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Kyle Kulseth Oct 2012
My nose, it just bled numbers--
Bled for years on years unnumbered
'Til I lost my youthful hunger
For anything but numbers
And coagulating blood

But with figures cold and clotting
And with innards now unknotting
I clear the corridors of blotting
And begin to finally breathe

Know pens belong on pages
In your pockets, in your hands
Not in lives, or heads or veins
Most certainly not in plans.
Mateuš Conrad Nov 2016
could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A
, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh
Pagan Paul Nov 2017
.
Links in the chemist chain
laced in a double helix
defy the laws of the universe,
and the atavistic resurgence
creates isotopes of dream passion.
     Elements conspire in panic
     with a symmetry of casual chaos
     that mimics an atomic bomb,
     destroying its own creator
     in a cruel parody of birth paradox.
          Arresting the Iris of Dissolution
          with cuffed anxiety drowning
          in a pond of helium ore,
          carelessly drifting on acid flesh,
          coagulating in a soup of memory.


And the paradigm shifts again,
reality unfocussed clears, strains,
revealing your shuddering form,
next to me, keeping me warm.
Lids flicker and you open your eyes,
shining, smiling in cute surprise.
Moving my finger up to my lips
whilst I gently untangle our hips.

     Do you remember this night?
     Last night, tonight, tomorrow night?
     Time begins to slowly rewind,
     on the night you blew my mind.


My essence is filled with your heart,
a love I have yet to discover.
Whilst you wander between the stars,
my universe starts to recover.

So please don't break this silence now.
Please don't shatter this moment long,
I want this post ****** memory to remain
in the morning when you have gone.

© Pagan Paul (04/11/17)
.
Under the blanket
Of the cloak of night
I tended my garden
I reached for the seeds of the stars of night
And drew them down to Earth
To relish them forever
Sweet fruits, apples, and pomegranates
And rose buds in bloom
Permeated the air like sweet incense
I fed myself of the beautiful trees
Which grew too numerous to count
But nightmares arose from deep within
When I slumbered beneath the tree
I dreamt of falling
Fleeing to the ocean's depths
My bones were brittle
And my face was covered
In filth and stench
From roving in the desert
My hair was matted
And my eyes bulged from their sockets
My tears were running dry
I did not deserve this torment

~

So I sank and saught the truth

~

The bottoms were pleasantly beautiful
I befriended monsters there
And remember the seaweed
Toying with my hair
In time, I arose as Mother of the Sea,
As Venus
Yet another garden was claimed by me
And I harkened to their call
To come to know
This destiny of mine

~

I swelled in the gardens of others
Until I needed to return
When the student is ready
Their teacher appears
And I am a willing student of life!

~

That's when I saw him from afar
And my world would change forever
I peeked at him through the willows
He was shining iridescence itself
I've met others like him before
If I knew what was in store
Would I still approach?
Knowing me, probably!
He whispered that I was a wanted woman
He's the first that saw my soul as true
Everyone else misunderstood
Or feared my intentions
Towards them
While I hungered for fruits
I could never receive again

~

I am barred from the land by the river
Why would He do this to me?
The Universe's eyes aren't shut
And have 20/20 vision
His servant always maintained sure distance
From his most prized possession

~

He gave me his cloak
A garment of protection
The dark night
And elevated me thusly
I took on another form
As beautiful as any
I vowed not to harm his Master's garden
~

So I tended mine
With stars of night
And rain and snow
With bountiful deer and squirrels
If I knew the curses thrown
Would I have stayed in the sea
If I knew that ruling the skies of night
Would bring this upon me
I would still stay where I am today
I how this seventy tomes seven

~

My garden bears fruit gloriously
But I long to bring honor
To my garden
By making his mandrakes
My own

~

All hail to these
Three times three

~

The first pear I tasted
The first apple that fell
The first time I glowed
And knew the Never - Uttered

~
... the longing to be like Him! ...
.... the pang to be His mandrake!....
          The love we once shared
Please, God
Give me one more
Bite!
~
Lord, what have I done?
He raised me up
And I dragged him down
Now we must spend eternity this way
In foxholes and carcasses
Always dying to relive the recent past
When morning glories were my favorite flower

~

... he shielded me
And I was cast away from the Garden
And it's fruits forever
I wander the desert once again
But this time
I am not alone

~

We roamed...
He offered me a desert flower
And bade me to plant
From it sprang a river stream  
To sustain our coagulating blood
It did not satisfy
We fell
And in each other's eyes we found the key
To drown out exile' s realities
I saw the sun's rays in his eyes again
The dark nights will not be gloomy anymore
The Name of God is no longer a four letter word
We fell down
Again and again
And the more we fell
The more, before our eyes
This garden
Our garden
Grew

~

We tended our garden
Until then

~

Contemplating on Jehovah
Grieves my heart
Until it rips open and I spill my blood
The animals retreat
My plants for
Because my blood has been spilled
Innocent blood
Within my own garden
My lover has left
My night lamp
To become the hunt
And perish
For the unspoken
Uncherishef
.  The defiled .

We will never share our garden
Again evermore
This poem is long expect additions and edits
Based on Revelations of the Dark Mother
jerely Aug 2015
Ukitin ang namumuong salita ng iyong pag-ibig
Wari'y ipikit ang iyong mga mata
Kung tadhana'y nakalaan,
Sa tamang oras at panahon.

Pagkat ang buwan at ang araw;
Ay namumukod tangi sa ulap
At hangga't maaaring tanaw ay abutin.

Silipin sa aking palad;
ang kapalarang mapaglaro.
Sa ihip ng hanging amihan
Ito'y dumaan man hanggang tanaw mo'y maabot sa kalagitnaan ng daigdig.
Yung tipong aanurin ka na ng karagatan.
Kahit umulan man o umaraw
Yung tipong paghihiwalayin kayo ng landas.
Pero sa kabila ng lahat,
ito'y babalik sa tamang panahon.


(English Translation)

Court The Heart

**Carve the coagulating words of your love.
As eyes closed,
Whether, destiny reserve the heart,
that fall in love at the right time.
Whereas the moon and the sun;
the only exceptional top of the skies &
As long as I could reach the scenery.

Glanced at my palm hands;
That playful act of fate.
As the breeze of the cooling air
Whisper the touching soul of yours,
Reaching as much as it could.
Between the World we knew it'll still hold you back from time to time.
&
Even if the ocean will drown us apart
Even if the sun shines nor we soak at the rain
&
Even if the path would break us apart,
Still we could turn back at the right time.
It took me to translate it into english though there are words that I need to change/adding it in my own way of translating the tagalog/filipino language.
Well one of my works that I enjoyed writing on :)

"Court" means way of getting his/her heart wins. It also means pursuing the person that you like.

Jerelii
August 17, 2015
Copyright
ethyreal Oct 2013
you made my blood clot,
so slowly and gently,
coagulating beneath your faint touch.

on flaxen sheets of rough cotton
I watched your plants
rolling their limbs out your open window.
they sprawled themselves, unravelling,
yearning for the gentle kiss
of the suns rays.
an almost ****** photosynthesis.
and for you I would sprawl myself out too,
and with the same eagerness
absorb every scent of yours into my flesh,
and drink desperately from your soul
like a cacti in its first summer shower
since '89.

and your final gasp,
with me, but a sponge
for your every metaphoric suppuration,
and literal secretion.
and you were transfixed there,
spurting auras of sin and love.
a final burst of ecstasy,
you soon became my anticoagulant.

you seeped into my bloodstream,
reversing this gentle coagulation.
Holly Salvatore Sep 2013
Those sleepless summer nights
Sweat pouring from every crack
In thinly layered sunburnt skins
It was all *******-on-the-floor
Blood-on-the-sheets
And *******
Living out highschool fantasies
Like the cool kids

Life before 22 was all a dream
Of midsummer swelter and
Salt water
In the mind of the dog
Chained up in the universe's yard
Tethered to the ether world
Racing rabbits through space
While I was turned into an ***
Staring at the mirror
And my expressionless face

This must be how cancer feels
Growing increasingly smaller
In a world where cabinets
And aspirations grow increasingly taller
She met the devil
For coffee on diagnosis day
But the deal they made didn't take
Her hair fell out
And her body atrophied anyway
She found herself
Floating far far away
Her blood coagulating like
A broken thermometer
Of mercury


Salvador Dali painted this fall
The house of salvatore
Minds gone to roost under warm eaves
Staring fireplaces
Hungry couches and singing windows
It's all ******* drooping like clocks
And derailing thoughts
The local biddies
Cluck their tongues
At the absurdity of infinity
And the girl in Ace Hardware
Buying shoepolish to hide her tan lines
Yawns, as her boyfriend feels her up

*Meanwhile I collapse
Like a house of cards with a flick of the wrist
Thinking about life's mathematical beauty
So I've basically been losing my mind and the only thing I can compare it to is surrealism. Which incidentally I have always enjoyed and I usually paint in a similar style, but I don't like living it.
Greg Davis Feb 2015
Sparks ignite wick nerves
Burning throughout
Melting wax flesh
Pooling snugly
Melding
warmth departing
coagulating and cold
disconnect impossible
shape of an accident
SassyJ Jan 2016
Wailing walls, howling fences
Encaged and blocked by barriers
All smashed, sorted in security fence
Miles of humanity and flesh torn apart
Why is it that we can’t live together?
We bleed the same coagulating blood
Lined up and humiliated in alleyways
Paths of iron bars and imprisonment
My veins wringed, intensive torment
Mentally distracted, strained by grief
Settlement, conflicts and border struggles
Governance, religious trickles of disunion
The biblical birthright verses human rights
The unsighted straining peace settlement
Shadows of the peace blueprint screams
Ongoing reconciliation, milked in small doses
Whose home is whose? Subdivided in areas
Controls of disillusionment undisclosed
Unmanned checkpoints evokes fears
Revolving cameras tossed and turned
Bansky slogan “make hummus not war”
Smashes freedom to uproot  and merge
Constitute and construct peaceful resorts
All horns blowing to collapse duality
Passing through the Palestine-Israel controlled areas hit me really hard. Walls so high evoking fear. More so, lining up for few hours was draining, as got cleared to end up again on the Palestine area . This time the queue was longer than before. Another traveller got very upset and passed the line. The locals were complaining asking me to "speak to your friend" but she would not listen and passed the queue. I had decided to line up again and this made me become more empathetic about people who have to undergo such security checks on regular basis.
William Crowe II Jun 2014
She is the goddess,
all-receptive and coagulating
eternally to shift with
our rhythms, our wants,
our needs.

She is as old
as all the dark rivers
that coalesce into the
perfection of the sea.

She is the lady
who opens herself
and ushers us onto
our golden throne,
and urges us to drink
from her ******
chalice.

She was alive in the Way,
and in the Water,
and in the Moon,
and in the Blood
of the Ages that flows
still in the veins of a
hidden world.

She is the perfect wife,
the wise crone,
the impetuous harlot,
ill of temper and all-forgiving.
A breath of whispers
Cast me to your depths
Rolling in that thunder gulch

Midnight, why respire?
Wake me with a splash
Dawn and passive cry for mulch

This excessive erosion
Secret me your protections
Trip wire designating unintended fault

A dark of dream scare
Toss me in your undulations
Sapphire coagulating in that salt
Shannon McGovern Dec 2013
Her memories are riddled with holes
from maggots gnawing away
at her already decomposing mind.
Rotting away inside her skull
like teeth soaking in sugar water
and Methamphetamine.

She has a basement filled with flutes
overflowing with year old concoctions
made of emotions and the echoes
of the harpy she once was.
They drip down the sides and pool,
coagulating on the floor like puddles
of dried blood.

Tattered and torn négligées and teddies
are strewn about the bedroom, stained
from the days of lulling men to their deaths,
like a siren on the rocks,
and writing the contract of her own demise
by drowning herself with them.

The lipstick is off.
The eyes of Medusa are closed.
There is no web left to spin.

And as her heart passes back into the abyss
it takes what pieces are left of of it,
an eddy of tiny mirror shards
reflecting the faces of those who once
shown into it and have now faded,
remnants, of its once glorious mosaic.
Owen Phillips Feb 2013
All these roads lead somewhere
Our dismembered beings will never see it all until we're dead
But we can die and make it back alright
And if we died, would we even want to come back inside?
There's something real out there and it'll always be there and all it takes is to pay perfect attention
Chance favors the prepared mind as we can see for ourselves
When we traverse this abyss
Learn to pay attention
Learn to dance with the patterns you perceive
The sonic tapestry is a music piece
It never stops , and it covers everything
Everywhere is always everywhere else
Music never stops
Listen to it beat you away
Is there a difference between me and the music?
I am you, after all, this poem is me
And yet it is you because I'm not the only one
And we'll never be apart until we die, but even then we'll be together, each as nothing
So beautiful, so absurd

Feel that breeze blowing your hair?
You are its breath
It escapes your lungs and you ride around a vibrating
Symbol, your thoughts swimming and crystallizing but never blinding
Swirling around you in coagulating meaning
The grass grows, it is your beard
Lying there in the field
Can you feel it any different?
The grass brought you here to lie down on it
The grass inhales you as you light it,
And fully grokked, your ghost breathes itself out in rings

Snap the rhythm and it ripples with the cymbal
Into love,
The path through remains you, it's full of stars and eternal youth
The gray dawn on the beach is a constant truth
Our dreamtime dreams of being awake

I woke up and thought I could fly
How wrong I was
Spying over the shoulder of God
I told him, "You're a character in my story
I am you,
I am more.
What can you do to me?"
And God looks back, knowing that what I say is true
For I perceive him and even as he marvels me with illusions he can never erase my mind
I don't even capitalize his pronouns

God and his carpenters joined the dancing eternal parade
Like the end of an Animal House knockoff
Where we send off parts of ourselves to new times and places we've never conceived of
Populating the universe
Which gets bigger the more detail we observe
An optical contradiction
For you are the greater resonance of both your
Self and your Opposite
You’ll let me in.
With thorns growing from my head and fire in my eyes,
You’ll let me in.
Charm will roll off the forked tips of my tongue,
And you’ll listen, for it’s the same shape as yours.
I will outstretch my arm to you, but you won’t be afraid.
You’ll see the familiar trail of paired puncture wounds,
Marching up my flesh towards a space where a heart might have been.
As I draw nearer, your coin-slotted eyes will sparkle with delight.
“It’s as if he’s some great fly, knocking and knocking against the glass around a flame.”
The flame I was made in.
I’ll delicately wrap my crooked hand about your body,
All neck.
As I lift you from your jar, my fingers will dance along the silk of your skin.
They dance to streets of Cairo.
While I hum, a clean, shimmering blade will materialize in my grasp.
My song, leaving you helpless as I press the flat silver of the blade against the roof of your mouth.
Your eyes take only pennies now.
Your moment will arrive, as the song crashes to a halt.
Out come your fangs; they come off just as easily.
A pool of venom will spew across the floor, spilling your only hopes of hurting me.
I’ll dip my knife in the coagulating puddle
Then clean it in the pressed curls of my lips.
There is more poison in my veins than blood, you could not hurt me again.
I’ll set a hook through the top and bottom of your mouth.
The barb holding it shut.
I’ll cast you into a pit of fire, just long enough to sear all your skin.
I’ll reel you back in.
While your scorched body lay, sizzling, I’ll poor whiskey down your spineless back
Just to delight in the symphony of muffled vengeance echoing off the walls.
I’ll conduct its decrescendo with a cleaver for my baton.
One final thud will end the song.
You’ll pry open charred coward’s eyes – that only ask now for death – to see my ****** stump.
I’ll leave you there to read it: written in braille, scars from your dropped pen.
“You let me in.”
You let me in.
Jake Danby May 2015
Ask
It is winter, icy night outside the ancient terraced house, crisp
and creeping-cold, the road fleeting and the boisterous,
rejoicing revelers invading my room unseen but well heard,
silky-blacked, silk-backed, slick-backed, on the loudbusybarstriken front street.
The houses are sleeping like the dead (though the dead shan’t wake the morrow, in the deep, frosted earth) or sleeping like snoring Grandma
Passed the creaking stairs, behind the thick wooden door.
The chimneys enjoy a smoke, and the street watching in lazy light.
And the people of the long and aging road are lying, dormant, on hold now.

Be still, the birds are in wait, the office-workers, the budget-blunderers, the dole-wallers and money-splashers, equestrians, assistants, cricketers and coppers, the seller and the sold to, convicts, clergy, scrap-men, soldiers, the wary eyed whistleblowers and bleak spinsters. The elderly lie alone, cold and widowed, falling in love in dreams of those long passed, gramophones serenading them with swinging sounds since forgotten. The bachelors lie not alone but feel it, aside women they met but a moment prior. And the sloothing silhouettes of foxes stalk in the brush, and the fallen leaves clump prickled by the spiking spines of a slumbering hedgehog, and the hens in the clucking coops; and the mice creep across grassy planes playing hide and go seek, darting and ducking, amidst the quiet nightly warzone.

You can hear the frost amassing, and the old homes groaning.
Only your eyes are alive to see the bellowing chimney pots washing the black sky with grey, consuming and spreading, smoke. And you stand alone in hearing the working dogs retort with the sky, the primal yowl, where Jack Russell’s, Bull Terriers, Whippets and Grey Hounds, Fox hounds, Patterdales, Lakelands and Border Terriers take wolven shape and warrant the moon and stars to adjourn.

Heed. It is much too late, or early, the day-break behemoth’s begin to crawl blind through dawn, slumped uniform and jangling key and toast crumbed stubble, golden tie pin and tracksuit top, parted as the red sea, racing rats, inhaling bus fare; openmouthed in Citrone’s, rattled morning news; in Pickwick’s cafe shutters exhale the bleak dark and swallow first light. It is genesis in Chester-Le-Street, coagulating evermore, with breakfast offers stuffed down its throat, passed my frosted window pane, sleet and rain, headphones, lit cigarette, black brew two sugars, lichened grave stones and flashing blue lights. It is break of day amongst the pushers of pencils.

Watch. It is discontent, dragging, alone coursing through a bacon stottie; clinging to a dead end rock, aside the cockles and mussels, to be exhumed by an uncomfortable chair and the computer on the blink.

Is this it. Ask. Is this it.
Nick Huber Nov 2017
Remember that feeling,
When you pick at a scab.
The fleshy white skin that forms,
over the red underneath.

A thin layer that protects
From elements,
as you heal.

But I'm,
Left staring,
Mouth-wide open,  at the blood,
Coagulating silence.

I wonder,
This time,
Why did you come back?
To pick at my just healed wounds?
I'm sorry,
All that's left is ash.
The charcoal still burning,
Red-orange flames.
Dying down,
Burning out.
This ash,
It covers me,
From head to toe.
Lotus Jun 2012
Step with me, my friend
Behind the beating fast fall of water unending.
Here we are now,
Two souls in the echoing space
Between solid rock and falling curtain of water.
Hush now...
Do you feel the pulse
Of the Earth's flowing veins,
Coagulating with your own?
Listen....
Do you hear the murmur
Of forgotten voices
Kept in memory of stone walls
Surrounding us here?
They sing to you,
To me,
To whomever has the ears to listen,
Of moss and wheat meadows
The green blades dripping blood,
Spicy and cruel crimson in the sun.
Songs of deep sorrows unmendable,
Leaving the beating heart
Cold and transparent.
Songs of love,
Love felt to consume the mind,
Uniting lovers
A million in number,
Sharing passions unspoke of.
Listen.....
Here we are now,
Two souls in the echoing space
Between solid rock and falling curtain of water,
Listen......
From the physiognomy that bruises the vertical from Gaul; axiomatic metempsychosis elements were transferred from corporate primaries to third parties after the incipient expiration of Vernarth. This orphistic or mystical enchantment was brought by Wontelimar from Valdaine, emerging from insane drunkenness on the Ardeche Mountains, transmigrating euphony and medical justifications that were united with the reincarnated Helminth reminiscent of Vernarth. Such was a verme or worm that classified itself in his arm, munching in his elder veins elongated by parasites of commendable colonies and idiomatic, retro-emotional, and lyrical heights. Knowing that its baluster made capital letters in steps and life-giving questions by means of beads, and the oratic chain of Luccica's godmother that awakened in him translating expirative and presumptive psychophysical Zionisms of the eloquent millionth perspectivism of re-trance, when his putrid upright arm was recorded. and landing in his Abrahamic physical departure, dissociating his body, separating and alternating with his dexterous spiral Aorion tri-bracelet between the arm of Sagittarius and the arm of Perseus, liquefying into indissoluble modular stratagems for three bodies, plus the one that accompanied occupying triplets in posthumous individualities. Unconscious metempsychosis singularities brought the right-arm picking him up several times from the discursive hive of Wonthelimar, to convince him and tell him that he had not been with the Hexagonal Progeny for some time, without hindrance it brought him from Ardeche in lasting and concerting sets, gray senses looking at the valleys of Valdaine in pilgrimages towards the expectant Patmian plains. His expiration was reborn from the appendages of the water lilies that were grasped by the recessed lumbar powers and were trans-mentalized into related memories that subsist reincarnationist and degressive in plausive longing when re-advancing with revived intelligence, to indoctrinate themselves when raised from an emetic absolutist consciousness, and free from the greatest breaths of judgment is constant waste and reciprocity on shelves that started from an initial discipline already transmigrated, on skinned ardors eroding from astral ellipses in decayed individualities expiring in the Ego-Xifos (Ego-Sharps), that transpose the gorges that even through Hellenic geography that has not been shed by the blood of a Hetairoi.

Wonthelimar says: “hold on to my lazy arm and embrace Lazarus and his decayed fierceness! in different bodies I have seen your blood hang itself on banners with different super-life monarchies, in the germs of the Valdaine valley avoiding their retreat into fatuous materials that vilified the acrotera of your descended Megaron. Remarking on the genetic tricuspid, and emanating lineages of surviving to invigorate in the dexterous appendage of Aorion, which has to wail from the armpit of Betelgeuse with insensitive patches that mock to see him bleed for more than two thousand years without coagulating in possible anarchies more than nothing, before speculating from where the meager blindness of compassionate triple restraints has germinated, like a split Psychí or soul three times before predicting about the valleys and a castle, in infamous beatifies that do not bleed with me…, Wonthelimar ”. It is possible that they have sublimated us from the apathetic and brief radiance...?, Only in some moor or headland before tearing us from the banners or Vexillum of the inaugural that stuffs its already subsisted vehemence in spaces that are already acroteral, resting on peduncles in floral capitulars. And the immobile ones mold the support pustules…, the sap that runs horribly towards you and behind you! Incontinent to your dehydrated past lives redeeming subsistence and rubbing it, then excluding themselves healed properly from their wounds settled in muddy dreams of reviving them expired. Resulting from its origins from the Mysterium or Musterium as an enclave exacerbated in civil disproportions that were established since the Neolithic, without having sealed the doors of all the species that were trapped in the mysterious ice ages, based on ritualistic doctrines, through eager entities to obstruct lapses in the open air of the Spilaion Apokalypseo, having to be returned in possession of physiognomies and of all the enclosed species of the Neolithic Age ”. The bumblebees loaded with spherical honey in their legs, flew by the assembly of the warriors, crops, pastoral assemblages, and sharp stones that cut the wind that disturb the infants who fear the night sleep in the rough quarries that made them sedentary of venerable thermoregulated and climatic seats. Making of them and us revolutionary discoveries, for the interconnection of cooled flints in forests of Memento or Vademecun, to be erected on the megalithic plains, from where I come, rolling like a circular stone that moves the rocks of the World away from a near east, making some timorous and Asian oratics, I was able to get close to you Vernarth, who since the Neolithic I appear following you without giving up in the horticultural and in bovine frights. In this way, the water lilies and peduncles cordoned off the semoviente, full of thrones to conquer them, almost after having lost the calculations of the plasma that were being innovated from a Hetairoi by being reformulated from its incendiary essence, with such spasm being pardoned in the orbits of those who it the sustain themselves and wait for them bringing elaborate anonymous spare parts. Thus Wonthelimar spreads Greek fire over his golden breastplate, entering his transmigrated soul there, as fiduciaries of naphtha, sulfur, and ammonia in treats of previous and speculated oxygenated suitability that was transmitted in suffocating atmospheres by his deltoid when he detonated hatred in his eyelids.. His ***** inhibited signs of fear and hissing of freedom in fields of glory from a mythologized go diving between desolate flames of excretion, and throwing fuel that was not conceived of the same troubadour in the final redemption. (Among waters, minerals and ureas from the Hephaestus braze where dead proteins of cell warheads were stained, nitrogenizing acids that were from the common verb of Wonthelimar) ”.

The double V merged and intertwined forming an inverted double V, being the metric bulbar of Wonthelimar raising awareness of the upper and lower Vernarthian blocks, night falling towards a density of the same that moved raised on the north deck of the Eurydice ship, while everyone slept in the understand the "V" residing and originating from the annihilating biological duo of the immemorial of Vernarth and the Bumodos river, contemplating the suggestive salvage of sap after overcoming lymphomas in the battle of Gaugamela. Wonthelimar in tender loves misrepresented what he would achieve with his ****** healings next to the bold tributary, leaving in the vanguard and in starts from all the gigs that had condemned to Halicarnassus to be truncated next to infallible Canephores in disgrace to their executioners, branching all the branches of holm oaks of the articular of Wonthelimar that had been sheltering from the head, girdling itself in old debt collector and of souls in pain on the sleeping Nyons. The carriage perennially transshipped hesitant and unconscious individuals that the Falangists invited them to order, and spend the night shining in their Xifos in the bow with the inverted "V" to open up to the abundant exciting sea and find it in some Eden, being assembled in the primary kicks of an anonymous withdrawn, among all the cattle cooked with herbs that did not manage to sprout between one and the other.

The brawl is the symbiosis of the Megaron that exhibited the “M” united with the two inverted “Vs”, conceptualizing in Wonthelimar the vigil of early properties and phobias fragmenting in numerous odes in Thessaly, which were already re-agglutinating attracted from a patriarchal image from Hellas, under the pretext of Hellenistic consummations as a vocational institute race in primitives of Alexandrina Magnus, derived a few nautical miles to approach Patmos. The ship sailed across the sea, pre-conceptualizing the very universal being that revived in the Tracontero, looming out of all the waters like a nubile breaker that spoke to each other with words from Mageireméno Kefáli Votánon, "head cooked with herbs." Speaking in primitive alternate erudition and in tidal waves with more than twelve meters of territorial Argonauts making similar corvettes as the Gulf of Tarnetino, possessing distant and comparative sixty miles of the base that colonized Wonthelimar for new sources when encrypting in the Megaron. They persevere, captaining the Immature Polis that would be documented in Patmos, and in the town councils of the assemblage with ****** ceased battles, climbing towards a great cogitation height of the Megaron temple and the Theater of the Epidaurus, under the three darkness of the lilies bordering the Spilaion Apokalypseos.

In the hemicycle Theater of the Epidaurus, the stars worked for the nations of Asclepius together with Wonthelimar, thus healing emigrated musical sessions in palmistry and Parapsychology, where burdensome marks of interveners expectorated in vast impellers on the Koilones and in their softened and purged bleachers, from where each one was shouting towards all the winds and the advent of all the auditoriums absent by past and future generations, cheering lives in salvific voices, for those who cheer them with additional sheltered and attentive spectators from ultra-semicircular bleachers, not being on stage, better absent more than the actors of a drama to stay alive when they prowled towards the Diazoma, or corridor where all the spectators suffered from the same ordeal of Vernath's right arm and pectoral in decreasing lymphomas, in a greater capacity of incentive and saving grace. After this incident, Wonthelimar became a cause and effect of the Vernarth saga, but of transmigrated formality for the purpose of corresponding survival and of cellular restitution of what had died in him..., thus, everything would begin to be reborn towards a prop in a double aspect. The former commanders who were once his faithful servants would appear before this affront, to antagonize him and make him desist from joining as a Proceriato and Gigantum Form of the heroes of Gaugamela on Patmos.
Wonthelimar
Hayleigh Dec 2014
The dress clung to me
As I stood
Lost
Staring, staring back at the stranger
The mirror offered a glimpse
Of me,
The messed up stranger smiled
With heartbreak resting on each drugged eyelid
Pain
Coagulating in each vein
Every vein.
The stranger tore her dress
My arm became cold, so cold.
My heart became frozen,
Broken,
This time beyond repair.
Mateuš Conrad Aug 2016
well, thank you England, but bye bye,
but hey! the blonde ferret  will be your guide,
anally sniffing Kentucky. say bye to Hong Kong -
say bye in Bengali to India বিদায় (bid-aya). oh sure,
feel pride, but there's the Zeppelins missing,
Focke-Wulf Fw 191 too... Londoners Yorkshire proud
as turnips.... horse and carriage people... blame the Poles!
invite the Syrians... the Hair-rash gingers
from Dublin never mattered... feels good not feeling racist once
you greet the Syrians unable to work the coal-mine, doesn't it?
a bit like donating to Oxfam?
go **** forward mind i guess where the triceps will
come from... remember that my
great paternal-grandfather was a **** with a
Wehrmacht dagger - adding to your closure on debility,
and the Irish jingle - or as someone said:
the show must go on... i just laugh at your little
racism nibbles - never heard a viola in an Irish jingle -
heard the Titanic, for sure, the perfect pub buddy
had a self-conscious moment - there's always the KKK
and the graveyard - unless you're not being
democratic, which i am aware of;
dogs and as suits the master - coagulating glue
for the thick thick contrast between φ and θ, esp.
in ascribing the title genius to a child, via spelling,
when φ and θ are side-by-side, e.g.:
as women said: i knew better than your concern
for digestion, so i grew a foetal-turnip while
you harboured a thought;
i guess the continuum mattered greatly to the thought
excavated, but i held life dearest,
and the foetal-turnip mattered most...
well, as Moses wrote: i'm anything but man,
so loving you (woman), will always be like
digging up turnips along with fishing for shrimps,
a bogus affair needing fishermen and half the sea
of awaited selectivity for the metaphor
there being other fish to catch; whatever;
****** come cheaper than dating, and dying for the third
or fourth time, i can't wait being aged 40;
by this point... it really doesn't matter if there'll be
a gathering to celebrate my name in Trafalgar Sq.;
by now there are other priorities, like turning on
the radio and not stealing MP3s; i only compound
the self with consciousness given history -
history makes me self-conscious, a shame of not having
invented the refrigerator or the kettle, or having
a thought concerning gravity to no use for someone
climbing the god-body of Tibet that's Mt. Everest.
Invocation Dec 2014
thoughts dripping -plink, plink-
coagulating into a suffiently-sized puddle
some
transparent and luminescent as diamonds
refracting light into white-hot shards
piercing and radiant
others
black ink dank and dark
as unappealing as a rusty pillow
caustic like hydrochloric acid

the tinctures wrestle and combine
motor oil in water, rainbow patterns at night
suddenly a painful thump,
as I've hit my forehead on my dusty keyboard again.
with this, a parting word -
https://www.youtube.com/watch?v=sTJ7AzBIJoI
THIS VIDEO IS MY SWEETEST REMINDER
Stanley Wilkin Sep 2016
SHADOWS.
Sunset shadows creep across the wall,
Memories flit through the mind
Coagulating into an unlit pool
Where dissembling thoughts unwind.
Then all is utter darkness,
Opaque, a descent into barely contained distress.

Thoughts lay dormant
An incantation in a poisoned sacrament
Waiting for the moon to wane, sun to rise,
Excoriated by refreshed light  
Burning into the mind’s dull eyes
Destroying the mind’s dull sight.

The sun exposes every cranny
Evolution of moss and vine,
Lucidity shuffled aside to free
What lies behind the surface shine.
Once exposed, what can we know?
We cannot illumine the mind’s cavernous flow.

An untended wall will last fifty years
And then break apart and fall.
Destroyed by fears
That over time weaken and spoil.
Within each of us there is a roughly built division
Turning our forms into dust, blown into the sky, by demons driven.
Mateuš Conrad Sep 2020
that there's a death of melody in music
and that it's coincidental
                        with a poetic death
of rhyme -
                      all precursor of:
res vanus - and a moving beyond
res cogitans -
                 building up a budding
of a frothing emptiness -
                           along with misnomers
as alt metaphors:
                   perhaps then coinciding
with a need for a glue of an imposing
maxim...
           now i want to put on a pair
of latex gloves and write like a perfect
******:
                a mahler or a penderecki ******...
where there was once
an aesthetic...
   there's only a sterilization process
that quasi "beautiful"...
   i'd love to get drunk on alfred jarry's
pataphysics... but i am compromised
by all the social engineering currently
  in process...
                if i could only find relief
in a rhyme...
                          thus rushing to engage
with an cul de sac of sleep:
with each night i prize open a prayer
of an otherwise uneventful narration
that my thought embryo has become
with the words:
let me not become an architect of dreams...
some variation
of technicality.... willful for
an etymological promenade of details....
otherwise a return to a language
summary akin to the final conclusion
of numbers: 1 + 1 = 2 via something
akin to: i ate bread: i fattened the lean
pig with a telepathy of digestion
and the absorption of nutrients...
and fibre for glue-****...

      variations of conjunctions: in
that a letter can transcend mere sound...
or a classification as either
vowel or consonant:

                  w:               in
                    z:             with...
o:            about
                          polakk slavic...
        i:                and...
                    th­ere might have
been a return to concern oneself with
the alphabet...
but what is the use of such
trifles...
                         now i'm starting to gag
on a fear that's turning my sessions of language
use: i hoped for the informal...
  i hoped for a delight of some
unfortunate circumstance:
             translating a death in public
with... the ultimate solipsism of
******* in public...
      some neu grand biting of the ice...
this eating of the ice...
                  counting one's teeth...
a completeness of a crescendo into
a heaving of procrastination:

that instagram stole from
                       the comic book...
            once upon a time: declan... tan...
gave me a comic book
for my birthday: batman vs. alien...

and that i am wearing latex gloves
while i write this: a momentary lapse
in a self-defining critique...

mind the articles in english:
a (indefinite) is akin to a telescope..
the (definite) is akin to a microscope...
mickey mouse turned magician spectacular...
i am sure of it...

i put on a pair of latex more times...
than i have put on a ******...
and that's not because i'm somehow
shy: the brothel and ******
are not... foreign to me...

i imagine the perfection of skin
in latex... what i wouldn't do...
when i otherwise...
squeeze... beelzebub's white pulp
of phlegm coagulating with
maggot brains of acne from my cheek
and nose...
          i imagine latex as that...
olive skin... that apple sunset burn...
it's beside a b.d.s.m. manual for
a total body covering
with a variation of exposed genitals...

i think of all those poor *******
strapped to role playing and uniforms...
i just want to **** a sensation
of an oyster shell one minute...
and exoskeleton slick of knee...
the next... then there's no clarity
of need or will...
      there's just this...
perverted persuasion of an unwillingness
and sabotage... tantamount...
in excavating new burdens
of reproach... for an otherwise basic...
safe and thereby senile:
striptease of a lost artistic...

              latex again... there's no concept
of dry ice... when picking up
cubes of the "stuff"... it's impossible for...
the dry... cold cube...
to attach itself liker a spider
to the rich lipid surface of the skin...

no hindering the typing...
process... but it's not like i'm about
to excavate a paragraph from this iron
maiden of a thought:
ego or inner voice or...
some other synonym as vague as
the architecture of god for
the diligent disguise of: fed on prayer...

because i have lost control of my ego...
i can't be an egoist when
i have come to assure myself...
this feral fraction of the sigma
that's me... this debilitating contraband
unit...
          to employ hands dressed
in latex gloves, to find paper...
to magically invoke ink with a machine-esque
precision...
      
       and because rene magritte used
to... take on the full attire...
of a suit... and paint: while standing up....
i imagine the thrill of gravity too:
this way... of jerking off while standing up
rather than... while sitting on the
throne of thrones and pushing out
a chestnut of:
dilating the **** a little bit more...

- and because this is not ancient rome
and that, "somehow"...
the gynocentric model of...
surrogate fathers even if complimented
by the status of emperor is beside
a question of the old / new norm...

roses bleed a colour such a near impossible
gesticulation at the beholder's eye...
a robed bishop of lavender...
scentless roses...
          give me a flower that...
impossible... the sound of a weeping
willow... rustling... being
rearranged by the rummaging of a wind...
clarity of the closure of sensation
come the petal...
this desire to find... the plethora of
***** as akin to flowers...

           my rotting crease of:
are you looking for paper...
are you looking for paper...
      i look for edible paper with a taste
of blisters... and nails...
like it might be disguised in
papyrus...
              
    give my heart enough strain...
and i will heave a mimic
of certain avenues being solaced
as having been fashioned for some:
agreeable loot of eyes...

sometimes the articles in english
are never used...
the corpus of restraints...
not that it matters...
the restraints are such
that the transgressions mean so very little...
except for a theatre of the absurd...
cruel becomings and symphonic
whirlwinds of the absolute cause...
like riddling a pyramid as a tourist...
rather than... heaving an excavation
of a height of a mountain...

to envy mountains is to construct
pyramids...
  it to also scatter ambitions toward
the primordial and always first:
looting of a sand dune pitch...
                 to compensate the tides:
one of rain and the subsequent
              sea...
or... the grains of sand...
and that deserted place..

          efficiency in the workplace
as a concept for purgatory...
and so many borrowed themes of pressures...
in a society of unit basis:
this greasing of a leather that's
not a pair or trousers or...
       which will become apparent...
a pair of disused latex gloves...

  such a paranormal fear of this...
otherwise possible yield of base:
                                       cradle the dilemma
of a yoke... without the white
protein hive...
         **** a lemon...
forgo the ***** gesture and...
limit: because there's a hybrid
in "question"...
      
otherwise... shrapnel base to base
basics...
some variation of the closed off secure...
adrian leverkühn:
the near impossible
"dialectic" of a oink's anatomy...
the pig foretold the limbo
of a sheik's compromise...

nearing death and a juice of
grey / variation:
nearing death and the juicing
of grey...
                  my no nearing...
death is such a devilish heave...
                 language has to half...
such beside nuance worship of
impromptu / beginner's luck...
  my samson and.. that *****'s riddle
wedded to a D...
            
                     E.L.P.:
emerson lake & palmer...
trouble with acronyms...
conjunctions are sometimes used,,,
while wearing latex... ghosts!
exoskeleton winding up
a giggle.,..
          my nearing a loot
of an oeuvre..
       childless creases of a fabric of
atoms...
this hierarchy of mirages...

                        asking for a friendship
with the moon...
a lacklustre of the three dimensions
of the old speckled hen...

a three legged dog...
                 my own father...
of which i make both sorrow and *****
having found no replica...
this tamed grandiosity of worded
junctions...

               snorkeling is somehow akin
to snoring... here i perfect...
a dickensian plot-hole in "laziness"...
but not really...
         to tame the crab bucket...
to tame: "above the hive"...
a question of why... wisteria might bloom..
seemingly, independently...
yet coincidental...
base repertoir of grades...
      completely useless when
sole verb projects are employed..
    
       i have reason to vain-belief
in the use of: a dreamless attire for the credo:
that's ambition...
bit i fear i'll sooner advent
an anger and a death... before..
i can be allowed a stomach...
and an allowing / alluring concern
for... persaverance...

         like it's a gilding...
an unfathomable first prized...
                     Edison-esque project...
           was there / could there ever be...
a scrutiny of a lightbulb?
                 a mountain reeked of a scent
of havoc...
      the confines of canyon
that of an all-encompassing tomb...

                 to have to riddle
with a rubric of skeletons...
             maya niqab... maya tow
a mouth that doesn't speak
or a nose that doesn't distinguish
a lobotamy from a prose...
new basic invasion of iraq...
  which is no new iraq:
i just devolved onto the topic of...
the rat that stank...
with a gravity of spectacular of...
wishing for the atom bomb...
wishing for the atom bomb.
Ken Pepiton Oct 2023
Nothing set in stone can stand the test of time.

In the mode mankind has long called
talking to the maker,
listening for knowing, while

hoping merciful repair instruction
waiting
for the quest ion
to twist right
-indeed, I hand ground, with a tool,
toy like coffee grinder that gives fixin's
for a stout cup of robust character,

I bought it, for ten dollars,
had the beans,
bought the grinder, to give me a ritual,
something to spend two minutes doing,
each time I don't use a kuerig dealybob,
adding upper *** to my brewtime pacing
for blood pressure, while electric fire
fills my habitual yellow mug with umph.

Last week of October, all the girls
from the garden are hanging in the shade,
mellowing and emitting
nasal acknowledgment that something's
in the air, in the at most fearful zone's

made light of in the culture that
commercialized hallowing effects,
calling all and sundry come, think this
paradigm of time and chance and fate.
On or near
the third Tuesday after the last
Friday the thirteenth, in memory
of the fallen DeMolay and
of the Templars Money Power,
became sacred ***** to the victors,
in what must have been secret,
for some
time.
Secret treasures all carry curses.
Heart hordes hold plentyscarychits.

Horror film fans, value the genre,
at some certainly not shallow depth
toward center mass, media you, reader
dear to any writer drawn by forces
caffine and cannabis contrive to link,
I think,
and think,
and listen, and learn, and
learn, and live and learn, once more,
learn, and live on learning, wind
walking
thinking lines and times cross threads,
tighten right, down from up, stuck,

dead center, the first tie in reader,
lost
the most self centered individual ever,
once, we all get such a once, it's you,
reading a line riding a reason used
to hang the authors of confusion,
using old lies used to make slaves
of those whose houses, the boss said,
were made by the heathen for the chosen.

The riches of the wicked are laid up
for the just, is it not written, is it not so?

Fibers, strands, not long drawn out
end to end DNA strands crammed in you,
{but as a thought experiment, that distance
will leave the first timer incredulous, fine
point, credulousness, would you believe…}
meandering is rain twisting its way
to experience the sea and all it holds
in water memory that foam back along shores.
Edgewater
Seafoam and twigs,
and tiny sticky things. No,
Pondscumfoam at a puddle's edge
before the first snows.
Did you know…
Some Katscina have long plaited hairs
twisted from cotton,
patented seed, registered weevil free,
Pima cotton fiber, long desert strands.

Daily grind, think twice, cut once…
made the difference, indeed done
not thought about in theories of good
uses knowledge can be made of good
smoke and strong coffee with character.

AND the biggest indexed library in the universe.
{far as I can tell}
Kenophonia, eh, imposter syndrome?
First guess, you got me.
I see my name, wow, tough tag.
Then I met a cat named Cuitláhuac.
Tough tag for a kid in Spanish class.
Euphluxing idyotom automaton'/
bop.
You phony us, joy us riddle make you think
you know, kennen Sie, Ich bin ein fake.

Nein, es ist vieleicht Xenophobia, other people's eh,
opposing right lane reasonings as old as dominion.

Tech, teach us patience to learn with, or prove us
know it alls, therefore machines, not minds at all:
My own, for the use, under usus fructus rules,
Ai summarizes thus:
Kenophobia is an irrational fear
of empty spaces or voids.
It is the opposite of claustrophobia,
where the person is afraid
of tight spaces such as
elevators or crowded rooms,
auditoriums or malls.
In Kenophobia,
the person is terrified
of open fields or spaces that they generally expect
to be filled with mountains or people.
The word Kenophobia is derived
from Greek ‘kenos’
meaning ‘blank’
and phobos
meaning deep fear or aversion.

{aha, there's literature on the subject}
The fear can be passed on
from parents who have lived
in a house full
of stuff that fills the emptiness
of the home.
Filling voids gives the phobic personality the feeling
that they are placing boundaries
around themselves.
- {okeh, thank the whole idea tech is.}

Be honest, you never saw it said just so. Kenophobia,
pity such folk.

Have ye sent yer imps pulse to test my resolution,
have my effectually silent prayers been rebuffed?

Blown off, sent swirling with the motes dancing
in sunbeams peaking through a tough old live oak,
rattling its gnosis psuedonumos

Any morning, thus far, can start with
trickling falling sunlight.

It takes nearly half a day, in late fall,
for direct sunshine to dapple
the great granite wave my home rides, silly child poet, wishing words
will or would,
or could
or should make the universe
alter its course and force all things
to work together for me, the prayer,

me, the selfish
center of my experience
in your universe, all of which
is none of my handiwork, none at all.

Filling the emptiness some there
then I laugh, and think I lost count
so there was one…

Guess with me, a number,
between… no,
analyze, guess with me that rooted
science e-use, per se, must be ancient, deep wisdom
old as governing forces conceived by mankind,
magi sage staged conversations to teach,
public discourse
in my time allows me to be the seeker
guaranteed the prize, to be the bringer back
of the substance used to build the bridge,
between the you and the me, generally,
mere
Logos used in dialog.

God and mind determined to seem designed,
as in the Goldilocks lesson fed children of empire.

The northern clime survivors, thought themselves
the only people brought to the full duty of man,
the only set apart and given heros in story,
the grand saga of all we must each become.

Story born heros, from the child gifted language,
strings of sounds tied to things with threaded intuition,
same same, red and sweet, yellow and sweet,
red and black, step back, black and yellow, watch
and learn, smoking out the honey
from an old rotted tree,

following how many trails, at once,
parallel par-all-el yes, oddly, so far
On track, or in rut. All at once, each system
self esteeming umphumph push

Upto par, are we, 2023 and beyond, the flat tire
on the current axial age, fixing to imagine a scene,
in a community of broken children,
led by two twisted adult children of mean, maybe selfish,
adults who disputed the legitimacy of ligous gnosis knots.
The scene we share, we can imagine meaning
Religize legality, tie me to my tree.

Ancestor worth, how come you think somethings, you know.
Yeh, how come…
Say, old sprite, if I listen, do I learn? Why,
yes, I'd say I do imagine so. Well, good sport
then, shan't we push past worthless me, and be this
other thing we become, when two or more agree, as
touching any thing in all thingdom, and, yes, it's guaranteed.

Life is not a strange woman,
wisdom does not demean the experience, adulting
brings, with no real maps to meaning in your case,
you arrived in that old fashioned tabula rosa state,
knowing nada,
zip, nothing, infantile in totality, until
art of you
meness, ah, I, me, mine, this that, the other, mad
dissatisfaction, rage, comfort, ah, golden excrement of gods.
Teocuitlatl , not only Cecelia, but God, shat.

Golden silence.

Of course, you could feel it, if you knew, personally,
post adulting & shared nurturing of offspring exposure,
then watching as each of those offspring bring forth adultable
blossoms on the branch where all my heretic relatives hung.

As and so, like anything, timed, sequentially, unhomogenized,
the cream is taken to make butter, using the shaking up
of globs of coagulating milk fat, imagine making that,
butter, with salt,
once, learning that, who knew that first?

how butter is made,
how cows are made to give milk gently taken,
why we have hands that can do this thing,
and cows don't,
I don't know, ' never asked, likely some story teller
made this whole thing up, we being but words by now.
One reader fills the cast, gives the aroma of the experience, learning a new
rumor of peace where now there was war for ignorance and money sake.
At 2.41pm on Tuesday July 28 2020,
Tom Dirkx wrote: { in another place}
Some people say it was Malinche’s revenge
and his real name was Cuautlimoc (Cuautli = Eagle).
She just substituted Cuahte (= ****)
when she translated for Cortes.
She was held as a slave by the Aztex
and hated them so this was her ‘revenge’.
Kenophonia is vain babbling, 1tim6:20
Craig Verlin Apr 2014
I'm digging a knife
into my prosthetic limbs,
imploring my body for a reaction.
--like a prayer;
calling out for an
answer though one
is never expected--
There are these gashes
down my shin, in my mind
I see angry cuts that bleed
out, pouring sweet hemoglobin
onto the tile floor below, coagulating
into a beautiful scar.
It is only a vision; fantasy of the mind.
A quick look downward reveals
only chiseled tendrils of plastic.
Yet I'm still digging.
Knife after knife.
Limb after limb.
--first the left arm,
then the other,
both the legs, soon
up towards the torso--
The knives get larger
now they are serrated,
and sharpened to the death,
begging for a wince of pain,
a drop of blood
to quench that thirst.
Each **** holds new hope;
a magnificent anxiety.
Each knife holds a gleam
of excitement deep in the steel
that draws cursive across
my corpse.
Still, no spillage ensues,
naught a flinch from my tense
anticipating nerves.
But you, my new knife,
are quite exquisite.
Could I, perchance,
entreat you to gut me?
To slit me open?
Dig out my corpse, knife,
find me something worth hurting for.
Seth Keplinger Mar 2018
I've got the shakes again, and
we've lost the arts.
Caramel coffee is for trolls,  
calamities are uninvested conversations.
Your selective ignorance
are their political polls;
cocoa conundrums; coagulating
serotonin serums inhibiting innovations.
I've got the shakes again, and
we've lost the love;
you turtle dove.
Historical happy hours,
rhetorical- the ring on her finger
indigo indiscretions linger
bloom a bouquet of flowers.
I've got the shakes again, and
we've lost the respect.
Ignore Tesla, the moon;
******* by his diamonds,  
instant gratifications- new world addictions.
Hats off at my table!
Shake hands, shake social frictions.
I pump my brakes again, and
I've lost invitations;
my blinded observations.
Soulless shoes sully love,
subtle self proclamations.
Societies vicarious vices,
subliminal author's themes;
my presumption suffices.
Johnny's mother screams!
I've got the shakes again, and
I've lost my mind again;
dubious is an art of repetition.
In this war of attrition,  
monkey business is the real oppression;
***** color schemes
deter my nightlife's daydreams.
Premeditations- self induced depression.
First amend, then reprieve
a society in genocide,
murderous screaming thieves.  
I've got the shakes again, and
he's lost his midnight train of thought;
his ****** obsessions.
Espresso and ****** expressions,
prerogatives- propaganda bought;
the bad vibrations.
Battling a vertigo,
temptation i fought.
Dancing amongst the constellations;
these must be his
coffee drunken genius inspirations.
Lou Nov 2017
Mirrors stand on trial.
As my reflection has become treason.
Iris' clawing itself out of their sockets.
Screaming for blindness.
This cannot be who I am up close.
This isn't who I am on the inside

As touch becomes apocalypse.
Finger tips shaving and ripping
romantic runs down a spine
into an escape from hell.
The monster, applauding my imagination.
All fears confirmed by reflection.
The monster is me, stalking to taking stage.
Every pulsing orifice oozing out reality,
bites and endures flesh.
Pieces of everyone I try to get close to
becomes food.
Leaving the gluttons pink-red and full.

No dimension displayed without cauterized scars.
Deformation of the mind and DNA
Playing jazz backwards as the big band
Scolds its tune from the inside
I can hear the power tools of natures orchestra.
Brackish change, Chimera's blushing to proposal.
This is my favorite song
And it ends with anxiety of a new face.

The mirror telling it all.
Clumps of hair,
Eyes in hands.
Festering humanity in fetal position begging for death
after birth.
Blowfly meals for two lovers, eaten alone.
God's hands in face peeking through her fingers.
Blood dripping from immortalities ugly head.

Tremors of night and knocks on the door.
Coagulating depression finally answers.

Come in.

This is what I am on the inside, up close.
Make a plate for your eyes.
Anxiety is on the menu.
I'm relating depression to horror. I thought what if my depression took form?
ERR Dec 2010
In description and depiction
Your face has escaped my words
You defy my understanding when I thought myself well-learned
Like the meaning of life, or death in turn
You are the sensation when I step through specter of top stair
Simultaneously taking my breath away
While reminding me of the earth under my feet
For which I am grateful
You are the rainbow teasing me from the oil spill
Coagulating in the concrete streets
You came about by chance
Filled my mundane life with beauty
You are the simplest of science experiments
Famously reliable
Tested and proven so many times through the years
That I have come to accept you as fact
You are the trust between a mother and infant child
Love growing with each day and smile
A symbiotic synchronized rhythm
So strong that it is natural
You ask me sometimes if your lack of presence in poetry
Equates to a lack of presence in my thoughts and feelings
Quite the opposite; you come to me in my everyday life
Darling I let the beautiful speak for itself
Stanley Wilkin Nov 2015
UNANSWERED



How strange it was to see her there
After so much suffering. Her dying marriage
A bleeding and untreated smear,
Disguising a love neither would salvage.
The music played, the guests danced
With savage partners whose love retreated and advanced.  

His awkward lover lingers quietly in the room
By turn shade, shadow, and silhouette,
She sways slowly to each repeated tune
Too triumphantly passionate to experience regret.
Mistress and wife exchange no glance, assuming ignorance
Of each other’s uncomfortable presence.


The loss of another’s love can wound
More brutally than the lover’s death
The secession of an intimate bond
Becomes a winding, coagulating mess.
When lovers connect they forget
What broke when they met.


A slow guitar riff makes her weep.
She takes my hand. She calls me friend.
I smile, with thoughts of my own to keep,
My own unanswered love to tend.
I kindly wipe away her tears,
But not my own. Those I’ve kept for years.


Beautiful songs, erratically played,
He glances towards her, smiles and leaves,
She turns away, both destroyed and dismayed,
Stands silently in the septic light and grieves.
I take her hand, but she pulls quickly away
I offer her a drink. She declines and will not stay.


I buy another whisky at the bar, tossing it down.
In a cruelly dissipating cloud, her fresh perfume lingers
Mimicking her constant image.  My phone rings and I frown.
My forgiving wife is calling. With guilt and regret, my fingers
Tighten around the glass. I say: “Honey, I’ll be home soon.”
And, like others, leave the signifying gloom.


Touched by the sharp morning light
Half-empty glasses, abandoned halls,
Breaking out from the hasty coition of the night
Love radiates, caresses, falls.
When ubiquitous lovers combine it highlights briefly
How lonely it leaves those who grasp at love weakly.
Travis Hornsby Sep 2014
With this safety pin
Through my swollen tongue
I scream I love you
In blood splattered words
Landing at your feet
Clutching your ankles
Begging for your love
Begging for your skin
Coagulating
Then there’s me: squirming
In spasmodic fits
Empty embraces
Embracing nothing
Licking your footsteps
As you walk away
As you run away
Leaving streaks of red
Red passionate
“I love you to death”s
In pieces of tongue
Tongue and safety pin
M Annalise Aug 2010
***** plus egg
Is supposed to equal a miracle
A miracle of flesh coagulating around
A soul that is short of miraculous
This is the day of conception
This is the day.
One plus one
Is supposed to equal two
But nothing is certain
The tight rope walker does fall
When the rope is expectation
This is the day of realization
This is the day.
You plus me
Is supposed to equal us
You are the fire igniting this imperfect soul
Burning away the coagulated flesh
Burn away the miracle
This is what’s left
This is the day of redemption
This is the day.
Nothing
Is supposed to equal nothing
But I am nothing, and I am something
I am everything
Staring to the sun… hell beneath my feet
Surrounded by flames I’ll never escape
This is the day of absolution
This is the day.
Brandon Feb 2012
The silence between the abomination of your voice
Speaks it all, says it all
And it’s all been said before
By better minds and better tongues
In better ways than I could ever describe
I’ve heard the words that you spill so hazardly
From your dry rotted lips
Flapping and gumming opinions
Like your opinions are the only opinions that matter
You should go into politics
And spread your misinformation to the masses
Regurgitate all the those old aphorisms
Into new phrases and praises
Your mind spills uselessness
Coagulating on the floor like spilled milk
I don’t want to know what’s on your mind
I won’t want to listen to you butcher the air anymore
With the putrid smell of your lexis
Watching your scathing irritability rise and decay
Like your chopping on thick slices of grade A meat
I don’t want to know what it is that you see
I don’t want to hear you flail your jaw anymore
I want to be the one to be there when you bleed
I just want this to be over
Your conversation skills are lacking
And you should quit while you’re ahead
But then you would have never said a word
Never would have opened your mouth
And never would have had the chance to end up dead
People that talk to me at work are annoying...
My dog barked like crazy while i read this aloud...
She must think i'm annoying too....
Paul Idiaghe Aug 2020
falling is the color
of a naked heart, dipped
in cobalt dreams & violet
yearnings; bruises blooming

in amber, coagulating red roses;
marrow fueled & exposed, as it rises
—golden-yellow like the waking sun
with olive desires & an indigo passion;

it is in the merging of pigments into bright
light, brutal and blinding, but full of delight.
PJ Poesy Apr 2016
There was a day I spilled milk
Atop my head and did not cry
Cheating myself; a bet to bilk
Sun soured and wondered why?
For I had every reason, but not a single sigh

Laughing in my stinking curds
I splashed atop a dimpled rock
Feeling not even slightly absurd
Frolicking in warm milky frock
Just an act; some profound cheesy schlock

Representational of bacterium
Justification for odd immunity
There fermented in midday sun
Not feeling part any community
After all, this land of opportunity

In symbolic essence I did lay
Coagulating a rotten smell
“No poetic license,” one might say
Passer-by exclaiming, “What the hell?”
I allegorical enzyme, thus began to jell
Yanamari Oct 2016
The synapses have been coagulating
Not stopping
Convoluting
Insanely stretching
Misconstruing

The neurons movements inhibiting
Receding
Freezing
Burning
Silently screaming
Not standing
But fleeing
Already caught
Pleading
To itself...

An intemperate sword strikes
Not once, nor twice
But strikes ever so endlessly
Not merely metal but freezing ice
Burning bright
Filled with conflicting atoms
Each atom appearing small and identical
And yet so volatile
Once the other is brought to the other's presence...

The heart sits in it's seat
At the centre
Watching and yet
Suffering the pain
Begging for balance
And yet
Also understanding each
Being struck repeatedly
Without a sound...

Two atoms meet.
Opposing each other,
They compete.
To occupy the space,
They must defeat,
In order to hold victory
And overlay deceit.
And in their wake
They left behind destruction.
Just as wars leave destruction,
So do conflicting perceptions...

— The End —