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"lurches" poems
I wrote a poem on a bus but to hear it you must climb to the top of the bouncing metal stairs.    Slither snake-like past the rail and sit on the rainbow nylon bench.    I'll be there at the top of the bus, reciting my rhyme, written as we ride along, past shops and houses with musty nets and peeling paint on dingy doors.    There's the old woman who lives in a house no bigger than a shoe box who had so many children she didn't know what to do! But they've all grown and flown now and she's all alone with no-one to talk to but herself.    Look at that kid: grimy smile and mischievous eyes, skateboard-scuffed knees, darting out from the roadside. Screech! As we stop and angry words. The kid glances back and tosses a vee leaving just his smile behind.    The bus lurches on at a snail's pace and stops at a stop for a giggle-girl-gang to chatter up the stairs with a clatter of feet and voices:   weekends and boyfriends, music and laughter. The bus trundles and sways past shops all shuttered, old folks gathered by doorways talking about people dead and forgotten ... except by them.    Into the town now: a river of road-rage as our bus ambles onward toward car-parks and markets and rat-racing shoppers    And stops by a brown pigeon-stained temple of public philanthropy, a gift from a long-dead civic leader and now proud home to dogeared tomes of PC persuasion.    Our bus, like some Trojan horse, disgorges its riders who spatter and scatter like rays of dawn light to shop till they drop.    So, just me and you seated atop the steel stairway and you say to me sharply, “So where's your poem then?” I look at you strangely: “It's happened around you,” I tell you quite curtly.
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Sep 23, 2012
Sep 23, 2012 at 11:35 AM UTC
On a Bus
I wrote a poem on a bus but to hear it you must climb to the top of the bouncing metal stairs.    Slither snake-like past the rail and sit on the rainbow nylon bench.    I'll be there at the top of the bus, reciting my rhyme, written as we ride along, past shops and houses with musty nets and peeling paint on dingy doors.    There's the old woman who lives in a house no bigger than a shoe box who had so many children she didn't know what to do! But they've all grown and flown now and she's all alone with no-one to talk to but herself.    Look at that kid: grimy smile and mischievous eyes, skateboard-scuffed knees, darting out from the roadside. Screech! As we stop and angry words. The kid glances back and tosses a vee leaving just his smile behind.    The bus lurches on at a snail's pace and stops at a stop for a giggle-girl-gang to chatter up the stairs with a clatter of feet and voices:   weekends and boyfriends, music and laughter. The bus trundles and sways past shops all shuttered, old folks gathered by doorways talking about people dead and forgotten ... except by them.    Into the town now: a river of road-rage as our bus ambles onward toward car-parks and markets and rat-racing shoppers    And stops by a brown pigeon-stained temple of public philanthropy, a gift from a long-dead civic leader and now proud home to dogeared tomes of PC persuasion.    Our bus, like some Trojan horse, disgorges its riders who spatter and scatter like rays of dawn light to shop till they drop.    So, just me and you seated atop the steel stairway and you say to me sharply, “So where's your poem then?” I look at you strangely: “It's happened around you,” I tell you quite curtly.
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62
The tractor stands frozen - an agony To think of. All night Snow packed its open entrails. Now a head-pincering gale, A spill of molten ice, smoking snow, Pours into its steel. At white heat of numbness it stands In the aimed hosing of ground-level fieriness. It defied flesh and won't start. Hands are like wounds already Inside armour gloves, and feet are unbelievable As if the toe-nails were all just torn off. I stare at it in hatred. Beyond it The copse hisses - capitulates miserably In the fleeing, failing light. Starlings, A dirtier sleetier snow, blow smokily, unendingly, over Towards plantations Eastward. All the time the tractor is sinking Through the degrees, deepening Into its hell of ice. The starting lever Cracks its action, like a snapping knuckle. The battery is alive - but like a lamb Trying to nudge its solid-frozen mother - While the seat claims my buttock-bones, bites With the space-cold of earth, which it has joined In one solid lump. I squirt commercial sure-fire Down the black throat - it just coughs. It ridicules me - a trap of iron stupidity I've stepped into. I drive the battery As if I were hammering and hammering The frozen arrangement to pieces with a hammer And it jabbers laughing pain-crying mockingly Into happy life. And stands Shuddering itself full of heat, seeming to enlarge slowly Like a demon demonstrating A more-than-usually-complete materialization - Suddenly it jerks from its solidarity With the concrete, and lurches towards a stanchion Bursting with superhuman well-being and abandon Shouting Where Where? Worse iron is waiting. Power-lift kneels Levers awake imprisoned deadweight, Shackle-pins bedded in cast-iron cow-shit. The blind and vibrating condemned obedience Of iron to the cruelty of iron, Wheels screeched out of their night-locks - Fingers Among the tormented Tonnage and burning of iron Eyes Weeping in the wind of chloroform And the tractor, streaming with sweat, Raging and trembling and rejoicing.
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5.2k
Tractor
The tractor stands frozen - an agony To think of. All night Snow packed its open entrails. Now a head-pincering gale, A spill of molten ice, smoking snow, Pours into its steel. At white heat of numbness it stands In the aimed hosing of ground-level fieriness. It defied flesh and won't start. Hands are like wounds already Inside armour gloves, and feet are unbelievable As if the toe-nails were all just torn off. I stare at it in hatred. Beyond it The copse hisses - capitulates miserably In the fleeing, failing light. Starlings, A dirtier sleetier snow, blow smokily, unendingly, over Towards plantations Eastward. All the time the tractor is sinking Through the degrees, deepening Into its hell of ice. The starting lever Cracks its action, like a snapping knuckle. The battery is alive - but like a lamb Trying to nudge its solid-frozen mother - While the seat claims my buttock-bones, bites With the space-cold of earth, which it has joined In one solid lump. I squirt commercial sure-fire Down the black throat - it just coughs. It ridicules me - a trap of iron stupidity I've stepped into. I drive the battery As if I were hammering and hammering The frozen arrangement to pieces with a hammer And it jabbers laughing pain-crying mockingly Into happy life. And stands Shuddering itself full of heat, seeming to enlarge slowly Like a demon demonstrating A more-than-usually-complete materialization - Suddenly it jerks from its solidarity With the concrete, and lurches towards a stanchion Bursting with superhuman well-being and abandon Shouting Where Where? Worse iron is waiting. Power-lift kneels Levers awake imprisoned deadweight, Shackle-pins bedded in cast-iron cow-shit. The blind and vibrating condemned obedience Of iron to the cruelty of iron, Wheels screeched out of their night-locks - Fingers Among the tormented Tonnage and burning of iron Eyes Weeping in the wind of chloroform And the tractor, streaming with sweat, Raging and trembling and rejoicing.
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55
In a second grade classroom a tiny ant with a treasure thinks only of taking it to his colony. A big hero he will be. So he drags a piece of popcorn much bigger than he. he drags and pulls and tugs On a second grade classroom floor, the ant's work is hard but will be worth it. A big hero he will be. So he drags a piece of popcorn much bigger than he. he drags and pulls and tugs On a second grade classroom rug, the ant's task seems insurmountable but he knows of no other way. So for an hour, he retraces his path backwards dragging a piece of popcorn across the classroom rug. He drags and tugs and pulls In the open of a second grade classroom, the ant feels exposed on the carpet but cover is closer now, he can feel it. It's just there, where the wall meets the carpet. A space just big enough to hide an ant. Closer and closer. He tugs and pulls and drags his prize closer still Pulling and dragging the popcorn lurches across the carpet. His rear legs reach cover Then his thorax, his abdomen, his head with antennae and mandibles then The Problem. and... In a second grade classroom a line of popcorn rests where the carpet meets the wall.
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Aug 27, 2012
Aug 27, 2012 at 8:33 PM UTC
The Problem
I am alive and I am terrified. Why does the future have to be this question mark, this puddle of murkiness wagging its finger to beg you to come closer, closer closer. Darkness lurches above me in halos circling brightly, making no sense I can see you, Future I can see everything I want to see but the waters won’t clear, the question mark won’t turn into an exclamation point, and you make me travel down the path farther farther farther into the unknown.
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Nov 3, 2016
Nov 3, 2016 at 7:41 PM UTC
An Existential Crisis
Chaos humdrum of roaring engines. The lost siren between concrete slabs Ricocheting its scream throughout the hallway streets, already echoing with horns and yells. Sleepless and ever burning, the city lurches on in agonizing sounds muffled between high rise pristine glass and shanty shacks painted with dust. The frantic commotion of agonized madness, In zigzag traffic and potholed roads. The stop and start of hustle and frustration Rises and falls like a dancing dust storm. Everything present in a quieter world is lost in the struggle of city life. There's no peace or silence here. Just constant exhaustion in the luminescent roar of human chaos. 26 Dec. 2015
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Jan 31, 2016
Jan 31, 2016 at 7:32 AM UTC
City Chaos
The insane live forever, lust lawlessly over all things conceived fascinating to the validity and gluttony of the mind. Brain feasters we live to strive, exist to be, all things so mundane to our gluttony, we hunger for something on border lines, the limits of human mumbling over morality. Cease your everest squirming, your infantile homage bearing, you find so viscous an evil, so vile a fiend in us the broken chains. Godless we sing the marching banter of forlorn free will, we have no conscience to bear, no after thought found alive anywhere. The psychopath lurches out about child like smiles, lives a second agenda basis before any infant experiments sin upon innocence. Born divine this mutant knows free will without restriction, closer to a limitless ever enveloping power than any mortal. Breed me a man slewing monster, a shape shifting skeleton reaper, those that fear this untouchable being, this godless singularity, fear the very will we wish to contort, constrain, control, but a demon answers only to that of it’s own greed, no man may quiet its roaring, its heartless contortioning. It’s an angel without a heart beat, a cadaver with a taste for its own flesh, make me a monster manufactured under every roof, we’ve got too much human to feel.
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Aug 28, 2011
Aug 28, 2011 at 12:29 AM UTC
Godless Heredity
i am a sinner. my insides tainted, my sweet pink heart is stained a dark deep brown. my lips beg for more. more of the sweet taste, just a bit more of Heaven. my brain shouts "no! not a single bite more of the wretched sin!" my tongue tastes sour my stomach lurches and up come my sins, reflected in the concerned ripples deep in your ocean-blue eyes. the words sour, i retch and fall lifeless into your arms.
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Feb 7, 2015
Feb 7, 2015 at 8:34 PM UTC
sinner.
comparable to a parasite but with a higher mortality rate it has opened its mouth and found a way to my insides it began to multiply an asexual creature and slowly I was being consumed they nested in the linings of my stomach giving me sudden lurches which triggered my anxiety then frolicked in my eyelids irritating the iris and I was forced to cry then such creatures tunneled their way back to my flaking epidermis and for a split second my body remained its shape but one could soon see I fell victim to a consumption
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Oct 21, 2012
Oct 21, 2012 at 11:01 PM UTC
consumption
Out on the marsh on a lonely night The wind soughs through his rags, The hat that’s pinned to his painted face, Flutters and soars, then sags, His eyes are wide and his mouth is grim As an owl is put to flight, And nothing but shadows will venture there For the Scarecrow rules the night. And back in the manse in a window seat The Parson’s daughter sits, She stares at the fluttering coat-tails, but In truth, is scared to bits, She watches the sails of the windmill turn And creak and groan in the gloom, As clouds come stuttering over the marsh In the rays of a Harvest Moon. The father is out in the donkey cart To tend to his aging flock, He’s left Elizabeth waiting there By the tick of the hallway clock, But out on the moors and beyond the marsh There rides one Highway Jack, A frock coat topped with a bunch of lace And a gold trimmed tricorne hat. He’s whipped the horse to a lather In a retreat from a new affray, For the magistrates have gathered Vowing to ride him down that day, The redcoats wait in the village Inn For the sound that they know too well, When the curate sees the approaching horse He’s to toll the old church bell. But the curate lies in a drunken fit On the floor of the old church nave, And soon, by matins his soul will flit From life to an early grave, Elizabeth sits in the window seat And thinks of the coin and plate, As the highwayman dismounts, and ties His horse to the manse’s gate. He beats on the door, ‘Please let me in, I’m weary and faint, that’s all. I wouldn’t abuse your person, but I fear my back’s to the wall.’ She leaves the seat and she slides the bar For bracing the oaken door, ‘I dare not, sir, I fear for my life, You’re safer out on the moor!’ Their voices echo across the marsh Like fear, distilled in the night, And something shudders out in the gloom And lurches to left and right, It seems forever, but now a sound Tolls out, like a final knell, For something, out in the church tonight, Is tolling the steeple bell. He barely makes it back to his horse When the redcoats stand in line, Their muskets fire a volley of shot And his coat turns red, like wine. They go to the church when the deed is done To say, ‘You have done well!’ But the curate lies on the cold stone floor, The Scarecrow tolled the bell! David Lewis Paget
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Jul 30, 2013
Jul 30, 2013 at 10:30 PM UTC
The Scarecrow
Out on the marsh on a lonely night The wind soughs through his rags, The hat that’s pinned to his painted face, Flutters and soars, then sags, His eyes are wide and his mouth is grim As an owl is put to flight, And nothing but shadows will venture there For the Scarecrow rules the night. And back in the manse in a window seat The Parson’s daughter sits, She stares at the fluttering coat-tails, but In truth, is scared to bits, She watches the sails of the windmill turn And creak and groan in the gloom, As clouds come stuttering over the marsh In the rays of a Harvest Moon. The father is out in the donkey cart To tend to his aging flock, He’s left Elizabeth waiting there By the tick of the hallway clock, But out on the moors and beyond the marsh There rides one Highway Jack, A frock coat topped with a bunch of lace And a gold trimmed tricorne hat. He’s whipped the horse to a lather In a retreat from a new affray, For the magistrates have gathered Vowing to ride him down that day, The redcoats wait in the village Inn For the sound that they know too well, When the curate sees the approaching horse He’s to toll the old church bell. But the curate lies in a drunken fit On the floor of the old church nave, And soon, by matins his soul will flit From life to an early grave, Elizabeth sits in the window seat And thinks of the coin and plate, As the highwayman dismounts, and ties His horse to the manse’s gate. He beats on the door, ‘Please let me in, I’m weary and faint, that’s all. I wouldn’t abuse your person, but I fear my back’s to the wall.’ She leaves the seat and she slides the bar For bracing the oaken door, ‘I dare not, sir, I fear for my life, You’re safer out on the moor!’ Their voices echo across the marsh Like fear, distilled in the night, And something shudders out in the gloom And lurches to left and right, It seems forever, but now a sound Tolls out, like a final knell, For something, out in the church tonight, Is tolling the steeple bell. He barely makes it back to his horse When the redcoats stand in line, Their muskets fire a volley of shot And his coat turns red, like wine. They go to the church when the deed is done To say, ‘You have done well!’ But the curate lies on the cold stone floor, The Scarecrow tolled the bell! David Lewis Paget
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65
I The stars are double-weighted tonight. bulging, beating, they sink from their proper lurches. One by one across the murky evening they sputter out. What natural light remains seeps from that subtly gaudy bauble of a moon. II Peeled eucalyptus, ice-plant, new-mown summer grass, dandelion, sloping hill, carved stone bench, the view, the reflected city-light off the bay water, white-washed near-tenements. I am firmly locked up, chained in a bone cage of chemically manipulated cranial plates; serotonin, synapses, dopamine, dendrite create a web like seaweed constricting the sea; this computer of a head calculates, oscillates, and processes the sensory. III My body is a tattered jib sail flowing in the light sprinkling rain: the simmer of the gale: a hollow cathedral abandoned by the believers: a vessel for my marrow: an imaginary catalyst for profundity: an incarceration: a hull of particles arrested: some part of an experience.
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Aug 25, 2012
Aug 25, 2012 at 1:46 PM UTC
Kate Sessions
Evening docks like a desolate ship, indigo and monolithic, its umbral sails swelling above the distant hips of a titanic continent. Sleep tastes like a mossy anchor; it lurches, shifts, and slips into gear— the sound of stars grinding on stars. I sail across an ocean of teeth. I acquiesce. I drown in the velvet whirlpool of your absence.
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Oct 12, 2018
Oct 12, 2018 at 8:28 AM UTC
Solo Voyage
You were already dead by the time I was planted in your soil. Your story is one told to me through grainy photographs. Echoed whispers of peripheral port cities. Somewhere lovingly untouchable. My home was once alive. My stomach lurches while picturing these hollow streets, once filled with laughter. The harbour bursting with smiles. Each neighbour, a family or friend, usually both. How I love this island! The salted summer's breeze, hand woven scarlet autumns. Wild flowers dancing atop cliff-sides, free for us to admire and absorb. Absorb we did. I swear my bones are made of sea-glass. How could they be made of anything less? In their stories, you are a fairyland. A cosmically unified olden wood, dipped in Scotch and swaddled in wool. Yet your branches rot, thinner and damper each year. Soon the whispers will be stale air. No one will be left to tell tales of your beautiful youth. Everything dies. How I once wished to see you in your prime. Even in your postmortem existence, you've given me mud to stick my toes into. I see you melting into the sea. I smell your flesh being swallowed by bottom feeders. You are a wonder to me all the same.
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Apr 22, 2021
Apr 22, 2021 at 10:15 AM UTC
Ghost Island
My stomach rolls at the thought of you, it is a feeling as pleasant as you are- You with your sharp eyes and upturned nose, you who has no flaw. A man named Frankenstein made something much like you; a creature so perfect -and yet, when it rose, ghastly and disfigured there was some beauty in it. You- you are no such creature you are a hollowed shell void of love and understanding. You have not known rejection, loss       self-loathing and to see my brokeness was a shock. To watch me crumble appalled you, -you turned away and rejected me as the creator - the created. Though my heart is fashioned of borrowed and broken pieces I am not your monster. I raised myself from the dead -and after you- from the dirt. You- you my dear doctor; parading the flaws of others as a grotesque banner -it screams: "I am perfect" Was I more satisfying to break? Did my will to fight terrify, inspire such hatred, that you could no longer stand the sight of a girl set ablaze? My stomach lurches - you stand at my grave dear Frankenstein, do you regret? She is not there. She died. It is only I who remain
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Mar 5, 2019
Mar 5, 2019 at 7:28 AM UTC
Dear Frankenstein
Strangers on the subway Who I never met and never will Say, "hey, martha", like they're hailing a taxi And I say, "hey" back, because, I am martha. The lights go out in the tunnels, because, the conductor thinks it's funny and, Three murders happened in that time but, that never stopped him. That train after 1 am The grey and green one that smokes and used to have a future, That was, good at writing or something in high school, but, never made it to college, you know the one. That train rolls up and its five minutes late, but it's always five minutes late so no one complains, And I stub my toe on the way in, I forgot to, mind the gap, and A strange stranger bumps into me, They say, "watch where you're going sean" And I say "Sorry" Because, I'm sean, And we all get on and no one says a word, and most of the passengers are rodents But maybe some are marsupials I dont know the difference. And we sit in there for ten minutes maybe, avoiding eye contact like it's the plague, Excepting, of course, those few that make eye contact the whole ride, like you're interesting or, appetising, or, they're blind and those are actually glass eyes that just happen to be looking your way. And, when the train starts it lurches, it belches down the cars, because it, doesnt think anyone can hear it five meters underground. And as we sit and we ride the silence turns to tune, like the lack of even rustling, or bustling, or conversation to a friend, becomes the sound of collective recognition, often purposefully ignored, that no one on that train is going. The train moves, but they dont, except to stops around the corner, with no corner piece, without landing that gig, or getting the girl, or saving the day Because in the looming washed out morning, We're all, nothing more than, strangers, on the subway.
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Jun 6, 2019
Jun 6, 2019 at 7:11 PM UTC
Strangers in the night like ships on a train
Strangers on the subway Who I never met and never will Say, "hey, martha", like they're hailing a taxi And I say, "hey" back, because, I am martha. The lights go out in the tunnels, because, the conductor thinks it's funny and, Three murders happened in that time but, that never stopped him. That train after 1 am The grey and green one that smokes and used to have a future, That was, good at writing or something in high school, but, never made it to college, you know the one. That train rolls up and its five minutes late, but it's always five minutes late so no one complains, And I stub my toe on the way in, I forgot to, mind the gap, and A strange stranger bumps into me, They say, "watch where you're going sean" And I say "Sorry" Because, I'm sean, And we all get on and no one says a word, and most of the passengers are rodents But maybe some are marsupials I dont know the difference. And we sit in there for ten minutes maybe, avoiding eye contact like it's the plague, Excepting, of course, those few that make eye contact the whole ride, like you're interesting or, appetising, or, they're blind and those are actually glass eyes that just happen to be looking your way. And, when the train starts it lurches, it belches down the cars, because it, doesnt think anyone can hear it five meters underground. And as we sit and we ride the silence turns to tune, like the lack of even rustling, or bustling, or conversation to a friend, becomes the sound of collective recognition, often purposefully ignored, that no one on that train is going. The train moves, but they dont, except to stops around the corner, with no corner piece, without landing that gig, or getting the girl, or saving the day Because in the looming washed out morning, We're all, nothing more than, strangers, on the subway.
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26
It is dark and cramped and this room But it is private and serene to me. Beneath my feet the water rushes up and down, up and down The smell of salt washing the air and calming my nerves He would tell me this is exactly right, not to worry The smell of salt wrapping around my shaking legs, He would understand the way it holds me. The way he does. The smell of salt holding my trembling hands He caresses my fingers, plants soft and sweet kisses on them; just like this. The smell of salt nestling in my windswept hair He likes the smell of the ocean, he won’t mind it The smell of salt soothing my brain with its marine tendrils of happiness, of bliss He is a man of the sea, he’ll know why his bride came here to collect her thoughts The ship rocks, lurches, rocks This is nothing compared to the storms I have weathered for him But no bride truly wants bad weather on her day At least, no bride whose heart and future is bobbing on the sea. The smell of salt wraps an arm around my shoulders He is the one who gave me the words for this feeling. The smell of salt sweeps my dress around, blowing it all over the place He would smile if he saw this. And the smell of salt reminds of those words spoken, years ago, And the smell of salt tells me who I am: “Isabella, you are my perfect bride,” Of course, his hair had oozed the aroma of sea salt as he held me that night My sweet sailor, always wearing sea salt And Isabella, his perfect bride. And the smell of sea salt, ever a guiding light.
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Jan 7, 2018
Jan 7, 2018 at 7:25 PM UTC
The Smell of Salt
It is dark and cramped and this room But it is private and serene to me. Beneath my feet the water rushes up and down, up and down The smell of salt washing the air and calming my nerves He would tell me this is exactly right, not to worry The smell of salt wrapping around my shaking legs, He would understand the way it holds me. The way he does. The smell of salt holding my trembling hands He caresses my fingers, plants soft and sweet kisses on them; just like this. The smell of salt nestling in my windswept hair He likes the smell of the ocean, he won’t mind it The smell of salt soothing my brain with its marine tendrils of happiness, of bliss He is a man of the sea, he’ll know why his bride came here to collect her thoughts The ship rocks, lurches, rocks This is nothing compared to the storms I have weathered for him But no bride truly wants bad weather on her day At least, no bride whose heart and future is bobbing on the sea. The smell of salt wraps an arm around my shoulders He is the one who gave me the words for this feeling. The smell of salt sweeps my dress around, blowing it all over the place He would smile if he saw this. And the smell of salt reminds of those words spoken, years ago, And the smell of salt tells me who I am: “Isabella, you are my perfect bride,” Of course, his hair had oozed the aroma of sea salt as he held me that night My sweet sailor, always wearing sea salt And Isabella, his perfect bride. And the smell of sea salt, ever a guiding light.
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28
They don't speak, all the long, winding bus journey.  They are strangers, with nothing in common besides the No 50 route and the free travel passes afforded to them on account of their quietly advancing years. She sits in the seat in front of him. Their eyes never lock.  His myopic gaze through thick NHS lenses rests neutral on the back of her head, her softly blue-rinsed curls and the collar of an eminently sensible overcoat. They sit, both silent, as - outside the foggy bus windows - winter has one last chew on time's bony old carcass. She has a slight stoop which she's doing her best to hide, and his shaking hands make his liver spots blur. They stand - the bus stopping at their mutual destination - shuffling sideways into the aisle, and something unexpected happens. The bus jolts suddenly forwards, then lurches to a startled halt, and she falls backwards into his arms and he catches her. For a second, strange gravities assume control. There's a moment, governed by different laws of physics and chemistry and half-forgotten, half-remembered biology. She flushes, infused with something warm and thirst-whettingly girlish, and he surges with a newfound potency, standing taller, the woman he's supporting somehow lessening the burden of his age. Her spine straightens, and she laughs.  His face, smiling, youthens. His hands hold her unstooped shoulders and don't tremble. Sun breaks through cloud outside the window. They remember it's spring out there somewhere.
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Mar 11, 2016
Mar 11, 2016 at 10:45 AM UTC
Winter Romance
They don't speak, all the long, winding bus journey.  They are strangers, with nothing in common besides the No 50 route and the free travel passes afforded to them on account of their quietly advancing years. She sits in the seat in front of him. Their eyes never lock.  His myopic gaze through thick NHS lenses rests neutral on the back of her head, her softly blue-rinsed curls and the collar of an eminently sensible overcoat. They sit, both silent, as - outside the foggy bus windows - winter has one last chew on time's bony old carcass. She has a slight stoop which she's doing her best to hide, and his shaking hands make his liver spots blur. They stand - the bus stopping at their mutual destination - shuffling sideways into the aisle, and something unexpected happens. The bus jolts suddenly forwards, then lurches to a startled halt, and she falls backwards into his arms and he catches her. For a second, strange gravities assume control. There's a moment, governed by different laws of physics and chemistry and half-forgotten, half-remembered biology. She flushes, infused with something warm and thirst-whettingly girlish, and he surges with a newfound potency, standing taller, the woman he's supporting somehow lessening the burden of his age. Her spine straightens, and she laughs.  His face, smiling, youthens. His hands hold her unstooped shoulders and don't tremble. Sun breaks through cloud outside the window. They remember it's spring out there somewhere.
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48
I sit here in silence, Wondering only what could be, There over there, Staring back at me. Those eyes appear, Dark brown maybe? Full of judgement & despair. A plea so loud, I care not to hear. For when I do, My stomach lurches, My heart beats faster. Distaste fills my mouth. "Dinners ready" she calls. It's time to start the lies. "I'm coming" I reply, "I'm starving" I lie. As I walk away, The eyes follow too, A reflection so clear, A self rejection so strong. The struggle becomes real.
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Oct 7, 2013
Oct 7, 2013 at 5:08 PM UTC
The Struggle
My dad taught me that placement in society is ultimately irrelevant. He taught me you can find your eager slice of happy anywhere, not just in between four familiar walls. I used to think that if only he had access to a mattress and a ceiling he'd find his happiness. But, I realized - Who am I to dictate what makes another feel complete? Here, by the park benches, His heart blooms like a grandmother's rose bush. He lives moment to moment. Cares not for possessions, Has no schedule, No place to be. Has no bills, no debts, no credit, no ID. Scrounges the ground and kind strangers' gestures for everything he owns. But oh, his cold, tired bones! I worry how long a journey lasts for a lone vagabond. Envigorated by the sounds of the sea and chance encounters whether they be familiar friends or family or the palpable presence of all that's imaginary. It all lurches to him in a grand symphonic dance, Linking his hours to days, and days to weeks, extending outward and upward to take the heavens in his grasp. A pigeon dove lands on his tattooed finger. He laughs, and it flocks to another's perch. A tree branch this time. The animals and children look into his eyes and wonder about the stranger. Alone, raggedy, down on luck but up in spirits, and they recognize a body brimming with presence. My dad taught me you can be nobody and still have everything.
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Mar 14, 2021
Mar 14, 2021 at 4:14 PM UTC
What My Dad Taught Me
birthed into a golden birdcage safe behind upstanding spindles endless nectars and suet at your beckon knowing only the showcase of your plumage and the sound of your tunes layers remain between you and the grackles painted a nuisance yet they stay unshackled only poisoned and disregarded. still they know the freedoms not found atop swings and perches dig deeper until you find what lurches. the gate can be opened when you realize yourself to be the gatekeeper yielding what's mine using wings of more than feathers making up for lost time. looking back at the captivity you couldn't see from inside. entering a new world with the grackle as my guide.
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Nov 19, 2023
Nov 19, 2023 at 4:29 PM UTC
caged
Drum and bass - the engine revs, Tyres grind and squelch into the hardpan. The cab rises with a squall of angry breath, Lurches forward with a shudder. Wrought iron gates heaved shut Hinges squeal like a pig, they are a pig. Slamming metal resonates In secure embrace. Ugly black rubber stains the concrete - Mascara on a cheap ***** If the rumbling cages are food for the beast Then I am stood in its bowels. The sour smell of rotting food Mixed with washing powder and bleach pollute. Greasy plastic, rancid fat Makes me recoil and retch. In a gap in the tar she grows. Raising her head to the sun in oblivious defiance
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Nov 27, 2013
Nov 27, 2013 at 11:19 AM UTC
Dandelion
Walking without words and I wish there was talking, To drown out the noises. Don't think of the people, or places or faces They burn and it's burning, drilling holes till I'm brainless Left completely shameless. Wandering. Aimless. Your rain's the same but I can't help but think first, I have no frame for reference , Can't help but blink away away those drops of helpless helpless And this mess has me choked on maps, City streets grown too big, too fast And I lost track of those ones, the paths already used, And now i'm just confused, displeased and displaced, My sense of direction has fallen from grace And I'm bawling, geology sent sprawling From all hours till dawn in here we're all wanderers and our soles don't sink in. Where have we been? Where are our souls going? Give us arts but still the lost are throwing out this sense of 'home'. There, that word, it lurches Verses. Music. Maps, They're useless. We are rootless. We are growing, shoot-less, Our searches frantic, fruitless And passing by we have footsteps we're tracking But. That's where they lie, familiar and lacking.
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Jun 11, 2013
Jun 11, 2013 at 7:48 PM UTC
False Sense of Belonging
The beat of a drum, thumps in the carpet of my soul. My insides vibrating, lumps of dense emotions. His foot on the pedal, lurches the vehicle of sound. Everything's pounding. Everything's loud.
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Dec 8, 2011
Dec 8, 2011 at 11:20 PM UTC
A good drummer
Scorched skin and broken nails This love makes me so **** frail. Inked-on stars and shaking fingers My heart thrives on these lurches and twinges.
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Apr 26, 2021
Apr 26, 2021 at 12:47 PM UTC
Scorched Skin
My golden monkey perches on my back and in my brain every time he starts and lurches the scars the holes, and stains I know without a doubt I can extend my hand and heart that's me, holding it out not intelligent, or smart Time and time again I'll pretend I've got no stake every avenue I scout unable too prove, complain that in my heart I'm not unhappy and/or not gone quite insane
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Sep 21, 2018
Sep 21, 2018 at 10:34 PM UTC
The monkey king
I have known, and I have cared for, those who think rebuilding a person is love which is quite nice in theory but then, I became destroyed. I was a project, a house of cards that had fallen and frustratingly needed put back together, elevated the way the moon gets lifted from grass or a friendship necklace lurches from my lover’s body. His collarbone peak separating the relationship from the heart. When someone told me love can be piecing each other back together, I just thought of how it could be crumbling together, too — mixed up, mixed blood, if he were to die, my necklace would disintegrate with his tongue. We would cremate sterling silver and even then, he would not be destroyed. We are not scientists, we are two people who kiss together like how two wooden-sticks’ll use the same drum to create music. There may be splinters, may peel but can still make sound. No one takes a drumstick to the repair shop, they just buy a new one — I want that to be love. Stop trying to fix me and touch my everything, all my broken parts.
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Aug 26, 2013
Aug 26, 2013 at 5:02 PM UTC
the recycle bin