Submit your work, meet writers and drop the ads. Become a member
Shofi Ahmed Mar 2017
I
A flower that smells of pure bliss keeps an ear to the ground
It's a serene one sitting beneath the stars down on earth
The moon, far, far, seven seas away, loves to drop into her lap.

The Bay of Bengal billows, music has gotten beneath the skin.
The leaves furl out off the deep wood with the birds
singing out to the top of the trees, rhyming with the leafy dance.
Heavensent, that was in one sanguine day in the spring.
The Mother’s Language Movement in 1952 sprouted like this
on the eighth of native Falgun month—oh magic did it unleash!

On that day our beloved brothers were shot dead
They could swallow the bullets with smiles but won’t give up
demanding the official status for the Bangla mother tongue.
Angels wrapped round the martyrs amid lamenting mothers
Laid them on Falgun’s perfumed ground bleeding corpses
Seas of roses bloomed and blew them out red, red kisses!

They are gone not the stone wall of consciousness they raised
Ah, at the sprout of the spring what were they echoing?
Ingrained deep in the soil the pre-designing voice in the planning?
Who can tell? The world gels on February 21 in celebrating!

The angels then snapped up our martyrs’ souls off the land,
placed them on a piece of Heaven where they can hear the jingle.
Down on earth, a nation springs up, has gotten its wake up call!
Stepping on the sweetening arc of the mother tongue melody
the stone turns a flower, all in a butterfly moment soaring to victory.
Thanks to the movement - Bangladesh itself later comes to be!

II
The sun comes down to the rose painting on the land
In the heavenly Falgun hues it nibbles some wild summer dreams.
“Serene songs of earth stirring the water,” like it comes into play,
rowing the cloud bubbles singing in southern breeze.
Ah, a walk on the sun-kissed kaleidoscope land is a pure bliss.  
Every blossom spray of the wind is soothing sweet
Hop on and play straight to the ruby heart, as if it's a flute.

Mother tongue means speak free, fearless, in full streaming.
Speak the heart to the world without the fear of losing the cloud
that will listen, bouncing back on the brink of the sky river.
Then what did one say, hear, or was awed by in the blooming Falgun?
Could it have been the spring humming in her native lingua
or King David singing in mother tongue by babbling brooks
what in any other language, even with a silver tongue, isn’t possible?

Allah has listened to our martyrs’ crying mothers and fathers
The martyrs’ souls whisk through the galaxies and starry fair.
Soar high over the clouds, take the rainbow's *** of gold away,
like a hue turns 360-degree in the colourwheel bask into the colour.
still, dip the toes in Bangla mother’s soil salted with perfumed art
like Himalayan water swirling down melting deeper deep down
this magicland is polished for everyone be it you, a fairy, a star
or off the ploughed-out barrow a walked out wonder!

A pristine voice duo’s voiceprint gleans to the spring in muse,
Pops in a beauteous scurry and speaks in the mother tongue!
Hidden within the earthy depth, only emerges with time,
only dances in tangent, that day slipped out with the butterflies.
And finally the blue nymphs take the plunge drop down the sky  
that day the mother’s voice triumphed, whose is the most original!
This is a poem from my book Zero and One available on Amazon.
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
abcdefg Mar 2012
Gum is another tongue in your mouth,
taste-bud studded with sugar and pink

Hubba Bubba Double Bubble

Your jaw feels like expanding bread
when you rest from chewing
flatten it into a saucer and
let it balloon from your mouth,

it distends like an internal *****
or the full stomach of a frog
spilling from your lips

(When he stretches, you see veins
******* across his amphibian chest)

It hooks itself on your nose
and wilts into a pink tangle.
Amitav Radiance Apr 2015
Seek solace in solitude
There’s a world of silence
Mirrors the inner beauty
A reflective mind ponders
Enwrapped in the echoes
The mantra of eternal truth
Soul elevated to a stage
Sweet harmony of realization
Hymns of pure ecstasy
Pours through the ears as honey
Sweetening the existence
Shimmering light is kindled
An unusual radiance enthralls
Meanings of life deciphered
Gifted with moments of bliss
Sophia Apr 2018
there was a sparkle in her eyes
I saw it
I saw it
no one else paid her any attention
and only I noticed the apple cores of her hands
unfulfilled
starving
hysterical
barren
barred

so she resorted to magic
the crazy stuff of existence
like the wheat she stashed in her sandbag heart
and when it found her not
despair shook the earth
around her sorrowful body
permeating disillusion
confusion
immersion in nothingness nothingness nothing

lonely lonely
and bottle caps launched from her fingernails
from the spiraling stems of madness that rampaged through her bulging pulse
with piercing shards of nothingness nothingness nothing
splitting her glowing veins

and sweetening her ever-kind
clueless
knowledgeable
brain brain brain

and where was the world?
(1)

This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.

Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.

Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..

A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices

Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,

Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?

Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers

Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.

The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.

                (2)

This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,

The high, dead, toeless foot of this priest
Who plumbs the well of his book,

The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,

******* and hips a confectioner's sugar
Of little crystals, titillating the light,

While a green pool opens its eye,
Sick with what it has swallowed----

Limbs, images, shrieks.  Behind the concrete bunkers
Two lovers unstick themselves.

O white sea-crockery,
What cupped sighs, what salt in the throat....

And the onlooker, trembling,
Drawn like a long material

Through a still virulence,
And a ****, hairy as privates.

                (3)

On the balconies of the hotel, things are glittering.
Things, things----

Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.  Why should I walk

Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,

I am not a smile.
These children are after something, with hooks and cries,

And my heart too small to bandage their terrible faults.
This is the side of a man:  his red ribs,

The nerves bursting like trees, and this is the surgeon:
One mirrory eye----

A facet of knowledge.
On a striped mattress in one room

An old man is vanishing.
There is no help in his weeping wife.

Where are the eye-stones, yellow and valuable,
And the tongue, sapphire of ash.

                (4)

A wedding-cake face in a paper frill.
How superior he is now.

It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;

They are browning, like touched gardenias.
The bed is rolled from the wall.

This is what it is to be complete.  It is horrible.
Is he wearing pajamas or an evening suit

Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?

They propped his jaw with a book until it stiffened
And folded his hands, that were shaking:  goodbye, goodbye.

Now the washed sheets fly in the sun,
The pillow cases are sweetening.

It is a blessing, it is a blessing:
The long coffin of soap-colored oak,

The curious bearers and the raw date
Engraving itself in silver with marvelous calm.

                (5)

The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,

The hollows in which rock the thoughts of the wife----
Blunt, practical boats

Full of dresses and hats and china and married daughters.
In the parlor of the stone house

One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.

This is the tongue of the dead man:  remember, remember.
How far he is now, his actions

Around him like living room furniture, like a décor.
As the pallors gather----

The pallors of hands and neighborly faces,
The elate pallors of flying iris.

They are flying off into nothing:  remember us.
The empty benches of memory look over stones,

Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here:  it is a stopping place.

                (6)

The natural fatness of these lime leaves!----
Pollarded green *****, the trees march to church.

The voice of the priest, in thin air,
Meets the corpse at the gate,

Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.

What is the name of that color?----
Old blood of caked walls the sun heals,

Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,

Necessary among the flowers,
Enfolds her lace like fine linen,

Not to be spread again.
While a sky, wormy with put-by smiles,

Passes cloud after cloud.
And the bride flowers expend a freshness,

And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.

                (7)

Behind the glass of this car
The world purrs, shut-off and gentle.

And I am dark-suited and still, a member of the party,
Gliding up in low gear behind the cart.

And the priest is a vessel,
A tarred fabric, sorry and dull,

Following the coffin on its flowery cart like a beautiful woman,
A crest of *******, eyelids and lips

Storming the hilltop.
Then, from the barred yard, the children

Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,

Their eyes opening
On a wonderful thing----

Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.

For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
Fountain, that springest on this grassy *****,
Thy quick cool murmur mingles pleasantly,
With the cool sound of breezes in the beach,
Above me in the noontide. Thou dost wear
No stain of thy dark birthplace; gushing up
From the red mould and slimy roots of earth,
Thou flashest in the sun. The mountain air,
In winter, is not clearer, nor the dew
That shines on mountain blossom. Thus doth God
Bring, from the dark and foul, the pure and bright.

  This tangled thicket on the bank above
Thy basin, how thy waters keep it green!
For thou dost feed the roots of the wild vine
That trails all over it, and to the twigs
Ties fast her clusters. There the spice-bush lifts
Her leafy lances; the viburnum there,
Paler of foliage, to the sun holds up
Her circlet of green berries. In and out
The chipping sparrow, in her coat of brown,
Steals silently, lest I should mark her nest.

  Not such thou wert of yore, ere yet the axe
Had smitten the old woods. Then hoary trunks
Of oak, and plane, and hickory, o'er thee held
A mighty canopy. When April winds
Grew soft, the maple burst into a flush
Of scarlet flowers. The tulip-tree, high up,
Opened, in airs of June, her multitude
Of golden chalices to humming-birds
And silken-winged insects of the sky.

  Frail wood-plants clustered round thy edge in Spring.
The liverleaf put forth her sister blooms
Of faintest blue. Here the quick-footed wolf,
Passing to lap thy waters, crushed the flower
Of sanguinaria, from whose brittle stem
The red drops fell like blood. The deer, too, left
Her delicate foot-print in the soft moist mould,
And on the fallen leaves. The slow-paced bear,
In such a sultry summer noon as this,
Stopped at thy stream, and drank, and leaped across.

  But thou hast histories that stir the heart
With deeper feeling; while I look on thee
They rise before me. I behold the scene
Hoary again with forests; I behold
The Indian warrior, whom a hand unseen
Has smitten with his death-wound in the woods,
Creep slowly to thy well-known rivulet,
And slake his death-thirst. Hark, that quick fierce cry
That rends the utter silence; 'tis the whoop
Of battle, and a throng of savage men
With naked arms and faces stained like blood,
Fill the green wilderness; the long bare arms
Are heaved aloft, bows twang and arrows stream;
Each makes a tree his shield, and every tree
Sends forth its arrow. Fierce the fight and short,
As is the whirlwind. Soon the conquerors
And conquered vanish, and the dead remain
Mangled by tomahawks. The mighty woods
Are still again, the frighted bird comes back
And plumes her wings; but thy sweet waters run
Crimson with blood. Then, as the sun goes down,
Amid the deepening twilight I descry
Figures of men that crouch and creep unheard,
And bear away the dead. The next day's shower
Shall wash the tokens of the fight away.

  I look again--a hunter's lodge is built,
With poles and boughs, beside thy crystal well,
While the meek autumn stains the woods with gold,
And sheds his golden sunshine. To the door
The red man slowly drags the enormous bear
Slain in the chestnut thicket, or flings down
The deer from his strong shoulders. Shaggy fells
Of wolf and cougar hang upon the walls,
And loud the black-eyed Indian maidens laugh,
That gather, from the rustling heaps of leaves,
The hickory's white nuts, and the dark fruit
That falls from the gray butternut's long boughs.

  So centuries passed by, and still the woods
Blossomed in spring, and reddened when the year
Grew chill, and glistened in the frozen rains
Of winter, till the white man swung the axe
Beside thee--signal of a mighty change.
Then all around was heard the crash of trees,
Trembling awhile and rushing to the ground,
The low of ox, and shouts of men who fired
The brushwood, or who tore the earth with ploughs.
The grain sprang thick and tall, and hid in green
The blackened hill-side; ranks of spiky maize
Rose like a host embattled; the buckwheat
Whitened broad acres, sweetening with its flowers
The August wind. White cottages were seen
With rose-trees at the windows; barns from which
Came loud and shrill the crowing of the ****;
Pastures where rolled and neighed the lordly horse,
And white flocks browsed and bleated. A rich turf
Of grasses brought from far o'ercrept thy bank,
Spotted with the white clover. Blue-eyed girls
Brought pails, and dipped them in thy crystal pool;
And children, ruddy-cheeked and flaxen-haired,
Gathered the glistening cowslip from thy edge.

  Since then, what steps have trod thy border! Here
On thy green bank, the woodmann of the swamp
Has laid his axe, the reaper of the hill
His sickle, as they stooped to taste thy stream.
The sportsman, tired with wandering in the still
September noon, has bathed his heated brow
In thy cool current. Shouting boys, let loose
For a wild holiday, have quaintly shaped
Into a cup the folded linden leaf,
And dipped thy sliding crystal. From the wars
Returning, the plumed soldier by thy side
Has sat, and mused how pleasant 'twere to dwell
In such a spot, and be as free as thou,
And move for no man's bidding more. At eve,
When thou wert crimson with the crimson sky,
Lovers have gazed upon thee, and have thought
Their mingled lives should flow as peacefully
And brightly as thy waters. Here the sage,
Gazing into thy self-replenished depth,
Has seen eternal order circumscribe
And bind the motions of eternal change,
And from the gushing of thy simple fount
Has reasoned to the mighty universe.

  Is there no other change for thee, that lurks
Among the future ages? Will not man
Seek out strange arts to wither and deform
The pleasant landscape which thou makest green?
Or shall the veins that feed thy constant stream
Be choked in middle earth, and flow no more
For ever, that the water-plants along
Thy channel perish, and the bird in vain
Alight to drink? Haply shall these green hills
Sink, with the lapse of years, into the gulf
Of ocean waters, and thy source be lost
Amidst the bitter brine? Or shall they rise,
Upheaved in broken cliffs and airy peaks,
Haunts of the eagle and the snake, and thou
Gush midway from the bare and barren steep?
Shofi Ahmed Jul 2022
I know an abyss is
between you and me
seas and oceans billow
the overlooking moon
is untouched like it was before.

I know drifting off onto
a moonlight polished pillow
is not everyone's lucky go.
But not that never
once or more
did a star one or two
among the zillions
across your lunar brow
peeped in my dream
sweetening my nap.

But I know no sleep never
can made me forgot
my only moon-dew firefly glows
tuberoses shine by my windows!
Jeremy Duff Feb 2014
Abigail Turnman walked along the same sidewalk she did every morning before she had to work. She had the same breakfast from the same dive as she did the morning before.

As she was sweetening her coffee she looked up and into two very dazzling blue eyes, belonging to a young man seated at the table across from hers. She looked down quickly, sweetening her coffee, while she blushed.
She usually didn't get flustered like this and she hated that she was just because some dumb boy was looking at her. She looked back up and he smiled at her, revealing a mouth of uneven, yet not horribly uneven, stained, yet not horribly stained teeth. She blushed again, this time she smiled back.

"Are you Abigail Turner?" The young man asked in a voice that sounded as if it didn't get much sleep the night before. While he was asking this Abigail noticed his hair, a dark shade of brown, lighter and shorter on the sides, as if it had months before belonged to a military man.
"No," Abigail responded humorously, "My name is Abigail Turnman." She blushed again, at the stupidness of her joke. God, how she hated that this young man was making her blush this way. As if in response to her stupid joke or in embarrassment in having gotten her name wrong the young boy laughed and blushed, but not as much as she had.
He had only a coffee on his table and so she asked him if he would like to join her for breakfast. The young man smiled again before standing up. As he did, his hair fell into his eyes, which he quickly brushed out of the way before nodding and sitting down, across from her, coffee in hand.
"How did you almost know my name?"
Again, the young man laughed.
"Mark, uhh Callahan. He said he cleans up at your office and that I should speak with you."
Oh, Mark. There's a sweetheart if she ever knew one.

And in that instant she knew she could grow to love how this young man made her blush. Instead of hating it she would prize and cherish and she would include characters modeled after him in all her novels.
She didn't even know his name.

"So, you're a friend of Mark's huh?"
She asked this in a more confrontational way then she meant to and the young man seemed to recoil before he saw her blushing again, knowing that she had not intended to ask it in such a way.
"Yes, Mark is a friend of mine. Since high school actually. Uhh, my name is Henry, but uhh," he laughed softly, "my friends call me Hank."
"Well Mark is a sweetheart. So, if I'm not mistaken, you must be native here? At least since high school."
"Yes, I was actually born here, but uhh, if I'm not mistaken, you're from uhh New York, right? The city?"
As much as a sweetheart Mark was, he sure was talkative as hell.
Before she had a chance to say anything, Hank began talking again.
"So, uhh," he laughed softly, nervously almost, "I uhh, I hope this isn't too upfront, but I was hoping, uhh wondering actually, if you were doing anything tonight. My band and I are playing at the Stonehouse, it's a uhh, a charity show for Jonathan, our drummer, uhh his mom. She's fighting cancer, uhh, her condition has been improving but she still needs money for bills and stuff. I mean, you don't even have to pay, you know, I could ahh, I could sneak you in the back or whatever, I mean, uhh, it woudn't technically be.."
She cut him off,
"Yeah, sure I'll go. What time is it?"
He smiled even wider than he had the whole conversation,
"It starts at 8, uhh, it's at the Stonehouse, uhh, ****, I already said that. Oh ****- oh, sorry, pardon my language."
She pulled a pen out of her purse and began writing the address to her apartment on a napkin. Hank continued talking, mumbling, uhh-ing, but he trailed off as she handed the napkin to him.
"Pick me up at 7," she said, "We can go get some dinner before the show, you probably half to be there early right?" He nodded, "Okay, make it 6:30. This is the only diner I know, I've only been here since the start of summer, maybe you could show me some nice place to eat?"
He nodded, smiling and blushing and pushing the hair out of his eyes and scratching his arm and shifting in his seat anxiously.
"Now, it was lovely meeting you Hank, but if I don't leave now, I will be late walking to work, I'll see you at 6:30"
"Yeah, I'll uhh, I'll see you at 6:30"
She stood up and so did he. She was halfway across the diner before Hank kicked himself for being so stupid.
"Hey, do you need a ride to work? I mean, it's uhh, it's no trouble."
"Thank you, Hank, but I'll walk. I'll see you at 6:30, okay?"
She smiled a dazzling smile of white teeth, framed by golden hair, cut short, almost short enough to be considered a pixy cut.
She was out the door as Hank mumbled something stupid.
Karijinbba Aug 2022
"Like a prayer in church to God
you are to me precious love: " "knowing you is loving you thus, Knowing me is loving me."
~~
How sweet lies sound near or far
how bitter truth tasted as
memories arrived so awkward
It's bitterness lessened with understanding true love
maturing sweetening and
cruel Mr Ttime relentless I'm
In silence and in time
God allowed me to see
where i erred and failed
.I ask God to show me to lead me
as head not as chopped up tail.

God showed me what I couldn't see
showed those I injured unintendedly
parroting unkind words in ignorance
what you want us all to see.
Please notice my lonely waves
Predictable unchanging.
Drop your pebbles in my sand pond
that everything in me may be altered in your grace Lord
Bless a peace my every loved one.
Remove all enemies from our paths.
Bring my loved ones back to my caring selfless Godlike realms
anchored in your mercy God..
~~~~
Karijinbba.
https://youtu.be/zRR1Lw5NW0o

We are one soul let no tongue fire in anguish untimely.
We got God's soul so we wait patiently
Even against all odds.
Holly Salvatore Nov 2013
So I miss you in the spaces
Where your hands go
The between times
In our sleeping
Where maybe we aren't even touching
But I can feel you
Hear your breathing
In the spaces in between
Sweetening my blood
Flowing thick
Like mesquite honey
Hummingbirds in my stomach hovering
And drinking
their fill

And I'm enough for something
Sustenance for something
Other than me
Enough for someone
Who sees my betweens
And puts his hands
Where they need to be
Warms them
On my belly full of flowering mesquite
Nectar for the humminbirds
And bees
sweet ridicule Feb 2016
I can't walk in
flowered printed heels
I've watched you study yourself in
the mirror
steady neck leading down to
gentle shoulders and halcyon hands
sour ideas filling my brain I'm
imagining my hands
sweetening your concerned
soft-muscled legs
into certainty
bronze-brown strands of curly hair
on dark grey seats
I sense dancing trees behind me
and savor the beautiful bitterness
of abyssal secrets
on my saccharine tongue
your collar bones are silken
and veiled with Taurus-led
misunderstandings.
mine are always veiled with
uncertainty and
sporadically veiled with
you
this was nice to write
Lara Lewis Dec 2013
I’m more afraid of losing you than I am of losing myself

To force one to create;
To turn the gears of the mind by force of will
Ironic;
That the source of creativity has become so artificial,
Like plastic flowers in an outdoors garden,
Not wrong,
Not dangerous,
Unsettling;
One of these things is not like the other.
Something is wrong;
This is too familiar,
I have been here before.
Sometimes I feel like I’ve known you my whole life,
Silence is a spirit which haunts me,
Hold my tongue,
Punching my gut,
Every time brave words bloom in my throat,
This banshee screams reality in my wind-beaten face.
She is subdued by a fraternal bond, a weightless chain,
Silence is tamed by the right company,
The demon exorcised from my body,
I am sanctified in brief lucidity,
Clarity, however fleeting still exists,
Despite the holes in your brain,
The ultimate in body modification.
Every ugly duckling is told they’re a swan,
So they seek their kind,
Unable to set roots,
Assured that there is a kindred spirit,
You just have to find them.
You don’t know what you have until it’s gone,
They ugly duckling becomes more shark-like every day,
Unable to stop, a flower constantly about to wither,
With age comes beauty,
The Rhododendron expels an army of stamens,
Male in essence, coloured neon pink,
******* objects of desire for the hungry bee,
Honey and perfume,
Comfort and poison,
The children of flowers,
Opposing in nature,
Twins in function,
Sweetening, attracting, saturating,
Numbing the tongue,
Burning the nose,
So sweet I could *****.
I want more time and you want more attention,
Kind gestures, kind reward,
So sweet that I’m sick.
Margot Apr 2019
Two friends, two lively runaways
Skin tinted light bulb white-
A vague starched contrast to pistachio Mays

So many tides of turquoise fears
Lave rooted feet in flight unseen thus far  
In moon parade resulted earthly years
Few never landing kites are brushed against a shooting star

Wait! Now listen. There he comes.
Vein lianas pierce his pale wrists-
Pan plants steps on earthy lumps -
This straying soul the aging still resists

You may spot him in a forest
Leaving seasoned feral brae
With some berries wild in August,
Sweetening strangers' welcomed stay

"Have you seen my Darling, boys?
She wears ribbons in her hair
Darns old lovely teddy toys
Pray this life to her is fair."

"No, but say the author tells the truth
Lives your Wendy in a city
And her children know the sooth
They are little, yet so gritty"

Peter smiled :"Well, then I will bring them all
They'll attend the fairies' ball!
Now close your eyes and let us fall
If muffled in a fairy dust no harm will ever you befall

Onward, over a forgotten cave
Peter's flute in silence lays
Upward for a foggy cradle crave
Three flying figures in ablaze
A series called “Once Upon a Time” and two creative YouTubers Sam&Colby were my inspiration for this one. #onwardandupward
Impulzez Jan 2015
Love is Young; Love is Old
Old love in age Young love at heart
A never dying feeling felt more in death
The Sweetness of Love is always better than its bitterness
Yet the feeling of Loves' bitterness is why we love more

Love is Pain; Love is Gain
Painful Love is Jealous
Gainful Love is Humorous
Old Lovers die in gain
Young Lovers hurt in pain
The experience of Love
When it is from the wrong place
a sweet feeling hurting a thrilling
As the tastes of the Bitter Kola
stays bitter until chewed and swallowed further
Then the sweetness sips in sweetening
Ife Orogbo; an old love that loves long
bearing all through thick and thin
In Sickness and in Health
till death do you part
like gold in fire; fish in water
Ife Orogbo; True Love Grows Old
the love of old
Brendan Watch Jan 2014
Electric tension crackles across your lips,
tiny bolts from tiny hurricanes raging around the eyes of your pupils.
We sit where two halls meet,
parallel paths on perpendicular lines,
an x marking, a t crossed, the intersection with
our eyes playing a game of red light, green light.
A smile, possibly imposed,
a gold spot where my finger touched the blush
of rose begs rising on the hills of your cheeks,
your shyness fogging your glasses
and your passion hiding in deeper dimples.
A smile, possibly imposing,
building trenches in your face to match the
sharpness of your chin and contrasting the
charm leaking out of the corners of your mouth like faulty boxes,
packages, boxes and bags tied with ribbon in denial,
the fabric timeless tapestries torn and tied around the tree like tinsel.
You touched my hand,
drawing me back on the sketchbook tiles, shading me in
when my mind wandered off to wonder.
It sounded like the moments between the fingers of
impatience and angry clocks.
Tick tock transgressions make me a momentary monarch of mirth before I
falter and realize that you biting your levi lip
to hold the tide back
means that the hurricane is swelling.
You apologize because of secrets you hold in Roman ruins
and for sweetening the cyanide syllables.
You regret these moments, because unlike promises,
you can’t recant.
You stand and storms pass, stomachs settle and
the last jagged bolt streaks
into oblivion.
Mary Pear Sep 2016
September morning and the blush pink of a child's eyelid
layers
With soft Wedgewood blue
And a silvery white.
Feathery treetops shiver in the light breeze
And there is a delicious chill in the air.
Contrails break apart in slow motion
Resting on the daybreak's skyline.

A blackbird hops across the dewy grass
To take his morning slice of stale bread.
Rose petals crimped and heavy wait
Patiently to be dried in the pastel sun.

There is no sadness as the summer slips by;
Just memories of freshly mown grass
On parish fields, of light, of warmth,
Of sea and country walks
Sweetening, like apples
In a sand box.
Waverly Feb 2012
Your love is hard
like rocks
in my belly
in the morning;
like starting the countdown
to a three-day drunk
a week later,
at every turning point,
every shadow
of an angle,
I am taking roads
I have never
crossed,
I am watching
water run
in crystalline rivers
toward alleys
I've never known.

When they ask me
for money
or Marlboros,
I say yes,
please,
I would like those too.

I would like to eat
bagels
in the sun
with crinkly paper in my teeth
and sour cream cheese
sweetening in the liquor.

My landscaper's shoulders
and granite deltoids
are now green with lime
and lichens.

Girls like to run
their
hands over them;
but they are hungry
for your hands
and the lavishing footsteps
of your fingernails.

When I wake up
I put enough water in the
coffee-maker
for about
twenty cups,
and enough
***** in those
twenty cups
for a three-day drunk.

Your love is hard like ice-cold *****
and boiling coffee
that
mutilates tastebuds
and
makes my belly feel real good.

But not talking to you for awhile;
it's easier to warm up in the morning
so I can cool down at night,
and by the pink dawn
of darkness
I could get back to working my belly
with *****, rocks, and
Marlboros.
Nebuleiii Mar 2013
Afternoons spent crying, weeping
Nights a-howling, raging.
Love covers them all up, calming
Like chocolates a-dripping.

Loneliness, frustration, sadness,
Melancholy, and anger boiling.
Love coats them all up, sweetening
Like chocolates a-dripping.

A bar of caramel, a sound
A visit in sense from all around
You fill me all up, embracing
*Like chocolates a-dripping.
March 5, 2013
Feelings
Joel M Frye Apr 2017
Begin with the meat.
Venison, if you seek authenticity;
if you were raised white,
ground beef will do.
The mirapoix can be purchased
if you no longer till
the back yard.
Potatoes and peas and corn
as well.  No matter
what the commercials say,
frozen tastes nothing like
fresh from the earth.
If Grandfather did not
milk the cow and churn the butter,
saute the vegetables and meat
in half a stick.
Flour was bought and traded for
for many generations;
just open the bag and add a quarter cup.
Beef stock is such a
pain in the *** to make.
Safe, sterile boxes
with tamper-proof caps
so much more convenient.
Let the soup simmer for
what seems to be a lifetime,
then open two cans
of hominy, drain them,
and add to the ***,
letting the smell
summon the memories
of whole families.
Adjust the seasoning,
sweetening the broth
with a tear or two
before serving.
Day Two NaPoWriMo.  Poem based on a recipe.
Donall Dempsey Mar 2017
ANSEO A TÁ TÚ
(YOU ARE HERE )


Spring had come
dressed the farm

in its best green.

Even the sky
wore the latest blue

a sort of shy
eternity.

Birds had been
perfectly positioned

after a great deal of thought
by whoever had put them

there.

Furrows crawled lazily
across the face of a field

glistening with a newness
that the day couldn't

help but be
excited by.

The trees were beside
themselves

madly in love
with time

who had been kind
to them for ages now.

Ballea lay
smiling before him

Even its very name
made his heart dance.

Even the very saying of it
made his soul swoon.

"Anseo a tá tú!"
he says to himself.

The Irish sweetening
each loved syllable.

"You are here!"
he reminds himself

in case one of the birds only
spoke English.

And never was the boy
who had come back

in the shape
of a man

as delighted
as he.


"Anseo a tá tú. . .indeed!"
his ghost smiles to his self.
I am wishing that in his dying my father will return  to the little farm in Cork and complete his life cycle by being the ghost of the little boy who adored the earth and sky of his native place. I wanted to hold his hand and bring him here even if only in words. Da...you are here!
I have left the imprint
of my body

on your wild grasses
under your wild hedges

I have slept the sweet
sleep of an embering fire

in your arms
and known

your lips on mine
as a sweetness of the

dancing rain on leaves
your soulhands have

blended me together
like the scent of meadowflowers

sweetening the air
and I have been embraced and

enearthed
in the ground of your sweet being

been received by and have received
your sweet soul Love

you have made of me
a meuse

an imprint in wild grasses
under wild hedges

in your generous and generating
heart


c. 2017 Roberta Compton Rainwater
Mike Arms Mar 2012
a quiet story
before the locked doors or
three way mirrors
a spider whispers

a lesson from a devil on hot
pale scales pipe high virginal
ballads in black smoke broken
by smiling Poussin

bells plunge down towers
sweetening prisons with
spiders clenched recitals
and 24 carat bourbon
Nicholas Poussin was French neoclassic painter.
Faraz Ahmed Khan Jan 2014
Come like winter
to the lake
Freezing my body
numb and motionless
letting my soul flow
like water
caressing me
from within

Come like spring
to the pine tree
Pushing me from inside
Budding with new desire
Making new life
Ecstasy to each flower

Come like summer
to the fruit
Ripening me from within
sweetening with all your heat
Rotting the undesired
peeling off my shell
rosy and fired

Come like autumn
to the forest
Taking the peace away
Cleansing with each gust
playing like a master may
sweeping me your way

With every passing season
i stray and i negate
please just come
don't make me wait
Come like you would
from me, taking me away
don't let me cry no more
Resonating as the Ney
---Sunday, April 28, 2013
Kathleen Rose Dec 2011
I crave your taste
Still picking up your scent
Your golden eyes glistening
Still cast their spell

I'll sit here sober-minded
Rotting in my bed
Empty glass of ice
In my trembling hands
Until that honey warm liquid
Trickles down my throat

An addict to your being
A slave to your form
Oh Sweetening pleasure
Grace me with your presence
Take away this reality
That's killing me
Worse than your poison

*edited 2012
Edward Coles Mar 2014
I hear the subtle sound of heartache
calling across the quay,
young lovers spell Joni's words
with the catkins of the tree.

I feel the heavy weight of lover's wake
as we dream on through the day,
old demons used to poison me,
before you took them all away.

I taste the blood in chocolate wine
and it's sweetening my mind,
it's telling me of fortune's treat,
when good intention is combined.

I smell the human in our longing sweat
as I press into your skin,
steady as my doubts are perished,
all happiness, lived again

I see the poetry in street-lights
imitating the moon,
telling  me when darkness falls,
light will follow soon.

I know there's more out there
than ever I've seen,
more than whatever I am
and whatever I've been.
c
Scott Horror Dec 2015
Coffee is my life blood
A love affair as strong as I like it
Sweet as I want it
Shots if I'm tired
Weak when I'm wired

All a-bored the caffeine espresso
Oops, I mean express
Express my adoration
The sole foundation
To my motivation
To reach completion
And finish my work

Late at night
Early in the mourning
After the wake-ing
Lazy afternoons
And in the evening
I'll add my sweetening
Or keep it bitter
Like the glares
From my mother
As I fill up another
Cup of smooth, brown freedom

Add some nitro
When I'm dead
To refill my head
With the words that I said
A moment ago
I'll take it blow by blow
Shot by shot
Milligram by milligram
Of caffeine, coffee, constant
Reminder of how easy
It is to get rid
Of exhaustion
Even if only for a moment
Or a lunch break
Or a tired mourning
Or as I write this poem

I love you, coffee
In any way, shape, or form
That you may come
In any size or flavor
To get me to savor
The tang of the coffee
As long as I'm longing
For some more caffeine
My addiction isn't waning
As my love grows for you
With each sip I swallow
And each nickel I borrow
Just to buy
One more cup
I didn't misspell morning. It's supposed to be mourning.
Alexis karpouzos Nov 2021
Light, my light, the world-filling light,
the eye-kissing light,
the heart-sweetening light!
Ah, the light dances and the sky opens,
the wind runs wild, laughter passes over the earth.
the light is generosity, is shattered into gems,
and it scatters its golden aura in profusion.
Robert Zanfad Mar 2010
Smoke rose from a cigarette,
Broken in passing breeze
Began to dissipate,
Vanishing but for a memory
It had once lingered there
To sully spring's air.
Existence still transient,
As mind will cast away
This trivia as passing of the day.
What was becomes nothing.
Shadows are for moments,
Specters of light not there,
So as emotions profound,
Sounds of beloved voices
Once sweetening time
Cease to be when forgotten.
Josh May 2019
You're smart like that
Making me feel bad to give you treats
Sheltered in a dark corner
Your eyes glowing with fear,
or so you would have me think
Are you afraid?
Or just fishing?
Waiting for me to sit down next to you
Sweetening my voice
Hand out with one of your favorites
Is this your way of getting your way?
After you come out,
you act as if nothing happened
Your tail coiled up with confidence
Is that a smirk?
Perhaps I've been outsmarted again
Olivia Mercado Apr 2014
To California:
You are a land of gold and opportunity
the manifest destiny grasped
the cradle of many too-distant friends.

To Ohio:
You are halfway across the country
the destination of a poignantly-missed friend
the cradle of a new beginning for her
the end of our era.

To Oregon:
Rivers between us, pumping blue blood to the sea
in you, I stumbled from girl into woman
in you, I woke up and stood up, and
made the first memories I treasure.

To Canada:
You are my parent as much as America
a cleaner, calmer shadow of your sister
more vast than words can encapsulate,
an undiscovered prairie of 100-person towns
beautiful and insulated, insects drowning in amber.
Oil pumps in canola fields
twisted pines from the Dark Ages
atop mountains green with August snowmelt
impossibly broad skies and midnight suns
dancing under the northern lights in my cousin's wedding.
You gave me a
plastic bag with two passports, cracking open
the world.

To Washington:
You are the ever-green land
vibrant and beautiful in my memory and before my eyes
the thrumming of Seattle music,
the steam of fresh coffee on perfect grey skies
warm sweatshirts and jeans that fit just right
copper hair curling perfectly on my shoulders
poetry reading in cafe basements
excitement at discovering my voice.
You are the cradle of my closest friends
my bitterest regrets sweetening my
hang-over coffee.
You were my first start
and every new beginning after that.
You were my first home
and you will be my last.
marianne Jun 2019
What happens to us—
the dispossessed, rootless
the disembodied?
We are hungry
tasting but not eating. I long for
matter
atoms so densely packed I can
see, hear, touch—
know
I want our stories spoken out loud
by mouths and minds, intact
remembered by trees old as my ancestors
in soil we made our own
Not carried by spirits lost to the winds
and scattered

Will they hear me
when I bring my fears and sorrow
in soft-beating bundles
to lay at their feet?
Will they come with kind eyes
when I call
sweetening in the summer of my life —
for help to find my way
home?

And what, when one day I catch
a hushed fragment, riding on a most
pale wisp of wind?
whiff of wood burning,
shiver of laughter,
a darkness
not quite mine
What happens when I let go of the longing
for things apparent?
an unravelling, a swell and shimmer
of space around each atom, as I
come apart at the seams
less body, more spirit
less me,
more we

Where do our spirits rest?
If not rooted down in land and place, then
the frailest of filaments dancing
seen only in sun’s first light—
reaching out, and out     twining the other
winding together, a web of ancient pattern
staying the stars
holding us all,
whispering
Drunk poet Apr 2017
My soul aches,
Like a brain suffering from tumor.
My soul breaks,
Like that of a new day,
Telegraphing my tears  along with dolor,
Sormoning the beams of the sun each day.
.
So I sought this healer amongst waters,
Where birds sings and monkeys dance
Along the boulevards of blindness,
In a great hall of fame and great matters.
And herds converged, minds convened
Only with the Polaroids of sightlessness.
.
Like a drunkard she prays,
Welcome! Welcome! she says,
To an abode of hypocrisy, jealousy, blasphemy and misery.
The therapeutic healer, healing in agony,
Dealing in the paradise of nightmares.
With me  your fears shall fall like that of a lost boy's tears
And your pain meet the sweetening balm of my embrace.
She would make a good gift in heaven,
But even a better bribe in hell.

Balogun David {drunk poet}
Drunk Poets Society
© 2017
For a friend of mine..... Tony
Julie Anne Lail Feb 2010
I don't know what to say,
or what to call this--feeling?
No--momentum.
The speedwith which
you're crashing into me
.Suddenly, quickly, sweetly, quietly
you've crept into everything
I think of, dream, wish for.
I can't see where I've earned
anything so sweet, so kind.
Nor can i see what i could
possibly offer you.
I imagine that we are all
like grape juice, fermenting
slowly, sweetening, perfecting
and we search in each other
for the most complementary
flavor. We give a little of
ourselves to a few or many
glasses, trying, trying.
But--
suddenly, quickly, sweetly, quietly,
we pour a bit of ourselves
into one cup that blends us
perfectly into fine wine.
Third Eye Candy Sep 2019
The world is a rogue wave in an otherwise tranquil cacophony.
Like porridge in a squeaky door hinge too sleepy to be orange.
The jawbone of an *** at rest on a window sill. next to a Pi.
The world, a smoldering flume of genius, unbridled, by and by.
a continuous ravine of asymmetrical adoration.
as we inhabit the foreign,
native to Fate.

We sing the body eclectic in a percolating rue of an infinite gumbo.
Like Venice, with Florence in its teeth. our pompadours-
shameless for sport.
The heart of a battle trout in a river of Trojan lures are We!
dangling from a current as swift as any eventuality.
An upstream vagabond of illustrious toil in the wee hours. Common
as weevils in a Gin. sweetening the palate of an unctuous ablution.

sleeping through the good parts
our eyes on spikes
in the dark.
DeJuan Davis Sep 2012
Unfound

The horizon welcomes yet a new sun
But my heart remains unnoticed to you.
The deep hidden place I show to so few
Is so tightly bound to leave me undone.

Seems life has played a ridiculous pun
To leave me so bound, so helpless, so true
Tied to this one who sees nothing I do.
I will walk away, I’ve learned my lesson.

But I can’t!  I can’t! My heart is so held
To you by love’s misguided reasonings
Playing with my thoughts and unbiased mind

That you are the one, I’m forced, I’m compelled
To hope your love is close to sweetening
Until that I have found, you also find.
it's my first Italian sonnet, or any sonnet at all, for that matter.  i hope you like it.. a friend wants to put it to music.
Sweet, baby's
Breath,

Untainted,
And so pure.

A satin soft
Scent, that sounds
Sweetly
Reminiscent of
How then
Thoughts
Tumbled

Freely

Into the others.

Passively rummaging
Through my old
Collection of Sighs
For all the
Mutely, flickering
Instances in which
I
Catered
Poorly
to the
In between.

As much as I would
Like,
There's no
Teleporting
Through
Life,

There's no
Jumping
From this level
To that.

Instead,
I curl coyly
About,
In the
Slowly sweetening
Nuances
Of
Time

And sleep
Soundly
in

What's to
Come.
Diesel Mar 2021
My sweet strawberry,
I breathed in your scenty life
I tasted your sweetening ber'
I cherished your fruit delight.

I pleased your roundabout hour,
I leaved your stretchy bed flower;
I savored your seedy ripe,
My strawberry in the night.
Chaotic Melodic Feb 2013
The keys, that
Dribbling waxy fingers
Turn, their gritted smiles splice
As peppered silence
Slices through the hours,
Sinking sunlight strikes
Another ashen pair
Of eyes, closed harder
Than doors on tipsy tongues,
Painted lips
Peeling cracked whispers,
Since open woos,
Seethe rapturously
Throughout the widowed house,
Her violent shudders
Rake my ears
And aching for clenched nails
I turn
The keys, the
Greasy lock
Is deep, yet her eyes are deeper,
Hallowing my gaze
And spitting back swallowed wishes,
Sweetening flusters that tease
Wildly she smiles,
And snatched by the hook
Writhing upwards we arch,
Toes curled and eyes squinting
As the door burst open
And the light fluttered in.

— The End —