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"unvoiced" poems
What's it take These days To write a poem That makes the world go mad That brings the crowds to their feet That spreads like wildfire Through a dry winter forest Is it those excessively long words? The ostentatiously loquacious Platitudinous ramblings Of an insecure mind aspiring To authentic intellect? Is it perhaps...      the "creativity"                of      varied      spacing   or...    could it be..... the lack                               of capitalization                the loathsome little letters                screaming out                          hey, look at us!          ... or maybe it's                the punctuation marks,      littered, haphazardly           through the text                     (whether used correctly)                or, theyre not?!      despite worrds mispeled           and a grammar might is broken    can these gimmicks increase interest         though miswritten or misspoken? Is the trick alliteration Whose bite brightly bids us To center on the snappy sounds? Although all along      unvoiced underneath Ideas idle in the isles    (or perhaps the aisles) Of the mind To meld and craft and bind Our thorough thoughts And worthy words Into lines Which Heard by herds Raise the                   Praise for which we                   Privately, desperately                   Pray Maybe it's a magical mix Of splendid in-your-head rhythm Marvelous meter that perfectly clicks Flowing smoothly without schism Well-spaced stanzas Well-used time Well-crafted phrases Well-thought-out rhymes Well, maybe not...      those gems are often ignored      cast-aside, unread, even abhorred Why? Because the modern world doesn't need your rules your restrictions your regulations your misguided boundaries your oppression your antiquated ideas    of "the right way"    to write    to speak    to act    to live    to (fill in the blank) No, what the modern world needs is Negation! Contradiction! Resistance! Revolt! And poetry whose words Say the same thing Repeat the same meaning Echo the same lyrics Rephrase the same thoughts But in an ever-so-slightly Different Varied Altered Adjusted Changed up way Line After line Of synonyms           over                and                     over                          and                          over                          again ----- What's it take These days To not give in To narcissism's spiral? But more importantly: What's it take To make my poem go viral?
0
Aug 12, 2018
Aug 12, 2018 at 12:17 AM UTC
Viral
What's it take These days To write a poem That makes the world go mad That brings the crowds to their feet That spreads like wildfire Through a dry winter forest Is it those excessively long words? The ostentatiously loquacious Platitudinous ramblings Of an insecure mind aspiring To authentic intellect? Is it perhaps...      the "creativity"                of      varied      spacing   or...    could it be..... the lack                               of capitalization                the loathsome little letters                screaming out                          hey, look at us!          ... or maybe it's                the punctuation marks,      littered, haphazardly           through the text                     (whether used correctly)                or, theyre not?!      despite worrds mispeled           and a grammar might is broken    can these gimmicks increase interest         though miswritten or misspoken? Is the trick alliteration Whose bite brightly bids us To center on the snappy sounds? Although all along      unvoiced underneath Ideas idle in the isles    (or perhaps the aisles) Of the mind To meld and craft and bind Our thorough thoughts And worthy words Into lines Which Heard by herds Raise the                   Praise for which we                   Privately, desperately                   Pray Maybe it's a magical mix Of splendid in-your-head rhythm Marvelous meter that perfectly clicks Flowing smoothly without schism Well-spaced stanzas Well-used time Well-crafted phrases Well-thought-out rhymes Well, maybe not...      those gems are often ignored      cast-aside, unread, even abhorred Why? Because the modern world doesn't need your rules your restrictions your regulations your misguided boundaries your oppression your antiquated ideas    of "the right way"    to write    to speak    to act    to live    to (fill in the blank) No, what the modern world needs is Negation! Contradiction! Resistance! Revolt! And poetry whose words Say the same thing Repeat the same meaning Echo the same lyrics Rephrase the same thoughts But in an ever-so-slightly Different Varied Altered Adjusted Changed up way Line After line Of synonyms           over                and                     over                          and                          over                          again ----- What's it take These days To not give in To narcissism's spiral? But more importantly: What's it take To make my poem go viral?
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107
Dear Soulmate I'm pretty sure we've crossed paths before, just unassured of the spot But I know you've already forgotten How I look or how my name sounds like Just another wallflower within your area of sight Dear Soulmate It's pretty weird for me to have you here as well A bit restless, I don't know if you can tell After being spun around the other way By you who caught me in his arms and let me stay Dear Soulmate It almost feels like I have a debt to pay Only to be fixed by paying attention to you One burden I don't find myself to be in dismay For I know that somehow, you carry the same load too Dear Soulmate, I am not in love with you, let's make that clear I have learned not to after all these years From many a chance encounter broken by this mere Emotional "commitment" shrouded in unvoiced fear See, I can not be caught in the teeth of romance For it has bitten me once, let's not give it another chance to ruin something good, I know you'd understand So let me keep my distance now, before it catches me with its glance Dear Soulmate, I hope you feel the same As I write to you, it may sound insane Let me explain, before things turn twisted Why I can't let you be one of them in the end The problem is when my soul finds a mate, it ***** it dry leaving it dependent for it to thrive I see yours basking in freedom, a wonderful light So I won't say goodbye, but rather, goodnight.
0
Nov 24, 2015
Nov 24, 2015 at 11:16 PM UTC
A Letter To My "Soulmate"
I have spent much time on daydreaming, I forgot things I should have written, words I supposed to pen in the blank space, are now gone — gone as the night sleeps. Becoming unknown, from those fantasies I built, the heart speaks — when lips unvoiced by guilt, for those lovely words were now forgotten by time, forgotten by my mind, forgotten by the night.
0
Feb 22, 2016
Feb 22, 2016 at 4:34 PM UTC
FORGOTTEN
Just like how the dandelions disperse with a sudden yet firm kiss of the wind, I hope these unvoiced feelings of passion, of longing, of dreaming, of loving will soon be swept away by fate so it may find its way to flourish within the tall fences of your own world.
0
Nov 30, 2014
Nov 30, 2014 at 1:28 PM UTC
Dandelions
While you were away, My words seem to fall on deaf ears. Unvoiced mutterings that fall out in droves, Burning rants swallowed back in singes and sears... While you were away, Time was stagnant; a viscous puddle. Hours only stretched longer, The second hand jabbing its ferocious needle... While you were away, The clock drove me insane. Ticking my life away in literal seconds. Losing sand grain by grain... While you were away, And when it's all quiet and dark, I could hear my heartbeat... Awaiting the new day to make its mark. While you were away, My words seem to have lost their meaning... As if they were stuck in limbo, Unanswered calls that keep on ringing... While you were away, I am but a little lost foal... Because whenever you're away, I am never whole...
0
Nov 26, 2014
Nov 26, 2014 at 10:51 AM UTC
While You Were Away
Feelings are within you In your deepest heart and soul Feelings are felt and seen By those who only feel for you Feelings unheard troubles the mind Feelings unread torches the softest heart Feelings unvoiced torments your soul.. Feelings uninterpreted, unanswered... Killing you.. killing you softly , suicidal love.. Feelings are words unspoken Feelings are invisible touches Feelings are unseen caresses.. Feelings are shared dreams unfulfilled But feelings are continuous... Reflections of heart, life, love and soul... Hidden feelings ... pathetic souls Blinded kisses... numb and cold.. Unveil... unveil... Let the magical love be revealed....
0
May 25, 2013
May 25, 2013 at 12:12 PM UTC
Feelings
The cottage is old and the garden trees have overgrown, The long missed smells of mother’s food… Oh, what joy to eventually come home! Shrill morning breaks to the call of crows As the sun rises from behind prison walls. A reminder yet again, Light alights in sleeping hours, Daylight brings hell, the unvoiced tortured wails Which cry out for the Light. But it plays tantalizing games at night And leaves the mornings in the hand of the jailor. No friend, no foe, no merchant nor sailor Will ever come to see… We’re alone in our six square feet cells Us, and the haunting drum roll of the surrounding sea.
0
Sep 27, 2014
Sep 27, 2014 at 5:14 AM UTC
The Song of Parting
Let's liberate this silence Let it blemish with the smoke Coming off of the cooling coal That once burned in the wake of unvoiced promises Somehow, you and I have managed to exchange dreams, fears, and beliefs with one simple unspoken conversation And now words cascade Down rivers of my arteries and veins Toward the palm of your hands Hold them close (I never intended to let them go) But it seems that with every nonverbal exchange A string of understanding ties us together And there is nothing left in my power that I could do To save us from the falling sky, splinters of moon, and blankets of midnight blue
0
Jul 13, 2022
Jul 13, 2022 at 2:40 PM UTC
Silent Nights
Unfinished sentences have become my forte. Unvoiced emotions have become my norm. When you see penguins or giraffes, When you taste pancakes or lo mein, When you hear josh turner on the radio, When you drive through the eclectic neighborhoods Of hilly chilly San Francisco, Will you miss... I will always love... Even though I shouldn't... But maybe one day... Yeah... One day this won't hurt so much... Right?
0
Jul 23, 2014
Jul 23, 2014 at 10:43 PM UTC
Question #10
A coffin, my love, Built of porcelain bones, Under your weight, they endlessly groan. One breath, my love, you oscillate in my lungs, you intoxicate where you've stung. Your venom, my love, Sinks with every inflection Of your unvoiced rejection. A garden, my love, Full of flowers turning black, hiding smiles full of cracks. . Cut my skin, it's you I'd bleed. You're the resting place I've come to need, I'm the shell of a girl left to be freed.   But you didn't see, you couldn't see, I peered into your coffin, and I couldn't find, I didn't believe, That in that place, there wasn't a single trace, Of me.
0
Jan 10, 2014
Jan 10, 2014 at 5:32 PM UTC
Tombstone
Under a stagnant sky, Gloom out of gloom uncoiling into gloom, The River, jaded and forlorn, Welters and wanders wearily--wretchedly--on; Yet in and out among the ribs Of the old skeleton bridge, as in the piles Of some dead lake-built city, full of skulls, Worm-worn, rat-riddled, mouldy with memories, Lingers to babble to a broken tune (Once, O, the unvoiced music of my heart!) So melancholy a soliloquy It sounds as it might tell The secret of the unending grief-in-grain, The terror of Time and Change and Death, That wastes this floating, transitory world. What of the incantation That forced the huddled shapes on yonder shore To take and wear the night Like a material majesty? That touched the shafts of wavering fire About this miserable welter and wash-- (River, O River of Journeys, River of Dreams!)-- Into long, shining signals from the panes Of an enchanted pleasure-house, Where life and life might live life lost in life For ever and evermore? O Death! O Change! O Time! Without you, O, the insuperable eyes Of these poor Might-Have-Beens, These fatuous, ineffectual Yesterdays!
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2.3k
To James McNeill Whistler
Closeted. Red. Corrupt. Abrupt. Jarring & Tarring. Obsession. Infatuation. Sweet confrontation. Voiced. Unvoiced. Heat. Discreet. Prohibited discovery. Trespassed precinct. Animal instinct. Sinful rust. A burst of Lust.
0
Dec 23, 2012
Dec 23, 2012 at 6:21 AM UTC
Lust. An animal instinct.
From the visions of sparrow vanguards that fly insatiably onward. From the tombs of ancient hearts draped in flowing, moth-eaten fabric. From the fighter jets stalling somewhere above solitary and succinct farmlands. From the bottom of a broken purple sunset that lies embossed on my brain. From the silliest half-thought left unvoiced in the vagrant light of a damp and desolate lamp lying in a landfill. From several mouths at once. From oracles cross-legged in caves. From the gills of a catfish on a hook. From mythical forgeries and the perjurer's tongue. To the subdued hope resting in a trembling hand gripped round its pen. To satisfaction that is oneness that seems to never arrive but is there all along. To the peaks of the Himalayas. To my spidered desk light, shallow with doubt. To my flustered and torrential page.
0
Aug 30, 2012
Aug 30, 2012 at 9:39 PM UTC
Where it Comes from and Where it Goes
*The odor of blood drops in drapes, figures half-lit form false shapes; the bed on which I lie and the windows welcome what the delicate line knows: the open imagination's well-kept trade that many shrug off with a stilted stare or cough, throwing discredit on what honest hands have made. All that dreamlike inspiration becomes a beautiful conflagration: the smell of emblematic men and women slain, and flickering lights from where thought's shadows came, issue out of the creative heart's desire that's uncontrollable, requiring an artistic toll, like the worn fingers of the bard that plays the lyre. But that's what poetry's about, a deep and draining silent shout; the hand is left cramped and consumed, the heart's violet blossoms begin to bloom: sedative perfumes slide over your wearied frame – half-memories abate, the odorous dead dissipate – you're deserted, yet the halcyon heart flares aflame. Symbols come and symbols go: the disfigured trees obscured by snow, or simply standing against the wind or windless heat; a cherished friend, loved ones who’ve passed and the Lost Lyricist; the Muse that eludes the damp room in which it broods; an image of stream near a stony tower’s twist. Find here, dear reader and friend, a testimony sung over again. I write this text to release me from broken thoughts and anger’s sum: all that childhood and adolescence approved. The unvoiced thoughts of a boy caught by cast lots inked to find something beyond evanescent truths.*
0
Jul 5, 2012
Jul 5, 2012 at 9:31 AM UTC
(Introduction)
*The odor of blood drops in drapes, figures half-lit form false shapes; the bed on which I lie and the windows welcome what the delicate line knows: the open imagination's well-kept trade that many shrug off with a stilted stare or cough, throwing discredit on what honest hands have made. All that dreamlike inspiration becomes a beautiful conflagration: the smell of emblematic men and women slain, and flickering lights from where thought's shadows came, issue out of the creative heart's desire that's uncontrollable, requiring an artistic toll, like the worn fingers of the bard that plays the lyre. But that's what poetry's about, a deep and draining silent shout; the hand is left cramped and consumed, the heart's violet blossoms begin to bloom: sedative perfumes slide over your wearied frame – half-memories abate, the odorous dead dissipate – you're deserted, yet the halcyon heart flares aflame. Symbols come and symbols go: the disfigured trees obscured by snow, or simply standing against the wind or windless heat; a cherished friend, loved ones who’ve passed and the Lost Lyricist; the Muse that eludes the damp room in which it broods; an image of stream near a stony tower’s twist. Find here, dear reader and friend, a testimony sung over again. I write this text to release me from broken thoughts and anger’s sum: all that childhood and adolescence approved. The unvoiced thoughts of a boy caught by cast lots inked to find something beyond evanescent truths.*
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40
By cold logic you arrive, not through panic nor insanity, for they are something separate. You recall those who witnessed, through blinded eye the beginnings. Those seemingly oblivious of your falling to this place, and who could offer no sanctuary or escape. In your mind the inaction testifies, of a value you no longer hold. Not just in your place of open eyed awareness, But also in their world of illusion, where you no longer belong. There are two pathways ahead. But only one will each choose according to their need. Emotional pain made into the physical Or the ending of pain both felt and caused, both past and future. At the beginning and in the intermediate, the times when cries for help prevailed. Not consciously shouted but through changes, altered interaction with the world as it once was. To those who bore witness to beginning and middle, at this stage comes the "why?". "I saw it"...."Why did I not see this outcome?".... "I knew",??? To those who have not been here, There seems to be no logic, They cannot see from where they stand the simple rationale. So contrary and beyond sight that only the tag of insanity gives explanation. At the beginners guide just so the numbers who sought to read. At the intermediate a lesser number could give an interest. The despair of others an unwanted knowledge and the readings so reflect a reality best kept unvoiced... too disturbing to the ear. And fewer now here... dear reader... eyes uneducated still asking why.... you few are too late to understanding and by now despair has been defeated.
0
Mar 25, 2019
Mar 25, 2019 at 5:04 AM UTC
Despair... An Advanced Guide
By cold logic you arrive, not through panic nor insanity, for they are something separate. You recall those who witnessed, through blinded eye the beginnings. Those seemingly oblivious of your falling to this place, and who could offer no sanctuary or escape. In your mind the inaction testifies, of a value you no longer hold. Not just in your place of open eyed awareness, But also in their world of illusion, where you no longer belong. There are two pathways ahead. But only one will each choose according to their need. Emotional pain made into the physical Or the ending of pain both felt and caused, both past and future. At the beginning and in the intermediate, the times when cries for help prevailed. Not consciously shouted but through changes, altered interaction with the world as it once was. To those who bore witness to beginning and middle, at this stage comes the "why?". "I saw it"...."Why did I not see this outcome?".... "I knew",??? To those who have not been here, There seems to be no logic, They cannot see from where they stand the simple rationale. So contrary and beyond sight that only the tag of insanity gives explanation. At the beginners guide just so the numbers who sought to read. At the intermediate a lesser number could give an interest. The despair of others an unwanted knowledge and the readings so reflect a reality best kept unvoiced... too disturbing to the ear. And fewer now here... dear reader... eyes uneducated still asking why.... you few are too late to understanding and by now despair has been defeated.
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31
I think of you often. In the morning, late at night, but those thoughts go unvoiced, the mortal touch goes unfelt. It’s easier to keep to myself, to avert my gaze deliberately. It’s safer to keep ravenous. It’s simpler to bamboozle with silence.
0
Jan 26, 2022
Jan 26, 2022 at 5:55 AM UTC
mortal touch
GOS'POZHO! NE GO'VORYA' BALGARSKI (Madame! I Don’t Speak Bulgarian!) ( for Onelia ) I stand outside your world all voiced & unvoiced consonants (& yes I know voiced consonants can become voiceless but only in certain positions.) ‘mislya...’pisha (to think...to write) It’s all Cyrillic to me. Only able to enjoy the shape of it! б There is an O with a scarf billowing over its right shoulder that really is a b. (Reminds me of Isadora Duncan driving to her death her scarf getting caught in the wheel.) A capital Ɓ that is a v (Oh yeah? Yeah!) A large З that looks like a pair of ******* looking down from above from the side. (And Lord save us it’s...a z!) An X that’s a h! (I see...I see!) Ф An apple being cut in two by a knife once again looking down from above ...that’s an f. (Yes? Yes!) Something that could be a starburst Ж (zh...zh...zh) Such a treasure! Or a strong man clasping two ladies by the waist swooning to him in a tango one on either side. An Я looking the wrong way (Ya? Ya!) И Two capital I’s hanging out together with the I (i...i...i) on the right with its hand on the left one’s *** (naughty vowel...naughty vowel) Й And an other two I’s up to the same shenanigans but with half a halo over their heads as if they only wanted to be half good! Maybe one day I’ll learn A little Bulgarian (dogo’dina... dogo’dina) ((next year...next year)) But right now it’s all pictures to me that dash across my imagination. Stra’hotna ‘roklya! Iz’ghezhdash prek rasno! (Fabulous dress!) (You look great!)
0
Nov 11, 2015
Nov 11, 2015 at 5:04 PM UTC
GOS'POZHO! NE GO'VORYA' BALGARSKI (Madame! I Don’t Speak Bulgarian!)
GOS'POZHO! NE GO'VORYA' BALGARSKI (Madame! I Don’t Speak Bulgarian!) ( for Onelia ) I stand outside your world all voiced & unvoiced consonants (& yes I know voiced consonants can become voiceless but only in certain positions.) ‘mislya...’pisha (to think...to write) It’s all Cyrillic to me. Only able to enjoy the shape of it! б There is an O with a scarf billowing over its right shoulder that really is a b. (Reminds me of Isadora Duncan driving to her death her scarf getting caught in the wheel.) A capital Ɓ that is a v (Oh yeah? Yeah!) A large З that looks like a pair of ******* looking down from above from the side. (And Lord save us it’s...a z!) An X that’s a h! (I see...I see!) Ф An apple being cut in two by a knife once again looking down from above ...that’s an f. (Yes? Yes!) Something that could be a starburst Ж (zh...zh...zh) Such a treasure! Or a strong man clasping two ladies by the waist swooning to him in a tango one on either side. An Я looking the wrong way (Ya? Ya!) И Two capital I’s hanging out together with the I (i...i...i) on the right with its hand on the left one’s *** (naughty vowel...naughty vowel) Й And an other two I’s up to the same shenanigans but with half a halo over their heads as if they only wanted to be half good! Maybe one day I’ll learn A little Bulgarian (dogo’dina... dogo’dina) ((next year...next year)) But right now it’s all pictures to me that dash across my imagination. Stra’hotna ‘roklya! Iz’ghezhdash prek rasno! (Fabulous dress!) (You look great!)
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74
It ends  Dusty room  Flooding memoirs  Frozen words, voices  Unspoken word, unvoiced  Ripped my heart that I was just a passerby in the rain.
0
Jun 18, 2017
Jun 18, 2017 at 5:38 AM UTC
A Passerby in the Rain
Wishing your hands might fuse with my ******* and that your phallus, flaccid, -just the way I like to taste it more- may set in my mouth its lightest traces, may reborn, helped by saliva, which is full of poems, and then you *** and we both become some crude socialists, or communists, or wherever you like the most. Then you take my red ***** as your communist flag, and recite your manifest before it. And then my nails painted with desire, dovetail with your left arm, -tattooed of what your soul unvoiced- and become draw a turquoise butterfly, emulating me, and then, an ****** beyond re-surge, that will go from sadism to communism, and from metamorphosis to ****** and if while I write you this, my *** is getting wet, little by little, getting full of my sacred elixir –according to your mouth- perambulate my ****** -self-possessed and palpitating- and if my mind doesn’t do anything else but imagining you, raining white over my shoulders, and my back, and my hair, and nothing matters then, because it’s voluntary retention, and your ******* friend Marx is next to you, and not me, that I’m just listening arias, and smoke, slowly smoke, towards your savage, flaccid, tasty *** always present in my mind, and my lonely ***
0
Jan 21, 2014
Jan 21, 2014 at 12:36 PM UTC
And then, communists...
It's late and I'm tired But I can't go to sleep There's too much to do Too much I haven't told you Too much I want to hear Too much to listen to Too little to waste There are adventures not yet experienced There are voices unheard There are thoughts unvoiced There are songs unwritten There are kisses unfelt And I have adventures to experience And I have voices to hear And I have thoughts to voice And I have songs to write And I have kisses to feel And I have you. Oh, you. Who are you? I certainly haven't found you yet Actually, I thought I had, but you went away Now I fear I will never see you again Oh, you. You with your saddened eyes You who have endured so much You who deserve so much more You who I try to help but You who shy away to You who are gone. gone. gone. It does not make my thoughts any clearer It does not make me feel any better It does not make my eyes any drier to write. But it does help the sunshine keep a little longer It does let your kisses linger in the shade It does help my weary head resurrect The light from whence we came And I know that someday you will return And I won't let you slip down down again And my time awake is time well spent So I cannot sleep. I cannot sleep.
0
Nov 13, 2010
Nov 13, 2010 at 6:49 PM UTC
Insomnia is another way of saying "I love you"
Boring clothes Quiet unvoiced thoughts Loud voice Loud presence
0
Dec 28, 2012
Dec 28, 2012 at 5:15 AM UTC
Misfit In Disguise
I watch the harbor through the falling snow the sky and sea form one vast, gray tableau the sun is nothing but a weak, background glow the scene draws me, as if hypnotically. Five mile’s lighthouse warnings go unvoiced its strobes not lashing out, so what’s its point it stands majestically but disappoints replaced electronically A tiny lobster boat makes its landward way towards the inlet from the wider channel bay a powdery blizzard is underway which melts into the mirror sea. Ospreys still hunt round the lobsterman's pride snowflakes stain them as they soar and glide other seabirds huddle side by side shivering and crowing lividly. Through the narrows the lonely boat steams past icy Luddington Rock and East Breakwater's breech its berths and moorings, within minutes reach and sadly, it’s time for me to leave. . . Songs for this: Far Far Away (Charles Tone Mix) [feat. Brenda Boykin] by Tape Five Nobody by Mitski
0
Feb 15, 2025
Feb 15, 2025 at 1:42 PM UTC
harbor snow
Whence once I heard the faint whisper of the rushing wind It formed a name in the air, whispering The faint decibels that your soul voiced Called out to me, unheard and unvoiced Sweeping right back I searched for your figure Forming shapes in the clouds Awaiting your selfless shoulder “Oh brother!” I cried out, “Where had you gone?” You curved your lips and embraced me for long My head felt light. My soul lingered And I drifted to another world To a scape bygone As toddlers, I saw us playing on the hill tops Amidst wintery clouds I saw me run after you and fall on the ground And suddenly you turned, with concern on your brows Chasing back and picking me up Brushing my tears and swinging me up I saw us race to the school in the mornings And I saw you hold my hand while returning But then I felt my hands bereft My head felt light. My soul revered I saw me race alone to the school And I saw me fall and chase the lonely cloud I saw your face, and its obscure lines My wet eyes rained bringing me back to this time Sweeping right around I again searched for your figure In vain I tried to form some shapes in the clouds And then I heard the whispering wind rush in Blanketing the clouds and taking them in I heard no whispers, no names and no sound “Oh brother!” I cried out, “Where have you gone?”
0
Oct 20, 2015
Oct 20, 2015 at 3:21 PM UTC
Faint Whispers
six months to the day, of treading along. like many good things, an Internet accident. 180 days can be converted to one of these units: 15,552,000 seconds 259,200 minutes 4320 hours 180 days 25 weeks (rounded down) six months here, a fortune of time, goodly to behold. new faces from new places, now crowd the heart that has no shape, for it expands daily, making room for more of you. your welcome welcomes more than poems. ces triestes, ces chansons de mon cœur, don de la liberté, doués pour vous, dans la célébration de mon Jour de l'Indépendance some fingernail torn from darker memories, from fears of the future. others from eyes to paper ink spilled quickly, lest the letters, remain among the stillborn ashes hid in the caverns of the man's mouth. the ink in the bottle, that spilt, gotta be drops of mixed blood. by anybody's definition. perhaps you sense the fearful truths that lie within, some yet to be invoked, unvoiced, unyoked, for which my concealer in actuality is a point-the-way revealer. all in. good time. Yet, never met a poem did not like, for the man in the beast is just like {you, man}. my only excuse for to having not read all of yours, is oft thine stop me hot, diverting me to spill some more, oh child of mine. convinced still, is the man, that the secret to this poetry racket, is to never ever stop laughing at yourself, loving all the parts of you, secretly and secretly, as well, in the open wide. so you feed the beast that devours me, for restless are the words that need a home. someone said to me, you are one of those who are nostalgic for the future. restless is the man inside the beast, restless is the beast that is the man, who hates the word I. With this sole exception. I thank you.
0
Nov 14, 2013
Nov 14, 2013 at 6:42 PM UTC
The man and beast that devoured each other
six months to the day, of treading along. like many good things, an Internet accident. 180 days can be converted to one of these units: 15,552,000 seconds 259,200 minutes 4320 hours 180 days 25 weeks (rounded down) six months here, a fortune of time, goodly to behold. new faces from new places, now crowd the heart that has no shape, for it expands daily, making room for more of you. your welcome welcomes more than poems. ces triestes, ces chansons de mon cœur, don de la liberté, doués pour vous, dans la célébration de mon Jour de l'Indépendance some fingernail torn from darker memories, from fears of the future. others from eyes to paper ink spilled quickly, lest the letters, remain among the stillborn ashes hid in the caverns of the man's mouth. the ink in the bottle, that spilt, gotta be drops of mixed blood. by anybody's definition. perhaps you sense the fearful truths that lie within, some yet to be invoked, unvoiced, unyoked, for which my concealer in actuality is a point-the-way revealer. all in. good time. Yet, never met a poem did not like, for the man in the beast is just like {you, man}. my only excuse for to having not read all of yours, is oft thine stop me hot, diverting me to spill some more, oh child of mine. convinced still, is the man, that the secret to this poetry racket, is to never ever stop laughing at yourself, loving all the parts of you, secretly and secretly, as well, in the open wide. so you feed the beast that devours me, for restless are the words that need a home. someone said to me, you are one of those who are nostalgic for the future. restless is the man inside the beast, restless is the beast that is the man, who hates the word I. With this sole exception. I thank you.
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I once had a hand-basket filled with red roses, and gave it as a springtime gift to my love. She called them beautiful, but an unvoiced disappointment seemed to reach out more clearly. I did not understand what more the basket should have contained, so I asked her if she liked better yellow or pink roses. She told me that color was not the source of discomfort, rather that I had called her my love when she had yet to know who I was. I began to stammer, shocked by her sudden ignorance, but I didn't have a chance to explain before a store clerk ran up to us. He grabbed the roses and called an officer over because they were not payed for. The officer grabbed my arm and asked how I had gotten out again. I inquired as to what I had gotten out of, but we were already inside the car. He mumbled numbers into his radio and we came to a wide white building that I seemed to remember from a dream, but the large blue words over the doorway were both foreign to me. PSYCHIATRIC WARD.
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Mar 8, 2013
Mar 8, 2013 at 1:13 AM UTC
Puzzlement