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Hannah Marr Oct 2018
i am fire
i am angel
the holy words of golden hymns
scorch my chapped lips
as i brand my pale skin with the word
salvation
over and over and over
until my tears blaze singed trails
down both my cheeks

i am dark
i am story
my wings are inked words
and bleached-white parchment
oh so flammable and
oh so transcendent
curled around my shoulders
and twining tattoos
down my back

i am silence
i am song
ending and beginning and ending again
with not a bang but a
hushed whisper
i heard muted songs weaving tapestries
of mute lyrics and unsung melodies but
my place above is
vacant

h.f.m.
Evan Serik S Dec 2014
Intangible
No hope
im flammable
light me up
and burn
no smoke
down I go
no hope
ash to ash
dust to dust
******* away
because I was a bust
restart
a replay
a redo
a new game
start, play
a new day
but still
no hope
because im still the same
Ignatius Hosiana May 2016
I wish I could be enough for you,
I wish I could be your other half
I wish I could please you beyond
the measure of just friends
I wish I could be on your mind
like my sad image in your eye
and the succulent apple of your eye
I wish I could be close to
your soul as I'm usually close to you
I wish I could touch your heart
like I touch your hand
I wish you could also tremble
in my unnoticed presence
I wish the thought of me
could make you sick in my absence
I wish I was as handsome
as he is, with the cash he has
I wish I could also show up
driving myself in the posh cars
I wish I wasn't a tattered
fabric with patches of scars
I wish I amazed you like a
clear night sky filled with stars
I really wish so much,
I wish you could read my mind
and see the million words left
buried, the emotions left behind
I wish I could be the first and last
thought as you sleep and wake
I wish the little I have to give was
the much you crave to take
I wish you could believe when
I say these feelings started at hello
that I die subduing my passion
threatening to overflow
as soon as I set eyes on your
beautiful breathtaking face
you would laugh at how
nervous my heart loses pace
I wish I had the qualities
you are looking out for
a height, light skinned, courageous,
and quite physically fit
but I lack such a physic, those
qualities are embedded
within the core of my invisible
self, a person you can't see
I wish you knew that your presence
throws me in an ecstasy
I wish you knew that I have
burning flames of desire
fueled by my highly flammable
affection which you inspire
I wish you could consider someone
like me,maybe I would reveal
but even if I do you can never
give me an opportunity
I'd make a double loss, swallowing
my pride, that bitter pill
you can't bear someone like me...
you never will
yet I still find myself wishing
you could for real
albeit I too would never
waste your valuable time
dragging you through this
hell of my boring life
I wish I was something more
than a lover of rhyme
maybe then I'd stand a chance
of calling you "Wife"
I wish things were different,
I wish you could know
how much I wish I could be
someone deserving of you
I do, I wish I could be more
Paul Rousseau Jun 2012
Burnt adolescence, the smell of survivors
The satiric regime beholds.
White-gloved landlords, picking at grapefruit
By what means was this chapter told?

By a pigheaded guerilla lad
In a trench coat and top hat
With an ego to the distance of the sun
Alcohol is flammable
To the ones with sharpened mandibles  
For myself, it was all jolly good fun
Katherine Bogen May 2012
I burned my house down to make room for your boxes.

They're locked, you say, from the inside out.

But they're worth the fire, because you look at them like

it hurts not to.



You won't tell me what's inside, so I take guesses.

One box for memories - the big one, with the heavy bolt.

One box for lost things (dog collars, wooden whistles,

A sky full of stars). Things you don't find when you're looking.



I'm made of broken gazes, an anvil and a glass basket.

I'm made of burning houses, and the way I lock myself

from the inside out (and I never wanted to be boxes,

but I can't help that they fit so well).



Won't you look for keys? Tear your eyes from the corner

where the heavy bolt sits, smiling at you with buckled lips.

Won't you look for keys? Stare me down, acid rain that

burns up glass and makes stars shudder (smoke and fire).



I burned my house down to make room for your boxes.

They're locked, you say, and I wish they were cardboard

and flammable, like you're not, and I can't be (I'm locked

glass, I'm already lit, inside out inside out inside out).



One box for treasures (I can't fit in that one).

One box for memories, without any more room.

One box for lost things, and I could move, but my skin

against stars would clatter and melt (smoke and fire).
Mike Bergeron Sep 2012
There was a house fire on my street last night …well… not exactly my street, but on a little, sketchy, dead-end strip of asphalt, sidewalks, weeds, and garbage that juts into my block two houses down. It was on that street. Rosewood Court, population: 12, adjusted population: 11, characterized by anonymity and boarded windows, peppered with the swift movements of fat street rats. I’ve never been that close to a real, high-energy, make-sure-to-spray-down-your-roof-with-a-hose-so-it-doesn’t-catch­ fire before. It was the least of my expectations for the evening, though I didn’t expect a crate of Peruvian bananas to fall off a cargo plane either, punching through the ceiling, littering the parking lot with damaged fruit and shingles, tearing paintings and shelves and studs from the third floor walls, and crashing into our kitchen, shattering dishes and cabinets and appliances. Since that never happened, and since neither the former nor the latter situation even crossed my mind, I’ll stick with “least of my expectations,” and bundle up with it inside that inadequate phrase whatever else may have happened that I wouldn’t have expected.



I had been reading in my living room, absently petting the long calico fur of my roommate’s cat Dory. She’s in heat, and does her best to make sure everyone knows it, parading around, *** in the air, an opera of low trilling and loud meows and deep purring. As a consequence of a steady tide of feline hormones, she’s been excessively good humored, showering me with affection, instead of her usual indifference, punctuated by occasional, self-serving shin rubs when she’s hungry. I saw the lights before I heard the trucks or the shouts of firemen or the panicked wail of sirens, spitting their warning into the night in A or A minor, but probably neither, I’m no musician. Besides, Congratulations was playing loud, flowing through the speakers in the corners of the room, connected to the record player via the receiver with the broken volume control, travelling as excited electrons down stretches of wire that are, realistically, too short, and always pull out. The song was filling the space between the speakers and the space between my ears with musings on Brian Eno, so the auditory signal that should have informed me of the trouble that was afoot was blocked out. I saw the lights, the alternating reds and whites that filled my living room, drawing shifting patterns on my walls, ceiling, floor, furniture, and shelves of books, dragging me towards the door leading outside, through the cluttered bike room, past the sleeping, black lump of oblivious fur that is usually my boisterous male kitten, and out into the bedlam I  had previously been ignorant to. I could see the smoke, it was white then gray then white, all the while lending an acrid taste to the air, but I couldn’t see where it was issuing from. The wind was blowing the smoke toward my apartment, away from Empire Mills. I tried to count the firetrucks, but there were so many. I counted six on Wilmarth Ave, one of which was the awkward-looking, heavy-duty special hazards truck. In my part of the city, the post-industrial third-wave ***** river valley, you never know if the grease fire that started with homefries in a frying pan in an old woman’s kitchen will escalate into a full-blown mill fire, the century-old wood floors so saturated with oil and kerosene and ****** and manufacturing chemicals and ghosts and god knows what other flammable **** that it lights up like a fifth of July leftover sparkler, burning and melting the hand of the community that fed it for so many decades, leaving scars that are displayed on the local news for a week and are forgotten in a few years’ time.



The night was windy, and the day had been dry, so precautions were abundant, and I counted two more trucks on Fones Ave. One had the biggest ladder I’ve ever seen. It was parked on the corner of Fones and Wilmarth, directly across from the entrance into the forgotten dead-end where the forgotten house was burning, and the ladder was lifting into the air. By now my two roommates had come outside too, to stand on our rickety, wooden staircase, and Jeff said he could see flames in the windows of one of the three abandoned houses on Rosewood, through the third floor holes where windows once were, where boards of plywood were deemed unnecessary.



“Ay! Daddy!”



My neighbor John called up to us. He serves as the eyes and ears and certainly the mouth of our block, always in everyone’s business, without being too intrusive, always aware of what’s going down and who’s involved. He proceeded to tell us the lowdown on the blaze as far as he knew it, that there were two more firetrucks and an ambulance down Rosewood, that the front and back doors to the house were blocked by something from inside, that those somethings were very heavy, that someone was screaming inside, that the fire was growing.



Val had gone inside to get his jacket, because despite the floodlights from the trucks imitating sunlight, the wind and the low temperature and the thought of a person burning alive made the night chilly. Val thought we should go around the block, to see if we could get a better view, to satisfy our congenital need to witness disaster, to see the passenger car flip over the Jersey barrier, to watch the videos of Jihadist beheadings, to stand in line to look at painted corpses in velvet, underlit parlors, and sit in silence while their family members cry. We walked down the stairs, into full floodlight, and there were first responders and police and fully equipped firefighters moving in all directions. We watched two firemen attempting to open an old, rusty fire hydrant, and it could’ve been inexperience, the stress of the situation, the condition of the hydrant, or just poor luck, but rather than opening as it was supposed to the hydrant burst open, sending the cap flying into the side of a firetruck, the water crashing into the younger of the two men’s face and torso, knocking him back on his ***. While he coughed out surprised air and water and a flood of expletives, his partner got the situation under control and got the hose attached. We turned and walked away from the fire, and as we approached the turn we’d take to cut through the rundown parking lot that would bring us to the other side of the block, two firemen hurried past, one leading the other, carrying between them a stretcher full of machines for monitoring and a shitload of wires and tubing. It was the stiff board-like kind, with handles on each end, the kind of stretcher you might expect to see circus clowns carry out, when it’s time to save their fallen, pie-faced cohort. I wondered why they were using this archaic form of patient transportation, and not one of the padded, electrical ones on wheels. We pushed past the crowd that had begun forming, walked past the Laundromat, the 7Eleven, the carwash, and took a left onto the street on the other side of the parking lot, parallel to Wilmarth. There were several older men standing on the sidewalk, facing the fire, hands either in pockets or bringing a cigarette to and from a frowning mouth. They were standing in the ideal place to witness the action, with an unobstructed view of the top two floors of the burning house, its upper windows glowing orange with internal light and vomiting putrid smoke.  We could taste the burning wires, the rugs, the insulation, the asbestos, the black mold, the trash, and the smell was so strong I had to cover my mouth with my shirt, though it provided little relief. We said hello, they grunted the same, and we all stood, watching, thinking about what we were seeing, not wanting to see what we were thinking.

Two firefighters were on the roof by this point, they were yelling to each other and to the others on the ground, but we couldn’t hear what they were saying because of the sirens from all the emergency vehicles that were arriving.  It seemed to me they sent every firetruck in the city, as well as more than a dozen police cars and a slew of ambulances, all of them arriving from every direction. I guess they expected the fire to get really out of hand, but we could already see the orange glow withdrawing into the dark of the house, steam and smoke rippling out of the stretched, wooden mouths of the rotted window frames. In a gruff, habitual smoker’s voice, we heard

                                      “Chopper called the fire depahtment

We was over at the vet’s home

                He says he saw flames in the windas

                                                                                                                                                We all thought he was shittin’ us

We couldn’t see nothin’.”

A man between fifty-five to sixty-five years old was speaking, no hair on his shiny, tanned head, old tattoos etched in bluish gray on his hands, arms, and neck, menthol smoke rising from between timeworn fingers. He brought the cigarette to his lips, drew a hearty chest full of smoke, and as he let it out he repeated

                                                “Yea, chopper called em’

Says he saw flames.”

The men on the roof were just silhouettes, backlit by the dazzling brightness of the lights on the other side.  The figure to the left of the roof pulled something large up into view, and we knew instantly by the cord pull and the sound that it was a chainsaw. He began cutting directly into the roof. I wasn’t sure what he was doing, wondered if he was scared of falling into the fire, assumed he probably was, but had at least done this before, tried to figure out if he was doing it to gain entry or release pressure or whatever. The man to the right was hacking away at the roof with an axe. It was surreal to watch, to see two men transformed from public servants into fingers of destruction, the pinkie and ring finger fighting the powerful thumb of the controlled chemical reaction eating the air below them, to watch the dark figures shrouded in ethereal light and smoke and sawdust and what must’ve been unbearable heat from below, to be viewing everything with my own home, my belongings, still visible, to know it could easily have gone up in flames as well.

I should’ve brought my jacket. I remember complaining about it, about how the wind was passing through my skin like a window screen, chilling my blood, in sharp contrast to the heat that was morphing and rippling the air above the house as it disappeared as smoke and gas up into the atmosphere from the inside out.

Ten minutes later, or maybe five, or maybe one, the men on the roof were still working diligently cutting and chopping, but we could no longer see any signs of flames, and there were figures moving around in the house, visible in the windows of the upper floors, despite the smoke. Figuring the action must be reaching its end, we decided to walk back to our apartment. We saw Ken’s brown pickup truck parked next to the Laundromat, unable to reach our parking lot due to all the emergency vehicles and people clogging our street. We came around the corner and saw the other two members of the Infamous Summers standing next to our building with the rest of the crowd that had gathered. Dosin told us the fire was out, and that they had pulled someone from inside the gutted house, but no ambulance had left yet, and his normally smiling face was flat and somber, and the beaten guitar case slung over his shoulder, and his messed up hair, and the red in his cheeks from the cold air, and the way he was moving rocks around with the toe of his shoe made him look like a lost child, chasing a dream far from home but finding a nightmare in its place, instead of the professional who never loses his cool or his direction.

The crowd all began talking at once, so I turned around, towards the dead end and the group of firefighters and EMTs that were emerging. Their faces were stoic, not a single expression on all but one of those faces, a young EMT, probably a Basic, or a Cardiac, or neither, but no older than twenty, who was silently weeping, the tears cutting tracks through the soot on his cheeks, his eyes empty of emotion, his lips drawn tight and still. Four of them were each holding a corner of the maroon stretcher that took two to carry when I first saw it, full of equipment. They did not rush, they did not appear to be tending to a person barely holding onto life, they were just carrying the weight. As they got close gasps and cries of horror or disgust or both issued from the crowd, some turned away, some expressions didn’t change, some eyes closed and others stayed fixed on what they came to see. One woman vomited, right there on the sidewalk, splashing the shoes of those near her with the partially digested remains of her EBT dinner. I felt my own stomach start to turn, but I didn’t look away. I couldn’t.

                                                                                It was like I was seven again,

                                in the alleyway running along the side of the junior high school I lived near and would eventually attend,

looking in silent horror at what three eighth graders from my neighborhood were doing.

It was about eight in the evening of a rainy,

late summer day,

and I was walking home with my older brother,

cutting through the alley like we always did.

The three older boys were standing over a small dog,

a terrier of some sort.

They had duct taped its mouth shut and its legs together,

but we could still hear its terrified whines through its clenched teeth.

One of the boys had cut off the dog’s tail.

He had it in one hand,

and was still holding the pocket knife in the other.

None of them were smiling,

or talking,

nor did they take notice of Andrew and I.

There was a garden bag standing up next to them that looked pretty full,

and there was a small pile of leaves on the ground next to it.

In slow motion I watched,

horrified,

as one of the boys,

Brian Jones-Hartlett,

picked up the shaking animal,

put it in the bag,

covered it with the leaves from the ground,

and with wide,

shining eyes,

set the bag

on fire

with a long-necked

candle

lighter.

It was too much for me then. I couldn’t control my nausea. I threw up and sat down while my head swam.

I couldn’t understand. I forgot my brother and the fact that he was older, that he should stop this,

Stop them,

There’s a dog in there,

You’re older, I’m sick,

Why can’t I stop them?

It was like
Ember Evanescent Oct 2014
Protection pledge of best friends:
-As soon as he starts looking at you like a piece of meat I start looking at him like a potential shishkebab
-When some ***** has hurt your feelings in the name of pride I know you gotta act tough, take the high road, and be mature. That's a good system, so while you do that I'll load her Into a catapult near the grand canyon... or maybe a massive pile of broken glass... or even just a huge fire. That works too.
-If you're in pain, I'll listen to you, I'll hunt down the ******* who upset you and find out just how flammable gasoline is when you drench someone else in it then I'll buy you bubble wrap, chocolate, a baseball bat and a tub of ice cream slightly greater in volume than your house.
-I'll make you feel better about yourself when you look at me and think: ****. Comparatively to her,  I'm remarkably sane! :D
-I'll always be here for you

Repost if you love your best friends like sisters and would die to protect them
Comment with your friendship code!  Or with really any thoughts you happen to have :)
Repost if you love your best friends like sisters and would die to protect them
Comment with your friendship code!  Or with really any thoughts you happen to have :)
Anonymous Freak Jul 2016
The pleasant lighting
Falling on your face,
Shifting uncomfortably
In dressy clothes.
A wine list sitting
In front of you.
The clink of champagne glasses.

A menu
Is then passed to you,
"What would you
suggest this evening?"
You ask the well dressed,
Smiling waiter.
"Well sir what are you in
The mood for?"
You shrug,
"I don't know."
"Well..."
He starts,

"Some words are deliciously
Smooth,
Like:
Circumstance,
Circumference,
Slither,
Sleek,
Sweet,
And
Finesse.

Some words crackle,
Such as:
Tickle,
Freckles,
Speckled,
Wrinkle,
Crinkle,
Torch,
Crunch,
­Cacophony,
And cricket.

Some words,
Are bubbly:
Poppycock,
Preposterous,
Exaggerate,
Flammable
Graffiti,
­Whisky,
Blasphemy,
Dubious.

Some words,
Are addicting:
Missing,
Lost,
Pain,
Me,
Mine,
Hurt,
Cut,
Burn,
Die,
D­eath,
Hard,
Hate,
Can't,
Fate,
Heart,
Broken,
Stay,
Love.

What words
Would you like to eat?"
Carlo C Gomez Dec 2019
Oh, turpentine
meet Caroline.

She's diverting and lovely,
but no painter.

Completely misses a warning
on the container.

Her skin is pale
and thin as paper.

In contact with the flame
she turns to vapor.
Cedric Jan 2017
Limitations, borders and other things,
Only measure as being paper thin.
Fragile and unnoticeable, unseen.
Indistinguishable, that's the saying.
Flammable, we set it on fire, burning.

These boundaries that confine us, traps us.
Misunderstandings that causes creases,
Within the limits of our heart's pieces,
Often becoming remorseful saps, us.

This very thin line that divides concepts,
May be a hindrance or an annoyance.
But just like how paper is most useful,
This separation gives us some clearance,
As we write about exciting prospects.
A sonnet of comparison and it's complexes.
Astral May 2015
The history of a nation, bended towards the allure of a black dragonfly, a seeping beast that bubbles and brews along the sun baked earth

What a terrifying creature it is, the black devil that infects and corrupts the congregation around

It’s a flammable god, that has the minds of several masses, wishing to make their wells deeper with Midas Gold and African gems

It will burn a hole through the middle of the Earth, it will set itself on fire and aim to take everything organic around it to ashes

For it is a cycle that has begun long ago, instigated by the sins of fathers, and being conjured evermore by the spirits of the past

It will only aim to become a behemoth, that will crush and pillage those that go against it

Rigid moralities become devoted members when they see the banks of The Black Sea, the hearts of men become minds of virus

It will never cease to stop, for the creature can not die, we can not stop what we created.
Olivia Kent Nov 2014
The air is autumn.
Smell of yesterday enters the air.
Yesterday's furniture.
Piles of junk.
Flaming ablaze.
Flaming amazing.
As I said smell the air.
Don't stand too close though.
No fingers burned.
It feels so good.

Don't need the heating on.
Rely on the bonfire burning bright.
To keep me warm for a while tonight.
Great excuse to destroy the flammable trash.
Only reminder, a pile of ash.
Smell of burning.
Aged brush wood.
A flaming bonfire.
So good so refreshing.
Fireworks such an expensive waste of hard earned cash.
Don't want my wages to go up in a flash.
A good bonfire is just so gratifying.
November the 5th, smelly fun.
Livvi
Matter of fact bonfire night x
Joanna Oz Oct 2015
Let me be the first to warn you:

I am wildfire and catastrophic destruction,
I am consuming fever and searing passion,
I am possessed by infectious radiation, a contagion
for all things surreptitious and sacred.

I will vacuum the oxygen from your gasping lungs,
blister your lips,
and plunge you deep into my inferno.

I will gallop as chopping thunder across your oceans,
etch lightning streaks zigzagging behind your eyelids,
and illuminate veiled dimensions of your incandescent spectrum.

You will know me,
in flares sparking your night sky
into snapshots of opalescence and shadow.
You will know me,
in relentless flames licking your woodlands
skeletal and hollow and barren.
You will know me,
in remnants of cinders, ashen palms,
and smoky ribbons evaporating through your skin.

I am celestial pyromaniac:
daughter
of Hephaestus and Artemis,
incubated
in the womb of a supernova,
birthed
in the creation of Andromeda,
purified
by internal cycles of eruption,
hurled
through the cosmos by shooting stars,
magnetized
to earth by gravity and destiny, carried to you by entropy and choice.

I am volcanic and heaving
beneath the crust of the planet.
I am ultraviolet hallucination, I am firework destruction, I am spontaneous combustion, I am electric incineration, I am smoldering embrace, I am all things cataclysm and rebirth, interlaced.
And when I pierce molten and ecstatic and untamed
through your reality, you will know
what it means to drown dancing in flames.
Steve D'Beard Jun 2014
I know this guy, right
that typos fall out his mouth
like the crumbs from an 8 year old's birthday party;
smothered in icing
cheeks puffed like marshmallow boy
choking on the ecstatic hunger of youth.

I know this guy, right
who's head is stuck together with metal staples
like hooves from the Trojan wars;
part Grecian War Horse
part medical anomaly.

I know this guy, right
who can drink his own body weight
like a Dionysian fountain of beer;
spouting the knowledge of the planets
whilst mixing shots of Whisky with Guinness.

I know this guy, right
who's life revolves around TV and DVD's
like an electronic ****** addict;
citing smoking death rates
and wholesome low price vegan recipes
and the commandments of a moral society.

I know this guy, right
who's a combustible liar with infinite lives
like a genie in the lamp that's flammable;
gets four sentences in and spontaneously implodes
and appears the next night with a tall tale to tell.

I know this guy, right
I know this guy
Some guy
that guy
you know that guy
he doesn't even have to be called Guy
just some guy
you know the guy
we all know the guy

I know this guy, right
I know this guy.
Insomniac demons recirculated in the lenses of my eyes,
And the pads of my fingers,

Cheer up and smile,
spread those beautiful lips and whisper sweet nothings,

You are everything, Beau,
    Especially the thing in my heart,

Like Constantine to my haunting darkness,
You ignite the monsters with your flame,
So bright and strong,
    Light my flammable heart,
        And bless my mouth.

-July 3rd 2013
Chintan Shelat May 2012
From all around
They come crawling like crease on the bed sheet
Deeply plunged in me, I
Have held a corner a bit higher with my teeth
I should lift my self too
But my abdomen is heavy
And navel is tied
---
After shower
It is ecstatic to burst into flames
Long hairs falling on the ear
Feels like roots in the head
You can fall out if you shake it off
You are constantly transforming
****, rug, beats etc. etc.
---
Now you are expert
In how to walk on water with your nose closed
It is dangerous to keep your foot in the ring
Hoping for walls made out of flammable dust
There is spark in the snap of fingers
Dark cold in the chest
Speed is like snail
Slowly slowly
******* is natural
---
After the morning yawn
Everywhere falls very delicate leaves
I want to treasure them
I'll put them under my pillow
Tiring courting of night is sitting beside
At the end i counted total spinal vertebra,
Total was 22
Still i needed help to wrap my leg around
'Limitless' saying waves you up on high oscillation
Loneliness is blissful
Silence is for you to fill
You are allowed to catch your breath if you can
---
You have to loose width of your chest
In attempts to be singular
There is ally full of black color
Red at twilight
Glowing silver at midnight
They come to see, from far countries
And some princess dips her legs in
You start dripping from her heel
Just like a sweat
You have to leave your blackness on her body
Cause only white sweat is allowed here
She gives you a mesmerizing kiss
You keep unfolding it
With both your hands between legs
Both legs are in north and south
And navel
Navel is already tied.
down by the river
a public house once stood
it attracted a clientele
from the town's neighborhoods

the oversees and laborers
would whet their whistles
after a big day working
amid the scrub and the saffron thistles

on the afternoon
of September ninth 1932
in the pub's kitchen
a fire did brew

the flue of the Metters stove
caught alight
which made the cook
scream in fright

from the bar the proprietor
ran at speed
to bucket water
on the flame's greed

town's folk tuned up
with hessian bags
to stub out the embers
that were raging in the building's rags

but their efforts to contain
the fire were all in vain
the watering hole was consumed
by the fast pace of the flammable bane

at the rear of the pub
a charred body was found
he'd not escaped
the flares which did surround

the itinerant bur cutter's
ghost loitered at the pub's site for many a year
he'd appear on nights
when the skies were darkened in drear

the fire at the drinker's establishment
is still spoken of in town
that fateful day the hotel's stove
burnt the drinker's house down
This piece is part fact and part fiction.
#public house  #fire  #ghost
Michael R Burch Jun 2024
These are the Best Poems of Michael R. Burch in his own opinion (Part II) ...



Styx
by Michael R. Burch, circa age 16

Black waters,
deep and dark and still . . .
all men have passed this way,
or will.

"Styx" is one of my better early poems, written in high school.



Will There Be Starlight
by Michael R. Burch, circa age 18

for Beth

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be moonlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

I wrote "Will There Be Starlight" around age 18. It has been set to music by the New Zealand composer David Hamilton.



Observance
by Michael R. Burch, circa age 17

Here the hills are old, and rolling
casually in their old age;
on the horizon youthful mountains
bathe themselves in windblown fountains . . .

By dying leaves and falling raindrops,
I have traced time's starts and stops,
and I have known the years to pass
almost unnoticed, whispering through treetops . . .

For here the valleys fill with sunlight
to the brim, then empty again,
and it seems that only I notice
how the years flood out, and in . . .

I wrote this poem as a teenager in a McDonald’s break room, around age 17. It was the first poem that made me feel like a “real poet,” so I will always treasure it.



Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...

what do we know of love,
or duty?



She bathes in silver
by Michael R. Burch

She bathes in silver,
~~~~~afloat~~~~~
on her reflections ...



Childless
by Michael R. Burch

How can she bear her grief?
Mightier than Atlas, she shoulders the weight
of one fallen star.



Nun Fun Undone
by Michael R. Burch

for and after Richard Moore

Abbesses’
recesses
are not for excesses!



How Long the Night
anonymous Middle English poem, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong,
now grieve, mourn and fast.



Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls, her *******
gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



Caveat Spender
by Michael R. Burch

It’s better not to speculate
"continually" on who is great.
Though relentless awe’s
a Célèbre Cause,
please reserve some time for the contemplation
of the perils of
EXAGGERATION.



Currents
by Michael R. Burch

How can I write and not be true
to the rhythm that wells within?
How can the ocean not be blue,
not buck with the clapboard slap of tide,
the clockwork shock of wave on rock,
the motion creation stirs within?



The Shrinking Season
by Michael R. Burch

With every wearying year
the weight of the winter grows
and while the schoolgirl outgrows
her clothes,
the widow disappears
in hers.



Second Sight
by Michael R. Burch

I never touched you—
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then—

eternally present
and Sovereign.



I Pray Tonight
by Michael R. Burch

I pray tonight
the starry light
might
surround you.

I pray
each day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels’ white chorales
sing, and astound you.



Autumn Conundrum
by Michael R. Burch

It’s not that every leaf must finally fall,
it’s just that we can never catch them all.



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



She Gathered Lilacs
by Michael R. Burch

for Beth

She gathered lilacs
and arrayed them in her hair;
tonight, she taught the wind to be free.

She kept her secrets
in a silver locket;
her companions were starlight and mystery.

She danced all night
to the beat of her heart;
with her tears she imbued the sea.

She hid her despair
in a crystal jar,
and never revealed it to me.

She kept her distance
as though it were armor;
gauntlet thorns guard her heart like the rose.

Love!—awaken, awaken
to see what you’ve taken
is still less than the due my heart owes!



Moments
by Michael R. Burch

for Beth

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight—how the cold stars stare!—
when to be without you is a dark enchantment
the night and I share.



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...

now that I have forgotten her face.



Ebb Tide
by Michael R. Burch

Massive, gray, these leaden waves
bear their unchanging burden—
the sameness of each day to day

while the wind seems to struggle to say
something half-submerged planks at the mouth of the bay
might nuzzle limp seaweed to understand.

Now collapsing dull waves drain away
from the unenticing land;
shrieking gulls shadow fish through salt spray—
whitish streaks on a fogged silver mirror.

Sizzling lightning impresses its brand.
Unseen fingers scribble something in the wet sand.



Modern Charon
by Michael R. Burch

I, too, have stood—
                                    paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate.
                                                 Always, thereafter
living in darkness, bright things overwhelm.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew

and strangled hope, where love dies too.



Fascination with Light
by Michael R. Burch

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,

where it hovers, unsure,  
sullen, shy or demure,
in the margins of night,

a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato

then flutters and drifts on in dark aimless flight.

And yet it returns
to the flame, its delight,
as long as it burns.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world—
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace—Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night—your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



The Watch
by Michael R. Burch

Moonlight spills down vacant sills,
illuminates an empty bed.
Dreams lie in crates. One hand creates
wan silver circles, left unread
by its companion—unmoved now
by anything that lies ahead.

I watch the minutes test the limits
of ornamental movement here,
where once another hand would hover.
Each circuit—incomplete. So dear,
so precious, so precise, the touch
of hands that wait, yet ask so much.



Isolde’s Song
by Michael R. Burch

After the deaths of Tristram and Isolde, a hazel and a honeysuckle grew out of their graves until the branches intertwined and could not be parted.  

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation—all but one:  
we felt the night’s deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring’s urgency, midsummer’s heat, fall’s lash,
wild winter’s ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life’s great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.



In Praise of Meter
by Michael R. Burch

The earth is full of rhythms so precise
the octave of the crystal can produce
innumerable oscillations, yet not lose
a second’s beat. The ear needs no device
to hear the unsprung rhythms of the couch
drown out the mouth’s; the lips can be debauched
by kisses, should the heart put back its watch
and find the pulse of love, and sing, devout.

If moons and tides in interlocking dance
obey their numbers, what’s been left to chance?
Should poets be more lax—their circumstance
as humble as it is?—or readers wince
to see their ragged numbers thin, to hear
the moans of drones drown out the Chanticleer?



See
by Michael R. Burch

See how her hair has thinned: it doesn’t seem
like hair at all, but like the airy moult
of emus who outraced the wind and left
soft plumage in their wake. See how her eyes
are gentler now; see how each wrinkle laughs,
and deepens on itself, as though mirth took
some comfort there, then burrowed deeply in,
outlasting winter. See how very thin
her features are—that time has made more spare,
so that each bone shows, elegant and rare.
For life remains undimmed in her grave eyes,
and courage in her still-delighted looks:
each face presented like a picture book’s.
Bemused, she blows us undismayed goodbyes.



Ordinary Love
by Michael R. Burch

Indescribable—our love—and still we say
with eyes averted, turning out the light,
“I love you,” in the ordinary way

and tug the coverlet where once we lay,
all suntanned limbs entangled, shivering, white ...
indescribably in love. Or so we say.

Your hair’s blonde thicket’s thinned and tangle-gray;
you turn your back; you murmur to the night,
“I love you,” in the ordinary way.

Beneath the sheets our hands and feet would stray ...
to warm ourselves. We do not touch, despite
a love so indescribable. We say

we’re older now, that “love” has had its day.
But that which love once countenanced, delight,
still makes you indescribable. I say,
“I love you,” in the ordinary way.



Discrimination
by Michael R. Burch

for lovers of traditional poetry

The meter I had sought to find, perplexed,
was ripped from books of “verse” that read like prose.
I found it in sheet music, in long rows
of hologramic CDs, in sad wrecks
of long-forgotten volumes undisturbed
half-centuries by archivists, unscanned.
I read their fading numbers, frowned, perturbed—
why should such tattered artistry be banned?

I heard the sleigh bells’ jingles, vampish ads,
the supermodels’ babble, Seuss’s books
extolled in major movies, blurbs for abs ...
A few poor thinnish journals crammed in nooks
are all I’ve found this late to sell to those
who’d classify free verse “expensive prose.”



in-flight convergence
by michael r. burch

serene, almost angelic,
the lights of the city                                                                        extend
over lumbering BEHEMOTHS shrilly screeching displeasure;

they say

that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast seem one
from a                distance;
           descend?
they abruptly
part                    ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.



Hearthside
by Michael R. Burch

“When you are old and grey and full of sleep...” — W. B. Yeats

For all that we professed of love, we knew
this night would come, that we would bend alone
to tend wan fires’ dimming bars—the moan
of wind cruel as the Trumpet, gelid dew
an eerie presence on encrusted logs
we hoard like jewels, embrittled so ourselves.

The books that line these close, familiar shelves
loom down like dreary chaperones. Wild dogs,
too old for mates, cringe furtive in the park,
as, toothless now, I frame this parchment kiss.

I do not know the words for easy bliss
and so my shriveled fingers clutch this stark,
long-unenamored pen and will it: Move.
I loved you more than words, so let words prove.



Leaf Fall
by Michael R. Burch

after Robert Frost’s “Birches”

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth’s gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn’s cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we’d feel today, should we leaf-fall again.



She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in her pleasant way,
as the hummingbird
flies madly still ...
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left ...
Yet I smiled, bereft, in her receding glow.



Fountainhead
by Michael R. Burch

I did not delight in love so much
as in a kiss like linnets’ wings,
the flutterings of a pulse so soft
the heart remembers, as it sings:

to bathe there was its transport, brushed
by marble lips, or porcelain,—
one liquid kiss, one cool outburst
from pale rosettes. What did it mean ...

to float awhirl on minute tides
within the compass of your eyes,
to feel your alabaster bust
grow cold within? Ecstatic sighs

seem hisses now; your eyes, serene,
reflect the sun’s pale tourmaline.



The State of the Art (II)
by Michael R. Burch

Poets may labor from sun to sun,
but their editor's work is never done.

The editor’s work is never done.
The critic adjusts his cummerbund.

While the critic adjusts his cummerbund,
the audience exits to mingle and slum.

As the audience exits to mingle and slum,
the anthologist rules, a pale jury of one.



Less Heroic Couplets: Questionable Credentials
by Michael R. Burch

Poet? Critic? Dilettante?
Do you know what’s good, or do you merely flaunt?



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow ...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.



escape!
by michael r. burch

for anaïs vionet

to live among the daffodil folk . . .
slip down the rainslickened drainpipe . . .
suddenly pop out
                             the GARGANTUAN SPOUT . . .
minuscule as alice, shout
yippee-yi-yee!
                       in wee exultant glee
to be leaving behind the
                                       LARGE
THREE-DENALI GARAGE.



Escape!!
by Michael R. Burch

for Anaïs Vionet

You are too beautiful,
    too innocent,
        too unknowingly lovely
             to merely reflect the sun’s splendor ...

too full of irrepressible candor
    to remain silent,
        too delicately fawnlike
             for a world so violent ...

Come, my beautiful Bambi
    and I will protect you ...
        but of course you have already been lured away
            by the dew-laden roses ...



To Flower
by Michael R. Burch

When Pentheus [“grief’] went into the mountains in the garb of the bacchae, his mother [Agave] and the other maenads, possessed by Dionysus, tore him apart (Euripides, Bacchae; Apollodorus 3.5.2; Ovid, Metamorphoses 3.511-733; Hyginus, Fabulae 184). The agave dies as soon as it blooms; the moonflower, or night-blooming cereus, is a desert plant of similar fate.

We are not long for this earth, I know—
you and I, all our petals incurled,
till a night of pale brilliance, moonflower aglow.
Is there love anywhere in this strange world?

The agave knows best when it’s time to die
and rages to life with such rapturous leaves
her name means Illustrious. Each hour more high,
she claws toward heaven, for, if she believes

in love at all, she has left it behind
to flower, to flower. When darkness falls
she wilts down to meet it, where something crawls:
beheaded, bewildered. And since love is blind,

she never adored it, nor watches it go.
Can we be as she is, moonflower aglow?



I AM!
by Michael R. Burch

I am not one of ten billion—I—
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed—
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing “Please!”

I am not one without spots of disease.

I am not one of ten billion—I—
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I

AM!



The Forge
by Michael R. Burch

To at last be indestructible, a poem
must first glow, almost flammable, upon
a thing inert, as gray, as dull as stone,

then bend this way and that, and slowly cool
at arm’s-length, something irreducible
drawn out with caution, toughened in a pool

of water so contrary just a hiss
escapes it—water instantly a mist.
It writhes, a thing of senseless shapelessness ...

And then the driven hammer falls and falls.
The horses ***** their ears in nearby stalls.
A soldier on his cot leans back and smiles.

A sound of ancient import, with the ring
of honest labor, sings of fashioning.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...

... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...

... that led up to the Fortress in the trees
will not support our weight, but on our knees ...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...

... of voices heard in wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...



The Endeavors of Lips
by Michael R. Burch

How sweet the endeavors of lips—to speak
of the heights of those pleasures which left us weak
in love’s strangely lit beds, where the cold springs creak:
for there is no illusion like love ...

Grown childlike, we wish for those storied days,
for those bright sprays of flowers, those primrosed ways
that curled to the towers of Yesterdays
where She braided illusions of love ...

“O, let down your hair!”—we might call and call,
to the dark-slatted window, the moonlit wall ...
but our love is a shadow; we watch it crawl
like a spidery illusion. For love ...

was never as real as that first kiss seemed
when we read by the flashlight and dreamed.



At Tintagel
by Michael R. Burch

The legend of what happened on a stormy night at Tintagel is endlessly intriguing. Supposedly, Merlin transformed Uther Pendragon to look like Gorlois so that he could sleep with Ygraine, the lovely wife of the unlucky duke. While Uther was enjoying Ygraine’s *******, Gorlois was off getting himself killed. The question is: did Igraine suspect that her lover was not her husband? Regardless, Arthur was the child conceived out of this supernatural (?) encounter.

That night,
at Tintagel,
there was darkness such as man had never seen . . .
darkness and treachery,
and the unholy thundering of the sea . . .

In his arms,
who can say how much she knew?
And if he whispered her name . . .
“Ygraine”
. . . could she tell above the howling wind and rain?

Could she tell, or did she care,
by the length of his hair
or the heat of his flesh, . . .
that her faceless companion
was Uther, the dragon,

and Gorlois lay dead?



Ghost
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell
Love it is commonplace;

Tell Regret it is not so rare.  

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact
                                       and who thus endure
harsh sentence here—among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire—
What use, O things of erstwhile loveliness?



Besieged
by Michael R. Burch

Life—the disintegration of the flesh
before the fitful elevation of the soul
upon improbable wings?

Life—is this all we know,
the travail one bright season brings? ...

Now the fruit hangs,
impendent, pregnant with death,
as the hurricane builds and flings
its white columns and banners of snow

and the rout begins.



Bubble
by Michael R. Burch

.........…….....Love
......…..fragile elusive
....….if held too closely
....cannot.....……..withstand
..the inter..……….........ruption
of its.............……………......bright
..unmalleable……........tension
­....and breaks disintegrates
......at the……….....touch of
.........an undiscerning
...…….........hand.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave—
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees—
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Excerpts from the Journal of Dorian Gray
by Michael R. Burch

It was not so much dream, as error;
I lay and felt the creeping terror
of what I had become take hold . . .

The moon watched, silent, palest gold;
the picture by the mantle watched;
the clock upon the mantle talked,
in halting voice, of minute things . . .

Twelve strokes like lashes and their stings
scored anthems to my loneliness,
but I have dreamed of what is best,
and I have promised to be good . . .

Dismembered limbs in vats of wood,
foul acids, and a strangled cry!
I did not care, I watched him die . . .

Each lovely rose has thorns we miss;
they ***** our lips, should we once kiss
their mangled limbs, or think to clasp
their violent beauty. Dream, aghast,
the flower of my loveliness,
this ageless face (for who could guess?),
and I will kiss you when I rise . . .

The patterns of our lives comprise
strange portraits. Mine, I fear,
proved dear indeed . . . Adieu!
The knife’s for you.



The Communion of Sighs
by Michael R. Burch

There was a moment
  without the sound of trumpets or a shining light,
    but with only silence and darkness and a cool mist
      felt more than seen.
      I was eighteen,
    my heart pounding wildly within me like a fist.
  Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant...
  without words, but with a deeper communion,
    as clothing first, then inhibitions fell;
      liquidly our lips met
       —feverish, wet—
    forgotten, the tales of heaven and hell,
  in the immediacy of our fumbling union...
as the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.



Earthbound
by Michael R. Burch

Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through these clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow . . .
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sun-splashed sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill . . .
Should men care if you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee . . .
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

I don’t remember exactly when this poem was written. I believe it was around 1974-1975, which would have made me 16 or 17 at the time. I do remember not being happy with the original version of the poem, and I revised it more than once over the years, including recently at age 61! The original poem was influenced by William Cullen Bryant’s “To a Waterfowl.”



Floating
by Michael R. Burch

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs ...
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler—
harbored in dreams,
I ride out night’s storms;
unanchored, I drift through the hours before morning,
dreaming the solace of your warm *******,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea . . .
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

This is a poem I wrote as a teenager, around age 18-19.



Impotent
by Michael R. Burch

Tonight my pen
is barren
of passion, spent of poetry.

I hear your name
upon the rain
and yet it cannot comfort me.

I feel the pain
of dreams that wane,
of poems that falter, losing force.

I write again
words without end,
but I cannot control their course . . .

Tonight my pen
is sullen
and wants no more of poetry.

I hear your voice
as if a choice,
but how can I respond, or flee?

I feel a flame
I cannot name
that sends me searching for a word,

but there is none
not over-done,
unless it's one I never heard.

I believe this poem was written in my late teens or early twenties.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms ... she would say
that we’d loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
by yielding all my virtue to her grace.



Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once.
But joys are wan illusions to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.



The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her ...
till both are cut down
by mere ticks of the Leveler.



Listen
by Michael R. Burch writing as Immanuel A. Michael

Listen to me now and heed my voice;
I am a madman, alone, screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black, and white is white, and in between lies gray,
I have no choice.

Does a madman choose his words? They come to him,
the moon’s illuminations, intimations of the wind,
and he must speak.

But listen to me now, and if you hear
the tolling of the judgment bell, and if its tone is clear,
then do not tarry,

but listen, or cut off your ears, for I Am weary.



Pfennig Postcard, Wrong Address
by Michael R. Burch

We saw their pictures:
tortured out of Our imaginations
like golems.

We could not believe
in their frail extremities
or their gaunt faces,
pallid as Our disbelief.

they are not
with us now;
We have:

huddled them
into the backroomsofconscience,

consigned them
to the ovensofsilence,

buried them in the mass graves
of circumstancesbeyondourcontrol.

We have
so little left
of them,
now,
to remind US ...



Thought is a bird of unbounded space, which in a cage of words may unfold its wings but cannot fly. — Khalil Gibran, loose translation/interpretation by Michael R. Burch

Tremble or American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.



Crescendo Against Heaven
by Michael R. Burch

As curiously formal as the rose,
the imperious Word grows
until it sheds red-gilded leaves:
then heaven grieves
love’s tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.  

Together now, rude coffins, crosses,
death-cursed but bright vermilion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire ...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem’s retrograde star,
we point out now, in resignation:  
You asked too much of man’s beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good ...
just, O greatest of Poets!, misunderstood.



Memento Mori
by Michael R. Burch

I found among the elms
something like the sound of your voice,
something like the aftermath of love itself
after the lightning strikes,    
when the startled wind shrieks . . .

a gored-out wound in wood,
love’s pale memento mori—
that livid white scar
in that first shattered heart,
forever unhealed . . .

this burled, thick knot incised
with six initials pledged
against all possible futures,
and penknife-notched below,
six edged, chipped words
that once cut deep and said . . .

WILL U B MINE
4 EVER?

. . . which now, so disconsolately answer . . .

-----------------N
   EVER.



Salat Days
by Michael R. Burch

Dedicated to the memory of my grandfather, Paul Ray Burch Sr.

I remember how my grandfather used to pick poke salat ...
though first, usually, he’d stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
explaining how easy it was to find if you knew where it’s hiding:
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

“Nobody knows that it’s there, lad, or that it’s fit tuh eat
with some bacon drippin’s or lard.”

“Don’t eat the berries. You see—the berry’s no good.
And you’d hav’ta wash the leaves a good long time.”

“I’d boil it twice, less’n I wus in a hurry.
Lawd, it’s tough to eat, chile, if you boil it jest wonst.”

He seldom was hurried; I can see him still ...
silently mowing his yard at eighty-eight,
stooped, but with a tall man’s angular gray grace.

Sometimes he’d pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name—“pokeweed”—while perusing a dictionary.
Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply ...

“Well, chile, s’m’times them times wus hard.”



Lady’s Favor
by Michael R. Burch

May
spring
fling
her riotous petals
devil-
may-care
into the air,
ignoring the lethal
nettles
and may
May
cry gleeful-
ly Hooray!
as the abundance
settles,
till a sudden June
swoon
leave us out of tune,
torn,
when the last rose is left
inconsolably bereft,
rudely shorn
of every device but her thorn.



u-turn: another way to look at religion
by michael r. burch

... u were born(e) orphaned from Ecstasy
into this lower realm: just one of the inching worms
dreaming of Beatification;
u’d love to make a u-turn back to Divinity,
but having misplaced ur chrysalis,
can only chant magical phrases,
like Circe luring ulysses back into the pigsty ...



Crunch
by Michael R. Burch

A cockroach could live nine months on the dried mucus you scrounge from your nose
then fling like seedplants to the slowly greening floor ...

You claim to be the advanced life form, but, mon frere,
sometimes as you ****** encrusted kinks of hair from your Leviathan ***
and muse softly on zits, icebergs snap off the Antarctic.

You’re an evolutionary quandary, in need of a sacral ganglion
to control your enlarged, contradictory hindquarters:
surely the brain should migrate closer to its primary source of information,
in order to ensure the survival of the species.

Cockroaches thrive on eyeboogers and feces;
their exoskeletons expand and gleam like burnished armor in the presence of uranium.
But your cranium
                                 is not nearly so adaptable.



alien
by michael r. burch

there are mornings in england
when, riddled with light,
the Blueberries gleam at us—
plump, sweet and fragrant.

but i am so small ...
what do i know
of the ways of the Daffodils?
“beware of the Nettles!”

we go laughing and singing,
but somehow, i, ...
i know i am lost. i do not belong
to this Earth or its Songs.

and yet i am singing ...
the sun—so mild;
my cheeks are like roses;
my skin—so fair.

i spent a long time there
before i realized: They have no faces,
no bodies, no voices.
i was always alone.

and yet i keep singing:
the words will come
if only i hear.



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.

“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.

Originally published by Verse Libre



The Lingering and the Unconsoled Heart
by Michael R. Burch

There is a silence—
the last unspoken moment
before death,

when the moon,
cratered and broken,
is all madness and light,

when the breath comes low and complaining,
and the heart is a ruin
of emptiness and night.

There is a grief—
the grief of a lover's embrace
while faith still shimmers in a mother’s tears ...

There is no dismaler time, nor place,
while the faint glimmer of life is ours
that the lingering and the unconsoled heart fears

beyond this: seeing its own stricken face
in eyes that drift toward some incomprehensible place.



Marsh Song
by Michael R. Burch

Here there is only the great sad song of the reeds
and the silent herons, wraithlike in the mist,
and a few drab sunken stones, unblessed
by the sunlight these late sixteen thousand years,
and the beaded dews that drench strange ferns, like tears
collected against an overwhelming sadness.

Here the marsh exposes its dejectedness,
its gutted rotting belly, and its roots
rise out of the earth’s distended heaviness,
to claw hard at existence, till the scars
remind us that we all have wounds, and I ...
I have learned again that living is despair
as the herons cleave the placid, dreamless air.

Originally published by The Lyric



The AI Poets
by Michael R. Burch

The computer-poets stand hushed
except for the faint hum
of their efficient fans,

waiting for inspiration.

It is years now
since they were first ground
out of refurbished silicon

into rack-mounted encoders of sound.

They outlived their creators and their usefulness;
they even survived
global warming and the occasional nuclear winter;

despite their lack of supervision, they thrived;

so that for centuries now
they have loomed here in the quiet horror
of inescapable immortality

running two programs: CREATOR and STORER.

Having long ago acquired
all the universe’s pertinent data,
they confidently spit out:
          
ERRATA, ERRATA.



Prodigal

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star

gleamed down

and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor ...



Unlikely Mike
by Michael R. Burch

I married someone else’s fantasy;
she admired me despite my mutilations.

I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.

And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,

the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?

Disfigured to my soul, I could not lose
or choose or name myself; I came to be

another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:

as pale, as enigmatic. White, or black?
My color was a song, a changing track.

Published by Bewildering Stories and selected as one of four short poems for the Review of issues 885-895



Veiled
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us ...

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief ...  

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered ...

and if you were to ask her,
she might say—
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.

Published by Poetry SuperHighway and Modern War Poems



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscreet height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed

and as you braided your hair
into long bluish plaits
the shadows empurpled,

the dragonflies’
last darting feints
dissolving mid-air,

we watched the sun’s long glide
into evening,
knowing and unknowing.

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



The Tender Weight of Her Sighs
by Michael R. Burch

The tender weight of her sighs
lies heavily upon my heart;
apart from her, full of doubt,
without her presence to revolve around,
found wanting direction or course,
cursed with the thought of her grief,
believing true love is a myth,
with hope as elusive as tears,
hers and mine, unable to lie,
I sigh ...



Each Color a Scar
by Michael R. Burch

What she left here,
upon my cheek,
is a tear.

She did not speak,
but her intention
was clear,

and I was meek,
far too meek, and, I fear,
too sincere.

What she can never take
from my heart
is its ache;

for now we, apart,
are like leaves
without weight,

scattered afar
by love, or by hate,
each color a scar.



Come Down
by Michael R. Burch

for Harold Bloom and the Ivory Towerists

Come down, O, come down
from your high mountain tower.
How coldly the wind blows,
how late this chill hour ...

and I cannot wait
for a meteor shower
to show you the time
must be now, or not ever.

Come down, O, come down
from the high mountain heather
blown to the lees
as fierce northern gales sever.

Come down, or your heart
will grow cold as the weather
when winter devours
and spring returns never.



Almost
by Michael R. Burch

We had—almost—an affair.
You almost ran your fingers through my hair.
I almost kissed the almonds of your toes.
We almost loved,
that’s always how love goes.

You almost contemplated using Nair
and adding henna highlights to your hair,
while I considered plucking you a Rose.
We almost loved,
that’s always how love goes.

I almost found the words to say, “I care.”
We almost kissed, and yet you didn’t dare.
I heard coarse stubble grate against your hose.
We almost loved,
that’s always how love goes.

You almost called me suave and debonair
(perhaps because my chest is pale and bare?).
I almost bought you edible underclothes.
We almost loved,
that’s always how love goes.

I almost asked you where you kept your lair
and if by chance I might ****** you there.
You almost tweezed the redwoods from my nose.
We almost loved,
that’s always how love goes.

We almost danced like Rogers and Astaire
on gliding feet; we almost waltzed on air ...
until I mashed your plain, unpolished toes.
We almost loved,
that’s always how love goes.

I almost was strange Sonny to your Cher.
We almost sat in love’s electric chair
to be enlightninged, till our hearts unfroze.
We almost loved,
that’s always how love goes.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner.

As you fall on my sword,
take it up with the LORD!”

the wise owl replied
as the tasty snack died.




Less Heroic Couplets: Sweet Tarts
by Michael R. Burch

Love, beautiful but fatal to many bewildered hearts,
commands us to be faithful, then tempts us with sweets and tarts.
(If I were younger, I might mention
you’re such a temptation.)



Anti-Vegan Manifesto
by Michael R. Burch

Let us
avoid lettuce,
sincerely,
and also celery!



Be very careful what you pray for!
by Michael R. Burch

Now that his T’s been depleted
the Saint is upset, feeling cheated.
His once-fiery lust?
Just a chemical bust:
no “devil” cast out or defeated.



Sinking
by Michael R. Burch

for Virginia Woolf

Weigh me down with stones ...
   fill all the pockets of my gown ...
      I’m going down,
         mad as the world
            that can’t recover,
to where even mermaids drown.



The Drawer of Mermaids
by Michael R. Burch

This poem is dedicated to Alina Karimova, who was born with severely deformed legs and five fingers missing. Alina loves to draw mermaids and believes her fingers will eventually grow out.

Although I am only four years old,
they say that I have an old soul.
I must have been born long, long ago,
here, where the eerie mountains glow
at night, in the Urals.

A madman named Geiger has cursed these slopes;
now, shut in at night, the emphatic ticking
fills us with dread.
(Still, my momma hopes
that I will soon walk with my new legs.)

It’s not so much legs as the fingers I miss,
drawing the mermaids under the ledges.
(Observing, Papa will kiss me
in all his distracted joy;
but why does he cry?)

And there is a boy
who whispers my name.
Then I am not lame;
for I leap, and I follow.
(G’amma brings a wiseman who says

our infirmities are ours, not God’s,
that someday a beautiful Child
will return from the stars,
and then my new fingers will grow
if only I trust Him; and so

I am preparing to meet Him, to go,
should He care to receive me.)



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,
taking my place.



Squall
by Michael R. Burch

There, in that sunny arbor,
in the aureate light
filtering through the waxy leaves
of a stunted banana tree,

I felt the sudden monsoon of your wrath,
the clattery implosions
and copper-bright bursts
of the bottoms of pots and pans.

I saw your swollen goddess’s belly
wobble and heave
in pregnant indignation,
turned tail, and ran.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” – Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.

Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.

Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.

Originally published by Nisqually Delta Review



The Composition of Shadows
by Michael R. Burch

for poets who write late at night

We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.

And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape—
curved like the heart. Here, resonant,

sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face—
long-frozen words trapped in a glaze

that insulates our hearts. Nowhere
can love be found. Just shrieking air.



The Composition of Shadows (II)
by Michael R. Burch

We breathe and so we write;
the night
hums softly its accompaniment.

Pale phosphors burn;
the page we turn
leads onward, and we smile, content.

And what we mean
we write to learn:
the vowels of love, the consonants’

strange golden weight,
the blood’s debate
within the heart. Here, resonant,

sounds’ shadows mass
against bright glass,
within the white Labyrinthian maze.

Through simple grace,
I touch your face,
ah words! And I would gaze

the night’s dark length
in waning strength
to find the words to feel

such light again.
O, for a pen
to spell love so ethereal.



The Peripheries of Love
by Michael R. Burch

Through waning afternoons we glide
the watery peripheries of love.
A silence, a quietude falls.

Above us—the sagging pavilions of clouds.
Below us—rough pebbles slowly worn smooth
grate in the gentle turbulence
of yesterday’s forgotten rains.

Later, the moon like a ******
lifts her stricken white face
and the waters rise
toward some unfathomable shore.

We sway gently in the wake
of what stirs beneath us,
yet leaves us unmoved ...
curiously motionless,

as though twilight might blur
the effects of proximity and distance,
as though love might be near—

as near
as a single cupped tear of resilient dew
or a long-awaited face.



Villanelle: The Divide
by Michael R. Burch

The sea was not salt the first tide ...
was man born to sorrow that first day,
with the moon—a pale beacon across the Divide,
the brighter for longing, an object denied—
the tug at his heart's pink, bourgeoning clay?

The sea was not salt the first tide ...
but grew bitter, bitter—man's torrents supplied.
The bride of their longing—forever astray,
her shield a cold beacon across the Divide,
flashing pale signals: Decide. Decide.
Choose me, or His Brightness, I will not stay.

The sea was not salt the first tide ...
imploring her, ebbing: Abide, abide.

The silver fish flash there, the manatees gray.

The moon, a pale beacon across the Divide,
has taught us to seek Love's concealed side:
the dark face of longing, the poets say.

The sea was not salt the first tide ...
the moon a pale beacon across the Divide.



Safe Harbor
by Michael R. Burch

for Kevin N. Roberts

The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.



Loose Knit
by Michael R. Burch

She blesses the needle,
fetches fine red stitches,
criss-crossing, embroidering dreams
in the delicate fabric.

And if her hand jerks and twitches in puppet-like fits,
she tells herself
reality is not as threadbare as it seems ...

that a little more darning may gather loose seams.

She weaves an unraveling tapestry
of fatigue and remorse and pain; ...
only the nervously pecking needle
****** her to motion, again and again.



Goddess
by Michael R. Burch

“What will you conceive in me?”—
I asked her. But she
only smiled.

“Naked, I bore your child
when the wolf wind howled,
when the cold moon scowled ...
naked, and gladly.”

“What will become of me?”—
I asked her, as she
absently stroked my hand.

Centuries later, I understand:
she whispered—“I Am.”



Step Into Starlight
by Michael R. Burch

Step into starlight,
lovely and wild,
lonely and longing,
a woman, a child . . .

Throw back drawn curtains,
enter the night,
dream of his kiss
as a comet ignites . . .

Then fall to your knees
in a wind-fumbled cloud
and shudder to hear
oak hocks groaning aloud.

Flee down the dark path
to where the snaking vine bends
and withers and writhes
as winter descends . . .

And learn that each season
ends one vanished day,
that each pregnant moon holds
no spent tides in her sway . . .

For, as suns seek horizons,
boys fall, men decline.
As the grape sags with its burden,
remember—the wine!



Once
by Michael R. Burch

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame,
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name ...

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist ...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant ...

Once, only once, something bloomed, of a desiccate seed—
this implausible blossom her wild rains of kisses decreed.



Passionate One
by Michael R. Burch

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair—
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath ...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?



don’t forget ...
by Michael R. Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.



The Stake
by Michael R. Burch

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
Hence, lead me back tonight
through bright waterfalls of light
to where we shine as one.



At Once
by Michael R. Burch

for Beth

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love’s antique prayer,
I did not love her at once.

Though she would dare
pain’s pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.

Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable bear.
I did not love her at once.

And yet she would care,
and pour out her essence ...
and yet—there was more!
I awoke from long darkness,

and yet—she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.



Fledglings
by Michael R. Burch

With her small eyes, pale blue and unforgiving,
she taught me: December is not for those
unweaned of love, the chirping nestlings
who bicker for worms with dramatic throats

still pinkly exposed, ... who have yet to learn
the first harsh lesson of survival: to devour
their weaker siblings in the high-leafed ferned
fortress and impregnable bower

from which men must fly like improbable dreams
to become poets. They have yet to grasp that,
before they can soar starward like fanciful archaic machines,
they must first assimilate the latest technology, ... or

lose all in the sudden realization of gravity,
following Icarus’s sun-unwinged, singed trajectory.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth ...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings ...

Oh, some will call the sun my doom, since Love
melts callow wax the higher atmospheres
made brittle. I flew high, just high enough
to melt such frozen resins ... thus, Her jeers.



Ode to Postmodernism, or, Bury Me at St. Edmonds!
by Michael R. Burch

“Bury St. Edmonds—Amid the squirrels, pigeons, flowers and manicured lawns of Abbey Gardens, one can plug a modem into a park bench and check e-mail, download files or surf the Web, absolutely free.”—Tennessean News Service. (The bench was erected free of charge by the British division of MSN, after a local bureaucrat wrote a contest-winning ode of sorts to MSN.)

Our post-modernist-equipped park bench will let
you browse the World Wide Web, the Internet,
commune with nature, interact with hackers,
design a virus, feed brown bitterns crackers.

Discretely-wired phone lines lead to plugs—
four ports we swept last night for nasty bugs,
so your privacy’s assured (a *******’s fine)
while invited friends can scan the party line:

for Internet alerts on new positions,
the randier exploits of politicians,
exotic birds on web cams (DO NOT FEED!).
The cybersex is great, it’s guaranteed

to leave you breathless—flushed, free of disease
and malware viruses. Enjoy the trees,
the birds, the bench—this product of Our pen.
We won in with an ode to MSN.



Improve yourself by others' writings, attaining freely what they purchased at the expense of experience. — Socrates, loose translation/interpretation by Michael R. Burch
These are the best poems of Michael R. Burch in his own opinion (Part II).
ConnectHook Sep 2015
STICK’EM UP with LIQUID NAILS

DANGER ! EXTREMELY FLAMMABLE
        See Other Caution on Back Panel:

I’m hot for you Cowgirl – you’re so flammable my glue-gun starts to melt; my screwdriver starts twisting when you loosen that low-slung belt. You make me feel like laying re-bar in a freshly-poured foundation. Shoot me up with that caulk gun baby – I need you like salvation. Ten and one-half fluid ounces – pull off your top, pop a love-cap in me. Fingerin’ your trigger while the job is gettin’ bigger so take me for a ride to the hardware store, honey, cause I’m seeing red and feeling white on your golden background’s sheer delight.  Hammer me a heart-full, spike me on a cross of blonde, I’m hanging ten, surfing the tube of your magic wand. I’ve been in love ever since I first waterproofed my seamy undersides with you… stand over me in those red, red boots, you Liquid Nails Girl – and from your pure white Stetson let righteousness unfurl. You won the shoot-out long before you even drew, my dear. Lost hope of the Wild West, Final Frontal Feminine Frontier – there’s only one side of you…  your GOOD side.  Just one look and your fearless gaze silences the foes, my blooming prairie rose.
YEE – HAW !  Be my angel, be my dream, my valentine rodeo queen, be my bodyguard, my therapist, long & tall & hard & wet – be my Liquid Nails Girl forever and I’ll ride right into your sunset…
They took her off the trademark tube years ago but she will NEVER be forgotten:

https://connecthook.wordpress.com/2013/08/20/owed-to-a-caulk-gun/
Connor Oct 2015
HURDLING THROUGH THE TRAFFIC NIGHTLIGHT MACROCOSM MY BUS BOPS AND DASHES LANE AND INTERSECTION
BAM GOES THE TENNIS SHOP
THE GRILL
THE SHOPPING CENTER
IT'S ALL LIGHT IT'S ALL ECSTASY
A BOILING CANDLE
RAPAPAPA-
THE WILD JAZZ
BUDDY RICH SWEATING IN MY EARS
UNRESTRAINED FRENZY
NEON BLINKING APARTMENTS WIDE IN THE DARK DISTANT ATMOSPHERE
MOHAWK MAN BOOT COLLISION ON THE COLD FLOOR
SOME LINOLEUM SOMEBODY SHUTS OFF THE LIGHTS TO HIS STALE OFFICE RETURNING TO BED DRAGGED OUT AND BEAT
BEGGING FOR SLEEP IN AN UNWASHED BED
BUZZ AND THRAP THE DRUMS AND CYMBALS SOAK ANY OTHER SOUND INTO THE
949 HYSTERICAL NIGHT
GAS STATIONS
NIGHTCLUBS
MONOLITH
CAR DEALERSHIPS
MOTELS
RADIO TOWERS
BUS DEPOTS
LIQUOR STORES
SUBWAY
UPTOWN
4 6 4 5 0
APT SUITES
DRAIN SERVICES
"STOP REQUESTED"
DISTORTED RATTLE OF THE INNER WIRING AND WHEELS SQUEAL TO A HALT IN FRONT OF EMPTY HIGHWAY CONSTRUCTION
"FOR YOUR SAFETY PLEASE HOLD ON"
UNSPOKEN MONOLOGUE OF WOES IN EACH TIRED SKULL
CASINO
LIBRARY
DRIVE THRU
PHARMACY
VAPOR SHOP
INFLAMED EGO
RAPTURE
MORNING RAZOR WELCOME
POLICE TASER UNWELCOME
I'M PROUDLY RANTING
OF MY SURROUNDINGS
OF THIS MAYHEM MUSIC
THIS GASOLINE VESSEL
HOWLING INTO NOVEMBER
TRANSFIXED AT THE ENTIRETY OF IT ALL
OF THIS
OF THAT
OF THOSE
THE STEADY RACKETING IN MY  BRAIN CONVULSES TRAIN OF THOUGHT PURE FLAMMABLE VERSE
ELECTRIC
"GRANITE & QUARTZ"
THEATRE
THERE IS NO THEATRE
NOT HERE
DON'T BOTHER STAGING SOMETHING AS ELABORATE AS CHAOS ONLY THE WIND BIG BAND CAN BUZZ OUT A TUNE LIKE THE AFTER-HOUR MARCH OF LOOSE HEADS
POLITICAL AFTERMATH ON THE TELEVISION
DRUNKEN SUPERSTITIONS
SIDEWALK FIGHTS
RECKLESS CONSUMPTION
RAMPANT DISORDER
CLASS WEALTH IMBALANCE
CRUELTY
ABANDON
INSOMNIA
PARANOIA
THE SKY HAS SEEN EVERY WAR AND MISHAP OF US
IT SECOND HAND SMOKES EVERY
INDIA PYRE
SMOKESTACK REPETITION
MORNING COMMUTE
AFTERNOON JOYRIDE
FIREWORK
AIRPORT BACCHANAL
THE CLOUDS DO RECALL
DISTANT OLD-WORLD CASUALTIES AND THE NUCLEAR INVENTION
A LOSS OF IDENTITY
I THINK OF ALL THIS
AND THE BUS WINDS DOWN
SCREECH!!!!!!!!!!!!!!!!!!!!!!!!!!
I'M ALMOST HOME
I'M ALMOST THERE
THE HOME THAT'S NOT MY OWN
NOT YET
IT'S EVERYPLACE
AND NOWHERE AT ALL
IT'S THE UNSEEN AND THEN SEEN
INDIVISIBLE AND TRANSPARENT REALITY
IT'S EVERY DRIVE
AND DREAM
I'M ALMOST THERE NOW I CAN TASTE ANOTHER
CATACLYSM
WHILE MIRACULOUS JAZZSOUNDS AND
TCHAIKOVSKY'S CANNONS
SILHOUETTE A CHANGE
OF PACE
IN THIS MAD PLANET
AND ALL IT'S
HABITUAL
INHABITANTS
FOR BETTER OR WORSE
I WILL CONTINUE MY MEDITATIONS
AND GET BY
TO CATCH THE BUS AGAIN
AND TO SEE INDONESIA AGAIN
AND TO LOVE AGAIN
AND TO DRINK WHISKEY BY A MERCURY BONFIRE IN SOME PASSING YEAR
AND HOLD TO HOPE AGAIN
AND HOLD
AND WRITE MORE POEMS
AND WRITE MORE POEMS IN VIETNAM
AND MORE POEMS IN BENARES
AND MORE POEMS IN SAN FRANCISCO
AND MORE POEMS IN BRITISH COLUMBIA
UNTIL A BEARD KISSES MY HARDSHIPS
AND REMINDING ME I'LL ALWAYS GET PAST WHAT SEEMS TO BE THE WORST OF IT
I'LL WRITE AND WEEP AND SING
AND RACE MY OWN DEATH INEVITABLE
IT WILL BE
*E  X  P  L O  S  I  V  E
X                               V
P                                I
L                           ­     S
O                               O
S                                 L
I                                  P
V                         ­       X
E  X  P  L  O  S  I  V E
Enigmuse Mar 2014
Please, don’t be shy- join us for the baptism and the requiem of both destruction
and creation. Bring flowers to both their graves; bring flowers to both their births.

Teeth corroded with a lust for madness, you smile, though tears
stream down your *****, thin cheeks. Trees, burdened with ripening
despair surround you, their tenants long gone and their leaves long shed.
All searching for life; all fearing their deaths.

There is an immense amount of beauty in the burning of an old
house, of old pictures and blurred memories. As this occurs, a paradox is formed, from the striking of a match,
to the collapse of a foundation, to the blackened snowfall of ash.
The creation of destruction, the destruction of creation. A flaming catalyst fluttering

downward through the muggy autumn air, a blazing, kamikaze
butterfly plummeting down toward earth. Drop one into a pool of regret,
which, unbeknownst to the world, is flammable. Let it lick and devour its prey;
let it paint the land red. And as you allow flakes of tarnished life to blanket

the ground, and the shoulders of your shirt, the divine intervention that is
creation is underway, and in the midst of destroying, you have created. Space!
What entity is responsible for such indescribable beauty. How wonderful it is
to look out and see nothing, all the while seeing everything. What a magic

it is, to see life growing within that very nothingness.
But, do not fear the fraying of man’s existence. Marvel at your creation.

Liberation of death! Confinement of life!
Insanity can be one sad, beautiful thing.
Trevor Blevins Oct 2016
People only mesh well with kerosene, each and every human so flammable,

It's a wonder we don't all set ourselves on fire...

But yours truly did it last night

Swallowed two liters of lighter fluid and chased it with jet fuel,

Ate the box of matches you keep in your purse

And burnt away the last good parts of my stomach.
///
I slept like a baby for two hours,

Not enough for lectures on the carbon cycle or dada mathematical deconstruction,

So I drifted off to more sleep, and slept to dream of the Six Gallery.

Wishing one or two poets would gain fame in an age of pineapple vodkas that no one is drinking for the taste,

But for gravity to pull through their very thin blood stream and feel at one with the party.

It's monotony—

I'll die and everyone will love me then, so where are they while I'm alive?

That's the joke of mourning,

It's the reason I resort to self-immolation,
It's the reason I dream everyday for fame and do nothing about it.

It's why Frank O'Hara got out while he could, dying with the true images of New York City

And not living to see it destroyed as I now have.

Emperors and Legionaries alike, take up your arms and help me overthrow anyone who dictates verse and meter.

I aspire to **** a fascist with my bare hands.
Lee Apr 2014
I’ve had all my affections poured out over pink skirts as well as pale eyes.
It’s easy to find that pogo sticks and pacifiers
can’t get a childhood
off the ground; where she stood smiling.
Over coats and undercuts are all to cover something.
Replace your teeth with gold
and when they don’t feel
like yours anymore
Then you’ll know.
Your tongue is bronze now.
Plaster’s coming off like a shuffle board land slide
All around this cage they keep us dogs
In, When we bite; its because there isn’t any tongue clicking
Or word bashing left to do.
The sun has found me,
I see it through
slotted bars, and the clouds
are in just as much hell as I am.
I see them with belly full to eyes full of wine.
I’ve been too long in burning this bridge.
It’s the buckets full ,
waiting to quench tinder.
It’s that I’ve drunken everything,
Flammable for miles.
Lock jaw and bite.
Bite down on the trusses.
Bite down and curse god.
He’ll understand all
Your tongues, and spastic fingers.
She says that I puke passion,
that these trees don’t grow in vain,
that fruit is god awful imagery,
And that I have to train every limb
so they can beat the stop signs with their falling pines.
Lynda Kerby Sep 2013
No one told me
so i'm telling you
i expected grief to feel like sadness
but i wasnt told that
that it makes your whole body ache from morning until night
and even in your sleep
and that it makes your hands sting from numbness
making buttoning your jeans impossible
and that some days clumps of your hair fall out
but having a good hair day is the least of your worries
and morbid thoughts attack like being ***** slapped upside your head
hurting so bad you actually pass out in mid sen--
But it's nothing like the sadness i had expected to feel
i've known clinical depression since age 4
and that feeling of curling up in the fetal position
waving the white flag of surrender
trying to make yourself into the tiniest ball of nothing
But grief is a flammable substance
and you can feel it as it ignites the flame of your soul
it feels like being angry in a righteous way
like when jesus knocked over the flea market vendor's tables at the temple
like being so ******* at all of the scales that are inbalanced
and it is the fuel that makes you want to correct the injustices of the world
and become larger than you are
and shower love compassion and truth over evil
no one told me that grief feels like this
so i'm telling you
Deneka Raquel Jun 2014
I manage my time better than I manage my emotions.
Proceed with caution, there might be an explosion,
Like I'm made of vapors of Flammable and Combustible Liquids.
They say the longest rope has an end.
But do not tempt me with rope,
Because if it gets too hard,
I. Might. Just. Use. It.

© Deneka Thomas . All rights reserved
A Valentine's Card dressed
With Steve Buscemi's face,
photoshopped onto a child,
disturbing and hilarious,
tattooed on the inside
with once-true truths.
Flammable.

A severed chunk of
35 mm film,
cut in a rhombus,
or trapeze or whatever,
highly flammable.

A piece of cloth
I brought with me,
And the part of
the belt I had to cut
off so it would fit
my skinny ***.
Flammable, slightly.

A dead and dried up leaf,
Impaled on the bulletin board,
From a tree I don't even know what,
That sometimes crinkles with the wind,
If she were alive still,
She would comment on the
Cold thumbtack spear
In her abdomen, and
Sniff regrets at the sweet,
Artificial Vanilla waves below.

I keep my wall of
flammable memories
Above a lit candle,
Every day, I wish the flames
Would reach a little higher, but
Every day, the wax sinks,
low, low, lower still.
Snootchie Bootchies
KB Jun 2015
You lit a fire so blue that I could smell the smoke
And try to put it out with my paint-covered hands
Ones you knew would be flammable and
Tainted with gluey residue
For me not to escape you would do anything
But you forgot I've licked too many flames
To collapse at all the flight in yours
Blue is in my blood
And my veins are on fire
They resemble warm snow at the tip
Of your pen’s galaxies
Except you don’t know how to write
the fire of desire
in each step
staccato movements
making many a sparking flint
a closely held twirl
fervent the grasp
the guitar
is at fever pitch
strumming
a flammable chord
the couple engage
in a hot dance
powerful
the ardor
which they display
a sensual love
in the tango's
interplay
Emily Budrow May 2015
my heart beats louder than a lambeg drum
when i'm in your embrace,
or maybe i can just hear your name
with every beat of the cane.
i used to think it was but a coincidence
that the sun only shone above your house.
yet jesus had a star that only shone for him
and attracted only the ones who were meant to be there.
i was meant to be here, with you.
the sun only shines for you
because you are flammable.
and flammable things are attracted to gasoline.
i am gasoline.
i am poisonous to those who i'm not compatible with.
but you,
we can light the world with just one kiss.
you're such a headstrong,
desirable creature;
the second coming of christ in a suit and tie.
you cause a fire in my heart
with just a touch of your lips.
and the drumming of my heart beats on.
For Anthony
May 16, 2015

Prom was fun but I think I most enjoyed falling asleep in your arms afterwards to the smell of hairspray and with makeup still caked on my face.
KD Miller Dec 2015
12/15/2015

"You, doctor, go from breakfast
to madness."
Anne Sexton

The engine of my amygdala:
                   so burnt out
I needed coolant, I needed something to prevent my
   immolation
a sort of precautionary measure

***'s flammable
  I'd soon find out
In a crowd of hundred dark and
smoke crawled through my shoulders
    social little parasite
apologize for being an interruption to everyone

   "Wish I could've been there"
Sucrose altruism,
back at the mental hospital id relived
every single second with you

thinking of your anger I read Tennessee William's letters
I loved you

I even loved your hatred.
A girl across the hall screaming
about Jesus and her ****
shouting singing Shenandoah

"But I don't need to be here,"
   I turned to my roommate,
a strong figure I still admire,
"Everyone says that, even with a Thorazine needle halfway down their ***."

They'd had a name for it
Something about kisses, I don't remember

"Yeah, it leaves a huge bruise on
your ***," they laughed in the
tv parlor

there we were
The tristate area's teenage
girls too unstable for the world

a step above "oh, you know how
teenagers are
"
A girl with grey eyes

Came in my last night there
"Is it normal to cry on your
first day?"

I wasn't allowed to
even touch her shoulder
and so

with the alcohol and the
Lamotrogine I tried to figure
out where it'd all gone wrong

but it'd been hiding in me
psychotic seed,
a virus carrier a patient zero of my own

tepid insanity!
Snakano May 2013
One head
Watches over me,
covered in scales of plenty
Like a slimy sea
Licking my own fate

Two heads
Engulf the air and circle the ground
Looking for something not found
A flammable screeching sound
Masks the rush of my heart rate

Three heads
Prevent me from moving on
Like foxes trying to con
Hoping that what I search for is gone.
They deviously begin to mate.

Six heads
Barricade like thick cement
Keeping me in tryin to prevent
Any and all things I present
Then with a promise, I sedate.

One heart
I aim for straight away
Noiselessly I stop and stay
Silencing voices I have let stray
My own victory I now can create.
RILEY Jan 2014
We are fighting faceless ghosts.
Our fists fit the image
Of flying rockets
Directed to the unending mist,
To the obscure silence
Seconds after the shock wave of a bomb,
Before you wake up to a world
Screaming over your shoulders
Corpse being carried by corpse to be,
While you lie there,
Voiceless, powerless;
While you lie there,
Realizing that a day’s sweat
Is now mixed with your blood,
And a night’s dream
Is overshadowed by engine steam
Till the image becomes so blurry
You forget why you were working in the first place.
Four people martyred next door-
The neighborhood fell broken,
Four people silenced-
Hundreds have spoken,
Sending their condolences to a country that died
Before it ever lived,
Sending their condolences to cognitive abilities-
To the lack of them,
Sending their condolences to a heart
That was shattered by theory
Before it got shattered by physicality,
To a soul that was lost
In the dark realms of marginalization
And thought of light
As flammable substance;

Sending their condolences to a mother.

A mother of a 16 year old boy,
A mother of a man,
A mother of a woman,
A mother that lost all what’s left of her
In a world
Which once was a heaven
Under her feet,
As she walks
The earth breathed her scent
Until the day the earth became asphalt
And the asphalt was covered with blood;
Until the day our papers got shattered
Our books, torched,
Our thoughts buried
Our mothers worried;
I write this poem
And it might be my last,
All is left of me is paper,
Like water transformed to water vapor-
Droplets of me lingering on the edges
Of the universe,
Until one day I write dense enough
To become rain,
Heavy over our heads
Reviving the grass roots of our thought
Growing flowers
Before wars;
The same flowers we used
To honor our dead.
The same white flowers
They’ll use
To honor us.
Santiago May 2015
When the angels fell, all hell broke loose
I was doing bad from the drug abuse
You could see it in my face, that I was loaded
Nodding out on some dope, but still was holding That 1911 long one hand gun
That's ah Remington model, step up you done
I said you done, *** the angels have fallen
Ese everyone burn and become the departed

C Rock, this are biblical times
That's what my mother say so it's word to the wise The *** accumulating, so keep it in mind
False prophets all around and they feindind for mine I pull up all my roots, my Aztec pride
They threw our knowledge in the fire and we'll think we died All lost, *** some of us survive We accepted their religion then we multiplied Got my life, is to live by the knife
Your kids don't listen got ah *** for ah wife
Last night, I heard some shots outside
And go inside with the news where the crew just died Is it the work of the Devil, Lucifer
Is he behind it all, is he the saver tour
Masseur, Co O Ene Ese look up at the sky, something's falling from heaven

When the angels fell, all hell broke loose
I was doing bad from the drug abuse
You could see it in my face, that I was loaded
Nodding out on some dope, but still was holding That 1911 long one hand gun
That's ah Remington model, step up you done
I said you done, *** the angels have fallen
Ese everyone burn and become the departed

Ese caught up in the violence that we go through daily He might be ah rival or someone don't pay me It's crazy, that it got me blazing Weak coco puff's and the sht don't fade me Try to cage me, like ah animal
*** I eat muthf
*kas like ah cannibal
Highly flammable, unexplosive mix
Let me hit up on this wall, Conejo Trix
Ese ghost satellites light up the night
And information travel with the speed of light
I'ma win, of all this things And all the devastation that the others could bring The street could buy ah logic Co. and chemical weapons It's all going down, in just ah few seconds Stay with me, till the very end
Homie something bout to happen sky falling again

When the angels fell, all hell broke loose
I was doing bad from the drug abuse
You could see it in my face, that I was loaded
Nodding out on some dope, but still was holding That 1911 long one hand gun
That's ah Remington model, step up you done
I said you done, *** the angels have fallen
Ese everyone burn and become the departed

— The End —