Imperfect Angel
There comes a time when you realize you have to live your life for you
The day will come when you find out you're all you have in the end
And you find yourself crying by yourself because everyone is gone that in
situations you always helped them through
Its okay to show your fears, you no longer need to pretend

You've done what's asked of you and so much more
Thank you for your work
You definitely deserve an encore
Close the bottle, reseal the cork

The stories to be said about you are phenomenal
But its time for them to be set on the mantle
Start your own life now, you've given everything else your all
And we'll call the past stories memoirs of an imperfect angel

She paints her face to hide her face. Her eyes are deep water. It is not for Geisha to want. It is not for geisha to feel. Geisha is an artist of the floating world. She dances, she sings. She entertains you, whatever you want. The rest is shadows, the rest is secret. ~ memoirs of a Geisha

when the clock ticks at 12,
another minute has passed and another day has been renewed.
it replenishes an entire moment that separates yesterday from today.

when the clock ticks at 12,
a part of me has left something for good.
something that could only be retrieved by the nostalgia
of the passing hours that gives a pang of discomfort and dismay.

when the clock ticks at 12,
a fairy godmother is there waiting for me to move past everything and start fresh,
like nothing has ever happened from yesterday

but when the clock ticks at 3,
my emotions are scattered,
eating me alive.
it kicks me out of the zone - exposing me to a world of nothing but things to hide.
it haunts my core, dwells with my demons,
building up emotions that don't seem to collide

and at 3, I find you - once again with all the sublime images we’ve captured
and grand words we’ve uttered.
i find you, drowning from the roots
of my memoirs... and there I see how midnights took parts of me

because at 3, I’ll always remember how I grew with thee


a.t.

I cant help but cry myself to sleep tonight,
for another customer lays asleep at my right.
When will this life of terror end?
In the brothel no one is your friend.
Used at night and tortured by day,
nothing at all will ever make this pain go away.
The owners convince us we owe them some debt,
but who am i to argue? i have no fight left.
Each night,fifty,sixty, men or more,
do they know that they hurt me?
or am i just a common *****?
i know my place and when to speak and behave.
But to them, and even to me,
im just a worthless *** slave.

The Pandemic in Six-Word Memoirs
“The world has never felt smaller.”

By Larry Smith
Mr. Smith is the creator of Six Word Memoirs.

Since 2006, I’ve been challenging people to describe their lives in six words, a form I call the six-word memoir — a personal twist on the legendary six-word story attributed to Ernest Hemingway: “For sale: baby shoes, never worn.”

I’ve found that some of the most memorable six-word stories arise in the extremes — during our toughest and most joyous moments. So over the past several months, I’ve asked adults and children around the country to use the form to make sense of this moment in history: one person, one story, and six words at a time.

Not a criminal, but running masked.
— Stella Kleinman

Every day’s a bad hair day.
— Leigh Giza

Home ec: rationing butter, bourbon, sanity.
— Christine Triano

Cinemagraph
Can’t smell the campfire on Zoom.
— Melanie Abrams

Deserted crowded Manhattan, my own island …
— Elisa Shevitz

Eighth hour of YouTube. Send Help!
— Leela Chandra

Cinemagraph
Messy hair, messy room, messy thoughts.
— Lily Herman

I regret saying, “I hate school.”
— Riana Heffron

Read every book in the house.
— Francesca Gomez-Novy

Cinemagraph
Never-ending, but boredom doesn’t faze me.
— Lily Gold

Required school supplies: screens, screens, screens.
— Darshana Chandra

Won scrabble; smile breaks through mask.
— Abby Ellin

Cinemagraph
Tuning out parents, under my headphones.
— Lukas Smith

This is what time looks like.
— Sylvia Sichel


Bad time for an open marriage.
— Rachel Lehmann-Haupt

Cinemagraph
Sun-kissed lips? Not kissed this year.
— Twanna Hines

Avoiding death, but certainly not living.
— Sydney Reimann

Social distancing myself from the fridge.
— Maria Leopoldo

Cinemagraph
Dream of: heat, limbs, crowds, concerts.
— Amy Turn Sharp

Teacher finding inspiration through uneasy times.
— April Goodman

Slowly turning into a technological potato.
— Jad Ammar

Cleaned Lysol container with Lysol wipe.
— Alex Wasser

Cinemagraph
Hallway hike, bathtub swim, Pandora concert.
— Susan Evind

Numbers rise, but sun does too.
— Paloma Lenz

Afraid of: snakes, heights, opening schools.
— Michelle Wolff

The world has never felt smaller.
— Maggie Smith

Cinemagraph
How do you make sense of this moment in history?

Share your own six-word memoir in the comments. We’ll feature some of our favorites in a future article.

I

Wonderlandia, torn off the submerged lung
of a daydream diary.                   Reoccurs
as she does with silver eyes, weary Alice
during tea time--bullets burning past her
                                     like flowing nations.
Everyday similar tsunamis fund
                                     the lack of 20/20.
Nose to tail--the surge of angry engines
splits the ends of her blonde strands.
    Each one the last witness to maddening hospitality
--utopia never sweats as it talks and withers.
Amnesia blots,
new aspirin machines
vaporize apples and ***
on the other end of spectrum,
                                                     trans-positional labels--

Guillotine gargling teapots
       have no patience
         to the bushes of Olympus opiates
                                      bound in yellow barrier tape,
                     five o' clock traffic
               welcomes her back to what we are facing.


II


Dreary weather of late fall                       and her beautiful,
              powdered face

great mouth of atomic hell,
         when she speaks--80,000 deficiencies boil alive
                                                   --Trinity's teething test
                                                           on the tired bones
                                                   of a story-teller's raspy cards--

"None the wiser," she speaks,
                                "during the transition of ships
                   vermin turn into krakens culturing
                               on the surface of a raindrop.
    Heroes, villains, animals frozen together
                 after now eating for four days.
     The transition of one genocide
                                                        ­  to the other,
                the delineation of cat-and-mouse,
   mingle too long
   with the dead
   and its necrophilia."

                 Blind Alice wanders off the highway,
leaves her brewed cup of steamy static
on top of the unimportant saucer, sticks pins in her *******,
             and enjoys the sound of Cleopatra
             rolling over in reincarnation.


III

      Dear Alice smells
sunbathing, studded tangerines
                      assimilating liquor within the vast,
       empty, glowing nausea that is--
                        the warm germ

Oil                                    and                 ­          water
               rippled glass too silly for skulls
              made humid by distant salt water,

blood, acid, enzymes,
cheating probability
that runners with drunk kids
have blood between their toes.
                                                      Death­ to the distillation within
                                                    --the chronic diamond too polished
                                                       in *** to see the roses in her *****
    She curses these wood songs,
             heritage patriots with the pelts of wild lions
             with antlers over their heads,
                                                  faces advertising war paint
                                                applied by gargoyle hands
                    --sad memoirs always drink people
                                                  that use God as a cookie jar.


IV


  Gorgeous names
  on graffiti institutions give her a home
                                                         a market
                                                         a nickname
           still                  Alice only accepts Alice.

Grace periods where she misses tyranny
                  rise and fall like endorsed breathing.
    Now Alice feels her dress fall off,
                                  extinct years message future occupancy
                                  about what to wear.
New era, this era, past eras plead guilty
in a      clinic museum
             of forcing demons
              down the medical
              throats
of first graders. Court adjourns at 9:01 PM, Saturday

             The populus can sleep now,
                          but not her.
                 No one gave her clothes
                 to cover up the drained monochrome.


V

Instead she celebrates her flesh,
                                        the broken glass,
   and quakes and leads off to expose
           others to its potential vital prosperity.

         Instead
                     headlines like bumper cars read
                     about the beheading of weeks,
                     failing rescue missions,
                     and debates on teenage tolerance.

Nicotine intoxication points Alice
to over-extended memories--wards of music
sequenced to point out the extinction of marble tigers.
                        Only 550 expected to understand
                         tethered to millions able to survive.

  Flood waters look at moral standards, a mean hurricane
                                   that collapses the death toll
     all patented 50 states
     have a dating service
     and huff paint as a way
                              to pray to art.
                                                      Double­-canvas faces
                                                      dyed in pixel     hope
                                                       that the media levees hold,
             but volunteer to herd sheep into poppy seed fields.
                                            She refuses to stay,
                    to watch the long night
                    of castration on men with mud-covered ankles.
                                      Television says eunuchs want
                                       to be prodigal's children,
                                       everyone wants to come back home
                                       to mom and dad, safe zones, away
                                       from themselves.
                                                     ­                 It says our ancestors want
                                                            ­          this for all of us. They worked
                                                          ­            so hard to tie up the hair
                                                            ­          out of Aphrodite's face.

                                     They treasure the silver eyes of Alice,
                                          but call them blue,
                                                  they issue her high cholesterol
                                          but pump sweet ****** into he stomach,
                                                  they tell her to put down the drill,
                                            so she can finish their orchestra--

her lightning
    is
     a
  string
     of
  souls



VI


     She decides to depart Sunday,
to discover the ordinary beginning,
                        painting WHY? on its delirium.
re-arrangeable viewers become
                      inserted sounds under percussion and piano.

       Caging various important charts
                                          undetermined
   ­                           as finished attention.
                                                      ­              Three movements in flux
open end the people                     vacuuming
                            craftsmanship blocks
                   from                                dogs and zen.

                                                 The
                                 suspended letter               is happening in 1951
   drenched in existential white                                            spacing
        ­                                                   the viewer
                        from integrated architecture.

Down
the
bell is a structure called
"the quarantined wheelchair."
                               Dead ignorance changes pattern
                               after six movements of the second hand.
Alice speaks, "To you all, know
                                       that this is an un-dramatic situation.
          Everyday windows with the same
           participants have girls drinking
                                                     orange juice, activate fluid,
                    both exist as objects
                    and caught propaganda."

                                                   ­                      Six tunnel
                                                          ­      audiences are watching
                                                        ­        drown in the plastic silk
   her                                                       built by the motorized collage
                                                         ­                                        spider.

          Alice, a kinetic mannequin pop star
                        is limp in the glass point.
             Rhythmic flux is objectified war torture
                         censored in fitness magazines
by simple toilet literature.

                                        Six tunnels worth of eyes
                                 latch to the *******
                                           as a way to bury **** protesting.
                                  A coat of pepper spray
                                   works in front of the exhibition.
This stage is shaded by moans.


VII


      Alice the female, has a door-to-door friend
                                                          ­    over the sea
of the cathedral's ceiling               who died of disemboweled
pulchritude             at the mutilated nuclear other-place.
                     Her friend was a synthesized example
                     of staged catastrophes. Her friend is her, silver-eyed
                                                     ­                                             Alice.

            ­                     She performs herself and herself
                                 but they are played by polished, scored poets.

Everyone of them incorporates the events
                                 of a dancing gunshot. Everything rests
                                                           ­ at an intermission

               but after fifty minutes of pondering,
          the lost audience remembers
         her name is Alice.
                   So it comes back on with a shower of sweat
                  and this clear
                                  substance
               ­                                 called
                         ­                              patience.
       This composing, peering vulnerability
                        psychologically destroys the flux tension
              like analog genocidal dictators.
                                   Ultimately this is dream liquor

     commentating war to the war tree
      using trauma and chairs as humor.



VIII


               Patience on the water level lives translucent
                                            on networks that brand flesh
                                            with displaced identity.
Alice convinces us all that pickled ***
                                                             ­               takes eight years
                     to ****** and we accuse it
                                         of being fake. Afterwards, her character dies
in confident silence.


IX


     Not majestic, but she does cough
                  to mock the earth.
        The seeds of Alice are ripe,
                        harvested early, and now her children come out and dine
        like speaking tongues on gibberish.
                          The room is fat with hair

and kindness. Feeble, mundane hands chew on each other,
                                                         feet stand proud.
We even call her Alice or "the beautiful *******,
                                             a black cloud feasting
                                             in orange."
                       Everyone feasts on the nectar
                                                         she has, but never the rye
which makes her round. Juice is squeaking and her children laugh
                         as in competition.

     It's a distinguishable game as the mixed
                                                           ­      couple up front
              begin to play whistles as
                                         everyone eats
                   the pride of the silver-eyed Alice's children.


X

                                                ­ The children's souls
                                                       bow and say
                                           "Thank you for barely growing."
                                                   and dissipate after five minutes.

          "Curiouser                                   ­                                      and
           Curiouser"                                                       ­                   they
           say                                                              ­                        as
           they                                                             ­                       leave
           this                                                             ­                         homage.
                  The decimal backbone
                     of each of sweet Alice's
                                   blonde strands
                   divorced by the gust/ of a green light's/ allowance.


XI Epilogue*


  The day crawls away
                   a vigilant pest
     of the nocturnal project
                   --suns beam down still, like
                  stomachs of grinning felines
                           at Valentine's day.

toxic-dyed fingers
                        soldered
to bodies pittering across rainy streets

--legionnaires with hearts on stones
                         we are waiting for her orders,

     thistled-teeth clench,
                                         but did she
                                          actually
          ­                                ever come?

I know we've met before,
At the cold sea of Atlantic
We kissed
We cried
It was sad, it was tragic,
We perished on the ocean floor

I know we've met before,
At the coast of Honolulu
We kissed
We cried
It was gloomy, it was blue
We perished as they bomb the shore

I know we've met before,
And now the world seemed so tranquil
We kissed
We cried
It was perfect, it was surreal
We perished when we're ninety-four

Hold in silence
Wish to speak
Proximity of beats
Wish to be

Many a moon
Wish to brace
A moment that
Wish to aware
............................:.........

Memoirs of nobody: Wish
http://satyajell.blogspot.com/2013/07/wish.html

We were young,
sitting on a couch,
playing legos and super powers,
faces with chocolates,
yes, those smiles melted my heart,
and I have no idea
I would love you since then.

We were lying on the rooftop,
watching the glimmers of the stars,
how they passed by
and fell from the skies,
I looked at you
while you were talking,
yes, those smiles melted my heart,
and you don't know
that just like those stars
in the moonlit night,
I have already fallen for you.

We were lost in the middle
like bottles in the ocean,
I sought you in every corner
of the streets
and found you crying
in your room,
you hid your face with pillow
and I was standing there crying too.

You never noticed me,
he broke your heart
for a thousand times,
and I was just your crying shoulder ---
just a crying shoulder.

After years of pretending,
I decided to tell you the truth.
I can't smile
without you in my life,
for I was drawn to loving you
with no love at all in return.

Yet you told me
you have loved me
even from the beginning
of our love story,
when we were young,
sitting on a couch,
playing legos and super powers,
faces with chocolates,
yes, my smiles melted your heart,
and you have no idea
you would love me too.

You caught me
looking on your eyes
while you were talking
about the future,
and like those stars
you have already fallen for me too.
And you only hid your face
that day,
for you couldn't take me
crying out of your pain.

We were supposed to be forever,
we were supposed
to surpass eternity,
but I was just mistaken
by my bewildered fantasies ---
I failed you dear.

I have been fighting this sickness
and I have never given up,
it's just that ---
I love you
and I hate myself
when I see your tears
falling on your sleeve.

I wrote this poem
for you to remember me ---
the memories we shared,
and when you read this
maybe that time I'm already gone.
I love you until my last breath,
I'm sorry but I have to leave ---
I'm sorry.

Ursa Major: Aren't you going to create anymore?
Tesla: What's the point? They'll steal it from me, and then use it to destroy me, I won't survive...

Ursa Major: You've brought Light to the World! They'll surely remember you!!
Tesla: No they won't. And it will be someone else that takes the credit...

anyone can be a dritte ***** fetishist... anyone! say one word in german, and the left will deem you adequate for a fist, rather than a lip... or at least that's how speaking german words, with their compound-anti-hyphen "getting together" looks like... the French utilise diacritical marks intended as syllable incissors: but frequently utilise them, unless you're Lacan and say: transcend them... i.e. move them to the side... ensuring that a monopoly on literacy is kept... the only remnants of Saxon in Anglo-Saxon is enclosed in chemical nouns.... the rarity of actually using a hyphen, you literally over-use in everyday sprechen... talk a word of deutsche and you're 1 centimetre away from saluting and to a hymn stating a sieg heil! Germany is originally community building, English, for all it's **** antics, isn't... Germany can have the concept of a zeitgeist tomorrow... German society is as thick as *****... Germans best represent *****... i never lived there, but i have enough instruments to see it... they have a tendency to disregard the individual when the mass is threatened... the Englsih? they don't have that tendecy... they are more into einsgeist than anything else... they are the single ethnic group that cherishes iconoclasm above anything else... i spent 3 weeks in Poland: how many times did i hear the word selfie used? not once, zilch... 0. i know that English is a lingua franca of modern times, but it's so easy to speak, given the fact that so many people speak, that i feel horrid using it... i want it to remain small, the tinniest of tiny in its post-imperial structure... comedy-hysterics prone... debating the question: why are Scots in the Houses of Westminster? making adequate demands? the English will never experience a zeitgiest... they're living in one at the moment, but given the disparity of accents: they''ll never accept it... which is why, whenever i travel to Poland, i have a luxury suite in how i deciphered diacritcal marks... i can't be recognised as a foreigner... but of course the gnat questions in Essex (England) given my Germanic physiogomy... it's self-evident... but why didn't god die in Auschwitz? i believe it to be akin to Jesus having no inkling into the struggle contesting the need to build pyramids... unlike the need for what later became a misinterpretations of Conquistadors seeing the Aztec similitude of Egypt... i.e. the scaffolds... capital punishment... ******* didn't get it... now the entire continent is overrun with them asking for the some obscure demand for a Juan buying them the next round of drinks... the English will never create a zeitgeist... my fascination with the dritte ***** is simply that: to see a zeitgeist... a complete and utter obedient ethnicity... a singular testmanet of a volk... Jews i too could praise, but they're too scattered, too "english" i.e. too individualistic, too disguised... i see them re-owning Israel a bit like some fetish ***** with latex and gimp... what i want to see is the volk, from the mistakes sentenced in Versailles... i want to simply see the volk... well... no can do... i can't see it, history says... it's a natural fetish of history students... American protests don't really do it for me... there's no omni-cohesion akin to a *****-like appropriation of the leader *****... that's the closest i'll ever get with getting to see a theocracy, minus the idiosyncratic psychosis... clear geometry! lines! shapes! regiments! i'm so tempted by it that i can't but lead my narrative with it! the English will never understand this concept... they're too idiosyncratic in their approach... they all think they're unique... or as that motto in school hanged over me echoed, it hanged there in the air like a guillotine, some anonymous dictator spoke to us: you're different... just like everybody else! it was never a concern for keeping a place of origin as ostriches might... ther was always that moral "obligation" surfacing from Hong Kong and king kong... and Timbuktu... which is why i said ω = oo and a pair of ****, or a bottom... and o = +h... or a breath central yielding to an islam of yhwh... versus the need for a macron over the omicron... and indeed the umlaut above the o merely invoked the siamese cut-off of e, so a tongue-curler... but the seeing the volk! we all go mad after a while... i can't see the years according to Adoolf as something worth a romance... it has all the traits of a noumenon about it... but you know why i write this? my grandfather remembers ᛋᛋ-men kleiden im schwarz in my home-town, just before the Russian army came with their youths who preferred to sleep with the animals in equivalent of Bethlehem grottos... he remembered the ᛋᛋ-men, not as kleiden im schwarz: but as.... herrbittebonbon... or should i punctuate that: herr! bitte bonbon! some have a fancy on remembering the romance of the Warsaw Uprising of '44... my only clue into the reality of world war ii was once said by my grandfather... and they gave him sweets... so that he ran home and had to put his hands under the tap, because the sweets were so glue-like, that only water could tear them apart in order that he might clasp something else... it's sad in a way: i ahve no memorial to go to... no need to express a pride... merely fragrant my vocab with a german word or two... to indeed see: that there must have been something human in that ******* embryo at some point... something counter Versailles... i can't feel being touchy about these neurotic spreading their opinions as if their opinions are above the facts that history dictates... and personal memories, however many generations apart... but at least kept... if my grandfather remembers ᛋᛋ-men being herrbittebonbon... i can only wish to have an unlimited amount of ****... given my libido... and the complexity of modern women demanding as they demand: the restrained man, the man not willing to explore easing ******* by having *** while she's in the cyclone... oh well.... thumbs up!

well... looking at it now, i can only see left-politics
without an economic model... or what happened when
communsim was undermined: my grandfather,
a communist party member has a state pension....
so it's not like he's on a 0-hour contract...
   what's missing with the current left-leaning
politics? an economic model...
the left has no economic policy in the west...
it was been weeded out, what with the original
model asserting Marx and Dickens' Oliver Twist
tragedy... the left has absolutely no
economic model, which makes for crude politics:
   once upon a time the workers
in eastern europe celebrated workers
day... and you had absolutely
no protest: i.e. not engagement in
Hegelian dialectics...
    minus: is there really a theological
dialectic? i'm not so sure
given that atheism is populist
in motto, and anti-centrist
and giving up the individual so easily...
i don't trust it...
       so i don't really
respect it, however many intellectuals
take to the pulpit...
   i too ordain myself with a strict rigour
of "religious" akin dynamics:
i drink to excess, daily...
   well... wouldn't you:
given too many wanted you dead...
you'd start to imitate them
and take gambles at your own life,
finally! **** me! they suddenly disappear,
those same people who wanted you dead!
****! gone... blah blah and pa pa much
later...
                i still think i'm more useful
rhyming snipptes i call poetry
and necessarily not rhyme: because i don't
like orthodoxy, whether church or
poetry bound... because it just seems
too much like ping-pong after a while...
   i never knew why rhyme needed rubric, strict,
only identifiable by rhyme...
  never knew why that was the case...
i always thought: impromptu against rhyme...
                  but i'll give Islam
one thing that overpowers the rest...
the fact that "saints'" heads are on fire...
rather than encapsulated in halos...
       i see the item: halo like
the fact that left politics is needy in a care for
anything but a rebellion against an economy...
left-wing politics have no economy to support...
you can't teach people communism
     without being left out in the cold
without Marshall Plan antics of benefits
and left with an idea of Marx...
            the shadow of Hegel looms too heavily
over the attempts...
  the shadow of Hegel is too thick
and coercing... to do otherwise...
                 leftist politics is without an economy:
therefore they have to imitate
  far-right tendencies...
  they have to employ damage...
well: this is coming from someone who's grandfather
was a communist party member...
                        i can't see the left....
i can't see a purpose: an economy as a wanking
hippy commune? really? is that all?
                     smashed windows, is that all?
i always liked the fact that Islamic saints
had their heads set alight... on fire my son,
on fire...
   no halo, akin to the current leftist attempt
at dialectics: by halo i mean: membrane,
i mean: the untouchables... meaning pristine ego...
if only the Sunnis allowed the artists of Persia
to come to their calling, to ease the strain
imposed by Muhammad...
but now... well: if writing is supposedly "holy"
what will the Sunnis ever make
of the iconoclasm of words in adverts?
nothing... are we being temped with a warring spirit,
are we? aren't we?!
   who's waking up the populists?!
you really want germans on the warring path?
of course... let me tell you how *william burroughs
noted the creation of the schutzstaffel
as over-heard:
pet a kitten for month... then gauge its eyes out.
oh i have no care for a romance:
i'm seeing Paris contained in an envelope
citing the address: Hades... arise!
it's not the same Paris i remember, not the Paris
of 2004 or 2005...
       it's really a case of playing with
    an elastic band.... you pull it, stretch it...
but finally it snaps! and yes...
we'll be drinking schnapps in Libya at some point...
i'm thinking: what will ever make a man
relieve himself of using a hammer and a nail
as a carpenter, and take to a machine gun?
there must be an enzyme-point that just festers
in its ability to give momentum...
there must be... perhaps when being global merchants
leaves people too ordained to wait for death
that they start seeking it in the ***** of Mars?
   when utopia nears and merely breathes into
man's ear, and says no word, unlike a god:
that the fatality dynamo begins...
    akin to the fateful comparison of Damocles -
dangling, but at the same time: tickling... teasing...
isn't the Islamic world merely agitating?
  trying to move the Christian world from
fully engrossing the "protestant"-liberal
easy adaptation working from unearthing
the nag hammadi library?
              well... the left is without an economic
model... so it's politics is what it is:
    the original intention of Hegel:
        outlines of the philosophy of right -
what's the genesis of Marx... funny enough
the book is merely a collection of notes on lectures...
      there no thesis involved...
nothing as grand as what could stand alone
akin to the phenomenology of spirit -
they're just notes... just like i'm reading heidegger's
ponderings ii - vi... notes... half-baked scripts...
   so my post-communist inheritence...
just when inflation gripped Polish economy...
and we had the Kantian idea reaching pulpit
1000000zł, i.e. so many denials of a stable 1...
    thus the inner working of modern capitalism...
how certain things are really worth
nothing, as such: £0.000001 -
i can only guess to state, the only class of people
able to experience this counter-inflation    
in western societies are "artists"...
    or artists, in the context of a harold norse
autobiography: memoirs of a ******* angel;
i.e. getting published, giving ****...      
   it would have been easier under Stalin or ******...
at least the chance of martydom
and the holy ghost of censorship...
  at least it would have made sense then...
but the concept of counter-inflation isn't that alien...
it exists for a reason to suggest:
we really don't need so many contestants
in an x-factor show... we don't need so many
artists... counter-inflation is at work already...
   the same sort of inflation that worked its way
to ensure plumbers and carpenters, roofers
from eastern europe at the end of communism
were necessarily exported into western europe...
given the communist work ethic...
    hence the power of money, so inhuman and
akin to an elemental force that man
can contain with pocket-money as a child,
but as a man, can't contain neither forest fire
or tsunami, so too money: with the economic crisis...
money overpowers man, akin to the elements...
the same inflation in poland at work
to shift people is apparent now, but as counter-inflation...
because England can't be known as a nation
of singers... but of nurses and carpenters and
   shopkeepers, hence the counter-inflation:
when a song on Spotify is worth £0.000001 per streaming...
an immigrant plumber from eastern europe is
worth 1000000zł... or how the coordinate (0, 0)
cancels out... and we're left with what's later just
a pedantic fact stated by someone like me: a zzzzzzzz
coordinate...
            we can't control money no more than
we can control seas...
   could we ever not dream of being given enough
money to then not waste them on pointless urges
akin to a lottery win and the easy way, via no
business or syndicate?
   really? there's a reason we live in a time
that's necessarily soulless...
   i can't give it a piquant phrase (only a phrase
as germans put it, chemically, hydrocarbon spelling
akin to zeitgeist - spirit of the times,
and there's nothing holy about it...
   it just moves to the next generation,
and the next poker hand... so **** that trinity
um... person?) - it gets ***** with fashion...
   or as i see it: cannibalism of 20th century trends
as the neo-original basis of fashion in the 21st beginning...
this is the one time i'll get to coin a phrase,
i.e. pick up a penny from the street pavement...
   counter-inflation brought it about...
rather than a zeitgeist where we can share afflictions
and, perhaps succumb to empathy early on...
nein... none of that... let's see what we really see it as:
ebenegeist - or? the levelling spirit...
         ebene-    (level)... ah... even better!
   stufegeist... you hear it all the time!
                         buying a house and getting onto
the property ladder!
                                    stufegeist -
           always that tease, always that ******* carrot
and that donkey... well... that's one way to get
motivational... invert the inflation of Zimbabwe...
  ensure people stop dreaming,
   make a plumber worth £0.000001 in Zimbabwe
and £1000000 in England...
      likewise make an "artist" worth
   £0.000001 per poem / song / painting...
  and likewise make him worth £1000000
in Zimbabwe as a "good" person...
  well... by now completely mentally ill...
   but hey! it's money! look at money like you might
look at water or fire or earth... and it's not
exactly a Monday's edition of the Financial Times...
mind you: given that we're so "advanced",
and given how old the concept of money is...
   is it really not as primitive as it really is
in what it makes people do?
   oh sure, because i'm so not used to it:
i'd rather be paid with the currency of peanuts!
                but then my love for the art is greater
than my ability to buy a brand new kettle...
or a doormat... so... what's the word... m'eh?

Once upon a day or night -- Wait, it was day, there was a light
a light, which shone upon a moonlit drive so dark and drear.
At keeping track, I'm sadly slacking. Forgive my memory, it is lacking
memoirs of this day of days I could not -- would not -- hear.
But now alas, alan, alack, something gruesome did attack, my dear.
Something's ugly head did rear.

Indistinctly, I remember, was it June? July? November?
Moments burn together as I recollect the fear.
And though he knows it gets to me, he will never set it free,
the truth of all the memories I used to hold so dear.
The truth you chose to hide from me for days, turned months, turned year.
But no, I will not shed one tear.

He held my hard heart high in flutter. Stomachs full of bread and butter.
Our love could not be jaded, for he traded tea from beer.
And though we were the oddest pair, I thought by now he would not care
how people chose to say their puns of nuns and hateful jeer.
Of wolves and sheep, of awkward sleep, of hunters hunting deer.
I thought we had our life in gear.

Sadly, though, I was mistaken. Blast, that awful wretch has taken
my whole soul and everything I previously thought mere.
He broke it off, and with a cough confessed, a darkest truth repressed
of everything, how twas a lie, and that the end was near.
And with four words, a looking glass of sorts he handed me to peer.
These the blue-eyed snake hath spoke: "Honey, I'm a queer."

There is solace in being alone
Memories etched in the heart
Loneliness cannot breach
Memoirs scripted by them
Every word infused with love

Combining each thought and sharing a single mind,
while all living things rot, there's a darkness that can blind.
We believe ourselves are invisible, never worthy of a second glance,
and even when miserable, we all can receive a second chance.

Darling have you heard the story of the sun and the moon,
a love that was eternal, yet ended far too soon.
And even though opposite, they made the other complete,
as at night the Earth was moonlit and in day the sun brought heat.

And they were outlined by the stars,
forever lighting up their connection,
and in between came Mercury and Mars,
barely sliding by detection.
Yes it's truly a sorry and sad tune,
that old love story of the sun and the moon.

Shining for eachother and lighting up the world,
with a love that could smother and emotional tides always swirled.
Passing by and on the go, barely glimpsing a sight,
but the moon will always glow and the sun will always shine bright.

Darling have you heard the story of the sun and the moon,
with disaster so contagious, they were always truly immune,
and even though apart, they shared a soul together,
and they shared a heart, and they shared the skies forever.

And they were outlined by the stars,
forever lighting up their connection.
In the history books and memoirs,
there's some things they fail to mention:
they were both adoring and made the other swoon,
that old love story of the sun and the moon.

It wasn't well hidden; they danced a dance of pure seduction,
and they felt it was forbidden, as it would lead to their destruction.
So they kept their space, to give us both the dark and the light,
and now they rise and set as a race, it's competition and a fight.

And they were outlined by the stars,
forever lighting up their connection.
The constellations near and far,
tell the tale of their affection.
It may not be of glory, and it may just tell of ruin,
but we all should remember the love story of the sun and the moon.

there’s a network of vigilance
around the guarded causeway
of walla walla
the stacked cinders
and smoking rails
leave nothing
but black hooded fate

gray halls
and razor scrawls
mark the hellion crust
abandoned overtures
and dead fill
cloud the horror
and retribution
of this hell hole

bloaters and skin heads
(with wretched memoirs)
shout incessantly
from the second floor
adolphus greely
reading over the
rights of nantucket
and banging his head
on the bent steel bars

with pockets pinched
and tumblers dangling
the stone walls soften...
a seminal moment
crosses the roo house
as mother mary
and the good painted warrior
loosen a finely tuned grip

Memoirs of a false god:

I've got to do more
I've got to be more
I hear the cracking of the whip
Work harder!
Work harder!

For starters, I am not good enough
And surely, I am not fast enough
Not pretty
Not perfect
I'll never amount to anything!

I will earn your love
I will do my best...
Only I always seem to fail you!

Make bricks without straw!?
Don't stop until it's right!?

Wait a minute!
Wait a minute!

Are you trying to **** me!?

You do not love me!
You do not care about me!

I cannot take it anymore!

Oh, no!
What was I saying!?
I am slipping further away...
until you're nearly

...........gone

Oh, god!
Help me!
Don't leave me!
I'll do better!

Slipping,
sliding,
shrinking
into a tiny, little, insignificant speck,
I am becoming.....

smaller...smaller...smaller

Dead silence

What is this?
Can I believe it?
You are gone!

Good!
You are gone!
I'll put you to rest,
a funeral and burial
because you are a false god!

To the Lord of second chances:

In the midst of my darkest hour,
like a beacon of light,
the gateway to freedom
still stands,
right where it always was
and always will be

Still scared out of my wits,
but I gain momentum
as I do a one-eighty
and stand before the cross

Weary
Weak
and worn,
but man,
it's good to be home

Heartbreak may pull me down
Haunted by all I've found
Live and let live
Don't forget, just forgive

Drugs and depression may seek me
Blatant confession has saved me
Bite, spit, kick, and fight
Rage against the dying of the light

Kindred spirits may uplift me
Pithy quotes may stick with me
Still I know my role, sacrifice the one to satisfy the whole
If ignorance is bliss, intelligence is meaningless

I sit in the sun room, I am shaded for the sun
is only newly risen, low slung, just above the horizon,
behind me, over my shoulder, early morn warm

Slivers of sun rays yellow highlight the wild green lawn,
freshly nourished by torrential rains of the prior eve

The wind gusts are residuals, memoirs of the hurricane
that came for a peripheral visit, your unwanted cousin Earl,
in town for the day, too bad your schedule
is fully booked, but he keeps raining on you,
staying on the phone for so long, that the goodbye,
go away, hang up relief is palpable

The oak trees are top heavy with leaves frothy like a new cappuccino,
the leaves resist the sun slivers, guarding the grass
from browning out, by knocking the rookie rays to and fro,
just for now, just for a few minutes more,
it is advantage trees, for they stand taller in the sky
than the youthful teenage yellow ball

I sit in the sun room buffered from nature's battles external,
by white lace curtains which are the hallmark
of all that is fine in Western Civilization,

and my thoughts drift to suicide.

I have sat in the sun room of my mind, unprotected.
with front row seats, first hand witness to a battle unceasing

Such that my investigations, my travails along the boundary line
between internal madness and infernal relief from mental pain
so crippling, is such that you recall begging for cancer or Aids

Such that my investigations, my travails along the sanity boundary
are substantive, modestly put, not inconsiderable

Point your finger at me, demanding like every
needy neurotic moderne, reassurance total,
proof negative in this instance, of relevant expertise!

Tell us you bona fides, what is your knowing in these matters?

Show us the wrist scars, evidential,
prove to us your "hands on" experiential!

True, true, I am without demonstrable proofs
of the first hand, my resume is absent of
razors and pills, poisons and daredevil spills,
guns, knives, utensils purposed for taking lives

Here are my truths, here are my sums

If the numerator is the minutes spent resisting the promised relief
of the East River currents from the crushing loneliness that
consumed my every waking second of every night of my years of despair
                           divided by
a denominator that is my unitary, solitary name,
then my fraction, my remainder, is greater than one,
the one step away from supposed salvation...

Yet, here I am sitting in the sun room buffered from
nature's battles by white lace curtains which are the hallmark
of all that is fine in Western Civilization

I am a survivor of mine own World War III,
carnaged battlefields, where white lace curtains,
were not buffers but dividers tween mis en scenes,
variegated veins of colored nightmares, reenactments of
death heroics worthy of Shakespeare

Did I lack for courage?
Was my fear/despair ratio insufficient?

These are questions for which the answers matter only to me,
tho the questions are fair ones, my unsolicited ******,
they are not the ones for which I herein write,
for they no longer have relevance, meaning or validity,
for yours truly

I write poetry by command, by request, good or bad,
this one is a bequest to myself, and also a sidecar for an old friend,
who asked in passing to write what I know of suicide,
unaware that the damage of hurricanes is not always
visible to the naked heart

These hands, that type these words are the resume of a life
resumed,
life line remains scarred, but after an inter-mission, after an inter-diction, an inter-re-invention
in a play where I was an actor who could not speak
but knew every line, I am now the approving audience too...

But I speak now and I say this:

There are natural toxins in us all,
if you wish to understand the whys, the reasons,
of the nearness of taking/giving away what belongs to you,
do your own sums, admit your own truths
query not the lives of others, approach the mirror...

If you want to understand suicide,
no need to phone a friend, ask the expert,
ask yourself, parse the curtains of the
sun room and admit, that you do understand,
that you once swung one leg over the roof,
gauged the currents speed and direction,
went deep sea fishing without rod or reel
and you recall it all too well, for you did the math
and here I am, tho the tug ne'er fully disappears,
here I am, here I am writing to you,
as I sit in the sun room.

Memorial Day, 2011

Such joy a day can bring to hearts of men,
The trees bedecked, in finest autumn hue;
A throng of merriment upon the heath,
The glistened lilac, wrought in morning dew.

The drummer boys, a-beating on their drums,
Old peddlers pushing carts, piled high with wares;
Beggars, worn and haggard, as their clothes,
And women, in their finest, catching stares.

The roaring cheers as horse parades go by,
Delivering up the bounty of the feast;
The VIPs a-riding in fine style,
Their open carriage, drawn behind the beast.

As one by one, they climb above the crowd,
Their speeches cheered, with jeers and playful boos;
Then swiftly swinging, onwards with their tour,
The crowds go jostling, chasing better views.

The butcher greets the VIPs with glee,
And demonstrates his mastery of meat;
With sharpened knives, a-gleaming in the sun,
His chopping rhythym keeps a steady beat.

As shadows lengthen, slowly crowds disperse,
With pondrous looks, a day to e'er remember;
And every year, its carnival once more,
Lest we forget, the fifth day of November.

Yesterday I stole a ball
The carpet of my hall
My teacher marked me late
I read the book "Good Bait"

Johnny said I was mean
Pop, lock, drop, and lean
My notebook is red
My math teacher said

Peanut butter on a spoon
Movie in Comp about a loon
Gum that I will not share
Long hair that does care

My ring size is too big
Will I ever pass Trig?
One horn, multiple dents
Carnivals and circus tents

How do all these things relate?
I don't know but please don't hate
My mother said Halloween was over
I told her no.

My friend asked me to write her memoirs,
To pen her life
That she has yet to live.
I laughed, knowing this
Knowing she was planning too far ahead
What makes her think she’ll want to remember
Every little thing she’s ever done?
I hope she can live that life,
Without regret, so full of love
With such stories to share and tell
That she would want them written down
I hope she can live that life,
Because I’ve heard of too many people who have died
Regretting all they’ve done.