Your scent is in the room.
Swiftly it overwhelms and conquers me!
Jasmines, night jasmines, perfect of perfume,
Heavy with dew before the dawn of day!
Your face was in the mirror. I could see
You smile and vanish suddenly away,
Leaving behind the vestige of a tear.
Sad suffering face, from parting grown so dear!
Night jasmines cannot bloom in this cold place;
Without the street is wet and weird with snow;
The cold **** trees are tossing to and fro;
Too stormy is the night for your fond face;
For your low voice too loud the wind's mad roar.
But, oh, your scent is here--jasmines that grow
Luxuriant, clustered round your cottage door!

Urdu Poetry: English Translations



You will never comprehend me:
I pour out my feelings; you only read the words!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Tears are colorless―thank God!―
otherwise my pillow might betray my heart.
―original poet unknown, loose translation/interpretation by Michael R. Burch



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound ...
Hell, we might have pronounced you a saint,
if only we hadn't found
you drunk
as a skunk!

There are more English translations of poems by Mirza Ghalib later on this page.



Every Once in a While
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Every once in a while,
immersed in these muggy nights
when all earth’s voices seem to have fallen
into the bruised-purple silence of half-sleep,
I awaken from a wonderful dream
to see through the veil that drifts between us
that you too are companionless and wide awake.



First Rendezvous
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

This story of the earth
is as old as the universe,
as old as the birth
of the first day and night.

This story of the sky
is included in the words we casually uttered,
you and I,
and yet it remains incomplete, till the end of sight.

This earth and all the scenes it contains
remain witnesses to the moment
when you first held my hand
as we watched the world unfolding, together.

This world
became the focus
for the first rendezvous
between us.



Impossible and Improbable Visions
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Eyes interpret visions,
rainbow auras waver;
similar scenes appear
different to individual eyes,
as innumerable oases
coexist in one desert
or a single thought acquires
countless shapes.



I Have to Find My Lost Star
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Searching the emptiest of skies
overflowing with innumerable stars,
I have to find the one
that belongs
to me.

...

Gazing at galaxies beyond galaxies,
all glorious with evolving wonder,
I ponder her name,
finding no sign to remember.

...

Lost things, they say,
are sometimes found
in the same accumulations of dust
where they once vanished.

I have to find the lost star
that belongs to me.



Last Night
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your memory stole into my heart―
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!

There are more English translations of poems by Rahat Indori later on this page.



Strange Currents
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

O Khusrow, the river of love
creates strange currents—
the one who would surface invariably drowns,
while the one who submerges, survives.

There are more English translations of poems by Amir Khusrow later on this page.



The Eager Traveler
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Even in the torture chamber, I was the lucky one;
when each lottery was over, unaccountably I had won.

And even the mightiest rivers found accessible refuge in me;
though I was called an arid desert, I turned out to be the sea.

And how sweetly I remember you—oh, my wild, delectable love!—
as the purest white blossoms bloom, on talented branches above.

And while I’m half-convinced that folks adore me in this town,
still, all the hands I kissed held knives and tried to shake me down.

You lost the battle, my coward friend, my craven enemy,
when, to victimize my lonely soul, you sent a despoiling army.

Lost in the wastelands of vast love, I was an eager traveler,
like a breeze in search of your fragrance, a vagabond explorer.

There are more English translations of poems by Ahmad Faraz later on this page.



The Condition of My Heart
by Munir Niazi
loose translation/interpretation by Michael R. Burch

It is not necessary for anyone else to get excited:
The condition of my heart is not the condition of hers.
But were we to receive any sort of good news, Munir,
How spectacular compared to earth's mundane sunsets!

There are more English translations of poems by Munir Niazi later on this page.



Failures
by Nida Fazli
loose translation/interpretation by Michael R. Burch

I was unable to relate
the state
of my heart to her,
while she failed to infer
the nuances
of my silences.



Apni Marzi se
by Nida Fazli Shayari
translated by Mandakini Bhattacherya and Michael R. Burch

This journey was not of my making;
As the winds blow, I’m blown along ...
Time and dust are my ancient companions;
Who knows where I’m bound or belong?

There are more English translations of poems by Nida Fazli later on this page.



My Apologies, Sona
by Gulzar
loose translation/interpretation by Michael R. Burch

My apologies, Sona,
if traversing my verse's terrain
in these torrential rains
inconvenienced you.

The monsoons are unseasonal here.

My poems' pitfalls are sometimes sodden.
Water often overflows these ditches.
If you stumble and fall here, you run the risk
of spraining an ankle.

My apologies, however,
if you were inconvenienced
because my dismal verse lacks light,
or because my threshold's stones
interfered as you passed.

I have often cracked toenails against them!

As for the streetlamp at the intersection,
it remains unlit ... endlessly indecisive.

If you were inconvenienced,
you have my heartfelt apologies!

There are more English translations of poems by Gulzar later on this page.



Come As You Are
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



This Dog
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Being
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You are so close to me
that no one else ever can be.

NOTE: There is a legend that the great Urdu poet Mirza Ghalib offered all his diwan (poetry collections) in exchange for this one sher (couplet) by Momin Khan Momin. Does the couplet mean "be as close" or "be, at all"? Does it mean "You are with me in a way that no one else can ever be?" Or does it mean that no one else can ever exist as truly as one's true love? Or does this sher contain an infinite number of elusive meanings, like love itself?



Being (II)
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You alone are with me when I am alone.
You are beside me when I am beside myself.
You are as close to me as everyone else is afar.
You are so close to me that no one else ever can be.



Perhaps
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

The cohesiveness between us, you may remember or perhaps not.
Our solemn oaths of faithfulness, you may remember, or perhaps forgot.
If something happened that was not to your liking,
the shrinking away that produces silence, you may remember, or perhaps not.
Listen, the sagas of so many years, the promises you made amid time's onslaught,
which you now fail to mention, you may remember or perhaps not.
These new resentments, those often rehashed complaints,
these lighthearted and displeasing stories, you may remember, or perhaps forgot.
Some seasons ago we shared love and desire, we shared joy ...
That we once were dear friends, you may have perhaps forgot.
Now if we come together, by fate or by chance, to express old loyalties ...
Our every shared breath, all our sighs and regrets, you may remember, or perhaps not.



What Happened to Them?
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

Those who came ashore, what happened to them?
Those who sailed away, what happened to them?

Those who were coming at dawn, when dawn never arrived ...
Those caravans en route, what happened to them?

Those I awaited each night on moonless paths,
Who were meant to light beacons, what happened to them?

Who are these strangers surrounding me now?
All my lost friends and allies, what happened to them?

Those who built these blazing buildings, what happened to them?
Those who were meant to uplift us, what happened to them?

NOTE: This poignant poem was written about the 1947 partition of India into two nations: India and Pakistan. I take the following poem to be about the aftermath of the division.



Climate Change
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

The songs of our silenced lips are different.
The expressions of our regretful hearts are different.

In milder climes our grief was more tolerable,
But the burdens we bear now are different.

O, walkers of awareness's road, keep your watch!
The obstacles strewn on this stony path are different.

We neither fear separation, nor desire union;
The anxieties of my rebellious heart are different.

In the first leaf-fall only flowers fluttered from twigs;
This year the omens of autumn are different.

This world lacks the depth to understand my heartache;
Please endow me with melodies, for my cry is different!

One disconcerting glance bared my being;
Now in barren fields my visions are different.

No more troops, nor flags. Neither money, nor fame.
The marks of the monarchs on this land are different.

Men are not martyred for their beloveds these days.
The youths of my youth were so very different!



Nasir Kazmi Couplets

When I was a child learning to write
my first scribblings were your name.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

When my feet lost the path
where was your hand?
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

Everything I found is yours;
everything I lost is also yours.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch



Memory
by Faiz Ahmed Faiz, as performed by Iqbal Bano
loose translation/interpretation by Michael R. Burch

In the wastelands of solitude, my love,
the echoes of your voice quiver,
the mirages of your lips waver.

In the deserts of alienation,
out of the expanses of distance and isolation's debris
the fragrant jasmines and roses of your presence delicately blossom.

Now from somewhere nearby,
the warmth of your breath rises,
smoldering forth an exotic perfume―gently, languorously.

Now far-off, across the distant horizon,
drop by shimmering drop,
fall the glistening dews of your beguiling glances.

With such tenderness and affection—oh my love!—
your memory has touched my heart's cheek so that it now seems
the sun of separation has set; the night of blessed union has arrived.



Speak!
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Speak, if your lips are free.
Speak, if your tongue is still your own.
While your body is still upright,
Speak if your life is still your own.



Tonight
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not strike the melancholy chord tonight! Days smoldering
with pain in the end produce only listless ashes ...
and who the hell knows what the future may bring?
Last night’s long lost, tomorrow's horizon’s a wavering mirage.
And how can we know if we’ll see another dawn?
Life is nothing, unless together we make it ring!
Tonight we are love gods! Sing!

Do not strike the melancholy chord tonight!
Don’t harp constantly on human suffering!
Stop complaining; let Fate conduct her song!
Give no thought to the future, seize now, this precious thing!
Shed no more tears for temperate seasons departed!
All sighs of the brokenhearted soon weakly dissipate ... stop dithering!
Oh, do not strike the same flat chord again! Sing!



When Autumn Came
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

So it was that autumn came to flay the trees,
to strip them ****,
to rudely abase their slender dark bodies.

Fall fell in vengeance on the dying leaves,
flung them down to the floor of the forest
where anyone could trample them to mush
undeterred by their sighs of protest.

The birds that herald spring
were exiled from their songs—
the notes ripped from their sweet throats,
they plummeted to the earth below, undone
even before the hunter strung his bow.

Please, gods of May, have mercy!
Bless these disintegrating corpses
with the passion of your resurrection;
allow their veins to pulse with blood again.

Let at least one tree remain green.
Let one bird sing.



Last Night (II)
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your lost memory returned ...
as spring steals silently into barren gardens,
as cool breezes stir desert sands,
as an ailing man suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different
but this weakness has burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?

There are more English translations of poems by Mirza Ghalib later on this page.



Couplets
by Jaun Elia
loose translations by Michael R. Burch

I am strange—so strange
that I self-destructed and don't regret it.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The wound is deep—companions, friends—embrace me!
What, did you not even bother to stay?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

My nature is so strange
that today I felt relieved when you didn't arrive.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Night and day I awaited myself;
now you return me to myself.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Greeting me this cordially,
have you so easily erased my memory?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Your lips have provided thousands of answers;
so what is the point of complaining now?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Perhaps I haven't fallen in love with anyone,
but at least I convinced them!
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The city of mystics has become bizarre:
everyone is wary of majesty, have you heard?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Did you just say "Love is eternal"?
Is this the end of us?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

You are drawing very close to me!
Have you decided to leave?
―Jaun Elia, loose translation/interpretation by Michael R. Burch



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!



The Mad Moon
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Stars have a habit of showing off,
but the mad moon sojourns in darkness.



Body Language
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Your body’s figures are written in cursive!
How will I read you? Hand me the book!



Insatiable
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This mighty ocean, so deep and vast!
If it sates my thirst, how long can it last?



Honor
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Achievements may fade but the name remains strong;
walls may buckle but the roof stays on.
On a pile of corpses a child stands alone
and declares that his family still lives on!



Dust in the Wind
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This is how I introduce myself to questioners:
Pick up a handful of dust, then blow ...



Dissembler
by Rahat Indori
loose translation/interpretation by Michael R. Burch

In your eyes this, in your heart that, on your lips something else?
If this is how you are, impress someone else!



Rumor (M)ill
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I heard rumors my health was bad; still
it was prying people who made me ill.



The Vortex
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I am the river whose rapids form a vortex;
You were wise to avoid my banks.



Homebound
by Rahat Indori
loose translation/interpretation by Michael R. Burch

If people fear what they meet at every turn,
why do they ever leave the house?



Becoming One
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I have become you, as you have become me;
I am your body, you my Essence.
Now no one can ever say
that you are someone else,
or that I am anything less than your Presence!



I Am a Pagan
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I am a pagan disciple of love: I need no creeds.
My every vein has become taut, like a tuned wire.
I do not need the Brahman's girdle.
Leave my bedside, ignorant physician!
The only cure for love is the sight of the patient's beloved:
there is no other medicine he needs!
If our boat lacks a pilot, let there be none:
we have god in our midst: we do not fear the sea!
The people say Khusrow worships idols:
True! True! But he does not need other people's approval;
he does not need the world's.

(My translation above was informed by a translation of Dr. Hadi Hasan.)



Amir Khusrow’s elegy for his mother
loose translation/interpretation by Michael R. Burch

Wherever you shook the dust from your feet
is my relic of paradise!



Paradise
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

If there is an earthly paradise,
It's here! It's here! It's here!



Mystery
by Munir Niazi
loose translation/interpretation by Michael R. Burch

She was a mystery:
Her lips were parched ...
but her eyes were two unfathomable oceans.



I continued delaying ...
by Munir Niazi
loose translation/interpretation by Michael R. Burch

I continued delaying ...
the words I should speak
the promises I should keep
the one I should dial
despite her cruel denial

I continued delaying ...
the shoulder I must offer
the hand I must proffer
the untraveled lanes
we may not see again

I continued delaying ...
long strolls through the seasons
for my own selfish reasons
the remembrances of lovers
to erase thoughts of others

I continued delaying ...
to save someone dear
from eternities unclear
to make her aware
of our reality here

I continued delaying ...



Couplets
by Mir Taqi Mir
loose translations by Michael R. Burch

Sharpen the barbs of every thorn, O lunatic desert!
Perhaps another hobbler, limping by on blistered feet, follows me!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

My life is a bubble,
this world an illusion.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Selflessness has gotten me nowhere:
I neglected myself far too long.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

I know now that I know nothing,
and it only took me a lifetime to learn!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Love's just beginning, so why do you whine?
Why not wait and watch how things unwind!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch



Come!
by Gulzar
loose translation/interpretation by Michael R. Burch

Come, let us construct night
over the monumental edifice of silence.
Come, let us clothe ourselves in the winding sheets of darkness,
where we'll ignite our bodies' incandescent wax.
As the midnight dew dances its delicate ballet,
let us not disclose the slightest whispers of our breath!
Lost in night's mists,
let us lie immersed in love's fragrance,
absorbing our bodies' musky aromas!
Let us rise like rustling spirits ...



Old Habits Die Hard
by Gulzar
loose translation/interpretation by Michael R. Burch

The habit of breathing
is an odd tradition.
Why struggle so to keep on living?
The body shudders,
the eyes veil,
yet the feet somehow keep moving.
Why this journey, this restless, relentless flowing?
For how many weeks, months, years, centuries
shall we struggle to keep on living, keep on living?
Habits are such strange things, such hard things to break!



Inconclusive
by Gulzar
loose translation/interpretation by Michael R. Burch

A body lies on a white bed—
dead, abandoned,
a forsaken corpse they forgot to bury.
They concluded its death was not their concern.
I hope they return and recognize me,
then bury me so I can breathe.



Wasted
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

You have noticed her forehead, her cheeks, her lips ...
In whose imagination I have lost everything.



Countless
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

I recounted the world's countless griefs
by recounting your image countless times.



Do Not Ask
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not ask, my love, for the love that we shared before:
You existed, I told myself, so existence shone.
For a moment the only light that I knew, alone,
was yours; worldly griefs remained dark, distant, afar.

Spring shone, as revealed in your face, but what did I know?
Beyond your bright eyes, what delights could the sad world hold?
Had I won you, cruel Fate would have ceded, no longer bold.
Yet all this was not to be, though I wished it so.

The world knows sorrows beyond love’s brief dreams betrayed,
and pleasures beyond all sweet, idle ideals of romance:
the dread dark spell of countless centuries and chance
is woven with silk and satin and gold brocade.

Bodies are sold everywhere for a pittance—it’s true!
Besmeared with dirt and bathed in bright oceans of blood,
Crawling from infested ovens, a gory cud.
My gaze returns to you: what else can I do?

Your beauty haunts me still, and will to the last.
But the world is burdened by sorrows beyond those of love,
By pleasures beyond romance.
So please do not demand a love that is over, and past.



O God!
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Torture my heart, O God!
If you so desire, leave me a madman, O God!

Have I asked for the moon and stars?
Enlighten my heart and give my eyes sight, O God!

We have all seen this disk called the sun,
Now give us a real dawn, O God!

Either relieve our pains here on this earth
Or make my heart granite, O God!



Hereafter
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Since we met and parted, how can we sleep hereafter?
Lost in each others' remembrance, must we not weep hereafter?

Deluges of our tears will keep us awake all night:
Our eyelashes strung with strands of pearls, hereafter!

Thoughts of our separation will sear our grieving hearts
Unless we immerse them in the cooling moonlight, hereafter!

If the storm also deceives us, crying Qateel!,
We will scuttle our boats near forsaken shores, hereafter.



Picnic
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

My friends laugh elsewhere on the beach
while I sit here, alone, counting the waves,
writing and rewriting your name in the sand ...



Confession
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Your image overwhelmed my vision.
As the long nights passed, I became obsessed with your visage.
Then came the moment when I quietly placed my lips to your picture ...



Rain
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Why shiver alone in the rain, maiden?
Embrace the one in whose warming love your body and mind would be drenched!
There are no rains higher than the rains of Love,
after which the bright rainbows of separation will glow with the mysteries of hues.



My Body's Moods
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

I long for the day when you'll be obsessed with me,
when, forgetting the world, you'll miss me with a passion
and stop complaining about my reticence!
Then I may forget all other transactions and liabilities
to realize my world in your arms,
letting my body's moods guide me.
In that moment beyond boundaries and limitations
as we defy the conventions of veil and turban,
let's try our luck and steal a taste of the forbidden fruit!



Moon
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

All of us passengers,
we share the same fate.
And yet I'm alone here on earth,
and she alone there in the sky!



Vanity
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

His world is so simple, so very different from mine.
So distinct—his dreams and desires.
He speaks rarely.
This morning he wrote: "I saw some lovely flowers and thought of you."
Ha! I know my aging face is no orchid ...
but how I wish I could believe whatever he says, however momentarily!



Come
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Come, even with anguish, even to torture my heart;
Come, even if only to abandon me to torment again.

Come, if not for our past commerce,
Then to faithfully fulfill the ancient barbaric rituals.

Who else can recite the reasons for our separation?
Come, despite your reluctance, to continue the litanies, the ceremony.

Respect, even if only a little, the depth of my love for you;
Come, someday, to offer me consolation as well.

Too long you have deprived me of the pathos of longing;
Come again, my love, if only to make me weep.

Till now, my heart still suffers some slight expectation;
So come, ***** out even the last flickering torch of hope!



I Cannot Remember
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

I once was a poet too (you gave life to my words), but now I cannot remember
Since I have forgotten you (my love!), my art too I cannot remember

Yesterday consulting my heart, I learned
that your hair, lips, mouth, I cannot remember

In the city of the intellect insanity is silence
But now your sweet, spontaneous voice, its fluidity, I cannot remember

Once I was unfamiliar with wrecking ***** and ruins
But now the cultivation of gardens, I cannot remember

Now everyone shops at the store selling arrows and quivers
But neglects his own body, the client he cannot remember

Since time has brought me to a desert of such arid forgetfulness
Even your name may perish; I cannot remember

In this narrow state of being, lacking a country,
even the abandonment of my fellow countrymen, I cannot remember



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when blindness falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Step Carefully!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Step carefully Ghalib―this world is merciless!
Here people will "adore" you to win your respect ... or your downfall.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart bleed before it expires?

There are more English translations of poems by Mirza Ghalib later on this page.



No Explanation! (I)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how deeply it hurt!
Her sun shone so bright, even the shadows were burning!



No Explanation! (II)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how it happened!
She didn't bind me, nor did I free myself.



Alone
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Why are you sad that she goes on alone, Faraz?
After all, you said yourself that she was unique!



Separation
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Faraz, if it were easy to be apart,
would Angels have to separate body from soul?



Time
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

What if my face has more wrinkles than yours?
I am merely well-worn by Time!



Miraji Epigrams

I'm obsessed with this thought:
does God possess mercy?
―Miraji, loose translation/interpretation by Michael R. Burch

Come, see this dance, the immaculate dance of the devadasi!
―Miraji, loose translation/interpretation by Michael R. Burch



Excerpts from “Going, Going ...”
by Miraji
loose translation/interpretation by Michael R. Burch

Each unfolding vista,
each companion’s kindnesses,
every woman’s subtle sorceries,
everything that transiently lies within our power
quickly dissolves
and we are left with only a cupped flame, flickering ...
Should we call that “passion”?

The moon scrapes the horizon
and who can measure a star’s breadth?

The time allotted a life, if we calculate it,
is really only a fleeting breath ...



1.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
on the breeze of some future spring
will chase after my songs
like dandelions.
—Miraji, translation by Michael R. Burch

2.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
through some distant future spring
will pluck my songs
like dandelions.
—Miraji, translation by Michael R. Burch

3.
Echoes of an ancient prophecy:
when my life has come and gone,
and when I’m dead and done,
perhaps someone
hearing me sing
in a distant spring
will echo my songs
the whole world over.
—Miraji, translation by Michael R. Burch

If I understand things correctly, Miraji wrote the lines above after translating a verse by Sappho in which she said that her poems would be remembered in the future. I suspect both poets and both prophecies were correct!




Every Day and in Every Direction
by Nida Fazli
loose translation/interpretation by Michael R. Burch

Everywhere and in every direction we see innumerable people:
each man a victim of his own loneliness, reticence and silences.
From dawn to dusk men carry enormous burdens:
all preparing graves for their soon-to-be corpses.
Each day a man lives, the same day he dies.
Each new day requires the same old patience.
In every direction there are roads for him to roam,
but in every direction, men victimize men.
Every day a man dies many deaths only to resurrect from his ashes.
Each new day presents new challenges.
Life's destiny is not fixed, but a series of journeys:
thus, till his last breath, a man remains restless.



Couplets
by Nida Fazli
loose translation/interpretation by Michael R. Burch

It was my fate to entangle and sink myself
because I am a boat and my ocean lies within.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

You were impossible to forget once you were gone:
hell, I remembered you most when I tried to forget you!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Don't squander these pearls:
such baubles may ornament sleepless nights!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

The world is like a deck of cards on a gambling table:
some of us are bound to loose while others cash in.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

There is a proper protocol for everything in this world:
when visiting gardens never force butterflies to vacate their flowers!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Since I lack the courage to commit suicide,
I have elected to bother people with my life a bit longer.
―Nida Fazli, loose translation/interpretation by Michael R. Burch



Changing Seasons
by Noshi Gillani
loose translation/interpretation by Michael R. Burch

Each changing season
reveals something
concealed by her fears:
an escape route from this island
illuminated by her tears.



Dust
by Bahadur Shah Zafar or Muztar Khairabadi
loose translation/interpretation by Michael R. Burch

Unable to light anyone's eye
or to comfort anyone's heart ...
I am nothing but a handful of dust.



Piercings
by Firaq Gorakhpuri
loose translation/interpretation by Michael R. Burch

No one ever belonged to anyone else for a lifetime.
We cannot own another's soul.
The beauty we see and the love we feel are only illusions.
All my life I tried to save myself from the piercings of your eyes ...
But I failed and the daggers ripped right through me.



Salvation
Mohammad Ibrahim Zauq
loose translation/interpretation by Michael R. Burch

Anxious and fatigued, I consider the salvation of death ...
But if there is no peace in the grave,
where can I go to be saved?



Child of the Century
by Abdellatif Laâbi (a Moroccan poet)
loose translation/interpretation by Michael R. Burch

I’m a child of this dreary century, a child who never grew up.
Doubts that ignited my tongue singed my wings.
I learned to walk, then I unlearned progress.
I grew weary of oases and camels infatuated with ruins.
My head inclined East only to occupy the middle of the road
as I awaited the insane caravans.



Nostalgia
by Abdulla Pashew (a Kurdish poet)
loose translation/interpretation by Michael R. Burch

How I desire the heavens!
Each solitary star lights the way to a tryst.

How I desire the sky!
Standing alone, remote, the sky is as vast as any ocean.

How I desire love's heavenly scent!
When each enticing blossom releases its essence.



Oblivion
by Al-Saddiq Al-Raddi (an African poet who writes in Arabic)
loose translation/interpretation by Michael R. Burch

Discard your pen
before you start reading;
consider the ink,
how it encompasses bleeding.

Learn from the horizon
through eyes' narrowed slits
the limitations of vision
and hands' treacherous writs.

Do not blame me,
nor indeed anyone,
if you expire before
your reading is done.



In Medias Res
by Shaad Azimabadi
loose translation/interpretation by Michael R. Burch

When I heard the story of my life recounted,
I caught only the middle of the tale.
I remain unaware of the beginning or end.



Debt Relief
by Piyush Mishra
loose translation/interpretation by Michael R. Burch

We save Sundays for our loved ones ...
all other days we slave to repay debts.



Reoccurrence
by Amrita Bharati (a Hindi poet)
loose translation/interpretation by Michael R. Burch

It was a woman's heart speaking,
that had been speaking for eons ...

It was a woman's heart silenced,
that had been silenced for centuries ...

And between them loomed a mountain
that a man or a rat gnawed at, even in times of amity ...
gnawing at the screaming voice,
at the silent tongue,
from the primeval day.



Don't Approach Me
by Arif Farhad
loose translation/interpretation by Michael R. Burch

Don't approach me here by the river of time
where I flop like a fish in a net!



Intoxicants
by Amrut Ghayal (a Gujarati poet)
translation by Kanu V. Prajapati and Michael R. Burch

O, my contrary mind!
You're such a fool, afraid to drink the fruit of the vine!
But show me anything universe-designed
that doesn't intoxicate, like wine.



I’m like a commodity being priced in the market-place:
every eye ogles me like a buyer’s.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

If you insist, I’ll continue playing my songs,
forever piping the flute of my heart.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

The moon has risen once again, yet you are not here.
My heart is a blazing pyre; what do I do?
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch



Drunk on Love
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me that God belongs to no man!

Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.

To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Dementedly, I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.



How strange has life become:
Our evenings drag out, yet our years keep flashing by!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Longing
by Allama Iqbal
loose translation by Michael R. Burch

Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!



Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch

This passive nature will not allow you to survive;
If you want to live, raise a storm!



Destiny
by Allama Iqbal
loose translation by Michael R. Burch

Isn't it futile to complain about God's will,
When you are your own destiny?

Keywords/Tags: Urdu, translation, love poetry, desire, passion, longing, romance, romantic, God, heaven, mrburdu

a princess sits in her royal lounge
troubled at mind, restless of heart
trembling limbs and parched tongue
the rivers in her eyes betray
the sorrow that drowns her soul
with shaking fingers she struggles
for a firm grip on her quill
her heart pours out in fluid words
to express a love nursed for years

“My Lord, from childhood I have heard
of your courageous acts and kind character
of your handsomeness and perfectness
and I am unable to draw my mind away
from thoughts of you and yours
I am shamelessly besotted by you
Like a sunflower that is drawn to the sun
I am drawn to you
It is against the common notion
for a woman to ask a man
to take her hand in marriage
I break every tradition,
but Mukunda, answer my question-
which woman, high-born
and well-versed in all the arts,
will not wish to be your consort-
and besides I have already considered myself
wedded to you, in thought and spirit
is it not immoral then
when I consider myself a married woman
and when I am already yours
body, mind and soul,
to allow me another marriage?
My brother Rukmi has arranged
a marriage for me, and it is in the morrow
my heart sinks in sorrow
you are my saviour-
it behooves you to come
and claim what is yours
and how to accomplish it without needless bloodshed
need not cause you worry, for I have a plan
tomorrow morning I shall go for my pre-nuptial prayer
at the temple in the outskirts
away from curious eyes
and it is from there
that you can take me
please do come Krishna and save me
from this mockery of a marriage
I have already said that I am yours
and if you do not come, I shall
with no second thought ensure
that I am no longer alive
to be the object of another man’s desire
and if not in this birth, we shall
in another birth be man and wife”

she seals the letter with  burning tears
and entrusts in a priest’s willing hands to deliver
this receptacle of her hopes and fears
a sliver of hope begins to glimmer
as exhaustion finally takes over
and sleep beckons with gentle hands
to distant happier lands

In the morning she awakes
mind no more clouded or deluded
a faith unshaken that strengthens
as her messenger arrives
bearing happy news
her heart gladdens

Krishna will come – of that she is sure
a love denied will now be hers
the blush of excitement gives way
to shyness - kept so far at bay
the letter was written boldly enough
but now her maiden coyness asserts its sway
with eager pulsing heart she awaits
the moment of freedom and fastening
with her love – it seems too long a day!

In her best finery she is bedecked
a bride blossoming like a flower
eyes shining like diamonds
in their excitement
nocturnal hair that falls to her waist
in a tidy plait
lips tinged with a secret smile
an accompaniment to her glowing face
her blush spreads
like a rose amongst jasmines

with slow sure steps
and comely gait
eyes glistening with hope
and conviction strengthened with faith
she proceeds towards the temple
with sincere emotion she prays

“Devi Parvati, with your motherly grace
look upon me with your kind gaze
as once through penance you gained
your true love as a husband
I too embark today
on a quest to find my way
to him who is my very soul- I pray
let Krishna me my husband”

As every minute passes hope grows
and then she hears his majestic roar
like  a dark thunder-cloud he appears
his turmeric vestment blowing in the wind
and like lighting in the night sky
suddenly and nimbly he hoists her
onto his chariot and they are away

and then the powerful anticipation of this moment gave way
to its pure enjoyment, the company of the loved one

and thus it was that the unflinching Rukmini
wedded Krishna one day.

- Vijayalakshmi Harish
        10.9.2012

Copyright © Vijayalakshmi Harish

The heady perfume of the
Arabian Attars
is
in the air!
A lunar litter
brings Eid
Antimony sulphide
of the downcast eyes
and the pinkish nails
have been painted with henna


Eid is a glorious gift
Bliss is blossoming
The blessings are blooming


The fragrant roses
and the white jasmines
are being elated by
a joyous colour
of the festivity
The nameless
nightingales
are singing the paeans
We're being showered
with Salams
Eid Mubaraks
are echoing
The cheerful children
are being
over the moon
Eid is marvellously nice
and we sacrifice.

Lost in his thoughts
With her eyes closed
Waking up from her fancy
By the call of a pigeon
With a message from him
Conveying to meet him
Near the river side
Of the Gulmohar tree
Hearing the trumpet of
The evening conch

With an acceptable smile
Ready in his favourite
Shining peach fruit dress
Wide eyes with black kajal
Long black hair decorated
With magical fragrance
Of buds of jasmine flowers
Colourful bangles filling
Her soft wheatish hands
With musical bands

Sitting under the flame tree
Decorated with beautiful
Orange-red Gulmohar petals
Waiting for her beloved
Lasting the wait till dawn
But never did he come
Flowing kajal with her tears
Turning her to black cheeks
Back to her despondency
Like a broken soul

Comes again the pigeon
With a message on its body
Written by human blood
Dear, move on in your life
I am, no more in this life
Jasmines giving an odour
Bangles becoming colourless
Kajal, blurring her vision
Falling down on the floor
With her eyes closing !

Small and white,
Their scent a delight,
Blooms at night.
String  them with your hand,
In your wedding garland.
Pluck these fragile flowers,
As offers,
On the graves of your loved ones,
Light a scented candle when done.

Wilted jasmines look like popcorns
… that wasn’t very poetic, right?
I was just watching the bushes sway outside my window.
There is no wind today
Just the hot air breathing
I have turned on the A.C. and the fan grumbles quietly

I feel as if my heart is in my stomach
Huh.
**** it,
I really am forcing it out today..
Whatever
I rested my palm on my stomach
As Faizan’s strange playlist chattered nonsense
Outside the blanket shroud I had built
Around myself
And I could feel the beat
The rhythm
Like a drum or a gong
I don’t know why it matters to me
Maybe because I feet as if nothing else does
Right now
I know that sounds exactly like something
A sentimental teenager would say

I don’t know
I want to talk to myself
A heart-to-heart
I want to ask that *****
What is going on
What is wrong
What the **** is wrong, girly!?
I want to hear her ramble on about stuff
Be bored of her talk, but feel kind of happy
That I’m the one she’s confiding in
I wanna give her a hug
To show I don’t have words good enough for comfort
Which I probably do
But am too lazy to fish them out my gooey head
(Besides
I think the poor **** needs a hug)

I wanna zone out and nod along to her words
Just so she can let it out for once
But that *****’s a *****
She acts tough and all smart
But she’s a sappy preteen girl inside
I say,
“Yo, Ayesha, you can cry, you know—”
And she goes,
“Yeah, I know.”
A flip of that inexistent hair
That she long ago butchered
And, bam, she gone.
She tells me
"Yo, Ayesha, you can cry too, you know?"
"I know" I tell her.
I don’t know what to do
So I lie around
Feeling this stupid ***** dance in my stomach
In my wrists
In my temples
I run my fingers down my neck,
Feeling for the echoes of the gong
That keeps talking, talking, talking
Untiring
As if calling me to my people
gathering us together for a battle
that is yet to be fought
yet to be fought—
yet to be ******* fought

And, hey, my
Money plant doesn’t even look rich
That *****—
(Hey, I got a rhyme!)

I remember
Vividly those serene eyes,
Shining bright,
Emotion in them
Sparks my blood to rise

Thy teary eyes divine,
Speak with love and tenderness,
Eyes, a million stars in them
The picture of innocence.

Eyes seeking me -
Glowing,
Like that first dew,
On the new viridescent blade of grass.

Your eyes my matinal star
Your eyes my middays sunshines,
Your eyes my vespers twilight,
Your eyes an oceanic depth,
Your eyes my autumnal hues,
Your eyes wild jasmines
Fragrant at nights,
Like that sunflower
Gazing the afternoon sun.

Let the peacocks vauntingly dance,
Let the nightingales melodiously sing,
Let the flora and fauna flourish,
Like spring in prosperity,
In felicitation,
Let me always
See
Through Your Eyes

Daydreamer waiting for her surprise
She's always sitting on the bench outside
Watching through the golden glasses
She sees through her eyes a world that unties
Beautiful creatures and where love prevails
She always wonder why her beauty does not impales
As she holds so many wonders
A sweetness in her bright almond eyes, behind the glasses that sat crookedly on her nose
She focused her eyes on a flat prairie
Where the unaccustomed eye sees only ordinary
In hers, the dale was a beautiful swathe of shiny green grasses
Trees are clothed in delicious cream and pink blossom
Jasmines dancing to the winds, choreographing autumn breeze
The sun casting its last golden rays
Changing its yellow into hues of tangerine and fire red
Her perfect world, she whispers
She is a daydreamer
With eyes so full of love that will make you melt
She is beauty and love
Looking at her shadow slowly shrinking down her feet
Only her can see the magic
You will find her outside
Waiting for the man to share the same picturesque landscape
Seeing her reflection on him just like a mirror
Sharing a moment, a smile, a touch, a gaze
Closing their eyes to a slow and soft kiss
Alas; she is still waiting on this
Waiting to meet him flesh and bones
Dreaming about it everyday
This love she's never met,
Yet she seems to glimpse him in every corner
And because of it, her heart craves for blossoming flower
Her heart is bound to a fictional imagery of him
Creating imaginary moments and opportunities
Clinging to a false sign that precipitates desires
The desire to lay her eyes on him and feel his lips on hers
The desire to feel her body shivers with his skin on hers
The desire to feel his heart beating to her caress
the rush in her veins, with just his look
She will be an eternal daydreamer
Until she finds him sitting on the bench outside for her
For an eternity of love

Today, I am gardening my life,
I'll root out  worrisome weeds,
Those thoughts that trouble me,
Cast them aside, those I'd never need.

I'll cut the grass of discontent
Layer it even, soft, green and sweet,
Smoothen  the furrows,
So I can run content, bare feet.

I'll water seeds planted with love,
Of friends made this year,
Friendships that bloomed,
That make life special, worth living and dear.

I'll welcome  butterflies,
And make homes for nesting birds,
With them, taste sun's ambrosia,
Soar and see the world.

I'll bask in the rainbow of colors,
Of blossoms brilliant bright,
And keep them sheltered,
When they sleep at night.

I'll capture the scented essence,
Of roses, jasmines and lilies
Place them in a jar,
My fragrant memories.

I'll love; rest and spend more time,
Under the shade of the  family tree,
Cherish every moment, every minute,
' Neath its precious canopy.

And I'll buy new saplings,
Sow them all carefully  in a row,
Of hopes, promises to me and mine,
And tend to them, make them grow

I. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
Groups of silence in the corners
at five in the afternoon.
And the bull alone with a high heart!
At five in the afternoon.
When the sweat of snow was coming
at five in the afternoon,
when the bull ring was covered with iodine
at five in the afternoon.
Death laid eggs in the wound
at five in the afternoon.
At five in the afternoon
At five o'clock in the afternoon.

A coffin on wheels is his bed
at five in the afternoon.
Bones and flutes resound in his ears
at five in the afternoon.
Now the bull was bellowing through his forehead
at five in the afternoon.
The room was iridiscent with agony
at five in the afternoon.
In the distance the gangrene now comes
at five in the afternoon.
Horn of the lily through green groins
at five in the afternoon.
The wounds were burning like suns
at five in the afternoon.
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!

II. The Spilled Blood

I will not see it!

Tell the moon to come,
for I do not want to see the blood
of Ignacio on the sand.

I will not see it!

The moon wide open.
Horse of still clouds,
and the grey bull ring of dreams
with willows in the barreras.

I will not see it!

Let my memory kindle!
Warm the jasmines
of such minute whiteness!

I will not see it!

The cow of the ancient world
passend har sad tongue
over a snout of blood
spilled on the sand,
and the bulls of Guisando,
partly death and partly stone,
bellowed like two centuries
sated with threading the earth.
No.
I will not see it!

Ignacio goes up the tiers
with all his death on his shoulders.
He sought for the dawn
but the dawn was no more.
He seeks for his confident profile
and the dream bewilders him.
He sought for his beautiful body
and encountered his opened blood.
Do not ask me to see it!
I do not want to hear it spurt
each time with less strength:
that spurt that illuminates
the tiers of seats, and spills
over the cordury and the leather
of a thirsty multitude.
Who shouts that I should come near!
Do not ask me to see it!

His eyes did not close
when he saw the horns near,
but the terrible mothers
lifted their heads.
And across the ranches,
an air of secret voices rose,
shouting to celestial bulls,
herdsmen of pale mist.
There was no prince in Sevilla
who could compare to him,
nor sword like his sword
nor heart so true.
Like a river of lions
was his marvellous strength,
and like a marble toroso
his firm drawn moderation.
The air of Andalusian Rome
gilded his head
where his smile was a spikenard
of wit and intelligence.
What a great torero in the ring!
What a good peasant in the sierra!
How gentle with the sheaves!
How hard with the spurs!
How tender with the dew!
How dazzling the fiesta!
How tremendous with the final
banderillas of darkness!

But now he sleeps without end.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
sliden on frozen horns,
faltering soulles in the mist
stoumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!
No.
I will not see it!
No challice can contain it,no swallows can drink it,
no frost of light can cool it,
nor song nor deluge og white lilies,
no glass can cover mit with silver.
No.
I will not see it!

III. The Laid Out Body

Stone is a forehead where dreames grieve
without curving waters and frozen cyprseses.
Stone is a shoulder on which to bear Time
with trees formed of tears and ribbons and planets.

I have seen grey showers move towards the waves
raising their tender riddle arms,
to avoid being caught by lying stone
which loosens their limbs without soaking their blood.

For stone fathers seed and clouds,
skeleton larks and wolves of penumbra:
but yields not sounds nor crystals nor fire,
only bull rings and bull rings and more bull rings without walls.

Now, Ignacio the well born lies on the stone.
All is finished. What is happening! Contemplate his face:
death was covered him with pale sulphur
and his place on him the head of dark minotaur.

All is finshed. The rain penetrates his mouth.
The air, as if mad, leaves his sunken chest,
and Love, soaked through with tears of snow,
warms itself on the peak of the herd.

What is they saying? A stenching silence settles down.
We are here with a body laid out which fades away.
with a pure shape which had nightingales
and we see it being filled with depthless holes.

Who creases the shroud? What he says is not true!
Nobody sings here, nobody weeps in the corner,
nobody ****** the spurs, not terrifies the serpent.
Here I want nothing else but the round eyes
to see his body without a chance of rest.

Here I want to see those men of hard voice.
Those that break horses and dominate rivers;
those men of sonorous skeleton who sing
with a mouth full of sun and flint.

Here I want to see them. Before the stone.
Before this body with broken reins.
I want to know from them the way out
for this captain stripped down by death.

I want them to show me a lament like a river
which will have sweet mists and deep shores,
to take the body of Ignacio where it looses itself
without hearing the double planting of the bulls.

Loses itself in the round bull ring of the moon
which feigns in its youth a sad quiet bull,
loses itself in the night without song of fishes
and in the white thicket of frozen smoke.

I don't want to cover his face with hankerchiefs
that he may get used to the death he carries.
Go, Ignacio, feel not the hot bellowing
Sleep, fly, rest: even the sea dies!

IV:

The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have died forever.

The shoulder of the stone does not know you
nor the black silk, where you are shuttered.
Your silent memory does not know you
because you have died forever.

The autumn will come with small whiet snails,
misty grapes and clustered hills,
but no one will look into your eyes
becuaase you have died forever.

Because you have died froever,
like al lthe dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.

Nobody knows you. No, but I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth:
of the sadness of your once valiant gaiety.

It will be a long time, if ever, before there is born
an Andalusian so true, so rich in adventure.
I sing of his elegance with words that groan,
and I remember a sad breeze through the olive trees.

How cool and sweet the air I drank,
Standing beneath the starry sky;
As I stroll’d the starlit bank,
I saw my Fairy Queen float nigh.

She shew’d me petals for my bed,
A long grass for my easy-chair;
Mushrooms for umbrella or shade
Should rain pelt down from Anywhere.

She gave me May dew for my thirst,
Nectar sips to sweeten my lips;
She shew’d me jasmines, bloom’d and burst,
Whilst light-foot’d fairies round us tripp’d.

Not until I heard the church-bell
Strike with delight the morning hour,
Did I hear a thud as I fell
Off the red petals of a flower.

None was in sight when I came round;
A small red flower stood by my side.
Not a stir was heard, not a sound;
My Fairy Queen had gone to hide.

It is night now, and I am bloom all over.
Creeper crawling on earth, beneath:
the thicket of my blades, there lies
secret a crypt to eternity concealed.
I'm jasmine and I conceal a grave.

What is more deadly, say, concealment,
or the thing concealed? This is mystery.

I'm growing everywhere: by Himalaya
gazing at thunder cracking up the peaks.
By the well, where spake the Nazarene.
Clambering up to the heights of temple
towers, and kissing the eastern clouds.

But here is the whiff of fragrant endings:
concealment, more deathly than death.

Under the blue jacaranda that swayed in the soft spring breeze
I breathed in the scent of her lavender blossoms, recalling the moment in dreams
Before me were rows of her sisters lining the old town streets
Ringing their bell flowers, calling me in - my blue jacaranda trees

In the gardens were flowers and trees of the world, exploding with colours in glorious hues
Lit up by coral trees’ fire like glow, all through the city where ever you’d go
The pink of the silk trees, mimosas of white
Jasmines of yellow that shone in the light
Flames of the forest that Cook brought so far, burning bright orange and seen from afar
Flowers like birds and their scents filled the air, Angels Trumpet the Lilies on show everywhere

Under the blue jacaranda, I savoured the views in peace
Her leaves were like fern and her shade cooled me down as I sat in the warm spring breeze
And dreamed that one day I would travel her way if over the seven seas
Ringing her bell flowers, calling me in. My Blue Jacaranda trees ...

I close my eyes hoping for dark but I only see grey;
some remnants of night's adieus,
distant sounds of day's footsteps
too early for the mighty sun,
too late for lovely moon
so the sky lingers reluctantly above me,
doubting ever doubting the arrival of light

But what is left of grey but its greyness
stretching infinitely over a vast void;
ever fading but only to younger grey
ever darkening never to a hue but grey.
no birth, no death, just a labyrinth  
caged somewhere in between the mess.

They say I can make whatever I want
of the universe because it's mine
but I hardly see the point in taking the trouble.
Still, if I could mould the stars into shapes
I'd make them to Jasmines
for what are they but shy kids that lay out their wings
in the devouring nights only to curl away
with the arrival of day.

I once saw a cluster of sparks singing in a nightly alley
they held their hands and danced about a blushing flame

what more horrible but the echoes of demons
laughing in depths of dark streets as they
celebrate their evils and bury their fangs
on the cooked bodies they stole by the setting sun
Ribs like bars of a prison holding the excited heart in place
collarbones so sharp they could rip open the flesh,
skin hard as leather, eyes placid filled with smoke
their shrill laughter that gnaws your sleep away,
ebbing and flowing side by side with the dark

I once saw a bunch of Jasmines walk behind a lively sun
Carried upon their withered backs the sacks of cement and bricks
On journey to building a house they'd never call home.

What more lovely than the sound of petals breaking,
dew dripping down their tips only to be snatched away by sun
what more beautiful than the sight of cracked lips,
concave cheeks, tentative hands and scared feet
the desperation of the tongue that takes you to puddles
the moment they hear the cracking of chains
a hunger so strong it makes the teeth shudder
hollowness of nights that pulls you closer to one more thievery
just one chunk of meat to quieten the stomach

Grey choking in white, grey chuckling in dark
grey chains, grey in the chains; grey sky, grey in the sky;
grey eyes, grey in the eyes; grey ballads, grey in the ballads.

That's what happens when you hang your jasmines to dry
under a sun that merely starves for ounces of hope

But what of hope?

They said the universe is mine but if I could squeeze
the life out of the sun, what would I achieve but
the flowers that incinerated decades ago--
the ashes of broken bones, vapours of clotted blood;
the nothingness of smiles, and the dryness of tears;
some sprinkle of love or hate, some gallons of lust;
carcasses of souls, some flesh engraved with wounds

what would I get but the corpses of light that the sun ****** out
the universe they claim belongs to me;
I hear my people screaming out, I see sun sending out its love,
the universe they claim belongs to me turning to cinders.

They say there's day after night but some only see grey
They shiver at sounds of demons joking,
then smirk at screams of stars blazing
but some only stand by the impassive sky watching grey
they fight battles upon battles with evil
then rest by the hanging bodies of the good
but some only stay by the left out winds, staring at grey
They scrape away the dark, paint it white
then cover it up with layers and layers of coal
but some merely sit by the songbirds listening to grey

But what is grey but the reminder of all the petals we ever plucked
and all we ever will in hopes the next that bloom are full of colour
What is grey but a mess of bodies of demons and the heroes
carpeting the deserted battle field that once fluttered with the winds

I open my eyes and the day is finally out
but you can hardly say.

i think of you too often. it has become rare to think of something else. i used to think of last summer before i met you. i used to think about long days on beaches i have never heard of before the very day i jumped into waves of sapphire. i used to think about the smell of sun lotion and jasmines and peppermint icecream, which still is my favourite flavour. we bought icecream last summer, mary and i, and dug our naked feet too deep in the melting sand and drank gin straight from the bottle and laughed our hearts out in the embracing summer air. i sighed a hopeful sigh as i let my body kiss the ground and i wished for never-ending summer days with mary at the mooring. we danced around the fire whilst holding each other's hands; we danced and danced and danced until our minds were all sore and then we watched the awaken sea turtles and fell asleep on the dock, hand in hand.

i used to think of mary before i met you, but ever since you bumped into my life, thinking of you has been blocking all other thoughts; thinking of you has been the baddest habit of mine. you did never ever leave.

*(k.w)

She smells like a meadow of Jasmine trees
Soft breeze carrying off her scent
To the sun shining upon her
Making her floral skirt bloom
And her hair gleam
Like little raindrops
Pierced by a beam of sunlight

Dear sun, touch my neck
Inhale my Jasmines
Burn my hair
And let the breeze play with my skirt
So that my thighs can be kissed by you



-LynnAA

Cinderella-
She left her shoe behind as she ran,
Barefoot, unthinking,
she hurried on dewy grass
towards greener lands
and castles grand,
and chandeliers radiant,
and jasmines fragrant,

Cinderella-
did you realise that the
bloom which beckons from afar,
in reality, will only hurt and jar,
the sun, the glitter, and the stars
are faces of a deceitful mirage?

Cinderella, return!
You left your shoe behind,
You left your heart behind,
You left your prince behind,
You left yourself behind,
Save them all before they go ****!
It's only minutes until midnight.

Eulogy
Its difficult in moment like these to come up with something  honest and insightful to make everyone feel better. It’s difficult to find the encouragement necessary to get a bunch of ******’s like you to smile when I have a perfect understanding of what you have lost.  Grandmas passing came with a unique set of challenges I can admit I was not prepared to face. Her death left me feeling as equally perplexed as her life.
When grandma started to really get sick and I had to start wrapping my head around her passing I was afraid of a lot more than I am now. I was afraid I was losing the opportunity to know her sober, I was afraid to lose a member of your strange, perfect, functionally challenged  family with its unique jerry springer dynamics. I was afraid I would lose the feeling that someone understood me, the way family only really can. I was afraid I was losing the person and the pace that tethered me to my origins and everything I think I know about myself. I felt like I was losing a person who provided for me my first understanding of the world and introduced me to the intricacies of the human experience I was losing my reasons to be angry the reasons I loved her. I would be losing the way she accepted every imperfect bit of me completely. I would be losing someone who was there for good or bad to watch me collect my scars and change my mind. I knew I was losing one of the most important women in my life and I was absolutely terrified and in a way I did lose those things.
But in a weird way it was as I was losing her that I feel like I finally found her.  I found her in places I had never thought to look before. I found her in myself when I laugh at things that aren’t funny. I find bits of her younger photos in pictures of me in the way my eyes set on my face In the anxieties we shared. I see her in Jasmines complete acceptance of those around her, I find her in Jessica’s ability to take up an entire room, I hear her in cody’s never ending sarcasm. I see her In the way teia will spend days in a creative endeavor,   I watch her in kalebs quiet observances and in the way he distracts  me from my own grief, I see her sometimes when dad is sad but he still smiles and the stony flash in my mother’s eyes when she’s being  super stubborn. I find her in all of our strange occurrences all these idiosyncrasies . I find her in the way we all have strange relationships with one another just as strange as the ones she had with each of us. I know now better than ever before what she gave me what she gave us and its at least as monumental as the things we have lost lost. I know now here with all of you where I belong, where she belongs and  who she was.  And although I can’t say  for certain if she is with God I can’t shake the feeling that perhaps she is with us and if not than at least I find comfort knowing  we all have something of her in us. I hope you find that as terrifying  and disturbing but mostly comforting as I do. Because for better or worse she’s marked us  and also it’s really difficult in a moment like these to come up with something both honest and insightful that makes a bunch of weirdos like us feel  any better.

i like that the freckles on your face match the ones on your back, and no two freckles are the same
like snowflakes
your kisses are soft and wet.
you said my full name is pretty, and i like how it sounds when you say it
i'd let you call me by it if you asked.
you drank all my wine but what you didn't know is that wine was already yours
you gave me head on the floor
in my bedroom, you pick the best songs to kiss to.
i like the way you say 'jasmines'
a quieter part of me wonders how you would go about pronouncing every flower, and how long it would take
i would stay till the end
i didn't expect to feel anything when you said i was just your friend
you laid your head in my lap, and my thighs grew feelings all around you
but you run your fingers through your tangleless hair, and all my feelings fall to the floor
i will tuck them into my shirtsleeves, wear them like a friendship bracelet
we're just friends till nightfall, by midnight i'm your favorite.
i am not a tender thing to you, and i won't tell you that i want to be
so long as you continue to say my name so softly

"What beautiful flowers!"
Unaware of how much death & decay took place under the soil, right below.
Oblivious to the pain.

The speaker was a girl with long black hair, walking with another, a person with brown and golden hair, at the base of the hill with a weathered grave on top.

She smelled the fragrant jasmines & plucked off a handful to decorate her hair, now walking away down the hill.
Her companion lingers at the top, gazing at the gleaming white petals, contrasting with shiny ivory.

"Come down!" She calls. But the blonde has seen the engraved rock, secluded by growing vines. They decide to have a moment of silence.

The black haired girl looks back, then rolls her eyes before abandoning them.

The person left standing next reads the epitaph,
Their sunkissed, freckled face turning into gloom.

"Now that I've seen you, I won't let you be alone."

She gently kisses the keen flowers that are curious about her words.
Then turns to lay and nap in the grass and foliage for hours.

Roses and jasmines. All vowels extended until you barely make the words out,
approaching, then rushing and receding past, early mornings. The flower boy;
Wake up calls, admonishments, family fights and announcements, old stories,
dire oaths, colourful threats, affected love, who, this loud mouth? Lady next door;
Squirrels that shriek like birds, competing for turns to puncture the solemn silence;
Paperboys and milkmen, school vans and church bells, pressure cooker whistles,
whish of reed broom on jagged floors wet with cleaning water, motor noise, aircon:
Two years: that vanished like a dancing drop on a hot pan: beauty hiding the pain
Ending like the slowly turning reflection of the halting fan on my breakfast bowl:
Ja..asmi...ines and ro..oses, squirrel shrieks, now familiar story of the family next
door, wash whish, silence: who is that faint spectacled figure on the cabinet glass?

look up, look up
pretty bride
look how the seats are arranged
just like your marriage
promising a plethora
with three knots of the saffron string

look down, look down
blushing bride
look how your hands are laden
with orange mehndhi
matching your silk orange sari
with your sparkling diamond and gold jewels
blinding the third eye on your forehead
that blinks uncertainly

look around, look around
naïve bride
look how the sun rushes through the hall
waking up sleeping jasmines on your hair
fading away the wretched past
ending your stormy dormancy

look right, look right
****** bride
look how your husband-to-be is next to you
cupping his hands in yours
receiving the priests' blessed blessings
and sharing the confetti of thrown rice

and you close your eyes
tired bride
praying to live
happily ever after

Shalini Nayar
© 2001

Allah’s messenger said, ‘Allah has ninety-nine names, one hundred less one and he who memorized them all by heart will enter paradise.’ To count something means to know it by heart - Sahi Bukhari, Vol. 9, Book 93, Hadith 489

Cook her with Honey, Sweets, Glorious Sugar
Peaches and Hares, Soft Haired Stranger
smells like Tulips, Beloved Roses, Jasmines,
Violets, Blessed Lilies, Lotus Stars and Songbirds

First Born, Second Born, Eighth Born
The Oldest Daughter, Shy and Timid
My Father’s Blessings, My Mother’s Tears
Promise of God, God is My Father
One Who is Alive, a Songbird Fantasy

Person of the Night who Loves the
Beautiful Night Rain, *****,
Jezebel’s Daughter, Detesting Witch  

she is One Who Can Forsee, Prideful,
Original Sin, Woman of White Magic
Wild As a Mountain Goat
Torch of Light, Light of Mine, Light All Around

watch the Woman with Crown, a Woman of Victory
Truthful Ruler of the House, Ruler with a Spear
Fighting Filled With Wrath, Strong as a Little Bear
Battle Armor From the Land of the Broken
Protector of Sunrise and Nightfall
Fighting a Battle in Winter with
Wisdom and Justice

A Princess Who Has A Heart of Gold
Beauty, A Woman of High Manners
Noble Queen, Radiant Precious Stone
Shining Diamond, Like Smooth Dark Wood

our Possession, our Brand New Home, our Feast
A Reward Given, an Afterthought Charity, Chaste Homemaker
Wealthy Companion, Warm Fire, Compassionate Nurse
Say the Prayers with Heavy Stones

Divine Woman. Universal Woman.  
God’s Messenger,
Holiness, Living.

A serenity settles in a scene of your secret garden
life is nourished
night-blooming Jasmines secrete a smooth
lighthearted scent of violet
every surface has a tint of golden hue
as it reflects the moon
under coverage of twisted trees  
whos branches once hung bitter
now breathe sighs of relief as they nestle leaves
the air is crisp and defined
our backs moist
we lay on a blanket of early morning dew

I’ve placed the sweet jasmines, dawn fresh,
By your bedside, in a bowl of water;
They will barely last out this long day.
But all day, brief day, your hours
Will be scented with the sweetness
Of something that is perfect,
Something that is fading fast,
Something only for you.

Diptesh Ghosh

The wind whispers in soft, lilting echoes;
that enchant and linger the presence of idle stars and graceful jasmines;
on a musky summer midnight

Four fairies were dancing
in the sea of summer's night
by a seabed of roses
and jasmines of delight

I, nonchalant
was gazing at the waves
when the westerly wind
brought me a whiff of her scent

a castle of emerald green
with angels at its gates
its courtyard with daisies
swaying in the wind

I, in my dream
was floating along
when I saw her in the moonlight
lost in my song

the fairies then led me
to her castle in the sea
lit in a haze
by moon's milken rays

I saw her by the pond
with geese splashing around
and a swarm of darting bees
feasting on fragrant white lilies

Lest this melody's green  fade
in autumn's yellow glare
Lest my dream wither
in winter's barren despair
The fairies who blessed me
my soul's last prayer;

‘To the distant horizon, these verses fly
forever live, beyond the deep blue sky’

Last Night
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Last night, your memory stole into my heart—
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason …

Published by Reader’s Digest (website) in "Best Romantic Poems"



Last Night (II)
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Last night, your memory stole into my heart ...
as spring steals uninvited into barren gardens,
as gentle breezes revive dormant deserts,
as a patient suddenly feels better, for no apparent reason ...



Last Night (III)
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Last night, your lost memory returned ...
as spring steals silently into barren gardens,
as gentle breezes stir desert sands,
as an ailing man suddenly recovers, for no apparent reason ...

Raat yunh dil mein teri khoee hui yaad aayee
Jaise veeraaney mein chupkey sey bahaar aayee
Jaisey sehra on mein howley se chaley baadey naseem
Jaisey beemaar ko bey wajhey Qaraar aaye.



Tonight
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Do not strike the melancholy chord tonight!
Days smoldering with pain end up in ashes
and who the hell knows what the future may bring?
Last night’s long lost, tomorrow's horizon’s a wavering mirage,
and how can we know if we’ll see another dawn?
Life is nothing, unless together we make it ring!
Tonight we are gods! Sing!

Do not strike the melancholy chord tonight!
Don’t harp constantly on human suffering!
Stop complaining; let Fate conduct her song!
Give no thought to the future, seize now, this precious thing!
Shed no more tears for temperate seasons long vanished!
All sighs and cries soon weakly dissipate ... stop dithering!
Oh, do not strike the same flat chord again!



Memory
by Faiz Ahmed Faiz, as performed by Iqbal Bano
loose translation by Michael R. Burch

In the wastelands of solitude, my love,
the echoes of your voice quiver,
the mirages of your lips waver.

In the deserts of alienation,
out of the expanses of distance and isolation's debris
the fragrant jasmines and roses of your presence delicately blossom.

Now from somewhere nearby,
the warmth of your breath rises,
smoldering forth an exotic perfume?gently, languorously.

Now far-off, across the distant horizon,
drop by shimmering drop,
fall the glistening dews of your beguiling glances.

With such tenderness and affection—oh my love!—
your memory has touched my heart's cheek so that it now seems
the sun of separation has set; the night of blessed union has arrived.



Wasted
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

You have noticed her forehead, her cheeks, her lips ...
In whose imagination I have lost everything.



Countless
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

I recounted the world's countless griefs
by recounting your image countless times.



Speak!
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Speak, if your lips are free.
Speak, if your tongue is still your own.
While your body is still upright,
Speak if your life is still your own.



When Autumn Came
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

So it was that autumn came to flay the trees,
to strip them ****,
to rudely abase their slender dark bodies.

Fall fell in vengeance on the dying leaves,
flung them down to the floor of the forest
where anyone could trample them to mush
undeterred by their sighs of protest.

The birds that herald spring
were exiled from their songs—
the notes ripped from their sweet throats,
they plummeted to the earth below, undone
even before the hunter strung his bow.

Please, gods of May, have mercy!
Bless these disintegrating corpses
with the passion of your resurrection;
allow their veins to pulse with blood again.

Let at least one tree remain green.
Let one bird sing.



Do Not Ask
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Do not ask, my love, for the love that we shared before:
You existed, I told myself, so existence shone.
For a moment the only light that I knew, alone,
was yours; worldly griefs remained dark, distant, afar.

Spring shone, as revealed in your face, but what did I know?
Beyond your bright eyes, what delights could the sad world hold?
Had I won you, cruel Fate would have ceded, no longer bold.
Yet all this was not to be, though I wished it so.

The world knows sorrows beyond love’s brief dreams betrayed,
and pleasures beyond all sweet, idle ideals of romance:
the dread dark spell of countless centuries and chance
is woven with silk and satin and gold brocade.

Bodies are sold everywhere for a pittance—it’s true!
Besmeared with dirt and bathed in bright oceans of blood,
Crawling from infested ovens, a gory cud.
My gaze returns to you: what else can I do?

Your beauty haunts me still, and will to the last.
But the world is burdened by sorrows beyond those of love,
By pleasures beyond romance.
So please do not demand a love that is over, and past.

Keywords/Tags: Ahmed Faiz, translation, Urdu, Pakistan, Pakistani, love, life, memory, spring, mrburdu

Cockroaches peering between the shattered plates scattered once they heard the slap of Shanta’s footsteps up the narrow halls. 5’4 in white socks and brown sandals, she commands the room, her yellow sari, a beacon in the darkening winter days. Mrs Tagore’s radio leaks through paper-thin walls.

Pagla hawar badol diney/ Pagol amar mon jegey othey

Out the **** elevator, she glides above dull linoleum floors to her two room cardboard box. Salina’s neon pink birthday banner hangs on, cobwebs burrowed between ‘A’ and ‘L’. She put the meager groceries away, and hung the bag out the window next to of her neighbor’s drying *******, cold air a mercy from the heat of the stove. Next door, the radio blares on.

Chena shonar kon bairey; Jekhaney poth nai nai re, Shekhaney okaroney jaai chhootey

Lamb’s breath sauteed with cumin, onions, garlic and green chillis from Aladdin’s Grocery on 14th and Jasper clings to her collar like an expensive perfume. The water hisses when it’s poured over, steam rising in protest. She traps under the lid, allowing a single stream to whistle her a lonely tune.

Ghorer mukhey, aar ki re? Kono din shey jabey phirey/ Jabey na jabey na, deyal joto shob gelo tootey.

Today is Salina’s birthday, her plastic table mat is still in its place on the three legged table propped against the living room wall. Shanta puts down a chipped white ceramic plate, cuts out a slice of angel birthday cake and lights a candle, a spell casting soft gold on the old crayon drawings on the plaster walls. She sits in a plastic chair and watches the door. The song reaches its crescendo.

Brishti nesha bhora shondha bela/Kon Boloraam-er ami chaela/ Amar shopno ghirey naachey maatal jutey, joto maatal jutey.

Each echo of stilettos makes Shanta hold her breath. Perhaps this year Salina will finally come back, perhaps this year the door will open and her daughter will smile, will hug her, will laugh as her mother cries. On the table, wilted jasmines, calling cards left unused, Salina’s poems cut from magazines, the word collage blurring together. “My mother's hands/calloused/call me/ bruised mango/this is love”. Each ticking of the clock another blow, another **** collecting on the plate.

Ja na chaayibar tai aaj chaayi go, Ja na paayibar tai kotha pai go? Pabo na pabo no

Mrs. Tagore’s song ends. The candle wax melts on the cake, the cake is thrown away, the room grows dark. Shanta collapses next to the stove. She undoes her yellow sari, loosens her blouse. When she strokes herself, when she comes, she bleeds, she is coming home.