Submit your work, meet writers and drop the ads. Become a member
Cunning Linguist Nov 2013
Hella business
Got hella *******
Poppin double bottles
With a couple of mistresses
Stellar mistreatment
Here's the key
Lock em in the cellar
Forever their memory lies
But a troubling mystery

Hysteria erupting
Like waves gushing
From the tip of my *****
My genius is better
I'm the King here's my scepter
Now watch the teeth
You worthless Queen
Or I'll stifle them screams

I **** ******* on trampolines
Motion sickness?
Overdose on Dramamine

Slave to the magnitude
Of my impressive **** munching
Exploring deplorable nether-regions galore;
Can't touch me you got nothing
Broke *******
Grind your brain like morning coffee beans

Shame is a word just outside the boundaries
of my fabulous vocabulary

Oh, am I contrite?
How trifling
Check my charm I'm enlightening
Enigmatic and igniting sporadically like lightning
Magically radical voyaging down
                                                           down
                                                  down the rabbit's hole
Inciting excited riots to light fires spark fuses and chew on live wires
You do not frighten me.
Delivering excruciating asphyxiation to every pwn'd n00b
Is my modus operandi
And this is my magnum opus

I have Tourette's

Conceive these merriments of abhorrent mental abortions
Precisely concise and incisive concocting incoherent comatose monstrosities to flatten your lifelines
Conduct these ensembles of debauchery and narcotics -
I'm fascinating;
Crippling your mind like a lobotomy and tripping the light fantastic through bombarding planes of consciousness
I'm on acid thraxXx'd the **** OUT and faded
Levitating fading and oscillating in time while inflating my ego

But lets be realistic
the caliber of my linguistics is intrinsically aesthetic
but none too altruistic
Untrue!
Be reasonable lest I demand be-headings on grounds of treason
Its not hard for me -
It's profound, the sound of suffering;
I'll swallow your soul
'Tis the season!

Inference for instance -
****-hand upturned to oceans of incessant peasants
Pestering to ****** and fluster your festering ****-hole
Exact my revenge; begin phase mayhem
initiating total brain annihilation
interring bodies posthaste with skilled persistence
And sporting in poor taste
RESISTANCE IS FUTILE

You who peers through eye of the pyramid-
Would you be so kind as to interpret my footprint at face-value?
Do you take me for a fool yet seek prophets reaping profits?
Listen to them sleep, baaah-ing away like flocks of little sheep
My hearts not on my sleeve but I have a trick or two up there;

Now bow before my marvelous flow
As I behold my throne whilst throwing bows and exposing hoes.
Estranged ensemble orchestration onerous
                     Intangible instinct intrigue impetus
                     Cortex vortex vertex fastuous
                     Somatalogy cognition equilibrist meatus
                     Vertigo vestige vexation covetous

                     Haberdashery hauberk harangue inspection
                     Mystical silhouette sojourn direction
                     Perpetrate propinquity harbinger rejection
                     Fastuous fortuity forum election
                     Chiaroscuro chicanery gossamer convection

                     Metaphysical mystique’s rive declensions
                     Paphian kitsch kithe abstentions
                     Paltry panderings rife contentions
                     Horologist hackamore lapidary inventions
                     Soliloquous covertures manifest intentions

                     Noumenal ***** exsertion illuminate
                     Apropos ipso-facto aspersion relegate
                     Clairaudience taciturn subversion denigrate
                     Larceny lecher coercion expurgate
                     ***** lewd beatitudes exonerate

                     Perpetude parameter incorporeity pervasions
                     Terminus thrall’s anathema correlations
                     Exegesis peroration imputation iterations
                     Ideational peripherals intimate evasions
                     Vituperative verve’s temerarious elations

                     Psychic reverie subterfuge decision
                     Astral projection transience derision
                     Exserted proximity phantasm incision
                     Machismo machinations elicit precision
                     Heredity heritage heresy revision

                     Edacious intransigent gamut phallus
                     Indispensably puissant barratry malice
                     Invariably imperative metaphor talus
                     Aorist actuator pseudopodia chalice  
                     Altruistic egalitarian segregant palace

                     Allocution incursive objectify ostensible
                     Enamor allude ingratiation inimical
                     Infatuation allure emendation rhetorical
                     Cursive ***** raconteur allegorical
                     Amorous endear sycophant categorical

                     Inherently endemic anachronism political
                     Emendation propensity opulently diabolical
                     Surreptitious ethnicity epigraphy mimetical
                     Pompously bombastic flagrant inimical
                     Doughty nuance intrepidly maniacal

                     Obliquity euphenics intrados expound
                     Subjunctive ancillary subordinates confound
                     Ethereal euthenics ubiquity propound
                     Subservient adversarial repartee profound
                     Meritorious monocracy mendacity astound

                     Insidiously sinister incumbency abuse
                     Obstreperous imperatives obdurately retuse
                     Ominous omnipotent avarice deduce
                     Trajectory faction commensurately obtuse
                     Cornucopia critique sequesterously abstruse

                     Tyrannical ulterior ultimatum purvey
                     Adjunct conjunction conjecture portray
                     Evocative emulation connivance convey
                     Fulminate fuscous futurity relay
                     Cephalic phantasmagoria protuberant assay

                     Acuity educement propensity gesticulation
                     Preternatural proclivity tactile articulation
                     Eidetic mnemonics scenario prestidigitation
                     Transcendental accession ascentional avocation
                     Derisive subjective subordinance rumination

                     Apriori arbitration apostrophe sagacious
                     Predilection predication apomixis bodacious
                     Wonder lust itinerary transitively tenacious
                     Intrinsic affinity succinctly salacious
                     Prophylaxis protocol invasively ostentatious

                     Hypercritically mitigational dialectics felicity
                     Surreal serendipity dharma propensity
                     Supplicant sever hypotaxis intensity
                     Monogamously autonomic ostracism eccentricity
                     Evolutionally metamorphic rendition complicity

                     Insipidly vapid invective flatulence
                     Intangible ratification interdiction corpulence
                     Exigent viscid visceral virulence
                     Eradicably mingy minion truculence
                     Fortuitous refraction remission opulence

                     Ephemeral effulgence effluent projection
                     Accidence ambience acoustics confection
                     Recondite esoteric prosaics detection
                     Epistemology epithet equities correction
                     Erudite effusion existentialize affection

                     Arduous ardent amore egressed
                     Corporeal essence enigmatism caressed
                     Adrenergic analeptic fatidics confessed
                     A posteriori cartography tropism ******
                     Anaclitic analgesia anacrusis suppressed

                     Irascible audacity compunction astute
                     Rejuvenate remission remonstrance compute
                     Nocturnal emission repose dilute
                     Rendezvous rectitude recital refute
                     Remunerate resonant retort impute

                     Agnate nous monad prerogative
                     Suborn impedance numinous imperative
                     Adumbrate intimate obfuscation evocative
                     Extrapolation excursion incursion intuitive
                     Invective prognostication prosthesis demonstrative

                     Retrospect innate residuals compete
                     Reliquiae requiem anecdotically surfeit
                     Aesthetic aphorism geomancy effete
                     Brusque macabre dementia replete
                     Perspicacious perseverance personification complete

                     Avaricious aegis vagary incite
                     Colloquialism jargon ideational delight
                     Prurient adage vernaculars insight
                     Apex crux axis matrix excite
                     Affluent opaque quintessential bight knight


                         Dichotomous epilogue :

                      Intuitive inherency , anachronism transpositional cogitations accrue
                     Torturously portentous intrinsically pervasive transitivities ensue
                     Consternating transient , verbose barratry verbiage brew
                     Viably salient venially mendacious veracities construe
                     Endemically aggressive encroachments , latent magniloquence review
                     Tenaciously intrepid divinatory futurity venerations imbue
                     Probitous aversion nominalism propensity derivations eschew
                     Intrinsically auspicious tortuously invasive transitivities blue
                     Anachronism transpositional , intuitive inherency cogitations ; adieu
RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
Akemi Apr 2017
Awhile ago, I had been at a party. I’d listened to someone talk about Kate Moss for ten minutes straight. I left the room, found my flatmate and asked why anyone was interested in anything at all. We’d come up with no answers.

All this started a month ago, and all that started long before. I will not bore you with trite aphorisms about how I survived, or how wondrous life has become since. At some point my mind broke. This is a collection of memories about my attempted suicide and the absurdity of the entire experience.

Wednesday, 26th of April, 2017, midnight.

Couldn’t sleep. Surfed the internet. Fell into ASMR sub-culture.[1] Meta-satire, transitioning to post-irony, before pseudo-spiritual out-of-body transcendence. I thought, *this is the most ****** experience I’ve had in half a decade
, while a woman spun spheres of blobby jelly around my head and whispered elephant mourning rituals into my ears.

Tuesday, 27th of April, 2017, afternoon.

Woke up mid-day. Looked at all the objects in my room, unable to understand why any of them mattered. Milled around the flat. Went online to order helium so I could make an exit bag.[2] Cheapest source was The Warehouse, though the helium came with thirty bright multi-coloured party balloons. I kept imagining one of my flatmates walking in later that day, seeing my crumpled body surrounded by these floppy bits of rubber and a note saying this life is absurd and I want out of it. There was no online purchasing option, however, and I couldn’t be bothered walking into town. I began reading suicide notes. One was from a kid who’d slowly taken pills as he watched TV, culminating in a coma. That sounds pleasant, I thought, whilst at the same time knowing that it takes up to three days to die from painkillers and that the process is anything but painless or final. I opened my drawer, found a bunch of paracetamol and began washing them down with water, whilst listening to the soundtrack of End of Evangelion.[3]

I’m not sure why, but I began crying violently. I knew I’d have to leave the flat before my flatmates came home. I hastily scrawled a note that said, donate my body, give my money to senpai, give my possessions to someone I don’t know, it smells like burning, it was good knowing you all, before walking out the door with Komm Süsser Tod playing in the background.[4, 5] I’d already written my personal and political reasons for suicide in the pieces méconnaissance[6] and **** Yourself,[7] so felt there was no reason for anything more substantial.

I wandered the back roads of my neighbourhood. My body shook. I felt somnolent, half-dazed. I wanted a quiet place to sit, sleep and writhe in agony while my organs slowly failed. My legs kept stumbling, however, and my head was beginning to feel funny. I found a dead-end street and sat on one of those artificially maintained rectangles of grass. There was a black cat lying in the middle of the road, just bobbing its head at me. I zoned out for a bit and when I came to a giant orange cat was to my left, gazing intently into my teary face. I tried to refocus on my crotch. I couldn’t help but notice a white cat across the road, pretending not to be seen. It had a dubious look on its face, a countenance of guilt. What the hell was going on? A delivery person looped round the street. People returned home from work. Garage doors opened, cars drove down driveways. Here I was, slowly dying, surrounded by spooky ******* cats and the bustle of ordinary existence.

“Uh, hey. You look, uh, like something isn’t . . . do you need, uh, help?” a woman asked, crossing the street with a pram to reach me. I groaned.

“It’s just that, you know, ordinarily, um, I mean normally, people don’t sit on the sidewalk,” she continued, glancing down with the half-confused look of a concerned citizen who is trying to enter a situation outside of their usual experience. I mumbled something indistinct and went back to staring at my crotch.

“You know, I can, er . . . I can . . . I can’t really help,” she ended, awkwardly. “I have a daughter to look after, but . . . if you’re still here when she’s asleep . . . I’m the red fence.” She darted off without another word.

Had she wanted me off the sidewalk because it was abnormal to sit there, or had she seen the abnormality as a sign of something deeper? Either way, she’d used abnormality as a signifier of negative change. Deviancy as something to be corrected, realigned with some norm that co-exists with happiness and citizenship. I was being a bad citizen.

I thought, I miss those cats. At least they had judged me in silence. Wait, what the hell am I thinking? This is clearly a case of deviancy associated with negative feelings. Well, negative feelings, but not necessarily negative change. Suicide is only negative if one views life as intrinsically worthwhile

I could hear pram lady in the distance. She was talking to someone who’d just come back from work. They thanked pram lady and began moving towards me. Arghggh, just let me die, I thought.

She introduced herself as a nurse. From her tone and approach, it was clear she’d handled many cases like me. I’ve never hated counselling techniques. They seemed to at least trouble neoliberal rhetoric. There is little mention of overcoming, or striving, or perfecting oneself into a being of pure success. Rather, counselling seemed to be about listening and piercing together the other’s perspective. Counsellors tended not to interject words of comfort. They’d tell you mental illness was lifelong and couldn’t be fixed. They’re the closest society has to positive pessimists. Of course, they’d still want you to get better. Better, as in, not attempting suicide.

I talked with nurse lady for an hour about how life is simply passing. Passing through oneself, passing through others, passing through spaces, thoughts and emotions. About how the majority of life seems to be lived in a beyond we’ll never reach. Potential futures, moments of relief, phantasies we create to escape the dull present. About how I’d been finding my media and politics degree really rewarding, but some part of my head broke and I lost all ability to focus and care. About how the more I learnt about the world, the less capable I felt of changing it, and that change was a narcissistic day dream, anyway.

She replied “We’re all cogs. But what’s wrong with being a cog? Even a cog can make changes,” and I thought, but never one’s own.

She gave me a ride to the emergency clinic because I was too apathetic and guilt-ridden to decline. Why are people so nice over things that don’t matter? Chicks are ground into chicken nuggets alive.[8] The meat-industry produces 50% of the world’s carbon emissions.[9] But someone sits on the side of the road in a bourgeois neighbourhood and suddenly you have cats and nurses worried sick over your ****** up head. I should have worn a hobo coat and sat in town.

Tuesday, 27th of April, 2017, evening.

I had forgotten how painful waiting rooms were. It was stupidly ironic. I’d entered this apathetic suicidal stupor because I’d wanted to escape the monotony of existence, yet here I was, sitting in a waiting room, counting the stains on the ceiling, while the reception TV streamed a hospital drama.

“Get his *** in there!”

“Time is the real killer.”

“It wasn’t the cancer that was terminal, it was you.”

Zoom in on doctor face man.

Everybody hugging.

Emergency waiting rooms are a lot like life. You don’t choose to be there. An accident simply occurs and then you’re stuck, watching a show about *** cancer and family bonding. Sometimes someone coughs and you become aware of your own body again. You remember that you exist outside of media, waiting in this sterile space on a painfully too small plastic chair. You deliberately avoid the glances of everyone else in the room because you don’t want to reduce their existence to an injury, a pulsing wound, a lack, nor let them reduce you the same. The accident that got you here left you with a blank spot in your head, but the nurses reassure you that you’ll be up soon, to whatever it is you’re here for. And so, with nothing else to do, you turn back to the TV and forget you exist.

I thought, I should have taken more pills and gone into the woods.

The ER was a Kafkaeque realm of piercing lights, sleepy interns and too narrow privacy curtains.[10] Every time a nurse would try to close one, they’d pull it too far to one side, opening the other side up. Like the self, no bed was fully enclosed. There were always gaps, spaces of viewing, windows into trauma, and like the objet petit a, there was always the potential of meeting another’s gaze, one just like yours, only, out of your control.

I lay amidst a drone of machinery, footsteps and chatter. I stared at ceiling stains. Every hour or so a different nurse would approach me, repeat the same ten questions as the one before, then end commenting awkwardly on my tattoos. I kept thinking, what is going on? Have I finally died and become integrated into some eternally recurring limbo hell where, in a state of complete apathy and deterioration, some devil approaches me every hour to ask, why did you take those pills?

Do I have to repeat my answer for the rest of my life?

I gazed at the stain to my right. That was back in ‘92 when the piping above burst on a particularly wintry day. I shifted my gaze. And that happened in ‘99 when an intern tripped holding a giant cup of coffee. Afterwards, everyone began calling her Trippy. She eventually became a surgeon and had four adorable bourgeois kids. Tippy Tip Tap Toop.

The nurses began covering my body with little pieces of paper and plastic, to which only one third were connected to an ECG monitor.[11] Every ten minutes or so the monitor would begin honking violently, to which (initially) no one would respond to. After an hour or so a nurse wandered over with a worried expression, poked the machine a little, then asked if I was experiencing any chest pains. Before I could answer, he was intercepted by another nurse and told not to worry. His expression never cleared up, but he went back to staring blankly into a computer terminal on the other end of the room.

There were two security guards awkwardly trying not to meet anyone’s gazes. They were out of place and they knew it. No matter what space they occupied, a nurse would have to move past them to reach some medical doodle or document. One nurse jokingly said, “It’s ER. If you’re not moving you’re in the way,” to which the guards chortled, shuffled a metre or so sideways, before returning to standing still.

I checked my phone.

“Got veges.”

“If you successfully **** yourself, you’ll officially be the biggest right-wing neoliberal piece of ****.”[12]

“Your Text Unlimited Combo renewed on 28 Apr at 10:41. Nice!”

I went back to staring at the ceiling.

Six hours later, one of the nurses came over and said “Huh, turns out there’s nothing in your blood. Nothing . . . at all.” Another pulled out my drip and disconnected me from the ECG monitor. “Well, you’re free to leave.”

Tuesday, 27th of April, 2017, midnight.

I wandered over to the Emergency Psychiatric Services. The doctor there was interested in setting up future supports for my ****** up mind. He mentioned anti-depressants and I told him that in the past they hadn’t really worked, that it seemed more related to my general political outlook, that this purposeless restlessness has been with me most of my life, and that no drug or counselling could cure the lack innate to existence which is exacerbated by our current political and cultural institutions.

He replied “Are you one of those anti-druggers? You know there’s been a lot of backlash against psychiatry, it’s really the cultural Zeitgeist of our times, but it’s all led by misinformation, scaremongering.”

I hesitated, before replying “I’m not anti-drugs, I just don’t think you can change my general hatred of existence.”

“Okay, okay, I’m not trying to argue with your outlook, but you’re simply stuck in this doom and gloom phase—”

Whoa, wait a ******* minute. You’re not trying to argue with my outlook, while completely discounting my outlook as simply a passing emotional state? This guy is a ******* *******, I thought, ragging on about anti-druggers while pretending not to undermine a political and social position I’d spent years researching and building up. I stopped paying attention to him. Yes, a lot of my problems are internal, but I’m more than a disembodied brain, biologically computing chemical data.

At the end of his rant, he said something like “You’re a good kid,” and I thought, ******* too.

Friday, 28th of April, 2017, morning.

The next day I met a different doctor. I gave him a brief summary of my privileged life culminating in a ****** metaphor about three metaphysical pillars which lift me into the tempestuous winds of existential dread and nihilistic apathy. One, my social anxiety. Two, my absurd existence. Three, my political outlook. One, anxiety: I cannot relate to small talk. The gaze of the other is a gaze of expectations. Because I cannot know these expectations, I will never live up to them. Communication is by nature, lacking. Two, absurdity: Existence is a meaningless repetition of arbitrary structures we ourselves construct, then forget. Reflexivity is about uncovering this so that we may escape structures we do not like. We inevitably fall into new structures, prejudices and artifices. Nothing is authentic, nothing is innocent and nothing is your self. Three, politics: I am trapped in a neoliberal capitalist monstrosity that creates enough produce to feed the entire world, but does not do so due to the market’s instrumental need for profit. The system, in other words, rewards capitalists who are ruthless. Any capitalist trying to bring about change, will necessarily have to become ruthless to reach a position of power, and therefore will fail to bring about change.

The doctor nodded. He thought deeply, tried to piece it all together, then finally said “Yes, society is quite terrifying. This is something we cannot control. There are things out there that will harm you and the political situation of our time is troubling.”

I was astounded. This was one of the first doctors who’d actually taken what I’d said and given it consideration. Sure we hadn’t gotten into a length discussion of socialism, feminism or veganism, but they also hadn’t simply collapsed my political thoughts into my depressive state.

“But you know, there are still niches of meaning in this world. Though the greater structures are overbearing, people can still find purpose enacting smaller changes, connecting in ephemeral ways.”

What was I hearing? Was this a postmodern doctor?[13] Was science reconnecting with the humanities?

“We may even connect your third pillar, that of the political, with your second pillar and see that the political situation of our time is absurd. This is unfortunate, but as for your first pillar, this is definitely something we can help you with. In fact, it’s quite a simple process, helping one deal with social anxiety, and to me, it sounds like this anxiety has greatly affected your life for the past few years.”

The doctor then asked for my gender and sexuality, to which after I hesitated a little, he said, it didn’t really matter seeing as it was all constructed, anyway. For being unable to feel much at all, I was ecstatic. I thought, how could this doctor be working in the same building as the previous one I’d met? We went into anti-depressant plans. He told me that their effects were unpredictable. They may lift my mood, they may do nothing at all, they may even make me feel worse. Nobody really knew what molecular pathways serotonin activated, but it sometimes pulled people out of circular ways of thinking. And dopamine, well, taken in too high a dose, could make you psychotic.

Sign me the **** up, I thought, gazing at my new medical hero. These are the kinds of non-assurances that match my experience of life. Trust and expectations lead only to disappointment. Give me pure insurmountable doubt.

Friday, 28th of April, 2017, afternoon.

“The drugs won’t be too long,” the pharmacist said before disappearing into the back room. I milled around th
1. Autonomous sensory meridian response is a tingling sensation triggered by auditory cues, such as whispering, rustling, tapping, or crunching.
2. An exit bag is a DIY apparatus used to asphyxiate oneself with an inert gas. This circumvents the feeling of suffocation one experiences through hanging or drowning.
3. Neon Genesis Evangelion is a psychoanalytic deconstruction of the mecha genre, that ends with the entire human race undergoing ego death and returning to the womb.
4. Komm Süsser Tod is an (in)famous song from End of Evangelion that plays after the main character, who has become God, decides that the only way to end all the loneliness and suffering in the world is for everyone to die.
5. Senpai is a Japanese term for someone senior to you, whom you respect. It is also an anime trope.
6. https://hellopoetry.com/poem/1936097/meconnaissance/
7. https://thesleepofreason.com/2017/04/04/****-yourself/
8. See Earthlings.
9. See Cowspiracy.
10. Franz Kafka was an existentialist writer from the 20th century who wrote about alienation, anxiety and absurdity.
11. Electrocardiography monitors measure one’s heart rate through electrodes attached to the skin.
12. Neoliberalism is both an economic and cultural regime. Economically, it is about deregulating markets so that government services can be privatised, placed into the hands of transnational corporations, who, because of their global positioning, can more easily circumvent nation-state policies, and thereby place pressure on states that require their services through the threat of departure. Culturally, it is about reframing social issues into individual issues, so that individuals are held responsible for their failures, rather than the social circumstances surrounding them. As a victim-blaming discourse, it depicts all people equal and equally capable, regardless of socio-economic status. All responsibility lies on the individual, rather than the state, society or culture that cultivated their subjectivity.
13. Postmodernism is a movement that critiques modernism’s epistemological totalitarianism, colonial humanism and utopian visions of progress. It emphasises instead the fragmented, ephemeral and embodied human experience, incapable of capture in monolithic discourses that treat all humans as equal and capable of abstract authenticity. Because all objective knowledge is constructed out of subjective experience, the subject can never be effaced. Instead knowledge and power must be investigated as always coming from somewhere, someone and sometime.
Nat Lipstadt Nov 2023
the cardiologist, in passing, remarks, or perhaps,
“re-marks” my ECG test, casually revealing
that every fifteen or twenty or so of my regularly scheduled
hearts beats, an extra one sneaks it, which appears
unlike all the rest of those normative little hillocks
pointing skyward, ^ ^ ^ V ^ ^ ^ ^
yep that one,

sneaky ****** slips in, pointing downwards
like a class clown always disrupting classroom’s good order…

Doc reassures it don’t mean a thing
if you got that extra swing,  
and our friendly informing internet reassures:

“The idea of your heartbeat going rogue may sound alarming.
But in most cases, an ectopic beat is a harmless condition.
It's also a common one”

but yet I am intrinsically intrigued,
oh yeah, that’s an intentional funny double entendre,
but methinks that explains
so much of my irregular, irreverent poetry scribbling,
particularly because this bratty beat be best addressed directly as:

“You Little Rogue!”

a highly scientific term,
taught in medical schools by non-poets,
but needy for definitions that the layman
can love and keep in their
heart shaped hands…
Sat Oct 28 2023
4:58am
Marshal Gebbie Sep 2011
(Quote by Spike Milligan)

One very wise man sat and said
That, long before this world is dead
This planet’s problems won’t be solved
By reasoning which, though now evolved,
has got us, where we now do sit,
Afloat neck deep in mankind’s ****.

There’s SARs, Ebola, AIDs, Bird flu
And in the woodwork, West Nile too,
Each replicating viral spat
To mutate, (at the drop of a hat),
To complicate enviro’s stew
Of global degredation’s brew.

Urban spread and over stocking
**** deforestation’s shocking,
Depletion of aquatic life
Intrinsically creating strife,
Industrial pollution’s goo
Ozone depletion... ALL FOR YOU!


Environmental degradation
Means the world’s a weaker place,
Susceptible to malady
Wide spread across the human race.
Those animals in corn fed stalls
Who never get to see the sun
Or graze green grass where honey bees
Are vanquished by varroha’s fun.

Too late to save the Hector’s dolphin
Conservation’s lost it’s tools,
Rastafarian hootchie smokers,
Save the whales to **** the fools.
Governments sell the carbon credits
Everybody smells a rat
Restorations for the birds
And social conscience creamed the cat.

****** greenies own the airwaves
No one gives a flying ****
That good artesian water’s poisoned
By good farmer’s leached out muck.
CO2 in global warming
Sings it’s song of fast decline
Glacial retreat a-roaring
Bass relief in blood *****.

I guess the little children’s future
Most depends on lady luck,
Humankind in mass denial
Most don’t give a flying ****!


Marshalg
In retreat to Taranaki’s green haven in the gales of the equinox.
21 September 2011
John B Mar 2015
Skin blushed peach on snow white cheeks

Luster and grandeur not seen by the meek

Intrinsically dominant furnace of femininity

Dither and hither be stricken for insincerity

If you try to speak to her expect less then levity

To your advances she implies depravity

Blatantly ignorant vacuous blond *****

Tell me again how I hate you and want ***
Tell me again how you know me better then I know myself, its not like my religion is centered around self discovery, just tell me again about how society has you set up as a *** object for male overlords I take it as a come on, "your insane!" Not at all! It's simple logic, you think all men take pleasure in objectifying and dominating women as sadists, as a male who should take pleasure in your pains is not your tale of oppression meant to arouse me? Honest mistake.
Marshal Gebbie Jun 2013
(Quote by Spike Milligan)

One very wise man sat and said
That, long before this world is dead
This planet’s problems won’t be solved
By reasoning which, though now evolved,
has got us, where we now do sit,
Afloat neck deep in mankind’s ****.

There’s SARs, Ebola, AIDs, Bird flu
And in the woodwork, West Nile too,
Each replicating viral spat
To mutate, (at the drop of a hat),
To complicate enviro’s stew
Of global degredation’s brew.

Urban spread and over stocking
**** deforestation’s shocking,
Depletion of aquatic life
Intrinsically creating strife,
Industrial pollution’s goo
Ozone depletion... ALL FOR YOU!


Environmental degradation
Means the world’s a weaker place,
Susceptible to malady
Wide spread across the human race.
Those animals in corn fed stalls
Who never get to see the sun
Or graze green grass where honey bees
Are vanquished by varroha’s fun.

Too late to save the Hector’s dolphin
Conservation’s lost it’s tools,
Rastafarian hootchie smokers,
Save the whales to **** the fools.
Governments sell the carbon credits
Everybody smells a rat
Restorations for the birds
And social conscience creamed the cat.

****** greenies own the airwaves
No one gives a flying ****
That good artesian water’s poisoned
By good farmer’s leached out muck.
CO2 in global warming
Sings it’s song of fast decline
Glacial retreat a-roaring
Bass relief in blood *****.

I guess the little children’s future
Most depends on lady luck,
Humankind in mass denial
Most don’t give a flying ****!

Marshalg
In retreat to Taranaki’s green haven in the gales of the equinox.
21 September 2011
Derek Yohn Sep 2013
The brambles in the emo forest
grow sharper with the passing days.
Three months deeper into the oatmeal
on the heels of the turtle goddess
and i am compelled to ignore the trees.
i have never been crazy about shrubbery,
being that the majority of my experience
has ended badly for the plant.

**** it.
It would appear that my green thumb *****.

My pillow is a poor substitute
for the warmth of sweatpants
or the comfort of your arms,
but i am locked into the devices
of another two year paper binge.
i would greatly prefer to be
static in my global positioning
as long as i can lose myself
swimming into the recesses of
your vibrant blue Oceania.
i want to hand you my eyes
so you can see my fixation on
the perspectives of action
and identify with my analysis
on the frailty of beauty,
intangible though it may be.

When i was weaker,
i appraised the value of
a man to be intrinsically
linked to the relation
between time and pride.
Driving a parallel path
to the stars, there is
only one thought:
Reality is like a dissected
frog: i poke and ****
and pull and poke and
probe and stare and ****
and pull but i still
can't figure out what all
those little tissues do
when they are turned on.

What if i want to taste the fruits of serendipitous fortune
or walk the garden path of chivalric sunshine?

If i could liquefy my soul,
i would pour you honey-laced
shots of my longing so that
when the darkness of the mid-week
slanders me you can touch
the sea spray of a wave
i have sent to wash away
the fears of circular evolution.

i want to build the hearth
where we can light the fire
of roundabout destiny and cook
the flesh from the slaughter
of our angry cows and bulls
so that we can incorporate
our weaknesses into our strengths.

i want to shape a necklace
out of my scar tissue
and wear it loudly so
that you can see the pain
that enables me to feel yours.

i want to finish my marathon
with my bag of bricks
because it is impossible to
truly win without the
burdens of justice and morality.

i've collected the screams
of my travels in a glass jar.
One day when the sun
struggles over the distant
cold horizon, i
plan to exact revenge
on the container and
make a concerted effort
to buy American.

In the hills above the
languishing sticks
i appear to have
dislodged a rock slide.
In my estimation,
the carnage will be
exquisite and swift.
If i survive the
judgement of guilt,
i can visit the friends
already lost to the
perpetual fires of the
sanctioning underbelly.

Why can't i take the
burgeoning petals of the
dark rose and elevate myself
above the sickness i have
seen in the eyes of my
accusers and those who would
trample the silly notions that
are all i have ever owned?

i feel that in the life i have witnessed
there are innate weaknesses in the
system i have supported.

In the instance given,
i have allowed myself
to be collared and
pent up by unspoken
deeds and words.
When my candles flicker
and reform, at least
i will be able to stand up
and clarify the point with
the authority inherently
granted to an elder whom
most ignore or ridicule in
the comfort of a happy living room.

i have seen hints of the futility of
nouns, verbs, adjectives, adverbs,
prepositions, and conjunctions
because they cannot begin to
express the vertigo i am cursed with
or the gravity that will not allow me to
escape unscathed.

i'm afraid that one day
my ink well will run dry
and my fingers will fuse
together and conspire to
undermine my sanity.

i fear the ticking of
my watch when i can
feel its echo deep inside
the canyons between
my synapses.

i cower and whimper
under the auspices of jest
when my soul is overrun
with desires that cannot
be slaked with water.

i want to detach my
aorta so that i will not
be bothered by the
binding of my skin
to the dry earth.

i need to hum the
melodies of aquatic repose
and bathe my wounded
feet in the streams that
flow to the cliff's edge.

When the time comes
for my foray
into the sublime,
i can fade away into
the arbor mist and
not feel the piercing gaze
i have become accustomed
to during this.

And for so long,
i have fed the horses
and watered the hedges
for everyone,
only to find that
all my livestock
dies within the
fences i have built
to protect the few
things left after
my tornado.

Approaching six full, and
i'm camped outside the
city gates and starving.

i puked when the moon
cycle shifted this time.

i thought that if i
sacrificed fuchsia to the
demon he would mistake
it for acquiescence, but
when the clock struck twelve
my pumpkin only rotted.

Why did you want to see the water?

i'm not going to buy
the dumb tourist act.
You knew the sand
was poisoned.

Nevertheless,
i am 3/5 of a man
when engulfed in
purple madness for
your affection.

the bells have fallen silent,
and i have seen your persuasion,
like an old silent movie.

What of your petty elucidations?
Can you teach me about destiny?
Do you have any watermelons?
If not, why not, or, even better,
who cares?

i don't think you have
seen my rose garden,
the thicket i entered
once to reenter time
and again, lonely and
bleeding, twisting and
turning, with no
right-hand-rule
to guide...

but this isn't your story anymore.
this is an old poem, but i like the narrative...i apologize for its length, i hope it is an easy read.  it was written over a twelve month period, and the course of my life dictated the course of the poem.  I will let the reader draw their own conclusions about that year....
Omar Kawash May 2015
In a time,
when men were the superheroes,
born in an unconventional location,

a young girl, unknown to the future
she was destined to,
was born with a uniqueness
unfound in all people, a superpower
of empathy
and as she grew,

the world knew
she was imbued
as a living embodiment of legends:

Athena's wisdom,
beauty that surpassed the goddess Aphrodite,
conversational skills that made Hermes envious,
and strength that Hercules
could never attain.

As she approached an age, when her parents would
trust her to be guardian,
her powers manifested.
This incredible child was now a woman.

With the ability to heal those in need: she could expunge
poison that had afflicted a person,
even their hearts,
a God-given gift for those most sacred;
her correspondences exponentially developed,
able to connect in all languages, fueled by her empathetic nature,
this allowed all who interacted with her to trust her for she radiates sincerity.

Now, fully grown, this super-no-

This Wonder Woman had retired her duties
to save the world, not forsake it, but,
to train Wonder Girl, her daughter,
to unlock the latent abilities her mother had passed on to her.

She still looks up at the Higher Power
and realizes her duty to provide
the world justice is not over
but only beginning.

Her holy spirit was not unacknowledged
and was gifted
a bulletproof bracelet,
forged by the most skilled craftsman by direction
of all that is wise and healing.

Given to her to wear
so that nothing could halt her
as she continues
her fate to provide the world a humanity
that could only come from
an intrinsically true
dear heart.
There is an inherent discrepancy
'twixt the World in One's Mind
and the World that simply Is.

That is, however,
no intrinsically bad thing.
For, I find, that the world Within
needs the world Without,
though they inderdepend
and thus are not mutually exclusive.

There needs to be a discrepancy
for the pressures, as it were,
to have any room or excuse
to neutralize:
to move towards equilibrium;
however,
it is not linear,
nor is it parabolic:

this, I believe,
is where Calculus
becomes a valid allegory
for Life,
itself.
Thanks for reading.
Enigma entity’s ethology entelechy as it relates to clairaudience clairvoyance.
Everyone has a personal futurity fatidic or existential metaphysique.
What we need is a universally acceptable form of id conclusion.
Unfortunately we can’t even agree on the social stigmatisms of ego’s expression.
We are relatively extraneous interpolations of adhesively practical extremity that succeed in a hierarchy of functionally integrateable forms.
There is no functional deontology, even though its visage would seem to portend cogently fecund probity for all.
We are not ethereally sublime, we are corporeally preternatural.
Objective is individual; obligation to each other is not a mandate.
Though many might find it inherently indispensible to some it impedes success.
The depths of debauchery this debacle ensues are almost intrinsically endemic to our race.
How am I going to get there becomes more important than ‘what are we fighting for’.
So, if there’s no unity of purpose how do we decide who we are fighting for.
Will it be good for all or lead to oligarchy and subjugation, the seemingly inescapable byproduct of capitalism, the inherent decadence of socialism.
It’s times like this that make me love the constitutional fortitude of Americanism.
Theoretically I have an inalienable right, hypothetically this leads to anarchy so I’m not allowed to mess with your rights.
This is mandate.
The republic for which we stand.
Mendacious tales of unity, not merely the obstinate tenacities of I, but also the cogent fecundity in the infamous we-ness of us.
The notorious they-ness in them

Indentured servant sails, serendipity servant serenades.

Down here at the bizarre bazaar we all believe in the blasphemous farcical fugue, estranged ensemble orchestrations and all.  Some of us are even into the various assorted forms of related stranger weirdness and all the rest of those similar states of analogous configuration and ancillary subordinateness.   Vicarious recalcitrance for all!!!  Eclectic synectics, avant-garde illuminism.
Skye Applebome Apr 2014
My mind is a broken,
barren,
torn-up
machine
that functions better than
any
other
one.
Its problems I can't comprehend,
They
are
unique.
Part of who I am, I can define myself
as
intrinsically
idiopathic.
Tell me, who are *you?
IIII
Whoever you are, I fear you are walking the walks of dreams,
I fear these supposed realities are to melt from under your feet and hands;
Even now, your features, joys, speech, house, trade, manners, troubles, follies,
costume, crimes, dissipate away from you,
Your true Soul and Body appear before me,
They stand forth out of affairs—out of commerce, shops, law, science,
work, forms, clothes, the house, medicine, print, buying, selling, eating,
drinking, suffering, dying.

Whoever you are, now I place my hand upon you, that you be my poem;
I whisper with my lips close to your ear,
I have loved many women and men, but I love none better than you.

O I have been dilatory and dumb;
I should have made my way straight to you long ago;
I should have blabb’d nothing but you, I should have chanted nothing but you.

I will leave all, and come and make the hymns of you;
None have understood you, but I understand you;
None have done justice to you—you have not done justice to yourself;
None but have found you imperfect—I only find no imperfection in you;
None but would subordinate you—I only am he who will never consent
to subordinate you;
I only am he who places over you no master, owner, better, God, beyond
what waits intrinsically in yourself.

Painters have painted their swarming groups, and the centre figure of all;
From the head of the centre figure spreading a nimbus of gold-color’d light;
But I paint myriads of heads, but paint no head without its nimbus of
gold-color’d light;
From my hand, from the brain of every man and woman it streams,
effulgently flowing forever.

O I could sing such grandeurs and glories about you!
You have not known what you are—you have slumber’d upon yourself
all your life;
Your eye-lids have been the same as closed most of the time;
What you have done returns already in mockeries;
(Your thrift, knowledge, prayers, if they do not return in mockeries,
what is their return?)

The mockeries are not you;
Underneath them, and within them, I see you lurk;
I pursue you where none else has pursued you;
Silence, the desk, the flippant expression, the night, the accustom’d routine,
if these conceal you from others, or from yourself, they do not conceal you
from me;
The shaved face, the unsteady eye, the impure complexion, if these balk others,
they do not balk me,
The pert apparel, the deform’d attitude, drunkenness, greed, premature death,
all these I part aside.

There is no endowment in man or woman that is not tallied in you;
There is no virtue, no beauty, in man or woman, but as good is in you;
No pluck, no endurance in others, but as good is in you;
No pleasure waiting for others, but an equal pleasure waits for you.

As for me, I give nothing to any one, except I give the like carefully to you;
I sing the songs of the glory of none, not God, sooner than I sing the songs
of the glory of you.

Whoever you are! claim your own at any hazard!
These shows of the east and west are tame, compared to you;
These immense meadows—these interminable rivers—you are immense
and interminable as they;
These furies, elements, storms, motions of Nature, throes of apparent dissolution—
you are he or she who is master or mistress over them,
Master or mistress in your own right over Nature, elements, pain, passion, dissolution.

The hopples fall from your ankles—you find an unfailing sufficiency;
Old or young, male or female, rude, low, rejected by the rest, whatever you are
promulges itself;
Through birth, life, death, burial, the means are provided, nothing is scanted;
Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
Nigel Morgan Jan 2014
Today has been a difficult day he thought, as there on his desk, finally, lay some evidence of his struggle with the music he was writing. Since early this morning he’d been backtracking, remembering the steps that had enabled him to write the entirely successful first movement. He was going over the traces, examining the clues that were there (somewhere) in his sketches and diary jottings. They always seem so disorganised these marks and words and graphics, but eventually a little clarity was revealed and he could hear and see the music for what it was. But what was it to become? He had a firm idea, but he didn’t know how to go about getting it onto the page. The second slow movement seemed as elusive today as ever it had been.

There was something intrinsically difficult about slow music, particularly slow music for strings. The instruments’ ability to sustain and make pitches and chords flow seamlessly into one another magnified every inconsistency of his part-writing technique and harmonic justification. Faster music, music that constantly moved and changed, was just so much easier. The errors disappeared before the ear could catch them.

Writing music that was slow in tempo, whose harmonic rhythm was measured and took its time, required a level of sustained thought that only silence and intense concentration made properly possible. His studio was far from silent (outside the traffic spat and roared) and today his concentration seemed at a particularly low ebb. He was modelling this music on a Vivaldi Concerto, No.6 from L’Estro Armonico. That collective title meant Harmonic Inspiration, and inspiring this collection of 12 concerti for strings certainly was. Bach reworked six of these concertos in a variety of ways.

He could imagine the affect of this music from that magical city of the sea, Venice, La Serenissima, appearing as a warm but fresh wind of harmony and invention across those early, usually handwritten scores. Bach’s predecessors, Schutz and Schein had travelled to Venice and studied under the Gabrielis and later the maestro himself, Claudio Monteverdi. But for Bach the limitations of his situation, without such patronage enjoyed by earlier generations, made such journeying impossible. At twenty he did travel on foot from Arnstadt to Lubeck, some 250 miles, to experience the ***** improvisations of Dietriche Buxtehude, and stayed some three months to copy Buxtehude’s scores, managing to avoid the temptation of his daughter who, it was said, ‘went with the post’ on the Kapelmeister’s retirement. Handel’s visit to Buxtehude lasted twenty-four hours. To go to Italy? No. For Bach it was not to be.

But for this present day composer he had been to Italy, and his piece was to be his memory of Venice in the dark, sea-damp days of November when the acqua alta pursued its inhabitants (and all those tourists) about the city calles. No matter if the weather had been bad, it had been an arresting experience, and he enjoyed recovering the differing qualities of it in unguarded moments, usually when walking, because in Venice one walked, because that was how the city revealed itself despite the advice of John Ruskin and later Jan Morris who reckoned you had to have your own boat to properly experience this almost floating city.

As he chipped away at this unforgiving rock of a second movement he suddenly recalled that today was the first day of Epiphany, and in Venice the peculiar festival of La Befana. A strange tale this, where according to the legend, the night before the Wise Men arrived at the manger they stopped at the shack of an old woman to ask directions. They invited her to come along but she replied that she was too busy. Then a shepherd asked her to join him but again she refused. Later that night, she saw a great light in the sky and decided to join the Wise Men and the shepherd bearing gifts that had belonged to her child who had died. She got lost and never found the manger. Now La Befana flies around on her broomstick each year on the 11th night, bringing gifts to children in hopes that she might find the Baby Jesus. Children hang their stockings on the evening of January 5 awaiting the visit of La Befana. Hmm, he thought, and today the gondoliers take part in a race dressed as old women, and with a broomstick stuck vertically as a mast from each boat. Ah, L’Epiphania.

Here in this English Cathedral city where our composer lived Epiphany was celebrated only by the presence of a crib of contemporary sculptured forms that for many years had never ceased to beguile him, had made him stop and wonder. And this morning on his way out from Morning Office he had stopped and knelt by the figures he had so often meditated upon, and noticed three gifts, a golden box, a glass dish of incense and a tiny carved cabinet of myrrh,  laid in front of the Christ Child.

Yes, he would think of his second movement as ‘L’Epiphania’. It would be full of quiet  and slow wonder, but like the tale of La Befana a searching piece with no conclusion except a seque into the final fast and spirited conclusion to the piece. His second movement would be a night piece, an interlude that spoke of the mystery of the Incarnation, of God becoming Man. That seemed rather ambitious, but he felt it was a worthy ambition nevertheless.
Brian Oarr Feb 2012
Regardless how precise the assay of their life,
Most men must remain an enigma;
Their motivation fired by inner strife
A polymorph for which no sigma,
Nor algebraic symbol will suffice.

No If and then which personality
To a course of action thus relates,
Nor can it be hypothesized conditionally,
The turmoil emotion intrinsically creates,
When alone they stare into death's reality.

Two dimensional is the biography of any man.
We see his length and width, never grasping depth,
Though fortune deems we live within his span.
Much like this into my life have crept
Those I love, yet may never understand.
I don't care much in knowing how this monster was born, I have detailed case files on its existence and I know its patterns very well. I just want information on how it can be found and killed.

To **** any normal monster, all you must do is set it on fire, stab it with a stake, and shoot it with a silver bullet. However, it is nearly impossible to **** a true monster. They are much too practiced with their lifelong art of darkness - its mechanization through deception. Naturally living in shadowy places, they have strategies that work intrinsically against your police background. This monster you speak of – it will drag you from crime scene to crime scene, blood splatter to blood splatter, hoping you turn towards the light of the wrong evidence. Too many days, months, years have passed, it will know the planned escape route perfectly. Every true monster's greatest enemy is the light, however, its very survival depends on the shadow the light creates. You could shine your brightest and try to catch it in the act, but those walls will be marked by your monster, already running in the graffiti of a victim's blood. You might even catch a couple look-a-likes, the ones that are too young to know of your patrol patterns, too naive of their rights not to break under your torturous questioning, giving you useless answers. But that one twisted, maniacal ******* you're wanting, Detective? You'll have to find it while it's resting.

So if I cannot **** it in action and must find the monster while it rests, then it must have a home. What distant cabin of the marsh will it dwell in when I am there to capture it, to take it in chained for execution, to become this town's most needed hero?

For a monster to be born-

I told you, I do not much care in knowing how this monster-

But you see, the cabin of its resting place is the very cabin of its birth. If you wish to capture this true monster, the one that has lead to your own path as this department's chief detective, then you must trust me. You must listen, for your monster's cabin is owned by another.

Go on, then.

A monster cannot be physically born, it is merely a by product of the dark parasite found in a shadow. Anything that shines light has a shadow. One can never fall into their own, thus you must be forced into a different shadow for the darkness to find a carrier. Once inside, the parasite will aim to become its master's keeper. It will dig in search for the creature's light source, causing excruciating pain until it kills the host or disconnects the light. Once it takes over, the monster is born, taking it back to thrive in the very shadow it fell into. The cabin you seek is the exit from the shadow of another.

So to destroy this monster I seek, I must find who's shadow it once fell into? I must find the child this monster once was and pull him through the exit when he's resting. But where will I know to start?*

Continue painting. The sun is almost up.
Gabriel Jan 2014
Built into the inner lining
Like a patchwork with no seam
Stuck in precise timing
Like an engine pumping steam

Atomic structure of an element
A critically complex creation
As the deepest loves lament
Or understanding a nation

One can know a person
But never see their heart
Logic can make us certain
Emotions are where we start

A most complicated aspect
Often characteristics of a love
Never the ones we find perfect
Yet cause the most pain when deprived of...
Mateuš Conrad Oct 2016
to me, the Cartesian saying had to be relegated to shrapnel,
i treat the cogito
                                           ergo                       sum
like i'd treat atoms, brushing and
signaturing each other with
a stabilised unification
under the name: helium, or hydrogen.
evidently that's also a term
for three dimensional space
and the cohorts of chaos that come
from it.
           but something worries me,
intrinsically it's what i would simply
term: the automation of thinking.
basically? it's blood hard to stop thinking,
to do yoga to intricate being
in nothingness,
    as Heidegger suggested:
non-being is a tier below nothing,
      and i guess automated thinking
comes from non-being,
because there's this intrinsic manifestation
of instinct found in all sport activities
that doesn't allow thinking to take place,
no footballer thinks about his exertion
on the football pitch, no golfer maps
out a system of thought to *** the hole
in one...
                some would even say
that thinking is a form of laziness,
          i find that the whole notions turns
out to be a **** up affair of concern,
the mere notion that thought is automated
    and cannot be barricaded against
its relentless battering our very being
is due to the fact that so many of us
do not attain the all that glitters is gold
particularity of fame...
             it's not that we are doubtful,
but that we are mindful / thoughtful,
a few of us make it to the top of the sardine
can, but so many of us are minding
our own business on this placebo earthenware:
yes, i call this a placebo urn of things
needed (people always rave about nouns
anyway, call it slang, or whatever,
it trends, hashtags and the outdated
forms of phone numbers - calling big brother
eeny, meeny, miny, moe) - i could
swear it's so, but then again, maybe not so.
still (what a crass digression),
coming back to the Cartesian shrapnel...
           basing in on weights and measures -
it's so tiny, that expression,
                      we can think the realistic
and only express a centimetre of the world,
we can be the realistic and only
express a centimetre of the world,
  and then we can think the illusionary
and express a mile of the world,
        and we can be the illusionary and express
   a kilometre of the world:
toward the basis of fame and contentment of
  the shadows...
       yes, we have achieved a "death" of history,
by simply stating our recreational pursuits
being more important than our
need for historical eventuality and crisis, and change...
we have stated a "death" of history
via our population size, our ability to combat
diseases (whether infantile or of a certain maturity),
yes, we have established a congested world,
which facilitates nothing quite like a herd
(cattle mentality): hence the modern concern
for alienation... we're created a collective manifestation
of insects, or as one might suggest
  this is yet another geocentric and heliocentric
concern for us... although relegated to
egocentric and the collective ethos of comrades -
but given the former has been eradicated
as it was previous known: communism -
      in economic vocabulary it's all but gone,
but still exists in the sports: yet again,
the re-surfacing of abolishing automated thinking,
namely, automated collision with the daily
activity - either competitive or mundane,
    as we all soon realised: if automated thinking
is not eradicated by automated doing
     we end up mentally distraught -
our own thinking alienates us and even progresses
to symptoms that have no viability
       concerning a drowning man, nonetheless
we're actually drowning.
i can hardly think that nothing is an abyss -
       to me thought is an abyss (cat meows,
i write, the fermentation of wine goes on in
four jars to my left, bob, pop, bob, pop,
and daniel licht is playing to the fatty *****
that's my brain) -
                     i knew that ponderings ii - vi
would get my creative juices flowing:
finally! a book on philosophy that i can comprehend
within that bilingual complex i've established!
or: this much can be said upon
giving a supermarket cashier a signed copy of
my actually printed works
     and hearing a compliment with eyes
waxed with glee (Tarah);
           now i have 100 copies to push,
become akin to a drug dealer with poetry,
           and that's not going to be easy
without p.r. and all that jingly marketing qualms.
still, what's there to be done
        if not that there is something to be done,
even if it's nothing, or a pebble on a mountain:
which is why there is so much
   potential in individuality, but also so much
angst - instead of doing crosswords we have
other riddles to be bothersome about,
   but so few even get a ?         to be concerned with.
again the Cartesian shrapnel equation,
              so much is staged on it in terms
of how thinking becomes automated, robotic
to the point of making children succumb to
    premature depression -
      back when premature dementia was the hit
on Broadway or in an Estonian lunatic asylum
in the 19th century,
when we first received our psychiatric vocabulary,
now it's the young who are odd
   and it is premature depression,
          a bit like the black plague, against
all hopes, a single identifiable folly.
             and where the best rewards?
solitude, where else?
                          for all that swindling of the talk of species
and competition within / without,
        always one ******* says:
                           i am the zeitgeist - always one:
are there really benefits to realising that
****** equation? are there? to feel alive, to feel
conscious, or the madness of Nietzsche's reversal
stating that he's a thing that simply, exfoliates
necessary thought?
           thought is primarily a moral ought -
the should i or shouldn't i?
        it's intrinsic, inherent and simply: just there...
or in the unlikely event, a step into the abyss
   and subsequent pathologies of the enabling of
   a destruction of the soul: as manifestation
of a transgressively transcendent embodiment
of pure body.
                 so, against all duality, i simply fathom
that ****** thing as shrapnel,
     curiously via (as i already might have said):
so much thinking doesn't precipitate into being,
     and so much being doesn't precipitate into thinking -
or of those who adorn mental silk fabrics and Solomon rings,
         and those who have to pay for elocution
lessons due to their ****** endeavours -
      yet again, alignment with Thesaurus Rex,
cue: down Synonymous Avenue
                     because how many times are we sharpening
our narrative trying to feels less inclined
                 to exfoliate in the exotica of what's
the necessary verbiage, and escape into single
identifiable meanings, without poker, without politics,
without sexualised ambiguity?
for me language should work, not be desecrated
to fun: it, should, work;
                     or here i rest my ambitions,
without any poetic dogma - or to make poetry unrecognisable
when stated, for no reason to discredit
   the systematics of poetry: but for reason
                        Kraken wrangler on language -
as much as Nietzsche might have said about
      philosophical systems and their errors and lack of
honesty: i say as much about poetry careful to
be identified as such: metaphors, imagery blah blah -
all things that make people conscious of what
they're reading is actually what they're reading and say
it's poetry - as i said to the supermarket cashier:
enso (Japanese,
marcon purposively missing) - to write while standing up,
and so the reader is standing up,
         not a novel you take to bed,
                     and read for months on end,
dozing off, or sneering at "uneducated" people
on the train...
                         i might as well be writing instruction
manuals for the sadistic training of ballerinas -
              one cut, one incision, and get the **** out;
or at least that's the idea -
      learn to spell, work on punctuation variations,
    learn to tie your shoelaces... and don't believe in
the word edit.
Suzanne Penn Oct 2014
"Elegance is the only beauty that never fades....  -Audrey Hepburn

I beg to differ...
there are many beauties.....
such as...
the intensely knowing glance
of someone who has known you... intrinsically...
The glance that let's you know
that there are things deep inside of you,
that have never changed.
It's the look that identifies
the links in your histories,
and that reveal your very core.
The look that says I still see you...
with acceptance and understanding...
That fleeting momentary look ...
whether seen throughout a lifetime.
... or a lifetime ago....
That look, acknowledges a basic truth of who you really are.
Acknowledges, that you are truly known...outside of yourself.
It transcends decades
and inspires
both fear and awe in me....
and I think that is beautiful!
What about you?
What moments do you live for?
What is your "never fading beauty?"
NitaAnn Oct 2013
As a child I did not know whether it was the act itself or the knowledge that I was the receptacle for malevolence and cruelty that made me so vulnerable. At first I thought it was God's punishment for something I had done. I took an inventory, desperately seeking the deed that triggered the retribution. But I could not identify a single act. Even my accumulated errors, transgressions and unkindness’s did not exact the cost. Then I understood: if I could not isolate a deed, or pattern of deeds, commanding the punishment, it must be me. It is not what I did. It is who I was...a fundamentally, intrinsically and irredeemably bad little girl. I negotiated my adolescence and early adulthood with the mathematical symbol for "less than" (<) attached.

I would like to be able to write that I am no longer negotiating my adulthood with the same mathematical symbol attached. But that would be a lie. It is pervasive. It is formidable. And if I do not keep it contained, I am so afraid it will be debilitating….I've been down that road a time or two. At times it has enveloped me, penetrating my pores and drowning everything essential and vital inside.

Undisturbed, it is docile, sated. But aroused by even the slightest hint of beauty or strength or grace it is a painful reminder that I am...somehow...contemptible...that I am still fundamentally, intrinsically and incorrigibly...what? Flawed, imperfect & bad? You may say, "But we are all flawed and imperfect. And our flaws and imperfections make us more interesting...more truly beautiful...more human." And perhaps you are right, but this inexorable deprivation makes me somehow subhuman... less than human...permanently broken. I am a receptacle for malice.

I skillfully deflect praise directed my way, an effort to soothe the inescapable conflict inside. Moderate praise induces a subtle twinge of embarrassment; more effusive praise incites the consuming and agonizing feeling that I am irreparably damaged, hopelessly broken. It has contaminated, compromised and diminished every accomplishment, soiled every success. People sometimes tell me that I am humble and that it is an admirable trait. But the modesty and humility they identify helps me to mask the mortification stirring inside. I have gotten so good at hiding it from others that I have nearly learned to conceal it even from myself.

At least that is what it feels like...right now.
Nat Lipstadt Jul 2020
In Their Own Words:

“All I’ve ever learned from love is....”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

So come, my friends, be not afraid.  We are so lightly here.
It is in love that we are made.  In love we disappear.  Tho’ all the maps of blood and flesh are posted on the door,  there’s no one who has told us yet what Boogie Street is for.                                     Leonard Cohen

All I've learned from love that it appears on its own timetable,
and, all I've learned from love is, it is the purpose. Harlon Rivers

“is crazy and this is infinite and ever so sobering wondrous possible"
Medusa

It is a paradox of two people - in debit to one another though each may never realise;
and neither one of whom would ever consider recalling the debt. Gideon

A headlong charge into a vast unknown that promises fufillment of every lacy, perfumed dream, but may instead deliver wrenching wounds that only another love can heal. Lori Jones McCaffery

every fantastic mistake I ever really made! Drunk in shallow bar light with a woman of my wicked dreams who laughed as loud as me at our shared ****** jokes we both got. We loved for awhile and then wandered and still loved forever as we found other dim bars with more wicked dreams.                                        gray dot (unknown)

All I have learned from love is to give more than one receives unconditionally.                                                ­K Balachandran


"love is the great equalizer: ignoring age, race, education, wealth, religion, disability, and sanity... simultaneously capable of lifting all to the highest highs and dragging all into the deepest depths. In love there is no pride or ego." forgotten

that just beyond is a hidden trail, where a magical river of the purest water flows free. Here and only here, my heart can be revived, and my mind is stilled by the silence I find. Love’s call is gentle. Joey

“that love is as love does.”
victoria

All I ever learned from love is the meaning of the word, "unconditional!”.           SE Reimer

Sometimes we fall in love, and sometimes love falls on us.
Stephen E. Yocum

it is gentle rage, come like sun through clouds, to feed parched earth....one word to set life a tingle, the first smile of a golden
boy's day.  The last caress before sleep, the letting go of a dying
friends hand and the gathering together of companions for food
and laughter, love comes in many guises, has many faces and is
lifeblood to the soul hiding within.                   betterdays

where the beginnings end and the ends begin.    Elizabeth J.

The burial of fear and all we’ve ever known In hope for a new flourishment.    Dante Rocio

that life flows in abundance of peace, harmony and balance when I
surrender to live in love.                                                            ­    Cné

that love assuages hurt and heals the wounded...it rings with melody
and dances to the heavens.  It’s the divine giving over of body and mind;  it's mystic transcendence an overwhelming feeling of pure ecstasy.                                                         ­                              patty m


that love is a dunghill, and I'm a crow that stands on it and caws.
                                                           ­                           Thomas W Case

Acceptance.  Acceptance of myself and of the ones I love.
                                                           ­                                    Kelly Rose

It is easier to give love than to accept it.         Walter W Hoelbling

was what I learned from her...Love is above, beyond what we all wish, we had to touch the sun, the moon, the stars; everything we have.                                                                            Temporal Fugue

that it is unique; it makes the softest body, hard, and softens the hardest heart.                                                           ­     poetontheroof

Our hearts tied but I don't know how.                       Anonymous

Love has the ability to surpass life. Even though you are gone I still can’t stop loving you. “Love leaves more behind than death ever takes away. “ -unknown.                                        Love Storytelling

to never go searching for it. That's it, I guess.                      Aparna

has been gleamed through the sacrifice and service of a few extraordinary souls.  For true love is borne of sacrifice, and
it compels us to serve.  Without those elements, it cannot exist.
                                                                 J Klein and Sons Pen Parish

it requires curiosity to truly uncover; it is an emotion
that makes us uniquely human.                                        Angelique

that sometimes it hurts and sometimes it thrills, but
love that kills your pain is always worth the dying for.                 r

it is a gift from God, most precious and not to be abused or taken
for granted.                                                         ­ South by Southwest

how to hurt.                                                           Andrew Crawford

is that, it comes like lightning...it jolts, it makes, or breaks a future;
it hangs around, no matter what, if it's meant to be...yours...
all i've learned from love made me a tree, with fruits
with a blend of sour and honeyed truths, it is heaven...
when bared, shared... reciprocated.                            Sally A Bayan

that it is hard and it hurts but we cannot live without it... there is no storybook endings. You take the good and bad and make it what you need.                                                            ­                     Melissa S.

The burial of fear and all we’ve ever known
In hope for a new flourishment. Dante Rocio

that I can’t, won’t, don’t want to ever live life without Love! ♥️ Feeling Love Sparks everyday forever and always ♥️ Loving Love Glass Slipper Girl

to accept it when it is given, to share it when it is felt, to cherish it because it is a gift and that whether it hurts or it heals, it is far better to have experienced it than to not have.                                  BLT

that love is...forever studied; gravity, it is akin to the sense of gravity;
it can never be explained, felt, or experienced, but never grasped in ones hand.                                                            ­              wordvango

that if you have it, you should give it.                                  amanda

how to turn up my face and surrender to the rain.  
                                                         ­             Clementine Valerie Black

that God is love expressed by Jesus, and I'm my best when I imitate Christ.   Christos Victor

the most over analyzed, overwrought word that remains after thousands of years, completely
inexplicable.                                                   ­             onlylovepoetry                  

it's a strength and weakness, ecstasy and agony, a belief and fear (of losing), emotional contradictions yet so intrinsically precious to be worth living and dying for.                          Pradip Chattopadhyay

the emptiness of smothering empathy for all that lives, feels and needs.  It's to bear eternal suffering...                                   Traveler


red.                                                                                                     Fog


to give, far outweighs the take.                                        Mike Hauser


that it lifts open our minds' eyes, overturns our fears in this vast expanse of the unknown - it etherally reveals our connection
Melody

how deep is my ignorance.                                              Joel M Frye

that love has nothing to do with ***. It has everything to do with sick kids at 3am and holding back your friends hair when she pukes in the gutter crying over some ******* who just dumped her. It's selfless.
                                                       ­                                                 Acme

noth­ing compared to what I've learned from pain.                 v V v


the things I’ve never learned.                                               M-E

that is the cancer and the cure; the detour and the straight line; proof of reincarnation and death everlasting; the intersection where extreme selflessness and selfishness meet, becoming indistinguishable; it’s shapeless, nearly invisible, and yet known to everyone; a verb, a noun, a conjunction between and a preposition to a beginning and a dead end.
                                                            ­                               Nat Lipstadt

~~~~~~~~~~~~~~
thanks to all the participants, so far...(see the note below)
This is an open, living poem; anyone should feel free to message me to add, amend, or delete; just message me directly; won’t modify if you just comment.

one more thing don’t ask me to add an old poem that is only tangentially related: write a max of two or  three sentences that
clearly and directly responds to the title...

format is.deliberately sloppy, just like the subject    
matter.

and the original version (2017)

https://hellopoetry.com/poem/2187204/all-ive-learned-from-love-for-leonard/
Fantasio Milian Sep 2022
ocd
obsessive
compulsive
thoughts that don't belong
intrusive
elusive
intrinsically wrong

ocd

unstable
unable
harm your bone and skin
fearful
tearful
tattoos of your sins

ocd
ocd

aggressive
possessive
words not meant but said
irritated
isolated
dreams not gone but dead

ocd
ocd
ocd
day 9
Enigma entity’s ethology entelechy as it relates to clairaudience clairvoyance
Everyone has a personal futurity fatidic or existential metaphysique
What we need is a universally acceptable form of id conclusion
Unfortunately we can’t even agree on the social stigmatisms of ego’s expression
We are relatively extraneous interpolations of adhesively practical extremity that succeed in a hierarchy of functionally integrateable forms
There is no functional deontology, even though its visage would seem to portend cogently fecund probity for all
We are not ethereally sublime, we are corporeally preternatural
Objective is individual; obligation to each other is not a mandate
Though many might find it inherently indispensible to some it impedes success
The depths of debauchery this debacle ensues are almost intrinsically endemic to our race
How am I going to get there becomes more important than ‘what are we fighting for’
So, if there’s no unity of purpose how do we decide who we are fighting for
Will it be good for all or lead to oligarchy and subjugation, the seemingly inescapable byproduct of capitalism, the inherent decadence of socialism
It’s times like this that make me love the constitutional fortitude of Americanism
Theoretically I have an inalienable right, hypothetically this leads to anarchy so I’m not allowed to mess with your rights
This is mandate
The republic for which we stand
Mendacious tales of unity, not merely the obstinate tenacities of I, but also the cogent fecundity in the infamous we-ness of us
indentured servant sail……..serendipity servant serenades
Brandon Maples Nov 2012
Your smile spreads across your face like a butterfly,
And glistens like sunlight reflecting fleeting white flashes
Off of rippling blue waves.  Only,
Your smile does not give the peace of vast emptiness
That comes from the beam of nature, alone.
Instead, it awakens a passion from numbness that

It is real, not just in some novels or the movies,

For us--Oh, how I hoped it was real!
I dreamed the monarch you showed me was intrinsically for me.
My blind heart, overflowing, pled to know you-
What your smile was for and how to make it flutter
Again and again, and you, too, would've seen mine for its essence,
Understanding that one was special, secure, reserved for you.
Lunar Luvnotes Jan 2015
Intake warm breeze
as chest expands
Like a tequila shot
Slammed
Top shelf tequila...
A more enduring
Sobering
Variety of elixir
Oxygen and energy ringing

Integrity intact
Confidence withstands
Through chaos and madness
I AM a glorious being
We ARE shining out
into the galaxy

Can't you see?
Only by running on
Spiritual fumes of evermore
Can we truly be
All we were meant
Without a penny spent

The universe expands
Fills up every pore
of pink lung
Feeding blood as
it wraps around
My heart squeezing out
Every ounce of
Stamina and love

Exhale air of hope
So grateful to it
Swirling up
My being bowed down
in reverence
Indebted to it
the atmosphere

The same breeze
Engulfs birds in the trees,
Who drink it up,
Singing sweetly
Sure beats man-made
Intoxication any day
of the week
Don't you think?

The best highs
of this life
are beautifully
Intrinsically
Deceivingly
Free

Go forth!
Spread your wings
Spanning from
Past to future
Fly to sights unseen!
Soar the currents of today
Right up to the heavens
Dear friends!

I'll be perched
Waiting for your faces
in the branches of Serenity,
Chirping hymns of Love
"Empaths Anonymous" series, what was formerly known as my "Moonchild" series. Because empaths more often than not are addictive personalities. I'm not in this mindstate just yet but am sober and wrote this to inspire myself to stay that way. Oneday... I will throw my whole heart and being into sobriety happily.
Paul M Chafer Jun 2015
You ask me,
Do I miss you?
How can I miss you?
You are always with me,
Your face behind my eyes,
Your soul sleeping in my heart,
The essence of you dances for me,
Sinuous curves shimmy within shadows.

You ask me,
Do I love you?
You should be asking,
How much you love me?
Then measure that feeling,
Holding it tightly deep inside,
Knowing that I feel just the same,
With every single fibre of my being.

You ask me,
Do I miss you?
Perhaps, I might sigh,
The very truth, though,
Is that I miss you terribly,
Is that part of me aches for you,
Though we are intrinsically entwined,
Sometimes, such closeness is not enough.

You ask me,
Do I love you?
Do you need to ask?
I live and breathe you,
As you live and breathe me,
Your roads lead to me, woman,
I am by your side, holding your hand,
One day, we will surely arrive together.

You ask me,
Do I miss you?
Everyday baby,
Never doubt it is so,
My pain is like your own,
Insomnia, numbing, yearning,
Hiding tears in the soft darkness,
But knowing, we will be free, one day.

©Paul M Chafer 2015
Created while walking around woodland. 24th May 2015. First poem I memorized off by heart for quite awhile, so posted it here. This deals with love found in friendship, accepting feelings that cannot be changed, living a relationship physically separated, while emotions remain linked and trust and honour remains intact. We cannot help how we feel, but we can be true to ourselves and others.
POSSIBLE Feb 2016
A festering toad, happening upon his friend the owl, began upon an uttering. A sort of delirious asking. "Why are people so afraid of death?" With this owl content and basking in the moonlight, they did speak upon the truth of the matter;

"Because when you're dead you're dead see?," the owl remarked so haphazardly.

"But what point is there in that statement," the frog stuttered in with a knowing kind of sinful grin;
"After death, could we not begin to fly with the stars, or at least just pretend that we are orbiting Mars?"

The owl simply replied, "Remember toad, while it is I who pierces the veil, it is you who must lead the spirit parade through it’s transformation."

The toad croaked a sigh at the owl, blinking its ever seeing eyes at his brother-in-arms in feigning return,remarking that “these must truly be times of madness for a mad toad to lead the way….

A shriek! "THEY ARE THOUGH, the rest of the animals forget, basic reality is made up of nothingness, so cheer up, we are all basically nothing, but agile enough to get by don’t cha know!," the owl looks to the moon in its sort of quick jerking way as if seeing some truth inked in it’s light.

"Agile?" the toad cups the question with his consciousness…."Agile enough to derive strength from above and to cater to love through the rough when we tumble hard and it feels so tough... But you know owl, there's life and blood to this stuff so we best start emitting light through  agape sans the gruff.

The toad started repeating a mantra towards the Crystalline reflective lake due south, the direction of healing, transformation, and death:

"the essence of your mind is intrinsically pure, the pure doesn’t mean a non-***** story...pure means clear….void. No eyes, no ears, no mouth, no heart, no I, no problem."

The owl began to speak a slow sort of lullaby in response to the mantra; “Luckily consciousness is like a mirror that needs to constantly be polished.”

The reflective lake of all things replied: “But in truth, there is no mirror. Thus, if you are living in nothingness and if there is no mirror, how can you be contaminated?

This is the most incredible nothing life has been privy to experience, for this nothingness is like the nothingness of space….which contains the whole universe, and out of this void comes everything and you are it. The fear of nothingness….IT plagues those we know, because it has been ignored .

“NOTHINGNESS,” they say, “HEAVEN PRESERVE US OF THAT!“

At the appointed time Agnosia and with the approval of the moonlights shine, the foggy cloud of unknowing descended upon the lake, the toad, and the owl, who all began to speak to chorus in such sweet unison:

“That which is the knower or the known cannot be an object of its own knowledge, Fire does not burn itself. If you put something there on the divine platform, you stop short of knowing and you stop short of glowing.  Following the flowing senses of truth;  Don't stop until you can rejoice in the I that isn’t.”

Everything went quiet in the forest and on the lake, as the obtuse fog displaced itself. The forgetting had become complete.
epilepsy
Heavy Hearted Nov 2018
I'll turn into a song
when everything feels wrong
While the roses are still red
Intrinsically, I'll sing along.
While still I'll rise, and glance ahead
Until I entirely realize:
that im alive within these half dreamed dreams.

powerful to mind that somewhere glow sunbeams-
the inevitable engulfing night, remember,
's oh so shorter than it seems.


Wistfully forget
Or
gracefully remember,
I turn into a song-
and its a very solemn playlist.
Egeria Litha Dec 2013
Moonlight feels like
identical twins separated
Nepthys and Isis shot across
opposite ends of infinity

Their mutual rhythm
only sound sane
with the other
a rhyme to the reason
because that is what art
is

Splitting lightening once the white shine
bolts a crack in my spine
hits the glitch in my automatic mask,
to the world,
and everything I can't hold in my head space

Full Moon in Gemini
so unwilling to compromise
because of the gift and the curse
to see both sides so vividly;
intrinsically

Since when has anything ever been
set in stone
without growing into another white lie
floating in the mist
of another form that couldn't be compared to this
but rather another aspect in this

There are no questions left to ask The High Priestess

Everything I needed to howl at the moon
pin balled back to me in the vacancy of desert skies

Sand storm in my eyes
until Judgment's horns blared through
the illusion of heaven I created

Your place in my life is as empty
as the chair next to me.
Without the souls of Trouvere, will he aspire to spheres from where he can replicate himself in the ductile state of the ceremonious Energeia...? The naive action is univocal as the first practice modulated in inclinations and lexical motricities, where they die within their fears, failing to hope and convalesce their desecrated wounds congruent in concepts of Energeia, as an arbitrary neologism to move what in itself is not self- scrollable. Vernarth after witnessing Stratonice's intermission decides to run barefoot for those who banish needs on the parental scale of his range. Succeeded by the need of Energeia towards the impudent sense of being enraptured in possibilities, and supernatural substantialities that transported him in the Epistle even to his desiring hands, but in natural causes, and kinetic emotionality in the destiny of the principles of a movement that dialogues by a spinning spin; alembicated in particles of displacement time eccentricity, towards itself in the synonymous statics, providing intrinsic angles to be associated with the rotation of time and Epistolary demands so that the quantum light can relate the energetic spiritual emotionality, with the own dissociated relationship in the spaces of appearance; where it is to be believed that there is a moment of bias provided in the emotional-movement rooted in linear memories of the temporality of the Hellenic mental axis. Everything is proper in the coordinates of the speculating, which is adduced and duplicated in Poielípsis or unveiled generation of relativistic emotions. For this reason, Vernarth naughty importunates this metaphysical precognition, alluding to particles that generate dissimilar inclinations in lapses until reaching the threshold from when Stratonice partially divided its material and spiritual origin into stationary diversity, in meditated phases that will not take place nuclear, but in the polymathy of its exteriorized threshold, and of the emotional mass of its free and passionate matter that concerns its strident and impalpable Macedonian origin.

From this moment on, the intuition corresponds to the angular reinforcement of "Poielípsis", in this way the coordinate of the Souls of Trouvere becomes present, as pseudo images of the Diadochi, involving magnetized radial movements that will lie in the spheres of physical value., in the garb of the Gerakis and Petrobus, who strived in the sense of the energeia of the Epsilon neologism, not to restrict themselves as Aristotle affirms, investigating the being towards a mono-sense in this causal, of such alpha that it says the paradoxical, demonstrating the diversity of optics. Faced with this diatribe Vernarth from the naturalness decides to empower Souls that are part of both topics according to Vernarth, it is to alleviate the potentialities of the acts that apprehend the light of genius that coexists with both. What the entity justified us in unfolding will be delivered by divine intelligence, so as not to reduce the free power of the Epsilon that was extracted in the welcoming presence of Stratonice still withdrawn in the atmosphere of the Voielípsis (substitute scale of relativistic emotions of Vernarth). There are few seconds that can be extended more from a selective argument of trends in the specifications, which could be attributed to dimensions of the Trouvere period of souls, lacking stillness in simulated biological environments, as if they deliberate the naturalness of an expression of who It does not philosophize if something has to detach itself or grab hold of creation to privilege the natural, re-arguing affection when professing, if there is time to express it, so it is intuited what the virtue of muttering simultaneously in the laborious, and in what does not progress. The dynamics of this Poielípsis is to dress the Voielípsis, as an analogous addition of quantum causality and of temporal and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas, heading towards the prop in the mega absorption of Christian Aristotelian ideals. The souls of Trouvere will be residents of the indeterminate spiritual mechanics, to deposit effects of the incredulous versatility in themselves, in the sub-aquatic depths that coexist with the geological structure of the cavern of San Juan Apóstol, but in subterranean concomitance, under the same axial coordinate that is sustained sub-geological. Namely; They will coexist as long as the Mandragoron of the Duoverso and its Voielípsis are established, but three hundred and eight meters from its antipode in the underwater base of the Profitis Ilias.

The antithetical line is the verifiable germinability of those vertical events of the plinth settled by the Souls of Trouvere, containing the germinable starch of the growth of the ergonometric stirrup of the Zefian Bolt, which from zero elevation to 308 meters above the Aegean level will form a mega extra parapsychological bilocation, which will be gestated in its uniform vertical chronological numbering, with the pre-Christian Pythagorean and post-Christian representation in the coronation of Carlo Magno, mentioned in royal visions by the Apostle Santiago, in the versant apology of Pythagoras as an entity supra divine, envisioning the scenographic depository, and fragmentability of these three components of this start of the Hellenic Magna in the hydrographic, sub-terrestrial geological and residential basin of the Souls of Trouvere.
The upholstery of the Pythia of Herófila attacks the subtended of the flying buttress that supported the volcanic cavities of the Sub-Patmos, indicating its agreement with the Souls of Trouvere by its disoriented cognitive dissonance, generating paradigms that traced stones that formulated Aquarian sounds, in a dominant tonality by the minuscule machine of light, more distant from the incommensurability that escaped eclipsed in the resplendent major note that becomes monarchical by the hypotenuse of a rectangle in three subdominant angles. This brings about the thaumaturgy of Pythiais, the mother of Pythagoras who, together with Vernarth's Poielípsis, forge retentive songs given the scarce natural light that was only born from some of Trouvere's souls called Poielípsis, in stories of the oracular Delphians. The Poielípsis remains encapsulated from the thaumaturgy of the banal anti-desires that would make it mortal, for a hypotenuse that makes the gift of poetic prayer tangible, prompting the Bio axiom, by fertilizing scaled suspicions of repeated mortality in the banner of risk. Stratonice well points it out:

“The signal field has been prophesied today for the Apollo tripod. Having to reencause itself in three parts of the support of the oracles, and in clairvoyance in the pre and post Christian insemination of the gift of the word that redeems man from sin, sub-tenant of the flying buttress, from the interface of the supra trinity of sin as a blood element, and difficult to evade or avoid. Here the Hegemonic energy of Alexander the Great has been condensed in the arch of ideas, pointing out that the diseased body of Antiochus; my father…, is supplanted by that of the to happen all the trances and difficulties that are assumed after the hazardous departure in Babylon. Therefore he has to bring all the corollary prophesied in the death of my grandfather Seleucus in the hands of Ptolemy Ceraunos. Wanting to dress up the irrevocable interference that occurred in Judah by his Diadocos gangs, opting for the effect of his offspring, therefore on his spiritual stretch of energetic residual and static mass, ad libitum that will end when unleashed in his son. All will already be consumed in the pathogenic body of Antiochus, and of the love for my mother where she was abducted, and possessed she sees by retaliation from Alexander the Great for proven insubordinate ethical demands. "

Stratonice walks with the sendal that should be translucent by Santiago of Compostela. As an intra-everlasting geometric raconto, subduing fears that slide through the sendal of the dogma of the architrave, where no philosophy can look higher if it is not allowed, typical of vegetarianism or freedoms that turn green in fears that do not illuminate life. eternal, perhaps from the same Matematikoi who doubts a basis for Adfinitas, to understand limitless limits, taking Pythagoras to the soil of Crotona. Always, someone who is ignored of the linguistic power, he plans to rewind spheres that still weave crossed angles, placing himself in scores to consider as an irreplaceable past. The soul of Poielípsis adopted a Pythagorean conception, in the halters of the livid legions of Orpheus, as if it were his consecrated hypogeum where the high position was, to stir to the embankment where it will merge with the Zefian arrow. This liquefaction should purify all storage of cognitive and circumscribes of those ancestral, becoming reincarnable pre-Christians, who transmigrate in the need of osmosis of universal unity. Atonal music will transmigrate molecules to great sidereal distances, being the same replica of the other eurythmic, in multi-trigonometric periods, vivifying the fractional number residues as souls of the same numeral that finally perish of Pythagorean digits, perhaps at the angles of the Phalanxes of Vernarth or in the oblique crucial moment that slumbers in an elegy, flourishing in those beings that do not Live...! Already under-treated, they will only be souls tired of keeping themselves alive and deprived of their morbidity, in a dissociated cause of immortality that will distance itself from the forbidden abstinences, in liberating exercises of any count that ponders in the coming etymology of the Vita Pythagorae, on the divan of the joys of serving his doctrine, which saves himself, and which will save the Messiah, for those who in the soul have no sacrifice of a lamb that grazes..., nor on the pedestal that goes ahead in the centuries..., pasturing what nobody was capable of ?. The second triad of the oracle of Apollo of the Souls of Trouvere reveal Charles the Great, favored by the Apostle Santiago for the protectorate of Compostela and its spiritual regency, invited Charlemagne from Aachen, in 33 consecutive years of dispute with swords, stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne placed himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence.

In the second segment of the concave wasteland of the straight ascendant of Trouvere, he crowned Charlemagne emperor of Rome and the Franks, predicted by the Apostle James, in defensive papal struggles and in defense of Christianity. In this paradigm it appears how they are transmitted from the dead ungraspable world, they unite here in the axon of Poielípsis for the sake of the times that occur due to the anonymity of a silence that augured to link, and to know within what the endless intrinsically organic movement is, as well as the biological cosmos in the discovery of the Jacobean route. In what better region than the Dodecanese, he will be fused by twelve apostles, and now the brother of the son of Zebedee; Santiago brother of Saint John the Apostle. Dating back to 778 AD, spreading to Hispania. In the ****** and constant fight against the Saxons, Carlo Magno, entered Hispania crossing the Pyrenees, as a preview of the aforementioned Jacobean Route, everything raged witnessing their overwhelmed squares in the fueros of the Trouveres, who were Pythagorean elite soldiers, who had been bilocated in this post was Christian, preceded by the perfidious Basque in the forests, subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to continue them to Pamplona with Charlemagne. All escaped from Islam, and not a few Christians resented this affront, the dynamics will be reflected in the Songs of the French Gesta, to enter the Jacobean Route on the way to Santiago de Compostela, when the Calixtino Codex, in its book IV o Historia Turpini, the apparition of the Apostle Santiago to Charlemagne is told in dreams, pointing to the Milky Way as a way to find his tomb, which must free them from the Saracens to be able to venerate their relics with the enamels and medallions that they issued in the Apostle's crypt in Compostela. The souls of Trouvere, are beings that enjoyed a short life in the Pyrenees, they enjoyed the fortune of originating a liberator of post-Christian inheritances, mechanized by the exquisite citation of Pythagorean antiquity, behind indigo faded in red blood cells, to dress the sendal of the figure of Faith, freed behind those who should have dressed her as a Codex Calixtinus.

Five sections rose along the straight line of the Trouvere pyramidal axon, the base of the liturgical appendix that honors the multidimensional space, with antiphons for the cult of Carlo Magno on the underlying Patmos. Santiago was lacerated in the Holy Land far from his Brother Apostle Saint John, but he came to meet with the Trouveres who came from the rugged Pyrenees. Santiago passed the Strait of Gibraltar and reached Padrón, which is about 20 kilometers west of Santiago de Compostela; there some angels took him to the place where he actively rests. In a boat he arrived..., and always by the Mediterranean he will now reach Patmos, still acquiring the iconography that attempts to find Charlemagne, and a codex that would unite pre-Christians like Pythagoras and Aristotle united in the relic of the taxpayers transformed into three maritime rivers, concerned with a predicted belligerent episode, to say that all roads lead to Patmos, like Locus Sanctus, of all the shepherds who heal their sheep in which they are not of others that are populated with souls white, for the good of others. Thus the souls of Trouvere from the Pyrenees revealed themselves as predecessors of the raiding of the shells 308 meters below the Profitis Ilias, in agreement with Stratonice who would be arriving in Macedonia, where the passing of the centuries would tell him about the Jacobean Route instructed in confronts, and concordances with the airones of the Trouvere, protected by a rectangle in three subdominant Pythagorean angles in the dissipated darkness of the golden indigo of Theoskepasti, in the meridian of Kímolos.
Poielipsis Souls of Trouvere
Mel Holmes May 2012
seven years young, always sharing a still smile.
You find him decked out and drowning in choir robes, with
Golden curls placed gently on a hammered head.


This boy plays piano in a dead sanctuary
Following familial rule,
until he let it all go.

the boy began playing music unwritten,
off hymnal sheets
Harmonious melodies stream from dancing fingertips,
Intrinsically clearing the once-cloudy air with vivacious voodoo.

The boy’s fingers groove up and down the piano,
His touch graces ivory keys and
His foot performs a rhythmic pedal-pressing tango.
He calls the audience: everywhere, eyes ignite like flame:
A communal headturn towards the piano.

They need more.
They crave it.

All the sanctuary people rise from the seats,
Abandon their pews, they enclose this boy.
No means to scare him, they want to experience.
The audience turns their ears towards the piano’s emissions,  

Emanating from within

Inhaling soundwaves—
Intoxicatingly sweet.
They absorb his notes into every pore of their skin,
Fueling their bodies with musical nutrients.
Electric jolts flow right into the room’s extremities.
They let down their hair and begin to dance.

Until a brief noise, distinctive throat-clearing, came through the speakers;
Heads shifted to the podium, only to see their ticked-off pastor,
Smirking and waving sarcastically.

Discipline.

The congregation stumbled back to their seats.
The boy stopped playing.
Ending the enchantment, killing the sanctuary.

Air again filled with ‘God’s voice’
through the mouth of the speaker.

A speaker who just wanted attention.
The boy slipped out of the piano seat, out the church’s doors.

You want to chase after him, give him a ride
Where could the boy be going in the middle of the storm?



The pastor’s prodigal son.
Moss M Jacques Mar 2021
She didn't set out to be a seductress
Until she became a seducted
She was afraid of love
Not wanting to see her heart
Being devastated in stitches,
By a thousand cuts
You're a seducer, she said to him
Why do you say that? He asked politely.
Because the first time we met
You melted me like a mountain of snow
Melting away in the summer.
I must confess: I thought I built giant walls
To protect me from a man like you.
There you are, tearing them down altogether
without allowing me the benefit of a fight.
Really? he exclaimed
Tell me more.
you walked up to me
you touched my hands flirtatiously
you look me straight in the eyes
and compliment me with a calm, balanced,
Masculine and confident voice.
I didn't expect it,
I didn't want it,
I was blown away.
She continued:
I was a lost soul; you shelter me.
I was a lost ship; you seize me.
I was a lost bird; you cage me.
I was a diamond in the rough,
You dig me out and make me yours.

And what do you think of me now?
You're a happy man.
Why do you say that? He asked.
She replied:
You know how to give and receive pleasure.

Down memory lane,
If you elect to remember one thing about me
What would that be?
She answered:
You intrinsically love women.
© 2021copyrighted material provided for educational purposes only.
This poem is a tribute to men who value and love women and the women who value and love them back.
This poem is for all the beautiful Emmas of the world. If your first name is Emma, this is for you.
Olivia Kent Oct 2014
Watch those blue shoes, being carried on the tide,
They're rolling from the water's edge,
propelled by sunlight,
lost in pain.
Once stepped over stones,
with you,
once weighed down.

See the lose broken twigs,
cruising with the tide beside them.
The shoes remember you intrinsically,
For all eternity,
Never will you be forgot,
Floating shoes,
have been released,
nearly free.
They're missing your lost kisses,
Riding ever onward,
Flowing toward home.
Being soothed and washed,
Cleansed and washed away.

They're dancing as seahorses do,
as they roam,
towards relief,
being bathed in marinated foam.
(C) Livvi
This is what listening to Kate Bush does for me.
Jacqe Booth Feb 2010
Little kitten
i would have your
purr
and bristle fur
inside of you
i'd be lion
strong
And you could scratch
and cut
and use me as your
post.
And i would drink you
up
up up
my tongue my throat
a
vestibule in time
catching and licking and suckin
and taking you in
sublime.
All fluid and raw flesh and blood
My hunger for you is feline *** canine
Bloodthirst, this urge
this roar
inside of me
for you.
Animal intent
I am your awakening,
the ache to your throb
you pulse through my veins
and i want to be taken
in your claws.

You are not submissive
and i am not Domme
but you'd melt in my paws.
Up high
Against a wall
i would carry you on my shoulders
your back against the wall
and drink and breathe and become your flesh
from within you i'd break and re-mould
and detail the design of your love
for me.

I would be your strength
embodied
a boy of flesh
of depth
of passion
of friendship
fashioned intrinsically
with love and
Oneness.

I can only be the only one.
Qweyku Aug 2016
Take heed, falter not
Your time is currency,
Tied ineffaceably
To the heart rate of
Your Fiscal Policy.

Spent but once,
Priceless
-
A
Beat,
Irretrievable.


“Spend your time wisely"
Advised are we
But time invested
With
Family,
Often
Face-value perceived,
Too steep a price paid
When
Quantified
Monetarily.

Such an idea of a lie,
So psyche ingrained.
Dire submission
of modern humanity
Ever so
Intrinsically sealed
We even
Concede;

“These moments are stolen”
&
our time considered;

“...too precious”



© Qwey.ku
Native Intuition Sep 2014
Delicate atmosphere
Intrinsically understood
Nature's intricate ecosystems
Our planetary amniotic fluid

Unborn children
Safe within the womb
Helplessly pondering our existence
Relentlessly hoping that soon
Something will save us
Will come to wake us up

As if this life is not enough..

I wonder if the star that exploded
and created the atoms of which I consist
is proud of the reincarnation
that has grown to presently exist

This life giving source
My Mother; this Earth
To whom we owe our lives
for the very possibility of birth.

Safe in our first moments
inside our Mother's womb
While our Mothers were safe within Hers
This Earth is a living entity
and we must protect the roots of truth
from which the gift of life occurs.
sweet ridicule May 2015
not quite sad more of an intrinsically motivated obsession with the universe that inspires a certain degree of sadness.  like the first time I kissed his neck and the universe understood this intrinsically motivated obsession and inspired a certain degree of sadness. there is reality and there  is my reality

and mine is unavoidable and thunderstorms in-front of and behind me and graceful rain on my head at all times and so much so so much to think about it and the fruit snack wrapper on the floor is blowing away and the fan is clicking and I have math to do but I don't care what a radian does

I only care that I don't see a god in the millions of dying people and the four year old locked in the basement of her addicted mother's house. Hemingway says that all thinking men are atheists (and women this is 2015 and I am brilliant) and I am pure atheist except when rain comes down and I believe that everything is connected in some way

and I sat on the trampoline with my 13 year old sister and let the rain fall on my face and slide down my shirt and drip into my belly button and I think I reminded myself why we are alive and then the lightening scared me enough to shake my doubt away

we are all okay sometimes.  and my brain is exceptionally faulty--frontal lobe doesn't act normally and she told me that it's like it flies away and I can't find rationality until it settles and comes back to earth and I am rarely on earth.  and I scared him because too much passion can break more than glass and

it's hard to realize that for every second I hate it is only because I love to the point of insanity and I can't hate unless I love unless I am drowning
in hopeless desire for more than human for invincibility and driving with the windows down and music blaring everything else out

then I remember I am someone else's child and it is only fair to care for that girl so I slow down
I put my arms out every time I walk in the wind so maybe it'll take pieces of me with it and turn me into the alive person that i crave that I desire that I fume for much more than

touch

but I can't just be touched to feel love I just watch eyes to remind myself why this planet is here why the oceans are filled with salt why people are dying to live why people are living just to die

I love again each day right after convincing myself I don't and it's not touch I remind myself how to live in those eyes and I broke the glass the glittery strong slippery now shattered glass so the least I can do is let the glass fix itself slowly

but I don't believe in god I believe in love and rain and passion and desire and this is my catharsis
this is fascinating
I don't know where these words came from
little moon Apr 2014
if it was never deliberate or carefully controlled
then maybe i'm just intrinsically forgettable
ashes and wine, between the lines.
i'm tracing circles in my mind like a little whirlpool
swirling in the waters of what i was too ignorant to notice before
i remember this story already, it's happened a while back
i stifle a bitter laugh and play the rest of the track
i never wanted to be an afterthought.
the track is "comfortable" by john mayer just sayin

— The End —