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Ember Evanescent Dec 2014
There is a very large difference
Between critiquing something
And bullying someone
Critiquing helps a poet grow
KINDLY suggests new ideas
The poet could consider
But in reality
Someone's critiquing
Is not necessarily "the right way"
Because NO poet
Is superior
To others
So any critiquing
Is allowed to be accepted
Or ignored
That is up to the poet
Who is being critiqued
And they are perfectly within their right
To ignore the critiquing
Or to listen to it
And anyone
Is within their right
To RESPECTFULLY
Critique another's work
(Unless they specifically ask them not to of course, some just write for themselves and to express emotions, not to grow as a poet and that is perfectly okay.)
BULLYING
Is critiquing another
IN AN UNKIND FASHION
in a self-important, cruel, egotistical, pathetically self-righteous fashion
Critiquing
SHOULD NEVER
hurt another's feelings
Or harm their emotions
There is no such thing as "too sensitive"
You are not allowed to judge anyone else
For their level of sensitivity
That is not for you to analyze
And that just makes you
A horrible pathetic MEAN person
If you have hurt them
It is YOUR FAULT
even if you didn't mean to
and honestly, I have been at fault before for that too
but it is then YOUR RESPONSIBILITY
to fix it
to try to apologize
to explain what you meant in a kinder way
and recognize
your opinion
which you are entitled to
but your opinion
is not the only one
and it is not necessarily RIGHT.
I have read some comments that are horrible and pathetic and just plain CRUEL

Example of bullying:

http://hellopoetry.com/poem/978695/the-poetic-message-i-was-going-to-send-fourth-to-steel-before-he-blocked-me-like-a-coward/
SY Burris Oct 2012
To whom it may concern,

     I am alone.  Although it may never quite seem that way, both night and day I am confined to solitude.  These past six years hitherto have been filled with nothing more than the fictional characters in my texts and the short pleasantries granted in passing by dismal men, women, and even children that occupy my days.  Each morning, as the dawn breaks, I wake up disgusted with myself in that same manner which sundry men and women have.  It is not the loneliness, however, that disgusts me.  No, I do believe I have grown quite fond of the residual silence.  Instead, I believe it to be the dull monotony of my routine that has left me truly disturbed.  The days have begun to fade in with each other, along with the nights---especially the nights.  I cannot say, for instance, whether or not it was last evening or that of a day three months afore that I was seated at my desk, much like I am now, finishing the latest draft of a poem in my journal.  Nor could I tell you the present date, although the heat of the day, still trapped in the rafters, is so persistent that I am obliged to say it must be one of those blue summer nights when children run, squealing, through the streets, like plump pigs to the trough.  I have become somewhat of a hermit, secluded in my small, run-down apartment above my bodega.  My mind has grown as wild as the violet petunias, bridging the gap over the narrow, brick walk which separates my garden--- as the myriad of dandelions that have invaded the surrounding lawn.
     Throughout the day I work the till in my shop, observing the assorted physiognomies that populate the three small isles.  As they walk up and down, deciding what they most desire, I, too, contemplate to myself, deciding the few whom I might admire should I get the chance.  I often attempt to strike up conversations with my customers, much to their dismay.  I comment on the weather, the soccer scores from a recent game, or perhaps a story from the local section of the Post & Courier, only to receive terse responses and short payments.  However, I never let these failed attempts at congenial conversation discourage me.  Day after day, I persist.
     The nights are easier.  Although I do not attend the boisterous bars spread out amongst the small restaurants and boutiques that line the narrow city streets as I once did, I often drink.  Seated alone, armed with a liter of Ri, two glasses, one with small cubes of ice and one without, and a pen; I waste my nights scribbling down nearly every thought that leaps into my inebriated mind.  My prose has yet to show any real promise, but my thirst to transcend from this pathetic, pseudo-intellectual literature student struggling with his thesis into something more drives me to ignore those basic desires, defined by Maslow as needs; venturing out and exploring the community that I inhabit or talking to another person as a friend.  So I sit, night after night, at the foot of this large bay window, looking out onto the tired faces of the busy street below.  I sit, night after night, tracing the streaks of red light from the tails of passing cars, imprinted in the backs of my eyelids like sand-spurs stuck in a heel.
     I can recall a time when my flat was not the dank, dimly lit hole in the wall that it has become today.  A time, not too distant, when the rich chestnut floorboards glistened beneath the fluorescent pendant lights, when champagne dripped like rain from the white coffers in the blue ceiling, and music shook the walls and rattled the windows.  Men and women alike would wander through the rooms, inoculated by my counterfeit Monet's and their glasses of box wine.  When not entertaining, I wrote.  At long length I sat beneath my window, proliferating prose or critiquing a classmate's from workshop, but those days have passed.  The floors no longer shine; instead they lay suffocating under piles of fetid clothes.  The halls no longer echo with the rhythmic chorus of an acoustic guitar or the symphonies of men and women's laughter;  the lights are burnt out, the paint is peeling off the walls, and the homages are concealed beneath vast fields of mildew and mold.  Puddles of whiskey sit unattended on the granite countertops around the bottoms of corks for weeks, allowing the strong scent to foster and waft freely through the air ducts into the store below.  The dilapidation that ensued after I stopped receiving visitors was not just of the home, however. Worse yet was the steady rot of my own mind.  Although I have often been referred to as "a bit eccentric," and often times folks would inquire if I had, "a ***** loose in [my] noggin," I have only recently begun to find myself walking about the neighborhood garden in the small hours of the morning more than occasionally.  Further still, it is only recently that I cannot remember how, or when, I came to be where I am. Whenever I do happen to roam the night, it appears as if I do it unbeknownst to myself, throughout the throes of my sleep.  Similarly, I have only just begun to notice that, often times while I attempt to write, I sit, talking feverishly---yelling at an empty bottle, until I find another to quench my thirst.  Luckily, there is always another bottle.
     Needless to say, these past few years have left me very tired, and, after much consideration, I have decided that it would be best if I were to "shuffle off this mortal coil."  However, much like Hamlet himself, I could never bring myself to act upon the feeling.  Though I often wonder about what awaits me after my last breath warms the winter of this world, the coward that I have become is in no hurry to find out.  Alors, I am left with one option: leave.  Though I am not yet brave enough to slip into that, the deepest of sleeps, I have gathered courage enough to walk throughout the day.
           Charon Solus
B Irwin Apr 2016
In society,
Women are always told they are too much.
Too angry, too calm
Too quiet, too loud
Too big, too small
And we are all of these things
We are angry.
Angry about the internalized oppression that still flows on a day to day basis. We are angry about our predefined roles of what girl is, what girl should be.
And we are too calm.
Calm about the man that called you a name in the street and all you wanted to do was cry
Or the teacher that told you you couldn't do what you wanted because it was a mans place, not a woman's
You should have yelled, but you didn't. Because we are too calm.
We are too quiet.
We are silenced.
Our opinions are ranked of worthiness by our physical features, our body types. Our intelligence is last to our ****** appeal. We can not be heard through the babble of social media judging and critiquing and pointing out our flaws. So we are quiet.
And we are loud.
We have the ability to speak for the world. To weave the revolution out of the words of women. We have the voice to speak to our sisters globally, teach women that we are loud. We can drown out prejudice with the power of voice and bring down the barrier of how a girl should be.
We are small.
Told that our personalities are preset by the gender normalities that the patriarchy has placed, we are shrunk to fit our predefined roles. They cut us into shapes so we can not realize that we are so much bigger.
Because we are big.
We are huge. We have global impact. While we are cut down, I would like to see us glue each other back together. I want to see women take back our voices. I want to hear women all over the world speak how they feel, bust through the barriers of what the patriarchy has told them. Fight back against their rapists, abusers, silencers. When someone tells you that you are being too much, say "I am. And I am becoming so much more."
PrttyBrd May 2014
you may call it
critiquing
but you're just an *******
52914
Jaimi M Oct 2014
I can hear
my thoughts
bouncing around
my mind,
ricocheting
off of my
moments,
and critiquing
my actions.
I have never
understood
how I am so
******* myself
when the world
doesn't even seem
to notice
my biggest
mistakes.
-JRM
Brandon Apr 2012
If your poems put
Me to sleep, I won’t listen
To your lame critiques
i'm feeling ornery today

'You're so vain you probably think this poem is about you'
I am worn down, exhausted and depleted; tired of self.

I am torn down by the mediocrity of men and women that
cannot see the façade that blinds themselves and captures
their thinking, rendering them ineffective, therefore they lash out with
false perceptions, unwilling to embrace and acknowledge
the error that lies within their own garden of eden and deception locks
their tongues tightly choking out the very breath used to speak
hypocritically of others.

From the outside in I see myself standing in a crowded space
within “my being” and all of the chatter of endless voices critiquing
“the me inside of me” confuses and distorts my ability
to comprehend  the distance and direction I should be traveling in.

I keep “bumping into myself many times over”
because self will not move out of my way
to allow me to gauge the time and distance it will take
to straighten my path.
I am stuck in the creases of my frown,
it being sometimes dark inside,
yet striving “upward” to a place of stability,
knowing that my end is “far yet to come”.

With instruments of humility leading me,
“something” within the interior of my mind
sands the walls of my thoughts down to clarity,
assisting me in an uncomplicated manner.

This  allows me,
to perceive the portrait
of self,  I have created, and
this complex dilemma I live in
forces me to embrace the contents of the “self perceived” reality around me,
making it easy…. and freely…for me
to “escape the abrasiveness” of the way
“I” see, ‘I” think about…and the way “I” judge myself
when it is not necessary…

©2013
Seán Mac Falls Mar 2015
Things I Can Say About MFA Writing Programs Now That I No Longer Teach in One


"You’re going to need to spend a lot of time alone." - James Yamasaki


I recently left a teaching position in a master of fine arts creative-writing program. I had a handful of students whose work changed my life. The vast majority of my students were hardworking, thoughtful people devoted to improving their craft despite having nothing interesting to express and no interesting way to express it. My hope for them was that they would become better readers. And then there were students whose work was so awful that it literally put me to sleep. Here are some things I learned from these experiences.

Writers are born with talent.

Either you have a propensity for creative expression or you don't. Some people have more talent than others. That's not to say that someone with minimal talent can't work her *** off and maximize it and write something great, or that a writer born with great talent can't squander it. It's simply that writers are not all born equal. The MFA student who is the Real Deal is exceedingly rare, and nothing excites a faculty adviser more than discovering one. I can count my Real Deal students on one hand, with fingers to spare.

If you didn't decide to take writing seriously by the time you were a teenager, you're probably not going to make it.

There are notable exceptions to this rule, Haruki Murakami being one. But for most people, deciding to begin pursuing creative writing in one's 30s or 40s is probably too late. Being a writer means developing a lifelong intimacy with language. You have to be crazy about books as a kid to establish the neural architecture required to write one.

If you complain about not having time to write, please do us both a favor and drop out.

I went to a low-residency MFA program and, years later, taught at a low-residency MFA program. "Low-residency" basically means I met with my students two weeks out of the year and spent the rest of the semester critiquing their work by mail. My experience tells me this: Students who ask a lot of questions about time management, blow deadlines, and whine about how complicated their lives are should just give up and do something else. Their complaints are an insult to the writers who managed to produce great work under far more difficult conditions than the 21st-century MFA student. On a related note: Students who ask if they're "real writers," simply by asking that question, prove that they are not.

If you aren't a serious reader, don't expect anyone to read what you write.

Without exception, my best students were the ones who read the hardest books I could assign and asked for more. One student, having finished his assigned books early, asked me to assign him three big novels for the period between semesters. Infinite Jest, 2666, and Gravity's Rainbow, I told him, almost as a joke. He read all three and submitted an extra-credit essay, too. That guy was the Real Deal.

Conversely, I've had students ask if I could assign shorter books, or—without a trace of embarrassment—say they weren't into "the classics" as if "the classics" was some single, aesthetically consistent genre. Students who claimed to enjoy "all sorts" of books were invariably the ones with the most limited taste. One student, upon reading The Great Gatsby (for the first time! Yes, a graduate student!), told me she preferred to read books "that don't make me work so hard to understand the words." I almost quit my job on the spot.

No one cares about your problems if you're a ****** writer.

I worked with a number of students writing memoirs. One of my Real Deal students wrote a memoir that actually made me cry. He was a rare exception. For the most part, MFA students who choose to write memoirs are narcissists using the genre as therapy. They want someone to feel sorry for them, and they believe that the supposed candor of their reflective essay excuses its technical faults. Just because you were abused as a child does not make your inability to stick with the same verb tense for more than two sentences any more bearable. In fact, having to slog through 500 pages of your error-riddled student memoir makes me wish you had suffered more.

You don't need my help to get published.

When I was working on my MFA between 1997 and 1999, I understood that if I wanted any of the work I was doing to ever be published, I'd better listen to my faculty advisers. MFA programs of that era were useful from a professional development standpoint—I still think about a lecture the poet Jason Shinder gave at Bennington College that was full of tremendously helpful career advice I use to this day. But in today's Kindle/e-book/self-publishing environment, with New York publishing sliding into cultural irrelevance, I find questions about working with agents and editors increasingly old-fashioned. Anyone who claims to have useful information about the publishing industry is lying to you, because nobody knows what the hell is happening. My advice is for writers to reject the old models and take over the production of their own and each other's work as much as possible.

It's not important that people think you're smart.

After eight years of teaching at the graduate level, I grew increasingly intolerant of writing designed to make the writer look smart, clever, or edgy. I know this work when I see it; I've written a fair amount of it myself. But writing that's motivated by the desire to give the reader a pleasurable experience really is best. I told a few students over the years that their only job was to keep me entertained, and the ones who got it started to enjoy themselves, and the work got better. Those who didn't get it were stuck on the notion that their writing was a tool designed to procure my validation. The funny thing is, if you can put your ego on the back burner and focus on giving someone a wonderful reading experience, that's the cleverest writing.

It's important to woodshed.

Occasionally my students asked me about how I got published after I got my MFA, and the answer usually disappointed them. After I received my degree in 1999, I spent seven years writing work that no one has ever read—two novels and a book's worth of stories totaling about 1,500 final draft pages. These unread pages are my most important work because they're where I applied what I'd learned from my workshops and the books I read, one sentence at a time. Those seven years spent in obscurity, with no attempt to share my work with anyone, were my training, and they are what allowed me to eventually write books that got published.

We've been trained to turn to our phones to inform our followers of our somewhat witty observations. I think the instant validation of our apps is an enemy to producing the kind of writing that takes years to complete. That's why I advise anyone serious about writing books to spend at least a few years keeping it secret. If you're able to continue writing while embracing the assumption that no one will ever read your work, it will reward you in ways you never imagined. recommended

Ryan Boudinot is executive director of Seattle City of Literature.
Moon Humor Sep 2013
Day after day you're
critiquing, pulling apart
anguishing over pointless details

You scold, you demand
your silent booming voice is ugly
never stops reverberating between my ears

Torture and twist
even after they tell me,
"You look sick"

You paint cold purple
streaks up and down my skin
You deny me time and time again

Each rib has been counted
scrutinized through my skin-
but it is never enough in your eyes

I feel insane, wishing I could
scream and shout
out of my head to drown you out

Today I love you
as you're an old friend
Tomorrow I hate you
as you put me through hell again

I've tried to silence you
yet I always give in
ending up in my own prison.
Shivpriya Mar 2023
Poetizing side of critiquing light!

The poets write.
They love their decisiveness.
If the literature has to rank according to the involvement of their motives, then creativity, which is amicable, can imagine itself to have the sentence to death.

Any series of limitations can rage but can't stop anyone. Let the independent commemoration treat its principles with the verses of love.

Those are diligently committed to coordination for rising poetically.
They will contribute their lyricism of heart.
©shivpoetesspriya
Album Name- Occasional Poems!

Posted on- World Poetry Day
Tue, Mar 21, 2023
Styles Oct 2014
Constantly spending my energy
On my enemy and its draining me
Holding me down
My spirit agrees with me
The details of their cruelty
Is distracting me
Poisoning my flesh
Draining me effortlessly
Powered by jealousy of those that envy me
Securing my securely with my insecurities
critiquing my ability endless
Even the blessing, the favors given to me
Bigger person than them,
So they hated me.
I had faith,
stayed constant on my guard
Negative comments
And other forms or hate
Don't penetrate.
Became wise
Then realized
That their despised
Was just to disguise
The envy that lies
in their eyes.
My walls go up,
They look surprised.
Elaenor Aisling Feb 2014
I am a paradoxical mix of vanity and self-hate.
I will catch my reflection,
caught in the lure of my own eyes,
wide, dark olive drab, soulful, some might say.
The full lips, naturally red.
Slender limbs, well made.

The next moment,
I am all acne scarred skin, pock marks,
tiny *******, weak chin, critiquing the weight my bones carry,
tracing through every thing I've eaten that day,
decided, on a biased scale, if it was too much,
and how much work
will be needed to take it off.

The dichotomy of beauty and ugliness,
each raising separate voices
within the same body.
Both deadly sins, in their own right.
My mind reminds me, I am more than body,
I am also a soul,
but my body if fond of stifling it.
Nat Lipstadt Jan 2017
~
for T.M.R.
~

We find our poems in many different ways.  Of late,
I keep finding inspiration in the public and private messages that many of you send to me, regarding poems I choose to publish here.

So I repeat my disclaimer,
"any message you send, can and will be used as a poem."

~

instant recognition at levels so deep within,
what are the odds, given the enormous differentials,
that the kin in kindred, would blossom across two lives,
where the oppositional factoids are exceptional

as if seeded in the fertile soil of the blank spaces,
between each of our poem's words and verses,
there secreted for each other, but gleaming visible
for all to see and uncover, even join in,
uncovering semi-hidden insertions and assertions of affinity

I confess

she stands behind me ofttimes in my mind, silently,
suggesting, reflecting, critiquing a word choice,
a nuanced pressure upon the hand redirecting,
with infiltrating suggestions imaginary

oh wordy me, four stanzas excised,
abstracted from the memories contained within my fingertips,
this, an accolade to the pleasuring of humanizing mystery connectivity,
when she, in the depth of her stylized brevity,
captures more than I, after hours of exercised trying,
in the succinct excalibur of her comprehension

*"We are an unstated understood"
Adam B Feb 2010
R&R
I've been lost at the gates ever since conception,
middle of a 4-stop intersection with a mouth full of questions,
muffled moans and groans sublimate my message,
diluting the essence, fragmented and pinned down
to the dissection tray, with blurred vowels and words
contrived to a sentence.

The surgeon contains the lesson beneath his
shivering hands, carried across his stuttering voice
high strung shattered memoirs, depicting conflicting
moments of clarity and calamity, shaking and swerving
amongst the wavelengths, searching for an ear to rest in.

Blind and burned from the giving hands of deception,
greeted by synthetic smiles and idle eyes,
confronting and critiquing confidential trials,
spoken words in tongue, gasping dry air and stale smoke
with hacks and coughs, collapsing a lung.
Solved the puzzle, 10 down and 10 across,
pervading and staining blank white cubes,
with lines and dots invading, crude man made
brain-teasing tubes, revealing the question through
the only answer: Relentless reflection.
C S Cizek Apr 2015
I’m sitting on a fume couch with ashtray
legs, counting the khaki strands
in the beaded curtain that dices
the hallway up into barcodes. The table
by the fridge is a cable spool lead-
painted to match the molding. Around
it is a mesh-back lawn chair, a SoCal
fold-out from a SoHo dumpster,
a spill-trayless booster seat,
and a bottle cap barstool. Everyone’s
wearing second-hand sport coats
with seam stitches as loose as telephone
wires tacked up with undersized lapel
pins.

**** Capitalism. **** Disco.
Bathe Avant-Garde. Eat Paint.
Bleed *******. Smoke Local.
Espresso, Or Genocide.
Dresden Was A Lie.
Shrink-Wrap It All.

Everyone is clustered around the cinder-
block stand record player, grooving
to the pops, looking like a rag-tag tide
change beneath the broken-oar ceiling
fan. Everyone’s wearing ironic scarves
tight like corporate ties to keep their throats
from popping ten-cent parasols, loose tobacco,
and *******. Amid their rubber flower talk,
I can pick out San Pelicano, someone critiquing
Keats’ “Politics,” and a rant regarding some
guy downtown’s stab at post-contemporary
Pointillism in some gallery I’ve never heard of.

They’re flipping between topics like a Moleskine notebook
while I skim through a copy of the Onion,
teasing the edges with a lighter I found on the floor.
sincelastjune Oct 2014
my girl?
she is like lighting
deadly and quick

my girl?
she's beautiful
on the inside and the outside

my girl?
she has a big heart
if you had to draw it to scale
it would be the size of mars

my girl?
she laughs at everything
which makes me laugh at everything

my girl?
she is precious
like blood diamonds

my girl?
she is insecure
always critiquing herself
it breaks my heart

my girl?
she knows what she wants in life
and how she will get it
independent, to say the least
determined, would be the understatement of the century

my girl?
she keeps me happy
while i keep her happier

my girl?
she is far from perfect
but she is everything i could ever want

my girl?
she is asleep right now
i think i will send her a message
telling her why she makes my heart
act like a banshee in my ribcage
Ankit J Chheda Jun 2016
Excellence, in my humble opinion, is overrated some times,
Critiquing society while being a part of it is a little hypocritical,
Life is often suffocating, making us feel worthless,
Like we have achieved nothing in our lives,
But it takes so much courage and strength to be oneself every day,
Let the stray voices bring you down not be heard
And remember you are who you were born to be,
You didn't have to be able to fly to be my Superman
Tomas Denson Aug 2015
And here you see the forlorn man
facing backwards along his span of years
critiquing each time of neglect
confronting past decisions with a sneer
lamenting the decades of regret
should have been more
could have been better
held on too tight with grasping claw
let go that which he ignored
mistakes strangling forward thought
so trapped and caught at last
before the end already stopped
endlessly cycling through the past
standing stationary on the road of life
face down in mud on the verge
screaming at others, not this way!
ignored perhaps pitied
if thought of at all
even in his own mind
for he is forlorn.
Hailey Piper Jun 2018
The smell of stale smoke lingers through our hair,
A staunch like presence,
but never fully there.
Yellow stained fingers,
and blood soaked knuckles..

hammy-downs that don’t fit quite right,   awake critiquing ourselves late at night.
Hoping and preying not to become what we’re destined to be.


Drifting through the slums,
Seeking some kind of pleasure.
Friends and family succumbing to ice,
Melbourne’s national treasure.

Young souls corrupted,
so much potential forsaken.
One hit,
And it’s total annihilation.
MITCHELL Jul 2013
Sun shimmering blue and cold
praise the sun!
Clandestine meetings of silver and gold
Mother of the fortunate child
Shouting the sounds of silence
Sitting and wondering what race is god!
While found and forgotten similes speak volumes
Into deaf ears
So we watch silent movies
Critiquing the way people looked
Cautious of the false deities that seek to enslave the sheep
In the same instant the bold and brave dance alongside the noble stars
Waiting for the cats and dogs to rise up
And inherit the earth,
With forsaken celestial beings
Disregarding their responsibility to salvage
All that breathes lies.
We can wait until today's tomorrow
Because theres more beauty in simplicity
than there is simplicity in beauty.
*of course
Dark n Beautiful Sep 2015
When I walk through a room and
If the silence is too cunning and too strong
I recall a poem: I once read Bird of Texas
I usually let my eyes zoom in on a target
Most of the time, it’s the exit
With the red lights, or the doors with the double bolts

Poetry writing is like double bolts locks
We lock our thoughts and emotions inside ourselves
and worried about what others might think of us
I seriously doubt that Dr. Seuss worried about his unique way of rhyming

Do not like them,
Sam-I-am.
I do not like
green eggs and ham.


Same here with me, I don’t care if you like my poems or not
My eventuated submission: or my manner of speaking.
Is your way of critiquing gratifying Sam I am?

Do not like them,
Sam-I-am.
I do not like
green eggs and ham
.
addy r Jan 2014
The year twenty fourteen.

A year has passed, deeds have been done and new challenges surface.  What does this year hold for any of us? Will it brush the dust off our bones? Awaken our lifeless souls? Or instead set our bodies on fire in revenge?  

Resolutions will be passed, but will anyone actually fulfill them? They'd be hanging from a thorn in their minds, just waiting to die, while the people decide what to do with them.  

Lyrics to future hits will be written and left helpless in recording studios while producers muse over each and every verse, critiquing the words, and possibly changing destinies.

New Year decorations will be taken down and Christmas has long gone. Winter has turned into Spring and what's next?

I'd just be watching the leaves of trees take the form of multiple personalities and colors, dying every time they have to change. I'd watch them fall off branches to pile up on the ground, only to be raked into another pile to be taken far, far away from home. I wish I could be like them, on to places beyond.

My bones have not grown stronger, and "New Year New Me" is complete ******* because nobody can be changed by a mere thought. Careful consideration, time and other things must come into play. I still feel weak at the knees with every sight of you, and my head and heart don't agree with everything either wants to do.

The stars and the Moon speak to me, and tell me about all their stories from the past year. They tell me to catch falling stars should I see any, and to count the stars instead of counting money, which has no value on its own.

But how can I tell anyone at all that I'd rather be in the universe of my own mind than anywhere on earth where civilization can be found? Will they take offense? I don't know. All they ever do is tweet about how school is going on, and how they love their friends. I've forgotten how to speak the same language as them and I know I'm an alien now.

I do not belong on this earth.

As of 2014.*


-x.o.
Venny Mar 2016
You wear your shimmering black crown as you breaks others down. The vainly shined gems crooked with harsh words and skeletons trapped within them.  Your  ball gown dripping with the tears of ones you have brought down.  Walking down the red carpet laid down by the demons you have made your friends.  Pointing your finger at the world and critiquing the lost. Not caring of the pain that it costs.  Your ruby red lips emptying a venom so toxic,  so deadly,  and steadily a direct hit.  A fire within you that burns souls. Covering the mirrors all around to hide your own flaws and see yourself, never opening those self evaluating doors.  As I watch from my chair as you just don't care.  You berate me,  and say that you love me but hate me.  You have rusted my crown, so crooked and brown. You have broken my throne, and left me alone. But someday you will rip off your undeserving crown and will see your real self and truly be found. You  will rip off the curtains and stare into the mirror, and your cruelty,  regrets, and mistakes much clearer. Dear sister, one day you will see,  how truly destructive your reflection can be.
My sister truly hurt me and I had to let it out
Brenden McNeil Jun 2012
There is a little lad inside my head.
He sits in his arm-chair critiquing with lead.
Posting pages of notes upon my walls,
Of moments where I wish I saw:

The way she looks and stares with grace,
A broken down car and the man who waved,
The bluejay who perched upon the sill,
And moments that I could never fill- again.

With a marvelous triumph I give him praise,
For the things I have learned, improving future days.
If it were not for the little lad inside my head.
I would be cold and empty and without a worthy head.
Jess t Jun 2010
This doesn’t mean anything
The words aren’t for you to understand
Or smile. Or enjoy
It’s for me
I
Selfish words
Spilling
Because I cant fully spill my heart
Typing so it’s even less personal
Than the greats before me
In ***** sneakers next to Emily
Oh and those old guys sipping tea
Porcelain saucers, and lace
Clash with a hoodie and hidden liquor
Nothing to talk about
Because they are real
And I’m just a poser
I need to be forced into submission
To leave the lazy route
But the words typed flow
Trickle down like a spring in the spring
how repetitive
Eloquent?- I think not
Skills- lacking
But no one is criticizing or critiquing
Just me- alone in a cubby
Hey Emily, wanna come over?
I got an empty seat and a pen with your name
Or would you rather just type?
Copyright Jess tallini, 2010.
I ask you,
Please tell me,
If you know,
I have a question,

But the answer eludes me.

So you wonderful people of the internet,
(Oops, there goes the fourth wall...)
This question may not even have an answer.
Wouldn't that ****?

Ok, so the question.
To ponder of yourself.
Also, the only really poetic part of this work...
(Is critiquing your work in that work pretentious? I don't know. Anyway, back to the poetic crap. )

What world will will you find,
When you leave this world behind?
And what world will you leave behind,
When you run out of time?
What will children say of you?
What will your legacy be?
Did you use each day by day to do
Something worth memory?
What was that? Does that even count? Can he do that?
I DO WHAT I WANT
stephanie Feb 2021
is it possible
to view the past with an affectionate eye?
will i stop judging
critiquing
cringing
at every thing i’ve ever done?
what is childhood
what is innocence
if not for the blissful ignorance that accompanies it?
i miss being a child
to be free
uncaring
i could change if i wanted to
but i guess i fear change
who doesn’t
my first poem!
Aaron McDaniel Jan 2013
I've lived in a palace of hatred
Walk through the corridors, aimless
Set friendships a blaze
Mind was a haze
Stayed Ignorant to the page

One Day a glimmer of hope
A Tattooed man, long gone from the pope
Tried to show me his ways
Teaching, critiquing, skills would extend
That glimmer of hope was a pen
An idea that I drew from the poem "The Land of Happy" by Shel Silverstein (1930-1999)
Andrew Wenson Sep 2013
We only bathe on Thursday afternoons
That being the right time
To stand bare within the steam
To cast away the cloth of culture
To embellish our odors
and breathe, finally
Through our nostrils

We’re the last of an ancient order
Once bent on conquest
Now content
with Netflix

We stand upon patios
Critiquing America's backyards
Before we indulge
in *** and pool-hopping

I know there are more of us
In the cities and trash heaps
Yet the only two I’ve met
Are myself, and my love
We will leave this ******* Babylon
We will find our lost clansmen
We’ll search the libraries and graveyards
And reunite with our-selves
Zoe Lynne Feb 2011
poetry is meaningless
words are just the same
untouchable
by our own experiences
ungraced by that of others
there is an
infinite beauty
in the endless possibilities
but its nothing real
instead their own world
revolving
evolving
dissolving
into new connotations
to impact someone else
never less applicable
never more knowing
"tragically" unfeeling

words

they say anything you want
and tell them-
the audience,
what they need.
its not desire
for self exploration
they're looking for
Then they would write
instead,
they depend on you
the "poet"
to describe them
to tell them who they are
and how they feel
since beyond you-
it's a mystery
their mirrors are broken
covered in hairspray and cheap perfume
with all those moments of regret
clinging to the glass in faded memories
frosting it just enough
that nothing is clear
so its safe
and then
when you tell them
when you use these illusive words
to bring enlightenment
into everything they are
and ever will be
with a general abstract
they can relate to
they get the option
of becoming a connoisseur.
of speaking as though they know
because somehow its so familiar.
(Like the days at their granparents house
back when they were a child)
but because they know
even vaguely,
you've given them the right to rejection
to denial
and self righteousness
to civilized critiquing
when really
they're just missing the point
and honestly
im not angry enough to care
maybe later
but right now-
i just want the words
to speak
so that i
dont have
to say anything
Blood On The Tracks**

It spoke in rhythmic transgressions, lifted from the dotted line. It held. It fell.

Polka dots made up of tiny horizontal lines, intersecting with vertical peers.

Overindulging on the semblance of fact, just to seem like they’d grown up a bit.

Self-engrossing indoctrinations to be preached out and blown over…for the rabble it was.

“When something’s not right, it’s wrong.”

Wide-eyed on sleep craved incognizance. It had all gone on too long.

They tried to force their hand, critiquing structure through the veil of a cabaret roused in the liveliest of their rooms.

Stormy shores swept to sea lit calm as the doorframe shook.

Set for a strut, intent on curbing this freshly acquired sensationalism.

Gravity logs its presence through rain dropped conviction…a steam engine sounds off in the distance...finality.
David Johnson Oct 2013
In Society, we blend with motions.
This distance we travel, the face we see.
Some the same, Some Unusual,
Some unaware of anything, but the time, of day.

Careful observations became my critiquing.
Noticeable explanations,
For why someone was a certain way,
That certain way.

We sway and bump, In this
Co-existing crash course.
Soul's with the youngest simple minds.
Learning steps, voice & names.

Reality is the kodak.
The peacefully chaotic dimensions,
   That we eat, sleep & dream in.
Our perceptions, are virtuality.
The act,
   We laminate in the houses & schools we lived in.

Admissible contrasts,
        Becomes the shell of ourselves.
The soul soup & brain food.
The evolutions.

Must we ask questions of our desires?
When it's pleasure is given,
Only to the hands of paitent endeavors.

Our Human form is transportation,
Flipping through these mirrors,
Realm to realm,
Mind to voice,
Voice to earth,
& that's when finally
Earth exists.
Eleanor Apr 2020
My mind has gone blank.
Yet I have so much to do.
A cacophony of voices critiquing  
But those helping are so few.

How could the instructions be any clearer,
Than how they were written down?
How do I get people to realise that
If they don’t stop piling on this ****, I will drown.

Nobody seems to want to talk to each other
Yet they expect me to know it all
With several teachers whose tones want to crucify me
But who’s words say I shouldn’t take the fall.

And it’s not my responsibility
To do this work for you
And really it would get finished a lot faster
If you did some of this too.

And I understand that you have lots of ideas
So, you want to change things constantly.
But do YOU understand that everything you change
Is a few more hours work for me?

I've no time to finish this poem  
Because I have to go complete another task.
So, I’ll leave a copy right here for you
And hope it helps you see through my obvious mask.
Written during a time of great stress and pressure. Sometimes when things are tough you just want people to Shut Up.

— The End —