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Anuoluwapo Feb 2016
Recognise me when my face can't fantom a smile.
Recognise me when I pull my sleeves down.
Recognise me when I hide behind baggy clothes.
Recognise me when my mood changes too quickly to be normal.
Recognise me when I'm drowning without water.
Recognise me when I'm crying deeper, spiritual tears.
Recognise me when I'm hurting, hurting even myself.
Recognise me when I'm tired, almost everyday.
Recognise me when I don't care anymore.
Recognise me, recognise the help I need.
Help me.
st64 Feb 2014
“I know you're tired but come, this is the way...

In your light, I learn how to love.
In your beauty, how to make poems.
You dance inside my chest where no-one sees you,
but sometimes I do, and that sight becomes this art.”*        ― Rumi


1.
“You and I have spoken all these words, but for the way we have to go, words are no preparation. I have one small drop of knowing in my soul.
Let it dissolve in your ocean.

A mountain keeps an echo deep inside. That's how I hold your voice.”
― Rumi


2.
“Do not feel lonely, the entire universe is inside you.
Stop acting so small. You are the universe in ecstatic motion.

Set your life on fire. Seek those who fan your flames.”   ― Rumi


3.
“The way of love is not
a subtle argument.

The door there
is devastation.

Birds make great sky-circles
of their freedom.
How do they learn it?

They fall, and falling,
they're given wings.”                          ― Rumi


4.
“The morning wind spreads its fresh smell. We must get up and take that in, that wind that lets us live. Breathe before it's gone.

Sorrow prepares you for joy.
It violently sweeps everything out of your house, so that new joy can find space to enter. It shakes the yellow leaves from the bough of your heart, so that fresh, green leaves can grow in their place. It pulls up the rotten roots, so that new roots hidden beneath have room to grow.
Whatever sorrow shakes from your heart, far better things will take their
place.”                                     ― Rumi


5.
“You are so weak. Give up to grace.
The ocean takes care of each wave till it gets to shore.
You need more help than you know.

Be a lamp, or a lifeboat, or a ladder. Help someone's soul heal.
Walk out of your house like a shepherd.”
― Rumi, The Essential Rumi


6.
“You think you are alive
because you breathe air?
Shame on you,
that you are alive in such a limited way.
Don't be without Love,
so you won't feel dead.
Die in Love
and stay alive forever.

I want to see you.
Know your voice.

Recognise you when you
first come 'round the corner.

Sense your scent when I come
into a room you've just left.

Know the lift of your heel,
the glide of your foot.

Become familiar with the way
you purse your lips
then let them part,
just the slightest bit,
when I lean in to your space
and kiss you.

I want to know the joy
of how you whisper
“more”...                                                       ­     ― Rumi


7.
“When you go through a hard period,
When everything seems to oppose you,
... When you feel you cannot even bear one more minute,
NEVER GIVE UP!
Because it is the time and place that the course will divert!

The cure for pain is in the pain.
In Silence, there is eloquence. Stop weaving and see how the pattern improves.

The truth was a mirror in the hands of God. It fell, and broke into pieces. Everybody took a piece of it, and they looked at it and thought they had the truth.”                                       ― Rumi


8.
“Study me as much as you like, you will not know me, for I differ in a hundred ways from what you see me to be. Put yourself behind my eyes and see me as I see myself, for I have chosen to dwell in a place you cannot see.

Moonlight floods the whole sky from horizon to horizon;
How much it can fill your room depends on its windows.”
― Rumi, The Essential Rumi


9.
“Keep walking, though there's no place to get to.
Don't try to see through the distances.
That's not for human beings. Move within,
But don't move the way fear makes you move.

If you are irritated by every rub, how will your mirror be polished?

Start a huge, foolish project, like Noah…it makes absolutely no difference what people think of you.”   ― Rumi


10.
“Do you know what you are?
You are a manuscript oƒ a divine letter.
You are a mirror reflecting a noble face.
This universe is not outside of you.
Look inside yourself;
everything that you want,
you are already that.”
― Rumi, Hush, Don't Say Anything to God: Passionate Poems of Rumi



11.
“Out beyond ideas of wrongdoing
and rightdoing, there is a field.
I'll meet you there.

When the soul lies down in that grass
the world is too full to talk about.

What you seek, is seeking you.”                             ― Rumi


12.
“The lion is most handsome when looking for food.

Pain is a treasure, for it contains mercies.
Love comes with a knife, not some shy question, and not with fears for its reputation!

I am your moon and your moonlight too
I am your flower garden and your water too
I have come all this way, eager for you
Without shoes or shawl
I want you to laugh
To **** all your worries
To love you
To nourish you.”                                          ― Rumi


13.
“I was dead, then alive.
Weeping, then laughing.

The power of love came into me,
and I became fierce like a lion,
then tender like the evening star.”                        ― Rumi


14.
“Suffering is a gift. In it is hidden mercy.

Come, come, whoever you are. Wanderer, worshiper, lover of leaving.
It doesn't matter. Ours is not a caravan of despair.. come, even if you have broken your vows a thousand times. Come, yet again, come, come.

But listen to me. For one moment - quit being sad. Hear blessings
dropping their blossoms
around you.

I closed my mouth and spoke to you in a hundred silent ways.”
― Rumi


15.
“The breeze at dawn has secrets to tell you. Don't go back to sleep!
You must ask for what you really want.
Don't go back to sleep!
People are going back and forth
across the doorsill where the two worlds touch,
The door is round and open
Don't go back to sleep!

These pains you feel are messengers. Listen to them.”
― Rumi, The Essential Rumi



16.
“Like a sculptor, if necessary,
carve a friend out of stone.
Realise that your inner sight is blind
and try to see a treasure in everyone.”                    ― Rumi


17.
“Let the lover be disgraceful, crazy, absent-minded. Someone sober will worry about things going badly. Let the lover be.

There are lovers content with longing.
I’m not one of them.”    ― Rumi, The Essential Rumi


18.
“There is a secret medicine given only to those who hurt so hard they can't hope.
The hopers would feel slighted if they knew.

You were born with potential.
You were born with goodness and trust. You were born with ideals and dreams. You were born with greatness.
You were born with wings.
You are not meant for crawling, so don't.
You have wings.
Learn to use them and fly.”          ― Rumi


19.
“Forget safety.
Live where you fear to live.
Destroy your reputation.
Be notorious.

Inside you, there’s an artist you don’t know about… say yes quickly, if you know, if you’ve known it from before the beginning of the universe.”
― Rumi


20.
“Let yourself be silently drawn by the stronger pull of what you really love. It will not lead you astray.”     ― Rumi





"On a day
when the wind is perfect,
the sail just needs to open and the world is full of beauty.
Today is such a day.”
                                               ― Rumi






S T – 25 feb 14
Rumi - born to native Persian speaking parents in 1207.
Died 1273 AD.
Rumi (an evolutionary thinker) believed passionately in the use of music, poetry and dance as a path for reaching God.
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Composed on 01:33, 27/02/2017 using Hello Poetry's 'Words' algorithm. We still don't assume this means something.
Helen May 2015
One day I'll be enough
of a person
Enough to recognise
I'm worth it
One day I'll be enough
of a Partner
Enough to recognise
I could be your ever after
One day I'll be enough
of a Wife
Enough to recognise
I need no other life
One day I'll be enough
of a Mother
Enough to recognise
you didn't need another
One day I'll be enough
of an Individual
Enough to recognise
I'll never be good enough
*for you
one day...
Vivek Mukherjee Oct 2016
Sometimes I wonder,
if you would recognise me,
years later.
Where I would come up to you,
with a token of my love,
in a different city, in a different land.

Maybe I will disguise myself.
And I'll be fatter than I used to be,
and older and more tired,
of this life without you.

Would you still recognise me?
While I have made, in my mind,
Every permutation and combination,
of how you would look now and maybe
ten years later. Twenty even.
I would add weight to your body,
and wrinkles to your cheeks.
And present myself with your image,
Older but still beautiful.

But would you recognise me?
I wonder and fear,
that in your ignorance,
will be my death!
Yaz Dincer Mar 2014
You disguise yourself in so many forms
but I still,
recognise you.
You go by so many names,
but I still,
recognise you.
Some people call you God,
Magic, Nature, Mystery, Spirit, Love,
but there is no name for you.
Youve left traces of yourself everywhere
and only make visible to those
who know how to look,
I recognise you.
God Love Magic Mystery Spirit Nature
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure as the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
DESIRE Mar 2014
I do not recognise me any-more,
I do not recognise us any more,

where that innocence of us has gone...
where that joy of togetherness has gone...
where that unreasonable smile has gone...
where there carefree time has gone...

where I am now...where I was before...
there is a lifetime which I have lived in between...

I miss me before...and I am scared of me now...

who am I....do I really know...
what I am doing...do I really think...
what I want...do I really care...

just running for the thing..which is not yet in my hand...
and loosing on things which is there with me...

just a silence around...
and me with me...
in the end...
Nigel Morgan Nov 2012
As a woman, and in the service of my Lord the Emperor Wu, my life is governed by his command. At twenty I was summoned to this life at court and have made of it what I can, within the limitations of the courtesan I am supposed to be, and the poet I have now become. Unlike my male counterparts, some of whom have lately found seclusion in the wilderness of rivers and mountains, I have only my personal court of three rooms and its tiny garden and ornamental pond. But I live close to the surrounding walls of the Zu-lin Gardens with its astronomical observatories and bold attempts at recreating illusions of celebrated locations in the Tai mountains. There, walking with my cat Xi-Lu in the afternoons, I imagine a solitary life, a life suffused with the emptiness I crave.
 
In the hot, dry summer days my maid Mei-Lim and I have sought a temporary retreat in the pine forests above Lingzhi. Carried in a litter up the mountain paths we are left in a commodious hut, its open walls making those simple pleasures of drinking, eating and sleeping more acute, intense. For a few precious days I rest and meditate, breathe the mountain air and the resinous scents of the trees. I escape the daily commerce of the court and belong to a world that for the rest of the year I have to imagine, the world of the recluse. To gain the status of the recluse, open to my male counterparts, is forbidden to women of the court. I am woman first, a poet and calligrapher second. My brother, should he so wish, could present a petition to revoke his position as a man of letters, an official commentator on the affairs of state. But he is not so inclined. He has already achieved notoriety and influence through his writing on the social conditions of town and city. He revels in a world of chatter, gossip and intrigue; he appears to fear the wilderness life.  
 
I must be thankful that my own life is maintained on the periphery. I am physically distant from the hub of daily ceremonial. I only participate at my Lord’s express command. I regularly feign illness and fatigue to avoid petty conflict and difficulty. Yet I receive commissions I cannot waver: to honour a departed official; to celebrate a son’s birth to the Second Wife; to fulfil in verse my Lord’s curious need to know about the intimate sorrows of his young concubines, their loneliness and heartache.
 
Occasionally a Rhapsody is requested for an important visitor. The Emperor Wu is proud to present as welcome gifts such poetic creations executed in fine calligraphy, and from a woman of his court. Surely a sign of enlightment and progress he boasts! Yet in these creations my observations are parochial: early morning frost on the cabbage leaves in my garden; the sound of geese on their late afternoon flight to Star Lake; the disposition of the heavens on an Autumn night. I live by the Tao of Lao-Tzu, perceiving the whole world from my doorstep.
 
But I long for the reclusive life, to leave this court for my family’s estate in the valley my peasant mother lived as a child. At fourteen she was chosen to sustain the Emperor’s annual wish for young girls to be groomed for concubinage. Like her daughter she is tall, though not as plain as I; she put her past behind her and conceded her adolescence to the training required by the court. At twenty she was recommended to my father, the court archivist, as second wife. When she first met this quiet, dedicated man on the day before her marriage she closed her eyes in blessing. My father taught her the arts of the library and schooled her well. From her I have received keen eyes of jade green and a prestigious memory, a memory developed she said from my father’s joy of reading to her in their private hours, and before she could read herself. Each morning he would examine her to discover what she had remembered of the text read the night before. When I was a little child she would quote to me the Confucian texts on which she had been ****** schooled, and she then would tell me of her childhood home. She primed my imagination and my poetic world with descriptions of a domestic rural life.
 
Sometimes in the arms of my Lord I have freely rhapsodized in chusi metre these delicate word paintings of my mother’s home. She would say ‘We will walk now to the ruined tower beside the lake. Listen to the carolling birds. As the sparse clouds move across the sky the warm sun strokes the winter grass. Across the deep lake the forests are empty. Now we are climbing the narrow steps to the platform from which you and I will look towards the sun setting in the west. See the shadows are lengthening and the air becomes colder. The blackbird’s solitary song heralds the evening.  Look, an owl glides silently beneath us.’
 
My Lord will then quote from Hsieh Ling-yun,.
 
‘I meet sky, unable to soar among clouds,
face a lake, call those depths beyond me.’
 
And I will match this quotation, as he will expect.
 
‘Too simple-minded to perfect Integrity,
and too feeble to plough fields in seclusion.’
 
He will then gaze into my eyes in wonder that this obscure poem rests in my memory and that I will decode the minimal grammar of these early characters with such poetry. His characters: Sky – Bird – Cloud – Lake – Depth. My characters: Fool – Truth – Child – Winter field – Isolation.
 
Our combined invention seems to take him out of his Emperor-self. He is for a while the poet-scholar-sage he imagines he would like to be, and I his foot-sore companion following his wilderness journey. And then we turn our attention to our bodies, and I surprise him with my admonitions to gentleness, to patience, to arousing my pleasure. After such poetry he is all pleasure, sensitive to the slightest touch, and I have my pleasure in knowing I can control this powerful man with words and the stroke of my fingertips rather than by delicate youthful beauty or the guile and perverse ingenuity of an ****** act. He is still learning to recognise the nature and particularness of my desires. I am not as his other women: who confuse pleasure with pain.
 
Thoughts of my mother. Without my dear father, dead ten years, she is a boat without a rudder sailing on a distant lake. She greets each day as a gift she must honour with good humour despite the pain of her limbs, the difficulty of walking, of sitting, of eating, even talking. Such is the hurt that governs her ageing. She has always understood that my position has forbidden marriage and children, though the latter might be a possibility I have not wished it and made it known to my Lord that it must not be. My mother remains in limbo, neither son or daughter seeking to further her lineage, she has returned to her sister’s home in the distant village of her birth, a thatched house of twenty rooms,
 
‘Elms and willows shading the eaves at the back,
and, in front,  peach and plum spread wide.
 
Villages lost across mist-haze distances,
Kitchen smoke drifting wide-open country,
 
Dogs bark deep among the back roads out here
And cockerels crow from mulberry treetops.
 
My esteemed colleague T’ao Ch’ien made this poetry. After a distinguished career in government service he returned to the life of a recluse-farmer on his family farm. Living alone in a three-roomed hut he lives out his life as a recluse and has endured considerable poverty. One poem I know tells of him begging for food. His world is fields-and-gardens in contrast to Hsieh Ling-yin who is rivers-and-mountains. Ch’ien’s commitment to the recluse life has brought forth words that confront death and the reality of human experience without delusion.
 
‘At home here in what lasts, I wait out life.’
 
Thus my mother waits out her life, frail, crumbling more with each turning year.
 
To live beyond the need to organise daily commitments due to others, to step out into my garden and only consider the dew glistening on the loropetalum. My mind is forever full of what is to be done, what must be completed, what has to be said to this visitor who will today come to my court at the Wu hour. Only at my desk does this incessant chattering in the mind cease, as I move my brush to shape a character, or as the needle enters the cloth, all is stilled, the world retreats; there is the inner silence I crave.
 
I long to see with my own eyes those scenes my mother painted for me with her words. I only know them in my mind’s eye having travelled so little these past fifteen years. I look out from this still dark room onto my small garden to see the morning gathering its light above the rooftops. My camellia bush is in flower though a thin frost covers the garden stones.
 
And so I must imagine how it might be, how I might live the recluse life. How much can I jettison? These fine clothes, this silken nightgown beneath the furs I wrap myself in against the early morning air. My maid is sleeping. Who will make my tea? Minister to me when I take to my bed? What would become of my cat, my books, the choice-haired brushes? Like T’ao Ch’ien could I leave the court wearing a single robe and with one bag over my shoulders? Could I walk for ten days into the mountains? I would disguise myself as a man perhaps. I am tall for a woman, and though my body flows in broad curves there are ways this might be assuaged, enough perhaps to survive unmolested on the road.
 
Such dreams! My Lord would see me returned within hours and send a servant to remain at my gate thereafter. I will compose a rhapsody about a concubine of standing, who has even occupied the purple chamber, but now seeks to relinquish her privileged life, who coverts the uncertainty of nature, who would endure pain and privation in a hut on some distant mountain, who will sleep on a mat on its earth floor. Perhaps this will excite my Lord, light a fire in his imagination. As though in preparation for this task I remove my furs, I loose the knot of my silk gown. Naked, I reach for an old under shift letting it fall around my still-slender body and imagine myself tying the lacings myself in the open air, imagine making my toilet alone as the sun appears from behind a distant mountain on a new day. My mind occupies itself with the tiny detail of living thus: bare feet on cold earth, a walk to nearby stream, the gathering of berries and mountain herbs, the making of fire, the washing of my few clothes, imagining. Imagining. To live alone will see every moment filled with the tasks of keeping alive. I will become in tune with my surroundings. I will take only what I need and rely on no one. Dreaming will end and reality will be the slug on my mat, the bone-chilling incessant mists of winter, the thorn in the foot, the wild winds of autumn. My hands will become stained and rough, my long limbs tanned and scratched, my delicate complexion freckled and wind-pocked, my hair tied roughly back. I will become an animal foraging on a dank hillside. Such thoughts fill me with deep longing and a ****** desire to be tzu-jan  - with what surrounds me, ablaze with ****** self.
 
It is not thought the custom of a woman to hold such desires. We are creatures of order and comfort. We do not live on the edge of things, but crave security and well-being. We learn to endure the privations of being at the behest of others. Husbands, children, lovers, our relatives take our bodies to them as places of comfort, rest and desire. We work at maintaining an ordered flow of existence. Whatever our station, mistress or servant we compliment, we keep things in order, whether that is the common hearth or the accounts of our husband’s court. Now my rhapsody begins:
 
A Rhapsody on a woman wishing to live as a recluse
 
As a lady of my Emperor’s court I am bound in service.
My court is not my own, I have the barest of means.
My rooms are full of gifts I am forced barter for bread.
Though the artefacts of my hands and mind
Are valued and widely renown,
Their commissioning is an expectation of my station,
With no direct reward attached.
To dress appropriately for my Lord’s convocations and assemblies
I am forced to negotiate with chamberlains and treasurers.
A bolt of silk, gold thread, the services of a needlewoman
Require formal entreaties and may lie dormant for weeks
Before acknowledgement and release.
 
I was chosen for my literary skills, my prestigious memory,
Not for my ****** beauty, though I have been called
‘Lady of the most gracious movement’ and
My speaking voice has clarity and is capable of many colours.
I sing, but plainly and without passion
Lest I interfere with the truth of music’s message.
 
Since I was a child in my father’s library
I have sought out the works of those whose words
Paint visions of a world that as a woman
I may never see, the world of the wilderness,
Of rivers and mountains,
Of fields and gardens.
Yet I am denied by my *** and my station
To experience passing amongst these wonders
Except as contrived imitations in the palace gardens.
 
Each day I struggle to tease from the small corner
Of my enclosed eye-space some enrichment
Some elemental thing to colour meaning:
To extend the bounds of my home
Across the walls of this palace
Into the world beyond.
 
I have let it be known that I welcome interviews
With officials from distant courts to hear of their journeying,
To gather word images if only at second-hand.
Only yesterday an emissary recounted
His travels to Stone Lake in the far South-West,
Beyond the gorges of the Yang-tze.
With his eyes I have seen the mountains of Suchan:
With his ears I have heard the oars crackling
Like shattering jade in the freezing water.
Images and sounds from a thousand miles
Of travel are extract from this man’s memory.
 
Such a sharing of experience leaves me
Excited but dismayed: that I shall never
Visit this vast expanse of water and hear
Its wild cranes sing from their floating nests
In the summer moonlight.
 
I seek to disappear into a distant landscape
Where the self and its constructions of the world may
Dissolve away until nothing remains but the no-mind.
My thoughts are full of the practicalities of journeying
Of an imagined location, that lonely place
Where I may be at one with myself.
Where I may delight in the everyday Way,
Myself among mist and vine, rock and cave.
Not this lady of many parts and purposes whose poems must
Speak of lives, sorrow and joy, pleasure and pain
Set amongst personal conflict and intrigue
That in containing these things, bring order to disorder;
Salve the conscience, bathe hurt, soothe sleight.
Sam Knaus Nov 2014
(Inspired by Ethan Smith's poem of the same title.)

You’ve taken so many different pieces
of others’ personalities
and put them together to form me
that I don’t even know who the real me is anymore…
Let alone knowing that I am still partially you,
as much as I hate it,
I have to recognise it…
and what’s more
As much as I hate it,
I don’t hate you
don’t hate the way you still bore a hole
into my heart,
Remember that.
Sarah…
I haven’t said your name in so long
because I’ve spent years trying to convince everyone-
myself included-
that you were gone,
that you are nothing but a distant, fallacious,
distorted memory,
that the thought of you drowns out my reality
and leaves me shaking and broken
and that at the same time,
I haven’t changed a ******* thing about myself,
but we both know that
that’s complete *******.
We are two completely different people,
you made me feel like a prisoner within myself,
but I suppose you were only doing
what you thought needed to do
to survive.
It’s a shame it didn’t work,
I’m sorry, that we ran out of time.
When grandma said her baby girl had died,
that the light had gone from her eyes
she was wrong,
I told her so
but she’d be incorrect to assume that you
are still living inside of me,
instead you are ticking inside of me,
ticking like a bomb waiting to explode,
Sarah.
The name sounds foreign
your eyes are terrifying me
your old friends are boring the hell out of me;
your voice is one I don’t recognise.
Hell, I barely recognise myself anymore
and I guess I have you to thank for that
But remember
as much as I hate the fact
that you still exist inside of me…
I have to recognise that
I can’t hate someone who was me for so long.
Big Virge Sep 2014
YES ...
I Am The Dark Knight of A DIFFERENT Type ... !!!
      
Who Still Fights Crime ...
NO Nines' ..... Just RHYMES ... !!!      
      
Rhymes Designed Like .... Spidey' Webs ...      
To Mess With Heads Who Bring DISTRESS ...      
When They Should Be At HOME Sleeping In Beds ... !!!    
      
NO Friend of Feds Whose Work Defends ...      
THOSE Gangster Sects Who Deal In DEATH ... !!!      
      
A HERO Whose Flows Dish Out Dem' Blows ....      
That Have BAD MAN ... UP ON Dem' Toes ... !!!!!    
      
I Work At Night But When I RISE ...    
It's Time For Guys To Recognise ...        
Their Crime Designs Become BENIGN ...      
When THIS Dark Knight Shines Like STARLIGHT ... !!!      
      
Because My Vibe Is Down With RIGHT ... !!!      
And Down With WRONG When Wrong Belongs ...      

Inside The STRONG ...
Who DON'T PROLONG The Use of Wrong ... !!!    
      
Hammerin' Jaws But I AIN'T Thor .... !!!      
My Style of War Is Lyrically PURE ... !!!!      
PURE Like My Cause Ta' Capture SAW ... !!!!!    
      
Did You Catch That Rhyme Cos' That Was RAW ... !?!      
I Now IMPLORE Crime Lords To .......  " Pause " .........    
      
Before I Draw Their Cards of War ...    
And **** Fa' Headz Like Beavis's Friend ... !!!      
      
See When Nights Are DARK ...  

I Hear The HARK .... !!!!!      
of Those Inclined To Fight With STARK ... !      
      
TONY ... Of Course ... !!!!!!      
So I'm Down With Thor When AVENGING Fa' SURE ... !!!
  
But JUSTICE Is The League I'm IN ...  
Green Lantern Dim NOT When Tings' Grim ...  
NO Calling For The Thing ...
When WE BE ... CLOBBERIN' ... !!!!!!!      
      
Cos' We STAND TOGETHER Bredrin' FOREVER .... !!!      
But Me I'm CLEVER So DON'T Get Tied Most Ties I SEVER ...    
Cos' A Lot of Crime Fighters Be Down For ... WHATEVER ... ?!?      
      
So Me I Box CLEVER ...        
As If My Name Was Floyd Mayweather ... !!!!!      
      
Pugilistic Endeavours That Create Pressure ... !!!!!      
And Inflict PAIN ... That DEFEATS The INSANE ... !!!!!!      
      
Bane AIN'T Got Game ... !!!    
To Mess With The STRAIN ...
That My Brain RETAINS ... !!!      

PERSONAL PAIN ....
Loss That Remains  ........ !!!!!!  
  
Kind of Like ... CAIN ...
NOT ABEL To Refrain ..... !!!!      
From Doing What's WRONG ...
Cos' It Feels So STRONG ... !!!!!      
      
The Will To FIGHT The Will To DIE ... !!!      
For What I Believe In My Heart To Be RIGHT ...  !!!    
      
Meantime On The Side ...
I Got Girls Who Look FLY ...      
Trying To Get Time ...
To Roll With The DARK KNIGHT ... !!!      
      
But Me Like I Say ...
Am A DIFFERENT TYPE ... !!!      
Who FOOPS' Like Sup's ...
When Dem' Bodies Dem' TIGHT ... !!!!!!!!!    
      
YES ... Lois Lane KNOWS ... !!!  
    
Cos' Once I Hit Metropolis    
She Knew Sup's Had To ... GO ... !!!!!!!!    
      
A KRYPTONITE Type Flow ... !!!    
That Proves My Prose ...
Makes The Ladies Wanna Roll ....    
      
But Like I Said BEFORE ... !!!!!!!    
I'm A DIFFERENT Type of Knight ... !!!!!!    
      
Whose ESSENCE Is To FIGHT ... !!!      
FIGHT The Crimes of CRIMINAL Minds ...      
      
Whose LUST For STRIFE Leaves Them Resigned ...  
To MISS THE SIGNS And SEE The LIGHT ... !!!!!      
      
The LIGHT That SHINES On Knights Like ... I ...
Who STAND For MORE Than Being LORDS OF WAR ...      
      
We STAND For A CAUSE That Says To Y'all ...      
WE CAN Do MORE Than Be FORLORN ...      
Because of CRIMES That Take INNOCENT Lives ... !!!!!!    
      
YES I'm THAT Guy Who Has NO TIME .......      
For NONSENSE FIGHTS Or Joining Tribes ....      
Because My Life Has A ... SINGULAR Vibe ...      
      
Because .... I Am ....      
      
"The Dark Knight ....      
of A Different Type !" ....
Inspired by, The Dark Knight, trilogy of movies.

Listen Here :
https://soundcloud.com/user-16569179/05-the-dark-knight-of-a-different-type-lowhar-remix?in=user-16569179/sets/virges-world-files
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------


W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Mateuš Conrad Dec 2016
i write about these things,
because in all honesty?
they don't matter to me.

you can call it assimilation, then you'll call it
   i'm making a worded salad, so it doesn't really matter
whether i speak the language or not,
being native you'll tell me i have to be a diacritically
riddled over-laden version of you  nativeness...
you'll basically tell me i have to speak a worse-off
native than you didn't bother to grasp...
after that? i turn Sioux and scalp you.
  because that's what you deserve.
i could have come up against you
in the thick of night and turned you into a kebab,
and do you think anyone would have
cared? is it one thing to assimilate,
and another to assimilate into a skin-head culturalism
implosive that's brimming to the full with your patriotic
hopes as being acted upon? i can speak the perfect
English and still be more welcome in Scotland
than in Kent... but that will not not do,
not until i shave my hair off,
grow a beard, and runsack my skin
with quasi-Hindu ******* tilts...
           and when this foreign legion
of Swedish journalists bemoan why
their **** ain't where their heart is?
have you seen the *sienkiewicz"
trilogy of *potop
? you want history?
how about: in the beginning
there was an invading horde of Swedes
that tried to topple the proto-commonwealth
of Poland and Lithuania...
  even how much i cared to learn the tongue:
i'd be left belittled by ugly accenting
stereotypes...
                          i'd be Islam of drunk,
while the engineers would be left saying:
and unto us amphetamines,
and Mamelukes were never Egyptian...
because Egypt was what Egypt desired...
a quasi thingy... then i turned my ear
to Macbeth, and earned 70 years
and a Spartacus' worth of ears to my nearing 31...
                   i turned to Macbeth the theatricals
silences, and let, the music... play.
i can learn the language, but i am expected
to push the natives from a career of criminality,
i am expected to become the criminal,
i've learned the language beyond the natives,
what else?
   to learn the debasement of the natives akin to
every other culture? am i to become the
criminal statistic of the ruling political elite?
so they can "know" but that they merely quote?
   i owe my ode to Macbeth,
for Hamlet can become tiresome aligned with
Sisyphus in hell...
              we'll have builders by the end of
the debate...
     how much more do i have to learn?
is language not enough? then velkommen Syriac!
               is it not enough that i know the tongue?
must i be jeopardised by using it,
and say that universality is to be excluded,
simply because it does not abide by an utopian
ideal of pure English sprechen pure English?
         there are scapegoats to be festering upon
the spike that's readied to be fried...
but come on... is this deutschesprechen?
              it can't be! if i pretend to be Malcolm...
you pretend to be Duncan,
but nonetheless the speech makes us both truant
ghouls and guises receding
   into the demands of operatic - kindred to
Lady Macbeth (a protestant, or should she be
known catholic: McBeth) -
      as Glasgow religion of the coliseum of the times
testifies... celt and ranger... green & white vs. blue and
   black...
     lady mc.: what beast was 't thou,
        that make you break this enterprise with me?
(no matter if you killed a man, of whatever
stature he be worth, what beast are you to suddenly
cage my heart, when having agreed to make my heart
and feeling thus: storm the heights of Ben Nevis,
and descend as angrily as a woman might please,
  and with her whim, descend from the mountain
as if a mountain descends into desert?! what
courage, ye! to throw a woman into such woe
and leave a man's promise, the very least
a man can bestow upon this earth: but a woman
yet to come to correct!) so thus the elvish Anglican
was spoken, and thus continued:
- when you durst do it, then you were a man;
   and, to be more than what you were, you would
be so much more the man. nor time, nor place,
did then adhere, and yet you would make both...
  from his boneless gums...
nor have i understood Hamlet as the model student,
the puppet if not the mere mascot...
for the Freudian couch... then again i navigated
past Kant with Macbeth,
having yet to complete reading the critique...
       i took to maturity, and said
what others wished upon: there is true
adult agony in a well versed poetry...
       more so than adolescence in what's deemed
a maturation process...
             perhaps i should have served the concern
for Hamlet and laid bare upon the psychoanalytic
couch... but Macbeth: of said
sepia as copper, so said of woad as in aquamarine
surrender... led me to cite...
          for i was never bound to own the tongue
i would acquire... i was told:
   well, hello there, dishonourable squire...
ah... the queen's majestic airs...
    will make any Irishman desist from the republic's
gaze...
             and sloth in a respectably believed state
of consolidatory affairs under the kites of Yates...
   but never you mind the Silesian consumed
by former guardian of the coalmine...
or what L'vov wouldn't say in Ukrainian...
mind you Nevada and Lasso Vegan...
mind you that...  for that speaks biblical studies!
i will never assimilate, in that i will never be
allowed to own this tongue...
            and if i am allowed to own it...
i am but a furry-faced-bloat of faked pleasantries
   and closet nationalism...
        i wish i could own this language as if i
might own a typewriter... but i'm apparently
not welcome, by the pseudo-irish who
mediate the English assertion of the understanding
of the dover sieve...
                 ******* leprechaun mafia...
  paddy paddy oo too the butch-faced freckled girl...
   it's as if the Italians have Manhattan,
    and the Corke conglomerate prescribed
everyone a pint of Guinness rather than iron-pill
supplements...
                 well: and so the Titanic bellows
out an oceanic morse code of tantrums on
the accordions.
                      which sorta soothed the mermaids
digest contemplation for the vegan accomplishment
of shrimp... and over seafoods...
being digested.
         now i'm apparently not speaking English,
or i'm speaking English and i don't understand it,
or i'm understanding how i'm speaking English,
and how i'm supervising all things uranium
                               bound hallucinogenic...
or how, even though urbanity took off and
the countryside disappeared, you think you'll never
meet peasants in smirk attire to condescend you
gravity toward theatre or opera...
     but peasants are reall... you can recognise a peasant
the minute they don't recognise you insulting them;
it's a bit like telling a very witty joke...
         i don't get witty jokes because i tend to treat them
like a siegl heigl salutation...
   and i respect the memory of Octavian...
                                 it's the wittiness that comes into
contact with actually not telling a joke: and people
end up laughing... that's when you spot the peasants.
    so you see... i speak the ****** language,
but i'm sorta denied the access for drinking a cosmopolitan
at a Shoreditch pub...
                        which makes all arguments
for learning the language obsolete in terms of gaining
a "fair" advantage... and this is European to
European lingo...
        didn't i ask that Swedish journalist
ingrid carlqvist to watch the trilogy, including
potop about the war between Sweden and
the Polish-Lithuanian commonwealth, and ask her
about what's to be culturally inherited?
**** me... maybe i'm sleepwalking...
                     dodo zombified or something...
                                     oh wait...
                                         if ever there was a regressive
reparation policy in a country:
i'd hear: guilt from western countries taking the bribes
of the Marshall Plan...
      and overt pride from countries post-world-war ii
being prescribed communism, as a way to rebuild
their nations: for fear of having to commit to
hara kiri... or *******...
                                         as said: becoming
the easily bribed convenience...
                              the concept of assimilation
within the construct of selective migration has transcended
the mere acquisition of language...
  acquiring a language isn't enough...
         the reverse policy of colonialism is hushed-down
ethnic cleansing...
          which goes beyond language per se,
since it goes beyond dialect ex lingua...
              it is a necessitation of also acquiring
national stereotypes of unengaged in dialectics...
it is one thing to rhetorically assert a need to debate,
and another to understand that dialectics ≠ debate;
but rather a service to prompt and engage thinking,
rather than debating... dialectics is an art-form,
     it's intended to encourage thinking,
rather than the continuum of polarised / schizoid
debating: debates never accomplish a convergence...
whereas dialectics is intended to establish
a convergent pinpoint... as Socrates said unto the young,
so i find myself talking to old men and being
in accordance to have shared a park bench,
one sunny afternoon at the nadir of summer.
                why is it that acquiring language is not
enough these days?
       or why is it that a poor acquisition of a language,
or acquiring a language without correcting
accentuated stresses particular to a tongue
are given a freer access to labour, then
acquiring a language to a standardisation of
mimic localisation, and fence: a faking of
a faking (ad infinitum) or locality?
i.e. overly-successful assimilation?
             overly-successful assimilation is punished!
   it is punished by speaking as a fluent native
might... but having no discriminatory biases
that could enable one to be completely native...
and this is punishable!
             by a stance that it's a robotics project,
that one is nothing more than an a.i. enterprise...
even those dearest to me acknowledge me
as a robot... an a.i.,
           but they can't seem to understand that
artificial intelligence, and authentic intelligence
cannot be superficial intelligence of
natives... for the natives have a placebo
to what is otherwise a Pompeii resurrection
to the volcano-dynamic of analysing-ergo-synthesising
           ana ergo syn           which
constructs the opposite of thesis and antithesis,
given that the equation combines two adequate prefixes,
ana- and syn-...
                      "against" therefore "with".
isn't that how we cling to social pressures
or prejudices and still accumulate 8 billion examples
of a comparative e.g. that's a John Smith?
     i have yet to come across a contemporary that
might become as if fatherly...
   i just see opportunist buckling down the M25 of
encircling nothing more than a venture into
gaining a quick buck... and it could, it could
almost be sad... but it's not...
              it took me almost 13 years of synthesising
the English language: synthesising i.e.
mimicking - before i started analysing it...
      and when i say the groundwork for any
theory on the subconscious is to focus on grammar
and grammatical word interjections into
a Joycean stream-of-consciousness...
                              for that's worth the upper-tier
working from the sub-level...
                          of utilising language:
then the unconscious is far from dreaming...
it's equivalent in seeing how i acquired a language
at the age of 8 to synthesise / mimic what the children
around me were saying...
   but that it took me so long to analyse the language...
which the children around me acquired within
a reflexive bias to later strand such reflexiveness into
a divergence of calling their angular retraction
philosophy, linguistics, poetry, psychology...
whole all i had to do is to appropriate a reflective bias to
later strand such reflectiveness as to say:
of my mother i say polski, of my father i say:
             ojczym - and i can reflect upon him,
foremostly his diacritical lack of the wriggling-blagger's
economisation, when due coinage is needed.
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------



W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Big Virge Oct 2014
EVERYDAY ... In this country ....
They're telling us ... LIES ... !!!!!
from Thatcher ... to ... Blair ....
To ... "Good Old" ... "HESELTINE" .....
  
So let me explain ....
why i've put this in rhyme ....
  
The army's had ... SECRETS ...
THEY ... "DON'T" ... talk about ... !!!
  
So read these words ... CLOSELY ... !!!
cos' now ... it's come ... " OUT " ... !!!
  
Policies on recruitment ....
were .... "STRICTLY" .... Defined ....
Black soldiers ... WEREN'T ... Welcome ... !!!!!
on ... "WHITE" .... Army Lines ...
  
They say it's been happening ...
Since .... NINETEEN FIFTY-SEVEN !!!!!
  
But somehow ... i'm thinking ...
it's been ... "ALL THE TIME" ....
  
This to me though ... is ... COOL ... !!!
and is ... NO SURPRISE ... !!!!!
it's just .... POSITIVE PROOF ....
of the ... LIES ... they've disguised ... !!!!!
  
as a youthful ... PROUD BLACK ... !!!!!
I REMEMBER ..... THE HATRED ..... !!!
and .... Racial Attacks .... !!!
  
There was ... "NEVER" ... ANY BLACK
in the ... UNION JACK ... !!!!!
These ... UNCLE TOM ... Blacks ....
Should ... "REMEMBER" ... THAT ... !!!!
  
They like to suggest ....
Black people are ... "*****" ... !!!
  
Well, YES ... that is ... TRUE ...
  
"SOME" ... Black people ... ARE ... !!!
  
But it's ... WHITE GIRLS ... I see ....
who like ... "****" ...
Up Their ... **** ... !!!!!!
  
So ...........
for them .... to say ....
English people ... have ... " CLASS " ... !?!?!
is just ... "ONE MORE LIE" ....
and is truly .... A .... FARCE !!!!!!
  
Now this thing with ... "Armed Forces"
NOT wanting ... "us ... BLACKS" ... !!!!!
is ... "Cool with me !!!" ... but ... !!!???!!!
when ... MUSLIMS ... " ATTACK " ....
  
They'd better believe .....
They should ... COVER ...
Their Backs ... !!!!!
  
Cos' ... THE TRUTH ... is out now ...
and this ... I DO ... BACK ... !!!!
  
The Army ... SHOULD ...
...... " ETHNICALLY " ......
Cleanse OUT ... The Blacks .... !!!!!!!!!!
  
Oh they'll be ... ALRIGHT ... !!!
when their army's ... ALL WHITE ... !!!
  
So to those who hate ... ******* ...
have a read of ... The Words ...
in the ... FOLLOWING ... Verse ...
  
Go fight your own fights ... !!!!!
cos' Black people have died ....
"PROTECTING" ... YOU Whites ... !!!!!
  
who suggest that ... us ... BLACKS ....
Shouldn't have ... Civil Rights ... !!!!!!!
  
My feeling is that .....
STEPHEN LAWRENCE ... Is ... ONE ....
whose family ... "SUFFERED" ...
from an ... English Law ... CON ... !!!
  
Film footage did show ....
Those White .... HOOLIGANS .... !!!!!!
were ... READY ... to ... **** ... !!!
Any Black ... and just ... Run ...!!!...
  
But when court time came ....
They were given ... FREEDOM ... !???!
  
Well ....
To Stephen's ... DAD ...
and to ... Stephen's ... MUM ...
  
I'm writing this verse ....
cos' the way it was ... Handled ...
was ... "TOTALLY" ... " WRONG " ... !!!!!!
  
See .... The BBC showed ....
How .... Police Training ... goes !!!
  
That ... " Racists " ... get recruited ... !!!
and ... "WELCOMED" ... to the ... FOLD ... !!!!!
  
But People ... Only Know ...
cos' the ... "HIDDEN CAM" ... Showed ...
that .... RACISM'S .... hidden ....
like ... "COVETED" ... Gold ....
and that's when ... THE RACISTS ...
be acting .... ALL BOLD .... !!!!!
  
But catch them ....
on ... Their Own ...
when their ... "BNP Buddies" ...
are sitting ... AT HOME ... !!!
  
In Black Company ....
They're in ... " THE DEADZONE " ... !!!!!
  
They Quickly ... Transform ...
into .... " ALI G ... mode " .... !!!
  
"I've got LOADS of Black friends ...
so ... what's happening bro !!!???!!!"
  
Meantime we are told ....
"EQUALITY" ..... is in sight .... !!!
  
Now I ... DON'T LIKE ... using
"EXPLETIVES" .... when I write ... !!! ...
But ... i've got to say ... THIS ...
  
"That ain't ... ******* RIGHT ... !!!!!"
  
So ...  i'm fighting ...
...... RACISM ......
These Days ......
when I ... WRITE ...
  
while Police just ... DELIGHT ...
in ... beating Black Folks ....
til they're .............
  
"BLACKER than ....
  
NIGHT" .... !!!!!
  
Can this really be right ... !!!?!!!
  
These ... RACIST ... whites .... ARE ....
  
OHhhhhhh ...... Soooo ..... POLITE ... !!!
  
But ...
Don't want to ... "INVITE" ...
A time or place ....
where ... BLACK and WHITE ...
Can ... Try to... "UNITE" ......
  
But .... it's okay now ....
cos' Blacks be acting like ... Whites ....
now they're in the ... " LIMELIGHT " ...
  
Every ******* ... is ... "BLINGING" ....
with ... Custom Made ... Jewellery ...
  
"Correction" ..... ofcourse ....
that line should say .... "ICE" ....
  
See ... we ... DON'T ... Talk About....
Our .... "HUMAN" .... BLACK LICE ... !?!?!?!
  
Those ... " KILLING " ... Their Brothers ....
just for a slice ....
.... of ....
  
" Uncle Sam's Pie " ......
  
Well ....
The same rules ... apply ... !!!
  
The U.S. .... just wants them ...
to ... lay down ... and ... DIE ... !!!
  
cos' they ... Like The ... " British " ...
are just ... " FULL OF LIES " .... !!!!!
  
The UK's what ... I know ...
but this ... " LIE " .... Titled Prose ....
just goes to show .....
whether ...  HERE or THERE ....
The same **** ... flows ... !!!!!!!!!
  
From the ... LIES ... that they feed ....
to ... THOSE TRUTHS ... still ...
  
.............  "UNTOLD" ................ ???????
  
But ... NOW ... we've been told ....
  
Will Blacks ... "BREAK THE MOULD ?"
  
Well .... Probably ... NOT ... !!!?!!!
cos' ... most now ... have ... SOLD ...
Their ... TRUE SELVES ... behind ...
  
cos' now ... they're ... refined ...
and are ... STUCK ... in a Bind ...
B'cos' ... what they've ... Believed ...
Now ... leaves them ... " BEHIND " ...
  
THAT ...  Rock and Hard Place ... !!!
with visions ... " MISPLACED " ...
without .... recognizing ....
"NEW PROBLEMS" .... we face ... !!!
  
cos' ... White Moguls ... now know ...
what makes ... "*******" ... Break ... !!!
  
A Nice ..... Fancy Car .....
and .... *** .... on a plate ... !!!!!!
  
So ... YES ... Some DUMB ...
........ " ******* !!!" ..........
have ... Quickly ... got ... A.I.D.S .... !!!!!
  
cos' of ****** ... they've been ...
.......... " Bedding !!! " ..........
by their ... New ... Fireplace ... !!!
whilst telling ..... "LIES" ..... !!!
to their ..... Wives ......
  
Maaaannn .........
That ... ****'s ... A DISGRACE ... !!!!!
  
See ... this is a ... Trait ...
that now makes me ... Irate ... !!!!!
  
Some White Girls be .... "ACTING" ...
like .... "Black men are ... GREAT" ... !!!
  
But .......
"CANNOT" ..... take them ....
back to .... "Daddy's Place" ... !!!?!!!
cos' ... The Truth ...
then comes ... OUT ... !!!
  
They'd get a ... SLAP ... !!!
in their ..... FACE ..... !!!!!!!!!
  
B'cos daddy's ... Not Happy ... !!!!!
with the thought of his daughter ...
as a lamb to ... "BLACK SLAUGHTER" ....
  
cos' ... sounds that she's making ....
  
Sounds like *** ...
is ... " Pure TORTURE !!!!! "
  
and that's when his ...
  
"Lies and Untruths"
get ........ "Found Out"  ... !!!
cos' now her ... Black Boyfriend ....
gets treated like ... "GOUT" ... !!!
  
See ... These ... are the ... "LIES" ...
We ... "DON'T" ... talk about ... !!!
  
But ... This is ... "THE TRUTH" ....
  
coming out of ... My Mouth ...
or ... if you're a ... Reader ...
Yes .... Out of ... MY HANDS ...
  
Just think about this ......
and you'll ..... "OVERSTAND" ... !!!
that ... LYING .... comes easy ... to ...
..... "TRUE" ..... Englishman ... !!!
  
But .... LYING .....
...... to me .....
I now ... "OVERSTAND" ... !!!
  
It's fed ... YES ... to ... Man ...
and ... YES ... to ... Woman ...
  
to keep us from being ....
  
" UNITED " .....
  
..... as ......
  
" PEOPLE " .....
  
These things ...
  
" I BELIEVE ! " ....
  
have always been ...
  
" PLANNED "
  
cos' if people .... "UNITE" ....
The Divisions .... would ....
  
............. " DIE " .................
  
and then ...
People Like ..... "YOU" ......
and ... People Like ... " I " ...
  
could ... finally see ...
  
"THE TRUTH" ....
  
From the ...
  
.... " LIES " ....
  
Peace y'all and Recognise !!!!!
Seems like the Brits aren't the only ones, but, they do like to tell some whoppers !!!!!
CM Rice Dec 2013
This seems a playful satire on the mighty Saltire
prewritten amidst a highland lowland silence.
In the hand of the wise-to Queen, or St. Andrew,
eternally akin to this 4-piece jigsaw'd island.
The actors publicly casted, professional amateurs,
notably despised an' yet a country's finest.

The setting old an' knew, new an' known, with
a neglected audience primed for mass evasion.
An' piecemeal parliaments, scrolls nor parchments,
have no place in this covert-of-sorts invasion.
For the stage be set with indebted goodwill,
through empty words in empty declarations.

The plot is thickening quick to a household broth,
of misdirection, miseducation an' artificial lie.
That binds the truth as if truth could be told,
of national strength safe in obvious disguise.
Common wealth paid for by the oblivious poor
man's pocket, pulling loose a threadbare tie.

Nae t'shakespeare'd lines, no to broken records,
No to smug derision of the true an' earnest,
Yes to insincerities that make you sober or worse,
that shine up their last of royal seal varnish.
No to sticky-finger-printed brass doorknobs,
of which for Scots to knuckle down an' burnish.

No to pious voices calling to brothers in arms,
leave this pound of flesh in vacuous debate.
Yes to monopolies of endless fields an' wind,
an' guards sat on a wall which have no gate.
Alas freedom remembered, stamped an' framed,
was never a win but loss to sovereign'd hate.

Left to aged members of past an' proven fable,
to cry the Nae's an' Yay's of a borrowed tongue,
to the masses still confused, still right thinking,
of who to believe an' who to defile. Now hung
out to dry the many years of engineered deflation,
left alone with answers still evolving, still young.

A year from now a collusive conclusion made,
to this ending – the poet an' playwrights success.
Devolving the ever-changing, deceptive blurbs,
to inveigh a reasoned No with a passionate Yes.
Leaves me mawkish for my country as it devolves,
An' I the fraternal gambler with only a flighty guess.

Recognise your flesh. Recognise the life you have.
Recognise the absurd use of this bargaining chip.
Social norms which press you heavy, all the time,
be they Catholic, Protestant, Tory, Liberal or hip,
Recognise you can discard them, this very moment,
An' become a leader of this Clydebank anchored ship.

Let no acid be sprayed unless to sting open the eyes
of the blind. Let no more our words become unseen.
Let no more the voices of hatred speak. An' so leave  
conflict where it belongs, for crowing minds to preen,
In the past for histrionics. No more of them an' us.
Step into freedom. Free, as you always have been.
Scotland is due to vote on its independence next year. Rather divisive decision to be making seeing as they have always had their independence in my eyes. For Tom McGrath (Credits go to him for the final 2 stanzas)
I recognise
those tired eyes
with fond recollections
how we made them so
by the lush warmth of the fireside
through the night:
decadent movements.
Oh,
how those eyes and your body glowed.
I sometimes stand alone and stare
at time worn face and wayward hair
that frames green eyes with brightest red 
and do not recognise myself

Where is the girl that once belonged
to laughter, dancing, love and song
who always saw with lovers eyes
and sugar coated all her lies

She lingers somewhere far from here
a memory vague to those held dear
too long she has been kept apart
from you, the captor of her heart.
Purcy Flaherty Mar 2018
I’m unseen in the open,
I’m concealed in your town,
I’m veiled by your fears,
I’m hidden by your frown.
To change the way you view me,
You’ve got to see right through,
Recognise this soul is just another part of you;
One in two!
~
Recognise this soul,
Taste the poverty,
Feed my soul,
Set my spirits free.
Give me hope,
Compassion, dignity,
Hold me close,
Set my spirits free.

https://youtu.be/eNlBpXl7n84
Currently 51% of the world population is homeless!
https://youtu.be/eNlBpXl7n84
George Krokos Oct 2012
The most important things in life are often those we have to choose from at critical times.  They very often represent and determine the course our life will take and to what extent we have in controlling or shaping it.  With whatever choice we make, opportunities arise and by making the most of these we realise the relative benefits to be gained or otherwise.  Through our committment and willingness to achieve a goal, irrespective of what obstacles there may be or we come across, we move forward and progress is made in our endeavour.  If the goal is something we have set our mind and heart on whatever setbacks or obstacles are encountered should then be taken to be the hurdles to overcome.
By repeated experience we learn the necessary disciplines with which to train or involve our mind and body to reach our goal. When we recognise and forego or sacrifice certain habits that are not conducive to our overall progress we release more energy by which to accomplish our end.  By sustained right effort we put in motion the train of events that will bring about the right results, but we should not be too attached to the fruits thereof.  Too much attachment is a cause of blindness, disappointment and suffering.  However with the right mental attitudes including positive thinking and actions we should learn from and leave behind past failures by always striving onwards to our desired objective or set goal.
The best way to achieve this end is to include in some way the benefit and good of all those concerned whether they be friend or otherwise which will not be easy but will exhibit a spirit of high ethical standards and character and contribute to endearing oneself to others.
__________________­_
destiny Jan 2018
Dear life, you could say we don’t have the best relationship,

You are dark, you are hard, you are unfair, and you are even suffocating at times.

You make me feel small, you make me feel helpless and you make me feel broken.

You throw things at me, you are mean to me and you give me heart ache.

But you are also light, you are also beautiful and you are also extraordinary.

Dear life,
You are the reason that I laugh,
You are the reason that I see light,
You are the reason that I feel the warmth of hugs, and you are the reason I am here today.

Dear life, I will survive you.

I see darkness because I know light, I feel sadness because I’ve felt joy. I feel broken because I’ve felt whole. And anyway, some of the best cups of coffee are chipped.

You throw things at me because you know Im good at catching.

Dear life,
You are not unfair, without all of the wicked seeming things that you toss my way I would not be able to recognise the good and the beautiful in you.

Dear life, I love you.

You are a journey, an adventure, you are excitement, mystery, joy and love all bundled up in one.

You are a roller coaster, you are scary, you are fun, you make me scream with fear and with joy.

Dear life,
Thank you for giving me my lows so I can recognise my highs.

Thank you for giving me late night car rides with the music blasting, for giving me stomach aching and breath taking laughs, for giving me 2nd chances.

Thank you for creating babies and puppies and art and music and love and even pain.

Thank you for giving me the chance to live you.

Dear life,
The most beautiful things always hurt, even roses have thorns

Sometimes there seems to be more dark than light in you these days but there is light and I will heal and sometimes the healing is the aching.

Dear life, you are worth living
They say "beauty lies skin deep",
Well yes it does lie skin deep,
It just shouldn't lie dormant,
Let it shine.
Inward beauty,
Is for eternity,
It glows through the eyes,
Probably casts out doubts and lies,
Its free for all,
We don't have to spend anything at all
For us to attain it,
We have to recognise it
Within ourselves and nurture it.
Nurture it with goodness in thoughts,deeds and living,
With laughter,optimism and loving,

What's inside reflects on the outside,
As within so without.
Internal beauty is eternal.
Raj Arumugam Oct 2014
I  did a gig last night
at the local bar - Moderation Inn,
they called it

and  I played the piano
late into the night -
the usual tunes, the usual crowd:
friends and lovers
people talking aloud
no one who drank in moderation;
couples dancing...when I noticed
an elephant in the corner
crying,  
and I said to the elephant
even as I continued playing:
"Recognise the tune?"

"No,"  said the elephant,
shaking its head
*"I recognise the ivory"
...dark humour...
Sam Knaus Aug 2016
Or: On How To Let Go

1. The first time your grandmother cries
and says you died along with your grandfather,
smile.
You never liked her much anyways,
so being dead to her- while not ideal-
isn't the worst way to go.
2. Remember that time you went shopping
for your first pair of cargo shorts
and the same grandmother was RIGHT QUICK to point out
to the cashier that you are very much a girl
all soft curves and short limbs
and regrets and quiet voices
and you gotta try not to smack her.
3. Remember when a Wal Mart worker said,
"Good morning, Sir"
and again, that same grandmother
was right quick to point out
that I was very much a lady,
that I was petite and passive
and everything she wanted me to be
4. Just... Hide it.
Because while they may say they're okay with it
you still see the sideways glances
and the glares, and the stares,
and the cries of, "How the hell do you expect to be a boy
if you're wearing that skirt!"
5. Try your best to explain it to every person
that you'll ever bring home
to meet this family.
Say... "Sometimes, I kind of feel
a little bit like a boy."
Underplay it.
Severely.
Don't tell them that some days
you wake up crying and clutching at your chest
wishing it was gone
that some days death sounds more preferable
than living in this body
Don't tell them that it's way deeper
than "sometimes" and "kind of"
that it's a constant nagging fear
6. Sit down at Christmas dinners in a dress.
Be aware that you're only making things
harder on yourself.
6. Sit down at Christmas dinners in a suit and tie.
Be aware that you're only making things
harder on yourself.
7. Their insistence that they can't even try
to call you their nephew,
or their grandson,
cause it would be too ******* them
8. My transition is too ******* them
5. I wake up some mornings
willing to do anything I can to switch bodies
with my best friend: a trans woman
who hates her body as much as I hate mine
that's something we have in common.
I'd give anything to have her body,
she'd give anything to have mine
9. Recognise that your family
isn't gonna understand.
10. Deal with it the only way you know how:
every self-destructive tendency
you've clung to all these years
quickly becoming your other best friends
6. Realise that feeling this way
is making things harder on you.
11. Realise that it's okay
to break up with your regrets
and though they'll cling to your shirt
and drop to their knees
and beg beg beg beg for you back
Do not take them back.
12. Realise that you are so much more.
That you... Are valid,
despite everyone who calls you
the name of a person
you don't even recognise anymore
realise that you are valid
despite everyone who says you're not
cause when you think you're not,
when you're pressing yourself into mattresses
and obsessively working out
and holding back tears looking at all the clothes
you wish you could look good in,
that's.... well, that's when you need it most.
0. Let go of the fact that your family
calls you the name of a person you don't recognise anymore
because one day, you're gonna show up for Christmas dinner
and they're not gonna recognise you.
And that's one of the most comforting feelings
in the world.
I loved her.

Before I even gazed upon her

I loved her

Before I was even dazed by her words of splendour

I loved her

Not for her ability to
charm others
as even though she just as often harmed others

Not for her straightforward intelligence
for she shared a forward thinking
dissidence

And not for her beauty & majesty did I love her

Because not far from often, did she bring cruelty and calamity too others that I did love

And when I loved her, it wasn’t because of her bountiful spirit

For when one drove responsibility towards her
she was both accountable and idyllic
her innate strength insurmountable & prolific

And my love did not come from her humble yet dominating origins

Hunters and gatherers roaming in forests

Nor her families evolution, amongst changing nations
into cultural irrigation, harvesting & cultivation

Yet my love was neither superficial

wrought by a feverish desire for atypical minerals

As it is evident she grew up to live lavishly, as if she were a daughter of kings and pharaohs, emperors and regents

Far from superficial
it went beyond my own existence
‘tis was it deep

And watching her grow up
yet older and slowly darker
it flooded me with a sense of grief

For that was the only side she showed me, and allowed others to see

But beyond the seas and ravines, ridges & fjords, she beamed

And that is how it felt for a time
her happiness distant and far gone

Looking back it’s blatant she was far from dormant

But I believe during that time she was merely misled

It took time to connect her heart with her head

And for a time it seemed she was finally ready to proceed

And that was all but my dream
for her

But in my heart, I knew she would waver and ultimately capitulate towards the darker times

I think, even though she was mature and grown

not enough time separated her from her home

a family always wanting to dominate and roam

The precedence was set
The credulous to fret

And even though it’s in her nature to align with basic instincts

I awaited,
like those in scriptures
for a sign
that leads her to brighter precincts.

Of this hope

it was something I dreamt about
until I was left awoke

It was a scathing cycle, hopes festered
with a heart broke

And in the depth of my despair
I was still convinced,
that behind her “politics” & warring nature with others,

that the woman I loved & dreamt, was still there

And you know what?

She convinced me

Not deceitfully nor schemingly
but seemingly
through action

She was on a phase of exploration
visiting foreign nations
and establishing relations

Truth was
All of it was a ruse
corrupting & enslaving
it was just another way of experssing her roots

Since then, I’ve never been lead astray, I knew it was just one big game

Even though I never believed that’s who she wholly
was and is

I can’t help but fell this is the way it is

Her being at an unbeknownst
war with herself

One that expresses all she can be
charming, beautiful, full of majesty

That she is the most complex & admiring existence in this universe

And another of opposite birth

One that can be harming, full of cruelty and calamity

And of this side I fear brings the other to her knees

And it ladens me with tears

But of this side of her
I fail to recognise,
as the woman I loved,
and it’s the only failure
I won’t rectify

The woman I loved,
the beautiful glimpses of allure,
that sparks through the impure and demeaning

Is the only meaning I can find within myself to breathe

But I’m lost
Lost in her mystery
Lost in the past

Because, I don’t see her anymore
giving rise to my love in the past tense

For I don’t know where she lives or with whom she spend her time
with

But of the worst fear I hold within my heart
is that the woman I loved never existed to begin with

That the idea of her was just a figment
of my idealistic mind

That all these years,
I conjured a fallacy of this supposed
“Benevolent”
side of her
so I could forgive what she had
imposed

And that I believed & fought so fervently  
in her
because in hope
it would bring life to her

Whatever the reality
I will never put cease
to my belief
that I will see her

Why?

Because the person
of whom I am talking about
is

Humanity

And she is the most beautiful thing I’ve known, regardless of her flaws
My take on personifying history
rhiannon Mar 2019
Once upon a time there was a brave girl called Alison Parker. She was on the way to see her mum Michelle Ramsbottom, when she decided to take a short cut through Wyre Forest.

It wasn’t long before Alison got lost. She looked around, but all she could see were trees. Nervously, she felt into her bag for her favourite toy, Bunny, but Bunny was nowhere to be found! Alison began to panic. She felt sure she had packed Bunny. To make matters worse, she was starting to feel hungry.

Unexpectedly, she saw a kind werewolf dressed in a black skirt disappearing into the trees.

“How odd!” thought Alison.

For the want of anything better to do, she decided to follow the peculiarly dressed werewolf. Perhaps it could tell him the way out of the forest.

Eventually, Alison reached a clearing. She found herself surrounded by houses made from different sorts of food. There was a house made from carrots, a house made from biscuits, a house made from cakes and a house made from pancakes.

Alison could feel her tummy rumbling. Looking at the houses did nothing to ease her hunger.

“Hello!” she called. “Is anybody there?”

Nobody replied.

Alison looked at the roof on the closest house and wondered if it would be rude to eat somebody else’s chimney. Obviously it would be impolite to eat a whole house, but perhaps it would be considered acceptable to nibble the odd fixture or lick the odd fitting, in a time of need.

A cackle broke through the air, giving Alison a fright. A witch jumped into the space in front of the houses. She was carrying a cage. In that cage was Bunny!

“Bunny!” shouted Alison. She turned to the witch. “That’s my toy!”

The witch just shrugged.

“Give Bunny back!” cried Alison.

“Not on your nelly!” said the witch.

“At least let Bunny out of that cage!”

Before she could reply, three kind werewolves rushed in from a footpath on the other side of the clearing. Alison recognised the one in the black skirt that she’d seen earlier. The witch seemed to recognise him too.

“Hello Big Werewolf,” said the witch.

“Good morning.” The werewolf noticed Bunny. “Who is this?”

“That’s Bunny,” explained the witch.

“Ooh! Bunny would look lovely in my house. Give it to me!” demanded the werewolf.

The witch shook her head. “Bunny is staying with me.”

“Um… Excuse me…” Alison interrupted. “Bunny lives with me! And not in a cage!”

Big Werewolf ignored her. “Is there nothing you’ll trade?” he asked the witch.

The witch thought for a moment, then said, “I do like to be entertained. I’ll release him to anybody who can eat a whole front door.”

Big Werewolf looked at the house made from pancakes and said, “No problem, I could eat an entire house made from pancakes if I wanted to.”

“That’s nothing,” said the next werewolf. “I could eat twohouses.”

“There’s no need to show off,” said the witch. Just eat one front door and I’ll let you have Bunny.”

Alison watched, feeling very worried. She didn’t want the witch to give Bunny to Big Werewolf. She didn’t think Bunny would like living with a kind werewolf, away from her house and all her other toys.

The other two werewolves watched while Big Werewolf put on his bib and withdrew a knife and fork from his pocket.

“I’ll eat this whole house,” said Big Werewolf. “Just you watch!”

Big Werewolf pulled off a corner of the front door of the house made from biscuits. He gulped it down smiling, and went back for more.

   And more.

      And more.

Eventually, Big Werewolf started to get bigger – just a little bit bigger at first. But after a few more fork-fulls of biscuits, he grew to the size of a large snowball – and he was every bit as round.

“Erm… I don’t feel too good,” said Big Werewolf.

Suddenly, he started to roll. He’d grown so round that he could no longer balance!

“Help!” he cried, as he rolled off down a ***** into the forest.

Big Werewolf never finished eating the front door made from biscuits and Bunny remained trapped in the witch’s cage.Average Werewolf stepped up, and approached the house made from cakes.

“I’ll eat this whole house,” said Average Werewolf. “Just you watch!”

Average Werewolf pulled off a corner of the front door of the house made from cakes. She gulped it down smiling, and went back for more.

   And more.

      And more.

After a while, Average Werewolf started to look a little queasy. She grew greener…

   …and greener.

A woodcutter walked into the clearing. “What’s this bush doing here?” he asked.

“I’m not a bush, I’m a werewolf!” said Average Werewolf.

“It talks!” exclaimed the woodcutter. “Those talking bushes are the worst kind. I’d better take it away before somebody gets hurt.”

“No! Wait!” cried Average Werewolf, as the woodcutter picked her up. But the woodcutter ignored her cries and carried the werewolf away under his arm.

Average Werewolf never finished eating the front door made from cakes and Bunny remained trapped in the witch’s cage.Little Werewolf stepped up, and approached the house made from pancakes.

“I’ll eat this whole house,” said Little Werewolf. “Just you watch!”

Little Werewolf pulled off a corner of the front door of the house made from pancakes. He gulped it down smiling, and went back for more.

   And more.

      And more.

After five or six platefuls, Little Werewolf started to fidget uncomfortably on the spot.

He stopped eating pancakes for a moment, then grabbed another forkful.

But before he could eat it, there came an almighty roar. A bottom burp louder than a rocket taking off, propelled Little Werewolf into the sky.

“Aggghhhhhh!” cried Little Werewolf. “I’m scared of heigh…”

Little Werewolf was never seen again.

Little Werewolf never finished eating the front door made from pancakes and Bunny remained trapped in the witch’s cage.

“That’s it,” said the witch. “I win. I get to keep Bunny.”

“Not so fast,” said Alison. “There is still one front door to go. The front door of the house made from carrots. And I haven’t had a turn yet.

“I don’t have to give you a turn!” laughed the witch. “My game. My rules.”

The woodcutter’s voice carried through the forest. “I think you should give her a chance. It’s only fair.”

“Fine,” said the witch. “But you saw what happened to the werewolves. She won’t last long.”

“I’ll be right back,” said Alison.

“What?” said the witch. “Where’s your sense of impatience? I thought you wanted Bunny back.”

Alison ignored the witch and gathered a hefty pile of sticks. She came back to the clearing and started a small camp fire. Carefully, she broke off a piece of the door of the house made from carrots and toasted it over the fire. Once it had cooked and cooled just a little, she took a bite. She quickly devoured the whole piece.

Alison sat down on a nearby log.

“You fail!” cackled the witch. “You were supposed to eat the whole door.”

“I haven’t finished,” explained Alison. “I am just waiting for my food to go down.”

When Alison’s food had digested, she broke off another piece of the door made from carrots. Once more, she toasted her food over the fire and waited for it to cool just a little. She ate it at a leisurely pace then waited for it to digest.

Eventually, after several sittings, Alison was down to the final piece of the door made from carrots. Carefully, she toasted it and allowed it to cool just a little. She finished her final course. Alison had eaten the entire front door of the house made from carrots.

The witch stamped her foot angrily. “You must have tricked me!” she said. “I don’t reward cheating!”

“I don’t think so!” said a voice. It was the woodcutter. He walked back into the clearing, carrying his axe. “This little girl won fair and square. Now hand over Bunny or I will chop your broomstick in half.”

The witch looked horrified. She grabbed her broomstick and placed it behind her. Then, huffing, she opened the door of the cage.

Alison hurried over and grabbed Bunny, checking that her favourite toy was all right. Fortunately, Bunny was unharmed.

Alison thanked the woodcutter, grabbed a quick souvenir, and hurried on to meet Michelle. It was starting to get dark.

When Alison got to Michelle’s house, her mum threw her arms around her.

“I was so worried!” cried Michelle. “You are very late.”

As Alison described her day, she could tell that Michelle didn’t believe her. So she grabbed a napkin from her pocket.

“What’s that?” asked Michelle.

Alison unwrapped a doorknob made from biscuits. “Pudding!” she said.

Michelle almost fell off her chair.

The End
Mateuš Conrad Jan 2017
that's 3 weeks without a keyboard,
that's 3 weeks on a dual-detox -
         that's that: roughly: antagonism
of: once upon a time...
           there can only be one Hans Andersen,
and as the story goes: ol' granny
   passed on the tales, without which:
no talk of posterity, and seances at
the theatre; alternatively: what if Kierkegård
opted for opera, rather than theatre?
    well: horrid is the task of dropping names,
as if being a village idiot, in that
capacity: giving directions... no such thing!
  nonetheless: a horrid task...
3 weeks... without this horrid world-entanglement...
amphetamines in the wild west,
                   and yet... everything slows down...
that's 3 weeks without such ''luxury''...
    and would you believe it?
3 weeks went by: in a blink of an eye.
             strange, or what 21st century writers
fail to recognise: the ******* canvas has changed!
any-single-one-of-them bothered to scrutinise
this new canvas? anyone?
     ah yes, it's still in its adolescence -
it's still: Dostoyevsky, scuttering in the grand
dungeon: that's the Moscow underground.
             the canvas! the canvas!
                             and indeed, if this be some
bellowing horn, from the depths of some forsaken
place... i'll go into the street, and sabotage
civilisation with graffiti...
                     then again: i have the least
expectations, such that capitalism works...
poetry... and what investment have you made?
nil, or almost nil... evidently: zilch!
      ah, but to have invested in canvases,
a studio, paints, brushes... see... no one sees
investment in poetry: primarily because the poet
has done the minimal...
            unless of course it turns out to ****
with a hot poker something once resembling
nations... which now resides in the insane asylum
(even though those, have been abolished)
                           , nation - ooh! what a ***** word!
the left irksome sometimes uses it:
in theory: the nation-state...
                        and then there's the resurgence of
ancient Greece... in a sing-along:
maybe 'cos i'm a Londoner... brother! brother!
Athenian! Athenian!
                                       but we are born into
a Spartan wedlock... no one really bothers to
**** our gob with Shakespeare...
    then again that is the schizophrenia (alias
dualism) in humanity... thus, to be frank,
psychiatry can be congratulated, it has provided
one useful term... and i will use it, over and over again,
in a non-symptomatic way, because, i find,
it stands, as if the Olympic Graeae (Zeus, Poseidon
and Hades) eating the carcass of some inhabitant
of Tartarus...
                               evidently: tartar steak...
doubly evident: tartars, or the remnants of mongols,
settled in crimea, and elsewhere in the Ukraine...
   tartar                      tra-ta-ta-ta... ku ku ryku!
a ja fu! krecha! a ja znow... fu!       radowitą
uprzejmość... skłaniam...  
    or what i call: rising spontaneously from the depths...
polymaths applauded, the tribunal resides in
bilingualism... trenches... history... perspectives
and current affairs... wicker man media...
                        so... an example of pedantry?
ó....               that's an orthographic dignitary -
        an aesthetic muddle... as is
c-ha                               contending with samo-ha...
     ch                            came from antagonism of
cz                                   which was later antagonised
by č               in česka.... say that: hen party
bound to Prague... in the Czech republic...
                                          ch      k..­.
i am, quiet frankly... standing at the feet of the tower
of babel... and i'm looking up, and i see
correlations, and i see decimal marks,
which, when given enough geography,
can seem like England and the isles,
       and central Europe...
    Iberia? phantom of Seneca...
  eureka! let's begin, once again...
  why is there a continuum beginning with
Plato and Aristotle?
                                           we could become
reasonable people... told to deal with madmen...
we could claim beginnings with Seneca...
and Cicero...
                      and why? the Romans loved poetry...
the Greeks antagonised Homer...
            the Romans loved Horace, Virgil,
                           Ovid... perhaps we should really forget
beginning with Plato and Aristotle...
       the former has become a church,
the latter a dentist's assistant (minus the ancients'
concept of a joke).
                      evidently i have to finish off reading
Seneca... his educational letters to Lucilius....
      moralising ******* that he was, thus, perhaps
a nibble at Cicero? but i must say:
                           it has to begin somewhere,
so not necessarily in stale-bread Athens...
                      and having such perspectives helps
in claiming casual conversation?
   assuredly - if it doesn't involve talking about
the weather...
                                which is always a great mystery
   if it's given enough aurora.
   onto the mystery of dialectics,
as discovered by Alfred Jarry in his Faustroll
Pataphysics contraband...
                                                nag­ging agreement...
nodding without approval... (chapter 10) -
beginning with αληθη λεγεις εφη
        (you speak the truth, he replies) -
   and ending with ως δoκεì
                              (how true that seems)...
and then some dub-step...
        know nothing dROP! boom! jiggy jiggy,
get the rhythm.
   as i always find it hard to look at
    diacritical arithmetic...
                                  given the following
represent a prolonging: hangman:
       å, ā and ä...
                             esp. in Finnish -
stratum: hedningarna täss on nainen.
                        rolling yarn, plateau, two dips;
and i will never say something profound...
i'll just say something no one else has said,
benefit of the doubt? somewhere, someone,
                                      kneels at the same altar.
  such are the distinction - invaders from the
north, and invaders from the south...
                                           even with
crusading Golgotha mann -
the times? many bats, supers, spiders,
but not enough readings of thomas mann...
                              easily befallen into prune-nosed
high-airs... it comes with the diet of literature...
   unfortunately.
                              and with yet another book:
i have burried yet another living person
i could have had a beer with, and conversed.
it always happens, every time i read a book
i have to attend a funeral... by reading a book
i have burried someone alive...
                          shame, in all frankness...
    i will sit in a congested train, touch a breathing
body, and consecrate the touch with
a warring genuflect - harbringer of a Teutonic
passion for initiation: a komtur's slap across the cheek.
   chequers played with passions...
           and some have to be approached like
caged animals, their vocabulary as cages,
                and the whole world before them:
cageless!
             some have indeed become so encrusted in
their daily: routine, that it would take a zoologist
(thrice oh, begs some sort of diacritical marking)
rather than a psychologist to understand them...
    like the darting dupes they are, enshrined in
20% gratis! smile! have a nice day! boxing day sales!
all but pleasantries, fathoming the grave.
   stiff vocab and all other kinds of perfume...
                           a king and his charlatan knights,
who are merely ditto-heads.
                  and not of this world, afresh -
among the nimble hands prior to birth -
surely there is: more grandeour in birth
   that entry via a ******...
                            the greatest pain of ****...
and when the ancient treaty was signed
under the name: Augustus Cesarean - or
recommended for a need of aristocracy -
    it was, for a time, the mana magnetism:
and such was the rule of poetry:
rather than a crown, donned the laurel leaves...
donned the laurel leaves...
    and such was the covenant from ancient
foes when trying to assimilate the Jew...
three kings from Babylon,
                         the child in Egypt...
          no good tides from Nazareth...
         a crown of myrrh - later overshadowed
by dogmatic sprechen, simpler: thorns...
yella things... or rzepak, Essex is filled with it...
rzepak... so why bother adding a dot above
the z, when you get capricious and use rz to
denote the same?! thus a science:
voiced retroflex fricative... Stalingrad!
                       can you really stomach this kind
of jargon? if it wasn't for science fiction:
science would be twice removed from gott ist tot,
*******' worth of pondering, given the close
proximity rhyme... nothing that rhymes should
ever be taken seriously, it should be hymnal!
                         Horatio! mein lyre!
   mein Guinness leier! rabbi krähe -
     and they deem that ****** white when talking:
thinking? i'd prefer Cezanne in real life -
   maggot wriggling and all...
                                          as much eroticism
as bound to a dog slobbering its testicles:
which means ****-all in an almighty stance
   for a dollop of halleluyah in Nepal.
well: pretty talk, pretty pretty pretty: i feel pretty,
oh so butter-fly-e.
                                    2 week stance,
***** in autumn... but so many Swiss hues
coming from the same concentration of decay!
shweet!  zeit-ser!        and that's me talking
kindergarten german: innovation begins with
a fork and a spoon, should the tongue come to it...
            i see a poem,
i see something worth bugging... c.i.a.,
f.b.i., hannibal's lecture in Florence, Venice for
the rats... bugging... shoving...
  shovelling... necro grounding, rattling...
    windy via north... Icelandic...
drums along incisors of abstract gallop:
violins... fringes of the mustang... airy airy...
all regresses toward the Vulgate...
         like ****, like said, and the only pristine
stress comes with vanilla ice-cream,
or a medium-rare beef ****! hmph!
                         fa fa fa excesses with that hurling
puff...
                      and i did finish Kant's
critique of pure reason... minus two calendars...
but, so help me god, the 2nd volume was hiding
under some corner...
                           thus, from transcendental methodology
came plump apricots, plums and pears...
             sweet decay fruit baron...
              and it's called sugars in the intricacy of pulp...
lazily grown, dangling on that caricature of
a formerly known: full crop of wheat-crude fringe.
    2 years... honest to god!
         but so many books in between...
i was given a recommendation...
i cited it already... kraszewski's magnum opus...
29 books...
                       although that's history fictionalised...
but nonetheless, it really was about
     the cossack uprising in the 17th century...
   and it was, as i once said, something i can forgive
sienkiewicz - the film version,
as in: i will not read a book once it has been adapted
to a movie... it's self-evident that too many
people have read a piece of work and are gagging
for a conversation... but where's the playground?
           ******* cherades!
  chinese whispers and a Manchurian candidate!
  i thought as much.
                          and whenever it's not a preplaned
escapade, what becomes of the day?
     was it always about a stance for carpe diem?
  syllables: di                em.
                            carpe is said with more lubricant.
corpus diem. well, that's an alternative, however
you care to think about it.
                and whenever you care to think about,
the proof is there: mishandling misnomers:
poets as tattoo artists... although no one sees the ink,
signatures on a reader's brian (purposively altered,
toward a Michael Jackon he-he, and other:
albino castratos the church venerates!)...
   that's 3 weeks in a catholic country...
  3 weeks... if only the football was better,
      i'd be called Juan Sanchez...
               but, evidently, the football is bad...
     so it's catholicism on par with a sleeping inquisition...
no one really expected Monty Python to conjure
that one... because it never really took place,
not until a trans-generational exodus
postscript 2004... once western brothels were exhausted,
and the Arab started ******* a hippo...
              then it was all about lakes and rivers
and Las Vegas 2.0 in Dubai!
                     you say quack... i say:
                                                    easy target.
and they did receive a blessing from Allah...
enough ink to write out Dante's revision of the Koran,
and some Al-Sha'ke'pir to write a play called:
the Merchant of Mecca.
  last time i heard, when the reformation was
plauging Christendom, no one invited the Arabs...
these days i think the little Lutherans of Islam
watched too many historical movies...
me? pick up a crucifix and march to Jerusalem?
  and is that going to translate into:
   blame the populists! blame the nationalists!
it's like watching a circus... why is the Islamic
reformation asking for third party associates?
                  i was happy listening to
the klinik... albums: eat your heart out...
time + plague...
                             once again: the world narrative
gags for enough people to conjure up
     a placebo solipsism... and that's placebo
with a squiggly prefix (meaning? how far
that ambiguity will take you) - ~placebo...
well: since existentialists were bores...
it's about time to head for Scandinavia
   and ask: is that " ''                 for passing on
an inheritance, or better still: ripe for
acknowledging ambiguity?
                          and if you can shove this
  into your daily narrative... you better be
a connaisseur of chinese antiques...
                frailty... then again, theres: ******;
well hell yeah *****'h, it's a murky underwold
after all.
                     and yes: that's called a petting word...
some say hombre, and we'll all be amigos
and muskateers at the end of the story.
                                    finally... i feel like i'm writing
a poem that i'll never end...
              why? it was supposed to be about
how John Casimir of Sweden championed
  the crown away from his brother Prince Charles
(volume 1)...
                      the bishop of Breslau...
a recluse... couldn't ride a horse...
    then again: nothing worthy imitation...
beginning with a donkey...
                               the transfiguration of palms
into whips... 2000 years later
talk of Hercules is madness... that other bit?
complete sanity.
                              well... if that be the case...
the book is there... i signed it, 2nd volume of
Kant's critique...
  
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | Y| | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |

        an oak... in a forest of pine...
an oak in pine wood...

then onto the wood of sighs:

aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
          (somehow the surd escapes,
and later morphs into, but prior to)

a short script: variation on MW...

      pears' worth of blunting runes:
opulance s and ᛋ - versus z,
    congregation minor: the interchange, ß,
buttocks and *****, minus phantoms of erotica.
yet, taking into account trigonometry...
sine (genesis 0), and cosine (genesis 1),
or            M                                   W
(no Jew would dare believe the Latins have
the second 'alf of the proof: that loophole of all
things qab-cannibal-mystic - cravat donning
mystique - a flit's worth of sharpening,
or dental grit... flappy tongue,
flabby oyster, lazing for a crab's palette)...
so?

1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0

of course there's an
Zowie Georgia Oct 2013
Resistance is a **** stunting the possibilities of us, our nature,
and the sun that resides in us all.
When we let go
we always move forwards.
And when we hurt we grow,
we heighten,
to a place that isn't initially seen,
as holding on doesn't want to recognise
you're no longer there.
The illusion of resistance crumbles
when we empty our hands,
when our hearts tell our minds
Just let go,
here we regain the power of trust,
of faith,
and the wild playground of our lives
prove joyful again.
To extend out with all we have
knowing this reach has reversed equally.
Dropping the weight like a stone
surrendering in the sea of life,
expanding further still as we sink,
knowing that holding on to that
which resists so much
is not ours to be held,
we are not to remain stunted
in a state of tug of war.
life around us says so,
we are to learn and beautify
as we rise,
as we fall
We mustn't resist.
And so we are,
so we shall be
free.
Has anyone else been fighting a war they keep losing?
Fighting and fighting, with little difference?
Change of tactics, change of mind, change of though.  
That changes the mind to a unknown prison you can't escape?
That in the end, causes a change of person that you don't recognise when you look on the mirror and repeatedly asked; "What am I?" to no avale?
Or am I just a forgotten soldier, sent to die, in this war?
This, like every single one of my poems, has a deeper meaning, and like the rest, It connects to the rest. As always, Don't forget to tell me what you think in the comments below. In the end, It will all fit together.
WA West Aug 2018
Airport

Covering my face with my hands, there is an incessant in-pouring of light. I feel like I am in a casket. My brain seems to be swelling, in tune with an invisible pendulum. Waves of nausea flood my body.  Small children thunder around in front of me, like hysterical nightmare projections.

I have never enjoyed being in Airports. They are morgues with an added buzz of visitors and commerce. The sterility of the interior design and the nervous excitability of the passengers sets me very quickly on edge. As a salesman for a major international e-commerce company, I am required to fly often.

To avoid excess stress and anxiety I prepare meticulously. Nothing must be left to chance. I am regimented and purposeful during my preparation. If the luggage allowance is 15kg, then I make sure that my suitcase is dead on that weight. I reweigh my suitcases on several sets of scales. Checking there is no error in their calibration.  I do not carry any prohibited travel items. I ring airline customer support several times to double-check. I rummage through my suitcase repeatedly. I allow no error to go unnoticed. I google articles about travel preparation, checklists, essential travel items and I read articles about anxiety related to fear of flying. Neither my emotional state nor practical matters are to take me by surprise. I am like a samurai undertaking pre-battle rituals.

Check-in is open. I funnel through to the check-in desk. There are several people before me; their movements generate a low pitch buzzing in my head. They are hyper-kinetic, speaking at unreasonably loud volumes in an indecipherable language. My arms vibrate down by my sides, my tongue thickens. I feel warmer and more vulnerable. I start to think about the first meal I’ll eat in Rekyjavik. I have panicked thoughts, recognition of myself in these thoughts is minimal. I swing around to check that nobody is standing directly behind me. The several people check in without issue. A man in all black clothing, I presume, a security guard intercepts me and asks me to go to desk 13. Although there is a sign hanging down from the ceiling with directions to check-in desks 10-15, I am unable to locate desk 13. I double back on myself, I ask the check-in assistant from desk 12 where desk 13 is. She says that it has been temporarily moved to the second floor of the terminal. Desk 13 on the second floor doesn't in the slightest resemble a check-in desk. A burly individual with an absence of ****** expressions or an officious manner mans an oak desk. There is no conveyor belt for the luggage, only a shopping trolley. ''Ermmm can I check in here?''. The man whom lacks an officious manner nods curtly without removing his eyes from the newspaper he is reading. "Documentation''. I hand him my documentation. ''Passport''. ''Going to Reykjavik?'' ''Erm yes''. ‘’Follow me’’.
The man, who lacks an officious manner, leads me a door behind the check-in desk that doesn’t in the slightest resemble a check-in desk. A young child with golden blonde hair in white robes pushes the shopping trolley behind me. We enter a room that is high like a cathedral and tiled in exquisite mosaic tiles; alternating gold and white into infinity. The ceiling is so high it seems to disappear off into a void. Sat down at a bog-standard mass manufactured desk in front of me, is a man who must be at least 13 feet tall, he has enormous ears like an elephant and is speaking in rounds of what sounds like the same phrase. I do not recognise the language. I am ceased from behind by the blonde child and the man who lacks an officious manner. The man with enormous ears like an elephant screams ‘’I hate Iceland’’, the blonde child laughs uncontrollably grabbing his stomach like he is holding his insides in. The ceiling begins to close in and a space opens in the floor. The man who lacks an officious manner says in a sinister tone says ‘’Do you think you would be forgiven”. I say ‘’I have got a ticket, I’m going to Iceland on business’’ I feel a prodding in my lower back and then darkness.
#shortstory #anxiety #Rekyjavik
Pagan Paul May 2019
.
     I stare down at the plate of toast and beans
     wondering why this was never part of my dreams.
     Looking for the future with an illusional pretence,
     hoping good apples will fall on my side of the fence.

And as the fork dances slow
around the legumes in spirals,
the tedium of a wasting life
bears the burden and scars
of missed opportunities in paralysis
and the colour of once bright lights
          glow black,
shining a shadow into the void
covering the bruises
that were once achievements of worth,
     now tender patches
          of failure.
I drop the fork ...

     … pushing away the plate and leaving food uneaten,
     my desire for its nutrition fought and beaten,
     Looking at the apple tree with sombre regret
     maybe its fruit will fall and save me yet.

And disappointment
is worse than anger,
it begins with the stench of loss
the nasal whiff of
what if …

And what if the little apple tree
drops all its fruit down to me?
Would I recognise fortune on my side
or fear the illusions and run to hide?


© Pagan Paul (17/02/18)
.
Edna Sweetlove May 2015
I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.
Melissa Nye Jul 2013
How I feel for you is like trying to remember your dreams or recollecting where you left your phone,
Because I don't know where it started from,
Just like how I don't remember the exact moment when my head hits my pillow for the first time,
Or when I took my first phone call or replied to the first text that came through.
I can't retrace my steps to where it all began.
Because it was so slow,
And I don't ever intend to recognise the position I am in at 2:36am while trying to get some beauty sleep or the angle of my phone on the coffee table next to a tea stained coaster,
Just like how I didn't intend to realise the beauty of your face, the outline of your jaw or the mannerism of your voice as you say my name for the first time,
And how I feel for you is like a tonne of ******* bricks,
Because I can't even breathe when you're around,
And one by one each brick of insecurities that I have collapses onto me because I can't hold myself up to push away the bricks,
And say how I feel and it's concrete, set in stone that I am not for you.
I don't think that by finding my phone I can figure you out
Or buy myself some time to remove the aspect of sleeping from my life
So I never have to dream again just to live in the only constant of reality
In order to realise that I am naive and young and free minded but I am the world if I want to be.
Tell me, if I remember my dreams like I remember the solar system or the quadratic formula does that make me unworthy?
Because only astronomers can recall the solar system in a flash and only mathematicians use the quadratic formula day by day,
But we are not all astronomers or mathematicians but I know that one plus one equals two, me and you
And I know that as long as there are stars in the sky that you are important to me.
So believe me,
That when I say I need you I need you to need me too,
To need me in the sense that I probably can live without you but the fact of the matter is I don't want to
Because that wouldn't be as far as interesting as the two of us being crazy at 3am by throwing cookie dough at the wall.
Not to need me in the sense that I need you to be next to me every minute of every single ******* day
Because you don't.
You just need someone,
Someone to care or not to care but someone, anyone because then you won't feel even as half as alone as you did the night before
And I know you did as we all did but I want you to want me as in you want me to ride Saw with you at Thorpe Park
And I want you to want to walk me to the bus stop not because it's on your route home.
I can't remember where I've been
Or the dream that I had last night
Or where I left my phone,
But I know that I've been to the moon and back thinking about you
I know that last night's dream was about you stomping on a spider
I know that I put my phone on the breakfast bar of the kitchen.
I know fractions.
I will never know the full story to anything besides from my own stories and histories
Just like dreams and places I've been and where my phone has gone
I know fractions of you like how one third of the time you are sleeping
Three times out of eight you are at the bookies
Half the time you are on my mind.
The next time you remember your dream back to back and recite it like a subtitled drama,
Or the next time you find your phone once you realise you left it on the table on your morning train,
I hope that you recognise that nobody loves like that or lives like that in a constant perfection
I hope you realise how some people don't want to remember their dreams when they wake up because not all of them are good ones,
That sometimes it's best to leave our phones where they are to disconnect from a world of social media for a couple of hours
That maybe it's okay to not remember wherever we wish because bad things might have happened at those points in our pasts
And that's how I fell for you, in little bits.
This poem is Spoken Word.
Damian Murphy May 2016
Those who on negativity do dwell;
Who fail to recognise the positive,
Are those whom without we could all do well,
To whom our precious time we should not give.
For 'tis rare they have any good to say
About anyone, indeed anything.
Just ask yourself at the end of the day
What exactly to your life do they bring?
Have we not got enough with which to cope
Without their constant negativity?
To leave them behind is our only hope
Before like them we all turn out to be.
How much happier lives we all could live
If we focused more on the positive.
ryn Jan 2015
I feel your heart's heavy
and your mind trailing off to places
I'm not allowed to go...
- Dajena M


My body...
Lays battered under unforgiving weather
I amble forth with unsure
In search of pastures much greener

My face...
Wears my despair
Mirrors wouldn't recognise
Reflecting back a faceless stare

My eyes...
Stung red with tears
Conveying the murmurs from my soul
Clouded by despondence that never clears

My limbs...
Bent awkward with time
Arms hang lifeless; legs sore from bearing
Load of my past of crime

My mind...
Trails in the wake of fallen dreams
Searching for an oasis
Instead finding only brackish streams

My soul...
Holds the weight of an anvil
Still I trudge to the farthest reaches
Through barren lands where all is still

My heart...
Yet beats with rhythm so true
It keeps me alive
It gifts to me...

**you...
Line take off Dajena M's "I... is hier", for Frank Ruland's, "Let's Do A Line!" challenge.

I am big fan of Dajena's poems and very much inspired by the depth of her writes.

I chose the line I did because I could relate to the message being conveyed. More often than not, we get caught in a place where we're left with only questions. We know the "what" but not the "why", "when" and "how". We only know so much therefore we can only afford to speculate. Then poem just wrote itself.

Thank you so much Ms. D for your continuous support and being such an inspiration!
Mateuš Conrad Mar 2017
i actually remember when sudoku was introduced
to the west... it went down like a salt beef bagel from
that jewish restaurant on brick
                              lane
after a night out drinking...

i never took to it, in the sense that
i might compete doing it...
i mean, there's this story
about the original take that
members (which included robbie
williams) had a competition
concerning: who could
******* the quickest...
      
    that sounds stiff... but then i tried
to lessen the americanism
   since **** can also mean a jamaican
sauce... so no jerking competition...
but then again i was watching
a whole lot of blaire white
videos...
              i didn't even hear the transgender
bit after a few videos
          is that an honest statement?
well.. if you told me she was transgender
would i believe you?
       maybe only until that
trainspotting scene where begbie takes
"her" to the car and finds a surprise present...
  
   i had a moment like that in real life,
picked up this thai girl in the park
took her rome, a few beers and
  michael greilsammer's je me réveille album
later (miles davis didn't work on her)
we were off to to the garden to "talk"
of birds and bees...
           and since she looked so boyish
and wore a very tight sports bra
     and how she did say she was bisexual
i didn't know what i'd find... hmm... ha ha...
luckily i found something i was compatible
with...

that's why i mention blaire white...
            i was fooled... god, but this drivel talk
about pronoun usage,
           for a heterosexual man to understand
transgender truly, in a puritan sense
he's got to be fooled...
               otherwise it's a bit like taking
your car to the mechanic to get it fixed,
but then you go back to pick it up
     and he merely converted it to a flintstone
contraption... mate... if i wanted a bicycle
and peddle, i would have asked for one!

it would also appear that you have
to have sort of conception to begin with,
          moving the whole shabang into a lesson
in grammar? that's a bit annoying...
i like surprises... otherwise it's still just
the templar crusaders and baphomet...
   or what they call the thai surprise...

don't know, never had -
                     yep, not even with a hetrosexual girl...
that bit you are apparently invited to bleach
the hair of...

but she does make the most valid point
about the whole transgender movement -
if you can't make it work, to fool a hetrosexual man
i can't be fooled... that's why
                       most homosexuals turn to
drag, because they know they can't fake it,
so at least they can be flamboyant...
   i can't believe there's so much diversity in
that ****** category, it's a bit like
watching macaws -
  
    i was at a gay party once...
  my cousin is so he invited me and i came
and there was this guy from the previous night
at a gay nightclub that i snogged...
but you wouldn't believe why i left within
5 minutes... i was talking to a woman and she
asked me if i was homophobic / if i was o.k. with it...
em... i'm here, aren't i?
             i felt this great nausea, gave my cousin
his birthday present, and told him:
sorry, i have to leave, i feel sick.
        
   otherwise this whole topic about transgender?
if it boils down to grammar then
  there's no point to someone doing a blood great job
on themselves... which is basically beyond
the point... we know homosexuals are funnier
than hetrosexuals...
     then again i don't know what the transgender
movement actually means...
      
**** it, let's explain it using chemistry and benzene,
ortho-, meta- and trans- positioning of
                 e.g. CH3 to the benzene ring...
well i was certainly transfixed because i'd kiss
that face and wouldn't knoww what to do with
what's down south...
                                  does that point toward
what's known as the judas kiss?
                       i'm jesus was a much better looking
tran- than he's depicted as...
                
but apart from that we have metaphysics and
orthography...               and yes, benzene.

how did i start writing about this? all i wanted to point
was no. 8861... and have some sort of theory
as to how do a sudoku...
     the convergence of two identical numbers?

   e.g. 8 --> |1, 2, 3, 4, 5, 6, 7, 9 | <-- 8

                        or that's how you zoom in
onto an incomplete square and then zoom out
     on an incomplete line...

borrowing from no. 8861

x   x   x                                       x
2   x   4                                       4
7   x   5                                       5
                                                   y
                                                   y
                                                   y
                                                   9
                                                   2
                                                   y

so the above for some reason best describes my
unerstanding of sudoku...
     to be honest this wole "poem" was only
going to be that,
     and perhaps just that - an ode to the very
authentic transgender pranksters -
            authentic... i can't stress is more:
transgender is really that begbie moment:
i understand transgender as a person capable
of fooling a hetrosexual male...
            the rest? let's just say there was an
dummy experiment happening in a chemistry lab;
to me that's the whole point of trans,
     so it would seem
that judas didn't betray jesus with a kiss...
more like a kick to the *****.

   i mean, how else not tell that story?
the most popular man in judea... and suddenly
he's not recognisable that the authorities need
                     someone to point him out with a kiss?
all the rabbis were like: where is he? where's he hiding?
can anyone recognise him?
           i can't see him for miles!
i must be ****** blind or it all suddenly turned dark
and i'm reading braille...
           as i'm sure you known they built
                     the pyramids using sticks and stones.
Christina Rosa A Dec 2014
Borrow me your eyes
So I can see what you see
When you look at me

Do you see the monster
Inside of me?
Do you see the darkness
Consuming me?

Or do you just recognise the person
You want me to be?

- Christina Rosa A.
There is beneath us the progenitor and we call it “Mother”. Above us is the progenitor and we call it “Net” for it takes us and tosses us into the known and the unknown.

Our home star is not as bright as yours. We prefer your temperate lands when we visit, where the vegetation is lush and green. Those of us who remain inhabit your deserts and open spaces.

We are your brothers and sisters. Our development has been to grow in awareness and the development of our power. You have the potential to develop as we have, but your instincts are of a social group who need dominant members. You develop your material reality and your physical world. Your anchor is fixed and you grip the familiar and reject the unknown. There is a comfortable point where you feel the fullness, that is the anchor. In order to maintain this as a static point you develop belief systems to support it. This is your weakness, you are innocent children.

We grew and developed along another pathway, our anchor is not  rigid. We use Net for our anchor and so are able to change our perceptual reality. We move in ways that you do not understand and in any direction. We draw the fibers of Net around us and jump and fly. You see us only from your anchor point so that you see us change shape, appear and disappear.

Our voices and languages are barely accessible to you. You hear deep sounds and high pitched chirruping and whistling. Very few among you have remnants of language incorporating any of these. Those remaining are as clicks and whistles. We prefer direct communication.

We are masters of illusion. Our survival has depended on it and it is our instinct.
Our power developed so that when we pull around us the fibers of Net we create a shield and throw an illusion before those who depend on vision. It is one of our protections and also our hunting technique. We are hidden from your material probes and instruments of increased sight in this way.

Although we have been close neighbours for aeons, you have hardly seen us, except for the Few. Your interpretations have created problems for you. Your reliance on the anchor is so great that some among you do go to great lengths to maintain it. There are those among you who will silence the Few rather than lose the fixed anchor.

You are infants only, a seeding coming to fruition, and you play with dangerous toys. Your anchor is geocentric. You are in danger as is any youngster who plays with fire. If we showed you ourselves openly your rulers would not be gentle in their curiosity. We have technology and use material tools but we have had less to restrict us. We held back your development as much as we were able to enable you to develop power of the mind and independent thought.

Your grasp of Net is strong but you are rigid and anchored. You have learned to stand up and hold on. Now is the time to let go and walk, let go and run, let go and fly.

Around what you name “body” and believe to be “All” is more that you do not perceive with your restricted vision sense. You are aware of this. If you will learn acceptance and filter less from your senses, you will find the beauty of the universe of energy around you and available. A small perceptual shift would show you how you appear to those of us outside your narrow sphere.

Your body has filaments, which when translated to sight, appear as small moving threads which shine with rainbows. They move and ripple inside an energy body of light. This is your true body. It has abilities and senses that are dormant as you do not access them. They are accessible but as your anchor renders you blind to this you do not use them without intense effort or instinctively in extremity. The filaments are drawn together and pass through the anchor. Depending upon your ability to select filaments of the Net, your habitual plane and reality is selected and determined.
Those among you with abilities in your energy senses you ostracise and even ******. You succumb to misinformation to treat them as fools or freaks. This may be instinctive but it is a control mechanism to perpetuate the anchor and maintain the hive of your artificial society. So due to this, you have even less sense of true reality as it could be to you, by breeding out and suppressing your gifts. We have attempted to rectify this with limited effect in successive seedings.

You may notice that our words to you have reference to sight. Your terminology is geared to vision. You rely on visual information  so much that you have neglected physical senses of taste and smell, hearing, touch and proximity. Compared with our perceptions you are as blind as a mole is compared to to your visual abilities.

Your construction of reality is so anchored that your dangerous inclination to gather around you artifacts gives to you a sense of permanence. You are anchoring yourselves in time, yet to you it is dead because your senses are dead. There is an opportunity for your predators to use this to enforce your perception of, and control you within, your anchor's limitations. In this way, producing written or pictorial and symbolic records in permanent form is beneficial only so far as understanding continues to exist of the conditions under which these records were left. By changing current understanding and language to suit their purposes, your enforcers are able to manipulate your branch of humanity on a large scale.

You seal yourselves into the rejuvenation plane of the Mother progenitor where you feed and breed. It is so pleasurable to you to stay within this cocoon of reality that you fail to open your cast and therefore fail to fly into the spaces of Net outside where your true inheritance lies. The end result of this is greed and unrest. Your greed is paramount to you as you seek ever more pleasurable gratification. You enslave one another, buy and sell time and forget what you are. You are allowing the destruction of your home world. Without the home world you will have no place of rejuvenation, and worse neither will the myriads of others who share this progenitor.

There is a song from each mother progenitor within Net. It is a combined song and made up of the host progenitor together with silent voices of each and every life form. Together from each home world, the inhabitants send out a pulse. This is not a song from one species of a world but rather it is a song from all species, in fact every particle of every organism that lives.

To our developed senses the song of a world is brighter than the star it orbits. They are filaments of Net. The varied forms of life all send out their unique song. Many of us interact, harmonise, visit, commune and combine. You feel isolation only because you fail to harmonise and join your own song.

In your past and present we have felt the song of your world. Those of us belonging are part of that song. It is the song of being from the many. It does not end at the perimeters which you imagine. You have a problem in that, for the majority, you do not join your voices to the song. Mainly it is in dreaming, in childhood and in old age that we hear you.

We attempted to observe and commune and found many of you receptive to us. We have taught to you methods of development and given you gifts and tools. You have kept and preserved some of this knowledge only for a select few. Fears and distrust among others has caused destruction of a great proportion of the gifts that we have given to you. We found many lines of breeding where potential for development was possible. Your greed and your predator class destroyed many of them due to the competitive desire to have power over others.

In past seedings upon your progenitor and in the oldest times of your present incarnation, we have been known well and respected. Acknowledged for our seniority and loved as cousins. You did call us gods to distinguish our abilities. Then what did you do? Your control mechanisms changed the meanings of your language, whole languages were lost in wars over territory. You developed power structures and religions. Powerful rulers accumulated and isolated your shared knowledge.

You reduced your development by selective education in the Way. Territorial disputes and greed over resources divided you. You ceased to listen to the Mother. Instead of harmonious living which you had managed in agreement with each other already, you were divided by hormonal impulses, insecurity, violence and greed. The natural openness of the female within it's central domain became enclosed, imprisoned and the natural desire of the male to outwardly discover and interact was turned inwards until it became a sedentary desire for dominance within the female domain. You lost the harmonics of the song. Your religions underestimate the power of borrowed tools. Your ruling classes made deals that they didn't understand, with predators they didn't recognise, in order to save themselves.

We stood on ground over ground and were called Immortals. We gave you wisdom and were called Kings. We moved and played among you and were called Jinn. We moved among the small folk and were called Faerie. We appeared in light and were called Angels. We wandered in places where you too did once wander and were called Ghosts and Demons. Those who spoke to us and attempted to impart to your hive our knowledge, you raised as prophets or slandered and ridiculed. You stole their words to make them your own words of power, changing them to your own ends or you murdered the messengers because you feared the changes that increased understanding brings.

You incorporated the experiences of your murdered victims into a celebration of your own power structures, twisted and out of synchronisation with the song. There are some among you who are in communion with the Great Spirit of life. We seek to heal your song, your complete home world song for the benefit of the myriad sentient beings who rejuvenate here, including yourselves. We seek to set you free to wander the threads of Net. It is within your reach but not in the ways that you  are taught.

Your world is about to change and you must change with it as you are a small part of it. Holding the threads into your own anchor point will break them. You have reached inertia, entropy. The movement has to come, it is inevitable. Imagine one of your large machines of cogs and wheels and bars. Your insistence upon a rigid anchor is like a bar within the machine that doesn't move. A point of inertia in a moving system will be removed. This has happened over and over among your kind and our kind in many places and worlds. You do not remember when worlds underwent cataclysm, forgetful of trauma you have followed a similar path.

We travel along pathways of energy, both upon worlds and in the Net. Moving bodies follow these paths. We follow comets and small bodies able to move freely within Net. Net permeates your mother progenitor.

Survivors mapped the movements of Net after the slate was wiped clean and you were reseeded. There is a secret that your rulers are aware of and you are not. The secret is that there are no rulers within Net. You all have the freedom and capability to access true harmony of the song. You allow a faction, to call themselves an elite class. You fear this as a hidden power, a predator. It's aim is to amass Time: a power based on material wealth. They take this power easily as they have taken and twisted truth and history. The gifts are shared among you equally and these few know this. Resources are plentiful and yet you succumb to their restrictions. A predator cannot survive without it's prey. We are not your predators although we move among you. Your predator is within and feeds upon your fear.

You are not in the tribes now, you have no shaman, no guide to take you in and out of the gate and this role cannot be allocated to parasitic Blind Time Hoarders. These whip up your passions and lead you into war and destruction to further their material wealth. It leads you away from the song, as these think to enhance their own survival which it may do but never can as they understand it. They seek to steal your dreams and make them their own, they are helpless without you. They care nothing for the song because they are aware of successive seedings.

Net is a dream reality, changing, immeasurable, boundless, filled with infinite possibilities and you are creators. Blind time hoarders drive you by combining the minds and dreams and belief systems of many to focus onto what they themselves desire, in order to bring it to fruition. They employ dream stealers to prevent your development. They believe that their own song can exist independently and they guide you only to anchor yourselves into your own prison.

All is a dream, all is ephemeral, changing, dynamic. There is no death after death, no damnation on any particular plane. Reality is how you construct your song. Your rulers create inertia for you the many and profit for themselves using you as the tools of your own entrapment. There is no death and no damnation, they are constructs of your reality made by material anchor points and you are controlled by fear of the inevitable. It is a statecraft to use belief systems to control perceptions of reality in order to fix the anchor point to a rigid point of convenience. In this way you are farmed, you are a crop in each seeding. Who seeds you? You seed yourselves. Sentient beings are all naturally regenerated by the mechanisms of Net when conditions exist that are compatible, world after world, in each growth cycle of every celestial body. In the regeneration, holding to your rigid anchor point, you seed into your prison after each cataclysm, each breaking of the inertia.

If you would be open to the mechanisms of the place you inhabit with it's creative forces, it's sentience and it's dynamics you will learn to fly the progenitor Net's pathways and return home for rejuvenation to your progenitor Mother of the tribes.
I wrote this a few years ago. It's a bit long

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