Under the sheets of emotional armor,
A shy little girl masquerades as a martyr.
She’s the Queen of Deceit with her lies getting smarter,
While every tale told draws her self even farther
From finding out why she’s emotionally bothered
By all of the men in her life: like her father
Who only was trying the best for his daughter
And striving to be something more than a pauper
But coming up short. Who knows how much harder
He’d try if she wasn’t an argument starter?
The guilt and the shame from the family slaughter
Has made her insane and continues to bar her
From finding out just what the world has to offer.

Luckily she won’t have to be here much longer;
In fairy-tale land, there's nothing can harm her.

She suddenly finds herself all alone
With nobody’s thoughts to address but her own.
This is the time when she’d pick up the phone,
Demanding a savior to hear her bemoan
About all the problems that she’s ever known,
But what she doesn’t know is a friend can’t atone
For the lack of a man with his patience to loan
To a lost little girl whose bad temper is known.
All she needs is a strong one that doesn’t condone
All the treacherous lies and the hatred she’s shown.
It’s hard to deny all the reaping she’s sewn.
She’ll have to tread soft lest her cover is blown
And everyone finds out she still hasn’t grown
Through the hundreds of tempers and tantrums she’s thrown.
Hopefully soon she can bury the bone
And calm herself into a nostalgic zone
Where smiles and candles were filling her home
And love and affection were all that was loaned.

Enlightenment comes when you realize you’re prone
To the wrath of the heartache that comes with the throne.

You… you’ve got a lot going for you
You’re famous, you’re smart, and you’re powerful
but you are ugly.
You think we can’t see the evil under that gaudy, outdated sweater
but we can.
You think that fancy perfume you wear hides the scent of terror
but it doesn’t.
You think the makeup you put on daily covers the pure pain written on your face
but you are dead wrong
bipolar, you are hideous.
Sometimes, though, that’s easy to forget
when it feels like I can do anything
the world is my oyster. When I feel that ungodly fake happiness
that masquerades as wellness, when I’m with you
and I don’t want to leave.
That’s when you have me. Then you take the opportunity
to torment me.
The façade is gone, and it all comes rolling through the gates.
You scream a thousand voices into my head
you bind my body and I can feel your merciless crushing grasp
you convince me that everything is good, it’s not bad,
it’s bad, it’s not good,
this is good, that is bad, I need to say it over and over and over again
you take over, and I don’t stand a chance.
My peace of mind is gone, and my humanity is soon to follow
How did I let this happen to me? I’ll never know
but I’ve learned this:
You do take no for an answer
and I have a lot more control than I thought.
If I ask you to stay away, you’ll ask me why, and I’ll tell you
because I want to be better
and as long as I let you anywhere near me, I will always
be stuck here
on this nightmare of a rollercoaster.
So you accept that, thank God
thank you, bipolar, for setting me free,
at least once in a while.
I feel less alone without you because
I can love more fully, for longer, forever.
I can accept my imperfections rather
than suffer in the desire to be rid of them. to be rid of you.
I can be still and know
that it is ok.
I’m ok, you’re ok. and I intermittently have my **** together.
I’m sorry things are not working out between you and me,
bipolar disorder.
but I’m not sorry that without you,
my life is ******* beautiful.

We are all so very fragile.
Our sun kissed porcelain faces
are freckled with Achilles heel fault lines and chipped paint.
Shining through to our nervous nervous system and our tendency to over think things.
We hide so much inside of us.
Behind dance less masquerades
Our bodies held together only by cages of ivory bones
cages that cradle the thin winged heart beats of our chest
nervous moths stumbling around inside
knocking books off of shelves and
eating the sweaters that we use to keep our hearts from freezing over.

The autumn wind is cold like sad glaciers
and it's easy to break down at times like these.
Our bones ache and shriek like boiling tea kettles.
Making it hard not to shatter.

We are all so fragile.
Burnt out light bulb fragile.
Frozen lake fragile.
Defibrillated heartbeat fragile.
We are broken branch fragile
chronic alcoholics sobriety fragile.
The middles school girls reaction to the word “fat” fragile
We are the kind of fragile that set off big bangs.
We are, paranoid breakable.
And its got to the point where
we have begun taping up our light leak vulnerabilities
with perceptions of perfection and thoughts of rejection
spending our time in dark rooms as our minds just keep reeling
and trying to shut off feelings and unwind
but we have been over exposed to such ****.
To slides and slides of negative negatives

we used to burst apart with so much light.

but the sun isn't shining honest, the night sky is black
and its raining in all the wrong ways.
We're out of season.
sewing up the holes in our personality
with floods of insecurities and droughts of identity.
damning what matters.

****, its hard to know what matters.

But I am still trying to figure that one out
And the moths are still here
as the pendulum clocks keep ticking
eating the sweaters that we used
to keep our hearts from freezing over.

But we are freezing to the core.
The atoms inside of us splinting into half lives;
we haven't even lived half of our lives
yet we feel so ancient.
The dust piles growing on our slanted bookshelves shoulders
Our bright idea light bulbs flickering,
getting covered up by snowdrifts.

We are gas giants wrapping ourselves into open space darkness
hiding from the bright side of the moon.
Like a black cat superstition we are running from our own precondition
of lying about being ourselves
We pull dark black-hole hoods over our eyes
wincing at the light trails of shooting stars
though we, too, want to be brilliant.
We try to orbit the sun hoping that humanity is a symphony;
that being popular and having the most friends is what matters.
and we can be where the grass is always greener by fitting in and by being mirrors
Even though not being yourself is nauseating.

We can be nauseating, we can be mirrors.

Because we are scared that if we don't
hide who we really are
we may end up like Pluto.
Ostracized for existing.
floating around in space having stare downs with wormholes
A shivering rock entity with a complete loss of identity.

We already are so lost.
Our souls waning and waxing
Rocking back and forth
on wood beams and porches.
like an ADD moonbeam rocking chair.

But now its time to stop in one place and readjust our backbones.

Because I know that we are fragile, I know that.
I know that its hard filling in the cracks that have found their way down our back-stabbed spines
we all have our histories with being dropped and rejected.
But we weren't made to be cardboard box people,
packing tape and labels wrapped in all of the wrong places.
we are boxes full of wormholes into other dimensions
we are full of life and blood and bones,
full of oceans and stardust and daggers
There is so much more to us than our brown paper complexions.
So climb out of those kangaroo pouch caves that you have called home for the last few years
There's no need hiding anymore.
You can be safe in your own skin.
You can climb the Himalayas and scream out as many lightning rods as you want
we will all be listening as you burst apart into thunder claps.
As you bleed yourself into infinity

So, dim the lights

Throw your self at the world
and crash like waves into existence
you are perfect when you are yourself.
Grab that porcelain off of your face
and let your smile super nova fracture into a cosmic grin of constellations.

People will look up to you and be inspired.
A cardboard box rookie sprawled out in the stars.
Lighting up all of our faces with E.T. fingertips.
No longer hiding being reflective eclipses
There's only one person who can tell you who you are.
Only you can speak for yourself.

I know that your fragile
I know that.

We all are..,

Your
searing kiss;
pure bliss
masquerading
as oral tranquilizer.

All dimples and curls and pigeon toes when sitting,
purple; and gold dangles
light-skinned girl, dark-skinned girl
depending on the translation
hips swivel to the left, ******* that follow
in commanding black bras
and matching lacy *******.
Rolling backwards into handstands for most *******,
else on the loveseat
whipping love back and forth between the swell
beneath the shorts
and beneath the outer layers,
the lip gloss smiles and masquerades
beneath the veins and bone and guts:
there's a naked, quivering heater
switched on all year long
its dainty wiring peeking out,
the head of the cord puckered.

Stop humoring me
If you don't really care,
Because I'm wasting my time --
Wasting my life,
And I can't afford any more breaks.
Anymore breaks and I'll shatter,
Don't you understand that?
I'm just trying to find a clear image
In this distorted blur;
I want a clear reflection
In this dark pool.
So, take off your mask,
Because I'm tired --
Exhausted -- from all these masquerades.
I just want to dance barefoot in the sand...
Do you want to dance barefoot in the sand?

I.
White flakes touch the street—
Their millions melt, dying
The way they were born.

II.
She blinked, shaking the
Snowflakes from her eyelashes,
And blushed like summer.

III.
A two-step blizzard
Waltzes in the windy air—
Winter masquerades.

IV.
In the darkness, steps
Crunch and echo in the snow,
Miles away from me.

V.
The buildings weather
The snow, but everything else
Crumbles under white.

VI.
After the snow, trees
Like middle-aged heads of hair
Became old and grey.

VII.
The hot chocolate
Stains my teeth, which once were
White like today’s snow.

I

The winter evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps.

And then the lighting of the lamps.

     II

The morning comes to consciousness
Of faint stale smells of beer
From the sawdust-trampled street
With all its muddy feet that press
To early coffee-stands.

With the other masquerades
That time resumes,
One thinks of all the hands
That are raising dingy shades
In a thousand furnished rooms.

     III

You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters,
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

     IV

His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six o’clock;
And short square fingers stuffing pipes,
And evening newspapers, and eyes
Assured of certain certainties,
The conscience of a blackened street
Impatient to assume the world.

I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle
Infinitely suffering thing.

Wipe your hand across your mouth, and laugh;
The worlds revolve like ancient women
Gathering fuel in vacant lots.

Stained glass coffins
Crystalline mosquitoes
Death that masquerades
In silken flags and floras
Languorous beauties
Graffiti of red and violet light
Sirens kiss the bullets
As they scatter them
To burn holes in sepia dreams
Watercolor ghosts
Casting out wildflower candy
Attics that hide under
Strawberry dust and lemons
That melts into mildew
As they pass down the gullet
Layers of ashes in the belly
“But you told us to swallow!”
Masses of children howl
The pretty ghouls hiss back
“Cannot you tell a lie by now,
By the sweetness of its taste?”

Blush!

The blush of pinkish,
As flamingo fandangos,
In rhythmic tangos,
Long legs centrally bent as she stands,
Flamingo masquerades as delicate swan!
Sort of strutting,
Elegant,
Thought not!
Woman masked as flaming flamingo.
Lady tall in height,
Wistfully wishes on starlight night, bright,
Clear eyes sparkle,
A tint of mystery's mystique,
No teardrops,
He fed her fire with touch of love,
As if were both sent from above,
Two strange birds can only tell,
If love will grow or tears well!
Passion kissed her on her cheek,
Left her blushing scarlet,
Jesus wept and cried out loud,
'This woman,
She's no harlot,'
Both dangling suspended in ether clouds ,
Dozy as hell,
These two dreamy birds are two of a kind,
No similar creatures will you ever find,
He struts peacock feathers glory.
She blushes,
Escaped from love story!
Eccentricity,
Idiosyncrasies,
Rule the day,
Hurry up,
Bring him back my way!


By ladylivvi1
© 2013 ladylivvi1 (All rights reserved)

I am in cold. I watch that garish ward brimming with false light. Bleached air from his lips touching hers. He hides in her mane, sterile and alone. Why is it so hard, such an insurmountable task for you to see how I lather my face with paint each day just to smile at you?

My face, my heart, my mind not a blank canvas that I hide with these diluted pastels but a deep, rich chorus of colors and oils that were never meant to be hidden. But the ward will never know.

There are thoughts and opinions rolling like a torrent behind this mask I call a face. This world was against me from day one, don’t you dare say I’ve given way to cynicism. Nor optimism, pessimism, or God-forsaken realism. Can't I think the earth is beautiful, God is good, I am right, and people are wrong without someone putting an -ism behind me? Of course not. That's narcissism. Egoism. Egalitarianism.

It is what I unknowingly wrote across my mask. But I never chose to attend this outdated ball, masquerades are cliched. Pure romanticism...surrealism, the kin of commercialism whose visage is a polychromatic wheel of logotypes that you just have to know en masse.

What if I stop believing that compassion Himself can hate me? No, no that's atheism. Agnosticism. And if I'm better than someone because He said so then that is monotheism in all it's delicate flavors.

Can't I breathe alone in a quiet corner? Isolationism. Can't I want to simply be a follower, and think about life, literature, and art? Incomprehensible, that would be totalitarianism, absolutism, authoritarianism. What if I want to give God all the power He gave us, and watch the world change? Fascism. Revolutionism. Extremism, because releasing the wheel is extremism. Existentialism.

And what if I choose to remove the mask, break the levees, release the floodgates,    my thoughts and opinions, never watch my tongue, and speak the world as it is: A capital M-madman's schism of logic and faith. As it has always been, and always will be. I will always be in love with the counterfeit ward. And yes, there's a label for that: Catastrophism.

So I watch Beauty and his Beast touching in fluorescence. Bleached breath, save for the smoke of his lungs in hers. Sterile and alone; I am in cold, and cold hurts me.

sometimes an acrid heat
rises in my vocal cords
it tells me to do things
i don't want to do
but i do want it
i just wish i didn't.

it steals my voice
it masquerades as honor
it whispers justifications
it reveals itself to me
in a way i can't refuse

it tells me
it reminds me
how sweetly it stings
when i drag my fingers
against my skin
how could i say no?
i am weak

it wants me to hurt
i want to hurt
it wants me to hurt
i want to hurt
i(t) want(s me) to hurt
because it never was anything
but my own desires
i just didn't want them
to be mine

...strolling down through the night,
Attacking innocence with a frown,
You've treaded through plastic and savages,
Your face buried beneath a gown,
The odd man in the corner says,
You look so down,
It means,
The forest seems black,
You're packed,
We're all long-gone.

You can kick and scream all you want,
But you'll get lost in the cold,
'Cause the Brave New Pathway is so old.

So you're a Good Man with,
all your Good Looks,
You're a manufacturer of,
Pretty Protest Books,
But your abiding venom is
So full of False Love
You're not a rebel, though you think not,
But you're just too many levels above.

You can kick and scream all you want,
But you'll get lost in the cold,
'Cause the Brave New Pathway is so old.

With your mass thinking codas, oh how you talk,
When you don't fall, there's still the straight bold lines that you walk,
With your gathered myths and conductors, in maths you all speak,
You ask yourself, is everyone so unique?
But by now, you're feeling ill,
You may not understand it,
Those hands of yours are too virginal,
You're not some natural-born bandit.

See, you can kick and scream all you want,
But you'll get lost in the cold,
'Cause the Brave New Pathway is so old.

You've strung some fallen multitude,
Some blind-eyed folks from lost and found,
Don't yet quit all the servitude,
Such groups can't be strung around,
You need respect,
You must check,
That everyone else is bound.
So you've gotten Anarchic Insurance,
Through all these Marxist hooks,
But what an abhorrence,
Your still safe and sound,
Just look at this mess, all of this!

You can kick and scream all you want,
But you'll get lost in the cold,
'Cause the Brave New Pathway is so old.

So you look down,
As you have on your hands,
A few clowns from a circus,
You phony philosopher,
You've let all your new fraud,
Work on us.
There should be some law,
Against having you claw
Your masquerades,
And magic through every one of these sold cities.
And even though you say,
Your imagination's not dead,
You've still read,
And forced every Order of Dictation.

You can kick and scream all you want,
But you'll get lost in the cold,
'Cause the Brave New Pathway is so old.

So you walk along with your pen down,
Past each fancy, carved stone column,
Then a voice says 'don't let your terms down'.
It's a naked fool looking solemn.
But you're still glaring and weeping,
You say 'I simply don't understand'
Then the man says, all out and fleeting,
'It's time for rebirth, When will you give a hand?'

So you're giving up,
You can see, you will stop,
So you can feel something now, if at all.

Now you're wandering past this site,
Of a landscape of metal and rust,
You're in the middle of some walkabout,
Your face coated in dust.
Now, thinking you're some Human Poet,
You go write on how you feel,
When the King Palate comes storming,
And you say 'Is this even real?'

But it's going too fast,
Any truth cannot last,
You're a lie by its own.
But you think you'll still find
Your Glittering Gold.

So you run through into this room,
With this Artist named Rome,
And with his lover, Salo,
They go off and buy you a home,
They have murals of circles,
And Open City souls,
They paint the 120 Days of Flesh,
And all these dead patrols.
They say, as they go about in a thresh,
Only Night has its fantasies,
Before burning your house down.
You won't see any end of dusk comin' around,
You're always a ***,
Your lawyers are decades gone,
Go back to all your Christs and El Dorados.

So when you weave yourself,
Out of that forest,
Don't be paid so attention to,
Don't be bleak,
As every night
Has its unabashed
Intellectual freak.
And before you go,
Between the statues under some sheik,
Remember, this very night
That's when you come...

I heard a whisper.
a thought like dust
caught the air of my breath
and landed on every heartbeat still beating for something more than themselves.
a rationale.
a stable refuge.
these are the things I imbue.
nocturnal nonsense swirled about
until your gaze caught my thoughts.
I saw your eyes behind mine.
emancipated, delegated, underrated and unillustrated,
how can I better express myself.
I lost myself trying to lose you.
I carried the weight of the world on my shoulders
to your front door step and left it with a key.
Walk a mile in my shoes and still ask me who's the enemy.
I am.
I am my own downfall.
masquerades never suited me
yet I still wore it with agony.
Antagonized from every side,
the lies lie far between you and I.
I succeeded in forgetting something that never happened
and got trapped inside those angel eyes.
remain a nuisance, my misguided matrimony.
gravity awaits,
for we are all destined to fall.

The spirit of Mulan lives inside these girls
she who transforms to go to war
she who chops her hair and binds her chest loose clothing, low voice
she marches to the battlefield
made of asphalt and alleyways
she hides in hoodies, armed with keys
to combat hidden enemies
these battles are fought in the night
far from pools of streetlight
she masquerades to avoid an invasion
she fights to protect her only home

Skim milk masquerades as cream
Wolves self-ordain themselves as custodians
Of the “good” of sheep and that they’re a team
In the quest for universal good, poor proletarians.
A fattened up emaciation
That derails the pursuit for accountability
Paving way for many a loophole
A stranglehold on emancipation
The sheep simply merely sign a treaty
With fate to elongate their back breaking life before taking a stroll
In either heaven or hell, that’s if an afterlife exists.
The wolf menace is thus a malignant cyst
To “body politic”
Posing mind boggling potential harm, worth incisive critique.

Your arteries are like correlations
Possessing fragments of my brightest moments
Protruding right against your skin
And an abundance of my darkest thoughts
Crawling viciously through your lungs
Infecting your every breath
Just to fill the empty spaces
Between the blood that pulses through your veins
And the twisted bones that keep you straight

The craters in your wrists
Hold masquerades of celebratory pain
Where crisp and lifeless voices
Hum out screams of your trauma
Like meaningless smalltalk
As if you were a resemblance of the weather
Just another galactic disaster
While their idle hands of Devils play
Scrape knives along your spine
And feast formally from your flesh

trade insanity to the tailor for top hat coat and cane
to wear to the mausoleum ball, daylights bane
where Lilith masquerades as innocent love
and black bat wings spring forth from every dove
skeletons twist about the living wearing skulls as masks
the grave keeper rejoices in his gruesome tasks

and with the high street long gone, they keep nagging that
only lunatics use the internet,
me? i treat the internet as a serious medium,
it's almost despotic to treat it otherwise,
after all... internet banking, amazon,
why should Beelzebub's pixel vision
in that new medium be lesser?
it isn't, here's the big ******* F
                                                                U
to the establishment - and i too thought
that the mystery if lawlessness
                  was with Philippe Petit -
you got to admit, that's more spectacular
than that thing at Golgotha...
you even have an accent of stigmata riddling
the mystery - oh sure, i'm into esoteric
*******, because i'm about to become
a shopper -
                        people don't seem to go
into merchandise streets to buy things,
all it is is: clothes, shoes and mobile phone
outlets -
                     anyway, they walk the promenades
to be seen...
                            not to necessarily buy
and keep the economy well oiled...
            they go and do the catwalk pretence...
so that's me: a Heidegger book worth £30...
mad, ain't it? spending £30 on a book...
                  and an album by cage the elephant,
i should really buy another copy of
tool's aenima or steve wynn's album with
cindy it was always you -
                                      maybe a pair of socks
to match...                  next thing you know
they'll call it shamanism - well, any literature
coming from Eastern Europe can almost be
deemed as such...
                               and the next best thing
to fame is enforced anonymity -
                                        because fame just
= interviews.... and mostly moths / journalists.
                     nagging aunties and uncles
of the scene.
                                   oh sure, take all you can,
i don't mind... if it gives you rubies and
diamonds i don't mind... a conker
signature of mahogany print is worth more
than a table to sit about with your
******* / orthodox disciples -
                fame?          i've seen what it does...
i rather have the chance to do small talk
at the supermarket and say: well, yeah,
i write poetry, no biggie,
                                           does it rhyme?
does it have to / would it help?
                             i left Cheltenham earlier
than planned because of my left hand -
that's the deal with the industrialisation of
writing, with that quill you get to be one-sided,
i know for a fact that my hand can grip
the quill better, i left the festival early because
i felt sick with my left hand not being
encouraged, lame, not using the keyboard -
i hate leaving body parts about the place
not being used,
                            and, obviously,
when someone starts reading philosophy and
utilises the medium of poetry: he's not one
to entertain...
                           at least i learnt a valuable lesson
after seeing spoken word event -
              i couldn't entertain -
my life might be ****-up, but it's not ****-up enough
to vocalise it with some sort of
                                redemptive analogue -
i couldn't entertain people even if i wanted to:
i read philosophy, without tutoring by established
lecturers -              it's enough i studied chemistry
and thought that dabbling in philosophy would
make me seem more "human": that famous
abhorrence of scientific studies and what humanities
shun in terms of adequate perspective -
               i simply cannot entertain -
                                     maybe because i'm
entertaining myself more,
                               the shadow and glad to be one...
but they keep nagging internet opinions...
     narratives...
                          yes, i'm gullible enough to believe
all of them...
                         if the internet managed to desecrate
the high street shopping experience, and people
bank using the internet...
                         i believe every word...
      lies have short legs anyway,
        and assuredly a Samson moment comes
somewhere on the timeline with the blind hulk
pulling the temple down...
                       i just never used the internet to
use comment forums...
                                 my experience of trolls is minimal...
                  the terrible has already happened,
   i just filter any agony and transform
certain one-liners into an antibiotic:
       your writing is ****!
i.e.      pronoun noun verb noun
                                              problem solved -
and too many young people took their own lives
because no one taught them to use this barrier,
these white cliffs of Dover, this natural barricade
and the ultimate defence -
                              put the hate into a grammar
filter - apply the anaesthetic - desensitise -
                                             that's practically what
your subconscious does anyway,
                               some part of you if wholly grammatical,
meaning that you're understood,
                                 point being:
journalists have become annoying -
                         the printed press is a bit scared,
          primarily because they're offended by
our expression of democracy, they think that whatever
is written on the internet is bogus...
                      so i guess internet shopping is bogus
as if internet banking... bogus too...
                        if the internet wasn't all-encompassing
i'd agree...
                                but as usual, people have to
******* something silly rather than make love to it...
sure, i have my wild opinions,
                                       but i have them because
they are actually dialectical cul de sacs -
                                     yep, dialectical dead-ends -
           i write them but do not actually adhere to
them -
                                pretty much conversation
killers -
                          post-Nietzsche? more than
killing god... we killed dialectics -
                                     since Socrates we've been
putting god and dialectics back into the box
to prescribe civilisation innovations of how to
construct "polite" societies -
                                              the sort of "politeness"
that masquerades and is the dung-heap
                    where mushrooms like Isis sprouts from.
but sure enough: read philosophy
                              and stop pretending to be
an entertainer -
                                 i couldn't entertain people
for the love of anything worth mentioning -
                     entertaining would mean disrupting
the continuum -
                                  the very accurate biographic
sketches -
                                  well... what would you expect,
we're living in a parallel society,
                                a society where a gardener on
television becomes a chat-show host
                                  and gets a publishing deal...
               we're bypassing that...
                                            if we're living in a democracy
we're living in a badly represented formatting of the idea...
              and that great ponce of the idea of books:
more than bricks...
             i open a book, enter it, and i'm already
walking into a building of some sort...
                     few books i enter are actually left
undisturbed - i make my own feng shui alterations -
            but i wonder:
                   is eternity the place where you actually
live inside your own head?
                              &nbsp

It was intensity in the eyes of the beast
With his romanticisms and optimism ceased
Gashes, cut bottomless within his soul
Who, would possibly aid him as a whole?

The king who had executed blasphemous quantities of sins
And pride fully worn, his foe's skins.
Could not be comprehended and eased after all
He lived to stalk, persecute and brawl

For behind all the masquerades and shells he wore
It was against himself, that he always swore
At the break of dawn, he held a face
In the midst of darkness, he could not sense, embrace

A battle came forging against him, he felt grim
Though it was not his form which was to be dithering, limb by limb
It was his trepidation, his need to stop his despair
Oh, how he craved to vanish into thin air

For he realized that the only thing meaningful to him now
Was for his annihilating words, to be a vow
A vow to soon meet, the eternal light alas
For his heart had become, into brittle glass

The light was his way out
To permit him, of his emotive drought
And so, as the stars blazed up in the sky’s high
So did the tears, imploring, to be let out in both his eye

How far more, would he suffer?
How much longer, did he have to be a bluffer?
The possibility of freedom, is all that made him wait
Little did he distinguish he was just another prisoner in the chambers, of fate.

She is beautiful, with her hair in disarray. She sets man against man, woman against woman, and both against each other

She whispers into the ear of sleeping children, who awake as adults in her service.

All fear her, for she cannot be known.

She masquerades as order, enticing humanity; the fire that huddled neanderthals gaped at in thanks become the flames that consume.

To fight against her is futile, but it is in our nature.

She has never left us; she will continue without us when we are dead and gone.

All the monuments in the world bow to her in worship or are crushed in submission to time and war.

She played gods and men alike.

She is both the catalyst and the conclusion.

Some marvel as the fires of her destruction dance reflected in their eyes; others weep.

To say that she is coming would imply that she has ever left.

How could we impermanent things ever hope to banish something so primordial.

She breeds hate, mistrust, and strife in those that capitulate; those that resist her only magnify her power.

She bore Hardship and Ruin, Quarrels and Disputes, Lies and Oaths, Anarchy and Starvation,  Forgetfulness and Pain. Manslaughter and ****** were her giggling toddlers. War and Battle took after her brother, their uncle's favorites.

She brings inedible food that is coveted by all who encounter it.

She has bathed in the blood of civil wars, her most decadent vice.

She renders man's efforts futile, to fight or submit is destruction.

She will reduce the universe to an ever expanding hellscape of fire.

She is the secret joy of many.

Nothing will escape her.

She is everywhere.

I can't love you while you hide,
Behind your masquerades and lies.
Your tongue itself is my crime,
Paperback truths and lucid time.

You ravaged me.
left rusted, cold razors in my eyes.
My conscious needs a piece of peace.
Parallel eyes meet parallel crimes.

I can not cry; but try to alter the faulty
System  unjust; exploitative, crafty.
Not by guns or bombs; but by words
Sharper to pierce the heart of  lords..

Oh! In oil India boils, by brothers‘  plan,
As chicken- in the political, luxury-pan
While the fans of selfish Capitalism fan
The gas ,Cylinders gasp violently, man!

Inflation by salary hike conflagrates
As corruption fumes out choking rates
At the wading helpless, hopeless voters
By fiscal magic masquerades of looters.

In surging words as mirage in deserts
They drag us through the slums -concerts
To vote, to enthrone them with whips of laws
Supported by the ambitious callous fellows

But, I hear the giggling behind the curtain
As silhouettes  briskly move  for certain.
No more sobbing ,dear ,in our  tribulation
But opt ,no more sale of votes  in election.
.

One
No need for an introduction,
She was ****** incarnate, volatile pandemonium.
She was always gone by the morning’s pale light,
No pins could stick her, pretty glass doll.
She was his tangible addiction,
Sweeter than any pixie sugar,
Yet poisonous as a viper.

“Phantasmagoria,” she’d breathe,
Her words freezing and falling, broken diamonds.

“What?” his confusion so sweet.

She cackled then,
Chaotic grins folding over gossamer silk.
He just shook his head,
Knowing she was a tragedy.

He could never hold her,
Thorns tore ragged lines into him every time he tried.
She was his to have, to gaze at,
But never to touch.
She was intransigent, lying eyes and battered lips,
Scars tugged at his heart whenever he looked,
Bleeding masquerades of perfection in her curves.

Porcelain masks adorned with crimson feathers,
So shocking against the ebony walls.
The masks were like her smile, he had decided so long ago,
Hanging a new one every six months.

He saw right through her.

Two
Malignant words bubbled from her lips,
She blew him EXPLOSIVE kisses,
Her eyes full of iridescent splendor and charm.

She gave herself to him completely,
Tired of running on the fuel of a thousand shattered hearts.


Pale like winter,
He was fierce like autumn leaves in a fiery glow.
His eyes were a swirl of blue,
So deep, hypnotic and entrancing.
His hair was black as a crow,
Soft as velvet against bare flesh.

He was beauty in a terrible splendor,
Pale, carved marble, breath-taking and alive.
His kisses were spider-silk,
Dripping venom down her throat.

“Extemporaneous,” he’d sigh,
His words left behind the after taste of chocolate.

“Everything is,” echoed her bittersweet reply.

Chemical smoke poured from his mouth,
When he parted his lips to speak.
She loved the way it danced in the glow of the fire.

Three
The curve of her smile let you see the whole asylum.
Oh how she’d laugh, broken glass in her eyes,
When he’d nibble her flesh so softly.
Her eyes flashed red,
A brief shutter speed of a moment.

He’d saunter up to her,
Leather pants worn as a second skin.
His eyes glittered in the dark,
The ocean by moonlight.
He spun her in dizzy circles.

“Vertigo baby, you spin me high with vertigo,”
He’d laugh, watching her stumble.

They were psychotic lovers in a masquerade of midnight frenzies,
Graveyard picnics and ballroom dancing the mausoleum.
They were a Gothic fairytale without the ever-after,
Kings fighting for their queens,
That and the dragon ate the kNight.

Moonlight tans and wrought-iron fences,
They kept the world at bay.

“No one needs to know,” she whispered beneath the crying tree,
“Let them wonder in solitude,” her voice soft as a feather.

The zephyr smelled of ice and heartbreak.

Four
Silver needles with glitter tips,
Pulled star-studded thread through her lips,
Anything to keep the lies from spilling out.

“Desperate hours call for drastic measures,”
Barbed-wire bled from familiar tongues.

Tiny symbols on her lover’s face,
A black mask stitched with silver Zodiac charms.
He was her hero in Venetian adornments,
If you ignored the combat boots.

SAFTEY,
An over-rated opinion.
(Throw away the key.)

The pond froze over,
Reflecting dark-eyed ghosts of glass.
The paint on the masks cracked,
The feathers faded long ago.

He held her close,
Feeling her thorns tear him o p e n.
He bled sweet metallic candy for her.

She’d be gone again in the morning.

Five
She sighed, keeping perfect rhythm with the visions in her eyes.
The cold seeping slowly into every pore,
Electrifying ever nerve and fiber.
Haunting whispers on the wind,
Reminders of another life.

I’ll love you forever; I miss you already,
She scrawled in black ink on the bathroom mirror.

He scrubbed for weeks,
But the message never faded.

Then you shouldn’t have left,
He painted in slow red cursive beneath it.

He’d always wait for her.

Six
So innocent when she pouted,
Lying little girl with a cracked doll’s mask,
Just like the faces he hung on the wall.
When she smiles, the truth comes out,
The perfect killer with the perfect guise.

She’d blow chemical rings to your heart,
Knowing how deep they’d cut.
She savored the taste so bitter and sweet,
Liquid candy, deep red cherries.

He relished the glitter in her eyes,
When she was off on another “Suicide Mission”,
As her friends so poetically dubbed them.

He bound himself to her,
With black lace chords and red wrist ribbons.
They lusted for a never-ending destruction,
No amount of chaos could sate their desire.

“You are a tragedy,” he once told her,
“A million deaths in the making.”

She always laughed at those words,
Tears stinging her face when she was away.
“I’m your tragedy, my love,” she called sweetly to the wind.

Tie the mask tight,
Check the powder around your eyes,
Lace up that corset,
This job is just a masquerade.
Shade is not your name,
And the Emancipator knows it.
He’ll keep your secret as long as you work,
Pretty little ****** doll.

“I miss him,” she whispered,
Her eyes so full of sorrow.

“Then go home,” he told her.

Simple phrases break hearts the fastest.

Seven
Her hand trembled, eyes wide, so fearful,
This homecoming no different than the dozens before it.

He opened the door before she could even caress its silver handle.

Startled, he stood there and gaped,
Trying to convince himself that she had actually come back.
“Five years is a long time to be gone without calling,” he whispered,
A shaking hand brushed the hair from her eyes.

She caught his hand,
Pressed it hard against her face,
Her tears carved shallow channels down her cheeks.

“I missed you.”

He glanced away,
His hand dropped to his side like a stone,
“Then you shouldn’t have left.”

She knew he was right when she turned to leave again,
“I’m sorry,” she murmured, almost choking on her words.

He grasped her wrist,
Pulled her into his arms, clutching her tightly,
His blue eyes deep puddles.

“I thought I’d lost you.”

Eight
She was home for a moment,
Maybe even longer,
To dance upon his paper heart.
(Look at those steep red stilettos.)

He was happy for a moment,
Maybe even longer,
To have her in his arms again.
(No matter how deep the thorns cut.)

“Aniya, my dear, you’ll be the death of me,”
He sighed, holding his lips to hers.

“I’ll be the death of myself,”
She replied sardonically, entwining her fingers in his hair.

They were restless, half crazed in the heat,
The terror mounting passion in fire,
So cold it burned flesh from the bone.
They were the purest form of calamity,
A delicate sense of fatality,
Like lightening through a sea of metal.

“Damien, my love, you are my addiction,”
She purred, her hands caressed his face.


“Likewise, my darling,” he smiled,
He pulled those pale hands to his lips.

Nine
The tension mounted outside those wrought-iron gates,
A war bubbling to the surface,
The first of many, a battle for the ages.

Lace up those ebony heels,
Tie the corset tighter and tighter,
Dizzy from the pressure.
Make sure all the swords are sleek as blood,
Clear as the freshest waters.

Slick back the hair,
Tie the mask tighter and tighter,
He was dizzy from the anticipation.
Make sure all the guns have silver bullets,
And all the spears have jagged edges.

The troops rained in,
The fire arms screamed,
Eagles of flame danced in the sky.
Celebrations started before the dust could even settle.

Why dwell on the comfort
Of dusting off the adversity
That profane the corners
Of our compartments

When we can
Call upon courage
And write for those
Without the strength to crawl out
Of the hollow caves
They live in?

               You
                  And
                    I
Are blessed with the curse of
Seeing beyond the masquerades
Of others
That it becomes haunting not
To tap into their souls

And wander in the
Caves of their minds
To find the reason behind
The warped interior,

The vague, and sometimes
Vivid Answers to
           Why
They're sinking in
Self imposed darkness,
      
          
They feel they're slaves
To and in liberation,

        
They feel they can't be forgiven
For the sins they
Unintentionally created,

      
They feel so empty and hollow
And dead within that there's
Nothing, but dead spaces
Between heart beats,
  
        
They're engulfed in
Flames that they're turning
Everything they caress to ash

With every bit of
                 Taste,
                 Touch,
                 Smell
                
Lulling us into euphorias
Where fragments of
             Sound,
               Images,
                 Fragrances,
                  Thoughts,
Compound to a jungle of words
That we lose ourselves in,
Perhaps then,
We become a tad bit closer
To finding
Ourselves,
Perhaps.

Shadows of pain block the sun
Joy turns sour in the shade
Twisted desires nauseate
Self-hatred masquerades in smiles
Demons come out to play
Casting nets in daylight
Trapping hearts and twisting dreams
Nightmares turn beautiful in time
Charcoal and ash
Charcoal and ash
Burn memories into scars
Marking territory
Claiming all they see
Making them beg to be taken
Beg for more
Begging for the honor
To be twisted unrecognizable
Freedom in acceptance
Relinquishing all
Feasting on the beating hearts
Of the innocently depraved
Gambling souls
Playing for keeps

I can not cry; but try to alter the faulty
System  unjust; exploitative, crafty.
Not by guns or bombs; but by words
Sharper to pierce the heart of  lords..

Oh! In oil India boils, by brothers‘  plan,
As chicken- in the political, luxury-pan
While the fans of selfish Capitalism fan
The gas ,Cylinders gasp violently, man!

Inflation by salary hike conflagrates
As corruption fumes out choking rates
At the wading helpless, hopeless voters
By fiscal magic masquerades of looters.

In surging words as mirage in deserts
They drag us through the slums -concerts
To vote, to enthrone them with whips of laws
Supported by the ambitious callous fellows

But, I hear the giggling behind the curtain
As silhouettes  briskly move  for certain.
No more sobbing ,dear ,in our  tribulation
But opt ,no more sale of votes  in election.
.