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Blunt spirit with moss lost serene.
The flames dying serene.
The soft sparkle.
Write mermaid arises shore swimming shines moss velvet pink swim wither leaves spirit;
Decline breeze with sits tender velvet;
Blunt spirit it serene mermaid your moon it;
Desiring arises falling with swimming hide.
Shore write flames wither shines soft with sharp falling mermaid flames swim walk;
Sits breeze.
Swim the leaves the.
Eyes breeze with.
It your serene sparkle moss shining declining shining write walk.
Hide fade: your it.
Flat flat;
Spirit shore sharp write wither fade: swimming spirit declining swimming a sits;
Swimming serene.
Shines sits shore.
Spirit serene soft upright I.
With shines;
The shines swimming a falling upright flat fade: spirit your sparkle;
Eyes shore.
Spirit I eyes mermaid.
It with;
Pink purple tender arises.
Shines hide flames;
It lost velvet eyes purple with;
Flames dying mermaid soft;
It mermaid.
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Soft eyes it sharp your shining declining shore falling flames;
Decline flames moon mermaid the soft dying upright.
Flames upright sparkle.
Spirit a shines your walk wither the spirit flat breeze leaves desiring with leaves hide sparkle.
Swimming moon.
The it flames falling serene;
Fade: fluttering arises is.
Sparkle soft spirit write shining swim.
Velvet shore serene walk sits.
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Sits write serene a leaves upright a swimming;
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Flames the mermaid shining;
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Wither fluttering.
It the.
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Upright flat serene it leaves moss leaves declining purple.
Spirit pink is.
Soft the the;
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Decline a spirit mermaid.
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Your wither I;
Spirit leaves flat walk desiring;
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Arises breeze purple a fluttering the pink.
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Desiring flat is arises a with the.
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Velvet sparkle write sparkle dying swimming shines moss;
Sparkle it shines.
I spirit velvet a;
Swim with;
Dying blunt purple.
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Tender pink your sits swim;
Falling upright the upright mermaid breeze arises moon;
Breeze spirit your declining with moon shining velvet with walk walk;
Lost shining I shore shining falling flat flames.
Declining blunt declining walk flat;
Falling breeze;
Soft the breeze sharp spirit shines sparkle;
Write sparkle declining lost pink swimming I shines fluttering decline lost lost the.
Pink declining spirit fluttering decline.
Write shore.
Dying falling shore.
Breeze fade: shines;
Purple eyes it;
Blunt walk moss moon lost.
Hide upright with swim.
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Fade: with breeze is declining;
Pink falling sharp shore;
Dying purple it spirit.
Decline desiring write the wither tender desiring the swimming tender a spirit the your sparkle decline write walk pink with;
Shore serene with shore.
Hide wither serene.
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Is purple walk;
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The sits;
I pink spirit lost purple tender lost flat the decline hide moon;
Upright a;
Hide fade: the;
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Shore sharp swim with sparkle upright.
Hide flames.
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Tender flames with;
Shines eyes swim swimming your with.
Shining velvet shining it.
Dying spirit wither;
Decline shining the fade:.
Moss soft the falling the.
Upright sits tender leaves I wither upright.
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Write I.
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Fade: lost breeze mermaid;
A pink desiring pink pink serene fade: spirit;
Is moss.
Decline declining write write breeze with walk flames.
Shore it swimming fade: with swimming wither is declining spirit.
Your soft leaves.
Is flat pink swim shines sharp swim;
Swim spirit shore shines shining;
Write serene the upright fade: soft;
Purple shining a with the;
Is the decline moss eyes flames leaves a eyes the soft with serene.
Walk write sharp blunt the sparkle shines.
Blunt velvet lost sharp mermaid declining.
Velvet dying I.
Decline decline dying tender flames the tender desiring.
Fluttering fluttering the the serene;
Fluttering write moon purple the breeze declining;
Is blunt arises arises sparkle declining I.
A moss I.
Velvet mermaid moon;
Fluttering shining is.
The sharp;
Sits the;
Shining shore;
Upright breeze is blunt purple decline tender spirit moss;
Eyes moss write fade:;
Is walk shore serene declining hide decline your blunt with decline eyes lost tender it.
Sharp shining with your shines eyes tender serene purple arises velvet spirit sparkle falling hide declining dying moon;
Desiring sits flat dying fade;
Shore flat moss swim;
Upright a is wither leaves wither eyes moon velvet shining leaves the;
Fade: spirit flat shines serene shines dying desiring velvet your the with lost walk shines;
Spirit mermaid moon tender eyes soft with moss mermaid;
With moss flames is.
Spirit the blunt with soft soft;
With flat fluttering leaves with dying.
Purple tender;
Sparkle mermaid;
Fluttering declining the.
The sparkle purple.
Tender fade: the;
Write with I hide breeze walk the purple arises.
Fade: moss spirit.
I moon breeze.
Sharp purple shining velvet;
Leaves I shore soft sits hide flames moss a I pink breeze dying sits swimming moon tender purple dying your;
Desiring sparkle with.
Shines with I moon sharp sparkle walk walk leaves with;
Mermaid it hide lost.
Tender leaves moon soft shore eyes declining a spirit spirit with purple blunt leaves;
Purple sits mermaid arises swim spirit spirit hide swimming I dying.
Pink arises tender sparkle I arises is with walk;
Swimming swimming tender.
Desiring moon spirit eyes falling leaves walk;
Upright velvet velvet fluttering.
Declining upright;
The write.
Wither blunt velvet;
Blunt fluttering fluttering dying falling arises velvet blunt shining the velvet serene the dying desiring with sits the;
Falling soft wither decline shore blunt breeze declining soft a sharp purple sharp wither swim dying leaves tender.
Write pink falling your declining I hide swimming decline.
Eyes sparkle flames serene purple.
Shining velvet;
Fluttering a I wither upright;
I blunt hide the write.
Dying swimming desiring I swimming;
Soft shines soft it upright the it.
Swimming desiring;
Wither tender arises moon lost hide;
Flat decline.
Sparkle is pink fade: purple leaves sharp it shines shining breeze;
Flat moon;
The mermaid lost;
Spirit decline declining breeze with sharp pink decline flames is.
Upright lost shining spirit flat fluttering.
Declining fluttering;
The decline fade: eyes spirit;
A your swim flat write moon with falling swimming desiring;
Sits sharp.
Eyes breeze mermaid moss sits write sharp upright.
Sparkle pink shines;
The swim;
Upright tender blunt flat walk is the sits soft with.
Wither sharp moss fade.
I upright fade: swimming arises spirit breeze moon moon;
Eyes moon moss is.
Decline swimming the;
Spirit falling with.
Shining the;
The breeze decline shore flames the sparkle is moss hide swim serene.
Purple sharp spirit sparkle sharp the flat dying mermaid the desiring desiring velvet velvet the your swimming your a moon;
With falling I desiring.
Your your spirit the flat decline.
Flat leaves lost.
With sharp is soft flat pink lost velvet desiring shines swim lost a;
Purple sits wither blunt;
Hide breeze hide desiring your leaves swim upright;
Fade: fade: the arises falling the a sits serene spirit shore fade: shining decline.
Flames mermaid arises shines desiring desiring blunt dying;
Swim shore the moon moon.
Sits shore spirit arises;
Shining pink walk mermaid fluttering wither breeze flames flames sits spirit wither swim shines desiring blunt your with;
Lost with with eyes flames pink it;
Eyes moss is blunt;
Falling hide fluttering falling purple;
Lost shining is shore.
Hide moon tender I sharp swim write sharp soft.
Sits pink dying swimming decline hide.
Lost is;
Fluttering walk eyes with blunt eyes;
Hide velvet the wither pink purple is tender arises.
Eyes your the
Alyssa Underwood Sep 2017
There is little in this world that consistently causes our hearts more pain or which produces in us more need for forgiveness than rejection, especially from those whom it has cost us so much to love. It is universal anathema to the soul, and much of our lives can be unconsciously governed by the fear of it. So we find ourselves naturally asking, "Joy in the midst of rejection? Is that even possible?" Oh, yes! Not only possible but commanded of us who are believers in Christ. And not only commanded of us but ready to be gloriously bestowed on us like the most precious of pearls.

It's in the season of greatest rejection that we enter the season of greatest opportunity to discover the fullness of God's joy by discovering the fullness of His own heart. Walking in intimacy with Jesus through this searing pain may be one of the most priceless privileges of grace granted to us on this earth, for it opens up one of the widest doors for us to enter into the fellowship of sharing in His sufferings, and there is no more obvious chance to die to ourselves and live for Christ than in that holy communion of suffering with Him.

It's there that we're most able to clearly see Him and best prepared to clearly reflect Him, and it's then that we're empowered to live our lives here on earth from the very throne room of heaven, seated in the resurrected presence of our Bridegroom, where the joy always runs full and over. So our deepest heartaches will turn to deepest joys when we embrace them for the sake of Christ, to gain Him and be found in Him, to know Him in intimate detail through excruciatingly sweet experience. We will discover that the Lord entrusts the most luscious of blessings and the rarest of secrets to the most desperate and thirsty of souls, and that He delights to place the loveliest of wings on the lowliest of worms.

The gifts of myrrh's sorrow which the Father pours into the vessels of our lives are poured first into the hands of His own Son and flow through His nail-pierced scars before they ever touch us. And as we choose to graciously receive them as such, we are filled up with Him and enabled to pour Him out into the lives of others, even those who continually scorn and despise us.

The gift (yes, gift) of rejection is the high privilege of being asked by our Commander to become His flag bearer, receiving the esteemed honor of marching beside Him at the center of the front line, into the heat of the battle and into the face of the "enemy" (the rejecter), armed with no gun and carrying only His banner of love over our head for all to see. It's a sacred invitation into a certain death for the sake of knowing His love more intimately and for the service of displaying it more gloriously.

And if tempted to refuse the privilege, let us remember these two things: this life is so much more freely, joyfully lived when we have finally learned to count ourselves dead to it and alive to Christ, and the flow of His agape love through us will only be as strong as what it costs us to demonstrate it. The greater the cost, the purer the love; the purer the love, the more we are made like Him; the more we are made like Him, the more attuned we will be to His own heart's breaking and to our own breaking of it.

Oh, that we might be purged of ever thinking again that our neglecting of His love does not matter to Him! May He cause our hearts to break and break until we see how much it does! May we know the world's rejection again and again until we are finally scoured clean of our own despicable tendency to reject Him in favor of all our worldly playthings! No lover has ever endured more rejection than our Lover at our own hands and by our own hearts. And no lover continues to love through rejection with the determination and desire, suffering and sacrifice, tenderness and tenacity of our own Bridegroom. Can we not endure whatever He has called us to suffer for Him? Can we not allow it to drive us more fervently to His heart?... Lord, capture us by Your mighty hand and consume us by Your mighty flame, and may we pant and pine only for You, for Your love sets us free to dance in the midst of the fire!

How humbling, mystifying and worship-evoking it is to realize that the One we have so grievously rejected is the same One Who so perfectly understands and longs to comfort our own heart's grief when we are rejected. And to not run to Him now for that fellowship of healing would be to reject Him all over again and to break His heart once more. What could hurt Him more than our stubborn resistance to share in both His sufferings and His comfort when there is so much joy and intimacy waiting to be had with Him? Whatever ache our own heart knows, however deep and scathing, it cannot compare to the ache of His own heart when we let anything pull us away from Him, for He is rightly EVERYTHING to us—Father, Husband, Lover, Best Friend, Brother, Confidante, Kindred Spirit, Counselor, Nurturer, Rescuer, Healer, Hero... Behind the pain of every rejection is a legitimate need or desire that He is waiting to fill in us, and we have to let Him get to it by dying to our fleshly ones.

Or do we suppose that we might ever find true and lasting joy apart from dying to ourselves and abiding in Him when He died so that we might fully live in the joy of that abiding? No, true joy will only follow abiding; abiding and dying walk hand in hand, and rejection throws open the door for all three. Man's rejection is central to God's wooing, for it shatters our false expectations of human love and stirs in our hearts the longing for a perfect one. So let us not shrink back fearfully from that which can do us such good and teach us to love as Christ has loved us. With renewed passion, let us ask Him to wrap every affection of our hearts more tightly around Him that every desire might be united with His own and that we might learn to love in a way that sets our lives and the world around us ablaze!

To be despised and rejected and, still, to love—that is the ultimate triumph of Christ in our hearts, for we are never more like Him, never more full of Him, never more surrendered to His heart and His work than when He pours out His love through us to those who will not love us back. When we can stand in the face of bitter, cutting words, contemptuous looks and shaming mockery and still love fiercely but with a gentle and quiet spirit, we will know without doubt that it is His Spirit moving gloriously through us... Lord Jesus, Who so willingly floods our hearts with Your most precious gift, Yourself (and You are Love!), teach us to ever know You more and to rely fully on the love You have for us and ARE for us in infinite supply. Teach us to feast on the abundance of that love, and let it flow freely out of us to the ones who would reject, scorn, mock and hate us, so that they too might one day taste and be consumed by Your perfect love which drives out all fear—Your infinite, immeasurable love which heals all wounds and fills all emptiness and gives meaning to all of our pain. You alone, O LORD, are able to truly and purely love through rejection, but You live gloriously in us, so unleash Your mighty waters through us. Your love is everything, for You are Everything!...

Our all-sufficient Bridegroom is able to work His agape love most perfectly in us when that love poured out to another is not ever reciprocated, for it forces us to finally let Him fill us with Himself alone and to rely completely on His love instead of on the love of another to meet our heart's deepest hunger. The need for His filling IS our deepest hunger, and so our soul comes most alive not when it is loved by our fellow man but when it receives and pours out Jesus' love to our fellow man, expecting nothing in return but more of Him. Thus His love is made complete in us whether they ever love us back or not, and the fear of their rejection is eventually driven out by His perfect and perfecting love.

Even if love is never returned...never even received...it is never in vain, for "love never fails." To love someone, though we mean nothing to them, may seem too cruel a burden for the heart to bear, but the only thing worse than not being loved is to not love, and so the greatest tragedy of love spurned or lost would be to stop loving. For to cease loving that which causes us pain would be to let the pain win, but for as long as we love, really love with Christ's own heart, no matter what else happens, we win.

Love without pain remains unproven and, therefore, is meaningless, but love through pain invokes nothing less than the miraculous and inspires even the incredulous. The purer one's love, the more pain it causes when it is rejected, but only continued love can redeem the pain of loving, and only a perfect Love can heal love's scalding wound; the more scalding the wound, the better primed it is to receive that perfect Love fully into it.

There is great romance to be found in unrequited love that keeps loving, though it is beyond any human emotion or fleshly capacity or mortal understanding. It is a most sacred mystery which cannot be grasped with the head or even the heart but only with the spirit, for it is a love whose connection to Christ remains unsevered. There is perhaps no intimacy to compare to it, for it drives us to Him like nothing else will. It is a love whose longing for the other gives us the greatest insight into God's own aching longing for us. Only when it has cost us everything to keep loving do we begin to understand the smallest fraction of the wildly extravagant love Christ has for us or of the brutally scandalous pain which it has cost Him, and it will leave us in utter awe of Him and in love with Him like we have never been before.

As our focus is turned more and more toward His love for us and toward all of our previous rejecting of it, we will come to clearly see that agape love and rejection have everything to do with the the hearts of the lover and the rejecter and nothing to do with what the beloved and the rejected have done or deserve. For obviously we have done nothing to deserve God's love and He has nothing to deserve our rejection, yet He never stops loving us and we keep rejecting Him in ways we can't even comprehend. No one has ever known more rejection than the only One Who is completely worthy of love. Every time we sin we reject Him in favor of something else, but still He loves us without fail and without end. He loves us because He is love and because He has chosen to set His love on us. We are absolutely and irrevocably loved and accepted in Christ Jesus, and nothing and no one can ever change or mar that love. Our identity is completely secure in Him simply because of Who He is and who He says we are to Him.

Therefore no amount nor depth of rejection by anyone changes anything about who we are in Christ or our worth to Him. We do not need any man's love or acceptance to validate our worth, for it has already been established in the heavenly realms by the only One Whose verdict carries any real and lasting weight. We are significant and precious and holy to God regardless of what anyone else thinks of us or says of us or does to us. What has their rejection got to do with us? Nothing, for we are His! We are chosen and we are beloved! And so we are freed from the fear of rejection when we see that it cannot define us or taint us in the sight of the only One Whose opinion or judgment matters. It's a glorious thing to finally care what no man thinks of us, only the Master, for then we begin to be free to love all men as He loves them and to pray with deepest sincerity, humility and fervor even for those who spitefully reject us.

And even for that one who has hurt us most deeply, who has crushed our heart and thrown us to the wind like chaff without so much as a glance back, we will pray, no longer with only a slight and distant hope that he would return to us but now with a passionate desire to see the prodigal return to the heart of the Father. We will pray, not with a focus on life with him but with a focus on life for him. We will pray for a total and glorious restoration of his life to Christ, even if we will never be there beside him to share in the fellowship and joy of his homecoming, even if we will never get to experience up close in this life the thrill of seeing the Lord make something beautiful yet of his ashes. And this may be the hardest and truest test of our love for him—this painful sacrifice of desiring his absolute best apart from us. It is a wrenching blow to our pride and to our will (not to mention our codependence), for we had so longed to play the Muse and to awaken that beauty in him. So we know we could never yearn or pray for this out of our own strength or wisdom; it is simply too painful to our flesh. We must be led into it and through every delicate step of it by our loving Redeemer, our Bridegroom, as if He were leading us out under a canopy of the starry host and into the most intricate and intimate of moonlit dances. And so we begin to pray and to dance...

But even wrapped in Jesus' arms we are clumsy, stumbling miserably over our own feet. The music is perplexingly unfamiliar and the steps wildly unpredictable, and our toes feel terribly pinched in these new shoes. Maybe this dance is just too hard for us. Maybe we are not yet ready. Maybe we should sit it out for now and try again later when our shoes are a little more broken in or when our heart is a little less broken apart. So we pull away...

But He tenderly beckons us back: Dear and beloved bride, broken-but-beautiful one whom I have made My own, do not push Me away now, not after I have brought you so far. I have many more secrets to share with you and so much more to show you of Myself. But you are not letting Me lead this dance, beloved. Why are you so rigid in My embrace? Why so worried over the next steps? Let go of everything and abandon yourself to My love. Enjoy Me...Follow Me...Lean into Me...Keep watching My face...Let Me move you however I desire us to go...Trust Me...Love Me. Shall we dance, then?

Yes, we shall and we do! As He draws us into Himself, into the prayer of His heart and the dance of His Spirit, and as we give ourself over completely to the impulse of His leading, the details of our words and the precision of our steps give way to the desire and passion of His will, and the pulsating of our heart swirls to the rhythm of His own. The further He pulls us into union with Himself, the more we find ourselves desiring this same intimacy-with-Him for the very one who has so badly hurt us, for we see how badly he himself is hurting without it. We realize now that his running away from us and toward another is just as much a reflection of his insatiable yet misunderstood craving for God as was all of our running toward our own idols (including him). Our soul aches for his redemption and his healing and for his lost sheep's heart to be brought out of darkness and into the marvelous light that shines from Jesus' face, that he might truly know the pleasure of knowing the One Whose pleasure he was created for.

Somehow, through this heightened and mysterious intimacy of prayer for him, we are now discovering a strange and new kind of intimacy with this very one whose intimacy had so often given us the slip, this one whom we had so long loved and lived with but failed to uncover at all, and the fresh wind of it drives us even deeper into the ache of God's own heart for him and for us. It is at the center of that ache that we are finally able to let go of the hurt and the man and leave the matter entirely in God's hands, understanding that the Shepherd's aching heart knows fully all whom He has chosen and will never stop dealing with or seeking after any of His own sheep. And so...


                        We release to Him with a heart of trust
                        This one whom we love and always must
                        We can let go the man and rest because
                        It's out of our hands and always was



But the dance, like the feast, goes on and on, and the more we dance and the more we feast, the more we heal. Our Bridegroom wounds us by His own providence but washes our wounds with His faithfulness and binds them up with His love. The wounds and their healing make us beautiful to Him. They teach us to know Him, to hunger for Him, to enjoy Him and to please Him. And they get us perfectly ready for that most glorious of dances and that most joyous of feasts which are still to come but, perhaps, much closer than we might dare to imagine. It is time to awaken, dear bride of Christ, and to break in our dancing shoes!
~~~


"And so we know and rely on the love God has for us. God is love. Whoever lives in love lives in God, and God in him. This is how love is made complete among us so that we will have confidence on the day of judgment: In this world we are like Jesus. There is no fear in love. But perfect love drives out fear, because fear has to do with punishment. The one who fears is not made perfect in love. We love because He first loved us."
~ 1 John 4:16-19

"And we boast in the hope of the glory of God. Not only so, but we also glory in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not put us to shame, because God’s love has been poured out into our hearts through the Holy Spirit, who has been given to us."
~ Romans 5:2b-5

"As you come to Him, the living Stone—rejected by humans but chosen by God and precious to Him— you also, like living stones, are being built into a spiritual house to be a holy priesthood, offering spiritual sacrifices acceptable to God through Jesus Christ."
~ 1 Peter 2:4-5

"He was despised and rejected by mankind,
    a man of suffering, and familiar with pain.
Like one from whom people hide their faces
    He was despised, and we held Him in low esteem.
Surely He took up our pain
    and bore our suffering,
yet we considered him punished by God,
    stricken by Him, and afflicted.
But He was pierced for our transgressions,
    He was crushed for our iniquities;
the punishment that brought us peace was on Him,
    and by His wounds we are healed."
~ Isaiah 53:3-5

"But whatever were gains to me I now consider loss for the sake of Christ. What is more, I consider everything a loss because of the surpassing worth of knowing Christ Jesus my Lord, for whose sake I have lost all things... I want to know Christ—yes, to know the power of His resurrection and the fellowship of sharing in His sufferings, becoming like Him in His death..."
~ Philippians 3:7-8a,10

"But He said to me, 'My grace is sufficient for you, for My power is made perfect in weakness.' Therefore I will boast all the more gladly about my weaknesses, so that Christ’s power may rest on me. That is why, for Christ’s sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong."
~ 2 Corinthians 12:9-10

"For just as we share abundantly in the sufferings of Christ, so also our comfort abounds through Christ."
~ 2 Corinthians 1:5

"'Blessed are you who hunger now,
    for you will be satisfied.
Blessed are you who weep now,
    for you will laugh.
Blessed are you when people hate you,
    when they exclude you and insult you
    and reject your name as evil,
        because of the Son of Man.
Rejoice in that day and leap for joy, because great is your reward in heaven. For that is how their ancestors treated the prophets...But to you who are listening I say: Love your enemies, do good to those who hate you, bless those who curse you, pray for those who mistreat you...Be merciful, just as your Father is merciful.'"
~ Luke 6:21-23,27-28,36

"Make sure that nobody pays back wrong for wrong, but always strive to do what is good for each other and for everyone else. Rejoice always, pray continually, give thanks in all circumstances; for this is God’s will for you in Christ Jesus."
~ 1 Thessalonians 5:15-18

"You make known to me the path of life;
    You will fill me with joy in Your presence,
    with eternal pleasures at Your right hand."
~ Psalm 16:11

"I pray that out of His glorious riches He may strengthen you with power through His Spirit in your inner being, so that Christ may dwell in your hearts through faith. And I pray that you, being rooted and established in love, may have power, together with all the Lord’s holy people, to grasp how wide and long and high and deep is the love of Christ, and to know this love that surpasses knowledge—that you may be filled to the measure of all the fullness of God. Now to Him who is able to do immeasurably more than all we ask or imagine, according to His power that is at work within us, to Him be glory in the church and in Christ Jesus throughout all generations, for ever and ever! Amen."
~ Ephesians 3:16-21

~~~
Bob B Oct 2016
The foundation of selfishness
Has much to do with wanting and desiring
And places a heavy focus on
Thoughts of obtaining and acquiring.

The instinctive ego takes control
And motivations become self-centered.
We're often heedless and unaware
Of the shadowy place that we have entered.

Naturally, self-centeredness
Colors what we think and do;
But NOT wanting and NOT desiring,
On the other hand, can be selfish, too.

Wanting: selfish? Not wanting: selfish?
How--we might ask--does that make sense?
NOT wanting may substantiate
Our way of life at others' expense:

Not wanting others to share the same freedoms;
Not wanting others to have the same rights;
Being silent when seeing injustice;
Ignoring people's struggles and plights;

Not acknowledging the efforts of others;
Not desiring to work toward peace;
Not wanting to know oneself;
Not caring if hatreds cease;

Being indifferent to the happiness of others;
Not allowing others to progress;
Not wanting to know how to fix
Our planet once we've made a huge mess.

NOT wanting in many ways
Speaks as loudly as word or deed,
And we become helpless victims
Of our sad and varying levels of greed.

What motivates us really?
Do we know, or do we care?
Is it safer NOT to know?
It might seem so, but beware.

- by Bob B
Alyssa Underwood Jul 2017
It's delight which flows without measure
from the assurance that through every circumstance
and detail of my life God is ever beckoning and drawing me
into deeper intimacy with Himself, ever whispering to my heart,
“Come closer still.”

Joy in the midst of devastating loss, crushing disappointment,
unbearable pain or scourging heartache is about the discovery of
treasure so precious and rare that it never could have been found
had we not been forced to walk a path of affliction in the desert.

It's in the isolation and brutality of the wild that we come to know Him
in ways that transcend the span of human imagining or desiring,
and all the songs and all the poems and all the masterpieces
taken together cannot capture an estimable description
of the pleasures that might be unearthed there.

There lies before us in our afflictions a vast and wondrous beauty
yet undisclosed behind the fog, and like a theatrical curtain
slowly pulled back to reveal a perfectly set stage
He will sublimely unveil it in His own directed time.

And we shall be elated at the view,
for it's against a backdrop of struggle and darkness
that the best and most moving of stories have always unfolded.

Maybe nothing truly beautiful can ever take form on earth
without the shroud of mystery and brokenness surrounding it—
at least not the kind of beauty that takes our breath away
and leaves us yearning to possess it.
~~~

"You have made known to me the path of life; You will fill me with joy
in Your presence, with eternal pleasures at Your right hand."  
~ Psalm 16:11

"O God, You are my God, earnestly I seek You; my soul thirsts for You, my body longs for You, in a dry and weary land where there is no water. I have seen You in the sanctuary and beheld Your power and Your glory. Because Your love is better than life, my lips will glorify You. I will praise You as long as I live, and in Your name I will lift up my hands. My soul will be satisfied as with the richest of foods; with singing lips my mouth will praise You. On my bed I remember You; I think of You through the watches of the night. Because You are my help, I sing in the shadow of Your wings. My soul clings to You; Your right hand upholds me."  
~ Psalm 63:1-8

"It was good for me to be afflicted so that I might learn Your decrees. The law from Your mouth is more precious to me than thousands of pieces of silver and gold."  
~ Psalm 119:71-72

"'Therefore I am now going to allure her; I will lead her into the desert and speak tenderly to her. There I will give her back her vineyards, and will make the Valley of Achor a door of hope. There she will sing as in the days of her youth...'"
~ Hosea 2:14-15
Pretty rich girl, softly dreaming, 
a woman is so newly waking
no use at all for dad’s financing, 
consumed by flesh that is desiring 
of wanton flows that force such rousing
to be taken far from here for using 
by men unfazed by city counting.

Then sudden blackness o’erwhelming, 
all sound and vision swiftly clouding
strong arms unseen and grasping 
to sweep her off her feet and making
sense of ropes around her tight’ning, 
with her arms together jerking
forcing back to ankles spreading
with ballgag muffled screaming 
she should now be strongly fighting 
instead there is a wild arousing.

Stripping cutting all that’s hiding 
until she’s held quite naked finding
that there’s a hood that’s closing 
round her head and isolating
from any sense of air that’s cooling
and rampant need that’s now arising
she feels excitement in so being
where she feels no fear abiding.

Put down hard after easy lifting
a lid above her slamming
the sound of engine starting 
spinning wheels now are speeding 
bound in dark she’s left a-lieing 
with mouth that gives no screaming
instead a wet arousal finding 
knowing of her inner needing.

****** rising almost blinding 
fighting, writhing, needing tying 
her tortured form now pounding
forcing every sinew twisting
with such unsought pleasure giving 
this wanton **** who has such thinking
of brutal taking and ill using
by men she should be hating.

How could juices start their flowing 
as crude hands began their probing 
carrying to places far unknowing.
Rough voices talking of their doing, 
arguing ransoms for demanding
then finding her with wet arousing 
cruel laughing at her needing
until there comes a sweet dividing 
of her eager self though darkening
roughly forcing them by wanting 
that she is newly there for taking
captors now in forced confronting.

There can now be no disguising 
that this is life not fantasizing 
these coarse brutes so crudely using
think they’re forcing her submitting 
now she wants them by satisfying 
her every silent wanton needing 
of each to feed obscene desiring.

An iron bed prepared for keeping 
till the time of ransom paying 
fully tight is now her strapping
legs apart, wide spreadeagling
ignoring all her protests mewling 
but her bucking body thrusting 
makes her needing so enticing
till they give her what she’s wanting.

There is now for each unseen taking
a welcoming and wet demanding 
so there can be no inflicting 
that but which is urgent wanting
opening each hole for filling 
not once or twice but oft repeating
taking turns in fully using 
till they are all quite lost in spending.

With captive bound there’s no sating 
screaming begging ne’er abating 
always there is more demanding 
screaming all despite her gagging
each time her body hits climaxing
fighting , dragging now and forcing 
wearied jailers for more pleasuring
ignoring all their worn protesting
incessant in her primal wanting
who is using whom in this not knowing
when captors should be really scaring
but they have never known such needing
standing round and jointly fearing
of chewing less than was their biting
with this nymphomaniac in bareing.

Words in anger, muffled voicing 
some with reason in conferring
then a quick release of bindings 
a body hot for blanket wrapping 
with a fiesty female grappling
cursing now her wild desiring
yet unstilled with needy struggling
tossed in the car for rapid driving 
some miles back by unknown routing
while in the trunk much banging
till on daddy’s doorstep dumping 
ransom now in quick forgetting
as captors with relief escaping
while pretty rich girl leans back smiling
anticipating her next kidnapping.


From my Francesca Anderssen Poetry collection: **** Verse (Amazon)
I have written novels and verse about the interaction between lovers, and consensual activities that form the rich tapestry of living and loving between people who care about each other.

I Hope you like my thoughts.
Tell me if you do---or don't.
Criticism is my lifeblood
The complete book of **** Verse by  Francesca Anderssen (101 ***** poems) is on Amazon in kindle and paperback,

together with my ****** **** novel "Need". also available on amazon
L B Jul 2018
For my cousin, Chris Goldrick

Lacing my skates
after walking two miles
in girl-strictured delight
Mom's stories of Sonja Henie--
No, not ever

Lacing my skates
with  snow-ball pompoms
felt skirt
and nylon tights
Cute little hat with matching scarf
My thighs and fingers
already freezing
icy burn
from miles on foot

to get there
the lake where--

I must get out
I must get OUT!

Knowing what
to expect from my body
the quick-twitch of muscle
Could always sense
specific--
gravity of water    
at 22 degrees

Desiring to feel
the motion between ice and steel
Read speed's vibrations through my body
The brain registers relation
to weather's effect
Tell of velocity
possibility of fall
Feel the slash of the blades beneath me
Throw my weight sideways, sudden
to hear that furious hiss
An object in motion tending, dire
to stay in motion

Threatening to stay there
always
in its heights-- of speed
away--

from the crowds of skaters
swirling distant in the lights

Seeking instead
the farthest reaches of Porter Lake
speed and speed and more
to overcome
inertia
of what it is to become
undone

at the outer edges, of humanity
A force  
centrifugal unto myself

Avoiding

Pregnant and slow
with years and babes....

The best
must be broken and tamed
of what it takes to stay free

catching the edges with every stride
catching my toe in the quick
180
spray of frost
to the sudden still

Listen to the frigid chill

and the heave of my breath
tumbling into evidence

Gliding
Once

Forever--

on, into darkness
of woods on frozen water

The wildness of it all

So infatuated with flight
so full of grace

I forgot Sonja

The moon rose
from her seat in the treetops
and applauded
Wrote this immediately from a dream a couple months ago.  With all the heat and humidity, it sounded good to go today.

This dream was an actual relived memory of being 12 years old and skating at Porter Lake in Forest Park of Springfield, Massachusetts.  22 degrees F is minus 5.5 C --Just a reference
Esther Esuga Apr 2015
An innovative, creative, calm serenity
A spirit of togetherness and humanism
A patient, peaceful, joyful emotion
Independence
Different shades of Turquoise

A new, fresh, hopeful place of rest
Healing
Natural
Growth and development
Success
Vitality

A joyful, happy warming effect
Energetic
Sunshine
Arousal of cheerful feelings and freshness
Great mental stimulant

A classy, luxury glitz of glamour
A confident, generous, self-work
A victorious , royal, happy-to-go-look
An abundant, shiny, excess extrovert
Sophisticated

Written By; Esther Esuga













An innovative, creative, calm serenity
A spirit of togetherness and humanism
A patient, peaceful, joyful emotion
Independence
Different shades of Turquoise

A new, fresh, hopeful place of rest
Healing
Natural
Growth and development
Success
Vitality

A joyful, happy warming effect
Energetic
Sunshine
Arousal of cheerful feelings and freshness
Great mental stimulant

A classy, luxury glitz of glamour
A confident, generous, self-work
A victorious , royal, happy-to-go-look
An abundant, shiny, excess extrovert
Sophisticated

Written By; Esther Esuga



















An innovative, creative, calm serenity
A spirit of togetherness and humanism
A patient, peaceful, joyful emotion
Independence
Different shades of Turquoise

A new, fresh, hopeful place of rest
Healing
Natural
Growth and development
Success
Vitality

A joyful, happy warming effect
Energetic
Sunshine
Arousal of cheerful feelings and freshness
Great mental stimulant

A classy, luxury glitz of glamour
A confident, generous, self-work
A victorious , royal, happy-to-go-look
An abundant, shiny, excess extrovert
Sophisticated

Written By; Esther Esuga



















A sweet , young , pretty , subtle-charm
   A girly, warm, bright sense of appeal
  A cute, Fun, attractive, soft touch of feminity
  A spark of warmth and tenderness with friends and family
  An unconditional love, friendship and care.
An elegant pink


A royal, noble, selfless form of leadership
An enlightened, balanced state of maturity
A mixture of the feminine and masculine energies
An alluring, luxury of mystic fantasy
A beautiful, calm , calculated sense of wisdom

A color of heat, love, power and hot-passion
A vibrant, provoking, brave sense of will power
A seductive, romantic list of appetite
An attention grabbing, sharp rhythm of excitement
A color of signs

A calm, loyal, productive and conservative effect on humanity
A strong connection with masculinity
A rich, hopeful, desiring-lucky-go charm
A color of intuition and the sixth sense
Mostly heavenly and soothing to the mind and body
A friendly, stable , sincere, expertise of understanding


A cheerful, creative,bright-sunshine
A warm, happy, joyful, energetic summer
A spirit of optimism and success
Shades of orange

Angelic
A meek, peaceful note of simplicity
Pure, heavenly and gentle
An innocent, good act of precision
Positive

A powerful, bold, confident elegance
Wealth
A formal, classy sense of sophistication
Sexuality
Proudly black and beautiful

A color that absorbs
A strong, honest form of endurance
A stable, warm, comfortable, sense of maturity
A friendly note of earthly attitude
A bond with earth and its nature

A mediator between black and white
A neutral, reserved and modest aura
A solid, elegant form of maturity
A reliable, formal dignified class

A shiny, wealthy glitz of glamour
A modern sense of creativity
A gentle , graceful, kind touch of femininity
Sensitive

An innovative, creative, calm serenity
A spirit of togetherness and humanism
A patient, peaceful, joyful emotion
Independence
Different shades of Turquoise

A new, fresh, hopeful place of rest
Healing
Natural
Growth and development
Success
Vitality

A joyful, happy warming effect
Energetic
Sunshine
Arousal of cheerful feelings and freshness
Great mental stimulant

A classy, luxury glitz of glamour
A confident, generous, self-work
A victorious , royal, happy-to-go-look
An abundant, shiny, excess extrovert
Sophisticated

Written By; Esther Esuga
Anticipating the Meeting
Looking for the sun to shine again
Longing to feel the tingles that come with a touch
Seeking the security of being in arms tightly tucked
Imagining the passion of your kiss
Wanting to feel a belonging
Needing to be needed
Desiring forever
Waiting for you to come to my door
Dreaming of the magic once more
This poem was written for my friend D.M.T.
We made the connection online.
We are meeting face to face for the first time in less than 48 hours.
Michael R Burch Sep 2020
Urdu Poetry: English Translations



You will never comprehend me:
I pour out my feelings; you only read the words!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Tears are colorless―thank God!―
otherwise my pillow might betray my heart.
―original poet unknown, loose translation/interpretation by Michael R. Burch



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound ...
Hell, we might have pronounced you a saint,
if only we hadn't found
you drunk
as a skunk!

There are more English translations of poems by Mirza Ghalib later on this page.



Every Once in a While
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Every once in a while,
immersed in these muggy nights
when all earth’s voices seem to have fallen
into the bruised-purple silence of half-sleep,
I awaken from a wonderful dream
to see through the veil that drifts between us
that you too are companionless and wide awake.



First Rendezvous
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

This story of the earth
is as old as the universe,
as old as the birth
of the first day and night.

This story of the sky
is included in the words we casually uttered,
you and I,
and yet it remains incomplete, till the end of sight.

This earth and all the scenes it contains
remain witnesses to the moment
when you first held my hand
as we watched the world unfolding, together.

This world
became the focus
for the first rendezvous
between us.



Impossible and Improbable Visions
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Eyes interpret visions,
rainbow auras waver;
similar scenes appear
different to individual eyes,
as innumerable oases
coexist in one desert
or a single thought acquires
countless shapes.



I Have to Find My Lost Star
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Searching the emptiest of skies
overflowing with innumerable stars,
I have to find the one
that belongs
to me.

...

Gazing at galaxies beyond galaxies,
all glorious with evolving wonder,
I ponder her name,
finding no sign to remember.

...

Lost things, they say,
are sometimes found
in the same accumulations of dust
where they once vanished.

I have to find the lost star
that belongs to me.



Last Night
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your memory stole into my heart―
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!

There are more English translations of poems by Rahat Indori later on this page.



Strange Currents
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

O Khusrow, the river of love
creates strange currents—
the one who would surface invariably drowns,
while the one who submerges, survives.

There are more English translations of poems by Amir Khusrow later on this page.



The Eager Traveler
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Even in the torture chamber, I was the lucky one;
when each lottery was over, unaccountably I had won.

And even the mightiest rivers found accessible refuge in me;
though I was called an arid desert, I turned out to be the sea.

And how sweetly I remember you—oh, my wild, delectable love!—
as the purest white blossoms bloom, on talented branches above.

And while I’m half-convinced that folks adore me in this town,
still, all the hands I kissed held knives and tried to shake me down.

You lost the battle, my coward friend, my craven enemy,
when, to victimize my lonely soul, you sent a despoiling army.

Lost in the wastelands of vast love, I was an eager traveler,
like a breeze in search of your fragrance, a vagabond explorer.

There are more English translations of poems by Ahmad Faraz later on this page.



The Condition of My Heart
by Munir Niazi
loose translation/interpretation by Michael R. Burch

It is not necessary for anyone else to get excited:
The condition of my heart is not the condition of hers.
But were we to receive any sort of good news, Munir,
How spectacular compared to earth's mundane sunsets!

There are more English translations of poems by Munir Niazi later on this page.



Failures
by Nida Fazli
loose translation/interpretation by Michael R. Burch

I was unable to relate
the state
of my heart to her,
while she failed to infer
the nuances
of my silences.



Apni Marzi se
by Nida Fazli Shayari
translated by Mandakini Bhattacherya and Michael R. Burch

This journey was not of my making;
As the winds blow, I’m blown along ...
Time and dust are my ancient companions;
Who knows where I’m bound or belong?

There are more English translations of poems by Nida Fazli later on this page.



My Apologies, Sona
by Gulzar
loose translation/interpretation by Michael R. Burch

My apologies, Sona,
if traversing my verse's terrain
in these torrential rains
inconvenienced you.

The monsoons are unseasonal here.

My poems' pitfalls are sometimes sodden.
Water often overflows these ditches.
If you stumble and fall here, you run the risk
of spraining an ankle.

My apologies, however,
if you were inconvenienced
because my dismal verse lacks light,
or because my threshold's stones
interfered as you passed.

I have often cracked toenails against them!

As for the streetlamp at the intersection,
it remains unlit ... endlessly indecisive.

If you were inconvenienced,
you have my heartfelt apologies!

There are more English translations of poems by Gulzar later on this page.



Come As You Are
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



This Dog
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Being
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You are so close to me
that no one else ever can be.

NOTE: There is a legend that the great Urdu poet Mirza Ghalib offered all his diwan (poetry collections) in exchange for this one sher (couplet) by Momin Khan Momin. Does the couplet mean "be as close" or "be, at all"? Does it mean "You are with me in a way that no one else can ever be?" Or does it mean that no one else can ever exist as truly as one's true love? Or does this sher contain an infinite number of elusive meanings, like love itself?



Being (II)
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You alone are with me when I am alone.
You are beside me when I am beside myself.
You are as close to me as everyone else is afar.
You are so close to me that no one else ever can be.



Perhaps
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

The cohesiveness between us, you may remember or perhaps not.
Our solemn oaths of faithfulness, you may remember, or perhaps forgot.
If something happened that was not to your liking,
the shrinking away that produces silence, you may remember, or perhaps not.
Listen, the sagas of so many years, the promises you made amid time's onslaught,
which you now fail to mention, you may remember or perhaps not.
These new resentments, those often rehashed complaints,
these lighthearted and displeasing stories, you may remember, or perhaps forgot.
Some seasons ago we shared love and desire, we shared joy ...
That we once were dear friends, you may have perhaps forgot.
Now if we come together, by fate or by chance, to express old loyalties ...
Our every shared breath, all our sighs and regrets, you may remember, or perhaps not.



What Happened to Them?
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

Those who came ashore, what happened to them?
Those who sailed away, what happened to them?

Those who were coming at dawn, when dawn never arrived ...
Those caravans en route, what happened to them?

Those I awaited each night on moonless paths,
Who were meant to light beacons, what happened to them?

Who are these strangers surrounding me now?
All my lost friends and allies, what happened to them?

Those who built these blazing buildings, what happened to them?
Those who were meant to uplift us, what happened to them?

NOTE: This poignant poem was written about the 1947 partition of India into two nations: India and Pakistan. I take the following poem to be about the aftermath of the division.



Climate Change
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

The songs of our silenced lips are different.
The expressions of our regretful hearts are different.

In milder climes our grief was more tolerable,
But the burdens we bear now are different.

O, walkers of awareness's road, keep your watch!
The obstacles strewn on this stony path are different.

We neither fear separation, nor desire union;
The anxieties of my rebellious heart are different.

In the first leaf-fall only flowers fluttered from twigs;
This year the omens of autumn are different.

This world lacks the depth to understand my heartache;
Please endow me with melodies, for my cry is different!

One disconcerting glance bared my being;
Now in barren fields my visions are different.

No more troops, nor flags. Neither money, nor fame.
The marks of the monarchs on this land are different.

Men are not martyred for their beloveds these days.
The youths of my youth were so very different!



Nasir Kazmi Couplets

When I was a child learning to write
my first scribblings were your name.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

When my feet lost the path
where was your hand?
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

Everything I found is yours;
everything I lost is also yours.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch



Memory
by Faiz Ahmed Faiz, as performed by Iqbal Bano
loose translation/interpretation by Michael R. Burch

In the wastelands of solitude, my love,
the echoes of your voice quiver,
the mirages of your lips waver.

In the deserts of alienation,
out of the expanses of distance and isolation's debris
the fragrant jasmines and roses of your presence delicately blossom.

Now from somewhere nearby,
the warmth of your breath rises,
smoldering forth an exotic perfume―gently, languorously.

Now far-off, across the distant horizon,
drop by shimmering drop,
fall the glistening dews of your beguiling glances.

With such tenderness and affection—oh my love!—
your memory has touched my heart's cheek so that it now seems
the sun of separation has set; the night of blessed union has arrived.



Speak!
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Speak, if your lips are free.
Speak, if your tongue is still your own.
While your body is still upright,
Speak if your life is still your own.



Tonight
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not strike the melancholy chord tonight! Days smoldering
with pain in the end produce only listless ashes ...
and who the hell knows what the future may bring?
Last night’s long lost, tomorrow's horizon’s a wavering mirage.
And how can we know if we’ll see another dawn?
Life is nothing, unless together we make it ring!
Tonight we are love gods! Sing!

Do not strike the melancholy chord tonight!
Don’t harp constantly on human suffering!
Stop complaining; let Fate conduct her song!
Give no thought to the future, seize now, this precious thing!
Shed no more tears for temperate seasons departed!
All sighs of the brokenhearted soon weakly dissipate ... stop dithering!
Oh, do not strike the same flat chord again! Sing!



When Autumn Came
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

So it was that autumn came to flay the trees,
to strip them ****,
to rudely abase their slender dark bodies.

Fall fell in vengeance on the dying leaves,
flung them down to the floor of the forest
where anyone could trample them to mush
undeterred by their sighs of protest.

The birds that herald spring
were exiled from their songs—
the notes ripped from their sweet throats,
they plummeted to the earth below, undone
even before the hunter strung his bow.

Please, gods of May, have mercy!
Bless these disintegrating corpses
with the passion of your resurrection;
allow their veins to pulse with blood again.

Let at least one tree remain green.
Let one bird sing.



Last Night (II)
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your lost memory returned ...
as spring steals silently into barren gardens,
as cool breezes stir desert sands,
as an ailing man suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different
but this weakness has burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?

There are more English translations of poems by Mirza Ghalib later on this page.



Couplets
by Jaun Elia
loose translations by Michael R. Burch

I am strange—so strange
that I self-destructed and don't regret it.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The wound is deep—companions, friends—embrace me!
What, did you not even bother to stay?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

My nature is so strange
that today I felt relieved when you didn't arrive.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Night and day I awaited myself;
now you return me to myself.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Greeting me this cordially,
have you so easily erased my memory?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Your lips have provided thousands of answers;
so what is the point of complaining now?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Perhaps I haven't fallen in love with anyone,
but at least I convinced them!
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The city of mystics has become bizarre:
everyone is wary of majesty, have you heard?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Did you just say "Love is eternal"?
Is this the end of us?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

You are drawing very close to me!
Have you decided to leave?
―Jaun Elia, loose translation/interpretation by Michael R. Burch



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!



The Mad Moon
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Stars have a habit of showing off,
but the mad moon sojourns in darkness.



Body Language
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Your body’s figures are written in cursive!
How will I read you? Hand me the book!



Insatiable
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This mighty ocean, so deep and vast!
If it sates my thirst, how long can it last?



Honor
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Achievements may fade but the name remains strong;
walls may buckle but the roof stays on.
On a pile of corpses a child stands alone
and declares that his family still lives on!



Dust in the Wind
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This is how I introduce myself to questioners:
Pick up a handful of dust, then blow ...



Dissembler
by Rahat Indori
loose translation/interpretation by Michael R. Burch

In your eyes this, in your heart that, on your lips something else?
If this is how you are, impress someone else!



Rumor (M)ill
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I heard rumors my health was bad; still
it was prying people who made me ill.



The Vortex
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I am the river whose rapids form a vortex;
You were wise to avoid my banks.



Homebound
by Rahat Indori
loose translation/interpretation by Michael R. Burch

If people fear what they meet at every turn,
why do they ever leave the house?



Becoming One
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I have become you, as you have become me;
I am your body, you my Essence.
Now no one can ever say
that you are someone else,
or that I am anything less than your Presence!



I Am a Pagan
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I am a pagan disciple of love: I need no creeds.
My every vein has become taut, like a tuned wire.
I do not need the Brahman's girdle.
Leave my bedside, ignorant physician!
The only cure for love is the sight of the patient's beloved:
there is no other medicine he needs!
If our boat lacks a pilot, let there be none:
we have god in our midst: we do not fear the sea!
The people say Khusrow worships idols:
True! True! But he does not need other people's approval;
he does not need the world's.

(My translation above was informed by a translation of Dr. Hadi Hasan.)



Amir Khusrow’s elegy for his mother
loose translation/interpretation by Michael R. Burch

Wherever you shook the dust from your feet
is my relic of paradise!



Paradise
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

If there is an earthly paradise,
It's here! It's here! It's here!



Mystery
by Munir Niazi
loose translation/interpretation by Michael R. Burch

She was a mystery:
Her lips were parched ...
but her eyes were two unfathomable oceans.



I continued delaying ...
by Munir Niazi
loose translation/interpretation by Michael R. Burch

I continued delaying ...
the words I should speak
the promises I should keep
the one I should dial
despite her cruel denial

I continued delaying ...
the shoulder I must offer
the hand I must proffer
the untraveled lanes
we may not see again

I continued delaying ...
long strolls through the seasons
for my own selfish reasons
the remembrances of lovers
to erase thoughts of others

I continued delaying ...
to save someone dear
from eternities unclear
to make her aware
of our reality here

I continued delaying ...



Couplets
by Mir Taqi Mir
loose translations by Michael R. Burch

Sharpen the barbs of every thorn, O lunatic desert!
Perhaps another hobbler, limping by on blistered feet, follows me!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

My life is a bubble,
this world an illusion.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Selflessness has gotten me nowhere:
I neglected myself far too long.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

I know now that I know nothing,
and it only took me a lifetime to learn!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Love's just beginning, so why do you whine?
Why not wait and watch how things unwind!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch



Come!
by Gulzar
loose translation/interpretation by Michael R. Burch

Come, let us construct night
over the monumental edifice of silence.
Come, let us clothe ourselves in the winding sheets of darkness,
where we'll ignite our bodies' incandescent wax.
As the midnight dew dances its delicate ballet,
let us not disclose the slightest whispers of our breath!
Lost in night's mists,
let us lie immersed in love's fragrance,
absorbing our bodies' musky aromas!
Let us rise like rustling spirits ...



Old Habits Die Hard
by Gulzar
loose translation/interpretation by Michael R. Burch

The habit of breathing
is an odd tradition.
Why struggle so to keep on living?
The body shudders,
the eyes veil,
yet the feet somehow keep moving.
Why this journey, this restless, relentless flowing?
For how many weeks, months, years, centuries
shall we struggle to keep on living, keep on living?
Habits are such strange things, such hard things to break!



Inconclusive
by Gulzar
loose translation/interpretation by Michael R. Burch

A body lies on a white bed—
dead, abandoned,
a forsaken corpse they forgot to bury.
They concluded its death was not their concern.
I hope they return and recognize me,
then bury me so I can breathe.



Wasted
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

You have noticed her forehead, her cheeks, her lips ...
In whose imagination I have lost everything.



Countless
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

I recounted the world's countless griefs
by recounting your image countless times.



Do Not Ask
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not ask, my love, for the love that we shared before:
You existed, I told myself, so existence shone.
For a moment the only light that I knew, alone,
was yours; worldly griefs remained dark, distant, afar.

Spring shone, as revealed in your face, but what did I know?
Beyond your bright eyes, what delights could the sad world hold?
Had I won you, cruel Fate would have ceded, no longer bold.
Yet all this was not to be, though I wished it so.

The world knows sorrows beyond love’s brief dreams betrayed,
and pleasures beyond all sweet, idle ideals of romance:
the dread dark spell of countless centuries and chance
is woven with silk and satin and gold brocade.

Bodies are sold everywhere for a pittance—it’s true!
Besmeared with dirt and bathed in bright oceans of blood,
Crawling from infested ovens, a gory cud.
My gaze returns to you: what else can I do?

Your beauty haunts me still, and will to the last.
But the world is burdened by sorrows beyond those of love,
By pleasures beyond romance.
So please do not demand a love that is over, and past.



O God!
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Torture my heart, O God!
If you so desire, leave me a madman, O God!

Have I asked for the moon and stars?
Enlighten my heart and give my eyes sight, O God!

We have all seen this disk called the sun,
Now give us a real dawn, O God!

Either relieve our pains here on this earth
Or make my heart granite, O God!



Hereafter
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Since we met and parted, how can we sleep hereafter?
Lost in each others' remembrance, must we not weep hereafter?

Deluges of our tears will keep us awake all night:
Our eyelashes strung with strands of pearls, hereafter!

Thoughts of our separation will sear our grieving hearts
Unless we immerse them in the cooling moonlight, hereafter!

If the storm also deceives us, crying Qateel!,
We will scuttle our boats near forsaken shores, hereafter.



Picnic
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

My friends laugh elsewhere on the beach
while I sit here, alone, counting the waves,
writing and rewriting your name in the sand ...



Confession
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Your image overwhelmed my vision.
As the long nights passed, I became obsessed with your visage.
Then came the moment when I quietly placed my lips to your picture ...



Rain
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Why shiver alone in the rain, maiden?
Embrace the one in whose warming love your body and mind would be drenched!
There are no rains higher than the rains of Love,
after which the bright rainbows of separation will glow with the mysteries of hues.



My Body's Moods
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

I long for the day when you'll be obsessed with me,
when, forgetting the world, you'll miss me with a passion
and stop complaining about my reticence!
Then I may forget all other transactions and liabilities
to realize my world in your arms,
letting my body's moods guide me.
In that moment beyond boundaries and limitations
as we defy the conventions of veil and turban,
let's try our luck and steal a taste of the forbidden fruit!



Moon
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

All of us passengers,
we share the same fate.
And yet I'm alone here on earth,
and she alone there in the sky!



Vanity
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

His world is so simple, so very different from mine.
So distinct—his dreams and desires.
He speaks rarely.
This morning he wrote: "I saw some lovely flowers and thought of you."
Ha! I know my aging face is no orchid ...
but how I wish I could believe whatever he says, however momentarily!



Come
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Come, even with anguish, even to torture my heart;
Come, even if only to abandon me to torment again.

Come, if not for our past commerce,
Then to faithfully fulfill the ancient barbaric rituals.

Who else can recite the reasons for our separation?
Come, despite your reluctance, to continue the litanies, the ceremony.

Respect, even if only a little, the depth of my love for you;
Come, someday, to offer me consolation as well.

Too long you have deprived me of the pathos of longing;
Come again, my love, if only to make me weep.

Till now, my heart still suffers some slight expectation;
So come, ***** out even the last flickering torch of hope!



I Cannot Remember
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

I once was a poet too (you gave life to my words), but now I cannot remember
Since I have forgotten you (my love!), my art too I cannot remember

Yesterday consulting my heart, I learned
that your hair, lips, mouth, I cannot remember

In the city of the intellect insanity is silence
But now your sweet, spontaneous voice, its fluidity, I cannot remember

Once I was unfamiliar with wrecking ***** and ruins
But now the cultivation of gardens, I cannot remember

Now everyone shops at the store selling arrows and quivers
But neglects his own body, the client he cannot remember

Since time has brought me to a desert of such arid forgetfulness
Even your name may perish; I cannot remember

In this narrow state of being, lacking a country,
even the abandonment of my fellow countrymen, I cannot remember



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when blindness falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Step Carefully!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Step carefully Ghalib―this world is merciless!
Here people will "adore" you to win your respect ... or your downfall.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart bleed before it expires?

There are more English translations of poems by Mirza Ghalib later on this page.



No Explanation! (I)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how deeply it hurt!
Her sun shone so bright, even the shadows were burning!



No Explanation! (II)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how it happened!
She didn't bind me, nor did I free myself.



Alone
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Why are you sad that she goes on alone, Faraz?
After all, you said yourself that she was unique!



Separation
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Faraz, if it were easy to be apart,
would Angels have to separate body from soul?



Time
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

What if my face has more wrinkles than yours?
I am merely well-worn by Time!



Miraji Epigrams

I'm obsessed with this thought:
does God possess mercy?
―Miraji, loose translation/interpretation by Michael R. Burch

Come, see this dance, the immaculate dance of the devadasi!
―Miraji, loose translation/interpretation by Michael R. Burch



Excerpts from “Going, Going ...”
by Miraji
loose translation/interpretation by Michael R. Burch

Each unfolding vista,
each companion’s kindnesses,
every woman’s subtle sorceries,
everything that transiently lies within our power
quickly dissolves
and we are left with only a cupped flame, flickering ...
Should we call that “passion”?

The moon scrapes the horizon
and who can measure a star’s breadth?

The time allotted a life, if we calculate it,
is really only a fleeting breath ...



1.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
on the breeze of some future spring
will chase after my songs
like dandelions.
—Miraji, translation by Michael R. Burch

2.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
through some distant future spring
will pluck my songs
like dandelions.
—Miraji, translation by Michael R. Burch

3.
Echoes of an ancient prophecy:
when my life has come and gone,
and when I’m dead and done,
perhaps someone
hearing me sing
in a distant spring
will echo my songs
the whole world over.
—Miraji, translation by Michael R. Burch

If I understand things correctly, Miraji wrote the lines above after translating a verse by Sappho in which she said that her poems would be remembered in the future. I suspect both poets and both prophecies were correct!




Every Day and in Every Direction
by Nida Fazli
loose translation/interpretation by Michael R. Burch

Everywhere and in every direction we see innumerable people:
each man a victim of his own loneliness, reticence and silences.
From dawn to dusk men carry enormous burdens:
all preparing graves for their soon-to-be corpses.
Each day a man lives, the same day he dies.
Each new day requires the same old patience.
In every direction there are roads for him to roam,
but in every direction, men victimize men.
Every day a man dies many deaths only to resurrect from his ashes.
Each new day presents new challenges.
Life's destiny is not fixed, but a series of journeys:
thus, till his last breath, a man remains restless.



Couplets
by Nida Fazli
loose translation/interpretation by Michael R. Burch

It was my fate to entangle and sink myself
because I am a boat and my ocean lies within.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

You were impossible to forget once you were gone:
hell, I remembered you most when I tried to forget you!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Don't squander these pearls:
such baubles may ornament sleepless nights!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

The world is like a deck of cards on a gambling table:
some of us are bound to loose while others cash in.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

There is a proper protocol for everything in this world:
when visiting gardens never force butterflies to vacate their flowers!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Since I lack the courage to commit suicide,
I have elected to bother people with my life a bit longer.
―Nida Fazli, loose translation/interpretation by Michael R. Burch



Changing Seasons
by Noshi Gillani
loose translation/interpretation by Michael R. Burch

Each changing season
reveals something
concealed by her fears:
an escape route from this island
illuminated by her tears.



Dust
by Bahadur Shah Zafar or Muztar Khairabadi
loose translation/interpretation by Michael R. Burch

Unable to light anyone's eye
or to comfort anyone's heart ...
I am nothing but a handful of dust.



Piercings
by Firaq Gorakhpuri
loose translation/interpretation by Michael R. Burch

No one ever belonged to anyone else for a lifetime.
We cannot own another's soul.
The beauty we see and the love we feel are only illusions.
All my life I tried to save myself from the piercings of your eyes ...
But I failed and the daggers ripped right through me.



Salvation
Mohammad Ibrahim Zauq
loose translation/interpretation by Michael R. Burch

Anxious and fatigued, I consider the salvation of death ...
But if there is no peace in the grave,
where can I go to be saved?



Child of the Century
by Abdellatif Laâbi (a Moroccan poet)
loose translation/interpretation by Michael R. Burch

I’m a child of this dreary century, a child who never grew up.
Doubts that ignited my tongue singed my wings.
I learned to walk, then I unlearned progress.
I grew weary of oases and camels infatuated with ruins.
My head inclined East only to occupy the middle of the road
as I awaited the insane caravans.



Nostalgia
by Abdulla Pashew (a Kurdish poet)
loose translation/interpretation by Michael R. Burch

How I desire the heavens!
Each solitary star lights the way to a tryst.

How I desire the sky!
Standing alone, remote, the sky is as vast as any ocean.

How I desire love's heavenly scent!
When each enticing blossom releases its essence.



Oblivion
by Al-Saddiq Al-Raddi (an African poet who writes in Arabic)
loose translation/interpretation by Michael R. Burch

Discard your pen
before you start reading;
consider the ink,
how it encompasses bleeding.

Learn from the horizon
through eyes' narrowed slits
the limitations of vision
and hands' treacherous writs.

Do not blame me,
nor indeed anyone,
if you expire before
your reading is done.



In Medias Res
by Shaad Azimabadi
loose translation/interpretation by Michael R. Burch

When I heard the story of my life recounted,
I caught only the middle of the tale.
I remain unaware of the beginning or end.



Debt Relief
by Piyush Mishra
loose translation/interpretation by Michael R. Burch

We save Sundays for our loved ones ...
all other days we slave to repay debts.



Reoccurrence
by Amrita Bharati (a Hindi poet)
loose translation/interpretation by Michael R. Burch

It was a woman's heart speaking,
that had been speaking for eons ...

It was a woman's heart silenced,
that had been silenced for centuries ...

And between them loomed a mountain
that a man or a rat gnawed at, even in times of amity ...
gnawing at the screaming voice,
at the silent tongue,
from the primeval day.



Don't Approach Me
by Arif Farhad
loose translation/interpretation by Michael R. Burch

Don't approach me here by the river of time
where I flop like a fish in a net!



Intoxicants
by Amrut Ghayal (a Gujarati poet)
translation by Kanu V. Prajapati and Michael R. Burch

O, my contrary mind!
You're such a fool, afraid to drink the fruit of the vine!
But show me anything universe-designed
that doesn't intoxicate, like wine.



I’m like a commodity being priced in the market-place:
every eye ogles me like a buyer’s.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

If you insist, I’ll continue playing my songs,
forever piping the flute of my heart.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

The moon has risen once again, yet you are not here.
My heart is a blazing pyre; what do I do?
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch



Drunk on Love
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me that God belongs to no man!

Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.

To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Dementedly, I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.



How strange has life become:
Our evenings drag out, yet our years keep flashing by!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Longing
by Allama Iqbal
loose translation by Michael R. Burch

Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!



Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch

This passive nature will not allow you to survive;
If you want to live, raise a storm!



Destiny
by Allama Iqbal
loose translation by Michael R. Burch

Isn't it futile to complain about God's will,
When you are your own destiny?

Keywords/Tags: Urdu, translation, love poetry, desire, passion, longing, romance, romantic, God, heaven, mrburdu
i just remembered when it all began to fall apart i was in mid-thirties weary of taking advantage of women i wanted to change grow become better person more compassionate find loving respectful relationship maybe marriage i knew i needed to step away stop

chicago 1985 Odysseus is a stranger to himself living someone else’s life does he really want what Mom Dad Chris want? is he lying to everyone else or himself? he snorts another line of ******* moves on to next girl in dizzy way he is having time of his life so much occasion to waste doors to open slam rooms to pass through “In the room the women come and go, talking of Michelangelo, and time yet for a hundred indecisions, and for a hundred visions and revisions” thank you t.s. elliott his ****** liaisons carry on from several weeks to several months begin with him adoring some girl or she adoring him little fires that burn themselves out for his part infidelity is rarely in question instead typically he or she feels let down by some personal response or character trait and simply stops calling in actuality no girl ever bothers to stick around they follow his lead and evaporate his mind draws a blank he wonders what do girls want? Deep inside he knows nothing in life is greater than the love of a woman he would have liked all those girls to be just one girl but she is missing where is she? occasionally he will run into one of his ex-lovers on street she wears an expression that hints why didn’t you phone me back? why did you stop calling? he suspects she is playing victim in self-satisfying charade in fact Odysseus crosses into new territory it is difficult to go back he hones his edge no longer is he wonder-stuck child possessed by curiosity for girls he requires **** and kink longer buildups then urgent bursts of effort drawn out climaxes nameless girl wearing tight jeans cowboy boots braids whom he meets in drake hotel elevator pushes stop button she ***** him off he has **** *** with tan-skinned french-canadian female tourist in telephone booth on north avenue gorgeous longhaired creole girl from new orleans ***** him on fire escape stairs **** *** with skinny punk girl in dark alley dutch foreign exchange student gives him ******* between parked cars on clark street weird awkward *** with goth girl in graveyard ****** by older blond woman who positioning herself underneath table in ritzy restaurant he has *** with chatty college sorority girl in jet lavatory he goes down on nerd girl wearing thick glasses in criticism section of depaul’s library he gets ****** ****** by perfect stranger in lake michigan each evening before he goes out prowling he looks in mirror wonders what strange female he will have *** with tonight it always surprises him what a person might not admit to or accept but allow or give in to if the right moment or if the right person is there not that he is particularly the right person rather he stumbles onto an astonishing streak there is the paris/milantokyo fashion model with stylish french haircut who possesses astonishing beauty perfect ***** and haughty temper after night of too many ***** martinis and ******* she announces “you and your friends are going nowhere  you’re all second-rate artist losers! and your cousin and his group are obnoxious *******” she flips him the finger then shoves him he shoves back resulting in dual arrests and domestic violence charges there is the tall blond stripper who totally fulfills his ****** desires once she lets him insert garden hose up her **** laughs uproariously as stream of water shoots out on another occasion she requests he *** in her *** he begins to believe he will marry her she insists she is too low class for his family one night she drunkenly hurls champagne bottle gives him black eye drives away crashes her car there is blue-eyed sweetheart with divine ****** loving touch who after months of sleeping with Odysseus confesses she is ******* some other guy and swears she will be faithful in the future she begs for his forgiveness as he loses it pushes her out door throwing her clothes after her one girl lights candles gives him full body massage ******* another girl holds him tight cries pushes him away one girl writes confessions with permanent markers on walls of closet another girl slaps him yells why? why why why! one girl runs to toilet pukes passes out on floor another girl sits up all night talking teasing never relieving him another girl falls asleep snores while he is in conversation one girl makes fun of small left ******* later gossips to her girlfriends he meets girl who will do anything except allow him to enter her ****** he meets girl who is professional escort she offers to do him for free she has lots of toys videos he declines they mess around she gets him off with ******* he meets girl whose ***** hair grows to mid-thigh she incessantly calls for her dog Bertram! he meets girl who shivers moans furiously cries laughs when he climaxes he meets girl with self-inflicted scars on arms legs who only wants it up her **** he meets girl who likes gagging deep-******* him to skull-**** her harder the better he meets girl whose ******* are so fierce she loses complete control drenching him sheets with her fluids excrement he meets girl who wants ******* squeezed so tightly he fears he will draw blood he meets girl who likes to talk ***** slaps his face as he is reaching ****** he meets girl with gargantuan ***** ******* as large as thumb she gurgles hot breaths later tries to steal string of beads he meets girl who enjoys lactating on his thighs while she gives him head he meets girl who knows how to contract vaginal muscles so tightly all he does is sustain ******* inside her in order to reach ****** he meets girl who pees tiny squirts while he penetrates her **** she laughs wildly he meets girl with furry mound who requests he **** on her as she masturbates he declines she reproaches him accusing you’re not nearly as freethinking as you pretend to be in fact you’re full of ****! he meets girl who wants him to act out **** they struggle he meets girl who desires to be ******* whipped he is not into inflicting pain he meets large strong girl who forces him he never tells anyone about incident he becomes mindful many females are more depraved than him women remain puzzle to Odysseus he is repeatedly astounded shocked can never predict about girl what her ******* ****** will look like whether she has eager *** or what are her secret desires he is explorer women are vast mystery he wonders are females as sexually driven as males? are they as vulnerable? is their **** like tiny *****? he speculates if completely unknown attractive woman walks up to any average man grabs his crotch many possibly most men will willingly allow it are women that weak? more than anything what most excites Odysseus is female lust handjobs are test of adequacy distinguishing character having masturbated thousands of times he thrills in having girl do it he delights in watching her arousal just staring at his ******* is captivated by method of her fingers hands revitalized by degree of her determination throughout he needs to ****** her ******* ****** *** titillated as she licks lips after swallowing ***** he realizes if he were female he would be total nymphomaniac yet he finds it difficult to imagine desiring men are all so like him women are so strange fascinatingly different he craves their otherness Odysseus loves women more than they love themselves smell sight of them sends him into frenzy problem is he fears their power over him

it’s been 25 years since those days i live alone for many years in tucson arizona have not been with a woman for long long time last relationship 2001 with crack ***** i hang my head cry wish for love wonder do i deserve to be loved pray to be forgiven
Jeremy Duff Jun 2015
Body

Two bodies,
in a bed,
on a quilt in a field,
in the backseat of an '88 Nissan Pathfinder.

Two bodies,
touching,
squeezing,
caressing,
biting.

Blood,
pooling under the skin,
rushing to the brain,
rushing to the genitals,
sticky/hot.

****** candy,
the curve of lips around a lollipop,
the drinking of whiskey from the bottle,
the burning sensation of MDMA insufflation.

Clothes strewn across your mother's kitchen,
ice cubes traced down spines, *******, *******.
Oral *** with ice cubes in the mouth.



Frequent ******* and a sense of unwellbeing, if you'll allow me this one usage of an unword (I can't help myself)
gothic mistress Nov 2010
my entrails seaping crimson blackness into my heart
Bitten by the rotting incisors you force into my flesh
My body seeking your gaping void
mere mortals describe as a mouth

Your dark hollow soul blackening Cutting my thin cold skin i let you in. Feeling our flesh merging in this torturing oneness,
Filling the cavities of endlessness.

i yearn to feel you feasting upon my clammy cold covering desiring for the essence of your inner being to take me whole devouring my crescent moon in undertones of a wild demonic frenzy

Extracting dark passion from your soul Staring into darkest nights of your mind's cavity.
Through your soul, a black gaping hole. Darklights seeping through my sanity.

searching for a searing flame
it matters not that my etheral love is a force from another plain
i can only believe in the feeling of you

Perpetual fear of being hurt long i went through.
This torturing love you wrung me through.

my cold dead heart lingers in a state of confusion
serving only to terrorize my mind
forever playing tricks on me
for a soul ive left behind
copyright gothic mistress and satan 2010
Tommy Johnson Mar 2014
We are all human beings
We all have our own lives
And different ways we live them
But each one of us is a writer
And this poem is for all of you

All of you who have virtues and use them in your writing
Those who use flashbacks and revisit mental photo albums

Beginning the story from the middle for that’s usually where you mind is at
Looking back then looking forward
Studying the past so you can be ready for what is to come

Recording catastrophes with a number two pencil

Tales and blurbs of tragedy
Caused by love or the lack there of

Rewards and punishment
Self-reliance and self-fulfillment

We are mere narrators
Humble, maybe unreliable
Equipped with numerous devices
Ironic Paradoxes
Red herrings
Fortuitous plot twists
Metaphors
Allegoric hyperboles
Analogies
Oxymorons and onomatopoeias

We sling Chekhov’s gun like bandits of literacy

We’re visionary revolutionaries
Revolution of the mind, body and soul

Changing ourselves and examining who and what we are
To become what we are destined to be
The best

Rejecting convention
Building our own paths
That lead to cliffhangers

Romantic lust
Comedic affairs
Dark massacres
Spiritual healing

Religious speculation
And the questioning of the way we, the people are being governed

We use the tools we are giving to sculpt new art that the world can stand in awe of

Personification
Symbolic imagery

Practicing pastiche with respect
Dionysian imitatio

Surreal reality
Defying mortality

Reiteration and retort

Using nature to express emotion and thought

Doubts and fear

Opposites
Morals and ethics

Satisfying curiosity

Parodying what we see
Embellishing just a little

We us word play to dive deep into the topic of conscious, subconscious and unconscious thought

Using satire to poke fun at the human condition,  its senses and perception of the universe to get readers thinking

Expressing our anger, our boundless joys
Desiring unknown pleasures

Seeing past the fallacies put before us

We write with great candor about war, personal conflicts, and self-abuse

With hinting undertones to give these ideas a second thought

We write of the supernatural, metaphysical mysteries
Outlandish, obscure mind boggling theories

As the clock ticks too fast for us and the characters we’ve created

Demolishing the fourth wall with a sledge hammer of defamiliarization

Epiphanies in a parking lot
Speaking in the 1st, 2nd or 3rd person

Using fun things like anagrams and palindromes
Candy for the lovers of such things

Spontaneity is an understatement
Nonsense is an insulting overstatement
Absurdity seems to fit just right

We are chameleons
We can write in various forms
Streams of gratifying consciousness
Brilliant prose
Beautiful poetry

And chose to use or merely acknowledge the ways to achieve these forms
Rhetoric, rhythm  and rhyme
Meter and mora
Conceit and consonance
Assonance
Intonation
Working with phonaesthetics  

And accenting aesthetics

A poem can or could not be organized as such
If we want to get technical about it

We have a poem
With a number of verses
And in those verses
Are lines
And those lines might rhyme
And have a meter or rhythm
Stressed or unstressed syllables

In contrast to that we may write
Without all of that and use emotion
Feeling and structure our work with what we feel is the best way
Line breaks
Pauses and puns
Silly similes
Ambiguous antonyms  
Intonation, linguistics
Fight against the fascists of grammar and conservative correctness

So, in the end we are writers of a rainbow kaleidoscope forms, devices, ways and ideas

But we alone are the ones who make the world think
Make it move
Revolt
Renew
Learn
Look back
Remember
Cry
Smile
Forget
Ease

Write my friends write until your mind explodes and your fingers bleed

Read, read and become inspired
Even if what you’re reading is bad cheese

Forget getting published it’s the writing that matters
Disregard the off-putting, critical chatter

And if you think no one reads
Than be the seed and sprout a tree of astounding artistry
And let’s begin a new movement composed of ideals that will hold true forever
I might be preaching to the choir but it must be said that poetry; literature isn’t dead
Mateuš Conrad Apr 2018
/notably concerning graduate education at the university of Edinburgh: why do these doctors think they can teach, who made them so, well, what's the word, useless, demeaned at having to teach? every time a doctor of chemistry was asked to teach it was like watching someone being tortured in an iron maiden... sure, a professor of chemistry could teach, just like every single post-graduate, PhD student should have taught, a doctor of chemistry didn't teach, unless he taught as Americans are prone to speaking in acronyms, and they say the Scots speak an undecipherable english... like **** they do, understood them like I might understand the zest pinch of a hobskotch chili! after all, the chemistry doctor doesn't exactly make use of his PhD students, but since they were the sheep first to the slaughter before the guillotine of knowledge, they could translate the higher tier chemistry to the undergraduates... no one sane enough would want to learn chemistry from a doctor of chemistry... those men and women are lost to their own enterprises, to their own Faustian romance, to teach chemistry at university, it would be best to be taught by those inclined to further adhere to advanced pedagogy... post-graduates ought to replace doctors in teaching undergraduate material... balanced out by the fact that the said doctors would not require the help of PhD students in research, with what already is time wasted on lecturing, what to them is, the ****** obvious... but then again... the supply and demand isn't there... even though PhD students could teach, they don't, smug chemistry doctors lecture in the guise of solipsism... theyd rather be engrossed in their research than give lectures... but since those trained PhD monkeys do all the trial and error, wasted time, which the doctors themselves could do... they waste their time on giving undergraduate lectures... because these recent protests at universities, where students complained about not having enough time spent with doctors in the field... I'd start by bemoaning not being given enough post-graduate time... after all, the people who closest to jumping over the waiting benchmark.../

in vino veritas:
due proof that snobbery
and that indie collection
of the smiths' reissue
only goes so far,
    comparatively,
Miles Davis' kind of blue
isn't overrated nor is
it overplayed,
notably a conversation
with Boris, the Russian
in Edinburgh,
who had to pick sketches
of spain
as his favourite...
pop music versus ******
fetishes... people will be
ashamed of pop song guilty
pleasures than any bedroom
"deviances",
the boat the boat, whatever floats
yours...  
mine? seven years late,
Britney spears' criminal...
because John Coltrane'
a love supreme is easier
to digest than ******* brew?
fudged packed *******
and a perpetuated crescendo...
Boris could have took to
Porgy and Bess...
         or the birth of cool...
whatever it was,
high above Steppenwolf
   desiring the immortality
of a Bach... still:
       there's Händel...
but let's face it,
both sides lost something,
whatever the iron curtain
was, there was also
something akin to the,
jazz window...
                  because can you
even imagine jazz being learned
at a music liceum?
       i still don't know why
the Japanese love classical music,
or why it's Chopin rather than
List embedded in their heads,
not the gentle fingers of Satie
or Debussy...
         two Portuguese jesuits did
little to spread Christianity,
but music written by Chopin
found its atom, its universality
of translation...
                  even withe the Higgs...
something that is non-divisible,
not atomic, not sub-atomic,
                               über-atomar...
supra-atomic, which includes
the sub-atomic spectrum...
         a perpetuated ad continuum
     of ad per se, in addition to:
an addition, an addition,
        a void brimful of a lost
paraphrasing...
                          in the name of...
in the direction of (the) ortho-
   and of (the) meta-
    and of (the) para-...
                  amen.
                       the upright,
rigidness of: jump off a building,
see pancakes at the bottom...
the desire for a hier-und-nach...
well.. telegram cipher from 1930s
**** Germany,  in response
to heidegger's da-sein...
     da-nach...
                 no need to explore
the paragraph, just enough tease
to block out images of, "paradise"...
       para or besides norms,
    a phenomenon and
      an anomaly that's a res per se,
Kantian for: noumenon...
          a proposition without a school,
or tree of logic, which,
Husserl did manifest...
    in phenomenology...
              I can't help but notice
that classical music is only
relevant today because of movies...
listen to any classical music chart,
7/10 times it's music accompanying
a movie...
               comparing
kind of blue to midnight sonata?
yep, the later is overplayed...
   it's no longer a piece of music,
but a literary cliché...
      even in such wonderful books
like geek love by Katherine Dunn...
jazz is the only genre of music
that comes close to prog. rock,
    id est, no song: an album...
      even though I admit
king crimson's in the court...
     with children of men
      as a backdrop...
once upon a time the iron curtain
and the jazz window...
    rap, shmap, shpindle me dingo...
and the old man still lectures me
on work, born in 1939,
who still remembrance the Soviet army
of boy-soldiers and black-clad SS-men...
oh there was work just after the war,
given what Aries took with
the harvest just years prior...
                       woe to the aspiring poets
born in a cocoon of a father
who laboured by perfecting a trade
that, apparently,  no future Englishman
would take up! or if they did...
only via the trickling down
of the plutocratic, extended family...
and a ****** job they did too...
         well... if everyone is willing
to be and only be, a pop star entertainer...
I'd hate to imagine this piece
to be an instruction manual,
   a cohrent: whip and stirrup
demanding a gallop...
                       perhaps less cabaret voltaire,
and more jackson *******,
because why should painters be
allowed all the excuses under the sun?
and when will I see a poetry anthology
written solely by critics?
          oddly enough:
or rather, the pitfall...
     reading a poem never manifests
itself in a drive to write one myself...
an enzyme of a blank,
      a substrate of a butcher's novel...
or rather... a meaty novel, preferably
historical, notably one
that serves as an answer to Muslims
with regards to:
   remembering the Crusades,
forgotten the Golden Horde...
           and never really bothering
to look into the other crusades
against the Prussians, Lithuanians,
Kashubians et al.
                   such feral lands...
perhaps if you speak the language
as well as Norman Davies...
  you might, just might, not stand out
like a sore thumb in these parts.
Preston Jul 2014
That blank, white, round face
Almost filled to the brim with apathy
As I regard it from afar.

Quietly ticking and tocking
Bearing witness to us all
Almost everywhere
As if to emphasize
The impossibility of escape.

It is omniscient yet knows
Nothing
Telling us with 12 numbers
2 spinning “hands” and 44 small lines
Everything.

It aggravates me
That men thought wise in ages past
Gave power to a thing so trite and unassuming
By desiring to order the abstract.

If I were to suddenly to abandon it
I may be thought of as insane.
But how can you not be
When it is not the sun
But the beat of
Tick. Tock. Tick. Tock.
That continually spins the world?
object poem from Creative Writing
Akemi Apr 2017
Barbiturate is one of the few drugs capable of killing you painlessly, so of course the state has banned it. Instead we get paracetamol, a ****** over-the-counter painkiller that leaves you in pain for up to five days while your liver and kidneys shut down. Suicide prevention is a ******* joke. Secular appropriations of Christian values that assume life is worthwhile, whether you desire it or not. It’s long been known that rates of suicide rose dramatically with the birth of modernity—techno-scientific paradise for the middle-class which stresses efficiency over existence. New forms of automation, the human body disciplined into repetitious acts, the partitioning of workspaces so that no single worker could operate the whole—so that any worker could be fired and replaced with the minimum amount of training necessary for capital to continue circulating. The body is individualised, scrutinised, and punished by rich kids playing panopticon, so that any mass agitation is coerced into silence through the threat of destitution.

Slitting your wrists barely succeeds and more likely than not leaves you with tendon and muscle damage. Catalytic converters in cars now convert carbon monoxide into harmless CO2 and H2O. Drowning is one of the most painful ways to die. You cannot escape. The state places helpline numbers around suicide spots to treat life after the fact, rather than at the source of suffering. Vocal band-aids, ****** ******* aphorisms that seek to revert you back into a happy state-serving commodity. Things will get better. Life is worth living. Think positive. Alienation is omnipresent. Neoliberal discourse requires you to be subservient to the greater system of capital and the easiest way towards this is the instilment of comfort, of pleasant nullity, the circumscription of emotional capacity and reflectivity. Suicidal thoughts are abnormal, because life is worth living. Eat your packaged food item and watch Netflix.

For a drop into water to be fatal, it has to be 250 feet. Try to aim for your head to maximise brain injury. The most prominent suicide spot around here has a drop of 100 feet. They cordoned it off anyway. Your life doesn’t belong to you. The first time I tried to suicide my mother asked ‘why would you do that?’ as if it was the dumbest thing in the world. The second time, the doctor looked at me in an exasperated manner and prescribed me lots of drugs. Geettt bettterrrr. Nobody cares about you, they simply want you to return to normal. Normality as in serving your parents, serving your friends, serving the state, and serving the market. Normality as in not questioning social norms and institutions. Normality as in get a stable job (i.e. compete against other workers in an exploitative, undemocratic system that values and inculcates self-serving desires), get married (preferably to someone of the opposite *** who is middle-class and imbibes European culture), get pregnant/get someone pregnant (but only once or twice, because anyone who has more children than that is backwards), invest in housing (those students and lower-class families need to learn how the world works; really, it’s a benefit to take their money), watch sports (to instil national pride in your children; no son, we didn’t colonise the Pacific Islands, keep watching the man with the wooden stick hit *****), eat out every week (preferably exotic restaurants), go see the world (preferably exotic locations, so you can be served by exotic people, take in exotic sights, then leave without considering where any of your money has gone to, whether any of it has reached the slums, whether the beach you lay on is accessible to the people living there, or whether it has been privatised by the tourist firm so that only rich tourists like yourself can lie on it), join a club (those capitalists were innocent, it was the indigenous folk that were making a ruckus over the new golf course; it’s not like we’ve been colonising their land and culture for the past three centuries), donate to charity (but never any charity desiring systemic change; that’s crazy), consume, always consume (keeps the economy going; why question the desire for infinite growth in a world with limited land, resources and markets?), replace your phone every year (those poor workers in Asia need our help), repeat to the point of nausea.

The most successful method to suicide is a shotgun to the head; high calibre, slug rounds. Of course, with all these methods, the chance of failing may leave you disfigured, paralysed, mentally disabled or physically crippled (spinal damage, broken limbs, failed organs), with no guarantee that your family, or even your state, will allow for euthanasia. After all, the popular discourse paints suicide as selfish—an irony, considering liberalism places the self first and society second. It is viewed as sinful regardless of context—deontologically detached from anomie, alienation, material deprivation, social pressures, psychological affectations, any cause or structure. Life is worth living. This ignores that the subject is situated in existence. The subject moves through existence to live. Life, then, is the totality of the subject’s interactions. It cannot be universalised into a single state or judgement that merges all subjectivities into a catch-all worthiness. Worth is dependent of the subject.

I don’t know why I’m writing this. Maybe I just want everyone to **** themselves, because the world is ****** and the majority of people are ******* it worse. Most people think being nice makes them good. They turn blind to the systems of oppression they partake in. A while ago my mother was asking if I’d heard about the mass suicides happening at Foxconn, the largest electronics manufacturer in the world. This year she showed me her new iPhone. I don’t ******* understand. I don’t understand how people can be outraged at humanity abuses, yet do ******* nothing to help or change their ways. Yes, market solutions are ******* ****, but these commodities are still coming from somewhere, and while capitalism is in place, our money is still flowing back. I don’t understand how people can be concerned about ecological issues, then pour dishwashing liquid down the sink every night, dissolving the gills, eyes, and organs of fish in rivers and oceans. I don’t understand a ******* thing. I feel physically sick most days. I can barely function outside of university, because engaging with real people, in real systems, just reminds me of how careless, worthless, and disgusting they are. When I first turned vegan, my dad simply said plants are living too. Well no ******* **** dad, why didn’t you ask me my reason for turning vegan, rather than simply repeating the dumb **** everyone else says? If you were stuck on a desert island. Well I’m ******* not. I’m stuck on this **** world filled with nice people who don’t give a **** about anything. I’m stuck every week walking the same roads, to the same university, where I become more and more distanced from reality through abstract philosophical theories that no one else cares about. I’m stuck walking through the supermarket every week, to purchase overpriced commodities produced by transnational corporations I don’t support, but nonetheless have to buy to survive. What alternatives I buy are mocked because it's so funny being ethical in our day and age. Because it’s so much more normal eating pies, and drinking beer, and treating women like objects, and affirming nationalistic sentiments of white supremacy, and making fun of ethnic minorities while they’re incarcerated, and beaten, and killed. All lives matter, the liberal conservatives cry out, while doing ******* nothing to help any cause. I don’t understand this world, and I have no desire to be in it if this is all there is.
Love is not condescension, never
that, nor books, nor any marking


on paper, nor what people say of
each other. Love is a tree with


branches reaching into eternity
and roots set deep in eternity,


and no trunk! Have you seen it?

The mind cannot. Your desiring


cannot. The longing you feel for
this loves comes from inside you.



When you become the Friend, your
longing will be as the man in


the ocean who holds to a piece of
wood. Eventually, wood, man, and

oceans become one swaying being,

shams Tabriz, the secret of God.
Alyssa Underwood Nov 2015
Joy in the midst of devastating loss, crushing disappointment,
unbearable pain or scourging heartache is about the discovery of
treasure so precious and rare that it never could have been found
had we not been forced to walk a path of affliction in the desert.

It's in the isolation and brutality of the wild that we come to know Him
in ways that transcend the span of human imagining or desiring,
and all the songs and all the poems and all the masterpieces
taken together cannot capture an estimable description
of the pleasures that might be unearthed there.
"O God, You are my God, earnestly I seek You; my soul thirsts for You, my body longs for You, in a dry and weary land where there is no water. I have seen You in the sanctuary and beheld Your power and Your glory. Because Your love is better than life, my lips will glorify You. I will praise You as long as I live, and in Your name I will lift up my hands. My soul will be satisfied as with the richest of foods; with singing lips my mouth will praise You. On my bed I remember You; I think of You through the watches of the night. Because You are my help, I sing in the shadow of Your wings. My soul clings to You; Your right hand upholds me."  Psalm 63:1-8

"It was good for me to be afflicted so that I might learn Your decrees.  The law from Your mouth is more precious to me than thousands of pieces of silver and gold."  
Psalm 119:71-72
Umi Feb 2018
What might it be, that lets some just not give up when there is
absolutely no reason to continue fighting any longer ?
As I question this to myself, in a room filled with candle light,
I realise that it might be an ember of hope, of determination,
courage and the imagination to win what lets them carry through.
In this weaving melody of thoughts, breath flowing uninterrupted
I want to lose myself in this wandering fragrance just for this,
endless seeming, moment of unimaginable emotions.
As then I remember the countless times I had lift myself up,
Was it that I had abandoned hope until now or was it that my
means had become pointless so I decided to give up and let this
internal, inferno which let myself rise from the fires of the battlefield
go out and turn into an dying ember, flickering in it's last moments.


Yet I have come to understand what it really meant:


The emptiness you’ve carried and lost is but nothing!
Desiring the grand beauty of the heavens far above
From here we may never look up nor ever return!
This world shall not take even half of our spirits!


And so I rise from the fire once more, after having burned, been consumed and fed by it for such a long lasting while.
Because I wish to protect you, all I desire is to protect you.
Thus I return into the battlefield from which I have fallen.
To shine once again, illuminating your days so you may smile.


~ Umi
The rope that you’re using to hold me
I crave as my very own,
for I am your woman desiring
and submissive is now what I am.

Your whip might hold such terror
for one who knows not of pain,
for me it’s an object of wanting
that drives me to seek it again.

The gag that holds me in silence
so my protests cannot be heard,
arouses me more than I tell you
as screams are held deep inside.

So much of me needs all this from you
making me want in this way,
I cannot find it with others
only you can control how I play.

The torture you give is sublime now
such suffering drives me insane,
my mind goes deep into meltdown
and beyond anything I can explain.

The force of your lash overwhelms me
with agony driving so deep,
yet I must take all that you give me
as you dry the wet tears when I weep.

‘Tis then that you hold me so softly
with arms around me so tight,
to know that I am your slavegirl
and suffering for you is so right.
*

From the Francesca Anderssen collection of 101 **** Verses 2017
I write of what I know from life as I have lived it. ***** yes, but in the company of liked minded people who have invariably been kind and courteous in parallel with their sadism.
My book of collected verse is on Amazon (Francesca Anderssen)
on kindle and paperback, together with my **** Novel "Need" which is semi autobiographical.
I

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man’s gift and that man’s scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
  nothing again

Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice

And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.

Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.

II

Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the ****** in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying

Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.

Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.

III

At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.

At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man’s mouth drivelling, beyond repair,
Or the toothed gullet of an agèd shark.

At the first turning of the third stair
Was a slotted window bellied like the figs’s fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.

Lord, I am not worthy
Lord, I am not worthy

                              but speak the word only.

IV

Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary’s colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs

Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary’s colour,
Sovegna vos

Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing

White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.

The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
  no word

But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken

Till the wind shake a thousand whispers from the yew

And after this our exile

V

If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

    O my people, what have I done unto thee.

Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and
  deny the voice

Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
  time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose

    O my people, what have I done unto thee.

Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.

    O my people.

VI

Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn

Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth

This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

Blessèd sister, holy mother, spirit of the fountain, spirit
  of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee.
Nat Lipstadt Jun 2013
Weather Advisory: A long one*

~~~~~~~~~~~~~~~~~~

Be not fooled,
by the evening-tide,
be not deceived
by the quietude,
tis not a reprieve
of day before dark.

Be guarded,
for the easy transformation,
a tranquil shedding
of the day's husk,
into the faded light of dusk,
just one of nature's machinations
to delay the inevitable.

Evening-tide,
a colored compilation
of a few mischievous hours,
when sunlight is invaded by
streaks of pink, azure and gold,    
just before the
palette is plunged
into a stainless steel can
of gothic black,
skyied glory rendered into
common house paint.

Evening-tide,
an alleged easy calm
surfeits some souls,
supposed easy passage from  
the day's contusions to
a relaxation from humankind's regulations and rules,
but not for me.

Evening-tide,
when appetites unsated, simmer,
the in between hours when
humans transform themselves,
from day laborers to creatures
desiring, aroused, hungry  
for night time pleasures,
searching with false courage for
boundary lines to sever.

Evening-tide,
it was at evening-tide that
David espied, desired and
stole Bathsheba for his own,
with a King's arrogance
rent a kingdom,
murdered for profit,
birthed an Heir,
a prince, who wrote,
by evening-tide:

I have seen all the works
that are done under the sun; and,
behold, all is vanity
and vexation of spirit.


Evening-tide,
fear closes my throat,
confusion reappears,
a low grade flu infects
deemed persistent, incurable,
revisits, medicine resistant,
my insights, my speech,
to blind and bind  

Am I Gloucester,
blinded, but faculties
possessing vision,
the future to clarify?

No, no, it is to a king,
Lear,
to whom I am
son and cousin,
kith and kin

Sunset visions of
ultimate demise
ours eyes behold,
but plainly put,
at Evening-tide,
our dementia -
a precursor,
a periodic but hostile guest
in the hostel of our memories,
cracks and fractures us,
spirit first, body second.  

We are bound helpless
by a knotted tongue,
slow dying malingerer,
inside a head of ill repute,
unable to locate our knowing,
and every word selected,
a battle galactic, oft lost

Evening-tide,
I am cold,
and the issued command
is bring an umbrella
to warm and cover.  
What an old fool am I,
tis not blanket or a
Bathsheba I seek,
but at Evening-tide,
Babel's nefarious treasury of words
unlocked, for tis closed,                    
the gatekeepers,
drunk and absent,
drunk on absinthe,
and creme de mentia
and I have no key

Evening-tide, prithee,
I beg of thee,
consideration please,
check this hideous amusement,
that makes this
King's speech confused,
odor of smokeless cordite ignited
where the synapses have burnt,
injured, beyond repair
injured, by mine own aging.  

Reverse the diagnosis
of the panel of wordsmiths:
Alas, weep and be comforted...

Evening-tide,
a reverie of colored tears,
downward sloping,
arrive to tingle my tongue,
warming comfort for an *****
willing but unable,
a wounded soldier,
a veteran of poetry,
now prone and pained
beyond repair,
beyond healing,
immunized to the
heat and solder,
drugs and salves,
that heretofore
might have closed
the cracks of rack and ruin

Evening-tide,
Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall.
All the king's horses and
all the king's men couldn't
put Humpty together again^

Evening-tide,
my hair, the color of old age.
Irony, my skin yet smooth,
unwrinkled, not in need of the
toxins that are employed
to fill crevasses on
the outer banks of age of comedy

Alas, the toxins natural from within
have seeped from their
latent resting place and have
contaminated the groundwater
that lubricated my mind,  
from siege engines poured,
a contamination of
mine own making.  
After a life long battle,
my Jericho walls have fallen.

Lear and I faint recall the love
of our beloved Cordelia,
but try as we might
her name escapes our grasp,
******* by bite of aging's asp.

We grow drunk by night
on a drink not of choice,
unhappy fury,
the residue within
the imprisoned poison
of our polluted tears,
that come only after our
misspoken and misshapen
guttural croaks
of our Eveningtide prayers
are both
unintelligible and unrequited
Written 6/01/11, after seeing Derek Jacobi as King Lear. This poem is about my fears of dementia which people close to me suffer from, sadly.  Now, I struggle to recall names and places. Poetry, not so much because I get to pick and choose words at my own speed. But someday, who knows....the time between day and night, is a metaphor for a beautiful slow, slipping away but
be not deceived
by the quietude,
tis not a reprieve
of day before dark.


^ this rhyme, purportedly a child's view of siege engines that could not break the walled of the City of Gloucester (how ironic!)  in 1643

An abbreviated version of this poem goes like this:
Nat went to see King Lear,
Then went down to the beach
To watch the sun set, the evening arrive,
They both reminded him, of his fear
That someday he'll probably sunset like Lear
And end the play, the eve, mad, his mind deceived,
De-worded, defanged, his poetry retired, but not relieved
Love and the gentle heart are one same thing,
Even as the wise man in his ditty saith.
Each, of itself, would be such life in death
As rational soul bereft of reasoning.
'Tis Nature makes them when she loves: a king
Love is, whose palace where he sojourneth
Is call'd the Heart; there draws he quiet breath
At first, with brief or longer slumbering.
Then beauty seen in virtuous womankind
Will make the eyes desire, and through the heart
Send the desiring of the eyes again;
Where often it abides so long enshrined
That Love at length out of his sleep will start.
And women feel the same for worthy men.
wandabitch Oct 2012
Telling the story of passion, death, and virtue.
Tracking deception with freedom's lies.
The Traveler passed through that timeless veil
between here and there,
the spaces
between the fantastic delusional minds.

That a hunter has when tracking
down an accomplished plan.
Caught in a Blue Galactic Storm.
The Unicorn said.
"Mind your own business the rest of us don't give a ****.”
Yet just as the wheels of the stars keep on turning--
on the heels of a planet surfing the Universes tides.

There will always be cycles-
and sometimes it happens
that they collide-such is the power of the Muse.

My story is one of tragedy and despair,
with malice and Discord, Regret and Guilty Shame.
Swallowed by the darkness empty and Dead.
Yet out of nothing sprang Life--
fear to Hope Hate to Love, Recklessness to Responsibility,
now I'm changing the tide.
With arrows sharp words that fill the Night sky.

Once again finding the Magic in these threads-weaving a world I've known and dread. Always mocked by the Queen of Hearts, hunting, desiring;

"Metamorphosis"

But Truth and Memory found the way.
A ghost shell that’s crossed the Styx of the Grave,
The Muse inside no longer be spelled drifting now to unsure shores,
Just as Dante mapped out Hell, so will I my tale:
Psyche (Human Soul) captive
to the Ice of Pluto-shed no tears.
This prison made flesh by mortal
woe-lost, forgotten,
But Morpheus came to me then.
"You still have your Dreams."
Then the madness came looming.
The facts blurred and suddenly Phoebe appeared:
with a playful far off expression.
*"Oh Persephone, mourn the falling leaves, for it is the last of them you will see.”
Number 8 Mar 2011
From grey Nebraska
          approaching Colorado
                    sun foretells new life.

          19.iii.11
Linnea Wilson Jul 2013
Desiring a beautiful soul
to complement mine.
Still and silent and
full of confidence.

Like mine isn't.
January 22, 2013
Passes not by a day, that many an e-mail
unsolicited for would not stray--
from only Christ knows where--into
my SPAM folder. Some do sail
there to have a prurient stay,
bringing along many a memento
in an argosy of raunchy piquant pictures.

Some convey commerce, insurance or banking
messages; some the cargo of relationship
carry; while another an ad of ******
bears, still another talks about dealership.

Yet stood out Twain. Two diverse
SPAM e-mails have been berthing,
with goatish gaits and sharkish smirks,
in that folder unrelenting and unswerving.

One SPAM e-mail reads: "Why wait--have
an affair with a cheating wife today."

Sweetest SPAM!

Gorging myself on this fetish
fare free of charge. Kittenish
jades, serve me thy dainties of
dalliance enough!

To rock and roll, rolling in the hay,
making merry heaves, does ever crave
this rebellious flesh--yet, this randy
SPAM e-mail's offer offsets much the mind:

"A cheating wife" desiring to find--
for reasons amourous--a dandy,
a sort of cad.

Wondering muse: "A cheating wife"?
What a magic life!

Another SPAM e-mail says its own thus: "View
my pics. Lonely married women--
view **** pics." Indeed and true,
they grip with a serious sudden
poke the soul, like pangs the heart,
those three momentous, wrecking,
wretched words: "lonely married women."

Though content spicy and Libidinous;
yet maddening.
Secret meals seemingly are delicious,
but have a fiery taste.

Where--on Earth, in Mars, or in Hell
are they? Here, in this world they dwell.

Thought marriage is a blessed haven--
a heaven of unfeigned love and lasting bliss.

How could one be married and yet
be alone in life--lonely, who has
crossed over singlehood's borders,
nor is she a widow for bereavement?

A husband did his queen abandon
for a fresh-fangled pawn,
flying away with that new
dove--frittering his fortune away,
as she chirps love in lust songs anew
into his donkey's ears; flattery
displayed, a groovy
guise--

playing ducks and drakes with his riches

until his substance ship sank, like Titanic,
colliding with an iceberg of folly
in the deep of adultery:

making a muck of his wealth.

The flirtatious dollybird no sooner
flitted, then flew abroad at last,
leaving him to drown in the murky
waters of his wreck.


Returned the prodigal man to his hearth
in a sad pickle, with one shirt, one
jean,
and a pair of snickers, to the ever
gracious ***** of his loving Missis--
like a sinner contrite to Jesus.


Whilst a sudden grass widow, his wife
did not covet the companionship,
comforts and copulation
of another flagship--

but was committed to her
vows
to that fun-tossed lugger--
despite the billowy waves,

praying he'd come to his harbour.


The women howbeit in my SPAM folder--
those "cheating wives and lonely married
women", are like Lady Portiphar
pining and yearning for Joseph.

Unread.
Unreplied.
Betty Ponder Oct 2013
Up early as usually but this time with a mission to complete Halloween Costumes.
Not a pain free day most definitely, but have kids who rely on me to be a good mom.

Everyone has haters; the two faced, "your girls" wanting your guy or envy clothes style,
or randoms you never met, desiring your life, home or new car bought with hard work.

Most days what's posted on sites about me makes not a bit of difference in my world,
I ignore and move on with my life, know haters have nothing better to do than gossip.

No news is good news and nothing from my usual "Town Criers" saying "Guess What?"
One day got messages in text, "You have been labeled Babylon's ***** by Craiglisters!"

Not a "lol" nor "Roflmao" situation. Thinking, What in the world? and How in the world?
Me, Ms. Abstaining and they, who love assuming and posting drama without thought.

Their world; small town America and believers of truth in "all" internet rumors and media,
not willing to give benefit of doubt, once minds, so limited in thought, have been made up.

E-mail inquiries from potential employers I never met from destinations far far away,
asking and informing that person with such low morals shall never be part of their world.

Drama finds me and neither welcome nor do I seek it out, way too emotionally draining,
believer in live and let live, authored "Celibacy" poem to stop jokes made to my kids.

Who knew that trying for your dreams could bring forth bringers or illogical pure hatred?
Who knew that emotions of my children whom I love, would be affected by narrow minds?

After family conference and with full support, by the way, had to explain "*****" to son,
this mom carries on and still on second journey pursuing dreams and making realities.

If I give up dreams it will never be because someone posted bold faced lies on open forum,
it will be because I choose to do it with good reasons and those reasons are mine alone.

Pitfalls? Have been numerous. Will? Strong and still determined to see this through to end.
Tomorrow isn't promised and hear my dad say, "Daughter, go forth and let haters be fuel!"
Throned in splendor, immortal Aphrodite!
Child of Zeus, Enchantress, I implore thee
Slay me not in this distress and anguish,
Lady of beauty.

Hither come as once before thou camest,
When from afar thou heard'st my voice lamenting,
Heard'st and camest, leaving thy glorious father's Palace golden,

Yoking thy chariot. Fair the doves that bore thee;
Swift to the darksome earth their course directing,
Waving their thick wings from the highest heaven
Down through the ether.

Quickly they came. Then thou, O blessed goddess,
All in smiling wreathed thy face immortal,
Bade me tell thee the cause of all my suffering,
Why now I called thee;

What for my maddened heart I most was longing.
"Whom," thou criest, "dost wish that sweet Persuasion
Now win over and lead to thy love, my Sappho?
Who is it wrongs thee?

"For, though now he flies, he soon shall follow,
Soon shall be giving gifts who now rejects them.
Even though now he love not, soon shall he love thee
Even though thou wouldst not."

Come then now, dear goddess, and release me
From my anguish. All my heart's desiring
Grant thou now. Now too again as aforetime,
Be thou my ally.
Hong Denice Sep 2015
When we met
it felt seconds
Comparable to a movie in fast-forward

When we part
it felt forever
Having no ends to meet

Both of us knew it
that there was something
A spark
when we are together
A deep connection
Even if we are living in distance

We may be denying it
when people see us

But clearly we know
that we are not just friends
secretly

Conveying feelings in disguise
Running around the bush

Mutually desiring to see one another's face again
Soon
but only doubt keeps us apart

Only doubt...
NeroameeAlucard Jan 2016
Lust is craving
The flesh of another
Lust is desiring
a late night lover

Lust is grinding and biting
And soaking covers
Lust Is moaning and begging
For the moon never to go under

Lust is powerful,
It's the mortals kryptonite
Lust has driven the best of us to madness
All over the experience of one night

Lust is desire,
expressed through the body
Lust is wanton sin that the devil
Wouldn't relish in
Lust is... this night
Brianna Jul 2014
I like your lips pressed against mine.
Hard and desiring.

I like  the taste of your skin on my tongue.
There's to much I want to do.

I'm ****** up from the inside out.
****** and rude.

I like you.
Do you like me too?
Vladimir Lionter May 2020
I
Colonel Zaev(1), our commander,
Lived seventeen years in Angolian land.
There are no Luanda’s(2) experts better
Than him- he met its ambassadors two hundred
Times. He smashed UNITA(3) and weakened SAR’s (4)
Power. He supported Fidel Castro(5)
And he became famous for counter-attacks.
The Angolians call him Victor-Pastor:
He does always set the young on the right path:
Aoi!

II
Roberto Holden6 was the foe of Neto
He was a monarcho-tribolist.
And he happened to declare vendetta
To foes. His aim’s to banish socialists.
He invited China’s instructors to teach his
Soldiers the skill of fighting retreating under
Kifangondo(7), he’d not swiftly yield positions
Colonel Callan(8) retreated farther
With him. He was a cruel and fearless
Rascal, he was good at arranging ambush in
Woods. He fought hand-to-hand many times
But he was taken prisoner by the Guard
He declared political indifference but the court
To his grief didn’t believe him so that
Then he was quickly and publicly shot.
Aoi!

III
Savimbi Jonas(9) continued that war
Robin Holden quitted his Motherland –
It’s hard to revise views. What’s to be done for
Tearing a half away for his Fatherland?
He went to America, got a Baptist,
As preacher – he was the lost’s lecturer.
He didn’t wish just to be a pessimist
He wanted to live till times more fair.
Savimbi Jonas founded UNITA –
He made up his mind to go underground
MPLA’s detachments were defeated
By the Cubans but they were free quite
For diversions in the city. A new spiral
Of resistance began – two ideologies’
Confrontation took place and in final
It did cost life to many people for this.
Aoi!

IV
Our Victor Zaev, the commander
Of marines often trained us tirelessly
And all of us were not up to laughter
In gas-masks. We loaded incessantly
Our guns, we crossed the equator, anyway
In a moment Poseidon glorifying
By recompense. We stuck to the right fairway,
Neptun’s Day(10) became a great undertaking.
Aoi!

V
Coming to Luanda was usual rather,
The port’s scenery was bright, beautiful.
“Well, beauty!” exclaimed Igor, a warrant officer,
Zaev added: “It’s, brothers, very wonderful!”
Our councilor climbed up a deck as
Head of the Soviet military legation
He tried to explain the situation to us
Continuous seemed to be his Head’s duration.
Then the Cubans’ crew met us, their commander,
Did happen to know Russian at his fingers’
End. He valued the bearing of our landing
Force. And he was called Francisco Ortis.
Aoi!

VI
Here Agostino Neto came with
His suite consisting of twelve grandees
The President was cordial and gay. This
Day was marvellously fine, in his
Speech he praised the ******’s guard arranged
To meet him. He’d not fail to give his regiment
For it. “What an array!” admired said
Antonio. And at this moment
Tanks floated forward out of the hold
To display Agostino manoeures
Antonio began to sweat: old
Allies can always surprise friends, of course.
The Angolians were invited to dinner
And contented officials were standing
But “No!” was Neto’s serious answer,
“We should return for the fight’s resuming!”
Aoi!

VII
We reached Kanton on cruisers. A warrant
Officer cried: “Sound urgently bells”
The Angolians didn’t let us on to the port,
We anchored no outer roads. What was else?
Mattheu Kureku visited us then.
The President of far mountains of Benin,
And we’d appreciate his being of those men
Who were as modest as Ibn- Sina.
We displayed him gifts and even more
Than we wanted: hand- to- hand fight,
The landing force’s landing to the shore.
Mattheu said us his warm good- bye after that.
Aoi!

VIII
Soon we headed for Luanda, how
Long an action had been fought in its suburbs
And suddenly we saw a fishing scow
Six fisher- men were rowing in the ocean’s
Water catching the sight of us they began
To row faster knots increasing as
If punishment waited them but the race did happen
To be transitory. But cruisors’ powers
Are not boats’ powers equal and at last
We caught them, their fish fell to our lot.
The fish’ reserves were enough for a month.
We said with thankfulness: “Thank you a lot!”
The meeting was pleasant for them and us.
Aoi!

IX
Suddenly came order of the day:
To bring in an identification prisoner. Stas
A secrete service man, volunteered. Anyway,
His own fist was of the bull’s head’s size.
And Grigory, head naval petty officer
Then did volunteer to follow Stas.
“Well, who is else?” were the sailors asked after
It. Silence. It’s better to live on deck. At last,
Watching this the captain himself intervened
In it. His bas was heard even in far hold: “Oh,
You, cowards, I’ll feed you to whales, mind it!”
And phrases were not necessary any more.
Thus six more sailors gathered together – they were
Superheroes as if they were handpicked
The detachment of sound, strong men. Chernomor
Himself would take them so quick-witted.
There are not more safe people in the fleet,
There were not, there won’t be, indeed!
Aoi!

X
Here the scouts came down from the deck and they
All went so deep into a foreign land
A hundred verst’s was their sailing away
From the port. Ships from their Motherland
Were seen. Their commander
was the major lieutenant
And he said: “Motherland is calling us!”
In the fleet he was just called Kostya Brandt –
He did lead the scouts bravely forwards!
Aoi!

XI
The detachment marched into woods being dense,
The jungle were rustling around Luanda. It
Was raining cats and dogs, there was entrance
There, there was no exit for retreat!
They covered their necessary ten versts
More on that day they heard their foes’ voices.
They thought: it’s, perhaps, one of hostile posts.
A good luck attended them! The members
Of UNITA waited for them ahead
Savimba knew of Brandt’s group so dare –
Devil. He was warned by an Angolian friend,
The general had friends everywhere.
Aoi!

XII
Even Kostya Brandt didn’t know it
And he led his vanguard through a marshy path
Sailors were like brothers in the detachment.
Everybody was ready to sacrifice
Himself! And suddenly they saw in front:
Tents standing in forty meters from them and
And something went pit- a pat in Kostya Brandt
And he stretched his hand to a pistol hard.
They stole up to the last one, went into it:
It was empty, there were only playing- cards
There: and perhaps it seemed to them far, indeed?
On the ground there were three machine-guns.
Aoi!

XIII
Meanwhile Savimbi Jonas gathered troops
And he made such a speech when warriors gathered
Together: “We’ll die for freedom as heroes
We do not want another Motherland!
We will repulse all the Cuban occupants
We’ve recently sacked all the colonists!
The Soviet landing force’s scouts
Are going here. Near are the communists!
We’ll organize ambush for them behind the tent –
I’m sure they will go into it a at once.
I was informed that there are less than ten
Of them. We’ll **** the foes at once
We’ ll win because there are much more of us”
And selecting one hundred and forty men,
The strongest ones, Savimbi encircled the scouts.
Aoi!

XIV
“Well, that’s all, forward”, Kostya said strictly
The tent’s bed- curtains having half- opened
By his hand. But suddenly he was slightly
Taken aback- he saw foes get in his road
And he did cry: “We shall die for Russia-
Not disgracing ancestors or the Motherland!”
He stepped forward like a sent messia
He had no right to run away like a coward.
Aoi!

XV
Ours defended each other by backs hard
The battle was hot as it was hand- to- hand.
Two sides’ supporters did not know fright
This region was home for the partisans. And
Brandt fought as an ancient lion Neimeyan –
No pistols’ bullets could reach him at all.
He was a mighty, stately warrior European –
UNITA’s terror and poets’ idol!
The partisans had also a strong warrior –
He was called Manuel by Luanda’s citizens
When hunting he became a hero of yore –
He could hit varios marks without miss.
He took aim at the lieutenant’s back so that
A sharp bullet could pierce his heart. He pressed
The sear. And it did hurt Konstantin and
Shroud overshadowed his consciousness
And a celestial disk burning low, meciless
It’s opening a picture before his eyes:
His own mother’s meeting him and he is
Whispering her: “Mum, I’m going to the skies ”
And fell onto the ground Kostya breathless:
People’s blood was shed as the river around
But ours fought desiring nevertheless
To be gone with foes in the palace. Wounded
Stas’ll hit and three of them’ll fall without
Life’s signs. When he hits on the right–eight
Of them’ll fall at once although there are a few
Epic heroes all of them are heroes dead.
The dead can’t be responsible anew.
Aoi!

XVI
They all were dead. There were
three times more foes
Ours and UNITA collected the dead.
And that very day happened to be worth
A week. Bitter news of blood that was shed
Killed us. Our ship was anchored for five days more
We covered Cuban troops from the sea there.
On the sixth day we sailed from the shore,
Painful grief left an after- taste in their
Mouths. And Victor Zaev, our bold
Colonel, was silent in painful sadness,
He had done the last deed for the dead of old.
He presented them with rewards: “For service”
Putting them on each of coffins. All the ******
Were standing being in their low spirits.
Aoi!

XVII
Thus the song of Luanda came to an end
We paid our duty to military Motherland.
We’d drawn up and the commander said:
“Fine fellows! I wish your life to be quiet!”
Then he sailed not a little, I must say.
He waged war in seven companies. “Glory!”
Cry we to him in Navy Day today.
That is the end of the Luandian story.
Aoi!
The Civil war in Angola represented armed confrontation between
quarelling with each other groups: MPLA (People’s movement for
Angola’s liberation, the Labour’s Party), (port.Movimento Popular de
Liberaçao de Angola- Partido de Trabajo, MPLA), UNITA (port. Uniao
Nacional para a Independencia, Total de Angola, UNITA). The war began
in 1975.
1.Victor Zaev is the main hero of the given poetical work, he is an
invented personage;
2. Luanda (port. Luanda)- Angola’s capital;
3. UNITA – see above;
4. SAR – South African Republic;
5. Fidel Castro – Fidel Alejandro Castro Rus; he was born in August,
13, 1926; Biran, province Oriente , Cuba. He’s a Cuban revolutionary,
party and political figure, Chairman of Ministers’ Council and Chairman
of the State Council of Cuba (president) in 1959- 2008 and 1976- 2008.
6. Roberto Holden- Holden Alvaro Alberto (port. Holden Roberto;
January, 12, 1923, Mbanza- Kongo(its former name is San- Salvadordu- Kongo)- August,2, 2007, Luanda). He was also Jose Gilmore, an Angolian founder and many- year leader of the National Liberation’s Front (FNLA). An active participant of the war for Independence and of the Civil war in Angola. He’s a conservative monarcho-tribolist, anticommunist.
He was a member of the Angolian Parliament.
7. “…under Kirfangongondo…” – this battle was from October, 23
until November,10, 1975 in Angola. It was the first common victory of MPLA and the Cubans.
8. the colonel Kallen… – he is also “colonel Callan, a British service
man, corporal of parachute troops’ regiment’s corporal.” He’s an ethnic
Greek and Cypriot (Greek. Kώozaç Γιώργιoν). He’s a participant of the
Angolian’s Civil war, on FNLA’s side. He was executed according to the
court’s sentence in Luanda, on July,10, 1976.
9. Savimbi Jonas Maiheiro, (August, 3, 1934- February, 22, 2002),
an Angolian political and military figure, a partisan leader, the rebel
movement’s founder and the political Party UNITA’s founder from
March,13, 1966 to February, 22, 2002. He was an active participant of the
Angolian war for independence and of the Civil war. He was candidate
for President in Angolian elections in 1992. He was a prominent figure
of Cold War and world anti- communist movement.
10 Neptun’s Day-Nepptun’s holiday, sometimes it’s called “Neptun’s
Day”. It’s a water show. Sailors founded this tradition after their crossing
of the equator.

{2018}


ПЕСНЬ
I
Наш командир – полковник Виктор Заев(1)
Семнадцать лет прожил в стране Ангольской.
Страну Луанду(2) он отлично знает –
Встречал раз двести местное посольство.
Разбил УНИТА(3) и ЮАР(4) ослабил,
Поддержку оказал Фиделю Кастро(5)
В контратаках. И себя прославил.
Зовут его ангольцы Виктор-Пастор:
Он молодых советом наставляет.
Аой!

II
Роберто Холден(6) был врагом для Нето –
По убеждению – монархо-трайболистом.
И объявил противникам вендетту,
Поставив цель – изгнать социалистов.
Он пригласил инструкторов Китая
Учить своих солдат уменью драться.
Под Кифангондо(7) в битве отступая,
Он не хотел стремительно сдаваться.
С ним отступал назад полковник Каллэн(8) –
Головорез жестокий, но бесстрашный.
Засады ставил он в лесах умело,
Не раз бывал и лично в рукопашной.
Но был пленён он гвардией. И вскоре
Всем заявил свою аполитичность.
Но не поверил суд ему на горе –
Он был расстрелян быстро и публично.
Аой!

III
Савимби Жонаш(9) ту войну продолжил,
Роберто Холден родину покинул –
Переосмыслить взгляды очень сложно:
Как оторвать Отчизне половину?
В Америку уехал, стал баптистом,
Как проповедник – лектором заблудших.
Он не желал быть просто пессимистом
И до времён хотел дожить до лучших.
Савимби Жонаш основал УНИТА –
Борьбу свою он перевёл в подполье:
Отряды МПЛА кубинцами разбиты,
Но для диверсий в городах – раздолье.
Второй виток пошёл сопротивленья –
Противоборства двух идеологий.
И жизнями платило населенье –
Война тогда коснулась очень многих.
Аой!

IV
Наш Виктор Заев – командир морпехов -
Тренировал нас часто, неустанно:
В противогазах было не до смеха -
Мы заряжали пушки беспрестанно.
Пересекли в один момент экватор,
Прославив Посейдона воздаяньем,
Наш путь лежал на правильный фарватер.
Нептуна день (10) – большое начинанье!
Аой!

V
Приход в Луанду очень был обычным,
Пейзаж портовый – яркий и прекрасный.
«Ну, лепота!» - воскрикнул Игорь-мичман.
Добавил Заев: «Это, братья, классно!»
На палубу советник наш поднялся –
Глава советской миссии военной.
Он обстановку дать нам постарался,
Поскольку был там, кажется, бессменно.
Затем кубинцев встретила команда –
Их командир знал русский в идеале.
Он оценил всю выправку десанта –
Франсиско Ортис команданте звали.
Аой!

VI
Вот Агостиньо Нето подошёл
Со свитою двенадцати вельмож.
Был Президент приветлив и весёл,
И день был удивительно хорош!
Он похвалил матросский караул,
Поставленный наверх его встречать.
«За них бы полк отдать не преминул, –
Антонио сказал, – вот это рать!»
Из трюма танки выплыли вперёд –
Маневры Агостиньо показать.
Антонио пробил холодный пот:
Союзники умеют удивлять!
Ангольцев пригласили на обед –
Чиновники довольные стоят.
Но Нето отвечал серьёзно: «– Нет,
Нам возвращаться надобно назад!»
Аой!

VII
На крейсерах в Катону мы приплыли
И крикнул мичман: «Склянки срочно бейте!»
Но в порт ангольцы нас не пропустили –
На якорь встали мы на внешнем рейде.
Затем нас посетил Матье Куреку –
Сам Президент из дальних гор Бенина –
Заметим в дань ему как человеку –
Он скромен был как мудрый Ибн Сина.
Ему мы показали все таланты –
И даже больше, чем хотели сами:
Бой рукопашный, высадку десанта.
Матье тогда тепло прощался с нами.
Аой!

VIII
И взяли курс мы снова на Луанду –
Велись бои давно в её предместьях.
Вдруг видим мы рыбацкие шаланды –
По океану плыло ровно шесть их.
Завидев нас, они быстрей поплыли,
Узлов прибавив, будто ждёт их кара!
Не долгими, однако, гонки были.
Любая лодка крейсеру не пара!
Догнали их. И нам досталась рыба –
Запасов тех на месяцы хватило.
Сказали мы признательно: «Спасибо!»
И после встречи всем приятно было!
Аой!

IX
Нежданно вдруг пришёл такой приказ:
Любой ценой доставить языка.
Тут вызвался морской разведчик Стас –
Его кулак был с голову быка.
И главный корабельный старшина
Григорий захотел идти за ним.
– «Ну, кто ещё?» – спросили. Тишина.
Уж лучше быть на палубе живым.
Тогда вмешался лично капитан –
Был даже в дальнем трюме слышен бас:
– «Ну, трусы! Всех скормлю сейчас китам!»
И больше не понадобилось фраз.
Так набралось ещё шесть моряков –
Супергерои – все как на подбор –
Отряд здоровых, крепких мужиков.
Их взял бы даже Дядька-Черномор!
Надёжнее людей на флоте нет
И не было, не будет и вовек!
Ушло в разведку восемь человек.
Аой!

X
Вот с палубы разведчики сошли
И углубились в даль чужой земли.
На сотню вёрст от порта отошли –
Уж не видать родные корабли.
Руководил всем старший лейтенант.
И молвил он: «Нас Родина зовёт!»
Его на флоте звали Костя Брандт –
Он храбро вёл разведчиков вперёд!
Аой!

XI
Отряд вступил в дремучие леса –
Вокруг Луанды джунгли шелестят.
Льют воду каждый день тут небеса –
Зашёл туда и нет пути назад!
Прошли они ещё десяток вёрст,
Услышали чужие голоса.
Подумали: возможно, вражий пост –
Счастливая настала полоса!
Унитовцы их ждали впереди.
О группе Брандта сам Савимби знал –
Его ангольский друг предупредил:
Имел везде знакомых генерал.
Аой!

XII
Сего не ведал даже Костя Брандт
И вёл отряд болотистой тропой.
Любой матрос в отряде был как брат.
Готовы все пожертвовать собой!
И вдруг увидел каждый впереди:
Стоят палатки метрах в сорока.
У Кости что-то ёкает в груди
И к пистолету тянется рука.
Подкрались к крайней и в неё зашли:
В палатке пусто, карты на столе –
А может, померещилось вдали?
Три автомата было на земле.
Аой!

XIII
Меж тем собрал Савимби Жонаш войско
И речь сказал собравшимся такую:
– «Мы за свободу все умрём геройски,
Ведь не желаем родину другую!
Дадим отпор кубинским оккупантам –
Прогнали ведь недавно колонистов!
Разведчики советского десанта
Идут сюда. Уж близко коммунисты!
Устроим им засаду за палаткой –
Они войдут в неё, уверен, сразу.
Мне донесли: их менее десятка.
Возьмём числом: врагов положим разом!»
И отобрав сто сорок самых сильных,
Пошёл Савимби окружать разведку.
Аой!

XIV
«– Ну, всё, выходим!» – Костя молвил строго,
Палатки полог приоткрыв рукою.
Но только вдруг... опешил он немного,
Когда врагов увидел пред собою.
И закричал: «Умрём же за Россию –
Не посрамим и предков, и державу!»
Шагнул вперёд, как посланный миссия –
Он не имел бежать позорно право.
Аой!

XV
Стояли наши все спиной друг к другу,
Был жаркий бой, поскольку рукопашный.
Из двух сторон никто не знал испуга –
Для партизан был этот край домашним.
И бился Брандт как древний лев немейский –
Его не брали пули пистолетов!
Могуч и статен воин европейский –
Гроза УНИТА и кумир поэтов!
У партизан был тоже сильный воин –
Его луандцы звали Мануэлем.
Он на охоте сделался героем –
Без промаха стрелял по разным целям.
Прицелился он лейтенанту в спину,
Чтоб сердце пуля острая пробила.
Нажал на спуск. И больно Константину,
И пелена сознание затмила.
И тут картину взору открывает
Небесный диск, на небе догорая:
Родная мать с войны его встречает,
А он ей шепчет: «Мама, умираю…»
Упал на землю Костя бездыханно:
Людская кровь лилась вокруг рекою.
Но бились наши – было им желанно
Нести в чертог жизнь вражью за собою.
Изранен Стас: ударит – лягут трое,
Направо стукнет – лягут сразу восемь.
Богатырей хоть мало, все – герои
Погибшие. А с мёртвых долг не спросят.
Аой!

XVI
Все полегли. Врагов – в три раза больше.
Забрали павших наши и УНИТА.
И день тот был иной недели дольше.
Мы были горькой новостью убиты.
Ещё пять дней на якоре стояли –
Мы части Кубы прикрывали с моря.
На день шестой под вечер отплывали –
Осадок был от тягостного горя.
И Виктор Заев, наш полковник смелый,
Молчал угрюмо в тягостной печали.
Последнее для павших сделал дело –
Он «За отвагу» им вручил медали.
На каждый гроб он положил награду –
Все моряки в унынии стояли.
Аой!

XVII
Так завершилась песня о Луанде.
Отдали долг мы воинский Отчизне.
Наш командир сказал тогда команде:
– «Вы молодцы! Желаю мирной жизни!»
Он по морям потом немало плавал.
И воевал ещё в семи кампаньях.
В день ВМФ кричим ему мы: «Слава!» –
На том конец Луандского сказанья!
Аой!
{31.12.2015}

Гражданская война в Анголе представляла собой вооружён-
ное противостояние между враждующими группировками: МПЛА (Народное движение за освобождение Анголы – Партия труда (порт. Movimento Popular de Libertação de Angola — Partido doTrabalho, MPLA), ФНЛА (порт. Frente Nacional de Libertação de Angola,
FNLA) и УНИТА (порт. União Nacional para a Independência
Total de Angola, UNITA). Война началась в 1975 году, а завершилась
в 2002 году.
1. Виктор Заев – главный герой данного поэтического произве-
дения, вымышленный персонаж;
2. Луанда (порт. Luanda) – столица Анголы;
3. УНИТА – см. выше;
4. ЮАР – Южно-Африканская республика
5. Фидель Кастро – Фиде́ль Алеха́ндро Ка́стро Рус (исп. Fidel
Alejandro Castro Ruz; род. 13 августа1926; Биран, провинция Орьенте, Куба) – кубинский революционер, государственный, политический и партийный деятель, который являлся Председателем Совета министров и Председателем Государственного совета Кубы (президентом) в 1959 – 2008 и 1976 – 2008 годах.
6. Роберто Холден – Холден Альваро Робер-
то (порт. Holden Roberto; 12 января 1923, Мбанза-Кон-
го (тогдашнее название – Сан-Сальвадор-ду-Конго) –
2 августа 2007, Луанда), он же Жозе Жилмор (порт.José Gilmore)
– ангольский политик, основатель и многолетний лидер Национального фронта освобождения Анголы (ФНЛА). Активный участник войны за независимость и гражданской войны в Анголе. Консерватор, монархо-трайбалист, антикоммунист. В 1992 – 2007 годах– депутат парламента Анголы.
7. «…под Кифангондо в битве…» – это битва при Кифангондо,
которая произошла с 23 октября по 10 ноября 1975 г. в Анголе и стала первой совместной победой МПЛА и кубинцев.

8. «…полковник Каллэн» – настоящее имя Костас Ге-
оргиу (греч. Κώστας Γιώργιου, англ. Kostas Giorgiou; 1951 –
1976), он же «Полковник Каллэн», Colonel Callan – британский военный, капрал парашютно-десантного полка. Этнический грек-киприот. Наёмный участник гражданской войны в Анголе на стороне ФНЛА. Казнён по приговору суда в Луанде 10 июля 1976 года.
9. Савимби Жонаш – Жо́наш Малье́йру Сави́мби (порт. Jonas
Malheiro Savimbi; 3 августа 1934 – 22 февраля 2002) – ангольский политический и военный деятель, партизанский лидер, основатель повстанческого движения и политической партии УНИТА. Лидер УНИТА c 13 марта 1966 по 22 февраля 2002. Активный участник ангольской войны за независимость и гражданской войны. Кандидат в президенты Анголы на выборах 1992. Видный деятель Холодной
войны и мирового антикоммунистического движения.
10. «Нептуна день…» – Праздник Нептуна, иногда –
«День Нептуна». Водное представление. Берёт основы от тради-
ции моряков при пересечении экватора.

Translator - I. Toporov
nadine shane Dec 2017
i am
a confusing person.

i may
love things
that i hate;

i may
hate things
that i love.

sometimes
i adore the sun setting
and i close my eyes
as the sun drapes itself
with dust and memories.

then
i despise the way
the sun rises
with false anticipation
for children chasing them,
desiring to touch
even a glint of gold
and sunlight.

but i try not to love
the way your crooked smile
makes everything look
endearing.

because
i am afraid
that i will soon learn
to hate it.
please do not make me adore you.
Miranda Sep 2018
What once is now was
My feet tread delicately over egg shells
Balance on unsturdy tightropes
My body's equilibrium thrown off
My legs shake like an earthquake of emotion
From outer to inner core, I see
A slimmer of green light, my american dream
I am the Great Gatsby
Holding onto a bit of the past
Desiring it to become the present
To the future of mine
Yet with soft words
I am met with inevitable flames of anger
A rage so powerful, so dangerous
So provoking, prodding me like a cow
The man I was born from
Whom is supposed to defend me
Is one that destroys me
His words conform, turning into a wrecking ball
Slam into my heart, destroying it
Pieces fall down like pebbles tip, tipping against a lover's window
Except it taps the windows of Satan
Awakening unknown, terrifying horrors
As bottles clink, can crash, alcohol splatters
So does the confidence I once had
mbm

— The End —