Submit your work, meet writers and drop the ads. Become a member
Madisen Kuhn Apr 2015
i’ve given up on days that begin in late afternoon,
skipped breakfast and lunch,
days that fade slowly and end with
****** cut-out holes in eyelids because
the second i close them and it all goes black,
every moment with you comes back
played on fast-forward, the memories moving so quickly
that both our faces are blurred
and it feels like everything i’ve ever felt for you
is overflowing the tub, filling the washroom with
suds that take forever to melt

i’ve given up on those days.

i’ve traded them for ones that begin with
sunrises instead of sunsets,
days that are spent falling forward
instead of trying to chase the past, and i don’t
look back and see something broken, or
something that was better off left unopened

i look back and see our bodies so close together
that you can’t tell where yours begins and mine ends,
i see my heart that grew twenty-three times its size,
i see you and me wrapped up in something that
i didn’t know existed outside of blurry 35 mm
and overdue and falling-apart library books
that sit on the nightstands of middle-aged women
who are bored with their lives

and i’m just so happy i got to love you at all.

but i’ve folded up all the days spent with you
and taped them in the messy pages of my journal
and now i’m running into the sun,
running away from every lie that’s trying to
wedge its way in between my ribs,
running in the opposite direction of words like "regret"
and any feeling that insists that none of it was worth it

because all of it was worth it.

every moment we were together pumps
through my veins, and it will always be there;
it will be there when we’ve both graduated,
when you move out west,
when you kiss your family goodnight,
when you sit in your backyard with tears
in your eyes because you’ve lived a life
you are proud of

it will be there when i finally make it to new york city,
when i kiss someone who isn’t you,
when i find the answers you inspired me to search for,
when i sit on my rooftop with tears on my cheeks
because i’ve lived a life fuller than i could’ve ever imagined

and you and i will live these lives apart,
we’ll move on and forget what it felt like
to wake up beside one another;
we’ll find what we’re looking for elsewhere
and we’ll understand why this all had to happen the way that it did

but what we had will always exist somewhere,
in rotting apples and old mail and unplayed mix CDs,
in mosaics that line the city streets, in sirens and
red and white flashing lights that shine through
your window while you are asleep

you and i were magic,
we always will be.
SWB Jun 2012
Subtracting his half from the word together,
burning pictures and nicknames so they don't leave a trace,
he's pining in piles of unopened letters.

With a head full of pulp and a heart of wet leather
he spent every tear he had in his face
subtracting his half from the word together.

He'd given his best 'cause he thought she'd had better-
she starved for attention; he hated the taste,
pining in piles of unopened letters.

She flew from the nest in search of warm weather;
he blew out the flame, too numb to touch base,
subtracting his half from the word together.

When the weather grew cold she put on his sweater-
pitched a tent by her mailbox just in case-
while he's pining in piles of unopened letters.

One held on to their end while one cut the tether.
She licked 32 envelopes:  each went to waste.
Subtracting his half from the word together,
he's pining in piles of unopened letters.
somewhere between the fourth and fifth

load of laundry,

sometime after breakfast~lunch,
now served in the USA at home,
as an all day meal, per the edict of Mcdonalds,
start fixing dinner, take a break, walk to the mailbox,
retrieve the post and quick retreat back inside,
ah that Texas sun, bilingual chili hot,
toss the unopened on the prior weeks pile,
cause everyone loves company

the home-cold-brewed ice coffee needs a filling
for the fridge has decided not to help
by automatically refilling the pitcher

even if it could
I, busy folding,
needing two hands
and all my teeth
for folding my master’s rocket ship

sheets

my master observes with one of his alternating demeanors,
this one, super silent watching, announcing that  I need a nap:

“don't you always say, baby,
take a nap when you can, baby,
for when you need one, baby,
you probably won’t be able, my baby”


with selected-hand-led fingers,
he lays me down to sleep,
bids me to slow slide to dreamland, dinner will keep,
curling inside my frame, hands a-cupping my *******,  
telling me a drowsy tale, inherited from his mother’s womb
and his granddaddy’s tongue, mindful of his family’s history

there, is where, they find us,
dinner fixings burnt,
me and my five year old baby boy,
still sleeping fast, around 5pm, bodies enwrapped,
tied by blood and entwined in old nursery rhymes,
Texas tall tales of Pecos Bill,
me and my very own

nap-ster master

<•>

p.s.  and they call me by my other name to wake me, momma
George was lying in his trailer, flat on his back, watching a small portable T.V. His
dinner dishes were undone, his breakfast dishes were undone, he needed a shave, and ash
from his rolled cigarettes dropped onto his undershirt. Some of the ash was still burning.
Sometimes the burning ash missed the undershirt and hit his skin, then he cursed, brushing
it away. There was a knock on the trailer door. He got slowly to his feet and answered the
door. It was Constance. She had a fifth of unopened whiskey in a bag.
"George, I left that *******, I couldn't stand that *******
anymore."
"Sit down."
George opened the fifth, got two glasses, filled each a third with whiskey, two thirds
with water. He sat down on the bed with Constance. She took a cigarette out of her purse
and lit it. She was drunk and her hands trembled.
"I took his **** money too. I took his **** money and split while he was at work.
You don't know how I've suffered with that *******." "
Lemme have a smoke," said George. She handed it to him and as she leaned near,
George put his arm around her, pulled her over and kissed her.
"You *******," she said, "I missed you."
"I miss those good legs of yours , Connie. I've really missed those good
legs."
"You still like 'em?"
"I get hot just looking."
"I could never make it with a college guy," said Connie. "They're too
soft, they're milktoast. And he kept his house clean. George , it was like having a maid.
He did it all. The place was spotless. You could eat beef stew right off the crapper. He
was antisceptic, that's what he was."
"Drink up, you'll feel better."
"And he couldn't make love."
"You mean he couldn't get it up?"
"Oh he got it up, he got it up all the time. But he didn't know how to make a
woman happy, you know. He didn't know what to do. All that money, all that education, he
was useless."
"I wish I had a college education."
"You don't need one. You have everything you need, George."
"I'm just a flunkey. All the **** jobs."
"I said you have everything you need, George. You know how to make a woman
happy."
"Yeh?"
"Yes. And you know what else? His mother came around! His mother! Two or three
times a week. And she'd sit there looking at me, pretending to like me but all the time
she was treating me like I was a *****. Like I was a big bad ***** stealing her son away
from her! Her precious Wallace! Christ! What a mess!" "He claimed he loved me.
And I'd say, 'Look at my *****, Walter!' And he wouldn't look at my *****. He said, 'I
don't want to look at that thing.' That thing! That's what he called it! You're not afraid
of my *****, are you, George?"
"It's never bit me yet." "But you've bit it, you've nibbled it, haven't
you George?"
"I suppose I have."
"And you've licked it , ****** it?"
"I suppose so."
"You know **** well, George, what you've done."
"How much money did you get?"
"Six hundred dollars."
"I don't like people who rob other people, Connie."
"That's why you're a ******* dishwasher. You're honest. But he's such an ***,
George. And he can afford the money, and I've earned it... him and his mother and his
love, his mother-love, his clean l;ittle wash bowls and toilets and disposal bags and
breath chasers and after shave lotions and his little hard-ons and his precious
love-making. All for himself, you understand, all for himself! You know what a woman
wants, George."
"Thanks for the whiskey, Connie. Lemme have another cigarette."
George filled them up again. "I missed your legs, Connie. I've really missed those
legs. I like the way you wear those high heels. They drive me crazy. These modern women
don't know what they're missing. The high heel shapes the calf, the thigh, the ***; it
puts rythm into the walk. It really turns me on!"
"You talk like a poet, George. Sometimes you talk like that. You are one hell of a
dishwasher."
"You know what I'd really like to do?"
"What?"
"I'd like to whip you with my belt on the legs, the ***, the thighs. I'd like to
make you quiver and cry and then when you're quivering and crying I'd slam it into you
pure love."
"I don't want that, George. You've never talked like that to me before. You've
always done right with me."
"Pull your dress up higher."
"What?"
"Pull your dress up higher, I want to see more of your legs."
"You like my legs, don't you, George?"
"Let the light shine on them!"
Constance hiked her dress.
"God christ ****," said George.
"You like my legs?"
"I love your legs!" Then george reached across the bed and slapped Constance
hard across the face. Her cigarette flipped out of her mouth.
"what'd you do that for?"
"You ****** Walter! You ****** Walter!"
"So what the hell?"
"So pull your dress up higher!"
"No!"
"Do what I say!" George slapped again, harder. Constance hiked her skirt.
"Just up to the *******!" shouted George. "I don't quite want to see the
*******!"
"Christ, george, what's gone wrong with you?"
"You ****** Walter!"
"George, I swear, you've gone crazy. I want to leave. Let me out of here,
George!"
"Don't move or I'll **** you!"
"You'd **** me?"
"I swear it!" George got up and poured himself a shot of straight whiskey,
drank it, and sat down next to Constance. He took the cigarette and held it against her
wrist. She screamed. HE held it there, firmly, then pulled it away.
"I'm a man , baby, understand that?"
"I know you're a man , George."
"Here, look at my muscles!" george sat up and flexed both of his arms.
"Beautiful, eh ,baby? Look at that muscle! Feel it! Feel it!"
Constance felt one of the arms, then the other.
"Yes, you have a beautiful body, George."
"I'm a man. I'm a dishwasher but I'm a man, a real man."
"I know it, George." "I'm not the milkshit you left."
"I know it."
"And I can sing, too. You ought to hear my voice."
Constance sat there. George began to sing. He sang "Old man River." Then he
sang "Nobody knows the trouble I've seen." He sang "The St. Louis
Blues." He sasng "God Bless America," stopping several times and laughing.
Then he sat down next to Constance. He said, "Connie, you have beautiful legs."
He asked for another cigarette. He smoked it, drank two more drinks, then put his head
down on Connie's legs, against the stockings, in her lap, and he said, "Connie, I
guess I'm no good, I guess I'm crazy, I'm sorry I hit you, I'm sorry I burned you with
that cigarette."
Constance sat there. She ran her fingers through George's hair, stroking him, soothing
him. Soon he was asleep. She waited a while longer. Then she lifted his head and placed it
on the pillow, lifted his legs and straightened them out on the bed. She stood up, walked
to the fifth, poured a jolt of good whiskey in to her glass, added a touch of water and
drank it sown. She walked to the trailer door, pulled it open, stepped out, closed it. She
walked through the backyard, opened the fence gate, walked up the alley under the one
o'clock moon. The sky was clear of clouds. The same skyful of clouds was up there. She got
out on the boulevard and walked east and reached the entrance of The Blue Mirror. She
walked in, and there was Walter sitting alone and drunk at the end of the bar. She walked
up and sat down next to him. "Missed me, baby?" she asked. Walter looked up. He
recognized her. He didn't answer. He looked at the bartender and the bartender walked
toward them They all knew eachother.
oh no Jun 2014
1.

It’s just the sound of breathing all together. Soft. Breathing air and water and blood. Nobody’s worried because nothing has happened. Soft lips gentle and closed eyes pure, untouched, unopened like new shoes. Head alone and empty, waiting to be bruised.

2.

The eyes are open and we’re holding hands. All of us. My quarks against your prose and your ghosts. You’re looking at me like you love me. Not even like you want to **** me. Just like you love me. Like I’m yours. Like I’m somebody’s. We don’t speak. We’re still holding hands with everybody else. On the floor there are broken teeth and ripped out ****** stitches but I’m not looking at them. Neither are you. Neither is anybody else. It’s all soft hands. Hips. Collar bones. Lips.


3.

The heat of your hand against mine. Fusion. You are not a ghost. They are. I am not either. We’re looking down. They’re not. We’re enlightened. They’re not. There is no roof and the teeth and blood aren’t real. They are only reflections of the stars. We do not speak except to each other.

4.

Teeth and stitches and bleeding hands and my blood is in your veins but you’re a closed circuit. I’m getting paler, but I don’t notice, because I am your dialysis, your transfusion. I’ll let you feel for me because I can’t feel my hands. You don’t expect it but you don’t tell me not to. Even if I die you will still hold me upright. My hands bleeding into your hands and open wounds in the wood floor. The glass floor unbroken because the teeth and blood are still just the stars. It’s okay because I know I’m saving you and I know you will save me. Cross stitch my lips so I can’t ruin it. Sew me up like a doll. It’s not your fault.

5.

Condensation into cold hands. Water droplets in their eyes as everyone else comes back again. Turns out I was just ignoring them. My blood in your veins. You’re not holding me up anymore, I’m clinging to your shoulder. Let go. You’re walking away and I’m following you and you don’t ask me to and you don’t wait for me so I step on the teeth beneath my bloodless feet. Even though they are only stars they hurt. Even though I am only a ghost I still run out of breath. Make me your Aphrodite. Yours before anyone else’s. Be mine before your lover’s.

6.

Now it’s all knees and elbows and raw hands on the wooden floor. Your blood my blood everyone else’s blood on my face. You let go of me. My blood in your veins, my cut up hands on the ground. Everyone else has better blood, more heart and less metal, and they all love you. Their blood, their flesh, their threads in your barely broken hands and you’re smiling. I haven’t seen you smile in a long time. I can’t feel my feet or my hands and in my head there is a swirl of stars except now they are only teeth and ripped-out stitches. Cut my face. Leave the stitches in. It’s not my place to speak. Look at me like you love me.

7.

There is blood on the ceiling too and you still think it’s the northern lights. My face is wet with someone else’s blood. Stitches. Teeth. Back and forth rocking on the floor. Cover me in your life. Your blood, my blood, your blood. I have no right to it. Grabbing teeth from the floor with numb hands and chewing them. Swallowing bone. Knock out my teeth and I’ll hold theirs in my mouth instead. I’m licking the blood from the puddles on the floor and dreaming of bullets to find more blood. In rivers, in sheets, drowning me softly. Dreaming of bullets and bullets and metal and blood. There is no more blood in me except in my stomach. Look away. Stab out my eyes. Cut out the stitches and put the metal in my mouth so I can sleep.

8.

I’ll wait among your absent lover’s things, something for you when the rest are gone. My stomach is hot and I’m not hungry. Blood in my lungs and I don’t want to keep breathing it. Dead nerves seizing in my spine. All I smell is blood and I think that’s a sign of brain cancer. Cancerous hands and teeth and bones and eyes. Bullets for the tumors in the grey matter. Metal and blood and skin and nerves and metal. Just one of your absent lover’s things.

9.

I’m too tired. The teeth are stars again. So are the bullets. Metal and bone. Let me eat this galaxy. Watch me.

10.

Teeth and bullets and stars. My empty head and our ****** hands. Teeth and bullets and stars.
tbh this is probably my favorite thing I've ever written
samasati Jan 2014
my lips purse to meet you
you are like champagne
unopened
are you sweet or are you bitter
are you spoiled
are you a winner

take a beat from my heart,
it accelerates and strengthens
if you pluck an eyelash from me
I’ll remember how to cry again
— and just in case you’re wondering,
I’m still inclined to hold my own hand

guess what
I bought this cactus
‘cos I don’t have to care much for it
we both know
I can’t admit I can’t commit
to letting something bloom
but I’m hoping you won’t notice
see my green thumb,
I am caring!
but see the cactus…
I am lying…
Hilda Sep 2014
Sweet gentle daughter of dreaming blue eyes
Reflecting visions from some distant sphere;
Untainted by nightmares of icy fear,
Nor saddened yet by fate's mocking disguise.
Unopened book of fickle tomorrow,
Not certain of how future may unfold,
With hours of lead or hours of molten gold;
Unenlightened yet by unknown sorrow.
Sands rush through the hourglass of wasted years,
While breaking our young hearts with shattered dreams.
The clock of life wrings disappointed tears,
Unhampered by our plans and clever schemes.
Beware grim reaper swinging ***** blade
Who mocks thee as childhood days slowly fade.

**~Hilda~
© Hilda September 20, 2014 4:48 PM
Dedicated to my dear daughter Marian.
Coop Lee Apr 2014
claude: battles tabletop.
reaches for maple syrup, into breakfast,
& breaks down puking.
the girlfriend/abortion situation.
the cash
& cream corn.
smells of deeper spring.
grandma & her bible.
to pray.
to eat lunch.
to television &
honey blunt the relief of a sunday night.

lily: into decay.
into dark days of her america.
detox: she breathes on vapor. sweet leaf.
sweats the heat & dead-dreams off. off on wavelengths &
resonance::: sound therapeutics,
at 528.111 hz,
enhanced dream frequency. she falls
into bliss. into
unopened codons & the rigor
of vibrational analog.
love cassette.

achilles: wheelchair-bound & boning
still. gripping ***.
the girl & couch.
the couch & modern warfare.
old warfare: harvest of limbs.
he crawls across the lawn to pick strawberries.
thumbs the dirt for entrance
to another world. smokes a jar
of roaches, as monument
to his second generation revival.
cool.

wallace: & the zebra jeep.
red rock monkeywrenched billboards & the ****** of flame upon milk factory.
chemical factory.
fertilizer bomb///return/
to town & grotto.
porch-light wood & breath of ****-rotation.
the babylon journeyman,
embroiled in plots against the order.
to simply disappear.
to portal away.
Lyn Senz 2 Jul 2016
She looks away
once a well
now a shell
a can, a hand
unopened

and the lawyer tells her
she's okay
but she barely hears him
anyway
there's nothing left
to say

her bluster
where did it go?
and leave her there
so all alone
letting them crush her

'we knowed some thugs
they sold some drugs'

now she's never going home


©2011 Lyn
Juhlhaus Feb 2019
Alone the third thing can't be known.
Alone, I am a cold, dark stone
In a universe yawning lusterless,
Spinning void of aim.

Then light shines
In eyes and skies
Of gray and blue
And I am a new daymoon.

Night leads the day
As day ushers night;
Light follows darkness
As darkness the light.

I follow, you pull;
Take my arm, check my stride.
You and I mark time and tide.

We meet.
We pass.
We kiss.
Eclipse.
Heart quivers and the heavens shift.

"Let us go then, you and I,"
Wend our way across the sky.

The unknown beckons
To me and you
Where green meets hues
Of gray and blue.
Infinite line: horizons new.

Misty islands ships drift past,
Clouds cut by spires of stone, steel and glass,
Cities bright in alley pools,
Magic light on windswept moors.

Prairie hills in gentle rain,
Northwood pines sun washed again,
Spring moss upon the forest floor,
A different green on the unopened door.

"Let us go then, you and I,"
Together take the road untried;
Wend our way across the sky:
A little sphere of green and blue
'Round which we dance,

Me and you.
For my Love, on Valentine's Day 2019. (Inspired by Donald Hall, “The Third Thing,” Poetry Magazine, November 2004.)
Nylee Dec 2017
Silver flame burn in her eyes
as she tries to hold back her tears
Dark shining fires  
shooting like spears
beating beats of fear.

Rain drops falling the greyness
in the field, by the river
shine of the diamond
devoid of the glitter
slowly the sparks die.

Rings don't bond them back
unstretched the spring
broken ties, empty hearts
unopened carts
but a game of cards.

Moved back in position
dreading the new season
searching the reasons
blaming themselves
in those eerie silences.

Fighting themselves to break
but trying in hearts another stitch
the tear too large
a very hard wreck
unlikely to be any merger.
Listen to the turning of the doorknob -
Listen carefully, as though to a prophecy
Candles burning in background pose - prose - close the door,
Leave nothing unopened - not mind, not heart, not soul, not eyes, not love, not love
Listen to the turning of the doorknob -
Listen to the prophet scream obscenities in the face of God -
Screaming law to children in the playground,
Waiting for dawn to **** night, and say hello to never -
Leaving nothing unopened - not the door, not the door,
Like never before - except now, no, because because...
If an angel rode in midnight, wings out full-flight -
Would they be invisible to the mortals of planet Earth?
Or would they become best-friends with the lowest of the low?
Listen to the turning of the doorknob -
The door speaks sudden truths to the ears of the heart of wisdom and desire,
Wisdom holds no desire, just as desire holds no wisdom -
Both polar opposites in the city of Being,
Rising like smoke in the collapse of nations and culture -
No tears shed for the loss of men, in the war of knowledge,
of pride and territory and fortune and remembrance -
Listen to the turning of the doorknob,
Listen to the turning of the doorknob,
For the sake of living forever right now in this moment -
Listen to the turning of the doorknob -
Leaving nothing unopened -
Not the past, not the present, not the future, not the never forevers,
Like the wars being fought for oil and money and cheap gratification -
Short lived egos, going down in history books,
For the children to read while being screamed at with obscenities from the prophet above,
And the angels below, and the ground and sky and earth and stars and gravity and all -
Listen to the turning of the doorknob,
Please, for the sake of living forever right now in this moment, or never
Right now - because now is forever - cheap cheap poetry, meaning nonsense
Just an escape...just an escape from the turning of the doorknobs,
For a minute or two or three - just a longing to be free,
And no one can be free when they’ve been ****** to mortality -
Oh sincere mediocre heartfelt dribble - just turn around, door and all -
Fall out the sixth floor window and don’t look back - never again forever again -
Right now in this moment, forever and never and back again - looking up,
Singing to the screaming prophet, blocking the door on accident - there are no accidents in life -
So, listen to the turning of the doorknob,
Listen to the turning of the doorknob,
For the sake of your own existence and place in these here cosmos -
Listen to the turning of the doorknob.
Ojaswee Das Oct 2018
Dear you,
I want you to come closer
Although I try to push you away
I am awkward
And the awkwardness only keeps growing

The more I have, the more you loose
But the more you have, the more I get
The equation is complicated
I don’t expect you to understand
After all
You never understood me either.

I am there
Beside you and behind you
All you have to do is turn
turn stealthily enough
So I don’t have time to run
I told you
I am awkward
And the awkwardness only grows

I slouch, I *******, I squeak
just like your bedroom door I creak
unopened for centuries
Unheard for decades
Unseen for years
Not because I’m weak but because
I am awkward
And the awkwardness only grows

i live in a pineapple under the sea
or you could say I hide
Hide from you, hide from me
Hide from the rest of the  reality
but I am always there
I always will
For I have to be

Don’t acknowledge me
Validation is not my need
But don’t forget me either
For I have this hidden greed

Never leave your own side
I need to follow
Never  leave my side either
But know
To me,
Ignorance is a bliss
For I am awkward
And the awkwardness only grows
Dad Poet Society Jun 2014
Vulnerable is what I am
When I let the real me outside
It's not safe, sometimes, to be so carefree
Should I risk hurt, or play safe and hide?

But people who love me keep asking me
To open my heart up to them
I don't know why that's so uncomfortable
I guess vulnerable is not what I am

The few times I've worn my heart on my sleeve
My words never came out right
So I've practiced being less vulnerable
And kept my real thoughts out of sight

People keep saying to use more words
But I fear I'll be misunderstood
Maybe I won't express myself right
Or I'll say way more than I should

Words, I've found, are containers for thoughts
I don't know why I sit here and hoard them
When I store them unspoken, my thoughts sit unused
Unshared—a container unopened

It's a little like having a pantry of food
And keeping it all to myself
Food's meant to be shared, and if it is not
It helps no one—just rots on the shelf

And that's how it is with my words kept inside
If love doesn't share them some way
My thoughts stored inside these containers called words
Can spoil and turn bitter someday

I used to complain that people didn't understand me
And for that I would silently resent them
But the silence, I now see, is of my own making—
If they don't know me, it's because I haven't let them
To my quiet kids, and to recovering introverts everywhere.
Dorothy A May 2016
She remembered it well. Ben made no bones about it, as he told his little sister, "You want to make something of your life, you got to get out of here and don't look back."  And he did just that, saying his goodbyes to her as he embarked off into the army.

There's a whole other world out there than just Jasper Island

How terrifying of a concept that was to Rachel back then. Ben was almost three years older, and without him it was just her and Pop . Jasper Island was all she knew, and at the age of sixteen that was a terrifying concept to a shy girl who had been sheltered her whole life.

Rachel envied Ben. Between the two of him, he was the only one who really remembered their mother. She was close to three-years-old when her mother left this earth. Ben was six. Her recollections of her dear mother were like vapors, like dreams that had lost most of their definition.

There was only one time she really could envision her mother correctly. She could just faintly recall her mother hanging up sheets outside, and they were blowing in the wind like sails, matching her mother's windblown skirt. Rachel was giggling as her mother tried to shoo her out from getting caught up in those magical sheets. She could still remember the beauty of her mother as she snuggled up against her, her mother catching up to her impish daughter as she twirled up in one of the sheets like a girl trying to play dress up. Her mother's skirt smelled like a soft perfume mixed with the sea.

Everywhere, as a child, Rachel was surrounded by sea. It made her dreary home pleasant after she lost her mom. The sea was a constant friend. With its mystery and its beauty, the sea gave her a right to dream of what lay beyond it. Ben was right. She needed to get out from under her little, protective shell. She would read Ben's letters that came  Germany, where he was stationed, and would dream of being there, herself.

Pop never mentioned Ben, again, like he didn't exist. Her father was a distant man, a fisherman who never had much for conversation or desire for closeness. Rachel was used to his distance, for that was her norm. But as she grew up, she realized he was bitter when he lost her mother. Rachel's aunt, Roberta, her father's sister, clued her in on his former life before marriage. She told Rachel, "Your father never was a man to show his emotions. He shied away from people and would rather tinker around in his tool shed or be out on his boat. I sometimes don't know what your mother saw in him, for she was quite a social gal."

Rachel saw herself more in her distant father, more than she cared to see. She was artistic, and felt more at home with a paintbrush than with anything else. She would paint pictures of anything--the quaint homes around where she lived, the woods and nature, and especially anything  to do with the sea.

Everyone told her she had talent. She won a talent contest in her school, though the pool of artsy students was small. Her island school was about three times the size of a one room schoolhouse, and it was quite easy for her to shine there. Was she really that talented? Many of her teachers saw and encouraged her abilities. They  wanted her to do something with her gift, and surely not to waste it. Everyone said so--except her pop. He never took much notice.

Ben was right. Frightened as she was, Rachel decided to try to make it on the mainland. It just became too irresistible of a notion. She promised her father, "I'll write to, Pop". He didn't even face her as she was saying goodbye, so she repeated, "Pop...I am going to write, will keep in touch".

"Don't bother", he simple replied. He wouldn't even look at her, but buried his nose into his newspaper.

Eight years later, on Jasper Island, Rachel stood before the home she grew up in. Those words still stung.

Don't bother

Pop had died. Aunt Roberta was the one to inform her, and she wasn't able to get back in time before the funeral. It was a small one--you could count the attendees on one hand--but her pop probably wouldn't have cared either way.  Rachel felt numb about it all. How should she feel? She knew she should grieve for her father, but the tears didn't come. He was such a hard man to know.

It would be nearly half a year before she returned to Jasper Island. She was living in Europe at the time, and she had moderate success in living off her art.  It was enough of an experience in which she could support herself. She first saw her brother in Germany then eventually went to Rome, to Paris and to London, working her way through as she traveled. Eventually, she stayed in London and became an art teacher. But now here she was again on Jasper Island.

She looked upon her hold house for the longest time. It looked so different. There were new shutters, a new coat of paint, and it didn't seem right with the backdrop of the sea. The house was yellow and the plastic pink flamingos were an eyesore to her. New residents occupied the house, and it just didn't seem right or real. Though she had no claim on it anymore, it still was her home. Now it was sold off soon after her pop died. She never even got a chance to stand inside for one last time, to peer into her old room or sit upon the back porch and bask at the beauty of the sea.

She tried not to appear too nosy, as she looked out back. Clothes were hanging up on the line, blowing in the breeze, and she thought of the faint memory of her mischief with her mother so long ago.      

Rachel didn't dare to knock on the door. Perhaps, she knew the people inside. Everyone knew everyone on that island. If she did know them, she didn't really want to know the details. She was the intruder, after all. Or was it the other way around?  

She made her way around and marveled how time seemed to catch up with her island home. There was a new movie theater in place of the beat up one that she knew as a child. The playground by the school looked so much better it wasn't filled with children. Hardly a soul was there, like all the children had grown up, or something.  

Aunt Roberta was her only real link to her old home now. The few friends she had left a long time ago, just like her. Her mom's people vacated the island long before she ever met them. Aunt Roberta was still there to receive her, though. She had something special for her.  Gathering up two shoe boxes, she handed them to her niece. Rachel wondered what what the contents were, and she couldn't believe her eyes.All the letters she promised to write to her pop were all in there in those two boxes.

"I found them," Aunt Roberta said, amazed herself, "after cleaning out my brother's closets. He kept them all, it seems."

Rachel promised that she would write home, and she did. And it was true--her pop saved every single letter or postcard she ever sent him.  The envelopes were all opened up, so he obviously looked at them. She was amazed that he didn't  throw them away or burn them.  Never once, did he write her back, and Rachel thought he had completely dismissed them and disowned her.

Holding those envelopes and postcards in her hands was like finding some rare and valuable artifacts, and now the tears would come. For the first time in quite some time, Rachel felt something when it came to her distant father. It was everything rolled into one--her island home, her mother, her brother, her father, her sense of self--and she just wept freely as her aunt held her tight and comforted her.

Rachel never cared about the money. Her pop never made a will. He never owned much, but Aunt Roberta would make sure she was fair about the money. Rachel would have traded every cent of it if only she was to see her father one last time. She wanted to come back sooner, but she feared she would not be welcome, that the door would be slammed in her face. Now her only way to see her father was at the cemetery were generations of fellow island dwellers met their resting place.

At the grave, her parents were buried side by side, and the sea was their backdrop. It was just as her father would have wanted it. Rachel cleared away a few weeds, and she placed a handful of wildflowers at her mother's grave. "Hi, mamma", she said out loud. "I miss you and wish I could you could be here, again. I see you in my mind, and you are that young, delightful mother I still think of. " The sound of the breezes, and the birds constant communication of chirping, was a calming response.

She then addressed her father's grave, "Pop", she started to say, "Thanks for keeping those letters. I know it was hard for you now. We all left you, didn't we? Mamma, Ben...me..."

Rachel looked out into the sea. The sun was shining well, and it was like the waters were filled with diamonds. That enchanting sea--that is what her father cherished the most. He taught her how to swim there, not to be afraid of the waters but to respect the strength they held. He protected her from feeling so small and scared by it. He taught her about what was in the sea and how to fish from it. She smiled and thought of how she would have rather collected pretty seashells than to handle a slimy fish . He reaped so many things from the sea, and she knew he belonged to it. She closed her eyes and tried to think of such moments between her father.

Before she left, she held an unopened letter in her hand and said, "Pop, I got really, really sad looking at all those letters, especially because I can't write to you anymore. I'm just amazed you have them. I hope you read them, and if you did, I hoped you knew I really loved you". She smiled at what her dad would probably think as silly sentiment. He probably was rolling in his grave right now, squirming from all this mushy stuff. But at least now, she could tell him she loved him.

Rachel put her hand on his tombstone and stroked its rough exterior. She added, "Well, then I thought--who is to say I can't write? So I did. I got a letter for you,Pop, and I'm going to read it to you, now. Hope your listening."

She didn't know when she would come back for another visit to Jasper Island, but she knew she would return. Unlike Ben, she would not go way and never look back . How could she deny it as her home? She opened the letter, cleared her throat, and read it out loud, "Dear Pop, I hope you are at peace. I hope you are proud of me and that you hear me now. Take care of Mamma, and I'll see you on the other side." After she stopped, the tears came again, rolling down her check. She closed up the letter, put it on her father's tombstone and laid a rock on it to anchor it well. Eventually, the elements would get to it--the sun, the rain, the changing seasonal forces--but for now it was in good shape,

As the ferry made it's way from Jasper Island, the land became smaller and smaller, until it was just a speck in her view. But once it was the whole world to her, not just a destination to visit. Nevertheless, it wasn't some insignificant blip on the many maps of the world. It would always beckon her. Rachel could never forget Jasper Island.
Andrew Crawford Mar 2024
Breeze bellows,
leaves echo in
quivering psithurism,
dithering like
unbroken smoke,
this approaching omen goads.

Dozing crows
slumbering in rows,
droves of locusts'
silenced drone,
almost comatose in repose;
nighttime overtones
choir of toads'
raspy croaks
answered by alto
of crickets' orchestral strokes.

Gust encroaches;
robed boughs
cloven open,
bring into
scope and focus
me juxtaposed,
suspended apropos.

Although motionless
and petrified in stone,
provoked by zephyr
coaxing to and fro;
swaying pendulous
and no longer frozen,
locus gently thrown.

Death rattle moan
evoked from throat,
reflex can't say no
to rigor rigidly posed,
final sigh in silence,
awoken vocal,
expelled and disposed.

Smote by
morose emotion,
gun loaded then exploded
by neurosis,
now bloated
necrosis decomposes
into gross ochre.

This trophy
and this ode
both an opus to
my inability to cope;
romanced i proposed,
eloped and betrothed to
my own
inappropriate composure.

Pocket full of posies
plucked when luck bestowed
and tears in a cup, a toast;
crying copiously,
tempest runneth overflowed,
eyes swollen and soaked.

Dipped my toes
in the coast
of this ocean's
amorphous folds,
gripped by undertow
holding control of my soul;
swiftly shipwrecked in
shallow shoal,
an old atoll.

On sandy floor,
water burrows roads;
digging, carving, roams
through unmarrowed
silica and sandstone
eroding into a cove.

A host for
opal geode trove,
enclosing a
technicolor rose,
from the depths
a glowing mosaic shone

Unopened lotus floats
on foam
of lapping waves,
a boat;
prone to no
grandiose notion
or motive,
adrift as wind stokes.

I suppose
this only shows
the total corrosion
into which I dove,
the only foes to oppose
are those of burdens, so
only weightless can I atone-
I must let go.
Not sure how i feel about this one, just because I'm not sure if it effectively communicates what I was trying to express... tried to revisit it several times over the last few years since i wrote it (hoping to maybe revise it a bit) but every time I've come up a little short on ideas how i might do that (to the point where ive been considering just scrapping it entirely and rewriting a Part 2 from scratch lol)... still not sure though, since it *is* a fairly coherent continuation of Part 1 (and I wanted to retain that continuity) so any criticism or feedback is especially appreciated for sure!

Also just some things for context while reading:

Psithurism is the sound wind makes through the trees.

Opal is made by water running through silica and sandstone then evaporating.

Lotus has a double meaning in lotus flowers (floating on lilypads) and also its use in Greek mythology as a plant which bears a fruit that when eaten causes dreamy forgetfulness and an unwillingness to depart.
miss pie Oct 2014
mystery unopened
red jewel ****
brilliant ruby shine
entrance telling tales

red light on
bustling bridge to wonderland
knocking knees unconcerned
she always has her way
The most beautiful of doors . Every door has a story
Fathima Jul 2017
Look around,
You will find all eyes down;
some expressionless,
some desperate,
and few smiling!

Both tiny and fatty thumbs
yearning for a rest,
after typing those texts.
Some consulting the Doc
for having a smartphone thumb
and some for lacking vitamin D!
Posts wanting more and more likes.
Kilograms of followers on Instagram!
Swapping stories on Whatsapp!
Unopened notebooks
when you have a Facebook!
Television screens consigned to oblivion
when you have a Youtube!
Discovering the veiled world,
missing the real scenes around.

Emoticons spreading fake feelings,
Stupefying infants swiping through the screens,
Kids imploring to their parents-
To drag out the patterns.

What is more satisfying?
Hitting play button on the screen or
Hitting a six on the field?
Carting products online or
Shopping on a girls day out?
Dribbling a basket ball or
Dragging down the newsfeed?
Watching daily soaps without a dish or
Helping your mother out to wash the dish?
Sharing the snaps of poverty and hunger or
Reaching out to them with eager?
A game of candy crush or
Gifting a candy to your crush?
I feel like whooping out to myself
and to people around;
To raise their heads and
Look around!
Purely aiming my generation-the new generation!
LOOK AROUND AND DO SOMETHING PRODUCTIVE PEEPS :)
Happy reading :)
At midnight, in the month of June,
I stand beneath the mystic moon.
An ****** vapor, dewy, dim,
Exhales from out her golden rim,
And, softly dripping, drop by drop,
Upon the quiet mountain top,
Steals drowsily and musically
Into the universal valley.
The rosemary nods upon the grave;
The lily lolls upon the wave;
Wrapping the fog about its breast,
The ruin moulders into rest;
Looking like Lethe, see! the lake
A conscious slumber seems to take,
And would not, for the world, awake.
All Beauty sleeps!—and lo! where lies
(Her casement open to the skies)
Irene, with her Destinies!

Oh, lady bright! can it be right—
This window open to the night!
The wanton airs, from the tree-top,
Laughingly through the lattice-drop—
The bodiless airs, a wizard rout,
Flit through thy chamber in and out,
And wave the curtain canopy
So fitfully—so fearfully—
Above the closed and fringed lid
’Neath which thy slumb’ring soul lies hid,
That, o’er the floor and down the wall,
Like ghosts the shadows rise and fall!
Oh, lady dear, hast thou no fear?
Why and what art thou dreaming here?
Sure thou art come o’er far-off seas,
A wonder to these garden trees!
Strange is thy pallor! strange thy dress!
Strange, above all, thy length of tress,
And this all-solemn silentness!

The lady sleeps! Oh, may her sleep
Which is enduring, so be deep!
Heaven have her in its sacred keep!
This chamber changed for one more holy,
This bed for one more melancholy,
I pray to God that she may lie
For ever with unopened eye,
While the dim sheeted ghosts go by!

My love, she sleeps! Oh, may her sleep,
As it is lasting, so be deep;
Soft may the worms about her creep!
Far in the forest, dim and old,
For her may some tall vault unfold—
Some vault that oft hath flung its black
And winged panels fluttering back,
Triumphant, o’er the crested palls,
Of her grand family funerals—
Some sepulchre, remote, alone,
Against whose portal she hath thrown,
In childhood many an idle stone—
Some tomb from out whose sounding door
She ne’er shall force an echo more,
Thrilling to think, poor child of sin!
It was the dead who groaned within.
Danielle Shorr May 2015
It is Tuesday again and he loves a girl who isn't me.
In 14 days I will have survived another year.
It has been about a week since he hasn't responded.
I wonder if I'm the only one who thinks this heavily.

In 14 days I will have survived another year.
I pour my heart into an unopened bottle of wine.
I wonder if I'm the only one who thinks this heavily.
Half of my bed is on the floor, sheets included.

I pour my heart into an unopened bottle of wine.
It has been about a week since he hasn't responded.
Half of my bed is on the floor, sheets included.
It is Tuesday again and he loves a girl who isn't me.
Kyle Summer Aug 2018
Four feet, impeding on the sun,
yet only two of them are mine.

Time is rugged against the grain
of questions falling on white sand.
How come no one consciously believes in
anything except fractured light and filtered water?
He walks on broken heels and birttle bones,
but somehow always steps in time.

My only memory of Jesus
is in the aftermath of a forest fire.
We danced throughout destruction,
and her hollow laughter brought the rain.
She was the beginning of the rapture,
sometimes I think of her and pray.

I got lost six years ago,
on the way to change my name.
I wonder, how could I go missing
if I never locked the door?
Did anything really happen,
or does nothing ever change?

Four feet, impeding on the sun,
yet none of them are mine.
A Thomas Hawkins Feb 2012
The unanswered phone calls,
the unopened mail,
the half pack of cigarettes,
all witnessed the tale.

The half eaten sandwich,
the fully drunk scotch,
the out of date calendar,
the unticking watch.

The smell of stale sweat,
and the stains on the sheet.
The small empty bottle,
the drug store receipt.

This is the story,
of the unshaven guy,
alone in the bedroom,
escaping the lie.
Follow me on Twitter @athomashawkins
http://twitter.com/athomashawkins
She is a diary, a diary you'd never want to write in. One you don't want to read again. A book who's pages you'd never want to turn. She, is a diary that's never been opened.
Inspired by Looking for Alaska ! :D
Wanted to keep it short.
Heather Moon Dec 2013
Breaking water, diving in with my body, head first.
Rippling seams and leaving stitches unfinished.
I dive in to let the purity envelop me.
Cleanse me and my pores,
return me to where I started from.
Release me from wars, unopened doors I wished I turned.
Forget wounds of battle on my skin.
Open me.
Cut me open and leave me bleeding.
Let my blood sink into the earth until there is nothing left,
let me walk this earth for miles and miles, let me feel the pain in my lungs,
the hoarseness of my being escaping from my throat. 

 Let me build a moat around my princess castle and then tear it down. Lightning strike me and rip my particles, rip the matter from me like guns on glass. Crack me and tear me.
I will get up again.
I will rise.
And Let me Sing,
Sing 
sing
  sing
until my prayers are whispers.
Forest water, reflecting green, serenity. 

 I have dreams of black claws like raven glass closing in, scratching me bare.
Howling and deep long nails and witchy eyes cackling like the darkness overlapping. The demons within closing in.
I hide from light, unaware of how I’m blocking out love from my life.
Is it just a dream what my heart has seen?
 Now I walk like wind or stones in snow. I trudge along trying to remain strong when the forces pull and tear the ramshackle down to the ground.



I’ve been breathing and living, seeing so many things and it is this compilation of stories that warms my belly
yet it also tears my flesh.

The happiness is what breaks me.

Suspending the never-ending.
I am so close to the grave that I dug but I must keep walking past that linear line that I set for myself.
It is lines within circles. So many flows, I thought I chose the whole. Breathe. Pouring myself out into you. I wonder if I give and give it will fade into the soil and the bottle will empty. Melt like wax. Feed you and leave me. Is it releasing or is it unhealthy for me to give myself away?

I gave myself away.

I have strewn pieces of myself into everything I have touched but I am afraid that one day there will be nothing left.

Nothing left when finally I receive pieces of someone else.

"Excuse me," I would say "I'm not myself today" except that is a fools excuse, how obtuse, how can we not be ourselves, just being is being ourselves.

  The process of seeking deeper is breaking that boundary and that un-comfortableness.

Where did our love go? It existed between skin and bones. It was a facade or something else. I am not sure.

Not lust but colour, it was dewy green like steam from a coffee cup in the morning. Or the rain on the window pane while I slept in your arms and refrained from needing you too much,

It was in you're stride and the way you dressed in the morning it was in our hands when we held them or the way we danced together like two old lovers.

I cannot write about you without tears, write about your skin or your smile, and I am in a confined environment as I write this where such things are not acceptable. I am hiding on the paper,
escaping my heart.

I cried this morning because it was all too perfect.

I am cut open
perfectly imperferfect
I laugh at myself and this funny hole I am in.
Oh the pathetic-ness and the hilarity, when we slip in mud and are covered in filth
when we have nothing left but to cry and to laugh because we are crying because nothing in this world really matters or it matters all too much. Because I don’t know where I’m going and I don’t think anybody does.

We just muster our determination and passion, build up our bones, and we roll with it
Still there is an element of unpredictability no matter how routine we have gotten. No matter how far we have fallen
from our roots.

Excuse me for crying this morning, don’t worry I laughed it off after. I laughed because of life and laughed because I cried, and I cried because I love you.

And now I walk like wind or stones in snow. I trudge on with all my strength. Wisping like whispers caught from the ears of children and passing through the world. Cold like ice on swing sets and little hands clasping them. Red fingers, red noses. Snot on mittens and sharp pain. Winter.

I Wisp like wind in water. I crack like stones of sand and rock. I break like waves on the shores of life. I cry like the trees who fight. Howling to the moon. I open when you call me. I close when I’m falling.
I hide like children at night. I am under the streetlight, orange, alley cats in shadow homes and grey cement, dead rats, broken bones. My eyes are bare, sunken in the light. I suppose I should muster my might. Find peace beyond my fight.Take my fists from sunken floors and instead beat on unopened doors.
Escape distress.
I wish you saw
something more.
I
   wish
          that there was
                        something else.
                                                    =====》Speedi­ng on.====》
in the ***** of the silver waves
grew a single water lily
speckless and spotless
the colour of pure milk
a private bud, it lay unopened
till the night it blossomed
complete, open, a whorl of whiteness!
exquisite in its secluded state
it pondered sadly on its fate
alone –
awash with an awful ache
it looked upwards towards the great black lake
so much similar to its own address
with just one exception that made the biggest difference
like a mirror leading on to a parallel universe
another swirl of bright white flowered
not alone but surrounded
by many young buds!
how wonderful thought the lily
how cheerful that bloom must be
to live thus accompanied by family
so pining it withered
feeling unloved, unwanted
never knowing that from above
the moon watched wailing
“how full of life was that lovely flower
alas! alas! how I loved her!
never could I have the courage to tell her
she - a brightness lit from within
and i a mere rock
with no light of my own”

- Vijayalakshmi Harish
   25.01.2013
   Copyright © Vijayalakshmi Harish
Samantha Creek Aug 2012
I can remember my 9 year old hands scrapping macabre words on top those tortured blue lines that pitied my gated head.  
I can remember my down the street friends, lips turned purple, from the snow temperature, glistening watered creek in my yard.
I can remember the quivering muscles in my stomach begging me not upchuck a landslide of overflowing butterflies on that summer night when he took my hand.
I can remember shutting out the lights on that one night while the cross hanging on my wall starred me down to fall to my knees and pray for the rotten wood in my heart to be repaired.
I can remember turning over away from that cross and find comfort in the damp pillow trailing a broken path to my withered eyes.
I can remember the thrown away unopened lunches falling free from my fingertips and throat.
I can remember my stomach hating me and my mind thinking in happy confetti-like gestures with a piñata full of echo’s, because candy insides are the devil.
I can remember abandoned dinners when spiders that took my place to cobweb my chair, and my food in the trashcan.
I can remember remnants of silver, sharp-toothed squares being injected on my skin and used as crayons.
I can remember the tree’s with broken arms smiling at me as I sat under the black leaves sharing their loneliness with me and I never did mind.
I can remember my lullaby had the same frequency as the jumpy breathes fluttering from my sunken lips harmonizing with the drops of my tears and blood.
I can remember the creature starring back at me in my bedroom and we had matching scars.
I can remember I hated her.
I can remember she hated me.
I can remember the young, immature boys with sharpened tongues quick with words that constricted the evil accumulating my skeleton as if I did not already know what needed to disappear.
I can remember my lips faking exposure of my tarnished, ***** teeth with the corners of my mouth turned up and the reflection of my cross blurred in the two windows on my body.
I can remember his voice on the other end of the phone line as he confessed his love at the same time while he was the tracing paper on my skin and I was that paper’s captain with a sharp, shiny penknife.
I can remember skipping the blue skies outside my chambered bed failing to search for the keys, but I was the guard and they were hanging on my cross.
I can remember falling to my bathroom floor, cold and sweaty begging for forgiveness as I gave my body and soul away to the undertaker when I checked off sin number “too many”.
I can remember God’s smile at me from the heavens and my heart being split open but not the bad kind of split, the kind that burst in the presence of grace.
I can remember the growling of my stomach scaring me away into night terrors, every night but they soon became my home.
I can remember sitting on the floor as my older sister, with her packed bags, walking out my house into her adult world and I was not at her car door waving goodbye.
I can remember my older brother leaving for college and I ignored the door shut.
I can remember my selfishness floating in the hands of Satan for he is the record sin keeper.
I can remember church pews darkening as I sat up from them because my sins squeezed inside and left scars, but that golden, stained glass alter at the front kept them in line all nice and tidy, and I would smile back.
I can remember that beige bread chiseled heavenly by the hands of God resting in the little golden doors behind God’s chair sprinting down my throat and planted seeds of glory in my withered and dry garden.
I can remember the holy water raining in my stomach praying for minerals of bits of food.
I can remember the blood in my veins fighting the layers of my skin rebuilding crooked patches that did match my normal skin color because I was the chemical warfare throwing rusted razors and bow and arrows penetrating the fortress just above my veins.  
I can remember needles and stitching living in the doctor’s drawer untouched by my skin even though my name has been reserved on them 47 times.
I can remember breathing.
I can remember praying.
I can remember living.
I can remember remembering this when I am 100 years old.

— The End —