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"rags" poems
The road seen, then not seen, the hillside hiding then revealing the way you should take, the road dropping away from you as if leaving you to walk on thin air, then catching you, holding you up, when you thought you would fall, and the way forward always in the end the way that you came, the way that you followed, the way that carried you into your future, that brought you to this place, no matter that it sometimes took your promise from you, no matter that it always had to break your heart along the way, the sense of having walked from far inside yourself out into the revelation, to have risked yourself for something that seemed to stand both inside you and far beyond you, that called you back in the end to the only road you could follow, walking as you did, in your rags of love and speaking in the voice that by night, became a prayer for safe arrival… by: David Whyte excerpt from SANTIAGO
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Jan 8, 2015
Jan 8, 2015 at 8:05 PM UTC
Santiago - by David Whyte
Suzanne takes you down to her place near the river You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you've always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said "All men will be sailors then Until the sea shall free them" But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you'll trust him For he's touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind.
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22.9k
Suzanne
Suzanne takes you down to her place near the river You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you've always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said "All men will be sailors then Until the sea shall free them" But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you'll trust him For he's touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind.
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I got a tattoo last night Did it myself, all needles and ink Sterile like the bathroom floor And wet rags dyed black and pink It was a little picture of a house Sitting on top of my left hip Pinpricks of ink pushed into my skin And not once did I let the needle slip
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Feb 13, 2015
Feb 13, 2015 at 1:15 PM UTC
Tattoo
Most schools have projects, in science classes and such. Most of us, mastered the science of surviving in projects. It's those at the bottom who need the most help, but cant even get proper school supplies.. where's the logic ?. But oh, the rags to riches story is prevalent isn't it? Nope, the only rich I know is Professor Richard. And that's not even something worth mentioning, he does more lessening than lessons lets paint the picture.. But these young kids don't understand, they try to curse them, place them in prisons, its a trap from birth.. Give them these Rick Rosses as role models, knowing they don't have fathers, instead of Tupac Shakur, showing them worth.. My bestfriend Tony once questioned his dark skin, just like i once questioned my brown. how profound, a couple 4th graders at the time, having to prove that they were "down". Crazy how Tony proved he was down, now i visit his site yearly on November the third. And things aren't getting better, but nobody gives a **** haven't you heard.. The prayers our mothers chant, ritually every night. Praying to the Sun gods, perhaps one day we'll all unite. -afj
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Oct 4, 2014
Oct 4, 2014 at 8:34 AM UTC
Melanin Societies.
I used to take the back off the telephone and stuff it with rags and when somebody knocked I wouldn't answer and if they persisted I'd tell them in terms ****** to vanish. just another old crank with wings of gold flabby white belly plus eyes to knock out the sun.
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12.8k
I'm getting back to where I was
Look in the mirror. Let us both look. Here is my naked body. Apparently you like it, I have no reason to. Who bound us, me and my body? Why must I die together with it? I have the right to know where the borderline between us is drawn. Where am I, I, I myself. Belly, am I in the belly? In the intestines? In the hollow of the *** In a toe? Apparently in the brain. I do not see it. Take my brain out of my skull. I have the right to see myself. Don’t laugh. That’s macabre, you say. It’s not me who made my body. I wear the used rags of my family, an alien brain, fruit of chance, hair after my grandmother, the nose glued together from a few dead noses. What do I have in common with all that? What do I have in common with you, who like my knee, what is my knee to me? Surely I would have chosen a different model. I will leave both of you here, my knee and you. Don’t make a wry face, I will leave you all my body to play with. And I will go. There is no place for me here, in this blind darkness waiting for corruption. I will run out, I will race away from myself. I will look for myself running like crazy till my last breath. One must hurry before death comes. For by then like a dog ****** by its chain I will have to return into this stridently suffering body. To go through the last most strident ceremony of the body. Defeated by the body, slowly annihilated because of the body I will become kidney failure or the gangrene of the large intestine. And I will expire in shame. And the universe will expire with me, reduced as it is to a kidney failure and the gangrene of the large intestine.
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12k
Large Intestine
Look in the mirror. Let us both look. Here is my naked body. Apparently you like it, I have no reason to. Who bound us, me and my body? Why must I die together with it? I have the right to know where the borderline between us is drawn. Where am I, I, I myself. Belly, am I in the belly? In the intestines? In the hollow of the *** In a toe? Apparently in the brain. I do not see it. Take my brain out of my skull. I have the right to see myself. Don’t laugh. That’s macabre, you say. It’s not me who made my body. I wear the used rags of my family, an alien brain, fruit of chance, hair after my grandmother, the nose glued together from a few dead noses. What do I have in common with all that? What do I have in common with you, who like my knee, what is my knee to me? Surely I would have chosen a different model. I will leave both of you here, my knee and you. Don’t make a wry face, I will leave you all my body to play with. And I will go. There is no place for me here, in this blind darkness waiting for corruption. I will run out, I will race away from myself. I will look for myself running like crazy till my last breath. One must hurry before death comes. For by then like a dog ****** by its chain I will have to return into this stridently suffering body. To go through the last most strident ceremony of the body. Defeated by the body, slowly annihilated because of the body I will become kidney failure or the gangrene of the large intestine. And I will expire in shame. And the universe will expire with me, reduced as it is to a kidney failure and the gangrene of the large intestine.
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I'm leaving tomorrow But I'm staying today Before the dawn I'll be gone away No one watches me walk away I'm leaving tomorrow But I'm staying today I've put myself In the shape I'm in My head is heavy And my body's thin Will someone please let me in? I'm leaving tomorrow But I'm staying today I'm wearing rags In sleeping bags I'm drinking coffee With homeless hags I don't mean to be a drag I'll be leaving tomorrow Can I stay the day? Please don't throw me away
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Aug 19, 2015
Aug 19, 2015 at 1:37 PM UTC
Staying Today (Leaving Tomorrow)
*"Claim me," she whispers in a plea "claim my soul as I wilt" Crimson lips parted, head thrown back in ecstatic ache jugular bared she needs to feel that sharp -edged love, skin and barriers broken as she melts into the underworld of a new grace a magenta cry into the inky sky sacred silence penetrated as only gasps are heard milky ******* decorated with red liquid ribbon, his nourishment, her demise ******* pierced with beads of her sunset life flow as he ***** and bites... and howling into heaven's delicious gate, she writhes Her soul dissolving into his night and as his spirit absorbs her vermilion soul their power rises, black as coal ……………. your lips stick black   sanguine smile tremulous murmurs oh happy blood blossom of deaths surrender sacrificial lamb cats sparrow entranced thighs on fire sobbing from a thousand needled kisses ******* tearing blood each wound a weeping mouth licking milky white alter of cold stone saturated alizarin rust legs wide feet and ******* trussed in chains and drenched rags for cruelties arrow o crimson queen, pomegranate half eaten mouth smudge black agape snake tongue dancing through cherry lips twisted darkened eyes of fire and blood a wash in devils incense beloved veiled in evils cradle bind not the demons kiss then face down my love upon the crypt of mist black heavens gate pupa vampires bate a blood moon shaking a scourge you are now goddess of pleasures wretched in the Tuileries of the abyss consort your every piercing fang duck tail **** a boiling cauldron desire spills out dark cupid witch legs tied to throat devil ***** twitch ******* in a mote ive got the itch feet scorched in rope hot ******* ***** hells dark pope vampiress ***** dark girl feeding the sun is no more loves the bleeding*
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Apr 24, 2017
Apr 24, 2017 at 4:27 PM UTC
VAMPIRIC LOVE
*"Claim me," she whispers in a plea "claim my soul as I wilt" Crimson lips parted, head thrown back in ecstatic ache jugular bared she needs to feel that sharp -edged love, skin and barriers broken as she melts into the underworld of a new grace a magenta cry into the inky sky sacred silence penetrated as only gasps are heard milky ******* decorated with red liquid ribbon, his nourishment, her demise ******* pierced with beads of her sunset life flow as he ***** and bites... and howling into heaven's delicious gate, she writhes Her soul dissolving into his night and as his spirit absorbs her vermilion soul their power rises, black as coal ……………. your lips stick black   sanguine smile tremulous murmurs oh happy blood blossom of deaths surrender sacrificial lamb cats sparrow entranced thighs on fire sobbing from a thousand needled kisses ******* tearing blood each wound a weeping mouth licking milky white alter of cold stone saturated alizarin rust legs wide feet and ******* trussed in chains and drenched rags for cruelties arrow o crimson queen, pomegranate half eaten mouth smudge black agape snake tongue dancing through cherry lips twisted darkened eyes of fire and blood a wash in devils incense beloved veiled in evils cradle bind not the demons kiss then face down my love upon the crypt of mist black heavens gate pupa vampires bate a blood moon shaking a scourge you are now goddess of pleasures wretched in the Tuileries of the abyss consort your every piercing fang duck tail **** a boiling cauldron desire spills out dark cupid witch legs tied to throat devil ***** twitch ******* in a mote ive got the itch feet scorched in rope hot ******* ***** hells dark pope vampiress ***** dark girl feeding the sun is no more loves the bleeding*
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A blank page waits for words that it will never see Created from the head of someone writing a story Characters, plot, setting, theme, are central to the tale Without them every narrative is simply guaranteed to fail Stakes and consequences must exist for someone to pursue Whether treacherous of heart, or noble, brave, and true And if these traits stand not alone but mixed in with the rest That simply adds more intrigue to the outcome of the test Will he get the girl?  Will she rise above her station? Can a rags-to-riches fable captivate the nation? Who done it, where and why?  Are three questions most effective But often ****** requires the help of a detective These may seem like idle, fragmented bits of a much larger whole But actually they’re not; every type plays a role For you see, “someone” mentioned above is not a professional writer But an individual on a journey, and we all must face it like a fighter Characters are those you know and love, plot is what you choose to do Setting is where you live, theme defines what is important to you So why a fighter you may ask, someone who faces pain and strife? Because we encounter both good and ill as we write our book of life
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Sep 3, 2015
Sep 3, 2015 at 6:03 PM UTC
Freedom
In the murky depths of muck and mire hope flickers in hearts courageous enough to believe; sending out ripples in the waters like a domino effect rewound. Insignificant seedlings to the cruel eye filled with light and promise as yet unseen turned Fragile sprouts in healing green reaching up and out to rest hopes on the water front, as if to console one another - we are not alone. Against all odds, bean of India, Keep going – Power through the sluggish resistance Of this darkened plane. Though life seems lost in loneliness Listen closely, Hear the Whispering rumours of life beyond the deep Of basking in light and life beneath the welcoming heat of a dancing sun. A triumphant act of faith indeed, to content oneself with growing, never really knowing what lies beyond the darkness. I weep for you with joy, O little pocket of hope as you propel yourself forward - such strength, such courage for one who as yet knows not of that rosey happiness, that snow white purity that lies beneath your shell. I stand in awe of you; You with your absurd elegant beauty tracing your journey accepting it as part of yourself embracing who you once were. The original rags to riches tale; Roots in putrid, ravenous foundations yet you yourself remain unstained. The journey every bit as beautiful as your glorious destination – a testimony to your essential self. I see you take up your stance Front and centre, finally ready to declare yourself to the world. Budding beauty of new life awake! open your eyes, your heart, you dont have to hide anymore the world is missing who you are. And time births healing and growth. Every flower blooms at her own pace; Tentatively unfolding - delicate and fragile still with gentle colours begging will I do? Caught up in a lighter life becoming bolder, blessed, nurtured blooming bright, opened out hello world, here I am. Your wary days drowned, you claim your space, Fill your space, Make it your own. The ethereal splendour of your gentle petals Succeeded only by the loveliness within, As you build up your legacy of hope So wonder will not be lost in the falling petals but made more beautiful still in the healing gifts, in nourishing others, in the gifts you give of yourself back to the world.
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Jun 26, 2013
Jun 26, 2013 at 5:44 PM UTC
Sisters of the Lotus Flower
In the murky depths of muck and mire hope flickers in hearts courageous enough to believe; sending out ripples in the waters like a domino effect rewound. Insignificant seedlings to the cruel eye filled with light and promise as yet unseen turned Fragile sprouts in healing green reaching up and out to rest hopes on the water front, as if to console one another - we are not alone. Against all odds, bean of India, Keep going – Power through the sluggish resistance Of this darkened plane. Though life seems lost in loneliness Listen closely, Hear the Whispering rumours of life beyond the deep Of basking in light and life beneath the welcoming heat of a dancing sun. A triumphant act of faith indeed, to content oneself with growing, never really knowing what lies beyond the darkness. I weep for you with joy, O little pocket of hope as you propel yourself forward - such strength, such courage for one who as yet knows not of that rosey happiness, that snow white purity that lies beneath your shell. I stand in awe of you; You with your absurd elegant beauty tracing your journey accepting it as part of yourself embracing who you once were. The original rags to riches tale; Roots in putrid, ravenous foundations yet you yourself remain unstained. The journey every bit as beautiful as your glorious destination – a testimony to your essential self. I see you take up your stance Front and centre, finally ready to declare yourself to the world. Budding beauty of new life awake! open your eyes, your heart, you dont have to hide anymore the world is missing who you are. And time births healing and growth. Every flower blooms at her own pace; Tentatively unfolding - delicate and fragile still with gentle colours begging will I do? Caught up in a lighter life becoming bolder, blessed, nurtured blooming bright, opened out hello world, here I am. Your wary days drowned, you claim your space, Fill your space, Make it your own. The ethereal splendour of your gentle petals Succeeded only by the loveliness within, As you build up your legacy of hope So wonder will not be lost in the falling petals but made more beautiful still in the healing gifts, in nourishing others, in the gifts you give of yourself back to the world.
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73
(March, 1919)A LIAR goes in fine clothes. A liar goes in rags. A liar is a liar, clothes or no clothes. A liar is a liar and lives on the lies he tells and dies in a life of lies. And the stonecutters earn a living-with lies-on the tombs of liars. Aliar looks 'em in the eye And lies to a woman, Lies to a man, a pal, a child, a fool. And he is an old liar; we know him many years back. A liar lies to nations. A liar lies to the people. A liar takes the blood of the people And drinks this blood with a laugh and a lie, A laugh in his neck, A lie in his mouth. And this liar is an old one; we know him many years. He is straight as a dog's hind leg. He is straight as a corkscrew. He is white as a black cat's foot at midnight. The tongue of a man is tied on this, On the liar who lies to nations, The liar who lies to the people. The tongue of a man is tied on this And ends: To hell with 'em all. To hell with 'em all. It's a song hard as a riveter's hammer, Hard as the sleep of a crummy hobo, Hard as the sleep of a lousy doughboy, Twisted as a shell-shock idiot's gibber. The liars met where the doors were locked. They said to each other: Now for war. The liars fixed it and told 'em: Go. Across their tables they fixed it up, Behind their doors away from the mob. And the guns did a job that nicked off millions. The guns blew seven million off the map, The guns sent seven million west. Seven million shoving up the daisies. Across their tables they fixed it up, The liars who lie to nations. And now Out of the butcher's job And the boneyard junk the maggots have cleaned, Where the jaws of skulls tell the jokes of war ghosts, Out of this they are calling now: Let's go back where we were. Let us run the world again, us, us. Where the doors are locked the liars say: Wait and we'll cash in again. So I hear The People talk. I hear them tell each other: Let the strong men be ready. Let the strong men watch. Let your wrists be cool and your head clear. Let the liars get their finish, The liars and their waiting game, waiting a day again To open the doors and tell us: War! get out to your war again. So I hear The People tell each other: Look at to-day and to-morrow. Fix this clock that nicks off millions When The Liars say it's time. Take things in your own hands. To hell with 'em all, The liars who lie to nations, The liars who lie to The People.
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10.5k
The Liars
(March, 1919)A LIAR goes in fine clothes. A liar goes in rags. A liar is a liar, clothes or no clothes. A liar is a liar and lives on the lies he tells and dies in a life of lies. And the stonecutters earn a living-with lies-on the tombs of liars. Aliar looks 'em in the eye And lies to a woman, Lies to a man, a pal, a child, a fool. And he is an old liar; we know him many years back. A liar lies to nations. A liar lies to the people. A liar takes the blood of the people And drinks this blood with a laugh and a lie, A laugh in his neck, A lie in his mouth. And this liar is an old one; we know him many years. He is straight as a dog's hind leg. He is straight as a corkscrew. He is white as a black cat's foot at midnight. The tongue of a man is tied on this, On the liar who lies to nations, The liar who lies to the people. The tongue of a man is tied on this And ends: To hell with 'em all. To hell with 'em all. It's a song hard as a riveter's hammer, Hard as the sleep of a crummy hobo, Hard as the sleep of a lousy doughboy, Twisted as a shell-shock idiot's gibber. The liars met where the doors were locked. They said to each other: Now for war. The liars fixed it and told 'em: Go. Across their tables they fixed it up, Behind their doors away from the mob. And the guns did a job that nicked off millions. The guns blew seven million off the map, The guns sent seven million west. Seven million shoving up the daisies. Across their tables they fixed it up, The liars who lie to nations. And now Out of the butcher's job And the boneyard junk the maggots have cleaned, Where the jaws of skulls tell the jokes of war ghosts, Out of this they are calling now: Let's go back where we were. Let us run the world again, us, us. Where the doors are locked the liars say: Wait and we'll cash in again. So I hear The People talk. I hear them tell each other: Let the strong men be ready. Let the strong men watch. Let your wrists be cool and your head clear. Let the liars get their finish, The liars and their waiting game, waiting a day again To open the doors and tell us: War! get out to your war again. So I hear The People tell each other: Look at to-day and to-morrow. Fix this clock that nicks off millions When The Liars say it's time. Take things in your own hands. To hell with 'em all, The liars who lie to nations, The liars who lie to The People.
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73
How tenuous this grip we have, how slight our hold remains When all around  loud braggards boast that power now pertains, We see the banner headlines splashed across our daily rags And redneck demonstrations cleans the streets of Spics and **** When blood runs in the gutter as the battons rise and fall And whilst taking tea in style the filthy rich ignore it all. The blonde leader of our nation struts, postulates and brags While the rest of us skive off around the corner smoking **** Our  kids ingest confusion as they loiter on the street Unknowing  our delusions make illusions held, replete. How tenuous the grip we have, how slight our hold remains As our allies shower cold distrust convinced our fault inflames. What chance of clear redemption, what remedies revive When truth is lost to darkness can our honesty survive? Reputation cut to shards, confidences ****** That leaders of community no longer hold our trust When white is caste as black and then to green and then to grey And sanity refuses pontification one more day. How tenuous the grip we have, how slight our holds remain As twilight turns to darkness caste against a larks’ refrain. M. The White House HAMILTON, New Zealand 25 July 2018
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Jul 25, 2018
Jul 25, 2018 at 1:36 AM UTC
How Tenuous the Grip We Have?
I bet you think all ****** don't read. I bet you think all ****** smoke **** I bet you think all ****** are the same. I bet you think all ****** are the blame. I bet you think ****** don't know nothing about the law. I bet you think all ****** don't know nothing at all. I bet you think all ****** are not smart. I bet you think all ****** don't even care about art. I bet you think all ****** are from the streets. I bet you think, oh **** this poem is getting really deep. I bet you think all ****** carry a heat. I bet you think all ****** are dead beats. I bet you think ****** are thugs. I bet you think all ****** sell drugs. I bet think all ****** are classless with statuses of madness I bet you think all ****** are cashless. I bet you think all ****** are in the penitentiary. I bet you think all ****** are cemetery. I bet you think all ****** rap or trap. I bet you think all ****** sag their pants with two rags and a stockin' cap. I bet  you think all ****** are guilty. I bet you think all ****** are filthy. I bet you think all ****** rob. I bet you think all ****** don't have a job. I bet you think all ****** don't go to college. I bet you think all ****** are out here wylin. I bet you think all ****** are like Christopher Wallace. I bet you think all ****** will grab and ****** you up for your wallet. Some say a prophet, nah I just see it how they call it. Every line is on hydraulics. Every time I rhyme, every word becomes solid.
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Mar 12, 2016
Mar 12, 2016 at 10:55 PM UTC
All N-ggas Are the Same.
A beer can, phone book, a grapefruit and an Advent wreath with four candles in its nest of greens Two weeks Two lit Third one's the Pink a life three quarters spent? Next weekend Saturday-- The Sabbath falls in Hanukkah “Blessed art thou, Lord our God King of the universe who dost create lights of fire...” I'll light that third-- the pink one like a barbarian wise woman who traveled too far along life's way to find a Jewish baby, wrapped in rags ...or, was it the old guy that night lying in the street outside a New England bar “Oh Christ! Ya gotta be kidding me!” Nope, He was there alright Wallowing in the freezing slush amid his helpless drunken cries No cell phones then Scrapped my pizza plans On foot alone waving in frustration   in the passing headlights a turquoise, wind-crazed scarecrow ______ “Someone's gotta stop? Someone has to help us, don't they?” ______ Now there are two beer cans a grapefruit, and a phone book beside the advent wreath Third candle lit and leaning out for hope along the way
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Dec 15, 2017
Dec 15, 2017 at 3:05 PM UTC
Advent Still Life
Disheveled, staggering Consternation The debate surreal The participation Is optional but I decide To talk to the man To hear inside What do you think of manipulation? What causes these machinations? Lies to force and to control... I must admit He was on a roll And then the same day In the eve With a woman About to leave She talks about This very thing Same behavior With a different ring And then I came To realize It can't be hid Nor disguised Both fools in rags And ladies in style Can spot a liar From a mile
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Feb 14, 2010
Feb 14, 2010 at 2:23 PM UTC
Manipulation
Begging kids are very often seen, Performing the ridiculous dances, In hopes of just some of silver dirt, Cleaning with dirtiest rags your car, With a lifeless looking baby in arms, A teenage mama with another inside, Such is any Indian big city's traffic. Manipulating them is a hidden lord, Report to Lord of the Traffic Signal. Sympathy is what they hope, Empathy is what we reflect, Apathy is what they really get.
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Feb 10, 2016
Feb 10, 2016 at 7:41 AM UTC
Lord of the Traffic Signal
To the thunderstorm I used to love, you pounded me, beat the windows with your fists, brought the rain down with your thunderous roar. rarely, it would hail, and the melting ice would gleam down the streets, still soiled from the summer day before you came and took over all daylight. A severe thunderstorm warning went into effect around 2 a.m. - estimating to begin at 4 and end at 9. You came at 5, and it never ended. While the rain once glistened, it now stings my skin, crushes my thighs, squeezes my hip, compressing pressing presser tightening twisting the calf, stabbing the spine. I am not in control. The purple crush of your swirling eyes is a rush of wind - a cold front in the summer mist - the shattering of a two-hundred-year-old tree. I saved butterflies from you only for them to suffocate in their cages. The rags indoors, the frames, they never stopped you - only the rain prevented your fire. You are right when you are gone. The road is a blurry mirror, aging eyesight in the wet darkness.
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Oct 24, 2014
Oct 24, 2014 at 2:04 AM UTC
To the thunderstorm I used to love,
Love is patient Love is gentle and kind True Love is never near-sighted or blind It never boasts It never brags It doesn't matter If your in riches or rags Love is not rude It does not say, "Me!, Me!, Me!" When two become one its, "We!, We!, We!" Love is not easily angered It keeps no records of ugly words & wrongs It only cries out, "How Can We Make It Strong!" It does not dance with darkness But serenades the light To grow stronger is its only appetite Love always protects Always hopes and trust True Love, will never rot or rust It always perseveres Through life's storms of thorns & nails Because, True Love Never Fails. By Buddy Williams
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Sep 28, 2010
Sep 28, 2010 at 10:21 PM UTC
Love Never Fails
I was a shirt filed with straw and rags. Pants that hang loose. Jeans cuffed pinned uncomfortably. Nothing to think of; a hat filled with straw. The inability to walk. Pinned to a board. Hickory oak. Chest disproportionate to a small waist. Sleeves flung in the wind. Left standing still; a face motionless. Pinned to hickory oak. A shadow left in an empty field, the boundaries of a checkerboard shirt. The insecurity of straw hands. Pickett fences to the feet of crows, Still she'd visit often. Distance cut short by dark heavy wings. She'd caw in my silence, Not knowing the ability to smile I stood against purpose. She refused to run, poking fun at my hat. The clothes that hung loosely in the wind, scurf tied tightly around my neck. Feeling her ***** the strings of my chest. Strands of straw filled by her need to find a home. Was there anything there at all before that moment. Becoming shelter to the way she pried.
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Mar 22, 2017
Mar 22, 2017 at 7:11 AM UTC
Scarecrow
Indelicate is he who loathes The aspect of his fleshy clothes, -- The flying fabric stitched on bone, The vesture of the skeleton, The garment neither fur nor hair, The cloak of evil and despair, The veil long violated by Caresses of the hand and eye. Yet such is my unseemliness: I hate my epidermal dress, The savage blood's obscenity, The rags of my anatomy, And willingly would I dispense With false accouterments of sense, To sleep immodestly, a most Incarnadine and carnal ghost.
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6.1k
Epidermal Macabre
She would be dressed pretty in rags slaving like there's no tomorrow without that bit of altruism maybe a tad kindhearted shrouded in materialism. Fairy godmother's name is money lures her to a game of fame keeps silent of its rules. Her beauty makes her a winner she would be drunk attention glamour pleasure. Unknowingly games drawn to an end the clock strikes twelve; Struck her riches to rags the magic of money only lasts so long Struck her still had not find her one true love at the eleventh hour. Sobered ran out in embarrassment left only a glass slipper. Desolate returning to rags a druggie for fame with much hope a prince charming would remember her to find.
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Jul 3, 2014
Jul 3, 2014 at 12:02 PM UTC
Modern day Cinderella
In the drawer were folded fine batiste slips embroidered with scrolls and posies, edged with handmade lace too good for her to wear. Daily she put on shmattehs fit only to wash the car or the windows, rags that had never been pretty even when new: somewhere such dresses are sold only to women without money to waste on themselves, on pleasure, to women who hate their bodies, to women whose lives close on them. Such dresses come bleached by tears, packed in salt like herring. Yet she put the good things away for the good day that must surely come, when promises would open like tulips their satin cups for her to drink the sweet sacramental wine of fulfillment. The story shone in her as through tinted glass, how the mother gave up and did without and was in the end crowned with what? scallions? crowned queen of the dead place in the heart where old dreams whistle on bone flutes where run-over pets are forgotten, where lost stockings go? In the coffin she was beautiful not because of the undertaker's garish cosmetics but because that face at eighty was still her face at eighteen peering over the drab long dress of poverty, clutching a book. Where did you read your dreams, Mother? Because her expression softened from the pucker of disappointment, the grimace of swallowed rage, she looked a white-haired girl. The anger turned inward, the anger turned inward, where could it go except to make pain? It flowed into me with her milk. Her anger annealed me. I was dipped into the cauldron of boiling rage and rose a warrior and a witch but still vulnerable there where she held me. She could always wound me for she knew the secret places. She could always touch me for she knew the pressure points of pleasure and pain. Our minds were woven together. I gave her presents and she hid them away, wrapped in plastic. Too good, she said, too good. I'm saving them. So after her death I sort them, the ugly things that were sufficient for every day and the pretty things for which no day of hers was ever good enough.
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May 9, 2018
May 9, 2018 at 6:24 PM UTC
Marge Piercy's "Putting the good things away"
In the drawer were folded fine batiste slips embroidered with scrolls and posies, edged with handmade lace too good for her to wear. Daily she put on shmattehs fit only to wash the car or the windows, rags that had never been pretty even when new: somewhere such dresses are sold only to women without money to waste on themselves, on pleasure, to women who hate their bodies, to women whose lives close on them. Such dresses come bleached by tears, packed in salt like herring. Yet she put the good things away for the good day that must surely come, when promises would open like tulips their satin cups for her to drink the sweet sacramental wine of fulfillment. The story shone in her as through tinted glass, how the mother gave up and did without and was in the end crowned with what? scallions? crowned queen of the dead place in the heart where old dreams whistle on bone flutes where run-over pets are forgotten, where lost stockings go? In the coffin she was beautiful not because of the undertaker's garish cosmetics but because that face at eighty was still her face at eighteen peering over the drab long dress of poverty, clutching a book. Where did you read your dreams, Mother? Because her expression softened from the pucker of disappointment, the grimace of swallowed rage, she looked a white-haired girl. The anger turned inward, the anger turned inward, where could it go except to make pain? It flowed into me with her milk. Her anger annealed me. I was dipped into the cauldron of boiling rage and rose a warrior and a witch but still vulnerable there where she held me. She could always wound me for she knew the secret places. She could always touch me for she knew the pressure points of pleasure and pain. Our minds were woven together. I gave her presents and she hid them away, wrapped in plastic. Too good, she said, too good. I'm saving them. So after her death I sort them, the ugly things that were sufficient for every day and the pretty things for which no day of hers was ever good enough.
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68
Chairs are just coat hangers couches are beds and clothes are just hand rags you wear my cell phones just a flash light and the shower is a neighborhood ***** bank that doubles as a hairsalon (so.. what the **** does that make me?)
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Oct 28, 2010
Oct 28, 2010 at 6:19 AM UTC
current Lifestyle
Fine living . . . a la carte? Come to the Waldorf-Astoria! LISTEN HUNGRY ONES! Look! See what Vanity Fair says about the new Waldorf-Astoria: "All the luxuries of private home. . . ." Now, won't that be charming when the last flop-house has turned you down this winter? Furthermore: "It is far beyond anything hitherto attempted in the hotel world. . . ." It cost twenty-eight million dollars. The fa- mous Oscar Tschirky is in charge of banqueting. Alexandre Gastaud is chef. It will be a distinguished background for society. So when you've no place else to go, homeless and hungry ones, choose the Waldorf as a background for your rags-- (Or do you still consider the subway after midnight good enough?) ROOMERS Take a room at the new Waldorf, you down-and-outers-- sleepers in charity's flop-houses where God pulls a long face, and you have to pray to get a bed. They serve swell board at the Waldorf-Astoria. Look at the menu, will you: GUMBO CREOLE CRABMEAT IN CASSOLETTE BOILED BRISKET OF BEEF SMALL ONIONS IN CREAM WATERCRESS SALAD PEACH MELBA Have luncheon there this afternoon, all you jobless. Why not? Dine with some of the men and women who got rich off of your labor, who clip coupons with clean white fingers because your hands dug coal, drilled stone, sewed gar- ments, poured steel to let other people draw dividends and live easy. (Or haven't you had enough yet of the soup-lines and the bit- ter bread of charity?) Walk through Peacock Alley tonight before dinner, and get warm, anyway. You've got nothing else to do.
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5.7k
Advertisement For The Waldorf-Astoria
Fine living . . . a la carte? Come to the Waldorf-Astoria! LISTEN HUNGRY ONES! Look! See what Vanity Fair says about the new Waldorf-Astoria: "All the luxuries of private home. . . ." Now, won't that be charming when the last flop-house has turned you down this winter? Furthermore: "It is far beyond anything hitherto attempted in the hotel world. . . ." It cost twenty-eight million dollars. The fa- mous Oscar Tschirky is in charge of banqueting. Alexandre Gastaud is chef. It will be a distinguished background for society. So when you've no place else to go, homeless and hungry ones, choose the Waldorf as a background for your rags-- (Or do you still consider the subway after midnight good enough?) ROOMERS Take a room at the new Waldorf, you down-and-outers-- sleepers in charity's flop-houses where God pulls a long face, and you have to pray to get a bed. They serve swell board at the Waldorf-Astoria. Look at the menu, will you: GUMBO CREOLE CRABMEAT IN CASSOLETTE BOILED BRISKET OF BEEF SMALL ONIONS IN CREAM WATERCRESS SALAD PEACH MELBA Have luncheon there this afternoon, all you jobless. Why not? Dine with some of the men and women who got rich off of your labor, who clip coupons with clean white fingers because your hands dug coal, drilled stone, sewed gar- ments, poured steel to let other people draw dividends and live easy. (Or haven't you had enough yet of the soup-lines and the bit- ter bread of charity?) Walk through Peacock Alley tonight before dinner, and get warm, anyway. You've got nothing else to do.
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41
i'm a broken compass and a delayed train and a set of faded curtains that don't quite keep the sun out and the glare they make in your eyes, but i love you in ways i don't know how to say. so you can spill your guts to me and i'll clean them up with rags made of "sorry's" and that won't make it better but at least i'll have tried. i made this mess. you are gasping for the air that i took from your lungs and my betrayal-bruised hands are much too slow to fill them at the same time i'm trying to patch up the holes. eventually we lay together in a swallowing and somber silence, too many god **** miles apart, until i break it in half with not-good-enough words that serve as my version of an apology. but i swear that i will shatter every bone in my legs before i run from you when you need me most and curse at the doubt that plagues my mind like black death. i will shake my fists and scream obscenities at the uncertainties and banish every "what if" that begs access to my consciousness. i will slit the throat of yesterday, and watch it bleed out - know you're more than enough for me, and hate myself for the pills in your body. for you, you, are more than oxygen and no amount of salted regret that pours from my eyes could ever convey the thoughts my lips can't seem to form. so i am shrunk to a pitiful half-whisper, muttering over and over and over and over, "i'm right here. i'm right here." and somehow we manage to be okay. - m.f.
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Nov 17, 2013
Nov 17, 2013 at 4:54 PM UTC
an apology of sorts