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"formulaic" poems
A horror movie scene as the heroine escapes. Everything is still besides her convalescing breath and the distant, chasing wind. Not a noise is heard except the fall leave's rattle and the birch wood's moaning bark in the moonlight. Her body slouches into the protection of a lone shed, and shrouds itself in the aroma of cut grass. A tense brow relieves and tired eyes close, thankful to receive the momentary peace. A possible misstep turns the wary peace on end with the jagged cut of broken leaves. The once relieved brow now concedes surprise as wild eyes are cast towards an opaque barricade. Sly pieces of garden equipment leash a weathered jacket in place as she attempts to stand. A cackle is heard, a shriek undone. To spite the brittle wood, the formulaic jump-scare-skeleton-hand bursts through the shed's solicitous walls, set to declare the last of a weary soul as his own. The wind catches up and spearheads any hole it can find. It begins whistling around the dim room like a tornado elated to havoc behind a castle's walls. The tree bark howls, the leaves, now delight. We learn there is no reprieve for a begging champion. The camera backs out of the splintered hole, and pans over a silhouetted forest to face the waning moon. The hero succumbs with muted screams to a gore far below and out of frame. Our only closure, a black screen, with bright white letters, slowly scrolling up. The end.
0
Jul 24, 2018
Jul 24, 2018 at 10:52 PM UTC
The End // A short story experiment.
I am caught, in your eye, and I drown, in your tectonic wave. You rattle, intimately, for me, and shake... You shift, minutely, soundlessly, collapsing, into sprawling patterns, into formulaic strains, of madness. Then you madden, me, as you cascade, into beautiful, and brilliant shades: Your Rorschach mosaics, in prismatic hues. Each gemlike, facet, of YOU, that is you... Burning out my gaze, with your radiance, as you irradiate... I'd give anything...to label each color, that infuses, your face... Scattering trickles of light, and roseate shapes... as if your soul, were a treasure trove, of the most precious jewels. Your vibrant emeralds... your smoky citrines... your sapphire blues... your ruby reds, and your royal amethysts, too You twist, in my hands... and, under the light, I turn, and return, too, if only to seek, a fleeting glimpse...of you.
0
Jun 26, 2025
Jun 26, 2025 at 9:52 AM UTC
Kaleidoscope
the grit courage of trust still too young and now, too old, to comprehend, love~trust and all its secondary derivatives, not extant on a plane of new bed sheets of silk~linen tablecloth rectangularity go into the park's garden; black soil fingernail coating awaiting, impatiently for you, dig in direct hands ungloved is it not, sensual and yet gritty, two coextensive sensations? slip inside (you/me, me/you), there is a razor's edge duality duty, trust, serve and protect, take and handle with rough-care, for this our state of beauty au naturel, the rush and the fall, the climb and the conquering, only to start again, each step, each rung, coated with the the grit courage of trust -                                           do you begin to comprehend? trust is a bumpy landing on a glide path that is strewn with potholes that can grow into sinkholes without the grit of trust the soles of my feet are a message, gritty from walking all-life, not just the edges, is a two act play of roughening, upon the limbs the things,   that carries us ***** but bares the wearing of unkind touches of reality working us over why the soothing, but not the smoothing daily twice is the cream that emerges from the grit courage of trust even the vinery's progeny of great love, grapes that must embrace the wind and rain, the wearing down tools of the exterior that brings an acknowledgement -                                                             do you begin to comprehend? this is not an algebraic formulaic solution solvable problem, this derived from dirt, access to accidental, the tongue and the nail, the cracks upon the skin, that grow wonderful deeper, unfillable, where the love gets in, were the words are written and stored, rough to the touch, under the grit courage of trust -                                                        do you begin to comprehend? this grit is unbelievable beautiful   only a love po-em.       5:22am
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Sep 22, 2017
Sep 22, 2017 at 10:09 AM UTC
the grit courage of trust (a love poem)
the grit courage of trust still too young and now, too old, to comprehend, love~trust and all its secondary derivatives, not extant on a plane of new bed sheets of silk~linen tablecloth rectangularity go into the park's garden; black soil fingernail coating awaiting, impatiently for you, dig in direct hands ungloved is it not, sensual and yet gritty, two coextensive sensations? slip inside (you/me, me/you), there is a razor's edge duality duty, trust, serve and protect, take and handle with rough-care, for this our state of beauty au naturel, the rush and the fall, the climb and the conquering, only to start again, each step, each rung, coated with the the grit courage of trust -                                           do you begin to comprehend? trust is a bumpy landing on a glide path that is strewn with potholes that can grow into sinkholes without the grit of trust the soles of my feet are a message, gritty from walking all-life, not just the edges, is a two act play of roughening, upon the limbs the things,   that carries us ***** but bares the wearing of unkind touches of reality working us over why the soothing, but not the smoothing daily twice is the cream that emerges from the grit courage of trust even the vinery's progeny of great love, grapes that must embrace the wind and rain, the wearing down tools of the exterior that brings an acknowledgement -                                                             do you begin to comprehend? this is not an algebraic formulaic solution solvable problem, this derived from dirt, access to accidental, the tongue and the nail, the cracks upon the skin, that grow wonderful deeper, unfillable, where the love gets in, were the words are written and stored, rough to the touch, under the grit courage of trust -                                                        do you begin to comprehend? this grit is unbelievable beautiful   only a love po-em.       5:22am
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56
you have the formula A Love Poem Recipe:   Fij = G(Mi x Mj)/Dij. This formula, simplified, means that trade between two markets will equal the size of the two markets multiplied together and then divided by their distance. (The model gets its name from its mathematical similarity to the equation in physics that describes gravitational pull.) ~~~ long ago, swore off the love poem business. lying that this the last poem ever published moan not, statistically, for sure be a heart-infected sick teenager bemoaning/high fiving their  fated status but I don't need to add to that smoldering pile the excellence, the richness, the virtuosity of the formula a metaphor, for the bounty and the risk, in any love affair, thus love needy for a diagrammed explication two markets, soft upon each other, multiply their trade in love and kisses can you kiss her (him) but once? nonsense! saying I love you but once a day, like it was a vitamin, preposterous! no, love expands like a gas (a distant cousin to our formula), filling in the empty spaces, escaping through crevices, spilling, oft filling up the nearby bystanders in love, there is no thing as one touch clicking but one touch reveals the genetic marker, the initial intimacy injection Let the addiction begin! ten thousand grasps, some soft, some hard, upon each other, till fingers go lifelong contented numb desire and affection spread like a positive infection, the curative powers elegiac, but never prosaic and though formulaic think more voltaic and paradisiac electric heaven go forth and scribe you got the secret recipe
0
Jun 16, 2018
Jun 16, 2018 at 9:15 AM UTC
Yes Kid, You CAN write love poetry, if...
you have the formula A Love Poem Recipe:   Fij = G(Mi x Mj)/Dij. This formula, simplified, means that trade between two markets will equal the size of the two markets multiplied together and then divided by their distance. (The model gets its name from its mathematical similarity to the equation in physics that describes gravitational pull.) ~~~ long ago, swore off the love poem business. lying that this the last poem ever published moan not, statistically, for sure be a heart-infected sick teenager bemoaning/high fiving their  fated status but I don't need to add to that smoldering pile the excellence, the richness, the virtuosity of the formula a metaphor, for the bounty and the risk, in any love affair, thus love needy for a diagrammed explication two markets, soft upon each other, multiply their trade in love and kisses can you kiss her (him) but once? nonsense! saying I love you but once a day, like it was a vitamin, preposterous! no, love expands like a gas (a distant cousin to our formula), filling in the empty spaces, escaping through crevices, spilling, oft filling up the nearby bystanders in love, there is no thing as one touch clicking but one touch reveals the genetic marker, the initial intimacy injection Let the addiction begin! ten thousand grasps, some soft, some hard, upon each other, till fingers go lifelong contented numb desire and affection spread like a positive infection, the curative powers elegiac, but never prosaic and though formulaic think more voltaic and paradisiac electric heaven go forth and scribe you got the secret recipe
Continue reading...
61
A pastel blue backdrop behind three glass frames not a cloud in the sky not a plane flying by Yet I cannot learn to love the sky without the trails smoky puffs of vapour line a day with uncertainty For a blue sky is bland without the odd trace of imperfection, even birds in formation become the aforementioned. "I can't stand to sing the same song the same way two nights in succession" Routine it seems is its own imperfection. Give me a grey sky in June And thunder in peace A stark croaking crow Can be sheer bliss All things aligned, Excitements amiss For the brain needs A puzzle, a challenge... Confrontation, **** your Hollywood films and Normalisation, your predictable habits And false gestation; Astro-Turf fields And palm tree islands, Man-made beaches And glacier skylines Synthetic audio and bastardisation of the arts, your contempt for nature Shall be your Achilles for the world we live in, the forests and canopy's are the very providers Of human abilities, rid us of them and face extinction, this is the nature of colonisation. The earth which houses us is not formulaic, It's a collision of astronomic proportions every detail as vital as another Mankind can be primal, Oedipal and graceless, but respecting your home is not an optional gift, for we cannot survive as a species adrift.
0
Apr 17, 2015
Apr 17, 2015 at 11:10 AM UTC
Land Of Artifice
lofi hip hop decorates my brain notebook formulaic and profane anxiety seeps my malleable mind latching onto anything it finds.
0
Mar 17, 2021
Mar 17, 2021 at 8:24 AM UTC
finals
I have never believed in the principles of physics because they do not apply to girls like me. Girls who disobey Newton's straight-mouthed rules with scarlet leaps of blind faith, girls with hopes soaring past our pastel heavens, never weighed down by any mystical force of gravity measured by dead men. The audacity of the physicist's rotten rules anchoring themselves into thick velvet skin-- as if to stifle the daydreams that keep twirling unpredictably even if acted upon by an unbalanced force. There is no way to silence my momentum, I will keep blooming-- slender hands outstretched toward the flickering sun, past all of the white numerical lies and formulaic cages that ache to confine me. What a perfect contradiction, that a soft-spoken girl can rise at the break of Einstein's miscalculated morning, illuminating the sky with the poetry of her defiance. She, who loves gracefully without friction. She, whose bones cannot be broken by the laws of heat. She, who keeps herself warm when the cold mathematical wrath of their graves fails to keep her quiet.
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Feb 1, 2017
Feb 1, 2017 at 9:04 PM UTC
Defiance
the titles lay about, filed in no order, some a mere notion, some a finished few, most a line or two that ask fervently for birth, commencement, not understanding that finished, need not mean ripened, ready for release, consumption some indeed, awful layabouts in no hurry to complete their appointed rounds, or make their unique composed sounds spoke out loud content to be, yet-to-be but already wanting the entitlements of being just a title entitled, yet even without shape, content to be content-less, poem teenagers, I guess, they want it all all awaiting wondering they understand how humans are born but see no parallel to gestation literate they see infiltration, fertilization, conception, automated, tracked and formulaic the process similar, but the exact moment of birth knows no schedule, some burst, some dormant, aging beyond aged, struggling to believe that those who wait also serve if you were to sit beside this troubled man, whose clouds need poking by, perhaps, your fresh fingers could rocket them into partum warmth fluid bathed, then they would belong to you for you were the trigger, that fired them into existence
0
Aug 16, 2014
Aug 16, 2014 at 9:48 AM UTC
conceived and conception (works in and unprocessed)
If I could but learn to discard a wounded piece of self If I could part with the beautiful symmetry Of the cogs, driving forth the machinations, Churning with their white noise, that Turn to shape maiming thoughts Then I might one night close my eyes, Not to images of words bound by self-deriding connotation, Comprised of typos and back-strokes But to a peaceful blackness Yes, I might lie down, close my eyes Out of a will for rest, not contrived But organic and my own And so I know this as my waking dream Relegated to wake for the night has been Deemed the world of painful perfection A place where protection is offered With a backward hand, carefully made Patron to the lovely polished mental instruments Used to bludgeon simplicity and idiosyncrasy Used to leverage pressure on the scales of the heart So to tip downward the side of known cyclic indifference And lift upward toward heightened neglect The side of pleasure, the side of silenced retrospect I grow, each sleepless evening, more fearful That the ugly, backward hand might never forgo its leverage And, if life is a wellspring of knowledge Feeding into a stream of lessons Then my strife stems from reading of the Same page in the same chapter of the same textbook A book filled with words bound by self-deriding connotation, Comprised of typos and back-strokes On this page, one learns a fundamental formula It derives the relative weights of who we are And the happiness we might find Through some convoluted tale of misfortune My page was written by an ugly, backward man So, through unsagely studies, I’ve concluded That the art of well defined reprimanding thought Does outweigh in its beauty, the unseen hope Of a future left to whim and bliss, or perhaps The simple elegance of chance, goodness unsought So, for the first time in my life, I seek to unlearn I seek to roll back the defining lines that once flowed From the pen in a backward hand that yearned to sow structure But the vaulted walls that hold the scales of one’s will Are so dauntingly difficult to unbuild or puncture This, truly, is the weight that each sleepless night Bares down upon my sleepless heart, so heavy If I cannot pull exacting, formulaic pages from my sight I fear the only peaceful blackness I will find Is one against no patron hand can levy.
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Feb 19, 2013
Feb 19, 2013 at 5:14 PM UTC
The Backward Man
If I could but learn to discard a wounded piece of self If I could part with the beautiful symmetry Of the cogs, driving forth the machinations, Churning with their white noise, that Turn to shape maiming thoughts Then I might one night close my eyes, Not to images of words bound by self-deriding connotation, Comprised of typos and back-strokes But to a peaceful blackness Yes, I might lie down, close my eyes Out of a will for rest, not contrived But organic and my own And so I know this as my waking dream Relegated to wake for the night has been Deemed the world of painful perfection A place where protection is offered With a backward hand, carefully made Patron to the lovely polished mental instruments Used to bludgeon simplicity and idiosyncrasy Used to leverage pressure on the scales of the heart So to tip downward the side of known cyclic indifference And lift upward toward heightened neglect The side of pleasure, the side of silenced retrospect I grow, each sleepless evening, more fearful That the ugly, backward hand might never forgo its leverage And, if life is a wellspring of knowledge Feeding into a stream of lessons Then my strife stems from reading of the Same page in the same chapter of the same textbook A book filled with words bound by self-deriding connotation, Comprised of typos and back-strokes On this page, one learns a fundamental formula It derives the relative weights of who we are And the happiness we might find Through some convoluted tale of misfortune My page was written by an ugly, backward man So, through unsagely studies, I’ve concluded That the art of well defined reprimanding thought Does outweigh in its beauty, the unseen hope Of a future left to whim and bliss, or perhaps The simple elegance of chance, goodness unsought So, for the first time in my life, I seek to unlearn I seek to roll back the defining lines that once flowed From the pen in a backward hand that yearned to sow structure But the vaulted walls that hold the scales of one’s will Are so dauntingly difficult to unbuild or puncture This, truly, is the weight that each sleepless night Bares down upon my sleepless heart, so heavy If I cannot pull exacting, formulaic pages from my sight I fear the only peaceful blackness I will find Is one against no patron hand can levy.
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51
I fear I've become formulaic and dishonest though honesty has never flown freely when I bleed. I instead inscribe insolence, decadence dolled up in demand and hand picked participles to show my snappy wordsuits down this two dimension catwalk. I've tasted the fraudulent freeverse fantasy and washed out what I've done years past, former lives, servitude to scheming rhymes and tracking down the feet meter by meter. See! I own the jargon, jot it down freely with a casuality undeserved. Read carefully, cause herein spouts my effort. Slink back to default, once in whiles, show them that you got it still. Baring teeth or gleaming smiles differ at souls' windowsills. And simply so, it seems again like pox against my aching skin I simply substitute some time to rhyme and let it all begin...
0
Aug 4, 2014
Aug 4, 2014 at 12:58 AM UTC
F5
Around your neck not a stone a crystal shown I relate to it shine so special you let me touch it touches me in return I relate to you it's part of you after all refractions cloud my school day it's physics in the crystal I C Re: fractions which in total have no equal and which apart add up to me .. as time does for you in action? you seem to be anything but.. so.. so.. hypnotic? action? crystal as time act eye on cry  s t a    l   .. a  s     t      i        m      e love? and you? it seems formulaic the equation stalls so sad MC is square not round no cutting corners 2 let us go on and oners Love = pluses and minuses I guess one kiss would solve it Thank 'Eee awwww (I'd be such an *** not to)
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Jul 20, 2014
Jul 20, 2014 at 12:18 AM UTC
Your See Saw See All Crystal
♠ ♠ ♠ Pseudo-Oriental visions Haiku, Tanka, exotic terms Vapid New Age vibe-transmissions proliferating eastern germs… Anarchistic thought collages Existential lacerations Nihilistic heart-massages Incoherent lamentations, Communism on a mission, grievance-mongering, stewed in hate; pounding Fascist fusion/fission chanting harshly “ours the state”, Hymns to Gods who choked on ***** undertaken in overdose; rocks that never rose to comet rolling – but ending comatose, Hipster ironies, tongue in chic Metro-wimps who feign the normal, Redneck rantings up the creek semaphoric,  semi-formal, matron’s maudlin observations, motivational hypnosis, (sentimental medications offered prior to diagnosis), coldly abstract neo-nonsense read (by dullards) as cutting edge, letters void of correspondence; well-trimmed words’ linguistic hedge. Climate whining (tried untrue) with eco-prophecies warning doom, Wiccans and tree-sprites trying to undo the curse and lift the gloom, Feministic tribal ranting, Race-complaining, agitation, GLBT gallivanting – all are blights upon our nation. Boring modernist excess, (no longer daring  –  formulaic) confounds –  yet never can address what’s wrong, and so becomes prosaic. Lists like this are perhaps  the worst; another symptom of our times: we who are woefully unversed in rhythmic complaining that rhymes.
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Sep 12, 2015
Sep 12, 2015 at 11:58 AM UTC
Stuff Poetry Hates:
I remember all of the stupid things. The gap in my first love's fringe that appeared only when she was flustered, or torn between *** and G-d. The nursery teacher who resembled Jane Goodall and sat with me whilst my hayfever was too potent to play out in the sun. I remember the exuberance of heat on the concrete slabs in my first back garden. How my mother would take boiling water to the empires of ants that would find life in the cracks and crevices between my footfalls. I remember how silent they were through oppression and death. I remember my first sight of the ocean. How serene it looked in the distance, how unforgiving and cold it was once I threw my whole weight into it. The shivering donkeys on the beach, agitated by the ice-cream crowds; the man who handled snakes for a living and persuaded me to touch a killer. I remember my first guitar and how I stared at it helplessly for two hours, like a teenage boy on his first sight of a ****** The first sad song to deliver a feeling never experienced, but communicated; how adults failed to answer the questions that music gave forth effortlessly. I remember when you started leaving kisses at the end of your messages, the formulaic gaps in time before I would hear from you again; your costume of nonchalance. The way you appeared in the wasteland hours, playing the therapist with your kind words and history of neurosis. I remember the sheet of plastic that shielded me from the rain as a child, the rubber wheels of my carriage buckling through puddles and gaps; the first exposure to nature's lullaby, as I fall asleep through storm and traffic. I remember how easily sleep once came, and how I resisted it all the same. I remember my recurring nightmare. A big red button and the doors of hell; some spectre of infinite density that caterwauled for the destruction of all things human, all things new. The way my mother's arms were infallible, the priest's glare, omniscient; the revolting concept of a cigarette. I remember all of the useless things. The rings around my grandfather's eyes on the only occasion I saw him cry. Kissing Rebecca on the lips, cementing our love with tree sap and the promise of an endless summer. I remember the first time I felt sad without having a reason to be so. I remember the shine of the room when I took pills for the first time; the incorrigible thirst for water and the racing confessions that followed. I remember how it felt, the first time I trapped someone in a poem; how easy it was to forget them once reduced to words and half-truths.
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Dec 10, 2014
Dec 10, 2014 at 5:42 PM UTC
Useless Memories
I remember all of the stupid things. The gap in my first love's fringe that appeared only when she was flustered, or torn between *** and G-d. The nursery teacher who resembled Jane Goodall and sat with me whilst my hayfever was too potent to play out in the sun. I remember the exuberance of heat on the concrete slabs in my first back garden. How my mother would take boiling water to the empires of ants that would find life in the cracks and crevices between my footfalls. I remember how silent they were through oppression and death. I remember my first sight of the ocean. How serene it looked in the distance, how unforgiving and cold it was once I threw my whole weight into it. The shivering donkeys on the beach, agitated by the ice-cream crowds; the man who handled snakes for a living and persuaded me to touch a killer. I remember my first guitar and how I stared at it helplessly for two hours, like a teenage boy on his first sight of a ****** The first sad song to deliver a feeling never experienced, but communicated; how adults failed to answer the questions that music gave forth effortlessly. I remember when you started leaving kisses at the end of your messages, the formulaic gaps in time before I would hear from you again; your costume of nonchalance. The way you appeared in the wasteland hours, playing the therapist with your kind words and history of neurosis. I remember the sheet of plastic that shielded me from the rain as a child, the rubber wheels of my carriage buckling through puddles and gaps; the first exposure to nature's lullaby, as I fall asleep through storm and traffic. I remember how easily sleep once came, and how I resisted it all the same. I remember my recurring nightmare. A big red button and the doors of hell; some spectre of infinite density that caterwauled for the destruction of all things human, all things new. The way my mother's arms were infallible, the priest's glare, omniscient; the revolting concept of a cigarette. I remember all of the useless things. The rings around my grandfather's eyes on the only occasion I saw him cry. Kissing Rebecca on the lips, cementing our love with tree sap and the promise of an endless summer. I remember the first time I felt sad without having a reason to be so. I remember the shine of the room when I took pills for the first time; the incorrigible thirst for water and the racing confessions that followed. I remember how it felt, the first time I trapped someone in a poem; how easy it was to forget them once reduced to words and half-truths.
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72
the formulaic...........how drab! events so monumental (and overwhelming!) petty egos broken on the gulf coast beaches (OUR BEACHES!) ------------- drifting on the summer breezes BESIDES DEATH, TELL ME "WHAT?" , MY FRIEND is drifting on the summer breezes tell me........ ..... tell me .................. .............tell me IF YOU, TOO, ARE , IF YOU, TOO IF YOU.......! ..........................ARE HERE! ----------- it's quite lonely in "the trenches" behind the barricades who does listen to the heart ..................the heart............. the bursting broken heart! --------- the formulaically protected egos the individualized and protected petty egos that we all are yield up our formulaic defences and COME FORTH!
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Jul 17, 2010
Jul 17, 2010 at 1:57 PM UTC
stop......start over (why not?)
my brush touches on canvas with each whipping flick, a new stroke around the curvature of your smile i paint in shades of black, white, and gray yet nothing gives off more color than the radiance of your joy and nothing makes me prouder to be alive than the moment I've made you split the creases of your cherry blossom lips and reveal teeth as white as the clouds where you must originally be from high up above this area of space plagued by the formulaic symmetry between conformists those who greet the sun in the morning with the intention just to get by no my love, you wake each sunrise with a far greater purpose and i wake to share a piece of it with you so we can smile together and feel high enough to be perched on a crescent moon as I hold you close, and point out the brilliant star you descended from
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Feb 3, 2015
Feb 3, 2015 at 8:48 PM UTC
The Woman From Space
So what is wrong And what is right? A formulaic diatribe Denouncing young brides An age-old hunger For reacquaintance With the same? Old mothers and young wives Brandished Ph.D's and lifelong strife Carry the baby Forget the rest If there's love there's still no rest *** bubbles up Thinking its own thoughts And the anniversary deathbed Gets soaked again. Generations of beds Estate sales of lost loves A splintered family is less rich An over-achieving cote of doves. How to be fierce Without ****** the Earth Is a rich boy's dilemma The rest of us **** who we wanna.
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Apr 26, 2014
Apr 26, 2014 at 2:51 PM UTC
Lust Is Life
Life Is A Corned Beef Hash (A metaphor) Life is a corned beef hash - Or chicken, pork or any stash Of edibles you have at hand. If you are clever You will use the cleaver To make dishes So delicious Guests will never understand With formulaic words How to make the bouquet of accolades Big enough. (Wow! That was pufferific!)* All you have to do is focus, Be a tiny bit courageous, Use a quantity of hocus pocus So your genius Can shine, Your mine of treasure The impromptu measure of the moment. Life Is A Corned Beef Hash 8.12.2017 A Sense Of the Ridiculous II; Arlene Corwin *puffery – in case you didn’t know: exaggerated praise; hyperbole.
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Aug 13, 2017
Aug 13, 2017 at 6:05 AM UTC
Life Is A Corned Beef Hash (A Metaphor)
inside surfaces; a couplet affair of mess and lost movement, what small safety is left to believe in can't make me or you listen: desperation makes soft rainfall outside seem like splinters, chopsticks neither of us would bother split, anyway. and now i 'm drunk and now, i can't figure out how softness works (am i weak and formulaic?), or how i've switched heartbeats to some small distance that won't capitulate. capitulation would be far too easy, of course. how built up speculation, inevitably in isomorphism to your sweet ruffled hair, to another lover, who won't care anyway, (will she?) wines and dines my foolish mind. is all this pursuit futile? just; please care for me, new darling, you, as anyone in rainfall, or tomato juice, or; basically: i need all the ******* help in the world, right now. give me something. anything. dying for new light, i managed to set sights on oceans or footsteps abroad or just not feeling like this, if that's ok?
0
Oct 4, 2013
Oct 4, 2013 at 11:02 AM UTC
4:02
formulaic derivative uninspired sophomoric myopic misguided decorative nicely framed
0
Aug 24, 2018
Aug 24, 2018 at 7:05 PM UTC
some words artists don't like to hear:
it is no hidden truth: writing about those teeth and twisting schemes of sadness in my dreams is somehow my dependent everything, but patterned lists of the same words in permutation becomes tedium in waiting; there's that illustrious want for novelty, no matter how safe the same may be, and I still just write about that exact ******* love and ******** everybody else wants: so, am I this predictable? am I this formulaic? probably. so, how does one take some respite? how does one choke back their routine penstrokes and fabricate experiences they haven't yet or ever will gather, when all they've held was in the ritual letting of ladders down ductile tunnel foundations, the vestigial fathoms that remain floating around in your eyes, your eyes! your eyes I tear open and crawl in and curl up inside, the feigned lust I set out to fake and then finally, silently, made and now it's all the mistake of concrete stained with letters heart letters on a date that lasts forever, but your letters are tiny lies and mine are misery held in contemptible disguise and how I slip just that **** easily into this lackluster story about I, you, people I never knew and never know anybody. and *how the grass would have grown and grown if the lawn hadn't been cut down, and the patch of death in concentric center where outside, under the stars, I lay curled, foetal, and drained of bile; for now, in ascension of sterility I am feral once more, I am, at last, just a tremulous, pathetic and miniscule animal waiting to pass through the dirt. That moment hit me, like all stones in august. So I stood. So I ******* stood, threw off my dripping eyes, screaming at the moon 'til I spat blood and cursed life and I swore, I swore down to the skin of my teeth, I would conquer it until it conquered me, for, as far as the wild was concerned, my casualty was a drop of rain in an ocean. So I become the ocean. So I dig my palm into the earth and let dust ground the stray electricity. I no longer lie, I no longer bide time until it's too late.* But I lied and I do lie. I waste abhorrent amounts of time. I still just hang my head and leave things up to fate. It's always too late. It's always too late.
0
Mar 23, 2013
Mar 23, 2013 at 4:31 AM UTC
listlessness
it is no hidden truth: writing about those teeth and twisting schemes of sadness in my dreams is somehow my dependent everything, but patterned lists of the same words in permutation becomes tedium in waiting; there's that illustrious want for novelty, no matter how safe the same may be, and I still just write about that exact ******* love and ******** everybody else wants: so, am I this predictable? am I this formulaic? probably. so, how does one take some respite? how does one choke back their routine penstrokes and fabricate experiences they haven't yet or ever will gather, when all they've held was in the ritual letting of ladders down ductile tunnel foundations, the vestigial fathoms that remain floating around in your eyes, your eyes! your eyes I tear open and crawl in and curl up inside, the feigned lust I set out to fake and then finally, silently, made and now it's all the mistake of concrete stained with letters heart letters on a date that lasts forever, but your letters are tiny lies and mine are misery held in contemptible disguise and how I slip just that **** easily into this lackluster story about I, you, people I never knew and never know anybody. and *how the grass would have grown and grown if the lawn hadn't been cut down, and the patch of death in concentric center where outside, under the stars, I lay curled, foetal, and drained of bile; for now, in ascension of sterility I am feral once more, I am, at last, just a tremulous, pathetic and miniscule animal waiting to pass through the dirt. That moment hit me, like all stones in august. So I stood. So I ******* stood, threw off my dripping eyes, screaming at the moon 'til I spat blood and cursed life and I swore, I swore down to the skin of my teeth, I would conquer it until it conquered me, for, as far as the wild was concerned, my casualty was a drop of rain in an ocean. So I become the ocean. So I dig my palm into the earth and let dust ground the stray electricity. I no longer lie, I no longer bide time until it's too late.* But I lied and I do lie. I waste abhorrent amounts of time. I still just hang my head and leave things up to fate. It's always too late. It's always too late.
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36
The formulaic mist of several aromas Both sweet and strong Hovers within the space Asphyxiating and amalgamating every new smell encountered Sanctioning an intoxicating bevy of delicious sensations
0
Jan 2, 2014
Jan 2, 2014 at 12:53 AM UTC
I wanted to use big words, or Aromas
The Patron Saint of Saturday morning cartoons  and The Patriot have died They've died from patron-hate We've come to pay our respects and show our patronage We give the quarters we hid behind our ears for all these years People go up to their friend, The Saving Grace Saying, "I'm sorry for your loss" And she deadpan replies, "Why? Did you do it?" She was funny like that All the people coming out of the woodwork Who knew it was just a matter of time for these two to finally kick the bucket No bones about it It's just the luck of the draw All the mourners come to talk about the two stiffs in the coffins "IT WAS MY FAULT I WASN'T THERE!" cried The Merchant "Don't be so hard on yourself" I said trying to comfort him But I knew in the back of my mind that this guy was reading off cue cards and had such a hard-on for himself Matter of fact, this caterwauling fool knocked everything The Patron Saint of Saturday morning cartoons stood for with out even trying to understand "No taxation with out representation gives one a bad reputation" The Patriot loved drawing baths, stipple dotting, still lives Always paid out of pocket for the supplies The best piece of advice he had given me was "Cheesy stereotypes are just truths that were left out to age and gain a powerful smell we try to avoid because we can never face it" The Signer and The Co-Signer went off on a tangent in the middle of the whole thing, I think they were having a war flashback or something "Metaphorical formalities Formulaic manic depressive Compulsive obsessive Metaphysical Fairly impressive!" These two were friends of The Patriot during his times at The O.K. Corral They we're buried in Potter's field The only two headstones in the whole place The Patron Saint's read, "Stick & stones may break my bones but boards don't hit back" And the Patriot's read, "Write me up, write me off, write this down, right on" -Tommy Johnson
0
Jan 13, 2015
Jan 13, 2015 at 2:46 AM UTC
Jocose Solemnity
The Patron Saint of Saturday morning cartoons  and The Patriot have died They've died from patron-hate We've come to pay our respects and show our patronage We give the quarters we hid behind our ears for all these years People go up to their friend, The Saving Grace Saying, "I'm sorry for your loss" And she deadpan replies, "Why? Did you do it?" She was funny like that All the people coming out of the woodwork Who knew it was just a matter of time for these two to finally kick the bucket No bones about it It's just the luck of the draw All the mourners come to talk about the two stiffs in the coffins "IT WAS MY FAULT I WASN'T THERE!" cried The Merchant "Don't be so hard on yourself" I said trying to comfort him But I knew in the back of my mind that this guy was reading off cue cards and had such a hard-on for himself Matter of fact, this caterwauling fool knocked everything The Patron Saint of Saturday morning cartoons stood for with out even trying to understand "No taxation with out representation gives one a bad reputation" The Patriot loved drawing baths, stipple dotting, still lives Always paid out of pocket for the supplies The best piece of advice he had given me was "Cheesy stereotypes are just truths that were left out to age and gain a powerful smell we try to avoid because we can never face it" The Signer and The Co-Signer went off on a tangent in the middle of the whole thing, I think they were having a war flashback or something "Metaphorical formalities Formulaic manic depressive Compulsive obsessive Metaphysical Fairly impressive!" These two were friends of The Patriot during his times at The O.K. Corral They we're buried in Potter's field The only two headstones in the whole place The Patron Saint's read, "Stick & stones may break my bones but boards don't hit back" And the Patriot's read, "Write me up, write me off, write this down, right on" -Tommy Johnson
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34
Gravity Pulls Our forms to be Us Forciose things and full of wonder Coalesced A singularity Yet Light gives  sight To halo Rings cast black by the unknown. As Matter found in vapor  form, gives lift To humbled fret For This A contract , duelly met Is thee Unbalanced bet Thus of this the arch of spark The metronomal Mark Are Atoms and matter Space and time Those truths of ,Light and dark With tools so crude To flame From spark Creation  cold and stark From this Reclusive Alcamist A Sentient being adrift And Rue and refuse the piety To gods of gastsly note So due I hail Thee full of spite Destroyer Jubilant Respond to you Of you no word Shepard Nought of Herd Of countless time With rhythms rhyme Reiterate Time spent Oh creature coward Faceless you Our saviors son's decent Who gave to me a hand of sand The grains, owned by the ****** And woe of he The ward of space Gate keep Absent grace Riddled with A failing mind Our Blessed Heathin ***** For Surly plans unknown, unwind Of what he Has In store This An empty Formulaic Tombe of ancient tune speaks this  code A wayword  vice Absent paradise In higher planes he finds abode Neglectful father form And finds he solice As He Demands Souls For Evermore So faceless form Unmask thyself Disarm With Your Descent For us The mortal Masses Ask nought With no consent
0
Aug 8, 2016
Aug 8, 2016 at 9:48 PM UTC
Neglectful God
Unforeseen flowers bobbing a wind's forever heyday... submerged as if coral. I could fit my valley into the shadow, and shadow into its death with such balance. What's overcome is sworn to secrecy...formulaic, rotund and malignant what was prayer...even by all the loose interpretation it suffocated the uneven, as unknown factors of the life it's put to. Here, as here is always concerned--it seems fruit of Garden variety grows as to confine its worm. It is here, as here is always concerned--I turn worm-ward... to ultimately reveal nothing--linger coolly and repulsively. We've an aversion to things that burrow and avert grasp-- a reward goes out for the head, or piece of such a thing from the selfsame head. Why is it our prayers are sent forth to expel the evils we've gathered? Prayer's construct is meant to be singular as it stands... heartfelt--airtight in its sentiment. Thus, by such definition I believe prayer is no longer prayer--as it is here, as here is always concerned. If you were to visualize such a prayer, the object of devotion would become the objects of devotion to overcome, conquer the God appealed to. As an egoist is devoted to the objects of his/her nature... as it were, an object may slip, avert the worm of such prayer. Hence, what does prayer become when its clasped fingers curl under the spell of a blackening ****** Power lust, the bending, curling of will in prayer form shape-shifts, and is submitted to God as prayer. A loathsome possession of plummeting powers feeling for themselves in adoration at every odd, and odder angle. As prayer was meant to be the prodigal son/daughter's offering to the disclosed, yet undisclosed infinite... here, as here is always concerned, the line lies to its end to forego what is endless...unforeseen flowers bobbing a wind's forever heyday...submerged...as if coral. Of prayer, now--clasped hands die upon one another, come to separately...without even the capacity to unify such experience. O hands of duality--meant to meet of prayer...kiss of life, for kiss of death. Such hands are fit for a prayer viewed by a shaman upon the deepest cave wall, fireside. As if two serpents deeply kissing, open-mouthed...world to world experience is offered up...volleyed, interlocked by and by...till God intuited as to appease such intimate impossibility. Who, or what could wish to keep at bay such words of being...thereupon to release them to The Word? Why...none other than we, so cherished by our incomprehension it's founded us...and thus we must pray! These two hands taken as token...as it is here, as here is always concerned--I could fit my valley into the shadow... and shadow into its death with such balance.
0
Feb 9, 2015
Feb 9, 2015 at 2:27 PM UTC
Self-posited Prayer
Unforeseen flowers bobbing a wind's forever heyday... submerged as if coral. I could fit my valley into the shadow, and shadow into its death with such balance. What's overcome is sworn to secrecy...formulaic, rotund and malignant what was prayer...even by all the loose interpretation it suffocated the uneven, as unknown factors of the life it's put to. Here, as here is always concerned--it seems fruit of Garden variety grows as to confine its worm. It is here, as here is always concerned--I turn worm-ward... to ultimately reveal nothing--linger coolly and repulsively. We've an aversion to things that burrow and avert grasp-- a reward goes out for the head, or piece of such a thing from the selfsame head. Why is it our prayers are sent forth to expel the evils we've gathered? Prayer's construct is meant to be singular as it stands... heartfelt--airtight in its sentiment. Thus, by such definition I believe prayer is no longer prayer--as it is here, as here is always concerned. If you were to visualize such a prayer, the object of devotion would become the objects of devotion to overcome, conquer the God appealed to. As an egoist is devoted to the objects of his/her nature... as it were, an object may slip, avert the worm of such prayer. Hence, what does prayer become when its clasped fingers curl under the spell of a blackening ****** Power lust, the bending, curling of will in prayer form shape-shifts, and is submitted to God as prayer. A loathsome possession of plummeting powers feeling for themselves in adoration at every odd, and odder angle. As prayer was meant to be the prodigal son/daughter's offering to the disclosed, yet undisclosed infinite... here, as here is always concerned, the line lies to its end to forego what is endless...unforeseen flowers bobbing a wind's forever heyday...submerged...as if coral. Of prayer, now--clasped hands die upon one another, come to separately...without even the capacity to unify such experience. O hands of duality--meant to meet of prayer...kiss of life, for kiss of death. Such hands are fit for a prayer viewed by a shaman upon the deepest cave wall, fireside. As if two serpents deeply kissing, open-mouthed...world to world experience is offered up...volleyed, interlocked by and by...till God intuited as to appease such intimate impossibility. Who, or what could wish to keep at bay such words of being...thereupon to release them to The Word? Why...none other than we, so cherished by our incomprehension it's founded us...and thus we must pray! These two hands taken as token...as it is here, as here is always concerned--I could fit my valley into the shadow... and shadow into its death with such balance.
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57
✿ ✿ ✿ Haiku is not true poetry by any means: formulaic = dull
0
Apr 28, 2016
Apr 28, 2016 at 2:52 PM UTC
High Coup (IMO)