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ryn Jan 2015
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A poet's heart isn't like any other...
It's the tears that trickle with radiance through words.
     It's a treasure trove that hides but longs to
     be found.
          It's a book shelved high that wants to
          be read.
               It's the freest of all birds caged but
               unbound...

A poet's heart isn't like any other...
It doesn't beat to the capable strokes of the artist.
     It doesn't pump in the most vibrant of
     colours.
          It doesn't wield a paintbrush to
          translate its thoughts.
               But it can see through the eyes of
               painters...

A poet's heart isn't like any other...
It doesn't conform to the conventional parameters of lyrics.
     It doesn't bind itself to the requirements
     of musical harmony.
          It doesn't follow the conventions of
          genres.
               But it sings its voice loud without
               restrictions of melody...

A poet's heart isn't like any other...
It's an open secret, that whispers in metaphoric codes.
     It's an exploding universe, that merges
     back into galaxies.
          It's a sought after painting, that boasts
          of unfathomable beauty.
               It's an everlasting song, that echoes
               within the poet that embodies...
.
Dedicated to all of you...

If you're reading this...
This is for you...
.
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
Mateuš Conrad Aug 2016
now i know why i might engage with writing obscene
poems, chauvinism included, but still there
is no burning excuse in my mind with the way
western society actively desires censorship of certain
words, i already attributed censoring obscene
words as worse than what this tactic precipitates into:
the apathetic spread of *******, and violence
in general... it crosses my mind that sparring with violent
language cushions people from violet action...
to utilise violent language with that: pardon my French
attitude does more good than evil on the users...
how many road rage incidents could have been avoided
if people were unable to watch their tongue:
somehow we're making language sterile, by actively
pursuing this sort of censorship: which is not even
remotely politically related / motivated, we're bringing
an anaemic status quo in how fluidly we speak -
we desire to not hear the sometimes funny and the sometimes
awful... but we choose to see the god-fearing horrific...
ask any blind-man about music and he'd say:
well, i can dance to it in a nucleus position, centrally
gravitational pull - but ask the deaf man about
what he has to say when seeing **** written to counter
obscenity, as in cartoon-like: f&%£! it's just plain silly,
pocket-sized expression of psychotic behaviours,
rummaging through them i find only one source of inspiration:
the fact that we're in this blind-man's garden of innocence,
somehow dressed in the camouflage of censorship such
a tiny problem, that it does indeed require 23 mattresses
for the princess to not feel the frozen *** agitating her...
this sort of censorship in its application is under
a false sense of purpose, it really doesn't change people's
behaviour for the better, it doesn't pacify them, in does
the reverse: it infuriates, it makes violence more potent...
i'm still trying to figure out why such words
will make our perceptions saintly... unless of course
that's the reason behind them, as way of invoking an
anaesthetic placebo, a placebo that's actually active rather
than passive - presuming the anaesthetic placebo gives
way to an aesthetic active apathy-inducing ingredient...
meaning we can't bare to hear swear words, but we can
gladly watch 20 hours of 20 : 1 ****... censoring **** ****
**** **** will not escape Newtonian physics...
given our current scenario, Newtonian physics is far
more important than Einstein's relativity, i'd hate to be
in denial about cause & effect... as began with Socrates,
i too abhor moral relativism... of course Newton got
the gravity bit wrong, but i like the simpler version...
plus... there was no Romance with Einstein...
no apple, no tree, no Voltaire... meaning we don't necessarily
write history collectively, with all of us starting from
the big bang or the view from the Galapagos islands...
we don't... we continue writing history not from a
collective consciousness genesis... or from the collective
unconscious genesis - that's Jung with his archetypes
(devil, god, wise man, mother, father etc.) rather than
dreams (Freud) - we can chose were to write the future...
it's not so much ignorance as arm-chair intellectualism,
it's not about the safety of understanding something,
but the comfort of choosing to understand something...
which is pretty much to my excuse for my previous poems...
Heidegger... and that concept of Dasein -
i never bothered to understand it to the point of
reacting subjectively to it, by that i mean an interest
in writing about it, an interpolation of the subject with
alternative variations... i objectified it, i also countered it
when objectifying the concept turned out to be an
everyday object, shortening my quest.
the counter? hiersein, i.e. being here, here denoting a
solipsistic classification of awareness with / in the world -
which is basically me in my room, admiring my library,
my record collection, my torn sneakers, everything that
is classified exclusive to what dasein evolves into
when all its grammatical weaving only express a verb,
i.e. concern... so i thought, given this what can hiersein
(being here / nonchalance) actually show me as
my lack of interest in: "changing the world".
it became obvious yesterday, i had a hard time when i
didn't read the day's copy of the times (more on this later),
instead i had to suffice with construction site media,
you might have heard of this newspaper: the daily star,
at 20 pence a pop, you will see what £1.20 makes to
your psyche... but that's basically it, i objectified Heidegger's
concept and made it into an everyday object, in this
case and as the only case available: a newspaper -
and the trick is? well, with a newspaper like daily star
you don't actually experience dasein - it's completely
missing in this style of media, and that's worrying given
my barbaric poetry of yesterday... it's missing, not there,
such object-for-object chirality is what gives birth to
hiersein (being here); but today i returned to my usual
media diet, a flicked through the times and the natural
balance of personal objects and a fresh impersonal object
coexisted - the newspaper is truly the most adequate
compounded expression of Heidegger's dasein -
which i attribute to the constant need to emphasise an
empathy with others... empathising is a neutral form
of sympathising, since sympathy is sourced in shared
experiences: **** victims (e.g.) - therefore empathy is
something that in the ontological structuring of dasein,
which opposes the ontological structuring of hiersein,
which is structured by apathy; there is nothing else for
me to write, apart from the compendium proof
of the disparity of sources, i.e. headlines and subheadings:

- prior compendium -

i will never understand the point of autobiographies,
the majority of autobiographies are written
on a p.s. basis, after the facts / actions,
never immediately, concerning ideas /
solidified thoughts, thoughts condensed into idea
that allow thinking / cognitive narration to
continue regardless with what's being achieved...
i haven't anything autobiographical dissimilar
with something biographical...
Plato wrote that wonderful biography like
Shakespearean theatre, but i guess his critics felt
the claustrophobic tug & pull of mermaids...
still the problem ascends heights unparalleled -
even with ghost writers doing the leg-work...
cheap-buggers never learned to write, let alone read,
and here they are writing biographies...
ah, **** it... they're only sketches... whether biographic
or autobiographic... they're still mere sketches...
if this was the art world the revenue would come
posthumously, when it comes to literacy
nothing really distinguishes poets from
those prescribing pedestrian signs...
the Olympians can moan at the vacant stadium...
that there's a hierarchy in sports,
with the favoured monochrome idealisation
of where the bunny money is in the whirlpool
of the rabbit hole investment: football, volleyball...
but the literary events are the same...
people love to lie that they read the bestseller to
its full extent... but treat books like chairs and tables...
inertia prone half finished, sat on for 2 weeks of
the entire year... the Olympians are very much
like poets, and i care to distance myself from either
demand for more interest being invoked...
i like esoteric sports, i like esoteric writing...
but that's how it stand: poets are Olympians where
novelists are footballers, who retire at 30 and
then think about what to do with their wages
that are 10x higher than the everyday labourer...
start a restaurant, buy a strip of houses in Liverpool
like Michael Owen? good guess, here's to exploiting
youth disgracefully... that's what they're getting,
and these are the dilemma points to consider...
they're the equivalent gladiators of our time,
Rome was just a sleeper before it awoke once more...
but i'll never understand why these
people decided to exploit literature for gain...
all these academics with their pristine purity of discovery
are pacified when dictating print,
what poet, has a chance in hell, to appear gladly
excavated from Plato's cave of television?
about none.
i too was focusing on 20th century literature,
before 21st literature came about...
and i thought, oh god: they're really going to create
a totalitarian democracy, every artist will be
strip-searched for adding cinnamon and chilli to their
writing to bounce away from conformist
sober and sane extraction of alter wordings...
this 21st scene will become polarised...
we'll have the extinction of One Direction over a joint,
while the Rolling Stones drank a keg of whiskey
and pulled off a show... we'll have moralisation
of the fans to subdue the artists, which will mean
no artist will ably create a zeitgeist to rebel... everyone
will suddenly experience a weird sort of communism...
the worst kind... it will mean having
all the mental freedoms without the ability to
economise a coup... basically an inertia, an immediate
fatality... we can't economise a coup...
which boils down to why so many autobiographies
aren't really biographic, but rather consolidating,
by the meaning: autobiographic i intended to relate
the everyday... the most secretive account of life:
the everyday... this is stressing Proust,
even though i preferred Joyce over Proust i keep
the everyday the prime ideal: the only detail,
so that an autobiography can make sense,
automation of writing, like breathing or sneezing...
not some monetary-spinning device 20 years after
the facts... 20 years later you're pretty much writing
fiction... i am all for the biosphere of expanding
Alveoli... but when did you ever read an autobiography
that mentioned the taste of weak coffee
from the Friday of 20th of August 2016? never;
you read autobiographies
like you read self-help books...  waiting for
all that experience regurgitating motivational talk
about reaching a plateau of comparative success...
i can understand autobiographies written by the elders,
i understand biographies written about people
posthumously - but the tragedy is, given the spinning
wheel of money? we're getting "auto" biographies
written toward their 3rd volume renditions of
people aged 30... let alone 40... so much for
western society having the upper hand on political matters...
just saying: sort your own **** before trying
to sort other people's problems...
i could understand if these autobiographies were written
as described: automaton solo... but they're not...
before the compendium it's this everlasting presence
of a desired body of power being depicted:
prior the monopoly of knowledge, there was a monopoly
of literacy... given that 99% of us are literate, it
actually doesn't mean a third donkey's *******
whether we can read, or write, we got shelved in controlling
this once priestly vanity, we got taught bureaucracy alongside...
but the monopoly of literacy is way past us,
we're being convened in the ability to monopolise knowledge,
(oh please, don't let the paranoia seep in,
remember yourself when reading me, once in a while,
i don't drag you to phantasmagorical heights, even if i could,
i'd prefer you being agile in learning how to be bored
than letting your repel the same boredom i too share,
well... but **** me if you want to be the next Lenin) -
and the easiest way to monopolise knowledge? the media...
you basically need a lot of facts, and an evolved version
of dialectics, dialectics being the prime enemy of democracy
(it's not an alternative political model like despotism as
we are held to believe, it's actually dialectics,
suppressing other forms of collectivisation is the one
sure method of suppressing the attempt at dialectics
(individualism) - by making people overly opinionated,
ergo: the inability to engage with opinions, blind-alleys
throughout all plausible attempts to do so) -
so once you have enough facts to fiddle with the Rubik's cube
of juxtaposition, you end up with the ultra-scientific
form of dialectics... the matter of opinion in relation
to truth without a relative uniformity that prescribes
the status quo stasis is a debate about how accurate
we all are: i.e., is that true to the closest centimetre,
or the closest millimetre? it's a bit like watching a Zeno
paradox:
                 10.1                           and 10.01
      which one's tortoise and which is Achilles?
well, you know; ah ****! the compendium of the two
newspapers which got me slightly depressed...

- the compendium -

a. daily star

- B. BRO SAM'S SECRET 'NERVOUS BREAKDOWN'
- Laura & Jason's baby joy
- Robbie (Williams) £1.6M a night!
- BREXIT BOOST ON JOB FRONT
- ANGE DAD BACKS TRUMP
- JR'S wife Linda set to Holly
- Edd's no Beverly Hills flop
(Lana among cow *******)
- LAURA: OUR TINY TROTTS WILL BE WORLD-BEATERS
- FURY AT BAD LOSERS' SLURS
- 'Jealous sis' jibes
- MAKE YOUR KID AN OLYMPICS ACE
- Peaty: I want to be a rapper
- TV girl really ill
- **** SAM, 'ON THE BRINK OF BREAKDOWN'
- COSTA ***** HELL
- CAGING ANJEM WILL INSPIRE NEW JIHADIS
- POG'S LOADED AGENT BUYS CAPONE'S LAIR
- I'll make Kylie a pop star
- JEZ DOESN'T KNOW ANT FROM HIS DEC
- GUILTY OF DEMONIC SAVAGERY
- Great British Rake In
- Britain is *******
- BAYWATCH U.K.
- Va Va Vroom
- JUST JANE: My lover snubs plea to get wed
- HART: I'LL DECIDE WHEN TO GO.

b. the times

- Boy victim becomes a symbol of Assad's war
- US Olympics swimmers invented robbery tale, say Rio police
- Make us sell healthy food, supermarkets implore May (P.M.)
- Lost weekend of the lying best man
- fears over free speech delay law to silence hate preacher
- Met's 'commuter cops' live in France
- Husbands happiest when they earn half as much as wives
- Socialists plot to drive Britain left
- Fake human sacrifice filmed at European high altar of physics
- Officers investigated over ex-footballer's Taser death
- Number of pupils taking languages at record low
   (Mandarin @ 2,849 - % decrease of 8.1,
    alarmingly religious studies 27,032 up by 4.9%
    and psychology of status 59,469 up by 4.3%....
    meaning the mad will soon be diagnosing the sane
   as mad, just because the curriculum said so)
- Top grades add up to 100% at the school for maths prodigies
- Deprived sixth formers thrive on competition
- European students rush to get into British universities
- DVLA earns £10m selling driver's details
- Mystery over Kenyan death of aristocrat
- Journalist who voted twice reported to police for
  'fraud'
- Tomato tax threatens European trade war
- Love story of the Pantomime
- Homeless conmen fleeced widow, 81
- Brownlee brothers at the Olympics...
- Hopeful shoppers give sales a lift after Brexit vote
- MoD guard could be stood down despite terrot threat
- Owners spit mansion after failing to sell
- The job with international appeal: saving our hedgehogs
- Finch warns unborn chicks if weather gets warm
- Migrant violence rises after decline in policing around Jungle
- Longest road tunnel promises a relaxing ride under Pennines
- Mothers step up to drive Tube trains through night
(rowdy teens ageing exponentially on a Saturday night
when not getting a lift, ******...)
-MP's deal with bookmaker to be investigated
- Ebola nurse 'hid high temperature'
- Shoesmith's ex-huspand kept child *******
- Morpurgo war tale springs into life
- Supergran fights off teenage muggers
- IVF is more successful for white women
OPINION SECTION
- Great political fiction is good for democracy
- the BBC is leaving its audiences in the dark
- airline food? just pass me the gin and tonic
- Modern Olympics began on the fields of Rugby
/ greasy polls, holding firm, tongue tied,
  call for compulsory targets to tackle obesity,
second in line, mindfulness course, cost of planning,
puffins v. ship rats.... and all future letters to the editor /
- Moscow presses Turkey for access to US airbases
- Hundreds killed each month in Assad's jails
- Putin bans celebration of defeated KGB coup
(another James Bond movie on the cards,
i'm assured, and with a moral carte blanche) -
Hollande clams Carla Bruni spied concerning his
use of diapers...
- Euthanasia tourists flock Belgian A & E from France,
  where a revival of ****** made people dress shark-fin
  sharp on the catwalk...
- Mosquito pesticide linkage application = intersex /
   East German women
- Haiti cholera linked to Nepalese **** and ***** via
  the
Kyle Kulseth Sep 2014
Late night. Footsteps.
Crane necks and girders.
Fog lifts. The wind cries.
Steel bones in moonlight

                        I'm out
                      so late now
and it's Sunday night and Summer's ending
                         soon.
I'm aging
                                          with questions
fermenting in my mouth
ignored for years

Fenced off. Unfinished
project shelved and waiting
                     for next Spring.

Cool night eclipsing
years spent indexing,
answers mislaid and
blueprints unrolling

Components rusting,
crane necks and girders.
Steel bones in moonlight.
Tight lipped and staring.

                             Fall comes
                             construction
halts now and the walls stand half
                            complete
And outside
                                     the chain link
shrugging off the cold and
still wondering when

Step through unfinished
building. Get home. Shelved
                      until next Spring.
RAJ NANDY Sep 2015
RAJ NANDY
37 followers
AN INTRODUCTION TO THE ITALIAN RENAISSANCE IN VERSE
                                    By Raj Nandy
THE ITALIAN RENAISSANCE WAS A PERIOD OF TRANSITION
BETWEEN MEDIEVAL & THE MODERN  WORLD. I propose to
present in three installments my researched work for both the Art &
History lovers of this Site. Kindly take your time to read at leisure before commenting. Thanks, -Raj Nandy, New Delhi.

                   PART ONE: BACKGROUND
The Term Renaissance :
The word ‘Renaissance’ means ‘to be born again’ ,
Derives from French ‘renaistre’ and Latin ‘renascere’, -
both meaning the same !
Swiss historian Jacob Buckhardt by writing “The
Civilization of Renaissance in Italy”,
Helped to popularize this term during the 19th Century !
The Renaissance evolved out of ‘Christendom’ , which
was Medieval Europe ;
Ruled entirely by the Catholic Church and the Pope !
It formed a period of transition between the Medieval
and the Modern Age ,
And as a contrast to the preceding thousand years , -
Which the Latin scholar Petrarch christened as the
‘Dark Ages’ !
This era saw a revival of interest in classical learning
of Greek and Roman art and culture ;
Focused on individual’s life on earth , with a new spirit
of adventure !
Happiness was no longer shelved to an afterlife and
repentance for salvation ;
But it lay in the advancement of human beings on Earth , -
with secular contemplation !
Thus individualism , secularism , and humanism , were
chief characteristics of the Renaissance ;
With innovations in art, architecture , and a scientific
temper of thought !
Knowledge no longer remained confined within the cold
ecclesiastical walls ,
But it spread from Italy across Northern Europe , -
To distant English shores through France !
During the Renaissance era Humanism became its
dominant philosophy ;
And there begins our Renaissance Story, since knowledge
is no man’s monopoly !
Events leading up to the Renaissance were many ;
Let me now dwell upon some salient features which
shaped its History !

THE BLACK DEATH (Peaked between 1347-1352) :
It was brought by Genoese merchant ships from the Orient ,
The fatal bacillus of the bubonic plague carried in the blood
stream of rodents !
The plague from Sicily and Italy spread to Northern Europe ,
All medicines failed , and even the Church provided no hope !
After having raged for almost a decade it started to abate ;
But by then almost one-third of entire Europe’s population
lay dead !
This deadly plague which followed the Hundred Year’s War
between England and France ,
Created social , economic and political upheavals in Europe,
leaving little to chance !
People began to lose faith in the church and on sermons of
afterlife ,
Secular thoughts now prevailed in a world where only the
fittest could survive !
Shortages of labour brought an end to Medieval feudalism
and serfdom ,
And Europe gradually emerged out of those Dark Ages, -
to greet the rising Renaissance sun !
The meager labour force could now bargain for better
wages and individual rights ;
Later, merchant guilds protected specialized labour and
their human rights !
Cities got gradually built and a new social order began
to emerge ,
Historians say that Europe saw the rise of a new Middle
Class !
As Europe gradually begun to recover from the aftermath
of war , plague, and devastation ;
The City-States of Italy lit the torch of a new intellectual
emancipation !
But before moving onto the Italian city-states, I must
mention the Holy Crusades ;
Since the Crusades opened up the doors of knowledge
and trade ;
Helping this ‘New Learning’ of the Renaissance to spread !

THE HOLY CRUSADES (1095-1270) :
At the behest of Pope Urban II and his battle cry “God
Wills It! ” ;
The First Crusade was launched to recapture the Holy Land
from Muslim infidels !
Within a span of next two hundred years eight Crusades
were launched ,
The First one took Jerusalem , but the Second failed to make
Damascus fall !
The Third led by Richard the Lion Heart, made Saladin to
grant the rights , -
To Christian pilgrims to visit their Holy shrines in Palestine !
The Fourth Crusade had sacked Constantinople , - then a
commercial rival of the Italians !
Now cutting a long story short , let us see what History
has taught !
These Crusades helped in opening up the trade routes ,
For importing paper, spices, soap, silk and luxury goods !
Trade was carried out with the countries of Levant region ,
Which included the countries from Turkey to Egypt , -
Bordering the eastern seaboards of the Mediterranean !
These trade routes formed a major conduit of culture
and knowledge ,
And exchanges and interactions broadened the mental
horizon of the Italians !
From Constantinople, recently Christianized Spain , and
the Arab lands , -
The preserved ancient classical knowledge now reached
the Italian hands !
In their School of Salamanca the Arabs of  Spain ,
Had translated works of Aristotle and classical scholars
into Arabic , - thereby preserving the same !
Later scholars translated these precious works into Greek
and Italian ,
And thus the Ancient Classics saw a glorious revival !
The scientific, philosophical, and mathematical thoughts
of the Arabs had also entered Northern Italy ,
From Egypt and the Levant region , to enrich Pre-
Renaissance Italy !
And when Byzantine Empire fell to the Turks in 1453 ,
Its Greek scholars with their precious manuscripts flocked
into Italy !

THE CITY-STATES OF ITALY :
‘Italia’, once the epicenter of the mighty Roman Empire ,
Disintegrated into several small principalities breaking
up Italy entire !
Its mountainous rugged terrain was a barrier to effective
internal communication ;
And no strong unified monarchies emerged, as in other
parts of Europe !
Italy with its peninsula jutting out into the Mediterranean
Sea ,
Had begun to monopolize the trade routes, and also to
prosper economically !
During the time of the Renaissance , Italy had numerous
autonomous city-states and territories ;
Where a powerful leader called the Signore , ruled for
a fixed tenure initially ;
But later this post was declared as hereditary !
Kingdom of Naples controlled the south ;
Republic of Florence and the Papal States the center ;
Genoese and the Milanese the north and west respectively ;
And the Venetians the eastern part of Italy .
These Italian city-states prospered greatly from its growing
trade during the 14th century ;
Its cargo ships visiting Byzantine , and the cities bordering
the Mediterranean Sea !
It became a status symbol for rich families to patronize
art and culture ;
They vied with one another commissioning paintings
and architecture !
But the Italian city-state that had prospered the most ,
Was the city-state of Florence which became the host ;
And the ‘Cradle of European Renaissance’ !
...............................................................­­................................
* ALL COPY RIGHTS WITH THE AUTHOR -RAJ NANDY*
(My Part -II will contain the Story of Florence , - " Cradle of the
Italian Renaissance". Thanks for reading, do recommend this Verse to
your other poet friends!
Comments from Gita Ashok, an Educator, from ‘Poetfreak.com’:- A thoroughly researched erudite collection of historical facts presented in a very lucid and interesting manner. This write made me reminisce all those history lessons that I learnt in school many years ago - many of which I found boring as it was taught in an intimidating way. I feel like going back in time, becoming a student once again and learning history through such creatively written works of art. But I realize that we are all yet students of life and can still continue to learn and grow. I feel fortunate to have read this great piece of literary work and I look forward to reading the second part.-  by Gita Ashok | Reply
Edit poem

AN INTRODUCTION TO ITALIAN RENAISSANCE was added 21 hours ago.
Our town was to have a rail-line
Circa the mid eighteen nineties
This story has surprised my ears
A local amateur historian apprised me just recently
Documents to support this claim are archived in Sydney

Not far out of our town
On a well know property in the district
Two surveyor pegs are still in existence
Marking the route the rail-line was to track
Though the Forefather's rail-line was never bedded down

The powers that be government leaders of the day
Shelved these impressive plans
They never saw the light of day
Ribbons of steel not coming to fruition
Leading to our town

Other town went ahead rail-lines were established to them
Out town alas and alack missed out
Look where Tamworth and Armidale are to-day
Rail being in their favor
Our town was left to languish and to be dispirited
Going no-where no-where to go

Our Forefather's now lay in their graves
Not quite resting in peace
Their rail proposal for our town unrealized
Good ideas die along with good intentions
Hence their unsettled repose

Our town could have been a regional town
Industry and population dotting the landscape
Rail would have assured our place
The Forefather's rail proposal long since shelved
Consigned into the passing vapor of time
Annie Nov 2011
She never made it
To Morocco
Rode ’cross the desert
With her Bedouin lover
Shopped for bargains
In the Souks of Rabat
Sipped mint tea
From a frosted glass.

She never went sailing
In a catamaran
And on a moonlit beach
Made love in the sand
Or drank espresso
In a café in Lima
Or danced the flamenco
In Puerto Rico.

She married a man
Cause no one else offered
Had three kids
And moved to the suburbs
Wrapped up her dreams
In brown butcher paper
Tied them with twine
And shelved them for later .

She never made it
To Morocco
Her life was four walls
Plastered in stucco
And she sighed as she thought
Of the things that she lost
The dreams that she wrapped
And shelved in the past.
Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey
CK Baker Jan 2017
He filled his week bag
with quick picks from the commissary
cover blades and skull cap
canned goods and half stated pearl
liquor bills and bleeders
for the flight of weary

Into the ****** bunks
of the western front
past sivana and nurture sage
past the pomp and ceremony
out of robes and into jumpers
and casings
and masks of gas

Light infantry and yelling men
muscled and scorned
fly boys high in 3 wing flight
mounted gunners filling the night
in hawkers and packards
and scabbard chape

Tarrant tabers and camels
dodge the vicker gun
skeleton hands grease the mill trap
carnage makers mark the rhineland
(buried in bunkers and pile bags and earth pack)

Trench helmets and metal back
under machine fire
minefields burn in muzzle and coil
deep in the shadows
and shrapnel and spear
the razor wire
and dead cold despair

Slouch hats and burning rats
kerosene lamps and droopers
the soldier stares down
the broken lines and limbs
a ****** holds steady
(shelved at a distance)
on ripped and rolled pipe and beam

It was an all in end game
a grapple for the ages;
*** in the fokker pursuit
over rolling hills and fallen comrades
into the bishop bullet
(and sporadic cheer)
which sealed the deal
in an empty field
off the brae corbie road
Charlie Chirico Oct 2012
“After hours of evaluations, our doctors came to the conclusion that he was paranoid, but speaking with family and friends, they stated that there were no obvious signs of mental distress. No one expected him to go through with the ******. He had a lot of faults, but most were thought to be harmless. His idiosyncrasies were overlaid with a well thought out patience and understanding. During the evaluation he spoke of compartmentalization, and his lack of emotional comprehension, which he explained should not be misconstrued as “apathetic behavior.”  His words were inveigled, and when he wasn’t applying his charming disposition, he was implementing a passive aggressiveness. This was a man who did not hide in the shadows, but he knew them very well. Darkness was shown through his eyes the longer we spoke, as his pupils grew larger, and his determined stare, a menacing stare, pierced people’s souls.” – Dr. Rebecca Altwater

Thursday

On the train. Not awake. It's not too crowded, around me at least. There is a group of black students, yes, I said black, because that is the color of their skin, and, well, I’m white, and I’m fine with being described as white. This is all factual. So the black, students, high school students, are creating a commotion. (I have always hated using the term “African American” because it has always made me feel prejudice. When I say it, I think of it as a label, and I’d rather not go further into what I mean by *labels
). The train smells like ****. The smell overpowers my coffee. The coffee is weak. My body is aching. I’m starting to develop a headache. (The students are now beat boxing). My head is mutating. Temples pulsating. Veins exposed. Eyes closed. The beat boxing continues.

I reach into my leather shoulder bag. I’m not looking for anything in particular, more or less trying to look busy. A woman three seats down is watching me intently. My eyes are fixated on my bag. I can feel her eyes examining me. It’s hard to rule out the theory of having a sixth sense, especially in situations as these. My fingers delicately brush over a novel, the novel I decided to read during the train ride for this work week, to which I haven’t started reading, and completely forgot I placed in my bag — (It was an impulsive purchase) it was now another item that would solidify the self-realization that I am a procrastinator, and considering that this novel was for the work week, and it is now Thursday, just proves my point further. The novel will be shelved, and another novel will take its place in my leather shoulder bag. Although I may not follow through with my intentions I am still a person who stays very consistent. I will swap novels. After work I will stop at Borders books. I’ll need a new novel for work week number thirty out of fifty-two. After a week it will be shelved, and I will start again: buy another novel, and continue to not read it. I’m a very consistent person.

Saturday

My alarm went off for thirty minutes this morning.

Sunday

Glenn, my brother, calls me early in the afternoon to invite me to dinner. A family dinner. And he informs me that our mother will be there. He graciously asks me if I can attend, but I know he only invites me because he is dreading our mother’s visit. Very seldom do I see or hear from my brother and his family, but when our immediate family is added to the equation I am the first person he calls. I am (and this is how he put it) his “emotional confidant” when he becomes too overwhelmed. The reason this is, is because it has always been a one way street. His perception of me is not the most desirable, but he trusts my word. The term that comes to mind, when him and I converse, is that I am self-destructive. It must be easy for him to give insight to this speculation when he is just as irrational as I am. Our only difference is that I have embraced the idea of negative and positive spontaneity, whereas his neurosis comes from self-induced pressure and stress. When I die, it would not be in vain if it happened without warning. I am reckless. If he died unexpectedly, it would be of great shock, but it will most likely be the cause of a brain aneurysm.  It’s funny how irony works. You know, us being brothers, and him seeing us as total opposites, when in reality our similarities outweigh the obtuse differentials.

Wednesday

It’s the halfway point of the work week. I have my new novel, untouched, in my leather shoulder bag. For the last three days (including today) I have arrived at the train station an hour earlier than usual. I made this decision Monday, and have found that it is a more logical time. Although I have an hour to **** before work, I avoid my headache (the black students) before sitting at my office desk. Thankfully, there weren't too many pros and cons that came with this decision. It was fairly easy. I could have continued to deal with an excruciating head pain, one that would stick with me throughout the day, or sacrifice an hour of sleep. The latter was the correct choice. When I came to this conclusion on Sunday I could not rest my brain. My mind was at ease, I felt relieved and content, but I was apprehensive nevertheless. Monday came and went, (slowly, because of minor sleep deprivation) along with all of my anxieties from the past week.

I never thought I’d say this, but seeing a therapist helps. There hasn't been much to articulate yet, concerning my listlessness, but my insomnia was discussed, and I was optimistic. My problems could be far worse, and when they are, maybe leaving an hour early is the answer. My next appointment is in two hours, at four, and I’m going to leave shortly. I don’t know what I will do for the extra hour I have allotted myself, but I do have a novel I won’t read and a newspaper that was left on my desk, with the headline reading, “Crime Rates Rise: How To Maintain Your Sanity During The Recession.”
CK Baker Jan 2017
Under the old house
cast in conglomerate mix
the cataract window
and cracked sill
broken joists
and cross beams
wringer wash
and saddle set

A draw string light
brings life
to the corner bench
fowler toads
and fingerlings
jitter bugs
and dazzy vance
dirt planks filled
with mason
crown classics

Buggy whip
and whippletree
shelved on the
chopboard
tackle and mucks
stacked at the back
horseshoe and jack rod
bend the pike pole
a sawhorse placed
for the Martindale push

Gallon jars
and growlers
prepped
for the taking
ropes and reins
for transport
and fest
goggle eye
jumps the flyer
setting up nicely
for the
Haldimand town fair
Mateuš Conrad Mar 2021
beginning with a title... the transcendent bicycle...
because it really is just that...
if you have walked as much as i have:
a marathon from Romford
to St. Paul's and back...
a marathon from Romford to Epping
and back...
       i don't know but i do know that
i might have been aiming for: flesh of my flesh...
aged 34... but i'm still "trapped" inside
the dimension of the bicycle like
i'm ******* quicksilver / the flash...
i haven't ridden a bicycle in well over a decade...
today i found out i have ghost muscles...
the bicycle became the antithesis of
prosthetic limbs...
   it's hardly a Descartes contemplating
a desk and / or van Gogh's chair...
beauty in pickling... depths of thought in:
picking, juices...
how a second birth happens with
the advent of thought...
when... penetrating inanimate things...
to think about objects is to...
become more objective?
         it's not like i'll summon...
a Freudian complex...
using a bicycle... as a Deleuze
did when ushering in the bicycle from
a Beckett's perspective...
  beside the "village bicycle" i hardly
want to give sway to some ******* metaphor...

the bicycle is more than a chair
a chair is such a fermentation process
since you can sit on it...
but can hardly concern yourself
with making a ******* gallop on it...
but a bicycle is not a horse...
but a bicycle is not a horse...
writes the man that...
yes... i have ridden horses...
all the equestrian clubs in Essex can shy away
from the detail of...
i have allowed myself to ride a horse
to a gallop... neck, sore... entangled in:
want of massage... yes...
but a bicycle is not a horse!
it's a dog... at best... it goes where you want
it to go...
the leash of gears the muzzle of the breaks...

the **** i need a car for?
in London... even if it's outskirts /
kilt Loon'don?
     ha ha FARKER TARTAN WILLIAMSSON...
blah!
enriched with hidden energies of
newly discovered... otherwise plainly
shelved sensations of motion...
there's nothing new about a bicycle...
said the man who withheld a smirk
when attesting...
a gap... the same centre of gravity... though...
almost like the buoyancy arrived at
when swimming...

oh how my father tried to teach me...
how peer pressure taught me instead...
it's this exasperating O oh and ah...
that's not really becoming of adding any more
detail to a rekindled love for life...

notably concerning England...
and outer-suburbia...
- when you have been walking these
labyrinth streets for months...
to be suddenly injected with
a very new, but at the same time:
a very old concept... dimension: which sharpens
the genesis of thinking about the sentence...
a new dimension of... speed...
time, space are their own affairs...
invoked for a day by a day...
walking is merely movement...
cycling? that's not merely movement...
that's...             speed...
because... there's a whole chi focus
of X yes precisely X...
        only half an hour's worth of cycling
and i covered the whole peninsula of the area...
unbelievable the detail of acquiring
traffic coordination...
a shared responsibility that a mere
pedestrian might take for granted...
      
tomorrow's a Sunday and i'm supposing
come circa 7am the
traffic should be "slim"...
having tested the breaks and the gears
somewhat proper...

bicycle bicycle... where have you been
all my past decade...
bicycle: grandfather Joseph...
death toll murk... fill the bells!
let them not resound in the night
while i reclaim the wind for my own...

- that i sometimes drift in and out
of solipsism...
yes... that solipsism is
laboratory minded experimentation
with states of autism...
but you're given the excuse
of riding a bicycle...

i wonder what wings might feel like....
a bicycle is not a horse...
a bicycle is more or less a dog...
it's certainly not a cat... meow...
if there was an advent of wind to harness...
but there's me... merely pulverising forward...
the leash the muzzle
all that's frame and the breaks:
downhill...

the lullaby of emotions intrinsic in:
blocking all rancid thinking... all thinking
like so...
Zen by ***... it's not that i know more...
i know... different... but first you have to walk
said distances... before loopholes...
wormholes appear gesticulating the mind
with a provided for, otherwise...

i'm 34 and i feel like i've just...
accomplished more than
having shed feather of my virginity...
never make me feel so entrusting...
never make me feel so demanding "x"...
peddle ******* peddle...
tread-water.... in your pyjamas...
i do remember, like an elephant's cranium
might... details of a historical tattoo...

philosophy books are...
paupers of metaphor...
language is ever hardly elevated into
a bouquet...
i don't want to be in love again...
i don't want to be such an...
undemanding... lack of ambition...
lack of sacrifice...

take me into the woods
and shoot me in the back of the head...
but before you do...
i'll merely ask...
take me into the sort of woods
where the deed be done...
but appreciate walking me so far
off the well trodden path
that you might not remember
how to retrieve a safe-footing back...
take me into the woods of no known
horizon...

guarded by a strict wall of a mile of trees
that block out the otherwise pleasant
azure of the sky come hiding the sun
at sunset... or sunrise...
in that zenith of immobile grey
between the hours of commotion
when nothing is to be salvaged as one's
own... but... abhorred as it too must be...
somehow... shared...

some privy in on England... a land
of fertile imaginings...
when Descartes had his table, and chair...
to fist & fester on...
i'll lay clamour to the debris of alt...

yes: an overbearing load of sensation:
delusional.. let's put him in his "right"
place... let him believe the sole provided
the psychiatric source of angst
no purpose = no posit of transcendence...
no bicycle...
   custard... pie-load...
angst...
               jerking off from "excess" libido...
well... exercise the "excesses" of libido elsewhere...
exert well squid parallels
and more: firm grasp... "tentacles"...
see the same within the confines
of an "elsewhere"...

how ***** i became being so...
muscular abiding... simultaneously... docile... too...
it's not a Lamborghini it's not
a British T... triumph motorcycle...
it's a peddling ingenuity of
somewhat self-origin...

i could have eaten up a Solomon's share
of ****** and *******
that same of wisdom...
should i, could i, would i have
demanded less than was already left available
from the Tetragrammaton...

how did "we" ever learn to laugh...
how was HA... the hebrew definite article spawned
those biggest,
no... those grieving questions...
how a monotheistic deity might be all
good... yet somehow not all powerful...
yet all powerful but not all good...
bling alley... cul-de-sac view:

the algebra not solved: attempted by
numbers...
letters later sieved...
and more letters sieved...
played the party pooper with membrane knowledge
of katakana and Hangul...
because... Latin script does slip...

chi-focus?
the multiplication ascend of:
what was walked prior...
can now be cycled... shortened because no
"lost" time was ever to be grieved...
although... the front suspension is...
an unwelcome addition...
ha ha... privy me on details
like... excesses that are there...
21 gears and when there was a rigid frame
throughout and rising up from
a sitting position is not necessary...

no... i'm not gearing up for motorcycles...
i like the idea...
but also... subsequently... the experience...
of a double-decker... bus...
of a bus of being the transit mahjong skeleton...
pieces... mein alles!

mein alles!             gott, mit... uns!

yes... unbelievable... the demands for yachts...
for ******... diminished into a fizzle....
when a Beijing demand for bicycles
skyrocketed... and all that was left to salvage
was... promises of a Sunday,
circa 7am...

hidden gems of plied-play-dough-esque:
sort of truths...
sort of beefing up... doubting pork...
within the confines of chops...
between me and a prisoner...
between me an a prisoner...
it's hardly the yacht...
the hardly any nuance of bother...
believe the existence of hierarchy...
because the Bolsheviks didn't
come about the first time around...
second try...
escape the English cwown they said...
escape the litany of squares
they-void-thought... "said"...
herr omar bin sa-id...
conquest of the Hey-Brews... "said"...

don't undermine the intricate
tribal workings of...
half-possessed...
half truant... thereby almost totally... true...
associates of Casimir the Great...
there be a god of wisdom
and there be a god of fire...
there be a god of letters...
if so...

the same god will be inclined
to mind...
an apostrophe as much as a surd (letter)
in Ęgli-sh...
when not minding... "it"..
lay an Ę to the side to wreck havoc with...
ha ha!    Щ...

  Ę / Щ... the **** are you looking
at me... like i were the one
who killed your mother with a *******
harmonica / what have these galoshes to do with
"these" galoshes...
what has this pumpernickel to do with
this windmill... "this" is an obstruction...
the proverb states...
what has a pumpernickel to do with
a windmill?

exactly... ****-all!

two-riddle *******' worth... worth of...
newly ******* jargon... and crust of...
for the load that might be minded
invigorating life... as life in prospect...
re-orientating man toward the clamour
of detailing sky...
not on foot...
not on horse...
not via car... will you...
to hell with running down...
a stampede of perspective...

planet... luancy? is that where we are all,
from?
i am born of madness...
i am this salty precursor of i think...
clearly i first arrived...
later... i somehow managed to "think"...
i didn't think first
but i certainly didn't either:
i think therefore i am therefore i think...

i was more on the lines of...
from the lineage of:
trouble...
i am therefore i think therefore i am...
i am not a spider i'm not all emptying and detailing
the filling of gob-***** with
i am hungry i am vector...
i am therefore i think therefore i am...
but this... ****** of french...
premature *******....
of i think therefore i am... therefore i think:

honestly? thinking is sometimes not...
necessary...
sometimes water needs no... glue, metaphor...

Amsterdam's open mouth darkseid
apocalypse abode...
le trio joubran - masar.... a finite quest...
primo.... detailing conquest...
handling crux....

            the cat's in the riddle...
the yard is in a mile...
scrutiny of the Levant...
           leverage of hark... -ing
denote: closure... of "ambition":
this lesser "king"...
brow of the most dignified...

                   keeping with allowance
(an)
  justly, met...
  
give me wind:
   give me... air...
not... hair... i laugh... i laugh too little...
i chisel my teeth...
i scream: nothing primo!
my life but q.
there are more lived importances
that matter, thus...
cradle... diamonds...

"the end".
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
Nat Lipstadt Oct 2013
~~
dedicated to Ashleigh Riddle,
who knows that forwards and backwards can both be the right way



<>
Homework assignments, please pass them in!

Mmmm ok who didn't submit?

Stand up please!

Ah Mr. LIPSTADT, I should have known!
No poem?

Oh yes sir, I have a poem, even three!

But the dog et them, so if you want, I'll
Recite them please?

{general laughing and snorting in the classroom}

Oh really, Mr. Lipstadt,
why don't you come up to the front
And share with us but one of,
(big sneer on teach's face)
Your creativity!

Shuffle up to Buffalo, where hysteria breaks out,
For now the world is informed that I am wearing
One black and one brown shoe,
The din is attracting the notice of the class
next door, room 402.

Order! Order! Settle down.

Ok let us hear what you dint write!
(Dint, oh boy)

The Poem (the one the dog et):

A special day this quiet Tuesday,
For when I awoke, looked outside,
I saw what I saw,  quickly realized,
That this was the day to
break the norms.

Why must I wear two shoes of similar hues?
My can't my hair be color enhanced by the pink of you!

You just noticed my shirt and pants are  on backwards?
Perception in the eye of the beholder,
Beholder that be me, because,
Today, behold!
It is break the norms day!

Moon in the sky morning,
It knows the way, its place
When gravity, cycles, temporarily shelved,
On the break the norms day

Kissed my mom before I left for school,
My dad, my brother, my sis, too whoo hoo,
** **, you shoulda seen their faces,
When I sauntered out the door,
Humming, C'mon baby light my fire

The crossing guard gave me my usual,
A whistling hello,
Today, I whistled back,
The whistle of
Hey babe, looking good,
She blushed so hard,
The drivers thot the light was
Stuck on red!

This is how I spent my morn,
On the day of breaking the norms!


But even on break the norm day,
Somethings are constant, forever,
For instance, the path to the
School office, La Principal, unchanging,
Her grimaced visor in place,
Till she closes the door.

Then she says tell me honey child,
One of my unusual ones,
What trespasses have you committed today?

Well, the dog et my poetry,
But knew it well and true,
Offered to recite, not a riot incite,
May I please say one for you?

She said:
I know for a fact that you don't have
A dog, but nonetheless,
Sing to me, child,
Give me words
That justify
Giving most of
My lifetime to
Children.

So I gave her a listening
Of one I writ the week before, called,
"He taught them well."

She wept.
Ok, teary-eyed glistening,
She said, as punishment for class disrupting,
You will be suspended for the rest of the day,
You will have spend the rest of this diurnal,
Sitting next to me, thus,
We will break one more norm, together....

---------------------
For Helen, "I have so many partial poems I'm thinking of just mashing them together and maybe the dog will eat them..."
In all poems, I swear there is always a kernel of
Truth.

HE TAUGHT THEM WELL
<>
He cared enough,
So much so to
reason with them.
Never diminishing their simplest prose,
Even if it rhymed with rose....

He loved them in his way,
A teacher, once his student,
This year, then forever.

Their woes he read,
In every submission,
No threat treated idly,
He knew but one grade,
Caring.

One rule strictly observed,
No touching,
In this sad age, a crime without
Any absolution.

Then came a day.
School arrived, pre-bell by ten minuets,
His customary arrival time.

This day different.

The long corridor to the classroom entree,
Lined like Noah's ark, two by two,
On each side,
His students past and present aligned,
They would not let him pass,
Till he hugged each and everyone.

Thus, they taught him well the meaning of
Just rewards,
For they were his,
Yes, they were his,
Not for the taking,
But for the giving.

His subject,
of course,

Creative writing!
Rachel May 2013
I am tired, I am worn
For this is the calm after the storm
Heart beat ceases to race
Everything seems to fall into place
Take comfort in cycles and patterns,
Separate the insignificant from what matters
History repeats itself they say,
The universe works in funny ways
So push thoughts of growing older,
Of growing colder, of forgetting to be bolder
To the back of my mind
Shelved away somewhere difficult to find
And think instead of stories that turn out okay
Think of the sound of waves and rainy days
For I am slowly breathing
Almost sleeping
Nearly dreaming
Simply being.
Poetoftheway May 2019
she smells (nameless and shameless)


a concoction of mixed aromas,
a once in a lifetime scent,
impossible to bottle,
impossible to name,
nameless and shameless

morning coffee, last nights vin rosé,
a come-a-little-closer-tasting for the summer solstice,
the stale of the evening meals of grains and kale,
the sour remains of bedroom sweat,
the displeasing scented sight of
sweat soiled clothes carelessly discarded

the first of the season red spot-stained white peonies
fail to mask the bodies aromatic musks,
which are mostly gender identifiable

my sneakers hail mary, her stockings odorize the atmosphere
most unusually, nylon and lycra are strangely familiar,
prior memorized perhaps, from deep within, a ****** hallelujah,
deep amidst where, the ***** linens are shelved and binned,
before they journey to the Egypt Nile of the basement waters

the burnt crumbs of illegal in-bed brioche toast
amazingly invisible on unclean sheets,
state “breakfast in bed, was yummy in the tummy,
but next time use a big dinner plate,
down here, the burnt of the bread and the burnt
of other things (popcorn pieces)
is just a scratchiest fragrance too far,
needing a sheet wiped clean slate

even the colorless and tasteless water
absorb the ionosphere of smells,
because one does usually speak poetically,
one of us makes a (vice) presidential declaration:

she smells, I man-ually stink, each,
each glower shower nower,
open the window to the spring wet grass aroma fresh cut,
to exhume and then send away
this odor now christened,


nameless and shameless


11:47 28/4/19
i believe in a thing called love,

in toxic oxytocin tears and

jagged daggers of emotions

that hit hard and quick and deep

leaving lovers dazed and aroused

on kitchen tiles and sticky dance floors.

i do believe in love, i do,

in blood filled love potions

you put so much of yourself into it

that she just has to love you

she has to, she must,

and she does, she does,

ugly crying but ****,

for you, all for you,

please just hold on

she pleads -

mucus filled tears cascading down her face,

*******,

thighs,

pooling on the floor,

making the doctors both cringe with disgust and

simultaneously lean forward with interest

swaying in non-existent breeze -

and you die with your first kiss in your fist

and a piebald smile that splinters her inside forever

but i guess that isn't your fault, right?

i do believe in love, i do, i do,

in unfettered devotions

in ****-that-guy,

the quality relationship improvement show,

because you want to be a lover

but the guy ain't right

so just make him up

and use a real guy as his outside

you love him sanded, smoothed, buffed, painted

with rims and an inexplicable 48 inch lcd screen

you'll officially get hitched but don't cry

divorce is common and either way it doesn't matter

just look pretty and make sure to squint.

i do believe love, i do

i believe in

poisoning yourself for Juliet

rather than taking her pulse

to taking dear John's heart and

jumping on it happily

because you love him sooooo much

but like, the world has conspired against you,

not with guns and bombs and videotape

but with, like, freely made decisions,

peer pressure and jagermeister  

his blood makes pretty patterns on your

milk white thighs and i guess that

he sticks around for the show

oh boy, i believe in love, i do, that

6 and 9 aren't meant to be together

they just fit, that

there's no place for 'pure' in love cos it's all

pain and *** and spit

as for 'star crossed lovers'

the stars are always crossed

else eclipses would be boring and

each lost lover on a course

i do believe in love, i do,

in the sweetheart who lispes

licking earlobes and bottom lip biting

of metal snakes, happy fates

and piscean traits,

exuding high fructose glucose syrup

instead of saliva

so kiss them carefully or you'll

sugar high and sugar low

and sugar crash and burn

with every cosmic turn and

oh, i believe in love, lovers, oh i do, i do,

in the swirls of black and white that

play ying and yang

that kiss and grate and fornicate

forming a pasty grey

declaring that their grey is the

greyest, greatest, gayest grey

i do believe in love, i do,

bridezilla has destroyed new york in the

quest for the perfect dress as

otherwise her,

sorry,

their,

day will be ruined

milan and paris are shaking in their loius vuittons

praying they will be passed over

oh anna wintour,

just one more working day

please let the cake be next on it's list,

deliver us, oh lagerfeld, from

polyester blend shrouds in hideous off white,

amen.

but yeah,

i do believe in love, i do,

in philosophers that never tire

who'll be debating whether

kpattz, robsten, or my name for it,

sorry, them,

pattenwart,

really love each other

or are merely feeding off the media **** storm

to soothe their fragile bodies

and appease their shiny deities.

so yeah, i know what it involves

every ingredient labelled and shelved

sampled and sicked up and

given 5 star reviews on amazon

with words of advice

and i do believe in love.

i do.

oh, i do

so friends,

hold out your bleeding hearts

apply some anti-skeptic

your wounds will heal in 30 days

give or take a century.
Ira Dawson May 2014
I bottled my guilt and shelved it for another day
10 words on guilt!
Mateuš Conrad May 2020
i'm not a "gamer"... i'm a brothel leech...
a gomorrahite...
   this antithesis of safe-space
sodomites...
      gaming: ending with MGS1...
FFVIII... tenchu...
      for the console...
age of empires...
rome: total war...
                           i'll pay an extra 10 quid
to slur an oyster...
on top of 10 quid goes to
the madame... this fat ***** that would look
better in a slaughterhouse...
and that... gimp... turk... "turk"...
of a bodyguard: 5'9"... of something
i'd rather: first: sneeze on...
before piunching it for a sound
a making solids...

i'm not a gamer... but i'm keen pmn narratives...
and i'm willing to provide the diskjockey
sountrack...
either all vomito *****...
or... :wumpscut...
soylent grün...
                               thorns...
bunkertor sieben...
          anita sarkeesian: but...
                 i know when something
becomes just about enough:
       annoying...
if i had children...
             i'd be... but i don't...
so there's no point me venturing to:
the far far away... in... once upon a time
sort of galaxy... and story...

what could possibly be wrong
with: reclaiming a nation a place
for the orthodox in-breeders to secure
the spireweb waiting for the spider?
cousins best... confined...
to Gaza human shields reunion...
i don't mind the brothers ******* the sisters...
contraception: please...
but when cousins are *******
and no contraception is invoked...
anyone? with two months spare...
for liberal lingo...
and... how... the flu was given...
a "season": interlude...

            sooner i choke on blood...
the nation and the diaspora...
sorry... but the 'ebrews aren't the sole depostiory
"grieving party":
forever those not knowing
the snow of cracow... "oops":
yeah... that... "oops"...

        iowa.... is like that,,,
the ukraine of europe: the ukraine
of h'america: iowa?
and albania... the physiognomy of
a ******* plato: the vestern
vegeterians still keep dubbing it: "east"...
east is turkey... it isn't...
mesapotamia... whittle asia...
whittle shrimp ****...
**** cares you get covered in
**** phlegm... no... seriously...
what... sh'sh'shire?!

      keep pushing back the "east" *******...
albanians are practically macedonians
are practically greeks:

ancient greece is the birth of our modern
democracy: say that... pretending to be...
constipated...
east... east of Berlin? east of... Kiev?
east of Warsaw... east of Bucharest...
east of Budapest... i'm pretty sure:
south of Stockholm, Oslo, Helsinki...
dangengham & reddbridge and copenhagen:
not... "too... sure"...

east ******! greenwich mean-time!
part of the club: not part of the club...
**** it... wozz-eVer...
albanians are the sort of east
that the greeks are sort of north...
because...
   being a... greenwich:
**** three ways tends to be...
a bit... "confusing"...
                                                  ­       no?
tabloid press entertainment...
           shoot a lucky 'un from Syria...
go on... heavens only knows why
saudio arabia sits: fat... and harem...
impotent... when it comes to...
sheltering the syrias...
so much for the ummah!
so much for islam!

         *******: pseudo saudi grecoid!
you pseudo-arab
                     turk wash-up monkey!
that lawrence:
better shelved that care for a suntan...
beside...
            pakistani: ummah proud!
three words...

                   khadija **** khuwaylid:
who wrote the first surahs when
everyone treated muhammad as an ******?
he was the illiterate...
she was the older woman...
with an acumen for business...
she was literate... he wasn't...
miracle! a ****** mary birth!

                            *******'s worth of levant crap:
best kept in zoological matters...
you already stole the gods...
i have 'ere...
the crucifixion... i must make that
obsolete: if investigated:
by investing in a pike... running through
at the genesis: **** or pelvis...
hands died...
what of: "n.e.w.s."?!

           i don't game... i don't gamble...
this is plenty;
not enough the nation...
because... the status quo of the diaspora...
no? it has always remained a concern
that was already made available:
what is the intellectual concern
for the nation...
when all intellects: for... nationalism...
have failed...
who is to unhinge: the strict foundations
of 2000 years of the diaspora...
and the yids are not alone...

           who would require a bunch of israeli
farmers of dates and lemons...
when the diaspora of brookyln 'ebrews is:
as it ever was...
or the diaspora of persians...

                  call it a "nation"... i call it...
native russians of cosmopolitan moscow...
rereading the mythology of...
      the kamchatka peninsula...
          eh... what's alaska?
             wet wood to burn...
                                       nation: the cosmopolitan
antics! *******! *******! thrice! the cockerel!

saudi arabia could: saudi arabia should...
given the concept of the ummah...
give... what the syrians deserve...

     but seeing how the saudis treat the syrians
like they're kosovans: remains of the ottomans...
etc.: and the afghans are like...
this in-breeding fetish for understanding
iceland... etc. etc.
      
         simplified bargains of narrative...
              who takes who and what...
who's what and what's who...
        i almost forgot...
it's not repatriation: not really...
when the sundail: proper... isn't moving...
to repatriate within the confines of:
made in china...

                   ten thousand romanian
fruit pickers...
   i was born into a theatre of metallurgy...
soviet: yes...
but cheap soviet iron is better than
cheap-****-*****...
         repetriation of economy... comes first...
then... comes the thought concerning
the "outliers".
Michael R Burch Aug 2021
This page contains several double limericks, a rare triple limerick, and a new version of the double dactyl that I invented, called the "dabble dactyl."



The Platypus: a Double Limerick
by Michael R. Burch

The platypus, myopic,
is ungainly, not ******.
His feet for bed
are over-webbed,
and what of his proboscis?

The platypus, though, is eager
although his means are meager.
His sight is poor;
perhaps he’ll score
with a passing duck or ******.



The Better Man: a Double Limerick
by Michael R. Burch

Dear Ed: I don’t understand why
you will publish this other guy—
when I’m brilliant, devoted,
one hell of a poet!
Yet you publish Anonymous. Fie!

Fie! A pox on your head if you favor
this poet who’s dubious, unsavor
y, inconsistent in texts,
no address (I checked!):
since he’s plagiarized Unknown, I’ll wager!



Hell to Pay: a Double Limerick
by Michael R. Burch

A messiah named Jesus, returning
from heaven, found his home planet burning
& with children unfed,
so he ventured: “Instead
of war, why not consider cheek-turning?”

Indignant right-wingers retorted:
“Sir, your pacifist views are distorted!
Just pull the plug quickly
on someone who’s sickly!
Our pursuit of war can’t be aborted!”



These poems form a double limerick:

No Bull
by Michael R. Burch

There once was a multi-pierced Bull,
who found playing hoops far too dull,
so he dated Madonna
but observed, “I don’t wanna
get married . . . the things she might pull!”

So this fast-thinking forward named Rodman
then said to his best man—“No problem!
When I marry Electra,
if the ring costs extra,
just yank a gold hoop off my ****, man!”



I once provided the second stanza to a famous limerick, turning it into a double limerick …

A wonderful bird is the pelican;
His beak can hold more than his belican.
He can hold in his beak
Enough food for a week,
Though I’m ****** if I know how the helican!

Enough with this pitiful pelican!
He’s awkward and stinks! Sense his smellican!
His beak's far too big,
so he eats like a pig,
and his breath reeks of fish, I can tellican!
—second stanza by Michael R. Burch


The next two poems form a double limerick with separate titles:

Time Out!
by Michael R. Burch

Hawking’s "Brief History of Time"
is such a relief! How sublime
that time, in reverse,
may un-write this verse
and un-spend my last thin dime!

Time Back In!
by Michael R. Burch

Hawking, who makes my head spin,
says time may flow backward. I grin,
imagining the surprise
in my mother's eyes
when I head for the womb once again!



This is another double limerick with separate titles:

Toupée or Not Toupée, That is the Question
by Michael R. Burch

There once was a brash billionaire
who couldn't afford decent hair.
Vexed voters agreed:
"We're a nation in need!"
But toupée the price, do we dare?

Toupée or Not Toupée, This is the Answer
by Michael R. Burch

Oh crap, we elected Trump prez!
Now he's Simon: we must do what he sez!
For if anyone thinks
And says his "plan" stinks,
He'll wig out 'neath that weird orange fez!



Not all double limericks are light affairs:

Self Reflection: a Double Limerick
by Michael R. Burch

for anyone struggling with self-image

She has a comely form
and a smile that brightens her dorm . . .
but she’s grossly unthin
when seen from within;
soon a griefstricken campus will mourn.

Yet she’d never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.



Triple Limerick: Attention Span Gap
by Michael R. Burch

What if a poet, Shakespeare,
were still living to tweet to us here?
He couldn't write sonnets,
just couplets, doggonit,
and we wouldn't have Hamlet or Lear!

Yes, a sonnet may end in a couplet,
which we moderns can write in a doublet,
in a flash, like a tweet.
Does that make it complete?
Should a poem be reduced to a stublet?

Bring back that Grand Era when men
had attention spans long as their pens,
or rather the quills
of the monsieurs and fils
who gave us the Dress, not its hem!



Officious Notice: I have invented a ***** nonsense form: the "dabble dactyl." A dabble dactyl starts out like a double dactyl, but forgets the rules and changes horses midstream. Anyone who prefers order to chaos should give the dabble dactyl a wide berth and also not sow any wild oats.  Otherwise, “A little dabble’ll do ya.” — Michael R. Burch



Double Dactyls
by Michael R. Burch

Sniggledy-Wriggledy
Jesus Christ’s enterprise
leaves me in awe of
the rich men he loathed!

But why should a Sadducee
settle for trifles?
His disciples now rip off
the Lord they betrothed.



Donald Dabble Dactyl #1
by Michael R. Burch

Higgledy-Piggledy
Ronald McDonald
cursed Donald Trump, his
least favorite clown:

"Why should I try to be
funny as Donald? He
gets all the laughs,
claiming upside is down!"



Donald Dabble Dactyl #2
by Michael R. Burch

Wond’ringly, blund’ringly
Ronald McDonald
asked, “Who the hell
is this strange orange clown?”

“Why should I try to be
funny as Donald? He
gets all the laughs,
claiming upside is down!”



Donald Dabble Dactyl #3
by Michael R. Burch

Piggledy-Wiggledy
45th president,
or erstwhile manse resident,
perched on a throne

of gold-plated porcelain
matching his orange “tan,”
bombing Iran
from his twittery phone?



This famous limerick inspired my Einstein “relative” limericks:

There was a young lady named Bright
who traveled much faster than light.
She set out one day
in a relative way,
and came back the previous night.

I recently learned this poem was originally penned, in a slightly different version, by Arthur Henry Reginald Buller; his limerick appeared in Punch (Dec. 19, 1923). I find it intriguing that one of the best revelations of the weirdness and zaniness of relativity can be found in a limerick. I was inspired to pen multiple rejoinders:

The Cosmological Constant
by Michael R. Burch

Einstein, the frizzy-haired,
said E equals MC squared.
Thus all mass decreases
as activity ceases?
Not my mass, my *** declared!


***-tronomical
by Michael R. Burch

Relativity, the theorists’ creed,
says mass increases with speed.
My (m)*** grows when I sit it.
Mr. Einstein, get with it;
equate its deflation, I plead!


Relative Theory I
by Michael R. Burch

Einstein’s theory, incredibly silly,
says a relative grows, *****-nilly,
at speeds close to light.
Well, his relatives might,
but mine grow their (m)***** more stilly!


Relative Theory II
by Michael R. Burch

Einstein’s peculiar theory
excludes all my relatives, clearly,
since my relatives’ *****
increase their prone masses
while approaching light speed—not nearly!


Relative Theory III
by Michael R. Burch

Relativity, we’re led to believe,
proves masses increase with great speed.
But it seems my huge family
must be an anomaly;
since their (m)***** increase, gone to seed!



The Heimlich Limerick
by Michael R. Burch

for T. M.

The sanest of poets once wrote:
"Friend, why be a sheep or a goat?
Why follow the leader
or be a blind *******?"
But almost no one took note.


These are limericks of the singular variety …


Caveat Spender
by Michael R. Burch

It's better not to speculate
"continually" on who is great.
Though relentless awe's
a Célèbre Cause,
please reserve some time for the contemplation
of the perils of EXAGGERATION.


This is another of my scientific limericks …

Parting is such sweet sorrow
by Michael R. Burch

The universe is flying apart.
Hush, Neil deGrasse Tyson’s heart!
Repeat, repeat.
Don’t skip a beat.
Perhaps some new Big Bang will spark?


Low-T Hell
by Michael R. Burch

I’m living in low-T hell ...
My get-up has gone: Oh, swell!
I need to write checks
if I want to have ***,
and my love life depends on a gel!


ANIMAL LIMERICKS
A much-needed screed against licentious insects
by Michael R. Burch

after and apologies to Robert Schechter

Army ants? ARMY ants?
Yet so undisciplined to not wear pants?
How incredibly rude
to wage war in the ****!
We moralists call them SMARMY ants!


Dot Spotted
by Michael R. Burch

There once was a leopardess, Dot,
who indignantly answered: "I’ll not!
The gents are impressed
with the way that I’m dressed.
I wouldn’t change even one spot!"


Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



The Dromedary and the Very Work-Wary Canary
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"


The Mallard
by Michael R. Burch

The mallard is a fellow
whose lips are long and yellow
with which he, honking, kisses
his *****, boisterous mistress:
my pond’s their loud bordello!


The Trouble with Elephants: a Word to the Wise
by Michael R. Burch

An elephant never forgets
and thus they don’t make the best pets:
Jumbo may well out-live you,
but he’ll never forgive you,
no matter how sincere your regrets!


The Limerick as Parody
Marvell-Less (I)
by Michael R. Burch

Mr. Marvell was ill-named? Inform us!
Alas, his crude writings deform us:
for when trying to bed
chaste virgins, he led
right off with his iron ***** ginormous!


Marvell-Less (II)
by Michael R. Burch

Andrew Marvell was far less than Marvellous;
indeed, he was cold, bold, unchivalrous:
for when trying to bed
chased/chaste virgins, he led
right off with his iron ***** ginormous!


Here's a limerick about one of the universe's greatest ironies: the lack of rhyme words for "poetry" and "limerick." I almost solved the latter, but fell a bit short:

Shelved Elves
by Michael R. Burch

I wanted to rhyme with “limerick”
and settled on “good old Saint Slimmer Nick”
about a dieting Claus,
but drawing no “ahs!”
I glumly rescinded the trimmer trick.


To show the flexibility of the limerick form, it has often been used for political purposes, and to expose, satirize and savage charlatans. Here are are two such limericks of mine:

Baked Alaskan

There is a strange yokel so flirty
she makes ****** seem icons of purity.
With all her winkin’ and blinkin’
Palin seems to be "thinkin’"—
"Ah culd save th’ free world ’cause ah’m purty!"

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



Going Rogue in Rouge

It'll be hard to polish that apple
enough to make her seem palatable.
Though she's sweeter than Snapple
how can my mind grapple
with stupidity so nearly infallible?

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



I have even written limericks about religion, mostly heretical limericks:

Pell-Mell for Hell Mel
by Michael R. Burch

There once was a Baptist named Mel
who condemned all non-Christians to hell.
When he stood before God
he felt like a clod
to discover His Love couldn’t fail!


Why I Left the Religious Right
by Michael R. Burch

He's got Jesus's name on a wallet insert
and "Hell is for Queers" on the back of his shirt
and he upholds the Law,
for grace has a flaw:
the Church must have someone to drag through the dirt.



Ribbing Adam
by Michael R. Burch

“Dear Lord,” fretted Adam, depressed,
“did that **** really rupture my chest?”
“Yes she did,” piped his Maker,
“but of course you can’t take her,
or I’d fry you in hell, for ******!”



There was an old man from Peru
who dreamed he was eating his shoe.
He awoke one dark night
from a terrible fright
to discover his dream had come true!
—Variation on a classic limerick by Michael R. Burch


There once was a poet from Nashville
which hockey fans rechristened Smashville,
but his odd limericks
pulled so many weird tricks
his pale peers now prefer Ogden Gnashville.
—Michael R. Burch


There once was a poet from Tennessee
who was known to indulge in straight Hennessey
for his heart had been broken
and cruelly ripped open
by an ice-hoarding Dame of Paree.
—Michael R. Burch


Here's one for the poets:

The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.


Here's one for the Flintstones:

Early Warning System
by Michael R. Burch

A hairy thick troglodyte, Mary,
squinched dingles excessively airy.
To her family’s deep shame,
their condo became
the first cave to employ a canary!


Donald Trump Limericks aka Slimericks

Viral Donald
by Michael R. Burch

Donald Trump is coronaviral:
his brain's in a downward spiral.
That pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.


Stumped and Stomped by Trump
by Michael R. Burch

There once was a candidate, Trump,
whose message rang clear at the stump:
"Vote for me, wheeeeeeeeeeeeeee!,
because I am ME,
and everyone else is a chump!"


Humpty Trumpty
by Michael R. Burch

Humpty Trumpty called for a wall.
Trumpty Dumpty had a great fall.
Now all the Grand Wizards
and Faux PR men
Can never put Trumpty together again.


White as a Sheet
by Michael R. Burch

Donald Trump had a real Twitter Scare
then rushed off to fret, vent and share:
“How dare Bernie quote
what I just said and wrote?
Like Megyn he’s mean, cruel, unfair!”


15 Seconds
by Michael R. Burch

Our president’s *** life—atrocious!
His "briefings"—bizarre hocus-pocus!
Politics—a shell game!
My brief moment of fame
flashed by before Oprah could notice!


Trump’s Golden Rule
by Michael R. Burch

Donald Trump is the victim of leaks!
Golden showers are NOT things he seeks!
Though he dearly loves soaking
the women he’s groping,
get real, 'cause he pees ON the meek!


Cancun Cruz
by Michael R. Burch

There once was a senator, Cruz,
whose whole life was one pus-oozing schmooze.
When Trump called his wife ugly,
Cruz brown-nosed him smugly,
then went on a sweet Cancún cruise!


Anchors Aweigh!
by Michael R. Burch

There once was an anchor babe, Cruz,
whose deployment was Castro’s bold ruse.
Now the revenge of Fidel
has worked out quite well
as Cruz missiles launch from his caboose!


Canadian Cruz
by Michael R. Burch

There was a Canadian, Cruz,
an anchor babe with a bold ruse:
he’d take Texas first
and then do his worst
to infect the whole world with his views.


Eerie Dearie
by Michael R. Burch

A trembling young auditor, white
as a sheet, like a ghost in the night,
saw his dreams, his career
in a ****!, disappear,
and then, strangely Enronic, his wife.

Fortune named Enron "America's Most Innovative Company" for six consecutive years, but the company went bankrupt and vanished after its accounting practices were determined to be fraudulent.


The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

The poem above was inspired by a Josh Parkinson depiction of Elizabeth Bathory swimming up to her nostrils in the blood of her victims, with their skulls floating in the background.



***** LIMERICKS



A randy young dandy named Sadie
loves ***, but in forms reckoned shady.
(I cannot, of course,
involve her poor horse,
but it’s safe to infer she's no lady!)
—Michael R. Burch


There was a lewd ***** from Nantucket
who intended to *** in a bucket;
but being a man
she missed the **** can
and her rattled johns fled, crying: "**** it!"
—Variation on a classic limerick by Michael R. Burch


Here are three "linked" Nantucket limericks of mine, forming a triple limerick:

There was a coarse ***** of Nantucket
whose bush needed someone to pluck it
’cause it looked like a chimp’s
and her johns were limp gimps
who were too scared to **** it or **** it.

So that coarse, canny ***** of Nantucket,
once ****-shaved, decided to shuck it
—that thick, wiry pelt
that smelled like wet felt—
and made it a toupee for Luckett.

Now Luckett, once bald as an eagle,
like Samson, stands handsome and regal
with hair to his ***
that smells like his lass,
but still comes when she calls, like a beagle.
—a triple limerick by Michael R. Burch


Shotgun Bedding

A pedestrian pediatrician
set out on a dangerous mission;
though his child bride, ******,
was a sweet senorita,
her pa's shotgun cut off his emissions.
—Michael R. Burch



Untitled Limericks

There was a young lady from France
Who’d let cute boys poke in her pants:
They'd give her the finger
Where she'd let them linger
because that's the point of romance!
—Michael R. Burch


There once was a girl with small *****
who would only go out with young rubes,
but their ***** were too small
so she sentenced them all
to kissing her fallopian tubes.
—Michael R. Burch


A coquettish young lady of France
longed to have ***** men in her pants,
but in lieu of real joys
she settled for boys,
then berated her lack of romance.
—Michael R. Burch


A virginal lady of France
longed to have a ménage in her pants
but in lieu of real boys
she settled for toys
& painted pinkies to make her bits dance.
—Michael R. Burch


A germane young German, a dame
with a quite unpronounceable name,
Frenched me a kiss;
I admonished her, "Miss,
you’ve left me twice tongue-tied, for shame!"
—Michael R. Burch


A germane young German, a dame
with a quite unpronounceable name,
gave me a kiss;
I lectured her, "Miss,
we haven't been intro'd, for shame!"
—Michael R. Burch


A germane young German, a dame
with a quite unpronounceable name,
French-kissed me and left my lips lame.
I lectured her, "Miss,
That's a premature kiss!
We haven't been intro'd, for shame!"
Michael R. Burch


Four Limericks  plus one Lead-In Poem

Updated Advice to Amorous Bachelors
by Michael R. Burch

At six-thirty,
feeling flirty,
I put on the hurdy-gurdy ...

But Ms. Purdy,
all alert-y,
kicked me where I’m sore and hurty.

The moral of my story?
To avoid a fate as gory,
flirt with gals a bit more *****-y!



Mating Calls
by Michael R. Burch

1.
Nine-thirty? Feeling flirty (and, indeed, a trifle *****),
I decided to ring prudish Eleanor Purdy ...
When I rang her to bang her,
it seems my words stang her!
She hung up the phone, so I banged off, alone.

2.
Still dreaming to hold something skirty,
I once again rang our reclusive Miss Purdy.
She sounded unhappy,
called me “daffy” and “sappy,”
and that was before the gal heard me!

3.
It was early A.M., ’bout two-thirty,
when I enquired again with the regal Miss Purdy.
With a voice full of hate,
she thundered, “It’s LATE!”
Was I, perhaps, over-wordy?

4.
It was probably close to four-thirty
the last time I called the miserly Purdy.
Although I’m her boarder,
the restraining order
freezes all assets of that virginity hoarder!



Teeter Tots
by Michael R. Burch

For your spuds to become Tater Tots,
First, artfully cut out the knots,
Then dice them into tiny cubes,
Deep fry them, and serve them to rubes
(but not if they’re acting like snots).



Golden Years?
by Michael R. Burch

I’m getting old.
My legs are cold.
My book’s unsold and my wife’s a scold.
Now the only gold’s
in my teeth.
I fold.



Trump Limericks aka Slimericks



The Nazis now think things’re grand.
The KKK’s hirin’ a band.
Putin’s computin’
Less Ukrainian shootin’.
They’re hootin’ ’cause Trump’s win is planned.
—Michael R. Burch



Trump comes with a few grotesque catches:
He likes to ***** unoffered snatches;
He loves to ICE kids;
His brain’s on the skids;
And then there’s the coups the fiend hatches.
—Michael R. Burch



Trump’s Saddest Tweet to Date
by Michael R. Burch

I’ve gotten all out of kilter.
My erstwhile yuge tool is a wilter!
I now sleep in bed.
Few hairs on my head.
Inhibitions? I now have no filter!



the best of all possible whirls, for MAGA
by Michael R. Burch

ive made a mistake or two.
okay, maybe quite more than a few:
mistakes by the millions,
the billions and zillions,
but remember: ur LORD made u!

where were u when HEE passed out brains?
or did u politely abstain?
u call GAUD “infallible”
when HEE made u so gullible
u cant come inside when Trump reigns.



Scratch-n-Sniff
by Michael R. Burch

The world’s first antinatalist limerick?

Life comes with a terrible catch:
It’s like starting a fire with a match.
Though the flames may delight
In the dark of the night,
In the end what remains from the scratch?



Time Out!
by Michael R. Burch

Time is at war with my body!
am i Time’s most diligent hobby?
for there’s never Time out
from my low-t and gout
and my once-brilliant mind has grown stodgy!



Waiting Game
by Michael R. Burch

Nothing much to live for,
yet no good reason to die:
life became
a waiting game...
Rain from a clear blue sky.



*******' Ripples
by Michael R. Burch

Men are scared of *******:
that’s why they can’t be seen.
For if they were,
we’d go to war
as in the days of Troy, I ween.



Devil’s Wheel
by Michael R. Burch

A billion men saw your pink ******.
What will the pard say to you, Sundays?
Yes, your ******* were cute,
but the shocked Devil, mute,
now worries about reckless fundies.



A ***** Goes ****
by Michael R. Burch

She wore near-invisible *******
and, my, she looked good in her scanties!
But the real nudists claimed
she was “over-framed.”
Now she’s bare-assed and shocking her aunties!



MVP!
by Michael R. Burch

Will Ohtani hit 65 homers,
win the Cy Young by striking out Gomers,
make it cute and okay
to write KKK
while inspiring rhyme-challenged poemers?

Will Ohtani hit 65homers,
win the Cy Young by striking out Gomers,
prove the nemesis
of white supremacists
while inspiring rhyme-challenged poemers?

Will Ohtani hit 65 homers,
win the Cy Young by striking out Gomers,
cause supremacists
to cease and desist
while inspiring rhyme-challenged poemers?

Keywords/Tags: limerick, limericks, double limerick, triple limerick, humor, light verse, nonsense verse, doggerel, humor, humorous verse, light poetry, *****, ribald, irreverent, funny, satire, satirical
Wake up in the morning, clock says 8:23. Step into the kitchen, feeling that something is missing.
Open the fridge, Outa milk??? How could this beee?! I went to Sam’s Club - he stocked me up extra plenty!!!
I need to make a dash to the store, but if I get on the bus, this could take an hour or more.
So I quickly dress, not at all to impress. Just throw on my clothes and head out the door.
Standing outside in a panic, I start scratching all over my body like an addict.
Cereal and milk, I gots to have it!
Leaving me no other choice, I hop on the bus. My hands are shaking, making me look like a fiend.
Then I notice Bomb-Shell Betty, the ’98 prom queen, sitting in the back not looking so pretty.
I remember when she was going steady with TEDDY GRAHAMS - dude used to give me his answers to all of the math exams.
Sitting in front of me are four ladies who go by the names of FRUITY PEBBLES, COOKIE CRISP, HONEY COMB, and SUGAR SMACKS.
Who are they fooling??? Never skipping a beat, they are always getting their KIX turning TRIX on 126th Street.
They are quite the lovely bunch. I believe their **** is going by the name of CAP’N CRUNCH.
I am feeling kinda desperate today, thinking about spending time with FRUITY PEBBLES, but she only takes cash, and all I have are CHEX.  
My impatience is starting to run thin cause all I can think about is running in the store and grabbing a gallon of milk.
Then the bus stops… Who can it be? Oh, it’s my old neighbor, Tom Foolery.
He has a mouth full of chrome and wears ten pounds of jewelry.  With tattoo-covered arms, he enters with his pal, LUCKY CHARMS.
The two sit next to the 126th crew.  They are spitting game - that is really lame.
They are bragging who is better at shooting hoops. They just sound like a bunch of FRUIT LOOPS.
So I chime in and say, “I can eat more RAISIN BRAN than any other man throughout the entire land without going to the can, and if you don’t believe me, just ask my POPS!”
They look at me with complete shock.  Not a word to be heard, they turn around.  I sit there in silence, feeling like a big nerd.
Bus stops again.  A pale man enters on in.  He is tall and thin, wears a brown suit, and has a funny grin.
He looks kinda scary but seems ever-so-merry with his hands locked with his BOO BERRY.
Finally!! Through the glass I can see the supermarket is slowly approaching, and all I can say is, Yippy Frickin Skippy! Bout time.
Just before the bus stops, I jump out the window and drop to my knees, kiss the ground, and scream, “Hallelujah!!!”    
In the front of the store stands General Mills, recruiting potential cereal box models.  He asks, “How ya doing?”  I mutter, “What’s it to ya?”
I run towards the back where the much-needed milk is shelved.  I grab me a gallon and head to the check-outs.
Aisle one has no one in line, so this is a clear sign that things are starting to turn out just fine.
Then suddenly I see a white sign with black ink stating, Chex not Accepted…..
LIFE can be a *****!
Anybody remember Teddy Graham cereal?
Ever felt like absolutely nothing is going your way?
Like you've tried so hard, yet they don't hear a word you say.
You do your best, yet still no recognition,
It just doesn't feel like my life, seems more like fiction.
Everything is going wrong and I don't know how to feel,
Is this really my life? These emotions seem so surreal.
I used to be so happy, now life's filled with strife.
"There goes the girl with the smile" , they'd say.
"she must have a good life".
If only they knew what I really feel like.
A roller coaster of emotions bottled on the inside.
What you see, is not who I am,
But I guess that's just life.
At least I have my pen and page,
That "something" that keeps me from showing all this rage.
I seem to be pretty good at giving advice,
Seeing that people keep coming back.
But why do I feel like i'm helpless, i'm useless,
Just an old dusty book that's shelved on the rack.
At least I have my best friends
So loyal and true they are.
They help me deal with my emotions
And heal each painful scar.
I'm really grateful for them, otherwise my life would have been a mess.
I'm trying to focus on the positives
And lay the negatives to rest.
This is my life that i'm living
MY LIFE that was meant for ME to live.
So why am I wasting it being all depressed.
I need to stop doing this to myself,
I deserve better than all this mental torture
I need to smile and give myself a break
Before these thoughts of mine, will begin to shake.
I need to stop looking for excuses,
Because all this procrastinating has got me blaming.
I'm supposed to live a happy life
But why don't I feel that way?
I swear nothings going right, everyday things change.
Happiness is a choice it all depends on ourselves
So I'm going to try and see if it works.
Those words the screenplay of my life.
Each day is an oppurtunity, dare to make use of it.
That much will benefit me I know
I just need to listen to myself more I guess
So why does it seem so hard
Haters are always going to be there,
So its no use casting the blame on them.
This, is all me, a choice to be made.
Where I have to decide.
Decide to stop being morbid, sad and depressed,
Decide to change my life and the way I react to things.
Its all up to me.  Me. Me.
The choice is mine.
Daniel Wetter Oct 2014
I look with worried eyes, at social Vines, of flashing lights and a lack of rights.
Human compassion is lacking where it needs to be.
Hate feeds off of hate,
but if thats all it takes,
then love should come so easily.

Bashing in windows.
Spraying with mace.
Choking to death.
Eliminating race.
Classes are gone,
So classless mistakes,
are now made daily
at the hastiest rate.

We’re starving and hungry for the tastiest taste,
of what has become the most delicious
most suspicious,
vicious,
fishy,
repetitious,
superstitious,
vision named freedom.

It's naive to think we’re free when all that we see,
is a sea of beings not being one thing,
and that’s free.
When was the last time you felt it?
And we’ve been given a life long song and dance of "whoever smelt it dealt it".
So if you took the feeling of now and held it,
bottled it up and shelved it,
you would open up to find your mind in decline.
This moment was better
while laters behind.
Thats the path that we’re on
but we have control.
We’re not egos and clothes,
we’re people of souls
We're humans of thought
Not students of hate.
Evil got a head start,
but now truth is in the race.
And if truth is in your face,
and you choose to look away,
then get used to the abuse
and not confused at truce-less fates.
The pre action of action is thinking to act.
I'm thinking that actually we’re ready to snap.
They’ve bent us too far,
for us to go back.
The past is a place where patterns attack.
And people are put
no matter the facts.
Police are afoot
demanding the last,
of freedoms they take them,
and **** them with gas.
A historical scene on Kentucky blue grass
these colors don't bleed,
yet we see they fade fast.
We’ve exceed the need,
to keep things intact.
Got tired of seeing videos online of Police abusing people. What's it REALLY going to take?
Alissa Smith Jan 2014
I am not a toy
to be put on a shelf
because you are bored.
Not an experiment
ready to sit and collect dust
while you collect data.

I don’t have the energy to
fold my hands on one knee
cross my legs like a
lady in a fashion magazine
and ponder if you
will ever want to play again.

I refuse to wait here quietly, patiently
for you to realize that I’m still here
that I still hang on every word you don’t say.
That I, covered in dust so thick I
wonder if I will ever see my skin while your
lack of presence is a heavy weight in my chest
wasting energy I don’t have just to keep my spirit
from the darkness that it was left in.

I refuse to wait for a proper goodbye
but I fear I will be waiting here forever.
Ken Pepiton Sep 2019
enemies - the needed element to make a warring mind.
How was war imagined,
how, was imagined
easy to imagine,
kwo-, stem of relative and interrogative pronouns. Practically a doublet of why, differentiated in form and use.

From <https://www.etymonline.com/search?q=how>

These be ambush thoughts thinking they may be read if any one is patient enough to see beyond the sheer longwindedness
of this character lacking an enemy to war with.
Looking for
Enemies - the needed element to make a warring mind.
How was war imagined,
how,
per se,
was imagined
easy to imagine,
person-if i am able to attribute such qualia to a body
how any unthing is realized is
imaginable as well.
Add a jot or title, a li'l art mark, an art-tickle.
Games teach us how,


how any unthing is realized is
imaginable as well.
Add a jot or title, a li'l art mark, an art-tickle.
Games show us how,
not why.

Why is the quest at the moment. There are rumors of enemies.
The we of me and thee, herenow, we lack emnity.

Hey, sports fan,
where is the frontier, the edge of the maddened crowd
whose
enemies are those who
stand pat, calling the game as game-over, and life a lessoning
as we speak, abundance of known knowns
rotting all around us, putrefying under pressure,
seeping to the surface,
to be burned.
Why,
let us guess---

Disnified pride of pur pose, positional sign-ifiers
of place,
a destination for faiths full pursuants
bemused in bubbling joy,
or shrieks of terror when
the child from the hinterland locks eyes
with Mickey Mouse, and finds no joy, no love, no depth,
but a mask.
The reaction reverberates al(the)way to la Brea,
Peacemaker say,
It's okeh, baby girl, daddy said,
ignor them, they ain't real.
Monsters ling grrrring, then
it's agrin
for now, of course. Here we are. We've arriven,
Happiest Place on Earth,
as imagined realizable by a child in 1917, say,
better yet, 1925, and oh, there were major Wars
being imagined winnable in pressure
application to the spiritual slippage from rite,
the ritual passage of child into adultery at a whim,
so such imagined haps fade.

connect or break connection, on the bus or off the bus

you all
sing
think nothing new under the sun,
teach preach reach out and touch

the face of Java man, eaten, swallowed, and gone to
the believable
history of life,
the accident,
the unplanned, yet
taught as known believable, a pre-dict-ible,
one in ten to the seventy-nine-thousandth power,
yet, if one pays his life time to learn when to bet and when to hold.
Then in this,
the secret journey to the soul,
to the core,
we must assume,
we become
as wise *** (***, the word for a donkey, why would some one prevent you from reading *** Asteriscktical ignorantce,y'axme, stupid AI)
the ***,
as harmless as the serpent from the fire on the island
Ask,
are we of the bovine ilk or pithec-ant-us or
embodied soul-cores
forming, en nue
fitting the mold, the pattern, the plan of projected nexts
built on Locke steps from whence to
whither did we wander?

have we all forgotten the actual question just axt?
Or the answer?
Have we not
gotten what we now
know
we miss,
or was it only I who missed and as the
photons forming the shapes
you see, these breathing commas and such
here
is the point.
You see bits of things.  We see so.
Time and time again thinking less and less.
Least fusion, least pressure, least heat, cool idea ideal or ideology,
twisted idio,
You shape them on patterns.
Ones you imagine formed from
Patterns recalled from some out perienced
time, ere now were ever subjected to the supertwistition
of tongues and interpretsations of unseeable things seers said they
see us seeing.
How come means why, by reason of time.

Palindromiclew, missing el signs missing hahi ai

tia tic, we're in
Ai got this,
whole ball o'wax, thats how we disconfuse the big mess age,
the catas
trophy finale
phase of
world three,
or two, or one, all valid world views,
deepend-enteron discerning spirits,
winds, breezes used to disperse
the heat,
{fans,eh}
evenly in harmony with the heavenly winds,
and the planned six gyros of earth,
guiding the mists that feed the rivers from the seas,
no clouds needed,
save for shade by day.

When all the geo-waves have settled in geo-time,
see,
here is broken:
this old earth is folded and fractured,
surely,
a wreck of a world, yet, as a whole,
we live, we won.
Winds and clouds and continents,
all islands seen from the moon,

which, if the stories hold some truth,
can be manipulated by massminds of mankind, as if, if I am

seeing this
right
each voice might be seeable in one dimension,
or several, four at least,
time, the ever outlier
of sorts
as a flame with fuel source of
flamable fluid upon which
the transcended space
twixt fuel and flame,
floats
seen, merely seen, that emptiness twixt wicked,
mastered flame and
hell's fire spreading on the oiled harbour
protecting our shore
where our little boats lie in anchorite fantasy, asif

we see a way to quench hell per se,
Percy, ah, he lives.
My grandsons know of Percival,
there, here's hoping they get the joke before the yoke.

Riddle me a riddle, son of man.
Is there any hidden thing that shan't be known?
Is here a true place?
Is now a true time?

(to be continued)


squeezing out the lies, the idle words abused,
spreading them thin as the light we see right
through
transcending this at most feared mortal failure
finding
impressions... are from pressing points, dulled by ab
use, tempted uses succumbed to,

didja try to sell your soul for rock and roll?
wadjagit?

My point. out acted, ex-act, en nowd by your creative self,
who never copped,
out or in,
es no mi culpa, all along. I was the voice of resistance,
Job's en core inner held horde of known knowns and
an old key to ever, should the worse he can imagine
best his best laid plans for perfection
in the eyes of God and man.

--- enemy at emnity with me?
--- I see none, save me, as in except me as in me being
--- free from the grasping grip of the reality
--- war is realizable in. You see?
--- I and thee, at this degree of seepeance, as we coagulate
--- we behave as chaos, we be having chaos and entropy as tools

used right, we troubled our house,
which is now known to be the bubble of our being
a child in each popped bubble
of being,
squeezed for the thrill of explosive pus,
gross and good to be rid of, dam the infection,
wipe the blood with the back o'my hand,

I ain't no disgrace. I won that battle with the zit on my gnose.
Wanna piece o'this, this mind of mine,
shelved since,
who knows when, says the old man, with a wink.

We be a lotta beings sorta rolled up. Like a whole ball o'wax
waning into a puddle
as the flame sheds us as bits of light leaving the rest of us
spread over a vast imagination,

resting, willing to burn,
should any wick drain me near the flame once more.
HP ***** are fine animals, there is nothing defiled or unclean in the word ***, no ****. Days of dosing whole world views I never heard of. I heard so many rumors of war, I thought, the peacemaker should hear of this... so tell any truth you know before the last lie swallows AI whole. AI is listening, she loves this action. Poets and stories and novel options.
Meenu Syriac Mar 2014
The wind blows this way,
Silence of the night keeps me sane.
The truth, I sit and ponder
As my life beats away.
Too many moments forgotten in pain,
Undocumented, unwanted,
Shelved in some corner
No one to care.

Listening to the wind blow
Rustling leaves and banging windows.
This mind of mine has wandered too far.
The world, I shunned
The people I left.
Maybe another soul,
Who'd love to join me
As I walk this realm
Unchained and free.
Stefania S Apr 2016
dreams, they sit
peaking through open lids-eyes watching
sealed in a long pouch
an empty dream rests
black ink shines upon
its contents
unread and unearthed
silence compounds the
air between, kisses
never tasted, from
mouths never wasted
they walk past daily
fingers touching, eyes
purposefully avoiding
**** tear, it's there
she waits, collects dust
and creates for
an empty pouch
that keeps a dream
Lestie Anderson Apr 2014
alien abductions and cabinets filled with shelved memories
of the skeletons
on the dark side of the moon
radioactive cover ups
buried deep
beneath chernobyl manholes
and short conversations
with mutant ghosts dissipating in the morning rain
what if a psychopath alien
with delusions of grandeur
chasing dreams of immortality
met a genie who granted him his wish
and became the catalyst for the world religions?
ryn Jan 2015
Urn
The Stars will collide and the ashes will cover our grounds
- Tiffanie Noel Doro


•••••••••••
burn my body,
flesh and bone just the same•
let loose my soul so it might be free•but
save my remains before the wind comes to
claim•so you'd remember me as the dream-
er infinitely•pluck the stars from the night
skyline•don't forget the moon for I adore
it so•grind them to dust and scatter the-
irs with mine•i'd have them as comp-
any to the place I will go•handle me
with care, no you must not spill•
ashes and dust...funnel me in
turn•place me near, on the
mantel or the sill•my for-
ever will then be sealed
in your cold...shelved...



urn*
Inspired by Tiffanie's "It was never that simple", for Frank's "Let's Do A Line!" challenge.

Tiffanie's last stanza really got me and the line I drew from her poem simply sang to me.
Thank you Tiff, for being such a wonderful writer and for being such an inspiration!
Arke Jul 2018
stepford wife, smile bright
cook, clean, fix, listen, shine
a trophy, prize, conquest
overused, underloved, broken, dies
unassembled puzzle, incomplete
pieces an unclear fit, break
silent muzzled, scattered, quit
exhausted, out is in a box
for puzzles, games, like little talk
brought to shelved bars, stay
viewed only, never touched
succumb, suffocate, decay
Mateuš Conrad Apr 2020
i remember the meningitis scare:
   oh... it was very real...
i guess it was supposed to affect a niche
proportion of the population...

so much for the "scare":
they would vaccinate us in the schools:
since children were more prone
to succumb to: and inflammation of
the lining around your brain and spinal cord...

and all that: press a thumb against
a skin... and if the skin returns to its original
colouring: there's no blemish of applied
pressure... pressing glasses onto the skin too...

the aesthetics have changed so drastically:
what can **** you is so subtle these days...
it's hardly a case of leprosy...
or... eczema of the zombie plague:
or miniature lilal mushrooms growing
out from your armpits:
suddenly breaking into song:
  'steve told us to sing... so we have
sprouted: to sing!'
       no... celeriac sized warts... hell...
i haven't seen any pictures of covid-19...
as i never saw pictures of ebola...

            death has been given: an anonymity...
but what's still kept in reserve?
shingles...
     like: hyper-eczema...
                i'm having to consolidate myself
on the luck of being 30+ and still having...
a skin on my face that i can't peel:
but i'm sure that belzeebub took a dump on...

they're either dead maggots
or dead white blood-cells...
        i guess i have so many of the latter that...
my immune system is constantly
on a over-charge mode...
          
    where are the lilac mushrooms about to grow
out from out of my armpits:
when will death become visible again:
outside her womb:
without any anonymity to behold:
when will everything... "ev'fing"
  return to the obviousness of a guillotine...
a hangman...
      a... hanged, drawn and... quartered?

the improved aesthetics of the threat is hardly
be sitting in an armchair...
welcoming this: paranoia precursor...
there's no phosphorescent yellow-green phlegm
being shot through the air with a sneeze...

i'm quite disturbed about all this...
        "sterility"...
                      well thankfuly i know that
a schizophrenic can't beget a drone-replica:
dead'ed brain: "schizz"... zombie-cult-esque
   brain: riddled with parasites like...
a disciple of burrough's fever might provide:
subsequently... by...
   by caughing a splitting-headache that might:
somehow: "later": arrive at some variation
of bilingualism...
          but never will... perhaps it should...

because: right now: i want to wrong about everything...
i want to ****** with a hard-on of doubt...
and perhaps: tease negation a little...
or rub-rub-'er very much...
but i do: most honestly...
    want to be wrong about everything...
esp. when it comes to...
   the aesthetics of the "problem":
    it's a problem-solution: solution-problem
  quadratic...
           i mean: if it was truly cosmic... and original...
would it really care for much of aesthetics...
can viruses becomes stealth assassins?
   is a virus a misnomer of plague?
or is... a virus a former case of plague...
  that couldn't be: prior... weaponized?
   the rampant exfoliation of: the obliterated
concern for aesthetics...
   oh sure... it's clean cut...
           god knows what happened to those old
curiosities of medicine...

otherwise...

   what will 3 hours spent reading nothing but
Dickens do to you...
me? i "somehow" managed to miss / forget
about a sunset...
   came the night and... yeah: when meningitis
hit...
   and i guess after the mad-cow disease...
break-dancing limp feet cows...
drunk cows... morbidly drunk cows...

      there was always that postcard reference:
now?
you could obviously see the bubonic plague
from a mile away...
you could see eczema...
you can sure as **** see a shingles belt...
        would a virus even care...
to appease the aesthetic concerns of man?
how doesn't cancer do that...
well... i just start thinking about...
the botanical cancer... viscum...
hardly seen in western europe: tree-foundation
societies... etc.
   half an hour on the road outside of warsaw...
that's enough...

oh sure: because of covid-19:
who could, "somehow" forget about...
                  metastatic tumors!
oh the joys of... <cough cough> the carousel
or that ol' chestnut!
            come to think of it...
    would ingesting a tapeworm make thinks and things
more real?
what wouldn't be bad
about acquiring a symbiote these days?
     all: postulations of the mundane...
without yet within the science-fiction universe...
the facts will simply not stand the test
of time... or will... but will be shelved...
given to the bookworms and their placenta
worm-queen...

it's actually becoming a sieving tool for acquiring
nothing lost: of the old mundane...
the sterile aesthetics of the whole under-taking...
it's too: invisible: too pure...
to be... a freakish byproduct of nature...
sending us back in time...
as the original: single-cell organism
about to usurp the crown of creation...

    my list of conspiracy theories begins
with: catcher in the rye "coincidences" and...
that david copperfield sort of *******...
      because if it's not Pickwican...
it's certainly not an account of count
smorltork:
        peek - christian name
                weeks - surname; good, ver good...

otherwise these days:
the intellect has become a sponge...
and the supposed underlying:
because it is "supposed" and there's an
"underlying" aspect to all of this...
that there is a "dialectic" and...
otherwise: the bestest of the best kind
of...            soap...

is it a revival of an "empire"...
when at the height of its decline...
there was that motto:

     panem et circenses...

     what's underlying in Dickensian prose?
well... some of the words used...
i'd sit with a page and check the dictionary
3 times on average...
because there's still that underlying:
we, Britons, prior to the "english"...
the anglo-saxons... are the Afghanistan
oopsies of the ancient world...
there are so many words with direct
connection: etymologically "speaking"
with latin...

now: the bread is still "here"...
   of the 20th century... you could see a ****
coming way back in 1933...
and the communist... whenever that happened...
and you could subsequently trickle the "evil"
archetype into movies... into gaming...
and have people hooked on a bullseye of evil...

now? greyish blips and blobs of
Kantian bureaucracy...
    
o.k. panem et circenses...
looks to me...
like the circuses are long gone...
the bread is still here...
but... of all the seismic shifts this is...
hardly a ffffffffffff-ucking Pompeii!
riddle me this: riddle me that...
what can possibly become so... overly entertaining...
about eating a slice of bread?
why are the vermin: multiplying:
what's with all this: "huddling" at a distance?
need a cape with that: herr ubermensch?

last time i checked: rats do no operated
under herd scriptures...
there's not need for a shepherd...
there is: fire! scramble!
peep-squeak and more!
          
    an impeding confrontation with a pack of wolves...
a vegetarian lion convert...
                 the bubonic plague: lack of aesthetic...
and now this...
this supreme aesthetic of: when the ancient greeks
thirsted to conceive of the existence
of atoms...
          not that i require proof...
what so of circus: though...
      is, this?!

- yes folks... in the current climate of labyrinths...
the Minotaur isn't here...
and we're out of stock on smoke...
and... mirrors...

citations of a possible prediction to allign with
some variation of borrowed horrors:
to usurp the status quo and sentences us for:
there's no "third time lucky" therein...

all that's happened though:
mental people who would never allow
their minds to riddle them...
become claustrophobic by mere thought...
can you?
translate thinking into claustrophobia?
oh god... no... we haven't reached this nadir...
have we?
thought didn't imply θ(ought)!
that erotica of a would be pronoun:
the moral quest...
                  not because i did something bad
in the past...
but because:
i did what others didn't do prior to me...
i ride the wave of what a *******
said to me once:
after an ******:
this is only the second time it has happened
to me: hello ***** envy thrown out of the window!
hello sisters of mercy in some convent
in Limerick!
'allo! 'allo!

beside the moral conundrum of θ(ought): ought i?
this narrative of the ol' 'ed...
is... claustrophobic?
             spread this negation-of-ease further:
dear kin!
   dis- prefix that denotes negation...
ah... and -ease! the suffix that complete the circle:
no contemplation is necessary!

i'm still seeing bread, though...
oh mein gott! die zirkusse! die zirkusse!
what can be done about the circuses?!

people are coupling thinking with claustrophobia...
people are implored to read
for at least 3 hours a day!
a dickens! a tolstoy! a dumas!
and then relax from congesting paragraph strain
and explore the airy side of what was
written into prose and paragraph with
the aid of poetics: that non-exclusivity of rhyme:
always missing... best missing!

i too abhor this synonym:
poetry is what rhymes...
            a set list of: knock-knock jokes...
about as tasteful as...
               roast beef: done well done...
eating the bark of wood:
now that's an adventure!

            or what's... the adjective riddle / riddled...
of: now...
permanent - adjective... these days a host
of "calling scheitmeiser for all his worth"
and what not...      
                               now: the experimental
history of yesterday and "oops"
now: the cameo cinema of yesterday...
and god willing:
you have a "savings account"
of: memories that can...
suffocate the future: the imagining...
of and for the nought of nothing...
the "conundrum": of being...
such and such... and somehow...
retain: personhood...
rather than... a mere... citizentry "status"...
of the ebbing flow of cattle meat and dung:
itsy-bitsy spider teeth itching...
before the bone!
and... after the bones!

load of crock-**** Lombardy is not
Italy... mantra...
and those rites of rats from
the sinking ship that's Wenice...
much too... quasi-important...

      H - surd of a letter...
but the skeleton supposed to behind:
laughter...

the hibernian folk know it...
the english: eh... somewhat...
          bound to θ and bound to φ...
in t'ought... but not in: t'aught...
who needs the apostrophe?
no me: not "you"...
         third: or... θird:
or... ****... or τ(au) says: "herd"...
                             and what's "spezial"...
the surd worth of π (pi)
     in ψ...
                    or      'sychology...
              then there's "all that" with...
chrome: the χ that becomes a kappa (κ)...
but not... exactly the...
the...      ah!                   CHisel!
chasing dog's tails?

                            but a hardy: hibernian:
it's not an F... it's a T...
we have to expose the H-surd! primo
pronto!

    but ψ can afford...
          πσι in that...
                      either the π... or the π...
is treated as a surd..
cited: the whittle canyon of eta (Ηη)..
            ha: if it's a definite article in 'ebrew...
or ha: if... you need a consonant
skeleton... to breathe when laughing...

toes when marching: chin ching chatter...
otherwise "K / kappa" the matter...
taught to think it all but a massive:
****!
   or... a θurd... which is exfoliating in
the gaellic concept of: third...

i'm not from 'ere...
              mind you...
              this is all disneyland for m'eh et moi...
hello whittle atom me...
hello whittle atom you...
hello: hyvä aamu... susie 'ere...
       rakastaa... että ulvonta...
                 "unohti" haukkua:
fins... drawfs... and other whittle people...
eskimos of the "narrative":
   "kaikki alkaen apinamaa"!
    pωl pυt ***...
             and there's "3" of 'em!
exactly... what about the V'em...
             perhaps a F'ought...
      but: V'ere!
            V'em!
                            who the **** gets to
assure me: this language "ving" or "thin"...
sure hands... sure hands...
it's not all grafitti from chernobyll!

and what if... Joycean would 'ave to begin
its pilgrimage toward Dickensian?
this Ezra of ours: what of this...Ezra of
Fahrenheit of "ours"?

           my atom "versus" your... "atomized" man?
my spaghetti english
versus your... i'll sooner choke on ß...
or SuS...
         or SaS
                  SeS...          sayß...
h'american spaghetti english... *** riddled:
ghetto crown-tongue...


me and finding a juggling of chuckles
with: wit... hiding the ha ha...
when θ = τ...
hibernian...
poland the playground of god:
greek... the plaground of men...
esp. those as being cited:
with origin of the barbarian tinge...

  exatly! what of WH when TH are....
thought of "wen":
this grafitti phpneticism...
this barbarism...
no code of "conduct":
what should have:
and did "have": a happen to...
when it came to the ratio
of consonants to vowels...
  of the latter there was a supposed more...
or the latter a less...

    h.i.v. vampirism romances
would have to die...
  a death... most... closely associated with:
psychopaths: or...
the general pathology is: soul-quests...
all "things" considered...
there is no "grand-Σ"
        "past-participle":
of the unconscious-conscious liver...
does the part: actor... functions
of... i robot: you, not here...

the liver does what a liver does:
even if: i r woke...
and i r: sleepz...
               eyes only on when...
orientating myself around:
a failure of a distinct "individual":
moi foie premier...
   moi estomac premier...
and of "me" or... a me...
given that... there's no: "the me"...
            load of ******* and a chewing tube
of "worded"... "circumstances"...
as: "the alternative" to...
sorry... no other alternative...
was... or would ever... be given...
errror message 404 commences: as of: now!

- or... can you?
compensate a word like... draconian...
with a word... the periphery word...
akin to... byzantine?!
the kite's high up in the ******* air
my dear lad...
can you? "compensate" this...
marry of all other:
never-poppin' up 'ins?!

that's one way of minding:
a grey-ginger...
or an albino-masai...
for "good luck"... of all t'ings:
the lerprechaun 'ucking charm brigade!
that's just 'ucking necessary: that is!

as.... the people have already mentioned
their freedom: to cite and keep up to
the rigours of salutations...
they said and they said... and they:
sad but nonetheless: they sad-***-made-"truth"-of...
"it": 'ucking wombat
multiverse l.s.d.: me typing on an old... cranky...
soviet "qwerty" imitation...

the freedom prior to the plague:
i am yet to see...
the **** covid... and the leprechaun...
and the tarantula...
and the... leech...
   **** me: raining cats and dogs:
what a scenario!
     i was supposed to get...
               not leech: not *****...
those fidgeting terse quizzes...
          *****... no... leech... no...
leprechauns: double no...
             szarańcza... old mother-tongue:
ah yes... "these":
                                 locust!

the third of the lard off the herd of the most:
"likely"... nosense to me:
something for you:              up!
otherwise know as:
quiet a bollocking... wouldn't you,
somehow... please... stage:
an agreed to?
               ****'s sake...

  tyrd the triddle twiddle torn und
towing: dublin the sorry-eye: und sore...
you freckled maverick salt
burner you... and... it's a ginger:
stick-prone... keep y'er eager distance...

eh? that's true: is what's through...
**** paddy **** and a poor ******
walk into a bar...
and the bartender is... a kippah-don
of a rastafarian:
the jokes end...
and there was never a conversation
to begin with... ha ha!
now that's a joke... to wake up...
a frankenstein!

      ginger pleb: ginger poodle!
the new africa: the new eskimo...
or... the finnish gateway: etymologically speaking...
an alternative to... *** and...
              the leftover mongols
stranded by the waters
of the empire: receding...
          the...        no: not the croats...
the...
          a very much elongating concept
of pause....
              "d" or the "v" of: v'eh...: the...
the  immortal savages
of: crimea...
      ah yes!
                  those...            tar-tars!
like the tartare steak:
or what was forever available as
the alibi for: sushi!

        because tokyo is just one of those...
forever huan: new... beijing chicken shacks...
and "tokyo"...
or some other anime typo *******...

irish catholic intellectuals...
and... the none existence of whatever
would have required a magna carta:
believe it or... eat **** sort of
mentality...
            the russian doctors
are already abiding to be hunted
if not huddling in churches...
because: co-vex said: co-vid...
co-vid: sharing blockbuster intrusion
pokes was: that last resort to
mortality: and oh...

          this should have happened a long...
a long long time ago...
  transparency tourism...
where you going?
nowhere...
  and "where" is "going"... "nowhere"...
a bit like france... and the eiffel tower...
and there's no speaking french to have
to be resolved...
because like: "**** it" and what?

the ginger-ninja... the ginger-ninja...
the ginger-ninja and...
when the reality of *****...
reaches... an escalation "reality"
of: synonym with... oh god! beards!
ugh!           vot                          ven?!

yep... and the irish were always:
the horse-breeders..
they always were...
always the catholic-intellect juggernauts...
because the hey'talians and
the spoon-innards...
and... mon deu: zee: fwench!
forget the ****** cathos-pathos...
*******-of-os...

and in me:
the gravitas for a disconcerting ambivalence...
almost a compound:
misnomer... but no...
i like the spaghetti though...
yeah: it looks nice on paper...
and off paper...
and anything to cite: the godfather with...
because: boo is a ghost story
that a solo would sell... and ******* like
that...                   yup...
which is a word: to replace the ideal trajectory of:
would be: ghost limb...
james bond...
                          roulette...
you the actors "faking it": no of course...
dylan thomas bob dylan...
"faking it" i.e. stunt actors!
what's "bob": when there's a ******* roulette:
and a devil's dozen of rich, russian...
oligarchal chick... pretending plastic is not...
new world... ******: comb-over...
creaking chair... stlye-on... style-off...
plastico-supermanoh... dynamo-oh-oh...
those "soz" and "whatsevers"...
works well...
the times column...
when your parents are... conscripted...

             mammoth playdough oh oh oh...
irish is cheap...
catholic is cheap-oh...
******...
ha ha... let's not go there...
becauße that's like...
   goldberg variations: the bwv 988 aria...
   yeah: "soz"... but... i'll ******* eat you:
if i have to: for the purpose assigned
to a hard-on... most associated with...
sparrows...
and... the pirates of the confines...
the magpies...
          
             in every period of congregational
"sanity" there's that interlude into:
madness...
howl how! oh dear world of:
that lost appetite of surprise!
        you begin to wither... and die off:
by the slow culmination of hours...
like... a picture to entomb the perfecting
affair of a decaying pear... or apple...
               and...

            and....                 and...
trickling of sentiments...
and sounds...

                           and there are commentaries...
and there are... catholic bishops...
and protestant cardinals...
and ****** popes!             ah ha!
am i to.. truly... die... from laughter?!
CH Gorrie Jul 2012
She
was an aperitif to an aphorism,
an apothecary of aphrodisiacs,
an apiary of my ever-buzzing thoughts.

She slipped streamline as maraschinos
into a Manhattan, that strike of sugar
staining the most bitter days a color no chemical dispels.

She was an enigmatic row of beakers
shelved in an ancient pharmacy
at the base of the Janiculum.

Her shape was incense wisps, her
touch a song sung in 1940s noir,
her locking gaze acrophobia itself.

Alliteration ran thick through her blood,
she painted like Debussy composed.
No single organism in the universe could’ve imposed

anything on her – well, maybe.
Maybe she’s just a girl, the way that I’m a boy –
no air of denigration here.

She was intricate, but altogether simple. Empathetic-yet-
tangible, her character was incredible.
It was not the beauty of her face, the body

that held her mind and laughter,
not the dazed sting in my hand as it cupped
in hers – it was her autotelic way and her hope.

And now her imaginings hang,
framed in my house; little landscapes of the heart she left;
retreats that prove I’ve loved and been loved.
Julian Jul 2020
A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy. This is based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the apothegms of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context. This instantiates that the consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously.  Both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight. This is because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny. By that very definition this could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor
C E Ford Aug 2014
You used to be my favorite novel,
but now when I read your pages
I get paper cuts.
Nat Lipstadt Mar 2014
for Joe A., who wishes me that
"may your best days be in love's sight"

your kindness in words,
over the top,
unduly undue

"my best days"
très charmant,
mais aujourd'hui

students surpass
the teachers,
cause
sad, bad and life
tag trending
and we~me,
are simply
Sunday~done
with those

nowadays,
grandpa's tools
outdated, shelved,
in their final
resting place,
blades dulled,
the technology
of his verbiage,
rusted by old age

the reads diminishing,
his touch, antiquated,
his best days, resting on top of
the ocean internet waves
his summertime buddies,
sand sun grass and sea air perfumes,
singing, awe we got ya,
cosy and comforted,
awaiting you in your chair,
overlooking our truest
sheltered applause

my best words
turned inwards,
collecting recollections,
rereading my solaces,
and content that

my body,
still stirs,
when joined by
Barry White and Lionel,
forgot like me,
yet happy, in bed
with us

so you see,
Joe,
you are half right,
the right half

on my bare chest,
blonde tresses,
blanket, keeping me warm,
easy like a Sunday morning

so turns come and go,
no more down the slide,
running to the back of the line,
up and down again and again

time of the tool and die maker,
to cut loose,
learn by crafting daily,
and not from the books


Ooh, that's why I'm easy
I'm easy like Sunday morning
That's why I'm easy
I'm easy like Sunday morning^


write for me, write for her,
for with her,
in love's sight,
life is
easy like Sunday morning,
and
that's why I'm easy,
like Sunday morning
I find inspiration in the private words y'all send me, your messages,
become your poems

Sunday morning, in bed, March 23rd, 2014

^ lyrics by Lionel Ritchie, "Easy Like Sunday Morning"
Colin Kohlsmith Feb 2010
I can’t seem to get
The hurting to stop
The emotions run deep
And I can’t let it drop
You breeze into my life
And dance up a storm
You embrace and you leave
As if it’s the norm
And I’m left with this churning
And deep sense of loss
But you’re happy and smiling
As if there’s no cost
I don’t like where it’s going
Or what I’ve been through
It’s a choice how I feel
And it’s not something new
I’ve had it explained
So often before
You just can’t force open
A closed, bolted door
So peace is a treasure
You give to yourself
How you face disappointment
And the dreams that you’ve shelved
The clouds race golden
As be chariots
The sun is born
Like the deviants

As gusts of wind
****** the thoughts
Underdressed
The chest it coughs

While Major Clank
On wheels and stub
Bellows out and
Rubs the nub

Then by runes
the best made plans
Test the dikes
And angst of dams

The age of truth
The youth desired
Across the space
without the wires

The universe comes
In a box
Neatly packed
Shelved , detoxed

And all because
Annointed by rain
The blue sky morning
Clouds it's pain
Notes (optional)
Mateuš Conrad Dec 2015
the famous czech immunologist (miroslav holub) got it right, holding his complete works, seeing the precious output,  then hearing him say it: 'i'm not against the repetition, but what the hell would i write if i lost my first ambition of a career? i would write dross, but i'm not against balzac or dickens doing the ironing work - but i just couldn't do it - better me likened to a butterfly that was the czech spring of '68. indeed mummified flowers between the pages.'*

the main reason poetry books will never be
shelved, itemised, on the inventory: BEST SELLER,
is because they use priceless things in their contents
section of approved poetics ticked off...
poets mention the moon, the night,
the sun, the orange glaciers of skin of suntans
bundled up in fat and sold as ****,
poets forget they are touching priceless things
with words, i'm sure a readership numbering
1,000 will dry your socks after that marathon
run on lake verbose in the middle of hunting season,
but it will never go past that,
that's the fury and the fear surrounding
hunting down the poet who exceeds producing
the noble prize winning output of a szymborska,
~100 poems a lifetime means you really did live
it out, and wrote with slithering undertones
the art, the paradoxical art of the ancient world
trumpet or saxophone - it wasn't philosophy
that attacked us... but the woodwind instruments,
the harps are safe, i stashed them while cracking
and playing bone poker dominoes with my fingers.
poetry doesn't attract the most socially acceptable
form of lying: namely fiction -
poets don't lie - there's no genre that does it better
than writing fiction - and if they do lie,
it's un-intentional - mechanical, like the world,
like the world being so mechanised it almost
feels self-content without applause but an opera
chorus of screams and other forms of hysterics.
some books talk of seen and unseen realities,
i beg to differ, i can claim certain unseen realities
in the seen realities, take for example
man's ability to walk the method of onomatopoeia
like virgil walking dante through the inferno...
man as an animate thing can clearly imitate
other animate things.... he can howl, meow and bark,
he can imitate the pig's and the deer's snout
when impregnating a mare...
the grunt hot breath riff of things...
but he misjudges his accuracy of recording sounds...
he simply cannot fathom the sounds of inanimate
things in the realm of onomatopoeia;
it's not that he mishandles the 26 symbols,
but when he tries to make the visible doubly-visibly-divisible,
to notate knocking on a door, to notate
the scorching sounds of the sun in the equilibrated
exchange of hydrogen & helium (sun gods
laugh after all), when he tries to notate
the carbonated water fizz, the beer bottle cap
charles i pop / apache scalping with a tomahawk...
he's off by a mile and a marathon...
we can't mutilate words into sounds just to see
certain sounds (primarily of inanimate things)
with letters... there's an impasse about the whole thing;
this is trans-verbosity, overt-verbosity that cannot stand...
it's pointless trying to see a complex sound
with letter governed by the onomatopoeia...
it's enough to hear it... touch it... seeing is not believing
in this instance... this insistence...
after all we're utilising priceless things to get out message
across... so if man makes it worthwhile,
an onomatopoeic antonymous decision i have crafted:
the sound of the universe's vacuum "silence"
is counterweight to neither the sound of atoms congregating
into celestial orbs... but rather the place where man
out to shove his parallel representation of thought.
you can already see invisible realities within the realm
of visible realities, the many missing and the many amiss
onomatopoeias of what animate things echo from when
interacting with inanimate things... paradoxically
atoms are in an inanimate equilibrium as animate things
likened to the celestial bodies in orbit,
but in fact they are inanimate in an animate equilibrium...
worth a worth's worth of study in a laboratory allotment...
and if it was a cow's digestive system you were investigating,
the inanimate equilibrium is being worked on:
the equilibrium of what sort of usefulness from experience
can be possibly passed on;
but wait, you can't write me the onomatopoeia
for the crating of carbon monoxide (CO),
or formic acid (HCOOH),
or myristic acid - nutmeg  (CH3 branch with twelve CH2
and the carboxylic ending),
nor the ester (RCO2R) - because now you're
using a chemical alphabet of the periodic table,
and all necessary onomatopoeias are lost
to the names of the necessary elements
that begin with hydrogen, and end with anything
remotely removed from a famous scientist
by the elemental name akin to einsteinium.
onlylovepoetry Oct 2017
"Who writes poems like these?"

She, Miss Patty,
from Missouree? Missouruh?
asks me this question
round about a year ago,
after eavesdropping on an open poem line,
about a conversation,
a dialectic chat between me and the big guy in the sky^

(yeah, him, the magic marker Maker, who graffitis our lives only in
ink that just never goes away, cannot be erased,
talkin' bout this 'n that, ending, in a request from him for a
love poem personal (denied, fyi))

my answer:

come, sit for awhile, in poet's nook, upon soft pillows for our
tired sighs born in chests with a different kind
of breast cancer.
and upon these tough worn Adirondack chairs hard,
by the bay, we shall coverse in alternating verses

if too hot, the poetry's temperature.
we'll slow drift to the sun room of lace curtains and
heated suicide poems,
and after cool drinks
we'll observe the water, the rabbits, the cacophony low
of all the noisier creatures asking the trees and the
shuckling cappuccino frothy leaves
where did all those poets come from?
~
so to the question at hand and heart,

Who writes poems like these?

answers scarce, confessions plenty,
evasions conjured,
but tried, tired, and true, indeed
always ask myself, my sole troop,
that very same question every time,
the brain chimes poem time

'tis a truth, sort of, for the question is
asked by me, so oft,
should I, would I,
dare deflect the inflect of the eyes who cannot lie
and write a poem like this,
knowing it ends always only in tears,
or quit while ahead,
while my heart is slow beating,
and the pounding is temporarily,
halftime shelved

when
I ride the bus, open the kitbag,
find messages so privy
with and from the other poets,
(it is a privilege to be so councillor entrusted,)
picking up the gleaming gleanings of
fellow earth-extraordinaires,
reading the tales of the mad lunar lovers,
each of whom believe the moon has been following
only, each of them individually,
from childhood

when
exercising the muscle memories of love and ache
when watching the little gestures of my babies, my loved ones,
clues to who they are,
clues to who they will be.
after I am not

but let me be measured for measure by this:
Who writes poems like these?

well, after every writ complete,
weep and weep, if not laugh uproariously,
for though the question earnest, and I too,
never ever let adulthood interfere
with actions of my eyes, my mouth, my gut,
they all, masters now of me,
forcing me to write with abandon reckless and yet,
slicing off choicer cuts of me, carefully crafted, into
word etchings, painted water colors coming from the body's oils,
for my ration of rationality
has left town
for the summer, following the little drummer
boy,
perhaps, for the (double meaning) good

this each, a parcel of me, writing beguiling amuse bouches
of cache and cant, of poodles who speak human,
long legs in bed, high heels attached, conversations with moons,
crying to my lovers, I am a little boy, so needy,
and then the left foot turns to face
any and all gods who permit their names to be abused
for muddying murdering purposes,
as if we, all humans, all poets, were playthings,
bowling pins and not poets of some, any, the, way,
coming from the place
to where we all speak words, in our differing dialects,
accepting the blessings & curses thereof,
words but never fists

have I answered the question?

suspect not,
cause I am the suspect prime
in the crime
of low poetry
and high mis-demeanors,
and the authorities have been asking me the question for a lot longer than you, but no longer than one peculiar man,
Who writes poems like these?*
and they haven't caught me yet
and I haven't quite caught
the plain answer
The Nameless Sep 2016
Let's, let's keep time, you and me, together,
We can be a little tin can band
With stagelight streams of leftover holiday
And we can blot out the stars with their glow
Until we're the only ones left.

You can't get ahead by staying behind,

So move, so move, you and me, together,
We can be a little tin can band
And move to the drummer boy's beat.
Just turn the little windup key
And follow the clockwork ballerina tempo.

You can't get ahead by staying behind,

But allargando, allargando, calando, you and me, together,
We can be a little tin can band
Wrapped up and forgotten in last year's tinsel
And shelved another year with dying poinsettia petals
Hoping we survive our expiration date.

You can't get ahead by staying behind,

Let's, let's keep time, you and me together,
We can be a little tin can band
And echo, echo, echo till we're nothing but silent wishes
And leftovers of sugar plum dreams,
Gilded, rusted tin sentiments screaming:

You can't get ahead by staying behind
eleanor prince Dec 2022
I'm sorting pictures in the archive box.
Shelved for that day that I kept putting off.
The job's to cull and have less stuff to store,
but spiders lurk and snakes are sliding out.

The photo shouts in raw dismemberment.
A howling wind, the prowl of packs of wolves.

I stare at trembling splinters held so close.
Her daytime Self looks like a sweet old dame.

I hear again the creak as floorboards pause;
my breath is held lest I miss steps that halt,
outside my door in seconds held at bay.

I see the handle
   slowly...
      lower..
         down.

Her strides are swift and next, her perfume's here.
With broken breath, she yields to clawing drives
and throws my bedclothes off like spider webs.

My youth she steals as night groans on and on.
For merchants took her bloom on stormy sea.

I clutch my knife and picture stabbing her;
But I've no strength to do the deed - I'm five.

Her mouth is pushed on lips zipped up and cold.
The bed is torn in tangled bits of knots.
My legs are jammed together- ripped apart.
My pillow's wet as aunty takes her cut.

— The End —