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"overarching" poems
Ice cream is sweet and quite the treat A savory delight I crave at night At almost any time and any where, it is worth to desert for this dessert. Some keep it vanilla while others want a twist. Sometimes it's good to mix or other wise switch. Maybe you're ***** can't resist other flavored dishes? What if you were denied it or could no longer find it? *** how I'd crave its taste, but at least I'd lose weight. Other substitutes are lame and aren't quite the same. Regardless, I would survive and still be able to thrive. Why is *** so different? It's a biological need you'll probably say, so you, can't compare the two. I disagree completely. Though we'd all prefer not to be lacking, it's not as if we'd die for wanting. Additionally, people have lived ascetically and have been perfectly fulfilled and happy. Those kinds of people aren't born that way, but rather we are conditioned to be *** crazy. We are made to feel as if we are measured by who or how many we've been with. It is validation we truly desire and to know we always matter. And though *** is one of life's greatest gifts, it does not give your life an overarching bliss.
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Jul 19, 2018
Jul 19, 2018 at 6:00 PM UTC
A Sweet Gift
The wind roars — then stills to listen to the spoken grandeur from the soul of the angry autumn sky Its quickly moving grandeur moving  way beyond a trailing moment's wake    Change often goes voiceless — the autumn wind needs not consent to bare the trees; disguising all symmetry of yesterdays fleeting glance Overarching that which can no longer be    as it once was — A bitter cold gust preys on this aging bark stirring to the roots of my soul Will true nature’s   powerful essence ever reshape the scars these wind-whipped human feather's mask ?     The wind roars —    then stills to listen ,... and I wonder why I can’t be the change I see Stillwater in the wind Jesse Stillwater ... November 2nd, 2018
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Nov 2, 2018
Nov 2, 2018 at 11:48 AM UTC
Stillwater in the wind
It takes me back It pulls me close To itself, I cannot leave ln my dreams While I dose The summer scent of mango tree I remember well When we were young My friend and I hung on its arms, Cuddling the leaves. Now remain Just memories, echoes of a simpler past The flowers promised June was close Summer's sins would be redeemed By the childhood paradise Salted raw mango slice Overarching newborn smiles Yellow sun on green leaves Greenish-yellow chrysoberyl Oasis of the summertime I remember picking them up From the rooftop of boyhood-life Our winged friends came, bees, monkeys too Attempting another bite Fond, fond memories Mother used to cut and bring us mangoes While I tasted the golden slice My granny told me stories of The tree, it stood there when they built this house When she was eight or nine This fruit, this taste Connects this land Magnifera indica The secular deity of the mango nation You cannot begin to understand The gift of Indian summer My childhood wrapped in emerald leaves The whiff, the scent, I transcend Time;go to an age when all was well Or at the least, to me it seemed As I'm taking a bite of this season's last mango As the golden drops stick to my pubescent stache I remember a conversation I had The mango tree It talked to me No, I'm not crazy It was the mango tree Little things in life Leave something Oh!so many memories
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Mar 28, 2021
Mar 28, 2021 at 5:35 PM UTC
Mango Nation
A strange kind of intrusive ambiance; voices in several languages, forced laughter, technological functioning; human activity intermarried with machines. The volume rising perfectly in sync with my cortisol levels, I interrogate  my past for signs of the path that led me here; it remains blurred. I did not dream of working in customer service; but here I am regardless, moments of my life that I will never ponder again; a cascade of  the present moment repeating as long as my employment contract exists. An event-less horizon, memories are stillborn here and true ingenuity stifled. There is much and nothing that has led me here. It is hard not to feel like a horse bred for performance in this place; everything is monitored, quantified, reviewed and collaborated. Performance reports produced with the fervor of medieval scholars translating the bible.  I look to the sky, what else is there to do; only to see smoke alarms and aesthetically neutral lighting arrangements. There is art work on the walls, but is generic, created to defy analysis. The colouring of the walls is chosen to exude a neutral sort of trendiness; on brand for the overarching corporate image.
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Sep 13, 2018
Sep 13, 2018 at 7:32 AM UTC
Office
I write this opening line Such that you will understand the overarching theme I am disorganized I am rattling around in a cage within myself And I don’t want to come out Listen to the way I communicate I have fleeting visions By the time I finish this thought There is a new beginning Washing away everything there was before It is a constant river of thoughts and thoughts about thoughts That think themselves about themselves Down the water toward the ocean Thoughts can only be thoughts I am rambling you are listening Take notice of me Watch me try and traverse this vast stream of consciousness I cannot reach the shore and if I did it would be disastrous Got it?
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Sep 1, 2016
Sep 1, 2016 at 7:32 PM UTC
There Will Be A Quiz After......
she wanted my soul so I cut off a finger, noting that this little pinky offering, came from the same hand, who, who went to the market to buy her a love poem all her own, because, it was from the self same hand that wrote: *who, can cut a soul into pieces, no one! so one will still ask you, who! who will love you in whole poems, that are both past and future tensed composite composted, from words overly overused, but still foolishly feeling brand new when referencing you, so you can believe with new fool-thinking, this is your sole composition* she wanted my heart, applauded her determination, gave her one eye to see me instead better, so the visions she essays, to write, like when I sit down to write of women I’ve loved but! they do not come from my heart pieces, but from inside insight from of parts that are blind to everything but raucous untamable invisible desire she asked me for all the world’s wisdom, while standing on one legging, I simply said, here I am, telling you I’ll love you the way you requested, if only to be loved in return so with one eye and one leg, you will observe, two is not more than the sum of the parts of one love, as I count to ten on my nine fingers fingers that wrote of love not enough, no matter how many he gave up she wanted my brainiac left hemisphere, said, sure, the left side of me is where the baby poems are created, and then angel-released when ready, when needed, now that I see you’re needy for pieces, but still mistaken that pieces can be reconstructed into a whole with spit and spirit and an overarching imagination - no! the whole comes from only a holy place extracted from the hole-in-one that is my entirety give me then your utter essence, the place of you I, only I know exists, must exist, but cannot touch to see where you keep it hidden from all the women who love you, better than you even love yourself if you want that, then collect it, for it exists and lives on in every woman that asked for nothing, but was rewarded with more than a thousand poems, stored in stars, for her, to be creamed and cleansed, when she plucked them from the night in the galaxy where exist love poems, only to she-one shone-shine
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Jul 15, 2019
Jul 15, 2019 at 1:48 PM UTC
she wanted my soul
she wanted my soul so I cut off a finger, noting that this little pinky offering, came from the same hand, who, who went to the market to buy her a love poem all her own, because, it was from the self same hand that wrote: *who, can cut a soul into pieces, no one! so one will still ask you, who! who will love you in whole poems, that are both past and future tensed composite composted, from words overly overused, but still foolishly feeling brand new when referencing you, so you can believe with new fool-thinking, this is your sole composition* she wanted my heart, applauded her determination, gave her one eye to see me instead better, so the visions she essays, to write, like when I sit down to write of women I’ve loved but! they do not come from my heart pieces, but from inside insight from of parts that are blind to everything but raucous untamable invisible desire she asked me for all the world’s wisdom, while standing on one legging, I simply said, here I am, telling you I’ll love you the way you requested, if only to be loved in return so with one eye and one leg, you will observe, two is not more than the sum of the parts of one love, as I count to ten on my nine fingers fingers that wrote of love not enough, no matter how many he gave up she wanted my brainiac left hemisphere, said, sure, the left side of me is where the baby poems are created, and then angel-released when ready, when needed, now that I see you’re needy for pieces, but still mistaken that pieces can be reconstructed into a whole with spit and spirit and an overarching imagination - no! the whole comes from only a holy place extracted from the hole-in-one that is my entirety give me then your utter essence, the place of you I, only I know exists, must exist, but cannot touch to see where you keep it hidden from all the women who love you, better than you even love yourself if you want that, then collect it, for it exists and lives on in every woman that asked for nothing, but was rewarded with more than a thousand poems, stored in stars, for her, to be creamed and cleansed, when she plucked them from the night in the galaxy where exist love poems, only to she-one shone-shine
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73
If the Tiber floods and the Nile fails to If the overflowing mouth of Tamesis runs dry If the weeping willow withers as the blackthorn breaks And the regal golden eagle fails to climb in the sky If the dried-up land yields a drought so parching That the overarching urge is to drink yourself drowed If the Dead Sea waters lose their saline flotation And the carrion-grabbing vultures wheel in from miles around Then Gethsemane's gates will crack open just a little And the flowers of the garden will give off a sour scent As their brazen roots recall the night when they were fed with blood Dripping softly on the hallowed ground of dying man's lament If the water rises slowly and yet still without abating If it swallows up the chariots of sun and man and steed If the kings step out and stumble to the grave, their destination Will be broken, bold and cheerless: will be harrowing indeed.
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Jun 23, 2015
Jun 23, 2015 at 12:30 PM UTC
Nights of Gethsemane
sometimes falling for someone is like sky-diving, and sometimes it’s like jumping off golden gate bridge. sometimes falling for someone is like sky-diving without a parachute and still expecting to land on your feet, sometimes falling for someone is like jumping off the golden gate bridge and wishing you could climb back up in the split second before you hit the ground. see, you and me, we’re a little like my teeth; all the things i let get just a bit crooked because i didn't try hard enough to keep them in place. i think there's a metaphor somewhere in there. i think there's a metaphor in everything if i look hard enough. but the thing is, life isn't poetry. it doesn't always have an overarching meaning and message. and not everything makes sense in stanzas if you unscramble it. so i think the biggest lie i’ve ever heard about love is that it sets you free. but in the same breath our heartbeats sync up like all those people who made love look so easy, so simple. you are a home i don't know how to find my way back to, and i know you can’t make rest-stops into safe havens and i know if you’re going to try to make homes out of people then you can’t be surprised when your house falls apart and you have to move away. but you, you were good at making hotels feel like homes. you were good at making things like open roads and bedsheets and stolen moments feel like they belonged to us. like that twin bed and the two of us with our feet are tangled and our wires are crossed. we were always spilling over the edges. you never fit into any part of my life, but you still squeezed. and not in a bad way, maybe more of a i'm mad at you for finding all this extra space in me i never knew was there until you and then having the nerve to leave it empty. so i guess i don't really miss people, i just miss the spaces they leave behind. the cracks in my pavement. and god, what a dangerous thing to think that someone else can make you whole. and god, what a dangerous thing to think that someone else can save you from yourself.
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Sep 24, 2015
Sep 24, 2015 at 10:44 AM UTC
“make it easy, say i never mattered”
sometimes falling for someone is like sky-diving, and sometimes it’s like jumping off golden gate bridge. sometimes falling for someone is like sky-diving without a parachute and still expecting to land on your feet, sometimes falling for someone is like jumping off the golden gate bridge and wishing you could climb back up in the split second before you hit the ground. see, you and me, we’re a little like my teeth; all the things i let get just a bit crooked because i didn't try hard enough to keep them in place. i think there's a metaphor somewhere in there. i think there's a metaphor in everything if i look hard enough. but the thing is, life isn't poetry. it doesn't always have an overarching meaning and message. and not everything makes sense in stanzas if you unscramble it. so i think the biggest lie i’ve ever heard about love is that it sets you free. but in the same breath our heartbeats sync up like all those people who made love look so easy, so simple. you are a home i don't know how to find my way back to, and i know you can’t make rest-stops into safe havens and i know if you’re going to try to make homes out of people then you can’t be surprised when your house falls apart and you have to move away. but you, you were good at making hotels feel like homes. you were good at making things like open roads and bedsheets and stolen moments feel like they belonged to us. like that twin bed and the two of us with our feet are tangled and our wires are crossed. we were always spilling over the edges. you never fit into any part of my life, but you still squeezed. and not in a bad way, maybe more of a i'm mad at you for finding all this extra space in me i never knew was there until you and then having the nerve to leave it empty. so i guess i don't really miss people, i just miss the spaces they leave behind. the cracks in my pavement. and god, what a dangerous thing to think that someone else can make you whole. and god, what a dangerous thing to think that someone else can save you from yourself.
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43
I'm not BABE or ******** or PRINCESS I'm not the names you throw at me from your car window I'm not HONEY or SWEETIE or LOOK AT ME WHEN IM TALKING TO YOU ***** Harassment. A 10 letter word with thousands of synonyms each one like a knife to my skin each one a scar I can point to and show "this is where I stopped trusting" and "this is when I started running" Never was I prepared for a life where Im told to be timid To shrink myself down To be humble so that men aren't threatened To never speak my mind and to laugh at everything he says To always carry my keys in my hand like they are a weapon To never show my skin and that its my fault if I'm taken advantage of because "boys will be boys" We live in a world where the female body is fetishized Where women are seen as "liars" if they wear makeup and "lazy" when they don't Where girls in school are being removed from class because their tank top straps aren't three fingers wide as if making sure that men are comfortable is more important than an education. The overarching misogyny that plagues women everyday That makes them see themselves as the "second class *** will always be apparent Unless we make a change. So no I will not SMILE or BE NICE I will tear And destroy And break And smash I will fight.
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Feb 25, 2015
Feb 25, 2015 at 2:25 PM UTC
i hope you think of what you said to me when you look at your mother
There isn't much sky in this pallid, stale cocoon no greens nor greys, no electric branches searing fragile, barren walls. But the heady, sagging scent of moisture suggests a storm--                                                                                            yes, there was once me: a turbid bloom, an opportunist exhausting avidity in one overarching spill. As I rolled through your gutters, flippant and bleeding into everything, you rose with the dryness of the day and spoke of your immurement, the feebleness of my mold and mildew.
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Dec 25, 2012
Dec 25, 2012 at 7:09 PM UTC
"Rumination"
— for Victoria Seasons shuttle the tall stoic figure, Graceful and solemn as wafted mist, When seen, as if he was always there, Overarching into meek, gloamy skies Of mornings and dusk, mid day, lost, Seems not right for wading out kills That crane from above into the mud And murk of the penny eyed waters Only the ferryman will tender, for time Slips, sleeping with the fishes, spears Puddle and rim in the wakes, sparks Of waters break like a sputtering fire, His dart eyes are as yellow as golden Sun dancing in funeral pyre.  So green Creatures, must they always be gotten, Gone, have it coming from the sheering, Mercies of the Great Blue Heron who is all Seeing, scything, down to dazed judgement, Incited, pecking to order at the squirming fold.
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Jul 4, 2015
Jul 4, 2015 at 12:38 PM UTC
Ode to Great Blue Heron
Now in this season It smells like sweet honey nectar, Thick, warm pollen that heavies the air, that Overarching succulent sweetness I can Never find. I'm nearly Dreaming in the midst of day, Lack of sleep sharpens this Feeling of loss that doesn't coincide with The growth around me - My mind Is falling back a quarter year, another, Chilled over somehow in direct sunlight -                     My hunger could be assayed with                     Those honeyed towers somewhere blooming, but                     I've not been told where to find them - Stumbling along with aching limbs and Exhausted heart, forced anxious smile, Can't seem to find these supposed fruits That hang down at reach, give way to new days - Just quiet, vacant preludes Along all these miles of solitude.
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Apr 29, 2015
Apr 29, 2015 at 3:58 PM UTC
4/29/15
dreamt in strange shifting blocks, interwoven and with startled faces, sentencings spoken wordless. woke up to the blurry thought: sometimes in talk, i am confronted with ideas that in no way reconcile with my own structures. in response, i often choose to not say anything, or let it uncomfortably sit in my gut. in cases where the opposing point won't be heard, i suppose this is alright. but, when my own rooted beliefs are challenged in a valid manner, it is more akin to the silence of shame than of dignification. is this symbolic of the internalisation of a more sound philosophy, or inability to process it against the grain of my own? avoiding argumentation where it is of little purpose is one of my prime conversational aspects, and in an overarching paradigm avoiding unnecessary speech in general. but what internally portrays as tact can come off as indignant coolness, or bitter indifference. so, do i continue to speak in only the meaningful outer lashes, or let down the floodgates to some degree? human interaction doesn't need necessitate grave importance at all junctions, and sometimes the most comforting talk can be of nothings (which i still find myself often party to, despite my self-portrait of filtered short-spokenness). how do i open myself more to accepting or understanding when points are more sensible than my own, and integrating them into my consciousness? for, surely, if i disavow myself from giving up dated sentiments, i shall truly stagnate.
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Feb 2, 2016
Feb 2, 2016 at 8:31 PM UTC
dissolver (3)
dreamt in strange shifting blocks, interwoven and with startled faces, sentencings spoken wordless. woke up to the blurry thought: sometimes in talk, i am confronted with ideas that in no way reconcile with my own structures. in response, i often choose to not say anything, or let it uncomfortably sit in my gut. in cases where the opposing point won't be heard, i suppose this is alright. but, when my own rooted beliefs are challenged in a valid manner, it is more akin to the silence of shame than of dignification. is this symbolic of the internalisation of a more sound philosophy, or inability to process it against the grain of my own? avoiding argumentation where it is of little purpose is one of my prime conversational aspects, and in an overarching paradigm avoiding unnecessary speech in general. but what internally portrays as tact can come off as indignant coolness, or bitter indifference. so, do i continue to speak in only the meaningful outer lashes, or let down the floodgates to some degree? human interaction doesn't need necessitate grave importance at all junctions, and sometimes the most comforting talk can be of nothings (which i still find myself often party to, despite my self-portrait of filtered short-spokenness). how do i open myself more to accepting or understanding when points are more sensible than my own, and integrating them into my consciousness? for, surely, if i disavow myself from giving up dated sentiments, i shall truly stagnate.
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5
Ample armpit hair whipping in the wind. We were forced to deify ourselves vicariously through stems of trees, millions of years old, hugging the moss. Sick of piles of coins in innumerable quantities. Sick of contrived smiles Sick of listening to convoluted phrases shrouded in rhetoric from quivering lips, drooling with neediness and existential despair. Sick of you. Sick to our very core The torch burns. The chorus churns: Awakening, awakening, awakening. Embrace, embrace, embrace the embryonic ember. No neon lights, no abstractions, no overarching laws. We are the Pagan Icons And we do what we must.
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Mar 17, 2014
Mar 17, 2014 at 8:35 PM UTC
Pagan Icons
— for Victoria Seasons shuttle the tall stoic figure, Graceful and solemn as wafted mist, When seen, as if he was always there, Overarching into meek, gloamy skies Of mornings and dusk, mid day, lost, Seems not right for wading out kills That crane from above into the mud And murk of the penny eyed waters Only the ferryman will tender, for time Slips, sleeping with the fishes, spears Puddle and rim in the wakes, sparks Of waters break like a sputtering fire, His dart eyes are as yellow as golden Sun dancing in funeral pyre.  So green Creatures, must they always be gotten, Gone, have it coming from the sheering, Mercies of the Great Blue Heron who is all Seeing, scything, down to dazed judgement, Incited, pecking to order at the squirming fold.
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Mar 19, 2015
Mar 19, 2015 at 5:31 PM UTC
Poem for the Blue Heron
Way before people in human form, we existed as air and light. Lavender lights in the northern regions called to each other, and we responded freely. Sound sounded differently then, reaching inside our airy souls, overarching temporal existence. Dancing through infinite space, leaping beyond knowing, we became pure unfettered feeling. Come across the threshold of light, riding on your smile. All that was then, is still our ancient home.
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Sep 16, 2015
Sep 16, 2015 at 5:40 PM UTC
The Star Girl Named You
The touch of your palms sends slithering snakes down my vertebrae, Your eyes locked onto mine – I get so carried away… Nerve endings are exploding, Stress unloading… And words escape your lips that can stop the clocks from ticking, The earth from rotating, My lustful heart from palpitating, Like sweet music to my ears, to my brain, Oh I'm going insane… It's the urge I'd rather not contain, Let my nails break the skin on your back, Scratching up and down your spine, No holding back No time to rewind. Cheeks are numb, Toes curl under, Check my vitals and prove to me that this is no dream, Because I swear that this feels like thunder. So hold me forever hostage in this storm, As you shake and provoke the demons from within, Burning, churning, and rattling inside my chest, These entities do not sleep, they do not rest, They won't cease unless released, Unless they see the light of day. And If I were to pry my ribcage open, They'd catapult into the overarching sky, Where the sun glows like a stained glass angel Dangling from the sun god's very own fingertips.
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Jan 7, 2014
Jan 7, 2014 at 12:54 PM UTC
Like Thunder
VIII Glassy smooth a mirror-sea reflects a turbulent cloudscape blending white into grey today far distant the sea joins the sky the sky absorbs the sea into the one the other disappears and little movement at the water’s edge . . . the tide-uncovered land lies exposed to harden in the still air IX Despite the profusion the messiness of it all and with disorder everywhere there is a precise vocabulary for the nature and experience of the coastal strip the area caught between land and sea. Rocks littered Sand pitted and patterned Sea sounding breaking pulling-back Sky an overarching complement to it all and the necessary story of coming and the ‘just being here’ and this path to the sea shore strewn so with anticipation with forward-facing dreams almost urgent imaginings as we let go of the constraints of the squared space the vertical architecture of daily life X See how those we love are transformed when the sea is their only boundary a figure stands before a sand bar in a crescent of water left by the tide an affecting geometry of solitude another gathers her body in a crouch to come close to a speckled play of tiny shells fragments thrown together by the morning’s tide The beach is such unconfining space where movement demands no direction XI this attentive looking at what lies at the feet or not choosing to pass by the curiously-formed or not but there is a measuredness of step an accompanying intent with that always-confidence there may be something so single out what can be held in the fingers what can lie entire in the neutral space of your collection’s row then later with the pencil’s mark the brush’s touch in line and shade and the tricks of chiaroscuro an image will be secured in mind and muscles’ memory you will have drawn this form into knowledge
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Aug 5, 2013
Aug 5, 2013 at 3:59 AM UTC
Tide Marks #8-11
VIII Glassy smooth a mirror-sea reflects a turbulent cloudscape blending white into grey today far distant the sea joins the sky the sky absorbs the sea into the one the other disappears and little movement at the water’s edge . . . the tide-uncovered land lies exposed to harden in the still air IX Despite the profusion the messiness of it all and with disorder everywhere there is a precise vocabulary for the nature and experience of the coastal strip the area caught between land and sea. Rocks littered Sand pitted and patterned Sea sounding breaking pulling-back Sky an overarching complement to it all and the necessary story of coming and the ‘just being here’ and this path to the sea shore strewn so with anticipation with forward-facing dreams almost urgent imaginings as we let go of the constraints of the squared space the vertical architecture of daily life X See how those we love are transformed when the sea is their only boundary a figure stands before a sand bar in a crescent of water left by the tide an affecting geometry of solitude another gathers her body in a crouch to come close to a speckled play of tiny shells fragments thrown together by the morning’s tide The beach is such unconfining space where movement demands no direction XI this attentive looking at what lies at the feet or not choosing to pass by the curiously-formed or not but there is a measuredness of step an accompanying intent with that always-confidence there may be something so single out what can be held in the fingers what can lie entire in the neutral space of your collection’s row then later with the pencil’s mark the brush’s touch in line and shade and the tricks of chiaroscuro an image will be secured in mind and muscles’ memory you will have drawn this form into knowledge
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72
I grew from this earth, green as a sprout, to grow and grow and touch the sky with my puny shoulders. I do as the Sun above commands of me, to keep stretching and bending my spine, arching my back to its plans for my overarching canopy. They wish for me to lie beneath them, absorb their every ray and word, to believe fully and totally in only them. However, these Suns do not shine quite bright enough and my nourishment supplements itself. I help myself to grow, to bear the responsibility above that I can never handle; far too much to handle. They don't know that I am so tired, so sick and weak deep, deep, deep down in my roots. I haven't slept in years, years and years of open eyed nights, empty thoughts and alternative music to fuel and feed my roots and trunk. This could never suffice, as only the Sun may lift up the heavens, may hold the sky aloft and force the clouds to dance, sending glittery raindrops down towards me, sweat running wet from the pores of the wild storm fronts. I am too weak to handle their high heeled kicking, heavy foot stomping, black cloud romping around; I'm too far down, down, down on the ground, covered by dirt and having only grown a quarterway up. It won't work, honestly; I can't be who you wanted. After all, such small shoulders could never hold such large sky.
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Aug 12, 2011
Aug 12, 2011 at 12:06 AM UTC
Gravity in Dreams
I’m done with sitting around waiting for life to guide me through a meaningless existence as if things just happen. hoping for problems to work themselves out, regressing to the safety and comfort of nothingness, doing nothing, being nothing, options have plagued the world, so vast and unattainable that you’re overwhelmed by choice, disadvantaged by practicality. expectations appear formidable until you realise that most lead a nine to five life, hypnotised by the norm, the mundanity is too much. how do you begin to transform a life that is settled in its routine? to chance and hope without a tangible end goal then one day you realise your meaning in life. individual, unique, so precious and perfect you must savour it, cherish it. delve into the world of possibility. not everything works out. truly there is no overarching meaning to existence but when you find your own as different and quirky as it may be, embrace its madness and then you will be free.
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Feb 18, 2018
Feb 18, 2018 at 8:02 AM UTC
Freedom
A settled man with the heart of a vagabond belonging to an artful brain and clumsy hands, to eloquent thoughts and a stuttering mouth, to an overarching desire to fly and touch the clouds and an overwhelming fear of falling to the ground.
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Jan 21, 2014
Jan 21, 2014 at 6:59 PM UTC
Folly
The way you look The way you look at me The way you see It is all so enticing I keep repeating Like it is some kind of puzzle piece And I'm trying to find where it fits I don't know I'm stupid, I should be able to say what I know and what I want Yet I can only repeat and rhyme Calling it poetry, yet it is a sad excuse on all levels I know not all thoughts are beautiful Rather many are mundane Yet that is hard to believe When many of my thoughts consist of you And therefore are inherently some of the most beautiful things to think So I write poetry Calling it romance Love, the muse Love the muse You see repetition is my default Systematically placing stress on one word then the other Changing and transforming the overarching meaning Your lips Your lips on mine These thoughts lie in the back of my thoughts And are all I can think about
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Dec 20, 2015
Dec 20, 2015 at 5:31 PM UTC
Repetition
(*i couldn't say more than enough, or much at all. i am uncertain but only ever-so-slightly and, overarching paradigm, i'm happier than ever, even if i'm still sad.*) we play party to endless routines. bite our own tails with startling frequency. shudder or spark. most often both, but most often meaning little, for meaning is intrinsic, only where you implant it. in patient hunt for our exterior products, we numbered blades, outside; hovering above and without fields. writing the same light motifs as always. nothing looks like stars except stars, or sand, or freckles in your eyes. everything shines a little dimmer. something about the way our hands brush through stems. directed motions. observable quantities. sentences underpinning lifetimes. how does one figure their actions or inaction as anything but universal? how does one decompose their patterns, already found irreducible? from either side, movements are local. we reside in pure neighbourhoods. all existence outside is asleep. the hallways contract. water runs from & over our skin. shivered and, as basis, discovered this world is just as dizzy. just in new increments. not eating for days sends you sick. eating for days does likewise. broken down or breaking down, we idle and sleep and sometimes hope for coalescence (or, at least, as far as i can find). but, meadows, too, still sleep, forests still sleep. all alive is this room, or shadow, or minute discharge radius. so, if you aren't here or closer, how can anything matter? asleep & passing through city-light. tender ghost. sweet summary. some days, even i am discontinuous, but only for passing swathes. field underfoot & distance now mean little more than nothing, and little less than everything. and, as dual, i could hardly forget. scale & continue in each second. it is cold & getting colder, and i've figured out how to miss you,                           already.
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May 20, 2015
May 20, 2015 at 7:55 AM UTC
covers over gr-Gorenstein rings
(*i couldn't say more than enough, or much at all. i am uncertain but only ever-so-slightly and, overarching paradigm, i'm happier than ever, even if i'm still sad.*) we play party to endless routines. bite our own tails with startling frequency. shudder or spark. most often both, but most often meaning little, for meaning is intrinsic, only where you implant it. in patient hunt for our exterior products, we numbered blades, outside; hovering above and without fields. writing the same light motifs as always. nothing looks like stars except stars, or sand, or freckles in your eyes. everything shines a little dimmer. something about the way our hands brush through stems. directed motions. observable quantities. sentences underpinning lifetimes. how does one figure their actions or inaction as anything but universal? how does one decompose their patterns, already found irreducible? from either side, movements are local. we reside in pure neighbourhoods. all existence outside is asleep. the hallways contract. water runs from & over our skin. shivered and, as basis, discovered this world is just as dizzy. just in new increments. not eating for days sends you sick. eating for days does likewise. broken down or breaking down, we idle and sleep and sometimes hope for coalescence (or, at least, as far as i can find). but, meadows, too, still sleep, forests still sleep. all alive is this room, or shadow, or minute discharge radius. so, if you aren't here or closer, how can anything matter? asleep & passing through city-light. tender ghost. sweet summary. some days, even i am discontinuous, but only for passing swathes. field underfoot & distance now mean little more than nothing, and little less than everything. and, as dual, i could hardly forget. scale & continue in each second. it is cold & getting colder, and i've figured out how to miss you,                           already.
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