Subtracting his half from the word together,
burning pictures and nicknames so they don't leave a trace,
he's pining in piles of unopened letters.

With a head full of pulp and a heart of wet leather
he spent every tear he had in his face
subtracting his half from the word together.

He'd given his best 'cause he thought she'd had better-
she starved for attention; he hated the taste,
pining in piles of unopened letters.

She flew from the nest in search of warm weather;
he blew out the flame, too numb to touch base,
subtracting his half from the word together.

When the weather grew cold she put on his sweater-
pitched a tent by her mailbox just in case-
while he's pining in piles of unopened letters.

One held on to their end while one cut the tether.
She licked 32 envelopes:  each went to waste.
Subtracting his half from the word together,
he's pining in piles of unopened letters.

i’ve given up on days that begin in late afternoon,
skipped breakfast and lunch,
days that fade slowly and end with
****** cut-out holes in eyelids because
the second i close them and it all goes black,
every moment with you comes back
played on fast-forward, the memories moving so quickly
that both our faces are blurred
and it feels like everything i’ve ever felt for you
is overflowing the tub, filling the washroom with
suds that take forever to melt

i’ve given up on those days.

i’ve traded them for ones that begin with
sunrises instead of sunsets,
days that are spent falling forward
instead of trying to chase the past, and i don’t
look back and see something broken, or
something that was better off left unopened

i look back and see our bodies so close together
that you can’t tell where yours begins and mine ends,
i see my heart that grew twenty-three times its size,
i see you and me wrapped up in something that
i didn’t know existed outside of blurry 35 mm
and overdue and falling-apart library books
that sit on the nightstands of middle-aged women
who are bored with their lives

and i’m just so happy i got to love you at all.

but i’ve folded up all the days spent with you
and taped them in the messy pages of my journal
and now i’m running into the sun,
running away from every lie that’s trying to
wedge its way in between my ribs,
running in the opposite direction of words like "regret"
and any feeling that insists that none of it was worth it

because all of it was worth it.

every moment we were together pumps
through my veins, and it will always be there;
it will be there when we’ve both graduated,
when you move out west,
when you kiss your family goodnight,
when you sit in your backyard with tears
in your eyes because you’ve lived a life
you are proud of

it will be there when i finally make it to new york city,
when i kiss someone who isn’t you,
when i find the answers you inspired me to search for,
when i sit on my rooftop with tears on my cheeks
because i’ve lived a life fuller than i could’ve ever imagined

and you and i will live these lives apart,
we’ll move on and forget what it felt like
to wake up beside one another;
we’ll find what we’re looking for elsewhere
and we’ll understand why this all had to happen the way that it did

but what we had will always exist somewhere,
in rotting apples and old mail and unplayed mix CDs,
in mosaics that line the city streets, in sirens and
red and white flashing lights that shine through
your window while you are asleep

you and i were magic,
we always will be.

Listen to the turning of the doorknob -
Listen carefully, as though to a prophecy
Candles burning in background pose - prose - close the door,
Leave nothing unopened - not mind, not heart, not soul, not eyes, not love, not love
Listen to the turning of the doorknob -
Listen to the prophet scream obscenities in the face of God -
Screaming law to children in the playground,
Waiting for dawn to **** night, and say hello to never -
Leaving nothing unopened - not the door, not the door,
Like never before - except now, no, because because...
If an angel rode in midnight, wings out full-flight -
Would they be invisible to the mortals of planet Earth?
Or would they become best-friends with the lowest of the low?
Listen to the turning of the doorknob -
The door speaks sudden truths to the ears of the heart of wisdom and desire,
Wisdom holds no desire, just as desire holds no wisdom -
Both polar opposites in the city of Being,
Rising like smoke in the collapse of nations and culture -
No tears shed for the loss of men, in the war of knowledge,
of pride and territory and fortune and remembrance -
Listen to the turning of the doorknob,
Listen to the turning of the doorknob,
For the sake of living forever right now in this moment -
Listen to the turning of the doorknob -
Leaving nothing unopened -
Not the past, not the present, not the future, not the never forevers,
Like the wars being fought for oil and money and cheap gratification -
Short lived egos, going down in history books,
For the children to read while being screamed at with obscenities from the prophet above,
And the angels below, and the ground and sky and earth and stars and gravity and all -
Listen to the turning of the doorknob,
Please, for the sake of living forever right now in this moment, or never
Right now - because now is forever - cheap cheap poetry, meaning nonsense
Just an escape...just an escape from the turning of the doorknobs,
For a minute or two or three - just a longing to be free,
And no one can be free when they’ve been ****** to mortality -
Oh sincere mediocre heartfelt dribble - just turn around, door and all -
Fall out the sixth floor window and don’t look back - never again forever again -
Right now in this moment, forever and never and back again - looking up,
Singing to the screaming prophet, blocking the door on accident - there are no accidents in life -
So, listen to the turning of the doorknob,
Listen to the turning of the doorknob,
For the sake of your own existence and place in these here cosmos -
Listen to the turning of the doorknob.

1.

It’s just the sound of breathing all together. Soft. Breathing air and water and blood. Nobody’s worried because nothing has happened. Soft lips gentle and closed eyes pure, untouched, unopened like new shoes. Head alone and empty, waiting to be bruised.

2.

The eyes are open and we’re holding hands. All of us. My quarks against your prose and your ghosts. You’re looking at me like you love me. Not even like you want to **** me. Just like you love me. Like I’m yours. Like I’m somebody’s. We don’t speak. We’re still holding hands with everybody else. On the floor there are broken teeth and ripped out ****** stitches but I’m not looking at them. Neither are you. Neither is anybody else. It’s all soft hands. Hips. Collar bones. Lips.


3.

The heat of your hand against mine. Fusion. You are not a ghost. They are. I am not either. We’re looking down. They’re not. We’re enlightened. They’re not. There is no roof and the teeth and blood aren’t real. They are only reflections of the stars. We do not speak except to each other.

4.

Teeth and stitches and bleeding hands and my blood is in your veins but you’re a closed circuit. I’m getting paler, but I don’t notice, because I am your dialysis, your transfusion. I’ll let you feel for me because I can’t feel my hands. You don’t expect it but you don’t tell me not to. Even if I die you will still hold me upright. My hands bleeding into your hands and open wounds in the wood floor. The glass floor unbroken because the teeth and blood are still just the stars. It’s okay because I know I’m saving you and I know you will save me. Cross stitch my lips so I can’t ruin it. Sew me up like a doll. It’s not your fault.

5.

Condensation into cold hands. Water droplets in their eyes as everyone else comes back again. Turns out I was just ignoring them. My blood in your veins. You’re not holding me up anymore, I’m clinging to your shoulder. Let go. You’re walking away and I’m following you and you don’t ask me to and you don’t wait for me so I step on the teeth beneath my bloodless feet. Even though they are only stars they hurt. Even though I am only a ghost I still run out of breath. Make me your Aphrodite. Yours before anyone else’s. Be mine before your lover’s.

6.

Now it’s all knees and elbows and raw hands on the wooden floor. Your blood my blood everyone else’s blood on my face. You let go of me. My blood in your veins, my cut up hands on the ground. Everyone else has better blood, more heart and less metal, and they all love you. Their blood, their flesh, their threads in your barely broken hands and you’re smiling. I haven’t seen you smile in a long time. I can’t feel my feet or my hands and in my head there is a swirl of stars except now they are only teeth and ripped-out stitches. Cut my face. Leave the stitches in. It’s not my place to speak. Look at me like you love me.

7.

There is blood on the ceiling too and you still think it’s the northern lights. My face is wet with someone else’s blood. Stitches. Teeth. Back and forth rocking on the floor. Cover me in your life. Your blood, my blood, your blood. I have no right to it. Grabbing teeth from the floor with numb hands and chewing them. Swallowing bone. Knock out my teeth and I’ll hold theirs in my mouth instead. I’m licking the blood from the puddles on the floor and dreaming of bullets to find more blood. In rivers, in sheets, drowning me softly. Dreaming of bullets and bullets and metal and blood. There is no more blood in me except in my stomach. Look away. Stab out my eyes. Cut out the stitches and put the metal in my mouth so I can sleep.

8.

I’ll wait among your absent lover’s things, something for you when the rest are gone. My stomach is hot and I’m not hungry. Blood in my lungs and I don’t want to keep breathing it. Dead nerves seizing in my spine. All I smell is blood and I think that’s a sign of brain cancer. Cancerous hands and teeth and bones and eyes. Bullets for the tumors in the grey matter. Metal and blood and skin and nerves and metal. Just one of your absent lover’s things.

9.

I’m too tired. The teeth are stars again. So are the bullets. Metal and bone. Let me eat this galaxy. Watch me.

10.

Teeth and bullets and stars. My empty head and our ****** hands. Teeth and bullets and stars.

George was lying in his trailer, flat on his back, watching a small portable T.V. His
dinner dishes were undone, his breakfast dishes were undone, he needed a shave, and ash
from his rolled cigarettes dropped onto his undershirt. Some of the ash was still burning.
Sometimes the burning ash missed the undershirt and hit his skin, then he cursed, brushing
it away. There was a knock on the trailer door. He got slowly to his feet and answered the
door. It was Constance. She had a fifth of unopened whiskey in a bag.
"George, I left that *******, I couldn't stand that *******
anymore."
"Sit down."
George opened the fifth, got two glasses, filled each a third with whiskey, two thirds
with water. He sat down on the bed with Constance. She took a cigarette out of her purse
and lit it. She was drunk and her hands trembled.
"I took his **** money too. I took his **** money and split while he was at work.
You don't know how I've suffered with that *******." "
Lemme have a smoke," said George. She handed it to him and as she leaned near,
George put his arm around her, pulled her over and kissed her.
"You *******," she said, "I missed you."
"I miss those good legs of yours , Connie. I've really missed those good
legs."
"You still like 'em?"
"I get hot just looking."
"I could never make it with a college guy," said Connie. "They're too
soft, they're milktoast. And he kept his house clean. George , it was like having a maid.
He did it all. The place was spotless. You could eat beef stew right off the crapper. He
was antisceptic, that's what he was."
"Drink up, you'll feel better."
"And he couldn't make love."
"You mean he couldn't get it up?"
"Oh he got it up, he got it up all the time. But he didn't know how to make a
woman happy, you know. He didn't know what to do. All that money, all that education, he
was useless."
"I wish I had a college education."
"You don't need one. You have everything you need, George."
"I'm just a flunkey. All the **** jobs."
"I said you have everything you need, George. You know how to make a woman
happy."
"Yeh?"
"Yes. And you know what else? His mother came around! His mother! Two or three
times a week. And she'd sit there looking at me, pretending to like me but all the time
she was treating me like I was a *****. Like I was a big bad ***** stealing her son away
from her! Her precious Wallace! Christ! What a mess!" "He claimed he loved me.
And I'd say, 'Look at my *****, Walter!' And he wouldn't look at my *****. He said, 'I
don't want to look at that thing.' That thing! That's what he called it! You're not afraid
of my *****, are you, George?"
"It's never bit me yet." "But you've bit it, you've nibbled it, haven't
you George?"
"I suppose I have."
"And you've licked it , ****** it?"
"I suppose so."
"You know **** well, George, what you've done."
"How much money did you get?"
"Six hundred dollars."
"I don't like people who rob other people, Connie."
"That's why you're a ******* dishwasher. You're honest. But he's such an ***,
George. And he can afford the money, and I've earned it... him and his mother and his
love, his mother-love, his clean l;ittle wash bowls and toilets and disposal bags and
breath chasers and after shave lotions and his little hard-ons and his precious
love-making. All for himself, you understand, all for himself! You know what a woman
wants, George."
"Thanks for the whiskey, Connie. Lemme have another cigarette."
George filled them up again. "I missed your legs, Connie. I've really missed those
legs. I like the way you wear those high heels. They drive me crazy. These modern women
don't know what they're missing. The high heel shapes the calf, the thigh, the ***; it
puts rythm into the walk. It really turns me on!"
"You talk like a poet, George. Sometimes you talk like that. You are one hell of a
dishwasher."
"You know what I'd really like to do?"
"What?"
"I'd like to whip you with my belt on the legs, the ***, the thighs. I'd like to
make you quiver and cry and then when you're quivering and crying I'd slam it into you
pure love."
"I don't want that, George. You've never talked like that to me before. You've
always done right with me."
"Pull your dress up higher."
"What?"
"Pull your dress up higher, I want to see more of your legs."
"You like my legs, don't you, George?"
"Let the light shine on them!"
Constance hiked her dress.
"God christ ****," said George.
"You like my legs?"
"I love your legs!" Then george reached across the bed and slapped Constance
hard across the face. Her cigarette flipped out of her mouth.
"what'd you do that for?"
"You ****** Walter! You ****** Walter!"
"So what the hell?"
"So pull your dress up higher!"
"No!"
"Do what I say!" George slapped again, harder. Constance hiked her skirt.
"Just up to the *******!" shouted George. "I don't quite want to see the
*******!"
"Christ, george, what's gone wrong with you?"
"You ****** Walter!"
"George, I swear, you've gone crazy. I want to leave. Let me out of here,
George!"
"Don't move or I'll **** you!"
"You'd **** me?"
"I swear it!" George got up and poured himself a shot of straight whiskey,
drank it, and sat down next to Constance. He took the cigarette and held it against her
wrist. She screamed. HE held it there, firmly, then pulled it away.
"I'm a man , baby, understand that?"
"I know you're a man , George."
"Here, look at my muscles!" george sat up and flexed both of his arms.
"Beautiful, eh ,baby? Look at that muscle! Feel it! Feel it!"
Constance felt one of the arms, then the other.
"Yes, you have a beautiful body, George."
"I'm a man. I'm a dishwasher but I'm a man, a real man."
"I know it, George." "I'm not the milkshit you left."
"I know it."
"And I can sing, too. You ought to hear my voice."
Constance sat there. George began to sing. He sang "Old man River." Then he
sang "Nobody knows the trouble I've seen." He sang "The St. Louis
Blues." He sasng "God Bless America," stopping several times and laughing.
Then he sat down next to Constance. He said, "Connie, you have beautiful legs."
He asked for another cigarette. He smoked it, drank two more drinks, then put his head
down on Connie's legs, against the stockings, in her lap, and he said, "Connie, I
guess I'm no good, I guess I'm crazy, I'm sorry I hit you, I'm sorry I burned you with
that cigarette."
Constance sat there. She ran her fingers through George's hair, stroking him, soothing
him. Soon he was asleep. She waited a while longer. Then she lifted his head and placed it
on the pillow, lifted his legs and straightened them out on the bed. She stood up, walked
to the fifth, poured a jolt of good whiskey in to her glass, added a touch of water and
drank it sown. She walked to the trailer door, pulled it open, stepped out, closed it. She
walked through the backyard, opened the fence gate, walked up the alley under the one
o'clock moon. The sky was clear of clouds. The same skyful of clouds was up there. She got
out on the boulevard and walked east and reached the entrance of The Blue Mirror. She
walked in, and there was Walter sitting alone and drunk at the end of the bar. She walked
up and sat down next to him. "Missed me, baby?" she asked. Walter looked up. He
recognized her. He didn't answer. He looked at the bartender and the bartender walked
toward them They all knew eachother.

my lips purse to meet you
you are like champagne
unopened
are you sweet or are you bitter
are you spoiled
are you a winner

take a beat from my heart,
it accelerates and strengthens
if you pluck an eyelash from me
I’ll remember how to cry again
— and just in case you’re wondering,
I’m still inclined to hold my own hand

guess what
I bought this cactus
‘cos I don’t have to care much for it
we both know
I can’t admit I can’t commit
to letting something bloom
but I’m hoping you won’t notice
see my green thumb,
I am caring!
but see the cactus…
I am lying…

Sweet gentle daughter of dreaming blue eyes
Reflecting visions from some distant sphere;
Untainted by nightmares of icy fear,
Nor saddened yet by fate's mocking disguise.
Unopened book of fickle tomorrow,
Not certain of how future may unfold,
With hours of lead or hours of molten gold;
Unenlightened yet by unknown sorrow.
Sands rush through the hourglass of wasted years,
While breaking our young hearts with shattered dreams.
The clock of life wrings disappointed tears,
Unhampered by our plans and clever schemes.
Beware grim reaper swinging ***** blade
Who mocks thee as childhood days slowly fade.

**~Hilda~

claude: battles tabletop.
reaches for maple syrup, into breakfast,
& breaks down puking.
the girlfriend/abortion situation.
the cash
& cream corn.
smells of deeper spring.
grandma & her bible.
to pray.
to eat lunch.
to television &
honey blunt the relief of a sunday night.

lily: into decay.
into dark days of her america.
detox: she breathes on vapor. sweet leaf.
sweats the heat & dead-dreams off. off on wavelengths &
resonance::: sound therapeutics,
at 528.111 hz,
enhanced dream frequency. she falls
into bliss. into
unopened codons & the rigor
of vibrational analog.
love cassette.

achilles: wheelchair-bound & boning
still. gripping ***.
the girl & couch.
the couch & modern warfare.
old warfare: harvest of limbs.
he crawls across the lawn to pick strawberries.
thumbs the dirt for entrance
to another world. smokes a jar
of roaches, as monument
to his second generation revival.
cool.

wallace: & the zebra jeep.
red rock monkeywrenched billboards & the ****** of flame upon milk factory.
chemical factory.
fertilizer bomb///return/
to town & grotto.
porch-light wood & breath of ****-rotation.
the babylon journeyman,
embroiled in plots against the order.
to simply disappear.
to portal away.

She is a diary, a diary you'd never want to write in. One you don't want to read again. A book who's pages you'd never want to turn. She, is a diary that's never been opened.

Alone the third thing can't be known.
Alone, I am a cold, dark stone
In a universe yawning lusterless,
Spinning void of aim.

Then light shines
In eyes and skies
Of gray and blue
And I am a new daymoon.

Night leads the day
As day ushers night;
Light follows darkness
As darkness the light.

I follow, you pull;
Take my arm, check my stride.
You and I mark time and tide.

We meet.
We pass.
We kiss.
Eclipse.
Heart quivers and the heavens shift.

"Let us go then, you and I,"
Wend our way across the sky.

The unknown beckons
To me and you
Where green meets hues
Of gray and blue.
Infinite line: horizons new.

Misty islands ships drift past,
Clouds cut by spires of stone, steel and glass,
Cities bright in alley pools,
Magic light on windswept moors.

Prairie hills in gentle rain,
Northwood pines sun washed again,
Spring moss upon the forest floor,
A different green on the unopened door.

"Let us go then, you and I,"
Together take the road untried;
Wend our way across the sky:
A little sphere of green and blue
'Round which we dance,

Me and you.

Good intentions lay around us like unopened books
We thought we might, but we never even took a look
We thought we might, but our actions where null
We just stayed in our lull

Our intentions where grand
But we never took that stand
We know we failed
We are on that paved road sraight to hell

Under a tree sat a Christmas present,
Wrapped with loving attention and care
With snowflake paper and shiny red ribbon--
Indicative of a festive affair.

A name tag hung from the ruby-red bow.
The name on the tag simply read "Honey."
Surrounding gifts were covered with Santas,
Elves and penguins--cute and funny.

The twinkling lights on the Christmas tree
Cast their colors, sparkling and resplendent,
On the tinsel, garland, and ornaments--
On every reflective yuletide pendant.

The initial excitement that filled the home
With hope and eager anticipation,
Was suddenly brought to a halt:
A cloud darkened the celebration.

On Christmas Eve when wrappings went flying,
One gift stayed under the tree:
The gift for "Honey" remained unopened,
For "Honey" was an absentee.

"Honey's" life abruptly ended
Three weeks before Christmas Eve
By terrorists' bullets. A time for cheer
Turned into a time to grieve.

Times like this test our faith
In hope and humanity. The trick is to know
How to remain calm and rational
When the heart is aching so.

- by Bob B

Good intentions lay around us like unopened books
We thought we might, but we never even took a look
We thought we might, but our actions where null
We just stayed in our lull

Our intentions where grand
But we never took that stand
We know we failed
We are on that paved road sraight to hell

It is Tuesday again and he loves a girl who isn't me.
In 14 days I will have survived another year.
It has been about a week since he hasn't responded.
I wonder if I'm the only one who thinks this heavily.

In 14 days I will have survived another year.
I pour my heart into an unopened bottle of wine.
I wonder if I'm the only one who thinks this heavily.
Half of my bed is on the floor, sheets included.

I pour my heart into an unopened bottle of wine.
It has been about a week since he hasn't responded.
Half of my bed is on the floor, sheets included.
It is Tuesday again and he loves a girl who isn't me.

⚠Trigger Warning:
The following poem contains subject matter pertaining to ****** assault and misogyny. ⚠
~
you call the ******

*****:

because the hair between my legs reminds you of a cat's fur? reminds you of an animal that is frightened by the simplest of matters--yes, you call me weak.

but that is just the way you prefer us, isn't it?

with our backs arched (but not too high).

forbidden to leave room for a man to crawl under our bodies.

a man is not meant to lie beneath a womxn, no;  

for, a womxn's place is between the man and the mattress.
___________________
***­:

is that all we are good for?
__________________­
box:

many things can be put inside a womxn, an empty vessel that you believe it is your role to make full again.

storage locker where you keep your **** rent-free.

slab of cardboard collecting filth in the attic.
__________________
bea­ver:

another animal analogy.
_________________­_
cookie. cupcake. ****(in). bean:

to butter up. to Flick.

inhaled, not savoured;

nothing more than a midnight fast-food run.
___________________
min­k:

skinned and sold and worn-- a notch in your belt (and your bedpost).
_________________­
cherry:

popped(!)
____________­_____
clam:

stolen treasure.
_________________­
kipper:

in the staff room, someone has left an unopened bag of shrimp crisps. A man I work with walks in and says it smells “like bad ***** in here.”


i laughed.


why the **** did I laugh?
__________________
flo­wer:

plucked from the garden of eden.
__________________­
*******:

blackout.
_____________­____
hoo-ha:

a battle cry.
___________________­
****:

a word i was taught never to say aloud

(i do it anyways.)
_________________­
***:

you abbreviate our bodies.

our voices, too.

will we never make it to four letters?

(love)
__________________­
whispering eye:

a whisper is but a gateway to silence.
__________________­_
You call the ******

*****.
***.
box.
******.
cookie.
cupcake.
****(in).
bean.
mink.
cherry.
clam.
kipper.
flower.
*******.
hoo-ha.
****.
***.
whispering eye.

but never what it truly is:

Beautiful.
____________________

Breaking water, diving in with my body, head first.
Rippling seams and leaving stitches unfinished.
I dive in to let the purity envelop me.
Cleanse me and my pores,
return me to where I started from.
Release me from wars, unopened doors I wished I turned.
Forget wounds of battle on my skin.
Open me.
Cut me open and leave me bleeding.
Let my blood sink into the earth until there is nothing left,
let me walk this earth for miles and miles, let me feel the pain in my lungs,
the hoarseness of my being escaping from my throat. 

 Let me build a moat around my princess castle and then tear it down. Lightning strike me and rip my particles, rip the matter from me like guns on glass. Crack me and tear me.
I will get up again.
I will rise.
And Let me Sing,
Sing 
sing
  sing
until my prayers are whispers.
Forest water, reflecting green, serenity. 

 I have dreams of black claws like raven glass closing in, scratching me bare.
Howling and deep long nails and witchy eyes cackling like the darkness overlapping. The demons within closing in.
I hide from light, unaware of how I’m blocking out love from my life.
Is it just a dream what my heart has seen?
 Now I walk like wind or stones in snow. I trudge along trying to remain strong when the forces pull and tear the ramshackle down to the ground.



I’ve been breathing and living, seeing so many things and it is this compilation of stories that warms my belly
yet it also tears my flesh.

The happiness is what breaks me.

Suspending the never-ending.
I am so close to the grave that I dug but I must keep walking past that linear line that I set for myself.
It is lines within circles. So many flows, I thought I chose the whole. Breathe. Pouring myself out into you. I wonder if I give and give it will fade into the soil and the bottle will empty. Melt like wax. Feed you and leave me. Is it releasing or is it unhealthy for me to give myself away?

I gave myself away.

I have strewn pieces of myself into everything I have touched but I am afraid that one day there will be nothing left.

Nothing left when finally I receive pieces of someone else.

"Excuse me," I would say "I'm not myself today" except that is a fools excuse, how obtuse, how can we not be ourselves, just being is being ourselves.

  The process of seeking deeper is breaking that boundary and that un-comfortableness.

Where did our love go? It existed between skin and bones. It was a facade or something else. I am not sure.

Not lust but colour, it was dewy green like steam from a coffee cup in the morning. Or the rain on the window pane while I slept in your arms and refrained from needing you too much,

It was in you're stride and the way you dressed in the morning it was in our hands when we held them or the way we danced together like two old lovers.

I cannot write about you without tears, write about your skin or your smile, and I am in a confined environment as I write this where such things are not acceptable. I am hiding on the paper,
escaping my heart.

I cried this morning because it was all too perfect.

I am cut open
perfectly imperferfect
I laugh at myself and this funny hole I am in.
Oh the pathetic-ness and the hilarity, when we slip in mud and are covered in filth
when we have nothing left but to cry and to laugh because we are crying because nothing in this world really matters or it matters all too much. Because I don’t know where I’m going and I don’t think anybody does.

We just muster our determination and passion, build up our bones, and we roll with it
Still there is an element of unpredictability no matter how routine we have gotten. No matter how far we have fallen
from our roots.

Excuse me for crying this morning, don’t worry I laughed it off after. I laughed because of life and laughed because I cried, and I cried because I love you.

And now I walk like wind or stones in snow. I trudge on with all my strength. Wisping like whispers caught from the ears of children and passing through the world. Cold like ice on swing sets and little hands clasping them. Red fingers, red noses. Snot on mittens and sharp pain. Winter.

I Wisp like wind in water. I crack like stones of sand and rock. I break like waves on the shores of life. I cry like the trees who fight. Howling to the moon. I open when you call me. I close when I’m falling.
I hide like children at night. I am under the streetlight, orange, alley cats in shadow homes and grey cement, dead rats, broken bones. My eyes are bare, sunken in the light. I suppose I should muster my might. Find peace beyond my fight.Take my fists from sunken floors and instead beat on unopened doors.
Escape distress.
I wish you saw
something more.
I
   wish
          that there was
                        something else.
                                                    =====》Speedi­ng on.====》

Here is a story about dysfunctional love,
Leaving a liquor bottle of whiskey unopened in her place.
She resembles the love I feel for that bottle,
Poisonous and can’t get enough.
There’s days where heading back seems easier,
When there’s days like this there’s others where,
I look back and notice that it’s even harder going back.

Even harder in the fact of emotional abuse,
Looking back, sure she made me feel good,
But it’s even harder when she blamed hard decisions…
about life on me, every day she wanted to die she blamed…
On me.

Here is a story about dysfunctional love,
She’s the poison within the liquid of the unopened liquor,
Killing the most needed organs slowly until I’m on the transplant list.
Just about a year goes by, stealing my organs, but the most needed one.
She stole my heart within an act of revenge, instead of handing it back..
She crushed it, looking over ash…
Then she blamed me.

She left me hanging, banging my head,
She watched me die slowly in the distance,
Grasping at my chest for the heart that she tore out then…
Kicked in the stomach, apologizing when she did it,
She’s the reason I hated myself, but she hated herself too, but she blamed…
It on me.

Here is a story about dysfunctional love,
Leaving a liquor bottle of whiskey unopened in her place.
She resembles the love I feel for that bottle,
Poisonous and can’t get enough.
There’s days where heading back seems easier,
When there’s days like this there’s others where,
I look back and notice that it’s...
Even harder going back.

Dear you,
I want you to come closer
Although I try to push you away
I am awkward
And the awkwardness only keeps growing

The more I have, the more you loose
But the more you have, the more I get
The equation is complicated
I don’t expect you to understand
After all
You never understood me either.

I am there
Beside you and behind you
All you have to do is turn
turn stealthily enough
So I don’t have time to run
I told you
I am awkward
And the awkwardness only grows

I slouch, I *******, I squeak
just like your bedroom door I creak
unopened for centuries
Unheard for decades
Unseen for years
Not because I’m weak but because
I am awkward
And the awkwardness only grows

i live in a pineapple under the sea
or you could say I hide
Hide from you, hide from me
Hide from the rest of the  reality
but I am always there
I always will
For I have to be

Don’t acknowledge me
Validation is not my need
But don’t forget me either
For I have this hidden greed

Never leave your own side
I need to follow
Never  leave my side either
But know
To me,
Ignorance is a bliss
For I am awkward
And the awkwardness only grows

responding to your email is like
telling you that i love you.
it is hard and i can never
get the words just right
i am sitting here looking at
your brief little note
your brief little message
your brief little touch and
warm caress of the soul
reading your email is like
hearing you say that you love me.
so i look away. i close my browser.
i try to think of something else.

responding to your email is like
telling you that i need you.
it is wrong and i can't seem
to get you out of my mind.
i am sitting here staring at
my unopened browser
my unopened heart
my unopened touch and
warm caress of your soul
speaking my mind is like
condemning a guilty man to death.
so deserved. so true.
i try to think of something else.

responding to your email is like
telling you that i want you.
my mind, my soul, my heart
burns with insatiable longing.
i am sitting here dreaming of
the last time that i saw you
the last time that i heard you
the last time that i felt your
warm caress of my soul.
admitting the truth is like
a dull-edged knife cutting to my core.
i am so wrong. i am so silent.
i try to think of something else.

i sat down on the bench at the bus stop on 24th and 3rd, next to a girl with a black long sleeve tshirt on in 93 degree sticky august weather. she looked about 17 years old, not much younger than i. i noticed her small, elegant fingers holding onto a black leather sketchbook and i found myself yearning to know what was inside of it.
i looked at her and smiled, commented on the weather;
"i would be sweating buckets if i were wearing that shirt."
she looked at me with such repugnance, it was as if i had told her that i killed her puppy and ate it for breakfast.
i looked away into the distance and watched the hustle and bustle of new york city on a tuesday. i held my gaze on a window of a large office building, 17 stories up and 4 across from the left. i imagined the cubicles; small, cramped and disgustingly humid, and the people inside of them; lonely, fed up and hungry.
"i would love to not be wearing this shirt. unfortunately my skin isn't pure and unmarked like yours."
the girl stood up, and looked at me with such sadness in her eyes that i could not unsee them. she walked down 24th towards the subway. she left her leather sketchbook sitting beside me, an unopened treasure chest full of unknown secrets and dreams.
i watched the girl walk with her arms crossed, bag thrown over one shoulder down the street, expecting her to turn around realizing what she had left behind - but she didn't. she kept walking and walking and walking until i could not longer see anything more than a small black dot.
i was brought back when i heard the large bus screech and halt to a stop, the black woman driving stare at me as if she had been waiting three and a half years for me to get on the bus. i picked up the black sketchbook and climbed the steps, popping $2.75 into the fare box.
i sat down in an empty middle seat, and leaned my head against the hot window. i felt the sun beam down on my face through the plexi-glass as i looked down at the black leather sketchbook still in my hands. i found myself holding it as if it were a very important document given to me by a secret agent to bring to the CIA.
i made it home to my stuffy one bedroom apartment with the sketchbook still unopened, still in careful hands. i set it down on my kitchen counter beside my yellow sticky note to pick up eggs, ketchup and lemon juice. which i forgot. again. i stared at the beautiful black leather of the sketchbook for a good ten minutes before finally flipping the cover to reveal two words, written with pencil in the most beautiful calligraphy i have ever seen;
"tragically beautiful"
i was so taken aback by the juxtaposition of these two simple words that i wished i had never opened the book at all, but somehow i felt myself flipping page after page looking at sketches drawn by an amazing talent whom i don't even know the name of.
i sat down at my desk after analyzing each and every sketch and put a fresh piece of paper into my typewriter. i entitled it
"tragically beautiful.

scars do not make an individual beautiful. scars simply add to the tragedy of the beauty shown by that individual. tragedy and beauty are two things that can not seem to be more opposed to each other, but somehow they can not exist without one another."

i wanted so desperately to know how to reach this girl, and tell her to wear her smallest tank top. i wanted her to know that her scars did not have to be covered up by unforgiving cotton. i wanted her to realize that her tragedies don't define her beauty.
her sketchbook is still beside my typewriter, bringing me back to that day on the bench.
if only she knew how impure and marked up my skin really is, that would truly be,
tragically beautiful.

Vulnerable is what I am
When I let the real me outside
It's not safe, sometimes, to be so carefree
Should I risk hurt, or play safe and hide?

But people who love me keep asking me
To open my heart up to them
I don't know why that's so uncomfortable
I guess vulnerable is not what I am

The few times I've worn my heart on my sleeve
My words never came out right
So I've practiced being less vulnerable
And kept my real thoughts out of sight

People keep saying to use more words
But I fear I'll be misunderstood
Maybe I won't express myself right
Or I'll say way more than I should

Words, I've found, are containers for thoughts
I don't know why I sit here and hoard them
When I store them unspoken, my thoughts sit unused
Unshared—a container unopened

It's a little like having a pantry of food
And keeping it all to myself
Food's meant to be shared, and if it is not
It helps no one—just rots on the shelf

And that's how it is with my words kept inside
If love doesn't share them some way
My thoughts stored inside these containers called words
Can spoil and turn bitter someday

I used to complain that people didn't understand me
And for that I would silently resent them
But the silence, I now see, is of my own making—
If they don't know me, it's because I haven't let them

mystery unopened
red jewel ****
brilliant ruby shine
entrance telling tales

red light on
bustling bridge to wonderland
knocking knees unconcerned
she always has her way

Every time I went to the bar, I saw him sitting there.
It didn’t matter what day it was,
didn’t matter if it was early or late.
The same man was sitting in the same spot, alone.
Some days he was nursing a beer,
other days he’d be sipping coffee,
but every day he’d be sitting there, alone.
I never heard him speak a word,
the bartender would bring him a new drink
when his was empty, he’d pay and leave a tip,
all without speaking.
There were times I’d feel compelled to speak to him,
make small talk, try to draw him out of his shell.
But, somehow, I could never bring myself to.
Maybe it was because he never looked at people,
not even when the bar was crowded,
or when someone bumped into him.
Maybe it was the look on his face,
neither smiling nor frowning, utterly blank.
Even thought I could never speak to him
I looked for him every time I was there.
Eventually I noticed, he didn’t just sit,
he was writing in a notebook.
Not constantly, he’d sit, stare off into space for a while,
then pick up his pencil, write furiously for a moment,
then stare off into space again.
Once noticed, the notebook was as constant as he,
a thick, five subject notebook, looking battered and worn.
When I first noticed it, he was barely a fourth
of the way into it.
Watching him became kind of an obsession,
I felt drawn, compelled.
Sometimes I would walk past him,
try to see what he was writing,
I never could.
Some nights he’d only fill a page or two,
other nights, whatever muse inspired him
led him to fill a dozen or more.
As time went by I watched him progress,
slowly, but steadily through his notebook.
Halfway, three quarters,
until one night, he reached the end.
My curiosity was still burning,
maybe he had just finished
the next great American novel,
or maybe a screenplay
that I’d soon be paying to see.
Even more than that, I wondered,
now that his project was done,
would he become sociable?
He waved away the bartender, who was approaching,
a fresh drink in his hand.
He sat and stared for a moment,
then wrote a brief something
on the inside of the back cover.
With that, he closed the notebook,
placed his mechanical pencil on the top of it,
placed it gently, almost reverently, and stood.
I watched him walk out the door,
wondering if I’d see him the next time I came out,
perhaps with a new notebook.
When I looked back at this seat,
I saw that he had forgotten his notebook.
I grabbed it, rushed out the door,
hoping to catch him, to give it to him.
When I got out the door, he was nowhere to be seen.
I was about to head back inside, leave it at the bar.
I was sure he’d be back for it soon.
I paused with my hand on the door, battling with myself.
I wanted to look inside, see what he had written,
yet I knew it was private,
he had never shown it to anyone.
I ended up taking it home, unopened.
I figured I’d return the next night, give it to him.
I’d assure him that I didn’t read it, and then maybe,
maybe he’d tell me what it was.
But when I returned the next night, he wasn’t there.
I left my name and number with the bartender,
said to have him call me if he came looking for it.
A week went by, with no call.
I returned to the bar but he wasn’t there,
the bartender told me that he hadn’t been in
since that last time I had seen him there.
I couldn’t believe it,
I was sure that the notebook was very important to him,
and said as much to the bartender.
As I said this, there was a tap on my shoulder,
I turned to see a guy that I had seen at the bar before,
seen him, but had never spoken with him.
“You must be talking about Peter, always sat right there.”
He pointed to the writer’s usual spot, and I nodded.
“Sorry to tell you this, but he’s dead.
Hung himself about a week ago.”
He walked away and I left the bar,
unsure of how to feel.
I got home, picked up the notebook,
it seemed to weigh a hundred pounds.
I wondered if it was the loss of the notebook
that had driven him to suicide.
I disregarded that thought,
he hadn’t even come back that night,
to look for it.
I put the notebook down on my nightstand, still unopened.
I had trouble trying to sleep,
feeling more grief than was warranted,
after all, I had never spoken with him.
Mixed with the grief, was guilt,
maybe if I had spoken, had reached out...
Finally, I fell into a restless sleep,
riddled with half-formed nightmares.
I woke early the next morning, not rested,
the notebook sill on my nightstand
where I had left it.
I picked it up, considered throwing it away,
after all, it wasn’t mine.
But instead, I sat on my bed and opened it.
His penmanship was neat, precise,
almost too tiny to read.
The first page was simple, a list,
titled “The List of My Regrets”.
Nothing shocking in the list, no major sins or crimes.
Friends he didn’t believe,
people he never got to know better,
women he never asked out.
The next page he had doodled on,
a series of geometric shapes, some simple,
some complex, others placed just so,
to form a stark face.
I flipped through the pages, reading some,
skimming others, a third of the way in
I found a poem.
There was more raw emotion on this page
then I had felt in my entire life.
The poem was about love,
and all the expected images were there,
but somehow he had constructed it in such a way
that reading it saddened me nearly to the point of tears.
There were other poems, as I worked my way through the notebook,
even some short stories.
Some pages only had a few words written,
but even these sparse entries had a feeling of finality, of completeness.
Even though everything I had read gave the feeling
of rightness, some sort of unexplained symmetry,
the tone kept growing darker, more somber,
as I neared the end.
The last poem, on the last page, written on his last night alive,
made me weep with it’s simple purity.
“A life filled with loneliness warms nobodies soul.”
The last line of his last poem.
I felt more guilt now than ever, if I had tried,
maybe I could have made a difference.
Maybe I could have eased his loneliness,
warmed his soul,
saved his life.
Then I read what he had jotted down,
on the inside of the back cover,
the last thing he had ever written.
Just three lines.
“I know you’ll take this notebook
and I want you to know,
it’s not your fault.”

In every soul there are these emotions, these feelings.
In every mind there are these thoughts , this wisdom
In every brain there are these words,
this knowledge.
All coming  together in sentences as we speak.
Each of us are
many untold stories on our own.
So much one can say
So much one can express
Many words wrapped up
in deep feelings, in tactfulness,
stay inside.
Behind closed doors.
Inside each of us many unwritten books
which will die with us.
Never to be known to the people around us, the people we love, we know and don’t know.
To the world
When a man dies a library with many unopened books dies too.


Shell ✨🐚

Finding a living is so hard,
so difficult to sustain
without a reason to sustain it.
Beyond personal dreams
and a need for greed.

An ocean of eyes follow me
through the working day
until I crave isolation.
Only to stumble into
my blank-walled retreat
and realise what isolation really means.

What happened to our potential love?
I cannot read your last letter,
too scared to hear
that you hold a happiness
that bears absolutely
no reliance on me.

You found our distance
lost its charm. You have him,
with his immediacy
and a history to draw upon,
to justify.
I am a teenage folly,
left in the scrap of old photographs
and even older emotion.

A disused, defunct muscle
left to atrophy
as you find your comfort
and your way in life.
But you are a stray, a stray
with the desire
to be led astray;
with the want for a longing.

You know I can fill your days with poetry,
your bed with flame,
your winters with heat.

The unanswered phone calls,
the unopened mail,
the half pack of cigarettes,
all witnessed the tale.

The half eaten sandwich,
the fully drunk scotch,
the out of date calendar,
the unticking watch.

The smell of stale sweat,
and the stains on the sheet.
The small empty bottle,
the drug store receipt.

This is the story,
of the unshaven guy,
alone in the bedroom,
escaping the lie.

At midnight, in the month of June,
I stand beneath the mystic moon.
An ****** vapor, dewy, dim,
Exhales from out her golden rim,
And, softly dripping, drop by drop,
Upon the quiet mountain top,
Steals drowsily and musically
Into the universal valley.
The rosemary nods upon the grave;
The lily lolls upon the wave;
Wrapping the fog about its breast,
The ruin moulders into rest;
Looking like Lethe, see! the lake
A conscious slumber seems to take,
And would not, for the world, awake.
All Beauty sleeps!—and lo! where lies
(Her casement open to the skies)
Irene, with her Destinies!

Oh, lady bright! can it be right—
This window open to the night!
The wanton airs, from the tree-top,
Laughingly through the lattice-drop—
The bodiless airs, a wizard rout,
Flit through thy chamber in and out,
And wave the curtain canopy
So fitfully—so fearfully—
Above the closed and fringed lid
’Neath which thy slumb’ring soul lies hid,
That, o’er the floor and down the wall,
Like ghosts the shadows rise and fall!
Oh, lady dear, hast thou no fear?
Why and what art thou dreaming here?
Sure thou art come o’er far-off seas,
A wonder to these garden trees!
Strange is thy pallor! strange thy dress!
Strange, above all, thy length of tress,
And this all-solemn silentness!

The lady sleeps! Oh, may her sleep
Which is enduring, so be deep!
Heaven have her in its sacred keep!
This chamber changed for one more holy,
This bed for one more melancholy,
I pray to God that she may lie
For ever with unopened eye,
While the dim sheeted ghosts go by!

My love, she sleeps! Oh, may her sleep,
As it is lasting, so be deep;
Soft may the worms about her creep!
Far in the forest, dim and old,
For her may some tall vault unfold—
Some vault that oft hath flung its black
And winged panels fluttering back,
Triumphant, o’er the crested palls,
Of her grand family funerals—
Some sepulchre, remote, alone,
Against whose portal she hath thrown,
In childhood many an idle stone—
Some tomb from out whose sounding door
She ne’er shall force an echo more,
Thrilling to think, poor child of sin!
It was the dead who groaned within.

She remembered it well. Ben made no bones about it, as he told his little sister, "You want to make something of your life, you got to get out of here and don't look back."  And he did just that, saying his goodbyes to her as he embarked off into the army.

There's a whole other world out there than just Jasper Island

How terrifying of a concept that was to Rachel back then. Ben was almost three years older, and without him it was just her and Pop . Jasper Island was all she knew, and at the age of sixteen that was a terrifying concept to a shy girl who had been sheltered her whole life.

Rachel envied Ben. Between the two of him, he was the only one who really remembered their mother. She was close to three-years-old when her mother left this earth. Ben was six. Her recollections of her dear mother were like vapors, like dreams that had lost most of their definition.

There was only one time she really could envision her mother correctly. She could just faintly recall her mother hanging up sheets outside, and they were blowing in the wind like sails, matching her mother's windblown skirt. Rachel was giggling as her mother tried to shoo her out from getting caught up in those magical sheets. She could still remember the beauty of her mother as she snuggled up against her, her mother catching up to her impish daughter as she twirled up in one of the sheets like a girl trying to play dress up. Her mother's skirt smelled like a soft perfume mixed with the sea.

Everywhere, as a child, Rachel was surrounded by sea. It made her dreary home pleasant after she lost her mom. The sea was a constant friend. With its mystery and its beauty, the sea gave her a right to dream of what lay beyond it. Ben was right. She needed to get out from under her little, protective shell. She would read Ben's letters that came  Germany, where he was stationed, and would dream of being there, herself.

Pop never mentioned Ben, again, like he didn't exist. Her father was a distant man, a fisherman who never had much for conversation or desire for closeness. Rachel was used to his distance, for that was her norm. But as she grew up, she realized he was bitter when he lost her mother. Rachel's aunt, Roberta, her father's sister, clued her in on his former life before marriage. She told Rachel, "Your father never was a man to show his emotions. He shied away from people and would rather tinker around in his tool shed or be out on his boat. I sometimes don't know what your mother saw in him, for she was quite a social gal."

Rachel saw herself more in her distant father, more than she cared to see. She was artistic, and felt more at home with a paintbrush than with anything else. She would paint pictures of anything--the quaint homes around where she lived, the woods and nature, and especially anything  to do with the sea.

Everyone told her she had talent. She won a talent contest in her school, though the pool of artsy students was small. Her island school was about three times the size of a one room schoolhouse, and it was quite easy for her to shine there. Was she really that talented? Many of her teachers saw and encouraged her abilities. They  wanted her to do something with her gift, and surely not to waste it. Everyone said so--except her pop. He never took much notice.

Ben was right. Frightened as she was, Rachel decided to try to make it on the mainland. It just became too irresistible of a notion. She promised her father, "I'll write to, Pop". He didn't even face her as she was saying goodbye, so she repeated, "Pop...I am going to write, will keep in touch".

"Don't bother", he simple replied. He wouldn't even look at her, but buried his nose into his newspaper.

Eight years later, on Jasper Island, Rachel stood before the home she grew up in. Those words still stung.

Don't bother

Pop had died. Aunt Roberta was the one to inform her, and she wasn't able to get back in time before the funeral. It was a small one--you could count the attendees on one hand--but her pop probably wouldn't have cared either way.  Rachel felt numb about it all. How should she feel? She knew she should grieve for her father, but the tears didn't come. He was such a hard man to know.

It would be nearly half a year before she returned to Jasper Island. She was living in Europe at the time, and she had moderate success in living off her art.  It was enough of an experience in which she could support herself. She first saw her brother in Germany then eventually went to Rome, to Paris and to London, working her way through as she traveled. Eventually, she stayed in London and became an art teacher. But now here she was again on Jasper Island.

She looked upon her hold house for the longest time. It looked so different. There were new shutters, a new coat of paint, and it didn't seem right with the backdrop of the sea. The house was yellow and the plastic pink flamingos were an eyesore to her. New residents occupied the house, and it just didn't seem right or real. Though she had no claim on it anymore, it still was her home. Now it was sold off soon after her pop died. She never even got a chance to stand inside for one last time, to peer into her old room or sit upon the back porch and bask at the beauty of the sea.

She tried not to appear too nosy, as she looked out back. Clothes were hanging up on the line, blowing in the breeze, and she thought of the faint memory of her mischief with her mother so long ago.      

Rachel didn't dare to knock on the door. Perhaps, she knew the people inside. Everyone knew everyone on that island. If she did know them, she didn't really want to know the details. She was the intruder, after all. Or was it the other way around?  

She made her way around and marveled how time seemed to catch up with her island home. There was a new movie theater in place of the beat up one that she knew as a child. The playground by the school looked so much better it wasn't filled with children. Hardly a soul was there, like all the children had grown up, or something.  

Aunt Roberta was her only real link to her old home now. The few friends she had left a long time ago, just like her. Her mom's people vacated the island long before she ever met them. Aunt Roberta was still there to receive her, though. She had something special for her.  Gathering up two shoe boxes, she handed them to her niece. Rachel wondered what what the contents were, and she couldn't believe her eyes.All the letters she promised to write to her pop were all in there in those two boxes.

"I found them," Aunt Roberta said, amazed herself, "after cleaning out my brother's closets. He kept them all, it seems."

Rachel promised that she would write home, and she did. And it was true--her pop saved every single letter or postcard she ever sent him.  The envelopes were all opened up, so he obviously looked at them. She was amazed that he didn't  throw them away or burn them.  Never once, did he write her back, and Rachel thought he had completely dismissed them and disowned her.

Holding those envelopes and postcards in her hands was like finding some rare and valuable artifacts, and now the tears would come. For the first time in quite some time, Rachel felt something when it came to her distant father. It was everything rolled into one--her island home, her mother, her brother, her father, her sense of self--and she just wept freely as her aunt held her tight and comforted her.

Rachel never cared about the money. Her pop never made a will. He never owned much, but Aunt Roberta would make sure she was fair about the money. Rachel would have traded every cent of it if only she was to see her father one last time. She wanted to come back sooner, but she feared she would not be welcome, that the door would be slammed in her face. Now her only way to see her father was at the cemetery were generations of fellow island dwellers met their resting place.

At the grave, her parents were buried side by side, and the sea was their backdrop. It was just as her father would have wanted it. Rachel cleared away a few weeds, and she placed a handful of wildflowers at her mother's grave. "Hi, mamma", she said out loud. "I miss you and wish I could you could be here, again. I see you in my mind, and you are that young, delightful mother I still think of. " The sound of the breezes, and the birds constant communication of chirping, was a calming response.

She then addressed her father's grave, "Pop", she started to say, "Thanks for keeping those letters. I know it was hard for you now. We all left you, didn't we? Mamma, Ben...me..."

Rachel looked out into the sea. The sun was shining well, and it was like the waters were filled with diamonds. That enchanting sea--that is what her father cherished the most. He taught her how to swim there, not to be afraid of the waters but to respect the strength they held. He protected her from feeling so small and scared by it. He taught her about what was in the sea and how to fish from it. She smiled and thought of how she would have rather collected pretty seashells than to handle a slimy fish . He reaped so many things from the sea, and she knew he belonged to it. She closed her eyes and tried to think of such moments between her father.

Before she left, she held an unopened letter in her hand and said, "Pop, I got really, really sad looking at all those letters, especially because I can't write to you anymore. I'm just amazed you have them. I hope you read them, and if you did, I hoped you knew I really loved you". She smiled at what her dad would probably think as silly sentiment. He probably was rolling in his grave right now, squirming from all this mushy stuff. But at least now, she could tell him she loved him.

Rachel put her hand on his tombstone and stroked its rough exterior. She added, "Well, then I thought--who is to say I can't write? So I did. I got a letter for you,Pop, and I'm going to read it to you, now. Hope your listening."

She didn't know when she would come back for another visit to Jasper Island, but she knew she would return. Unlike Ben, she would not go way and never look back . How could she deny it as her home? She opened the letter, cleared her throat, and read it out loud, "Dear Pop, I hope you are at peace. I hope you are proud of me and that you hear me now. Take care of Mamma, and I'll see you on the other side." After she stopped, the tears came again, rolling down her check. She closed up the letter, put it on her father's tombstone and laid a rock on it to anchor it well. Eventually, the elements would get to it--the sun, the rain, the changing seasonal forces--but for now it was in good shape,

As the ferry made it's way from Jasper Island, the land became smaller and smaller, until it was just a speck in her view. But once it was the whole world to her, not just a destination to visit. Nevertheless, it wasn't some insignificant blip on the many maps of the world. It would always beckon her. Rachel could never forget Jasper Island.

in the ***** of the silver waves
grew a single water lily
speckless and spotless
the colour of pure milk
a private bud, it lay unopened
till the night it blossomed
complete, open, a whorl of whiteness!
exquisite in its secluded state
it pondered sadly on its fate
alone –
awash with an awful ache
it looked upwards towards the great black lake
so much similar to its own address
with just one exception that made the biggest difference
like a mirror leading on to a parallel universe
another swirl of bright white flowered
not alone but surrounded
by many young buds!
how wonderful thought the lily
how cheerful that bloom must be
to live thus accompanied by family
so pining it withered
feeling unloved, unwanted
never knowing that from above
the moon watched wailing
“how full of life was that lovely flower
alas! alas! how I loved her!
never could I have the courage to tell her
she - a brightness lit from within
and i a mere rock
with no light of my own”

- Vijayalakshmi Harish
   25.01.2013
   Copyright © Vijayalakshmi Harish