The first settlers to the area called the Lumber River Drowning Creek. The river got its name for its dark, swift-moving waters. In 1809, the North Carolina state legislature changed the name of Drowning Creek to the Lumber River. The headwaters are still referred to as Drowning Creek.

Three p.m. on a Sunday.
Anxiously hungry, I stay dry, out of the pool’s cold water,
taking the light, dripping into my pages.
A city with a white face blank as a bust
peers over my shoulder.
Wildflowers on the roads. Planes circle from west,
come down steeply and out of sight.
A pinkness rises in my breast and arms:
wet as the drowned, my eyes sting with sweat.
Over the useless chimneys a bank of cloud piles up.
There is something terrible in the sky, but it keeps breaking.
Another is dead. Fentanyl. Sister of a friend, rarely seen.
A hand reaches everywhere to pass over eyes and mouths.
A glowing wound opens in heaven.
A mirror out of doors draws a gyre of oak seeds no one watches,
in the clear pool now sunless and black.

Bitter water freezes the muscles and I am far from shore.
I paddle in the shallows, near the wooden jail.
The water reflects a taut rope,
feet hanging in the breeze singing mercy
at the site of the last public hanging in the state.
A part-white fugitive with an extorted confession,
loved by the poor, dumb enough to get himself captured,
lonely on this side of authority: a world he has never lived in
foisting itself on the world he has -
only now, to steal his drunken life, then gone again.

1871 - Henderson Oxendine, one of the notorious gang of outlaws who for some time have infested Robeson County, N. C., committing ****** and robbery, and otherwise setting defiance to the laws, was hung at Lumberton, on Friday last in the presence of a large assemblage. His execution took place a very few days after his conviction, and his death occurred almost without a struggle.

Today, the town square collapses as if scorched
by the whiskey he drank that morning to still himself,
folds itself up like Amazing Grace is finished.
A plinth is laid
in the shadow of his feet, sticky with pine,
here where the water sickens with roots.
Where the canoe overturned. Where the broken oar floated and fell.
Where the snake lives, and teethes on bark,
waiting for another uncle.

Where the tobacco waves near drying barns rusted like horseshoes
and cotton studs the ground like the cropped hair of the buried.
Where schoolchildren take the afternoon
to trim the kudzu growing between the bodies of slaves.
Where appetite is met with flood and fat
and a clinic for the heart.
Where barges took chips of tar to port,
for money that no one ever saw.

Tar sticks the heel but isn’t courage.
Tar seals the hulls -
binds the planks -
builds the road.
Tar, fiery on the tongue, heavy as bad blood in the family -
dead to glue the dead together to secure the living.
Tar on the roofs, pouring heat.
Tar is a dark brown or black viscous liquid of hydrocarbons and free carbon,
obtained from a wide variety of organic materials
through destructive distillation.
Tar in the lungs will one day go as hard as a five-cent candy.

Liberty Food Mart
Cheapest Prices on Cigarettes
Parliament $22.50/carton
Marlboro $27.50/carton

The white-bibbed slaughterhouse Hmong hunch down the steps
of an old school bus with no air conditioner,
rush into the cool of the supermarket.
They pick clean the vegetables, flee with woven bags bulging.
What were they promised?
Air conditioning.
And what did they receive?
Chickenshit on the wind; a dead river they can't understand
with a name it gained from killing.

Truth:
A man was flung onto a fencepost and died in a front yard down the street.
A girl with a grudge in her eyes slipped a razorblade from her teeth and ended recess.
I once saw an Indian murdered for stealing a twelve-foot ladder.
The red line indicating heart disease grows higher and higher.
The red line indicating cardiovascular mortality grows higher and higher.
The red line indicating motor vehicle deaths grows higher and higher.
I burn with the desire to leave.

The stories make us full baskets of dark. No death troubles me.
Not the girl's blood, inert, tickled by opiates,
not the masked arson of the law;
not the smell of drywall as it rots,
or the door of the safe falling from its hinges,
or the chassis of cars, airborne over the rise by the planetarium,
three classmates plunging wide-eyed in the river’s icy arc –
absent from prom, still struggling to free themselves from their seatbelts -
the gunsmoke at the home invasion,
the tenement bisected by flood,
the cattle lowing, gelded
by agriculture students on a field trip.

The air contains skin and mud.
The galvanized barns, long empty, cough up
their dust of rotten feed, dry tobacco.
Men kneel in the tilled rows,
to pick up nails off the ground
still splashed with the blood of their makers.

You Never Sausage a Place
(You’re Always a ****** at Pedro’s!)
South of the Border – Fireworks, Motel & Rides
Exit 9: 10mi.

Drunkards in Dickies will tell you the roads are straight enough
that the drive home will not bend away from them.
Look in the woods to see by lamplight
two girls filling each other's mouths with smoke.
Hear a friendly command:
boys loosening a tire, stuck in the gut of a dog.
Turn on the radio between towns of two thousand
and hear the tiny voice of an AM preacher,
sharing the airwaves of country dark
with some chords plucked from a guitar.
Taste this water thick with tannin
and tell me that trees do not feel pain.
I would be a mausoleum for these thousands
if I only had the room.

I sealed myself against the flood.
Bodies knock against my eaves:
a clutch of cats drowned in a crawlspace,
an old woman bereft with a vase of pennies,
her dead son in her living room costumed as the black Jesus,
the ***** oil of a Chinese restaurant
dancing on top of black water.
A flow gauge spins its tin wheel
endlessly above the bloated dead,
and I will pretend not to be sick at dinner.

Misery now, a struggle ahead for Robeson County after flooding from Hurricane Matthew
LUMBERTON
After years of things leaving Robeson County – manufacturing plants, jobs, payrolls, people – something finally came in, and what was it but more misery?

I said a prayer to the city:
make me a figure in a figure,
solvent, owed and owing.
Take my jute sacks of wristbones,
my sheaves and sheaves of fealty,
the smell of the forest from my feet.
Weigh me only by my purse.
A slim woman with a college degree,
a rented room without the black wings
of palmetto roaches fleeing the damp:
I saw the calm white towers and subscribed.
No ingrate, I saved a space for the lost.
They filled it once, twice, and kept on,
eating greasy flesh straight from the bone,
craning their heads to ask a prayer for them instead.

Downtown later in the easy dark,
three college boys in foam cowboy hats shout in poor Spanish.
They press into the night and the night presses into them.
They will go home when they have to.
Under the bridge lit in violet,
a folding chair is draped in a ***** blanket.
A grubby pair of tennis shoes lay beneath, no feet inside.
Iced tea seeps from a chewed cup.
I pass a bar lit like Christmas.
A mute and pretty face full of indoor light
makes a promise I see through a window.
I pay obscene rents to find out if it is true,
in this nation tied together with gallows-rope,
thumbing its codex of virtues.

Our salvation taking
another high-life (Lip)
The middle-income lip
Our lips leaked
Being possessed the kiss
on empty

Humpty Dumpty sat
on her Lego lips
Singers the Talking Heads
Where are the feds to late
Those stolen lips
State of a wedding trips
Rainbow chalk the state was
on lip nightmare call
Being stalked (Lumber Jack)

The devil filler up poverty
The world being pulled
Push her lip up
                    > >

Arrowsmith bow and arrow
                    >>
  Losing elasticity lips go
UPSTATE gravity

"What an under(state)meant"
"The press (God Bless)
    the golden child
     lips filling in
       the gaps
What!! no comment"

 So sad we need the happy
Irish lad too many
    Sugar Dads
lip recession deadlines to meet
The curveball
Another sip we joined the
Navy but eyeshadow deep-over
the edge gray
The Seal had an unusual tail
Her lips fast food drive smashed
Her Meal

The peace lips blew far away
"Medieval Swords heart lips
            will pay"
Times come and go its excruciating
Lips went too far always mating
Imitating people takes a whole village
Of pain

But the spiritual blessing rain
In Woodstock concerts
What perks to gain
The acid trip music we can
sip each other's lips

    Now if this wasn't passion
What a state got smeared
Like a crime scene
of fashion
Her lips could rise
Like the Millenium

         Max
Playing the jazz sax
Still the income tax

But the state in a crisis
of sales tax
Star a stage minimum wage
All the states we travel her lips
The water stays refreshing where
On her body, he really sees it on
her lips nowhere else

How many states can you
count on your finger
Long lip Ranger

The Victoria Secrets
The Tra la the bra's on the
Five-star Hilton Hotel
hanger

Holding onto her guns
Going right or to the left
Powerful lips he went
off the cliff

Getting Burned and
the State tax
You earned
The Swearing
Her lip talk so caringly
Can we move her lips to
another state more cautiously
How her hips look like
they will inflate

I am not a painting by
your candlelight fate
I felt like a tax right off
Taxi yellow race her lips
on the meter money bluff
I ended up in the state of
*Michigan
Tricks are ****
Like a lip magician

Kentucky home was barrels
of Bourbon
I never said I wanted a drink
my name is Robin
Going to Deleware
what hardware did anyone care
So humble like the bumblebee
She was way too soft as her software

Have gun we travel but have lips we rumble

We need courage this world of states
can be savage
Gold bonds of "Dynasty European"
top dollar vultures mean
funds that's a grand entrance

Now I see how these states
start to unravel
California here I come right
back where
my lips started from

Her upper society lip could use
Champagne and caviar
The star was getting fat a nice trim
Grumpy beard make it a
short tax cut with him
Text and tweets no lip sweets
Rocky Colorado mountain men

French lips played art
Like Van Gogh perfect 10
Scenic route crazed
So many states should
be sued overly sexed suites

In Alaska, she was on a freeze

All the money in the world she got New York Token

All I asked the waitress
for State fair pie
My lips could have
used *Sweet Peach * so
pucker up
Don't be a sucker
Alabama state trooper
in Kansas City

What a spell click of heels

Georgia is always on my mind
Is New York only a state of
Frank Sinatra singing mind
What a big foot in her mouth
Nancy Sinatra dark lips Goth
State boots softly made
for loving that's just
what lips do one of these
Days my lips are going to
gloss all over you
Who's the Boss
So fasten your lip belts
The spiritual state always does the cross

Bumpy ride (Bette Davis) Eyes
Taking a trip to the end of the
boot of Sicily vineyards
Whats mine Jailbirds
She cut her lip when she was
in (Connecticut Movie cut)
On the Mystic Seaport lips were
getting hot ****** fit

Like a state disease fire pit
State of a lip disaster
But the state couldn't
resist her
Ending up in Arizona
Something is swizzling
it's not Kevin Bacon

Make no mistake when you plan
a state trip you better have your
weapon ready
Mafia bullets Bonnie and Clyde
they rob *Banks money Lips

Your daisies have come
on the day of my divorce:
the courtroom a cement box,
a gas chamber for the infectious Jew in me
and a perhaps land, a possibly promised land
for the Jew in me,
but still a betrayal room for the till-death-do-us-
and yet a death, as in the unlocking of scissors
that makes the now separate parts useless,
even to cut each other up as we did yearly
under the crayoned-in sun.
The courtroom keeps squashing our lives as they break
into two cans ready for recycling,
flattened tin humans
and a tin law,
even for my twenty-five years of hanging on
by my teeth as I once saw at Ringling Brothers.
The gray room:
Judge, lawyer, witness
and me and invisible Skeezix,
and all the other torn
enduring the bewilderments
of their division.

Your daisies have come
on the day of my divorce.
They arrive like round yellow fish,
******* with love at the coral of our love.
Yet they wait,
in their short time,
like little utero half-borns,
half killed, thin and bone soft.
They breathe the air that stands
for twenty-five illicit days,
the sun crawling inside the sheets,
the moon spinning like a tornado
in the washbowl,
and we orchestrated them both,
calling ourselves TWO CAMP DIRECTORS.
There was a song, our song on your cassette,
that played over and over
and baptised the prodigals.
It spoke the unspeakable,
as the rain will on an attic roof,
letting the animal join its soul
as we kneeled before a miracle--
forgetting its knife.

The daisies confer
in the old-married kitchen
papered with blue and green chefs
who call out pies, cookies, yummy,
at the charcoal and cigarette smoke
they wear like a yellowy salve.
The daisies absorb it all--
the twenty-five-year-old sanctioned love
(If one could call such handfuls of fists
and immobile arms that!)
and on this day my world rips itself up
while the country unfastens along
with its perjuring king and his court.
It unfastens into an abortion of belief,
as in me--
the legal rift--
as on might do with the daisies
but does not
for they stand for a love
undergoihng open heart surgery
that might take
if one prayed tough enough.
And yet I demand,
even in prayer,
that I am not a thief,
a mugger of need,
and that your heart survive
on its own,
belonging only to itself,
whole, entirely whole,
and workable
in its dark cavern under your ribs.

I pray it will know truth,
if truth catches in its cup
and yet I pray, as a child would,
that the surgery take.

I dream it is taking.
Next I dream the love is swallowing itself.
Next I dream the love is made of glass,
glass coming through the telephone
that is breaking slowly,
day by day, into my ear.
Next I dream that I put on the love
like a lifejacket and we float,
jacket and I,
we bounce on that priest-blue.
We are as light as a cat's ear
and it is safe,
safe far too long!
And I awaken quickly and go to the opposite window
and peer down at the moon in the pond
and know that beauty has walked over my head,
into this bedroom and out,
flowing out through the window screen,
dropping deep into the water
to hide.

I will observe the daisies
fade and dry up
wuntil they become flour,
snowing themselves onto the table
beside the drone of the refrigerator,
beside the radio playing Frankie
(as often as FM will allow)
snowing lightly, a tremor sinking from the ceiling--
as twenty-five years split from my side
like a growth that I sliced off like a melanoma.

It is six P.M. as I water these tiny weeds
and their little half-life,
their numbered days
that raged like a secret radio,
recalling love that I picked up innocently,
yet guiltily,
as my five-year-old daughter
picked gum off the sidewalk
and it became suddenly an elastic miracle.

For me it was love found
like a diamond
where carrots grow--
the glint of diamond on a plane wing,
meaning:  DANGER!  THICK ICE!
but the good crunch of that orange,
the diamond, the carrot,
both with four million years of resurrecting dirt,
and the love,
although Adam did not know the word,
the love of Adam
obeying his sudden gift.

You, who sought me for nine years,
in stories made up in front of your naked mirror
or walking through rooms of fog women,
you trying to forget the mother
who built guilt with the lumber of a locked door
as she sobbed her soured mild and fed you loss
through the keyhole,
you who wrote out your own birth
and built it with your own poems,
your own lumber, your own keyhole,
into the trunk and leaves of your manhood,
you, who fell into my words, years
before you fell into me (the other,
both the Camp Director and the camper),
you who baited your hook with wide-awake dreams,
and calls and letters and once a luncheon,
and twice a reading by me for you.
But I wouldn't!

Yet this year,
yanking off all past years,
I took the bait
and was pulled upward, upward,
into the sky and was held by the sun--
the quick wonder of its yellow lap--
and became a woman who learned her own shin
and dug into her soul and found it full,
and you became a man who learned his won skin
and dug into his manhood, his humanhood
and found you were as real as a baker
or a seer
and we became a home,
up into the elbows of each other's soul,
without knowing--
an invisible purchase--
that inhabits our house forever.

We were
blessed by the House-Die
by the altar of the color T.V.
and somehow managed to make a tiny marriage,
a tiny marriage
called belief,
as in the child's belief in the tooth fairy,
so close to absolute,
so daft within a year or two.
The daisies have come
for the last time.
And I who have,
each year of my life,
spoken to the tooth fairy,
believing in her,
even when I was her,
am helpless to stop your daisies from dying,
although your voice cries into the telephone:
Marry me!  Marry me!
and my voice speaks onto these keys tonight:
The love is in dark trouble!
The love is starting to die,
right now--
we are in the process of it.
The empty process of it.

I see two deaths,
and the two men plod toward the mortuary of my heart,
and though I willed one away in court today
and I whisper dreams and birthdays into the other,
they both die like waves breaking over me
and I am drowning a little,
but always swimming
among the pillows and stones of the breakwater.
And though your daisies are an unwanted death,
I wade through the smell of their cancer
and recognize the prognosis,
its cartful of loss--

I say now,
you gave what you could.
It was quite a ferris wheel to spin on!
and the dead city of my marriage
seems less important
than the fact that the daisies came weekly,
over and over,
likes kisses that can't stop themselves.

There sit two deaths on November 5th, 1973.
Let one be forgotten--
Bury it!  Wall it up!
But let me not forget the man
of my child-like flowers
though he sinks into the fog of Lake Superior,
he remains, his fingers the marvel
of fourth of July sparklers,
his furious ice cream cones of licking,
remains to cool my forehead with a washcloth
when I sweat into the bathtub of his being.

For the rest that is left:
name it gentle,
as gentle as radishes inhabiting
their short life in the earth,
name it gentle,
gentle as old friends waving so long at the window,
or in the drive,
name it gentle as maple wings singing
themselves upon the pond outside,
as sensuous as the mother-yellow in the pond,
that night that it was ours,
when our bodies floated and bumped
in moon water and the cicadas
called out like tongues.

Let such as this
be resurrected in all men
whenever they mold their days and nights
as when for twenty-five days and nights you molded mine
and planted the seed that dives into my God
and will do so forever
no matter how often I sweep the floor.

Reinaldo was the name they gave the great white elephant
Who came to clear the jungles around Sao Paulo
A clever notion that because Reinaldo was born in the jungle
Any jungle would do just fine, Brazilian or Siamese made no difference
Just as clever was the notion that because I was a black man, educated
I would do just fine directing other black men to do work, English or Portuguese made no difference
Was I truly so much a fool, twice over?

Reinaldo occasionally was afflicted with slothfulness
Some of the men thought it was from lack of **** and whip
I was of a mind that it was due to lack of companionship
It was costly enough to ship one giant beast across a great sea
I left a wife, in Maryland, whom I never loved and who never loved me
I admit before the plan was in motion I never considered that Reinaldo could have a family
Sometimes, I wonder, did he have a wife who never loved him?

Loneliness became a common theme in our new home away from home
And Reinaldo and I became friends, at least I thought of him fondly
As far as I could say, of all the men he responded best to me
At times it seemed a load of lumber was hauled as a personal favor
For the handler too soft to handle with fear and anger
But as much as loneliness was a theme, so was change, and death

The lifespan of an elephant compares to the lifespan of men
Were this scheme of mine to have worked as desired
I could have sent for a cow, and made Reinaldo a sire
Soon it was revealed that slothfulness was a symptom of an elephant young, healthy and wise
Who sensed not his own, but a friend's imminent demise
Now I am left to wonder how Reinaldo will fare in a world stranger than I could have known
His softest handler and only friend bedridden, waiting for my disease to take its final toll

THE SINS of Kalamazoo are neither scarlet nor crimson.
  
The sins of Kalamazoo are a convict gray, a dishwater drab.
  
And the people who sin the sins of Kalamazoo are neither scarlet nor crimson.
  
They run to drabs and grays-and some of them sing they shall be washed whiter than snow-and some: We should worry.
  
Yes, Kalamazoo is a spot on the map
And the passenger trains stop there
And the factory smokestacks smoke
And the grocery stores are open Saturday nights
And the streets are free for citizens who vote
And inhabitants counted in the census.
Saturday night is the big night.
  Listen with your ears on a Saturday night in Kalamazoo
  And say to yourself: I hear America, I hear, what do I hear?
  
Main street there runs through the middle of the twon
And there is a ***** postoffice
And a ***** city hall
And a ***** railroad station
And the United States flag cries, cries the Stars and Stripes to the four winds on Lincoln's birthday and the Fourth of July.
  
Kalamazoo kisses a hand to something far off.
  
Kalamazoo calls to a long horizon, to a shivering silver angel, to a creeping mystic what-is-it.
  
"We're here because we're here," is the song of Kalamazoo.
  
"We don't know where we're going but we're on our way," are the words.
  
There are hound dogs of bronze on the public square, hound dogs looking far beyond the public square.
  
Sweethearts there in Kalamazoo
Go to the general delivery window of the postoffice
And speak their names and ask for letters
And ask again, "Are you sure there is nothing for me?
I wish you'd look again-there must be a letter for me."
  
And sweethearts go to the city hall
And tell their names and say,"We want a license."
And they go to an installment house and buy a bed on time and a clock
And the children grow up asking each other, "What can we do to **** time?"
They grow up and go to the railroad station and buy tickets for Texas, Pennsylvania, Alaska.
"Kalamazoo is all right," they say. "But I want to see the world."
And when they have looked the world over they come back saying it is all like Kalamazoo.
  
The trains come in from the east and hoot for the crossings,
And buzz away to the peach country and Chicago to the west
Or they come from the west and shoot on to the Battle Creek breakfast bazaars
And the speedbug heavens of Detroit.
  
"I hear America, I hear, what do I hear?"
Said a loafer lagging along on the sidewalks of Kalamazoo,
Lagging along and asking questions, reading signs.
  
Oh yes, there is a town named Kalamazoo,
A spot on the map where the trains hesitate.
I saw the sign of a five and ten cent store there
And the Standard Oil Company and the International Harvester
And a graveyard and a ball grounds
And a short order counter where a man can get a stack of wheats
And a pool hall where a rounder leered confidential like and said:
"Lookin' for a quiet game?"
  
The loafer lagged along and asked,
"Do you make guitars here?
Do you make boxes the singing wood winds ask to sleep in?
Do you rig up strings the singing wood winds sift over and sing low?"
The answer: "We manufacture musical instruments here."
  
Here I saw churches with steeples like hatpins,
Undertaking rooms with sample coffins in the show window
And signs everywhere satisfaction is guaranteed,
Shooting galleries where men **** imitation pigeons,
And there were doctors for the sick,
And lawyers for people waiting in jail,
And a dog catcher and a superintendent of streets,
And telephones, water-works, trolley cars,
And newspapers with a splatter of telegrams from sister cities of Kalamazoo the round world over.
  
And the loafer lagging along said:
Kalamazoo, you ain't in a class by yourself;
I seen you before in a lot of places.
If you are nuts America is nuts.
  And lagging along he said bitterly:
  Before I came to Kalamazoo I was silent.
  Now I am gabby, God help me, I am gabby.
  
Kalamazoo, both of us will do a fadeaway.
I will be carried out feet first
And time and the rain will chew you to dust
And the winds blow you away.
And an old, old mother will lay a green moss cover on my bones
And a green moss cover on the stones of your postoffice and city hall.
  
  Best of all
I have loved your kiddies playing run-sheep-run
And cutting their initials on the ball ground fence.
They knew every time I fooled them who was fooled and how.
  
  Best of all
I have loved the red gold smoke of your sunsets;
I have loved a moon with a ring around it
Floating over your public square;
I have loved the white dawn frost of early winter silver
And purple over your railroad tracks and lumber yards.
  
  The wishing heart of you I loved, Kalamazoo.
  I sang bye-lo, bye-lo to your dreams.
I sang bye-lo to your hopes and songs.
I wished to God there were hound dogs of bronze on your public square,
Hound dogs with bronze paws looking to a long horizon with a shivering silver angel, a creeping mystic what-is-it.

I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.

Darkness take me into your beautiful arms
Lay me to rest, tuck me in as a mother would.
Kiss my forehead and whisper to me a false sense of hope.

Let your lies curl up around me like a blanket
that keeps me warm.
It is so cold outside. Don’t let me be cold.

Throw more lumber into the fire, please.
Do not let it go out.
I’m not sure what you would do if all the light would go out.

I’m not sure if I can trust you;
however, you’re all that I have
and it’s become so incredibly hard to do it myself.

It’s growing dark.
My lips are trembling, my teeth chattering.
Would you please put more lumber into the fire?

?? ?? saeyeong jima  plays out in life

The Korean Proverb
?? ?? saeyeong jima
recently came to life in my life

The meaning of the proverb
Is that you can never know whether something
will be good or bad

and that unexpectedly
what appears to be bad fortune
turns out to be a good fortune

The proverb played
out recently in my life
about lunar  New Year's Day

we were preparing to go to Thailand
from two weeks from our home
in South Korea

and then at the end of February
we would do to go to DC

My wife blew out her lumber desk
and we were forced to cancel our trips
This occurred
just as the coronavirus
was taking out around the world

and if we had gone
we may have been stuck either in Thailand
or we may have been stuck in the United States

and traveling in the mist of a corona outbreak
would probably mean
that we would have been exposed
to the virus


instead we were forced to stay home
and self quarantine ourselves

and therefore
we escaped being exposed to the coronavirus
and we feel much safer
here in Korea  where the outbreak is contained
rather than in DC
where it is still spreading everywhere

so in a sense her misfortune
throwing out her disk
which resulted in us staying at home
and avoiding the coronavirus

is the true meaning
of the Korean Chinese expression
?? ?? saeyeong jima

writers digest prompt write a lucky/unlucky poem

the Terrorists were succeeding beyond their wildest dreams

the terrorists were succeeding
beyond their wildest dreams
they thought what were the chances

it was so much better,
easier than they thought
as the bombs dropped all around them

to where it would end
they did not know
All they knew was that
it was all about to end
you see  they were facing the end

The morning after the end of the world
the bombs fell and fell
in fact all over the world
it felt that the world would end up
being destroyed as the world ends
and nuclear war

they called for the end of the world
be so it must be they
thought to themselves

would they be able to stop the carnage
so it ends much as it begins
one does not know how it would end up
the bombs doing their bomb thing after all
they were simply bombs

all must die once they are released
after all that was the way it was
the bomb facility opened up death

the death of the whole world
of that we can be sure
following the blue prints

the master plans of the war planners
at the end of the day
it looks like Armageddon
a end of the world game

would it get that bad
to end the world

is that what they wanted
they did not know

it is possible no one knew
it was uncharted territory
it was the end of the world
if the bombs did their bomb thing

Poetry Super Highway Prompt

Turn to page 35 of any book. Use the first two sentences backwards for your prompt. I used James Tate, “Worshipful Company of Fletchers” and got: “ The pleasure of little incidents  Remember.”


From Vince Flynn protect and defend original text


If it was possible they wanted to get a look at the blueprints of the facility after all they were doing one so would be called and destroy it in the morning you about where to drop the bomb so better the chances were of succeeding



corona virus tanka

corona virus
it is spreading all over
the world dying

I walk down the path of life
Along with love of my wife

National Poetry Month Day Seven Prompt Tanka

Angela Came to Me for 38 years Bringing me lots of $

Angela Lee came to me
out of a dream she came to me
she walked out of my dreams
eight years after I first dreamt of her
she finally came to me  

it has been 38 years now
that she has been my wife
the love of my life
and every day
I recall the dream
of meeting her

she has brought me much to my life
this love of my life my wife
but the most important thing
she has brought to me
besides her endless love of course

is $
massive amounts of $
as she has made me
richer than I could have ever imagined
turning every day my $
into many more $

They say that a man
should marry a woman
born in the year of the Pig
for pig ladies are incredible
at managing $
and if you are so lucky
you will be buried in $

after Richard Garcia A Letter, a Number and some Punctuation
Poemuzine April 7 presentation prompt



The best meal of my life

the best meals of my life
has always been what my wife
cooks up for me every night

she is a genius in the kitchen
always making something great
from the simplest ingredients


Because she came down with celiac disease
she could  only eat
what she prepared from scratch
and so she was forced
to give up all processed foods

and in the process she became
the greatest cook
in the universe

I wait with baited breath
to taste the great food
that she creates for me

on lunar new years
she threw out her lumbar disk
and we were forced to stay home
just as the corona pandemic
swept across the world

if we had traveled
we would have contracted
the dreaded corona virus

and we were forced
to stay at home
and she took advantage
of staying at home
to try new dishes
every single day

I recall the Korean proverb
?? ?? saeyeong jima
as her misfortune
turned into fortune
and once again
she saved me life


I am the luckiest man in life
the best fed man of all I know
due to the cooking skills of my wife


lion dreams of impossible dreams

A lion’s impossible Dream

for all poetry impossible dream contest

An old lion
Roars in his sleep
Recalling an impossible dream

In his dream
He was a man
Who was chasing a dream
Chasing an impossible dream

The man
Was haunted
By a dream girl

A girl who appeared
Nightly in his dreams
Beckoning him to join her

He searched the world
Looking for her
And then one day

She walked
Off a bus
And into his life

The lion woke up
From the impossible dream
Smiling at the thought

Then he went off
To search for his
Impossible dream

Dreaming still
Of being a man
In search
of a dream girl


corona virus haiku

corona virus
brings death and our destruction
destroying our life










writers digest prompt write a lucky/unlucky poem

The Korean Proverb
saeyeong jima
recently came to life in my life

The meaning of the proverb
Is that you can never know whether something
will be good or bad

and that unexpectedly
what appears to be bad fortune
turns out to be a good fortune

The proverb played
out recently in my life
about lunar  New Year's Day

we were preparing to go to Thailand
from two weeks from our home
in South Korea

and then at the end of February
we would do to go to DC

My wife blew out her lumber desk
and we were forced to cancel our trips
This occurred
just as the coronavirus
was taking out around the world

and if we had gone
we may have been stuck either in Thailand
or we may have been stuck in the United States

and traveling in the mist of a corona outbreak
would probably mean
that we would have been exposed
to the virus


instead we were forced to stay home
and self quarantine ourselves

and therefore
we escaped being exposed to the coronavirus
and we feel much safer
here in Korea  where the outbreak is contained
rather than in DC
where it is still spreading everywhere

so in a sense her misfortune
throwing out her disk
which resulted in us staying at home
and avoiding the coronavirus

is the true meaning
of the Korean Chinese expression
saeyeong jima


the Terrorists were succeeding beyond their wildest dreams

the terrorists were succeeding
beyond their wildest dreams
they thought what were the chances

it was so much better,
easier than they thought
as the bombs dropped all around them

to where it would end
they did not know
All they knew was that
it was all about to end
you see we were facing the end

The morning after the end of the world
the bombs fell and fell
in fact all over the world
it felt that the world would end up
being destroyed as the world ends
and nuclear war

they called for the end of the world
be so it must be they
thought to themselves

would they be able to stop the carnage
so it ends much as it begins
one does not know how it would end up
the bombs doing their bomb thing after all
they were simply bombs

all must die once they are released
after all that was the way it was
the bomb facility opened up death

the death of the whole world
of that we can be sure
following the blue prints

the master plans of the war planners
at the end of the day
it looks like Armageddon
a end of the world game

would it get that bad
to end the world

is that what they wanted
they did not know

it is possible no one knew
it was uncharted territory
it was the end of the world
if the bombs did their bomb thing

Poetry Super Highway Prompt

Turn to page 35 of any book. Use the first two sentences backwards for your prompt. I used James Tate, “Worshipful Company of Fletchers” and got: “ The pleasure of little incidents  Remember.”

From Vince Flynn protect and defend original text

If it was possible they wanted to get a look at the blueprints of the facility after all they were doing one so would be called and destroy it in the morning you about where to drop the bomb so better the chances were of succeeding

corona virus tanka

corona virus
it is spreading all over
the world dying

I walk down the path of life
Along with love of my wife

National Poetry Month Day Seven Prompt Tanka

Angela Came to Me for 38 years Bringing me lots of $

Angela Lee came to me
out of a dream she came to me
she walked out of my dreams
eight years after I first dreamt of you
she finally came to me  

it has been 38 years now
that she has been my wife
the love of my life
and every day
I recall the dream
of meeting her

she has brought me much to my life
this love of my life my wife
but the most important thing
she has brought to me
besides her endless love of course

is $
massive amounts of $
as she has made me
richer than I could have ever imagined
turning every day my $
into many more $

They say that a man
should marry a woman
born in the year of the Pig
for pig ladies are incredible
at managing $
and if you are so lucky
you will be buried in $

after Richard Garcia A Letter, a Number and some Punctuation
Poemuzine April 7 presentation prompt

I met my Fate that date
Fan story contest

I met my fate
on that date
that the love of my life
became my wife

for eight years she haunted my dreams
then one day she walked out of my dreams
truly on that date
my life began when I embraced my fate

and to this date
I never forget that I met my fate
the day she walked into my life
and became my wife

I met my Fate that date
Fan story contest

I met my fate
on that date
that the love of my life
became my wife

for eight years she haunted my dreams
then one day she walked out of my dreams
truly on that date
my life began when I embraced my fate

and to this date
I never forget that I met my fate
the day she walked into my life
and became my wife

Soft vaccines in which all the lost souls determine there private playground
Musical chairs of frightened faces
Fellow lonely heat sources
Hidden in the private darkness without another to recognize
The warmth of reality
Without someone to guide you through the forest
How will you find the trees?
Confirmation is life’s essential deed
Necessitating human contact
Nothing is certainty without a plastic shadow recognizing it so.

They gathered by Williamson Road at sun-up
      from neighboring spreads across the Tioga valley.
They came with carts laden with lumber stacks -
      with saws, adzes, hammers and sundry tools.

They gathered with the homesteaders bond.
      to co-build their neighbor's' dreams.

Sweet music of community echoed off the hills.
     Chisels clanged into rock, shaping the foundation,
saws sang into boards to frame a timbered skeleton.
     The staccato syncopation of hammers fastened walls
that soon would shelter plowshares, stock and grain.
      A smithy leaned over his fire and forge -
chiming iron into sturdy latches and hinges.

     Children scurried about mixing squeals and laughter
with exuberant fetching and lifting whenever called.
    
In two short passings of the sun the deed was done
      and a handsome new barn, decked out in a wash of red
was silhouetted tall and proud against the fading light.

Homesteaders gathered at a celebration table
      to share a hearty meal adorned by the music
of fiddles, grateful smiles and easy laughter.
  
Then one by one they steered their wagons home
      gazing back at what their labors had wrought -
knowing to the depth of their communal souls
      that we are more together than we are apart

Listen up, America!  This is the music of community.
      We are more together than we are apart.

*© 2016 by Robert Charles Howard

I wonder if my life would be alright
If I turned into a cat between the night

The main mission of my day of slumber
Is to find the most comfortable place to lumber

In solitude I would thrive
Teamwork still Would be nice

All I know is cats dream of mice
Sometimes I think that would be nice.

Smash down the cities.
Knock the walls to pieces.
Break the factories and cathedrals, warehouses
     and homes
Into loose piles of stone and lumber and black
     burnt wood:
     You are the soldiers and we command you.

Build up the cities.
Set up the walls again.
Put together once more the factories and cathedrals,
     warehouses and homes
Into buildings for life and labor:
     You are workmen and citizens all: We
     command you.

"The tallest poplar I'll grow to be,"
said the young tree.

"Standing above the rest,
I'll be crowned the best.
Fortified and grown,
the forest will be mine to rule alone."

Ripped from the roots,
and cut down by a man in boots,
the dreams quickly faded.
"There's not much to make of me now"
Thought the tree,
whose complexion quickly changed
from wide-eyed to jaded.

Hauled onto a truck  
Off he went.
To the lumberyard,
the young tree was sent.

Chopped to pieces,
stripped of his bark.
Our young poplar was afraid his life,
would never leave a mark.

"Some wooden crates they'll make of me"
"The peaks of the other trees I'll never see"

"I'm useless, I'm broken"
"In the forest my name will never be spoken"

The story doesn't end though,
it's only just begun.
For the life of this tree,
is one that's not yet done.

The lumber was chopped, cut, and carried.
To a town of a man named Jack,
who was poor but newly married.

"I've got little money, but I make good shoes"
"I've got to take care of my wife, I've nothing left to lose"

"I'll open a store, and become a cobbler"
"And with the money I make, I'll buy my family something proper."

So Jack took his life savings.
And off he went, to open a store,
To make enough money to pay the rent.

Our poplar was still together,
chopped into many pieces.
Next to some hardware supplies,
and a vendor selling fleeces.

"I'll take that lumber, it'll do the job."
"Just take my money, and I'll be along"

Years passed by as Jack labored hard.
A few kids came along, a house, and a fenced in yard.

One day a special man came to town.
Not the type of man that you see every day,
for this man wore a royal crown.

"Wooden clogs I need for my feet"
"To keep them dry as I walk along the damp street"

A chance to make shoes for a king,
this was enough to make Jack sing.

He looked through his supplies,
they weren't enough.
To build shoes fit for a king,
would be quite tough.

"I have just the wood, "
he thought to himself.
"From when I first built my shop,
there is some left on the top shelf.

So he took the remaining scraps,
and he made new shoes.
Shoes for royalty,
clogs fit for a man more special than me.

And now our poplar finally got his chance.
To join in the royal dance.
And on the king's feet he stays.
Helping him rule the land for the rest of his days.

So, if you find yourself cut down before you grow.
Just remember, and make sure you know.
Your chance will come, sooner or later.
To become a part of something greater.

You lurk in chat rooms talkin
bout what you'd like to do.
All naked accept for a captian's hat.
Ya know after hello it's probaly
not best to ask do you wanna *****.

Mr pervert do you enjoy.
Taking trips to mexico maybe to take in a
show.
Getting beat with a wire hanger
being called a bad boy.

Were ya born with a ***** loose?
Did uncle Charlie get to friendly
and papa John slip something in your juice?

Do you really like farm hand dot com
thats just wrong.
No Mr pervert I dont wanna see pics of you
covered in oil wearing a thong.

And im really not into what ya can fit
up your ***.
Glad to know what happend to that goon
at the back of the class.

No you cant have my number.
Okay your a woodman.
Please I really dont need any pics of
your lumber.

No I dont wanna wrestle in the dark you freak.
Yes im happy you enjoy being beat every
other day of the week.

You really need some help.
Yes I think to catch a preditor would be a
great show for you to make a appearence.
No I dont wanna play airlane.
so ***** your clearence.

Please why cant that connection to
your basement just go out.
Guess what your doing now.
Well to be honest I know without a single
doubt.

I can imagine what its like to be you.
well ***** that cause theres some ****
so freaky even I wont do.

So when ya see that name appear
on the screen it's probaly best to ignor.
I mean unless your really into hanging out
with a lathred up nut who eats outta
a dog dish apon the floor.

I was flipping through the channels
and to no suprize what did I see.
why dateline with Chris Hanson and
Mr pervert on my t.v.

I had to laugh at  every word said.
Gooodbye Mr pervert.
Didnt take a geinus  to figure out
you were ****** up in the head.

Take a peak inside that stormy dome,
see if you can't find yourself
a semi-peaceful slice of mind that you can call your own

Tie a leash around its neck,
try to walk that creature home,
Show it to your mom and pops

“look guys, look what I found roaming around my teenage mind?
This is the friend I was telling you about
I know he’s kind of ugly, shaggy and unkempt.
His looks are mildly incestual
But I love him all the same
Do you mind if I sit him right there next to you?

Maybe the three of you could exchange some words
He knows the same ones I do
Even those nasty slurs
I don’t exactly understand him
No one else does either
Everyone knows him,
But few seem to remember

Don’t go looking for him on your own
He tends to get real shy, sometimes reclusive
He’ll dive down deep into his subconscious home,
Forged of past memories, images and emotions
The ones that I dare not touch like the middle of the ocean

I wait by the shoreline, drifting in and out of consciousness
Anxiously awaiting,
the lumber that he’s plundered
from my stormy subconscious.
Then again,
maybe this time will be just like the rest.
Maybe this time all I get,
Is that hollowed out feeling in my chest

Suddenly,
He surfaces for air
And there he is
Speaking to me of sufferings and joys
My very own melodrama and vanity
He even touches on insecurity.


Things I never knew I tried so hard to hide
How did he find it all?
In that underwater den,
Where all these things reside.

“If you don’t come home with me, all this beauty may be forever lost”
I told him.
So that’s why I brought him home
I call him creativity
Could you watch him,
I need to be alone?

Quaking Earth shattering Revolting
And I'm in the middle of it
My heart is at least
I didn't realize or notice that it got so big able to lumber out of my chest
I guess that's ok because I can't do anything about it
Just like I couldn't do anything about the fire rising up behind "me"
You aren't with me I don't get to hear your laugh anymore
Sprinkling down through ivy covered walls
You aren't with me
I've realized that a lot
But I also realize that when I get up in the morning
Or in most cases never going to sleep to begin with
The moon a lovely
Complicit pale lover
Never questioning me
Never worrying me
Listening when I need to talk
And instead of telling me what to do
Or telling me what I'm doing wrong
it just listens
I knew it wasn't a mistake when I fell for your pale face
It was a mistake when I started liking someone
Who's face didn't stay impressively passive when looking at me
It was a mistake to fall out of orbit
For someone who never wanted to be free
From the confines of gravity
To  come into my sky
You know sometimes
I can still see your shadow
Just out of the corner of my eye
The way your hair would fall
How your eyes would even enrapture the sun
You aren't mine anymore
But the sun still deigns to rise
And the moon still loves me
I can't get back the love and adoration
I gave you over the past five years
And as I said I still see your shadow sometimes
But you aren't mine
And that's ok
Because even though you never cared
About being the meteor that knocked me out of orbit
I still cared about you being happy
Even when it wasn't with me
Even when it isn't with me
And each day since
I've gotten off of the ground
More and more
So thanks
For the broken insecurities
For the things that I never wanted
Thanks for submerging me into a vat
Made out of stress and emotional pain
Thanks
For the new sense of orbit
And the new outlook
And that sometimes
Dreams shatter
Possibilities shatter
But that's ok
Because when they shatter
The fractures
Lead to new doors

I wish the world
banana seats and ***** bars
chariots of childhood
transports to imaginary kingdoms
erasers of boundaries
freedom makers
brother bonders
vehicles of the delegates of peace
a better way.

Bolted to a heavy metal frame of
metallic green with
ape hanger handlebars
the playing cards clothes-pinned in spokes
making siren noises with our mouths
rope-lashed weapons aboard
discovering creeks
woods
forbidden backyards and
never-before-known games with
barn side lumber and pop cans
double-dog daring inedible things
teasing girls
riding to secret clubhouse meetings and
the playground.

I wish the world
our playground
summers of innocence
bottomless wells of laughter
center of the universe
June to September
ages 8 to 18
bean bags and ringers
tether ball - hand and paddle
basketball and baseball and
box hockey
(where it was encouraged
to give children axe handles and
a softball
to beat through holes
in a 2 x 6 board
defending a goal
with their life and
busted knuckles).
We liked it that way.
We lived as legends.

I wish the world
a bike ride with friends
ending at the playground.
For there has never been a bad day
on a banana seat.

After a great while the paper elephants march
In their sparse herd they lumber along
One by one, their thick legs slam into the earth
Like pennies on a timpani
Leaving slight imprints in the dust

No one is quite sure where they come from
All we know is they just are there
Some raise their children before witnessing the elephants
A lucky few will even see them a second time at the end of their lives
It is not uncommon for generations to pass without the paper elephants
Sometime the periods between their journeys are so long the elephants are dissolved into folktale

The paper elephants are bestowed an almost supernatural quality
The stories are birthed in secrecy between the lights of candles
In the ears of the men in the corner
From the hushed lips whispered in acquiescence.
Every story is different
Every story has the same ending
Every story has the same moral
You do not touch the paper elephants

Perhaps the stories have some truth
If anyone knows the validity they have been dead for quite some time
No matter, man’s superstitious nature will see to the protection of the elephants

The paper elephants are called “paper elephants” because it describes them quite nicely
From a distance they look just like normal elephants
Lumbering over from side to side
But their skin is like paper
Their essence is like paper

They travel together
Even the old and young
When it rains the young hide under the larger elephants
Lest they get wet and melt into the earth
It is not uncommon to find the soaked remains of an elder elephant
Crumpled by a sad consequence
It always serves as a reminder
The old exist to protect the young

Most likely the elephants can be found roaming through our graveyards
Here their pace noticeably slows down
Often enough, they can be found sitting next to a tombstone
Resting their trunks over the epitaphs

Strange things happen when the elephants are in the graveyards
Sometimes laughter can be heard
Sometimes sobbing
As the elephants rest the blue mist rises from the graves

The blue is the most reassuring shade
The misty fog rises and fills the entire yard
Until it is absorbed by the paper elephants
With a long sigh the elephants continue their journey

After many such stops
The elephants arrive at the tree
Gnarled and ancient, it welcomes the elephants with silence
As it has for years and years past
It is here the elephants have yearned to arrive
Under the knobs and strikes of its branches
They bend the knee
The young watch to learn
The adults look up to the sky
And release all that they carry
The hopes, dream, and memories of those long gone
Ascend to the heavens
The paper elephants collapse exhausted but content
And look upon their children one last time
They weep before leaving this world
Not for their children’s sorrow
But because there are no paper elephants to carry them to the next world

no one told them it was the place
that we watched the water go by -
sat, for hours,
and watched the water go by.

nobody said it was the spot where i started to move on from the boy i loved
and where you stopped caring what your father thinks.

it's the spot where we sat in the roots of trees
and smoothed sand off of purple river stones.
it's the spot where the old lumber mill had been decaying,
and where the kids would go when they were too old for the playground.
it was where the stray dogs poked around in the rubble and the lumber scraps
and where the stray cats fought and made love.

no one told them it was where we sat
and planned out our lives together -
a pair of girls with too-long legs and our hair askew
whose clothes were covered in paint
and whose hands where used to climbing the tree behind the bakery.
no one told them it was our spot,
our best-friend soul-speaking spot.
nobody said that it was spots like these
that hold the heart of our little town,
our artistic-afterthought town
with its peeling-paint coffee shops and friendly passersby.

they built concrete trees over our spot on the river,
an ugly corporate jungle.
they put grey bricks in the sand and shoveled away the purple river stones
and dug up the roots of our trees,
and now we'll have nowhere to watch the water tumble by.

no one told them it was the spot, our spot,
and no one will remember it but us.

Lumber and lacquer
Nails and elbow grease
Blood from the splinters
Before you were stripped down
From the wood
Of the forest behind our home

Standing sturdy and steadfast,
On the patio
I laid
Brick by brick
Gate keeper of the orchard that grows,
Thick in the summer  
And curls up barren,

In the cold months
As if sitting on its mahogany shoulders there are
Mountains to the North West that seem
To smile with their peaks,
And valleys against the blue satin
Sheet of a sky

You who bare witness to my body and the bodies of
Countless others
Those that would just simply use you and fewer,
That would become your very grain
You are watching our conversations,
Through knots for eyes
Through bird-burrowed holes,
Hearing us,
As we break bread as brothers
Wood through the trees
Flesh from bone
Feast to famine
You are,

Beautiful and complete
As the steak,
Cooked rare
A glass of summer port–wine:

The color of the red russet potato,
And the earth-soiled hands that dug them up

yet we creep up silent as shadows
intent on unburdening our weights
heavily they sit on your slumbering brow
seeping into your unsuspecting ears
whispering in no language but our own
and yours
unlocking the doors
you have no way to bolt shut

pleasing ourselves with your displeasure
secure only about
unbalancing what you so carefully stacked
too high at night
scuttling about with our black sacks
full of your empty thought
where bad is thick with luck
try as you might we bid you wait

like ropes dangling freedom to wrath
cutting through swathes of long grass
to find the well beaten paths
abandoned by weak arms
lamely lying limp as sloths
beyond recall in pits of harm
which with a slight push
we slip you down

your bedroom window open
thinking that would keep us away
but our breath is shallow
faces there in an unblinking sway
emerging with more than you know
for you are the fool to be this way
ready to meekly follow
asleep and at our mercy
hahaha hello

we revel in your past
misdemeanours too small
mountains you cannot surpass
weep as many demons as you will
we travel the underpass
shoulders heaving against our pull
tattooed trees
skirts stained from trailing ghouls

yes we sink into listening with you
oblivious to surreal screams
padding ever closer on queue
staging midnight soliloquies
footprints elbowed from view
on the side of your bed sheets
you'd rather not go
yet we whisper no threats
we're only dreams you know

while you were eating
cherry pie that sunday
after i reached for your
hand and your fingers
didn't curl around mine--

i took to the trees behind the cabin
and stayed the mossy grove buried
in this golden scratch
the neighbor's conversation downwind
about the mountain lion they'd spotted
and the spiritual sort of fear I felt with
my eyes closed, the mechanical click
of my own heartbeat, how things
used to flow and now they only
swarmed,
always
swallowed.

i was singing songs to call you out,
like you did the first time, when you
came up around the hillside and
followed me a ways out--
softly at first and then no more,
replaced by the force that came
upon me, where suddenly I was
uprooting trees, picking the most
desolate, gnarled aspens--unhinging
their roots to press my heel into their
soft bases, hulking forward and watching
them stretch out and out and out--

I found old yarn and tied
it for later, to find, to untie
to hope for second chances
I left the copse and you were


eating cherry pie on the porch
rummaging through coolers
oil sloshing through your bones
dragon fire in your blood
hard-headed over puerile matters
over your time, over the weeks
staunchly grounded into your own
wild western ways,

The duck's back, the bear's pelt
You've been roaming alone in the forests
As the beasts do, the lost, the frightened,
Admiring the darkness of your own shadow
The way it draws and casts away,
Doubly conflicted of your nature that
Mostly takes and takes and takes
Bears and
Men and
You.

There overtook me and drew me in
To his down-hill, early-morning stride,
And set me five miles on my road
Better than if he had had me ride,
A man with a swinging bag for load
And half the bag wound round his hand.
We talked like barking above the din
Of water we walked along beside.
And for my telling him where I’d been
And where I lived in mountain land
To be coming home the way I was,
He told me a little about himself.
He came from higher up in the pass
Where the grist of the new-beginning brooks
Is blocks split off the mountain mass—
And hop. eless grist enough it looks
Ever to grind to soil for grass.
(The way it is will do for moss.)
There he had built his stolen shack.
It had to be a stolen shack
Because of the fears of fire and logs
That trouble the sleep of lumber folk:
Visions of half the world burned black
And the sun shrunken yellow in smoke.
We know who when they come to town
Bring berries under the wagon seat,
Or a basket of eggs between their feet;
What this man brought in a cotton sack
Was gum, the gum of the mountain spruce.
He showed me lumps of the scented stuff
Like uncut jewels, dull and rough
It comes to market golden brown;
But turns to pink between the teeth.

I told him this is a pleasant life
To set your breast to the bark of trees
That all your days are dim beneath,
And reaching up with a little knife,
To loose the resin and take it down
And bring it to market when you please

i know of Knausgård -  sure, and i share this concerns for
the art of taking to lumber and chopping,
  as novelists tend to do, write with an axe,
philosophise with a hammer...
          metaphor turned into imagery
counter-turned into literalism...
   i once imagined him not being there -
i once wrote ich kampf, stressing
that it was an indefinite expression
of expression, primarily due to the content
of the pronoun... and i was referring also
to the definite expression (much obliged,
atheism, a- without, and the- with,
or indefinite and definite articulation) -
the English eye sees one stance as definite,
and another as indefinite, and juxtaposes
the two interacting...
                          they duly interchange...
i can say ich kampf and say i internalise
verbs: a movement of the hand,
   a strutting or a waltzing circumstance
of owning a body... that's what it's indefinite...
that's why Sartre slithered in counter to
his expanse in philosophy: because i really loved
his novels...
                          but in terms of a mein or
a mit (including me) struggle i find not
ease... no one dares to devalue ****** as a human,
not talking about the past history in purely human
terms urges the postscript of a dictator,
it actually elevates him to a godly status...
           not realising the human is to make flaws
of what the en masse does: raises him to a godly status...
     Zeus had a beard... not a Charlie Chaplin moustache...
right now he's laughing in his grave...
                      old Aldous ******...
   and aren't dictators born because people find their
surnames a little bit funny? it starts so
innocently...          and then it morphs...
   and it becomes an unstoppable morphing...
    yes... i know of a certain number of fellow
      contemporaries... because i want to? no,
because i have to. like rewatching the 2015 film
android - some films you have to rewatch...
   what's being debated? autism and artificial intelligence...
   hyperactive autism, i grant you that...
        it dawned on me... at autistic person could
fake a normal human response treating it as
      artificial... artificial also means mimicked -
  it means that "smart" guy at a bar reciting poetry
he hasn't written... artificial intelligence or the study of it
or even creating it has nothing original about it...
it's not groundbreaking in the same sense that
discovering champagne or penicillin is...
or l.s.d., because these examples have the magic of
being discovered by chance... humanity has been
artificially simulating intelligence since time
immemorial... it's that natural consequence of not being
endowed with a peacock's array of feathers
   to create a soothing, and sickly gentle wind of a woman
resting in a hammock under the shade of a palm tree...
artificial intelligence was inherent in us...
       it's the unravelling of the historical noumenon of man,
the per se that has only crept up on us,
   and before the reality of such a foundation being
established... the humanities create the "prophetic"
citations of it being true: in the "near" / impeding future.
    if god is a noumenon, then man cannot be a
phenomenon... but he is and paradoxically the two
of mutually compatible on a basis of exclusive rather than
an inclusive naturalisation...
               we are talking nature:
  we are talking god naturalised by the medium
suggesting: for i am bound to create obstacles and test
the body, rather than the mind of man...
    as so is man, also naturalised by the medium
of the elements, saying: for i am bound by a body,
   and have to utilise the body first, to overcome the wind
and the snow and the furthermore, until i reach
the labyrinth of the mind...
  and man has done just that, he has bypassed the struggles
of the body, and created entertainment using
the body that once struggled against the elements...
   for he has created the god Minotaur: and the psychic
labyrinthe... as with the Titans whom the gods
usurped, so too comes the twilight of the gods...
but being usurped by demigods...
       Minotaur was a demigod... who usurped the gods
of the trinity that were Zeus, Poseidon and Hades...
        for only the Greeks could create a Judaic bewilderment
as to why a sign was given unto an infant...
           but that's getting technical...
the film, android (2015)? it supports the misconception,
the anguish of a highly functioning autism...
      whereby showing a woman's carelessness in the realm
of adaptability with what some would claim to be
the beginning point of: overcoming the elements...
sure the odd tsunami and earthquake...
   but there's also the tiger, and winter, and parasite,
   and diseases of so many variations...
              man has not been endowed with complete
control over his surrounding... but in becoming partially
overlord of the ones tamed, he has created a mental
labyrinth... a world of such complexity that will
inevitably produce instances of autistic genius...
                 artificial intelligence is already imbedded in us,
just as cloning and Islam has already existed
(Christianity is too schismatic to be considered a cloning
definition... and Judaism as a monotheistic principle
has a heresy embedded in its orthodoxy that it simply
ignores: reincarnation... the Malachi heresy...
  that a second Elijah comes... and god becomes a half)...
   we see artificial intelligence everywhere...
        if the myth goes that woman fed man the original
lie of Eden... then man has nothing else to do than
attempt to polymer that one single lie...
       and repeat it... a reverse intrusion to what "could"
have been an utopian splendour.
      we all see artificial intelligence rummaging about
in the choices people make... it's called lying
   to gain access to a ****** gratification...
  or as i like to call it: a way to compensate our falling short
of the norm, a norm that focuses upon creating
   the most complex startup a Silicon Valley genius
can't comprehend... a family.
    these times prescribe such a bewilderment...
              families are artefacts of what some believe
precipitated into barbarity so close to us: the 20th century...
        and all those arguments you hear that might
discourage the opposite ***, as in damning your parents
for a piece of seashore **** fest of the *****?
   probably came from a person born from a surrogate
mother... well... an incubator, a very expensive *****...
   homsexuality created the evolution of prostitution,
once bound to the genitals... now bound to the womb...
     i.v.f. kids calling natural kids ******...
   i never liked the matrix movies in all honest...
but we're seeing the reversal of the original idea...
                 in the matrix of knowledge... hearts become
piñata: chockies sweet, sensations abundant,
  the spectrum is yours.
                but this poem isn't really about that...
i can sip a whiskey and actually find these things when
i start to utilise these symbols... it sometimes happens
that they fall through... all i was really thinking about
is the "theoretical" score of 147...
                      i'll call them billiards rather than *****
to excuse a "he-he" Michael Jackson laugh at a chance
of "nuance"...
       yellow (2), green (3), brown (4), blue (5), pink (6), black (7)...
and plenty of red (1)... points in bracket respectively...
                  of course from childhood memory i sided with
ronnie... also from Romford... an obscure town in Essex
that oversees the shard and canary wharf from
a distance...                    but watching snooker as a child...
          not too bad at pub-snooker: i.e. pool...
and that game show when snooker was hot back in
the 1990s... big break, with jim davidson as host...
    and of course: john virgo as the rejuvenated
                         ghost of alex higgins... this whiskey
swiggly is on me al.
                 but this final... ****! at one point it was
a century after a century...
                     chess with mathematics, trigonometry
and Pythagoras in motion...
                                    the gods playing with saturn
and jupiter neptune planetary arrangements...
            i can't word it properly... but it'll definitely sound
better than a concussion after too much rugby and
the rough-stuff of "manhood" strutting with bulging
muscle tensions... rather than this Japanese warrior-monk
in a waistcoat and bow-tie swirling a stick in the air...
           i just thought of one thing...
15 wildebeests on an African savannah...
       out comes one lioness...
    and she nibbles at the pack... and she picks off
the weakest of the 15 wildebeests...
              she nibbles the pack before the pack breaks away...
         she looks left (red) and then looks right (yellow,
green, brown, blue, pink, black) -
                      and she picks at the pack, one by one
they fall... but there are two games going on...
   there's the no-man's land snooker where the game is
about entrenchment, and snookering the opponent
for a foul... and then there's the tsunami snooker...
which kinda looks like one person playing chess...
     with no opponent other than a chance mistake...
misjudgement on the case of instinct and how they ******
well know what angle to fudge the white lioness
                onto the billards... and with what force...
      tsunami snooker, or cascade snooker is basically
a monologue...
                             after seeing 3 centuries in a row
you get to crave classical snook -
                                       the mind games of safety shots...
   and teasing, and tempting, and teasing, and tempting,
before the Rubic cube unravels itself,
   and you find that light at the end of the tunnel...
                        and the black pops into...
i'll be honest, i haven't watched snooker for a long time...
        maybe that's why i feel so enthusiastic about it...
       it's sometimes good to be fed this mundane diet
of sport-fanaticism that football is in accordance with
religious dogma... it's a good thing...
             then you end up watching a game of snooker
and all these things start firing up your brain...
   and you end up saying:
      the Taj Mahal can be there for all i care...
the Grand Canyon can be there for all i care...
                    such things don't really require a photograph
with my gimp-face trying to make other people jealous
by actually being there: only to take a photograph,
rather than feed into the air and the thrill of being there...
        as they say... it's a small world after all...
better get used to it being much bigger inside your head.

When I saw you in your casket, it brought tears to my eyes.
You died two years ago today on the thirteenth day of July.
When the doctors said that your illness was terminal, I didn't want to believe that it was true.
But sadly, they were correct and two years ago today, we lost you.

From 1975 to 2010 you worked at Woodcraft, you worked with lumber.
People may think that I'm crazy because I believe that 13 is an unlucky number.
You died on the thirteenth year of the century and also on the thirteenth day of July.
You took Chemotherapy treatments for months and two years ago today, you died.

Tighten your braces with yellows,
UV lights in police cars,
your high socks and new crewnecks,
steep all your worries in the cellar air.
The kitchen crew necks you,
steps over your extra vertebrae on the floor.
Exchange Red Sox caps and collaged cards for
iron oxides and spare joints,
an apology gift for the knees of a Titan.

Gilt neckties and stockings
hard hits over first base,
infrared silhouettes waving goodbye
slip on the steep porch stairs.
Your personal marching bands
sleep in shopping carts.
Your postcards lost in the Andes
written in purple pen --
everything’s smells like guilt.

Harts stagger behind
stags that hope to tiptoe around your toes,
scouting the suites in South America.
Back roads hastily swept under dining room chairs.
Necklaces of burned out light bulbs,
players sock the suited callers.
My bird house is empty.
Your world map is crumpled,
stuffed into the left ventricle of my heart.

Knaps of your wrist bones
fill the endnotes of my biography.
Bottlenecked bus loops and
windsocks left deflated in broom closets.
Your left hand in my kitchen sink,
catches my pressed shirts,
your clothesline melts into the sidewalk like lightning.
Bracelets on marble sculptures.
After you, I need a nap.

Littoral instructions spelled out in sand dollars.
Purple sunflower seeds caught in my turtleneck,
ghosts of eyelashes begin
to whisper wishes,
sockets for wrenches and ankles.
Blue hair braces for the midnight smiles,
the low tide of flowers,
the daily newspaper full of ocean currents,
your lips were too literal.

Lumbar dimples and goose bumps,
the rubbernecking waiter waited for the lights
rubbing his eyes.
Your playful dialogue
makes my plate shake.
Your safety is never on,
eyebrows marking my fifth disappointment.
I usually hate piano solos,
your voice is unstable, charred lumber.

Mince the pages of the dictionary
to make kindling for your irises.
Necklines defined as jade stamps
at the bottoms of the Chinese paintings
above last year’s birthday card.
Connect the dots to see the ruins of Rome,
your arms after the final battle,
crude stitches on undone sweaters.
Your pockets still full of dinner mints.

Canvass the imprint on the inside of
your leg from where the stitching folds over,
your jeans, unwashed in my laundry hamper.
Still overflows from knee socks and potted plants.
Microwaves compressed into my glass of water
the high tide seashells in your pantry facing
your ego in mason jars on shelves.
You’re tired of white board marker promises,
your skin a poorly cleaned canvas.

When I was 15, I wouldn’t have believed you
if you told me all of this about constant lament
in a Red painted Animal House of scapegoats
that I’ve yet to see

it’s
        streets of beige
it’s
        fast food bad food no food spilled milk or beer
it’s
        the South no the East maybe West probably North
it’s
        in the air the water the meat there’s just too much heat to breathe or hold a job
it’s
        hourly wages and daily commutes of gypsy peddlers in a town I’ve never been to
it’s
        the cigarettes or nicotine my useless spleen filtering things I should never inhale or drink
it’s
        divorce rates leading to ***** flicks c-sections finding acquaintances on monitors after dark only able to generate laughter over years of tears
it’s
        women
it’s
        pain
it’s
        the migraines we get when we're waiting on the rain to paint the beige streets bronze
it’s
         rolling trees metal trucks frozen lakes lumber jacks and ice fishing
it's
         the anxiety of right wrong bad good all grey in the sunshine without you
it’s
         the words of times you said meaning more to me than it ever could to you
it’s
        the colossus of Wall St. overbearing my own suit and tie un-ironed or cared for but necessary     none the less
it’s
         CCTV the fight for power Government foreign travelers or terrorists Project Paper clip MK Ultra Plum Island persuasion propaganda Paul Wolfowitz
it’s
         who governs what you can afford when you sit tattered on a curb after earning another mans bread
it’s
        what has or has not been said 7 times or none that still lingers on the grass out front of home or house
it’s
        no matter how big you are you still answer a toy phone handed to you by a two year old
it’s
       the tears of Alexander when he realized there were no more worlds to conquer

Peter built a paper boat
Which he could float about the sea
To hidden spots of lonely coast
Where not a ghost or man would be
He painted words along her bough
That soon would plough and skip and trot
Between the waves that rose and falled
The boat was called 'Forget Me Not'

He bid his wife a fond goodbye
The tide was high when he embarked
He drifted from his tiny cove
While weather drove and seagulls larked
He set his course horizon bound
For solid ground of ****** shore
As darkness came he made a bed
To keep his head above the floor

The voyage took him straight and true
Across the blue, toward the sun
But soon a tongue of lightening spat
And thunder rattled like a gun
The waves encircled hungrily
And angrily about their prey
The tempest heaved with no regret
It blew Forget Me Not away

He found himself all caked in sand
And on a strand of desert beach
Forget Me Not had run aground
But safe and sound from tidal reach
He folded down his paper yacht
And found a spot to build a home
But saved the sail and rudder strings
To forge some wings and daily roam

He glided high and long and wide
Past mountainside and shore to shore
And through the night he forged a blade
And with it made a lumber saw
He felled the trunk and snared the beast
And cooked a feast to celebrate
The rain it sought to disagree
But quick was he to remonstrate

The moonlight waxed and waned apart
And on his heart a longing formed
For home and his beloved bride
For fireside and there be warmed
And so he took the house he'd made
From humid shade of seldom oak
He set the island to his aft
And cried and laughed the words he spoke

They matched the words he'd lately hewn
Beneath the moon in shady spot
He carved into that seldom tree
'Remember me, forget me not'

Knotts Island  10:oo pm wedsday Feb  9   2011

It was like any other night spent at the doctors office slash
Dr Jerry's trailer.
Drink fine deep conversation about world events and *******.

I had went to the porch for some  introspection  and to take a ****.
Dear Lord Man!
What I saw was proof i had done way to many drugs and slipped yet into another rambling state of Gonzo.

White  powder covered the ground  it was a gift from Jesus or Elvis really   whats the diffrence?
Hunk a hunk burning  clap  it was pouring ******* from the sky !
I burst through the door like Lindsy Lohan fresh outta rehab

Jerry !  
Gonzo!  
Jerry!
Gonzo!
What are we yelling about Jerry?

I dont know but zip your pants up.
I know your a **** but I dont need to see it as proof.
Jerry a doctor a fellow brother of Gonzo
and true deep thinker.

****** man what was i gonna say i really need to lay off
the drink *******  Dr Pepper.
Well smack my **** and paint me purple and sell me to the Canadians.
dont ask.

Jerry good lord man look  outside its a true miricle.
Now only if it would rain strippers and wild turkey.
That would really be proof the easter bunny existed!

Jerry shaking his head for he knew his drugged out mental asylum bound  friend with a heart of gold or at least bronz  needed some alone
time in a padded cell looked out the window.

See i told you !
It's ******* snow Gonz ya *****.
snow what the hell's that I thought to myself while speaking
out load on a poetry site   where people think what the **** is wrong with him.

****** I should go outside more than once a year.
these seasons really throw me off like Skeeter  on
a cold night.
****** i told you  not untill you pay for last time ******!

She was a true lady just wish she took credit.
After a breif explanation time travel and where babies come from.
Dr Jerry returned to his favorite hobby surffing facebook
for underage *****  hey dont judge  how do ya think i met my wife?

Yeah man look at this one amigo sent me a friends request.
Jerry showed me a pic of a hot looking chick
and being she was good looking and talking to Jerry ment either
two things.

One the Gonzo On facebook page was down due to such high traffic
cause im super awsome.
Dork  you got like 14 friends.
Jerry went back to looking at the computer screen.
ha ha ha ha ha *** not funny.
Cyberperve!
I know you are but what am I?!

****** man he always get's me with his mature 40 something living
in his grandmas back yard  logic oh snap girlfriend.

Or Two  this little monkey  was really a ****** or a mormon
whats  the diffrence but enough with the foreplay children.
Jerry sat deep in thought and four **** hits and ten shots of turkey later sat the puzzled.

Amigo what do i say to break the ice?

The lights dimmed  a voice from the heavens spoke or New Jersy
John Tesh  apeared from the closet  ****** man i thought i herd really boring music from there i thought the rat poisen would get him for sure.      
    
When thought's are blured and both hands are busy.
When you just cant seem to find the words to break the
ice to that hot little hamster across the net,

Take that extension cord from around your neck and get
head out the oven dam you Slyvia Plath.
Just call dah da da dah da or however it ****** goes
sorry i dont watch   super hero movies although
I need a pair of thoose tights.
IT'S A JOB FOR GONZO.

Move aside silly girl I'll break the ice for you!
Umm  no Gonz thats okay Jerry replyed in that no
but it means  yes seductive five packs of cigs a day
sandpaper voice of his.

Trust me Jerry  Im a writer and i know how to
talk to the ladies  yes my friend how they do love Gonzo
Oh they pull out there pepper spray fire there guns
but inside they have a thirst for crazy.

No Gonz it's okay.
Dont mention it Jerry.
Gonz !
Jerry !
Gonz!
Jerry!
What the **** were we talking about and why the ****
are you in my lap!
Good question my friend but least your happy to see me.

At the keys the master or insane half wit began his
works of geinus this would break the ice for sure!

Dear Sarah

Wow all I can say is me likey.
And may I say that sweater really brings out your *******.
We should get togather and  talk  bout  things
while naked in bed to bare are souls.

Something about me.
My name is Jerry im  superbadass hells yeah.
I like drinking other peoples beer i can bench like a
thousand pounds.

I have a big   tv. What get your mind outta the gutter!
Lets drop the small talk you know ya want it why fight it.
Let that inner tigress out meow kitty  
Lets get naugthy and do things to make us both
purr in the litter box.

Kisses Dr Jerry   giggles and a gay *** emicon,
xoxoxo.

Yeah I know what your saying no wonder im such a ****.
And no wonder i have to pay for *** and im always alone.

After some mock tears and a snuggle   we waited for I know a
turned on little nymphs  reply.

Hey Kids it's  time to play are favorite snow game.
car surffing  in the blizzard cause im a drunken idiot
okay that kinda hurt.

Driving around the mean streets of KI  hopping officer
Rutherford was off duty or searching some drunk woman
looking for  some goodies hey I wonder where my sister is?

We at the rip roaring speed of 10 miles a hour What ?!
Hey saftey first that and the snow made it really hard for Jerry to hold onto the roof and pass the bottle.

We laughed we cried we lit are farts and made a beautiful
snow sculpture of two snow people getting freaky right in the middle of the road  hey kids blame it on the Beatles.

After we took out a few mail boxes stole a few garden gnomes
And taught a jaded soul how to love agian  we were
back at the office slash trailer in jerry's grandmas backyard
yes to think he's really come a long way since the tent.

By the warmth of the fire  music and fine drink to
match are deep conversation.

Hey dude ya think think that extenze stuff really works?
And if so if you took a lifetime supply  could you answer the door without getting outta bed?.      
        
The knock at the door was sudden.
****** man I knew it! Snow monkeys hide the
penut butter  and  put on some Kenny G!
Hey **** Kenny G  
Dam you John Tesh Go back into the closet where you belong!

Jerry looked at me as he usally does.
Like this ******* really needs some shock treatment.
Talk about a charge.

After Jerry assured me it wasnt the artic monkey's come to take there revenge   and promised to read me a bed time story what!
I have a inner child oh was starved of kickass stories.
Like Jack And The Beanstalk ,Catcher And The Rye,Or Debbie Does Dallas.

I opened the door to see a  large angry looking man
with a axe in his hand hmm dam lumber jacks  there always
on the job.

Are you the perve that wrote my 13 year old daughter that perverted
email on facebook?

Oh no im Gonzo im the other pervert who writes really long rambling stories on a a poetry website that arent really poetry
or very good,And drinks alot and doesnt make much sense

Yet always bring a laugh to demented people across the globe
cause yeah im super bad ***...

The man stood unfazed gritting his teeeth *******
me with his eyes hey it's cold okay.

Uhh no sir that's the perve your looking for over there
looking at your daughters pics hey ****** man we have
company  stop that.

I made my exit to the sound of screams it was like
a pit bull was latched onto a girl scout the agony    
Well looks like things were off to a good start Jerry was already meeting Sarahs  parent.

No need to thank me  Jerry
Remember kids if ya need a little help in time of need.
Look no further than Gonzo.

Slower than a fast moving virus.
He can leap small dwarfs and some short big girls in a single bound
kinda.

Gonzo fly's  of into the night in a epic soon to be forgotten.
B movie moment.
Stay Crazy.

Look Im flying.  **** tree!

Splat , Crash, Boom  Ouch Shitfire And Flying Monkeys
Next time I'll take a cab.

Adios Amigo's

I must look like a train-wreck to everyone at this party. Emaciated-chic melting into the couch with shaky hands and sweaty palms has never looked good on anyone. I can’t tell if the bass pounding from the stereo has seeped through my skin or if my heart has turned into a battering ram, using all of its power to break through my sternum. You think I would have learned after all these years-- benzos and ***** are never a good combination. But I still have at least fifty bucks to make at this party off of over-privileged, toxin-craving youth. Besides, it’s a bearable feeling, and I can just sleep it off on the couch here tonight.
       I survey the room, attempting to remember where the stairs to the basement were located. After forcing my drooping eyelids to stay open, I watch a parade of lax bros make their way up the stairs and into the kitchen. They are a mess of scrawny limbs floating in pinnies and their air-filled heads are capped off with snapbacks. Their smugness is laughable and mostly, if not entirely, induced by massive amounts of *******. Please. The only reason people show up to this dump is because of the free ***** and the always-entertaining fight that is guaranteed to happen by the end of the party. Even then, the crowd is mostly freshmen, and they just don’t know any better.
       A booming yooooo crashes down the staircase and stumbles towards me. I refrain from rolling my eyes.
       “Hey, you!” I have no idea who this is.
       “Whatchyew got tonight?” asks the greasy manchild with a few scraggly hairs bursting out of his chin.
       “Depends on what you’re looking for,” I respond, wishing I had worn something other than an oversized sweater and leggings. You shouldn’t hide everything in your cleavage.
       “How much you want for the zannies?”
       Hoping to never see this scumbag again, I figure it wouldn’t hurt to scare him off by jumping the price to seven bucks a bar. But before I can even grab the plastic bag out of my bra, I’m momentarily blinded by piercing red and blue LEDs out the window.
       “Aw, shiiiit,” he says as he races toward the back door.
       I struggle out of the crevice in the couch and calmly follow the manchild, pushing my way through the crowd by the door. My car is waiting patiently for me in the cul de sac, and once I get past the herd of screaming freshmen, I’ll be in the clear. Anyone will move if you start throwing elbows directly into their ribs. It’s a nice party trick to use when the cops show up.
       I’m able to make it onto the back porch, but I can’t seem to find the strength that is located in my legs. My strong limbs have been replaced by jellyfish tentacles. I grab onto the railing of the steps, but I learn quickly that it’s not going to help. I trip over my feet, the stairs, the air, everything, until I am able to lean heavily on the driver’s side of my car.
       The booming yooooo reappears.
       ******* it. I can’t deal with this kid right now.
       “I just gotta text that the cops are on their way back here. Better get out.”
       ****. I face the car and begin to fumble with my keys. While I attempt to find the one that will open this machine, I listen to the wail of sirens a few streets down. I finally retrieve it, but I realize by the time I start the car and head towards home, the cops will be here, and I can’t ruin my spotless record. The knee-high hedges lining the circle would never be able to completely cover me, and every other house on this street looks unfamiliar. I press a small, blue button and hear a pop in the back. Normally at this time, my common sense would **** in and tell me that the trunk of a car isn’t exactly a good place to hide, but I’m starting to feel the cold through the numbness. And the last thing I want to deal with is explaining to my parents how their angel has taken herself off of her meds to make some extra cash.  Better get comfortable, I guess.
       I lumber into the trunk, thankful that there are at least some blankets left over from the last time I went camping with my family. Breathing heavily, I pull the lid behind me. From here, several familiar voices grow frantic and demanding: Dump that **** now... Get rid of it... I don’t care how much you spent, I’m not getting caught with it... I roll gently onto my side, careful not to shake the car, only to rediscover the plastic bag filled with Xanax.
       I freeze when I hear cars pull up nearby. The crash of heavy metal doors boom through the hectic sounds of the people trying their hardest to get out of the way. I listen to the rough growl of a sturdy boot as it kicks aside pieces of broken glass and plastic cups.
       “You think that after the fourth time we’ve busted this house, they would get the hint,” says a stern officer. I imagine him as they type with a faded buzz cut, bulging muscles, and aviator sunglasses even though it’s well past midnight.
       “Well, kids will be kids,” says a more seasoned member of the law. He sounds like my grandfather and has probably seen more terrifying images than an underage girl in skimpy clothing puking in a nearby flowerbed. It seems as though the stern officer is herding the party-goers towards the back of the patrol car.
       “That’s no excuse,” says Stern Cop.
       “So you’re telling me that you never went to a party or had a beer before you turned 21?”
       “Well, that’s different. I was in control.”
       Hearing your rights sounds much less dramatic in real life than it does on TV. For these underage drinkers, it’s a sped-up process that is muffled by their own sobs. The metallic clink of handcuffs echoes through the air and immediately hushes everyone. Soft Cop chuckles and gently closes the door, attempting not to startle the shaken-up criminals.
       I am finally able to exhale as a car drives away, but I don’t feel as if I’ve gotten away with anything. I shift onto my back and look up at the roof of the trunk, illuminated by the blue-green light of my cell phone. Glancing down at the screen, I see the time: 1:47 a.m. I’m going to have to venture out into the world eventually.
       As I gather my strength and roll towards the trunk release, I feel my keys in my pocket along with a tiny click. Immediately, my car begins to scream. I scramble for my keys, hoping that no one is here to witness the embarrassing mess I’ve made of myself. Once I finally get the car to calm down, I hear an intoxicating mix of chuckles and mild profanities strung together. It’s Soft Cop. He knows.
       “Is everything alright in there?” asks Soft Cop as he knocks on the trunk.
       What am I supposed to say? Yeah, everything’s fine. Just chillin’ out here. No worries.
       “Uh... yes, sir. Just give me a moment.”
       I unlock the trunk and start push it upwards, but Soft Cop has managed to get to it first. He is a tall, thick man with a glorious salt-and-pepper colored mustache. His soft eyes look tired like a basset hound’s. I see his name-tag–– G. Lewis. He looks like a Gary.
       “Didjya get a little stuck?” he asks.
       “Yeah.” I smile and try not to let my nervous laugh creep through.
       Gary looks around the cul de sac and back into the trunk, reaching his chubby fingers towards me. As he helps me out, I notice that he’s a lot stronger than he looks.
       “Sorry for breaking up the party tonight. Have fun?” he asks, tilting his head towards me, eyes curious and comforting.
       “For a little. I didn’t get to stay very long.”
       He nods his head towards my car. “If you don’t mind me asking,” he chuckles, “how’d you wind up in there?”
“I guess I just got scared. I didn’t want to get in trouble for being here.”
       Gary finds this amusing and swears that by now, every other cop has left the area. He explains that he’s been left to make sure nothing starts back up. He shoves his hands in his pockets and kicks around an empty Miller Lite can.
       “Listen, I can tell you’ve been drinking.” His voice has changed. I know this tone. This is the tone of Your Mother and I both love you very much, and we’re not mad. We’re just disappointed. He looks me straight in the eyes, concern written all over his face. “Correct?”
       There’s no point lying to him, but who wants to be the one throw themselves under the bus? I’m trying to put the words together, but all I can manage is incoherent babbling.
       “Don’t worry. You’re not in trouble,” he insists. “I just don’t want you driving away in this state. You seemed to have a hard time finding the steering wheel.” A smirk emerges on his face, eventually growing in size to a radiating smile. He’s proud of that one.
       “Yeah, I guess I could take a nap in the backseat.”
       “How about I just drop you off at your house. You can pick up your car in the morning. Sound like a plan?”
       “Yes, sir.”
       We look at each other for a second. No thank you is needed. No more words are necessary. I relax my shoulders and look up at the clear sky. I feel the wind blow, and I don’t seem to mind the biting December wind.
       “Didn’t bring a coat?” asks Gary.
       “Didn’t match my outfit.”
       “You sound just like my granddaughter.” He laughs. “You even have the same blonde hair and big green eyes. It’s uncanny.”
       He then stops and looks down on the ground, eyes growing wide and serious. I know what he’s looking at. I was hoping he wouldn’t see my stash that is now laying on the street: eight white pills in a plastic sandwich bag, sweaty from making a quick escape from under my sweater.
       Gary sighs and lets his lips purse, still looking at the bag. The salt-and-pepper mustache takes over his mouth. He gathers his hands on his hips, shoulders hunching forward. He stays like this as I avoid the opportunity to make eye contact. After drawing some air into his lungs, he finally has the courage to look up with sullen and wet eyes.
       “Well,” he says as he regains his composure. He kicks the bag into a nearby storm grate. “Let’s get you home.”

THE MOUTH of this man is a gaunt strong mouth.
The head of this man is a gaunt strong head.

The jaws of this man are bone of the Rocky Mountains, the Appalachians.
The eyes of this man are chlorine of two sobbing oceans,
Foam, salt, green, wind, the changing unknown.
The neck of this man is pith of buffalo prairie, old longing and new beckoning of corn belt or cotton belt,
Either a proud Sequoia trunk of the wilderness
Or huddling lumber of a sawmill waiting to be a roof.

Brother mystery to man and mob mystery,
Brother cryptic to lifted cryptic hands,
He is night and abyss, he is white sky of sun, he is the head of the people.
The heart of him the red drops of the people,
The wish of him the steady gray-eagle crag-hunting flights of the people.

Humble dust of a wheel-worn road,
Slashed sod under the iron-shining plow,
These of service in him, these and many cities, many borders, many wrangles between Alaska and the Isthmus, between the Isthmus and the Horn, and east and west of Omaha, and east and west of Paris, Berlin, Petrograd.
The blood in his right wrist and the blood in his left wrist run with the right wrist wisdom of the many and the left wrist wisdom of the many.
It is the many he knows, the gaunt strong hunger of the many.