The first settlers to the area called the Lumber River Drowning Creek. The river got its name for its dark, swift-moving waters. In 1809, the North Carolina state legislature changed the name of Drowning Creek to the Lumber River. The headwaters are still referred to as Drowning Creek.

Three p.m. on a Sunday.
Anxiously hungry, I stay dry, out of the pool’s cold water,
taking the light, dripping into my pages.
A city with a white face blank as a bust
peers over my shoulder.
Wildflowers on the roads. Planes circle from west,
come down steeply and out of sight.
A pinkness rises in my breast and arms:
wet as the drowned, my eyes sting with sweat.
Over the useless chimneys a bank of cloud piles up.
There is something terrible in the sky, but it keeps breaking.
Another is dead. Fentanyl. Sister of a friend, rarely seen.
A hand reaches everywhere to pass over eyes and mouths.
A glowing wound opens in heaven.
A mirror out of doors draws a gyre of oak seeds no one watches,
in the clear pool now sunless and black.

Bitter water freezes the muscles and I am far from shore.
I paddle in the shallows, near the wooden jail.
The water reflects a taut rope,
feet hanging in the breeze singing mercy
at the site of the last public hanging in the state.
A part-white fugitive with an extorted confession,
loved by the poor, dumb enough to get himself captured,
lonely on this side of authority: a world he has never lived in
foisting itself on the world he has -
only now, to steal his drunken life, then gone again.

1871 - Henderson Oxendine, one of the notorious gang of outlaws who for some time have infested Robeson County, N. C., committing ****** and robbery, and otherwise setting defiance to the laws, was hung at Lumberton, on Friday last in the presence of a large assemblage. His execution took place a very few days after his conviction, and his death occurred almost without a struggle.

Today, the town square collapses as if scorched
by the whiskey he drank that morning to still himself,
folds itself up like Amazing Grace is finished.
A plinth is laid
in the shadow of his feet, sticky with pine,
here where the water sickens with roots.
Where the canoe overturned. Where the broken oar floated and fell.
Where the snake lives, and teethes on bark,
waiting for another uncle.

Where the tobacco waves near drying barns rusted like horseshoes
and cotton studs the ground like the cropped hair of the buried.
Where schoolchildren take the afternoon
to trim the kudzu growing between the bodies of slaves.
Where appetite is met with flood and fat
and a clinic for the heart.
Where barges took chips of tar to port,
for money that no one ever saw.

Tar sticks the heel but isn’t courage.
Tar seals the hulls -
binds the planks -
builds the road.
Tar, fiery on the tongue, heavy as bad blood in the family -
dead to glue the dead together to secure the living.
Tar on the roofs, pouring heat.
Tar is a dark brown or black viscous liquid of hydrocarbons and free carbon,
obtained from a wide variety of organic materials
through destructive distillation.
Tar in the lungs will one day go as hard as a five-cent candy.

Liberty Food Mart
Cheapest Prices on Cigarettes
Parliament $22.50/carton
Marlboro $27.50/carton

The white-bibbed slaughterhouse Hmong hunch down the steps
of an old school bus with no air conditioner,
rush into the cool of the supermarket.
They pick clean the vegetables, flee with woven bags bulging.
What were they promised?
Air conditioning.
And what did they receive?
Chickenshit on the wind; a dead river they can't understand
with a name it gained from killing.

Truth:
A man was flung onto a fencepost and died in a front yard down the street.
A girl with a grudge in her eyes slipped a razorblade from her teeth and ended recess.
I once saw an Indian murdered for stealing a twelve-foot ladder.
The red line indicating heart disease grows higher and higher.
The red line indicating cardiovascular mortality grows higher and higher.
The red line indicating motor vehicle deaths grows higher and higher.
I burn with the desire to leave.

The stories make us full baskets of dark. No death troubles me.
Not the girl's blood, inert, tickled by opiates,
not the masked arson of the law;
not the smell of drywall as it rots,
or the door of the safe falling from its hinges,
or the chassis of cars, airborne over the rise by the planetarium,
three classmates plunging wide-eyed in the river’s icy arc –
absent from prom, still struggling to free themselves from their seatbelts -
the gunsmoke at the home invasion,
the tenement bisected by flood,
the cattle lowing, gelded
by agriculture students on a field trip.

The air contains skin and mud.
The galvanized barns, long empty, cough up
their dust of rotten feed, dry tobacco.
Men kneel in the tilled rows,
to pick up nails off the ground
still splashed with the blood of their makers.

You Never Sausage a Place
(You’re Always a ****** at Pedro’s!)
South of the Border – Fireworks, Motel & Rides
Exit 9: 10mi.

Drunkards in Dickies will tell you the roads are straight enough
that the drive home will not bend away from them.
Look in the woods to see by lamplight
two girls filling each other's mouths with smoke.
Hear a friendly command:
boys loosening a tire, stuck in the gut of a dog.
Turn on the radio between towns of two thousand
and hear the tiny voice of an AM preacher,
sharing the airwaves of country dark
with some chords plucked from a guitar.
Taste this water thick with tannin
and tell me that trees do not feel pain.
I would be a mausoleum for these thousands
if I only had the room.

I sealed myself against the flood.
Bodies knock against my eaves:
a clutch of cats drowned in a crawlspace,
an old woman bereft with a vase of pennies,
her dead son in her living room costumed as the black Jesus,
the ***** oil of a Chinese restaurant
dancing on top of black water.
A flow gauge spins its tin wheel
endlessly above the bloated dead,
and I will pretend not to be sick at dinner.

Misery now, a struggle ahead for Robeson County after flooding from Hurricane Matthew
LUMBERTON
After years of things leaving Robeson County – manufacturing plants, jobs, payrolls, people – something finally came in, and what was it but more misery?

I said a prayer to the city:
make me a figure in a figure,
solvent, owed and owing.
Take my jute sacks of wristbones,
my sheaves and sheaves of fealty,
the smell of the forest from my feet.
Weigh me only by my purse.
A slim woman with a college degree,
a rented room without the black wings
of palmetto roaches fleeing the damp:
I saw the calm white towers and subscribed.
No ingrate, I saved a space for the lost.
They filled it once, twice, and kept on,
eating greasy flesh straight from the bone,
craning their heads to ask a prayer for them instead.

Downtown later in the easy dark,
three college boys in foam cowboy hats shout in poor Spanish.
They press into the night and the night presses into them.
They will go home when they have to.
Under the bridge lit in violet,
a folding chair is draped in a ***** blanket.
A grubby pair of tennis shoes lay beneath, no feet inside.
Iced tea seeps from a chewed cup.
I pass a bar lit like Christmas.
A mute and pretty face full of indoor light
makes a promise I see through a window.
I pay obscene rents to find out if it is true,
in this nation tied together with gallows-rope,
thumbing its codex of virtues.

All this time you told me that the cotton candy was pink
So I ate at the fluff behind the drywall
I ate it all away
Wondering why I got colder as I did so

Do you know why the peacocks are always alone
I’ve never seen more than one at a time
And I suppose it is because they show all of their colors at once
That isn’t allowed in this game, is it
I thought not

I don’t want to have that kind of plumage anymore
Turn my skin gray and wrinkled and I will sit by like the elephant in the room
Because I never asked you questions you didn’t like
I never asked you to empty the sky into a pitcher just for me

Do you know why the peacocks walk all alone?
Curious, isn’t it?
No friends at all.

Bedrooms are intimate. Showing someone exactly where you breathe is special. To see it, they have to worship every breath that goes in and out, even if your exhale is poison.
The walls still smell like you
Last week, I pulled the sheets off the bed. I placed them in the burn pile.
I do not wish to see you.
This week, I painted everything a new color, a darker shade.
I pulled down the Christmas lights and let my stars burn out. I placed them in the burn pile.
I do not wish to see you.
I ripped stuffed animals off the shelves and letters off the dresser. Even the photo album went in the burn pile.
I do not wish to see you.
The flowers off the desk... They were dead anyway.
I do not wish to see you.
Everything in a bedroom is sacred. Not everyone belongs there; you sure didn't. You kissed everything with fiery lips and charcoal dust and I am still sweeping up. I continue to find your ashes in my bed.
I do not wish to see you.
You took everything. You took my air and gave me back poison. I couldn't tell the difference. But the worst thing you took from my room is me.
I do not wish to see you.
I do not wish to see you.
*I put you in the burn pile. I see you in the flames. I see you everywhere.
I start to tear at the drywall.

Last night I dreamed of roughened hands,
And pristine walls with spackled sand,
And feeling less,
But wanting more,
Of windows open,
And a creaking door.

Last night I dreamed of voices mild,
And smiling faces, and laughter loud,
I dreamed of grackles in parkling lots,
Of finding familiar and imagining what.

I dreamed of witchcraft and of lore,
And linen hidden in a dresser drawer.

I dreamed of you,
I dreamed of you,
And all the things I'd like to do.

I knew a dangerous man.
You wouldn't know what he was.
But I could see the tight clench of broken fists.
The ****** tape carelessly wrapped around the
bleeding breaks in his hardened knuckles.
A murderers kiss is a rush.
It is a pool of water so hot it feels cold.
When was the last time you kissed someone
so passionately it caused your hair to stand on end?
It caused a chill down your spine- quick and ruthless.
I wasn't scared of dark eyes or dark mouths or dark hearts.
I wasn't scared of a bullet or a gun or an ******
that starts with a rope and a whip and
ends with bruises and my body pressing into broken drywall.
I smile at the danger in the threat.
Our intensity crumbled our surroundings.
We were the flash. The flame.
He was the thrill, I was the ******.
Have you ever wondered what hell was like?
People don't speak of the days they spend there.
They don't talk about the tortured memories that keep them awake.
A smoky afternoon and broken glass.
Cigarettes flung out the window with your decency.
Mangled innocence is okay as long as you
keep it contained enough to sweep out of the room after you're done.
Eyes like a black hole. Shaking desires.
And when he says beg, you close your eyes and feel the fire.
Have you ever loved a wild man?
Have you made him moan in the dead of night?
Have you ever been a pane of glass?
Have you ever had a brick thrown through you and been alright?
Have you ever known a bleeding devil and made his bed your home?
Have you licked his blood and tasted your doom?

The redneck got arrested last night.

The ******* was barking back at dogs
and belting shots of scotch well-before sundown.
You could say he and the sun were collectively sinking.

Nights like these
breed pregnant silences
between the outbursts.
I sit poised for the next eruption
as a child cloistered under covers for fear of thunderclaps--

Another howl,
(presumably bellowing for beer)
then he's batting his live-in lap-straddler
around the apartment beneath me.

With every strike
the drywall learns a lesson
this ignorant *****
can't get a grip on:

some things never change.
The world will change around them
like tissue growing around a bullet fragment.

The cops come,
the cuffs go on,
and the problem is put on pause for an evening--
but he'll ascend the stairs with the sunrise.

They'll reconcile,
            because misery does want for company.

He'll promise he'll be different.
She'll actually believe him.
They'll be back to battering their plaster
with the reverberations of ******* and arguments.

She can't see that a drunkard's apologies
        are counterfeit currency.

I took it for common knowledge.

Perhaps it is...

Perhaps, like living in tornado alley,
they cope with ceaseless ****-storms
because they're just too lazy to move.

“i’m done with furries”


i.
i can’t dream your dreams,
but you’ve told me about them.

you wear an owl mask
shaped by fists and transgression;
a laceration splits your side
from a skin split
to your rib splits.

your love,
Bill Clinton or Donkey Kong
(whoever populates your thoughts),
crack your bare skin
until makeup
leaks out of your pores.

you dream of emulating art;
O hanging from a ceiling claw,
clicking heels against drywall
until leg muscles give up
and her diaphragm accordions close.

but who is your sculptor?
who is your artist?

ii.
alas, i am only
a paper mache bird.

i flinch when it rains,
i flinch when i move;
my paper skin
could cave in
from lip crack to *** crack.

(i hate
Inside Out.
but, i’ve only watched it once,
and i’ve been told
my eyes would adjust
on the second viewing.)

i dream of emulating art;
Marat in an ice bath,
tragedy and love and death
captured
without conflict.

but who is my muse?
who won’t break my bones?


iii.
you don’t know my dreams either,
but we could dream together.

two reveries in polyphony
of an owl and bird *******,
making love
before they
make art.

our love
is ******* weird;
a childhood seesaw
we’re trying to
find the perfect balance
to with our weight.

we dream different things;
**** fantasies and intimate kissing,
but that doesn’t matter.
at this point in two years,
we can see through each other.

i can’t make art without you.

you aren’t done with furries.

[Intro - Rihanna:]
Just gonna stand there and watch me burn
But that's alright because I like the way it hurts
Just gonna stand there and hear me cry
But that's alright because I love the way you lie
I love the way you lie

[Verse - Eminem:]
I can't tell you what it really is
I can only tell you what it feels like
And right now it's a steel knife in my windpipe
I can't breathe but I still fight while I can fight
As long as the wrong feels right it's like I'm in flight
High off a love, drunk from my hate,
It's like I'm huffing paint and I love it the more I suffer, I suffocate
And right before I'm about to drown, she resuscitates me
She ******* hates me and I love it.
Wait! Where you going?
"I'm leaving you!"
No you ain't. Come back we're running right back.
Here we go again
It's so insane cause when it's going good, it's going great
I'm Superman with the wind at his back, she's Lois Lane
But when it's bad it's awful, I feel so ashamed I snapped
Who's that dude?
"I don't even know his name."
I laid hands on her, I'll never stoop so low again
I guess I don't know my own strength

[Chorus - Rihanna:]
Just gonna stand there and watch me burn
But that's alright because I like the way it hurts
Just gonna stand there and hear me cry
But that's alright because I love the way you lie
I love the way you lie
I love the way you lie

[Verse - Eminem:]
You ever love somebody so much you can barely breathe when you're with 'em
You meet and neither one of you even know what hit 'em
Got that warm fuzzy feeling
Yeah, them chills you used to get 'em
Now you're getting ******* sick of looking at 'em
You swore you'd never hit 'em; never do nothing to hurt 'em
Now you're in each other's face spewing venom in your words when you spit them
You push, pull each other's hair, scratch, claw, bit 'em
Throw 'em down, pin 'em
So lost in the moments when you're in them
It's the rage that took over it controls you both
So they say you're best to go your separate ways
Guess that they don't know you 'cause today that was yesterday
Yesterday is over, it's a different day
Sound like broken records playing over but you promised her
Next time you show restraint
You don't get another chance
Life is no Nintendo game
But you lied again
Now you get to watch her leave out the window
Guess that's why they call it window "pain"

[Chorus - Rihanna:]
Just gonna stand there and watch me burn
But that's alright because I like the way it hurts
Just gonna stand there and hear me cry
But that's alright because I love the way you lie
I love the way you lie
I love the way you lie

[Verse - Eminem:]
Now I know we said things, did things that we didn't mean
And we fall back into the same patterns, same routine
But your temper's just as bad as mine is
You're the same as me
But when it comes to love you're just as blinded
Baby, please come back
It wasn't you, baby it was me
Maybe our relationship isn't as crazy as it seems
Maybe that's what happens when a tornado meets a volcano
All I know is I love you too much to walk away though
Come inside, pick up your bags off the sidewalk
Don't you hear sincerity in my voice when I talk
Told you this is my fault
Look me in the eyeball
Next time I'm ******, I'll lay my fist at the drywall
Next time? There will be no next time!
I apologize even though I know its lies
I'm tired of the games I just want her back
I know I'm a liar
If she ever tries to ******* leave again
Im'a tie her to the bed and set this house on fire
I'm just gonna

[Outro - Rihanna:]
Just gonna stand there and watch me burn
But that's alright because I like the way it hurts
Just gonna stand there and hear me cry
But that's alright because I love the way you lie
I love the way you lie
I love the way you lie

I am afraid of speaking.
I am afraid of the texture of my voice, and the effect it will have on you.
I don't want to be pressed into the caricature of an angry woman; voice raised in what they call a hysterical display of emotion.
Calm down. Be rational.

Stop being
So
Dramatic.

Well let me tell you something:
I am an angry woman.

Because all I can see is my best friend’s blonde head, coming within an inch of becoming the crushed drywall beneath his fist.
All I can see is the false piety painted on his pastor’s face, asking, “well… did he hit you?”

I see her eyes closed in the darkness, fingers gripped in the sheets he tore off of her body to wake her. She has to hold on to something.
He says, “Show me you're enjoying it.”


Calm down. Be rational.

Like he wasn't gaining access INTO her BODY by FORCE. Like, of course it's her job to lay down and take it. Like it. Lick his lips for the taste of honey, because honey, he told you to.

but it's poison. It enters her bloodstream, weakening her will to resist it.

She looks at her phone, at a text she did not compose herself, or send,
“Hey hot stuff. When you see this, let's have ***.
“If I pretend I didn't write this I'm just playing hard to get.”

Do you get it?

Yeah. I am an angry woman.

Stay calm, dear sister. Be rational.
Rationalize the gaslighting, because the big picture doesn't look beautiful when you hang it above the sofa; and her home was staged to look like a family so that when you look in the window, you don't see that she was a hostage.
You don't see that her son was asleep in the bed when he grabbed her face between his hands and crushed it,
And called it “gently redirecting her gaze.”

From the window, you can't see his body blocking the exit.
You can't see her baby, with his little fingers curled around her *******, begging for comfort.

I will not calm down. And in case you are so damaged by devotion to comfort that you can't see it, it is right to be angry.

It is righteous.

I am angry, and more rational than I have ever been in my entire life- rationally, righteously begging for justice to flow down like rivers.

I am an angry woman.

you will never be let down by anyone
more than you will be let down
by the one you love most in the world
it’s how gravity works
it’s why they call it falling
it’s why the truth is harder to tell
every year
you have more to lose
but you can choose to bury your past
in the garden
beside the tulips
water it
until it’s so alive
it lets go
and you belong to yourself
again

when you belong to yourself again
remember forgiveness
is not a tidy grave
It is a ready loyal knight kneeling before your royal heart

call in your royal heart
tell it bravery cannot be measured by a lack of fear
it takes guts to tremble
it takes so much tremble to love
every first date is an earth quake

sweetheart , on our first date
I showed off all my therapy
I flaunted the couch
where I finally sweat out my history
pulled out the photo album from the last time I wore a lie to the school dance
I smiled and said
“that was never my style
look how fixed I am
look how there’s no more drywall on my fist
look at the stilts I’ve carved for my short temper
look how my wrist is not something I have to hide”
I said
well , I was hiding it

the telephone pole still down from the storm
by our third date I had fixed the line
I said listen ,
I have a hard time
and by that I mean I cry as often as most people *** and I don’t shut the door behind me
I’ll be up in your face screaming

“SEATTLE IS TOO RAINY SEATTLE IS TOO RAINY
IM NEVER GOING TO BE ABLE TO LIVE HERE .”

I sobbed on our fourth date

I can’t live here
in my body , and by that I mean
I can’t live in my body all the time it feels too much
so if I ever feel far away know I am not gone
I am just underneath my grief
adjusting the dial on my radio face so I can take this life with all of it’s love and all of it’s loss

see I already know that you are the place where I am finally going to sing without any static which means
I’m never gonna wait
that extra twenty minutes
to text you back ,
and I’m never gonna play
hard to get
when I know your life
has been hard enough already .
when we all know everyone’s life
has been hard enough already

it’s hard to watch
the game we make of love ,
like everyone’s playing checkers
with their scars ,
saying checkmate
whenever they get out
without a broken heart .

just to be clear
I don’t want to get out
without a broken heart .
I intend to leave this life
so shattered
there’s gonna have to be
a thousand separate heavens
for all of my separate parts
and none of those parts are going to be wearing the romance from the overpriced vintage rack
that is to say I am not going to get a single speed bike if I can’t make it up the hill
I know exactly how many gears I’m going to need to love you well
and none of them look hip at the hot coffee shop
they all have god saying

“good job . you’re finally not full of ******* .
you finally met someone who’s going to flatten your knee caps into skipping stones ."

throw me
throw me as far as I can go
I don’t want to leave this life without ever having come home
and I want to come home to you
I can figure out the rain .

Last night, I hit a wall in my chest.
Like the sea, I came crashing down
and suddenly, I was drowning.

Last night, I hit a wall in my head
and I couldn’t process thought anymore.
There was only pain behind my eyes.

Last night, I hit a wall with my fists.
The drywall fell broken to the floor,
and blood dripped down my knuckles.

we were driving home
taking side roads in a roundabout way.

and you spotted something on the side of the road.
bloodied, broken and (i assumed to be) dead.

you pulled over and we inspected it.
i was rather disgusted, but you picked it up and coddled it 'cause it had fur.

you kept coo'ing at it and asked it what it's name was (expecting no answer)
but it struggled to utter "Love".

we begrudgingly decided to take it home
and made a bed for it and nourished it back to health.

a week later we were drinking Earl Grey by the fireplace,
heard a rumbling
and looked around to see it standing there looking at us.
it was 7' tall and had an expression of awe, wonder, and terror
as if it thought we would ****** it at any second.

each night it had a different face, resembling one of your former playthings.
you never called it the same name twice.

a week later, it couldn't fit through any of the doorways.
we always came home to plaster, paint and drywall scattered everywhere.

i complained.
"Love has broad shoulders", you quipped.
it had grown too much for us.

a week later, i spent the afternoon at the bar and you were shopping.
we rendezvoused back home at 3PM.

only to find a gaping hole where the front door used to be.
everything inside totaled.
precious collections, expensive technology, jewelry...
all gone (or destroyed beyond recognition).

i railed, "Love ruined EVERYTHING!!!"
you seemed to take no note, kept your composure and muttered, "It always does" and just began sweeping.

the next day we got a kitten from the animal shelter,
and were laying in bed with it at night.
i asked, "Do you think Love will ever come back?"

you answered coldly, "It never does".

it's a college party
even though i never finished and the rest of y'all are spending money you don't have on the ingredients necessary for homemade sangria so you can drink the crippling anxiety of not knowing how to pay off your student loans away

there's a man living in a tent in the backyard, and i'm pretty sure we put one too many pieces of scrap wood in that very-hard-to-maintain bonfire. that has to be a metaphor for the state of most of our lives. stop throwing things i'm unprepared for in what already feels like a situation that is going to **** me.

is this a literal housewarming

i'm drunk, and sitting on the deck, counting the christmas lights. i smell ****, and there are white people dancing and singing to blink 182 inside.

i paint my name on a drywall with a brush and canisters i find on my way to the living room, where i'm asked to referee a game of beer pong. i lose interest quickly.

i scroll through my phone, sober enough not to text you but drunk enough to desperately want to. someone sits down next to me because i've apparently become that person at the party.

i talk about rent with a guy who really wants to connect on the fact that we're both middle eastern, even though i'm not middle eastern. he smells like PBR and completely believes what he's saying. he says he's proud of me for following my dreams of coming to new york and that he likes my "crazy hair" and that he wants to **** me.

i raise my eyebrows, more in disgust than interest, but he then takes his perceived cue to shamelessly ask me if i have a ******. i don't, and i leave before he brainstorms any alternatives i am just as aversive to.

ironically, i find a ****** dispenser attached to a tree on the walk to the subway. considering the amount of catcalling i experienced on the way to the station, my level of discomfort is amplified by the fact that the neighbourhood literally, physically implies, ******* is going to happen in the streets. it's 2am, and i just want to go home. and i'm sitting on the J train, recalling everyone who's told me it's shady and unreliable and makes you feel like you're going to die.

a few months later, i am nicknamed J train.

In warmth beneath the insulated drywall
I curse my gooey insides
for not being as solid
as the lamented linoleum
moreover, I wish I didn't need
to declare such trivialities but
I do

This is not really a poem, it is more of an essay confessional, something that I need to tell someone
or else, I am worried, I will lose my head entirely.
     And I rather like some parts of my mind; they're creative and hopeful and idealistic.
     But right now, my mind is giving me some serious issues, things that have more or less confirmed that I have gone from a "serious cold" on the mental health scale to "flu and pneumonia".
      
     When I was younger, I used to joke about being insane. In middle school, in that crowd of black-wearing kids who would eventually split into a rainbow of different scenes, being dark was cool as hell. We used to tell each other we were crazy. We'd make up voices in our heads and spout about them in our morose ways- "Oh yes, they haunt me every night. I can see one behind you now. Yeah, I guess you could say that I'm crazy." I did that too, but for the most part, it was an exaggeration, not a complete lie.
    
     My entire life, I've been going to doctors. I was diagnosed with severe depression when I was in third grade. How old would that make me? I forget. Soon there after, I started struggling with manic anxiety disorders, which more or less alienated me from all crowds but those dark ones. Even after that, when things settled down, I went through a series of abusive relationships, so on top of that all, I have a decent case of PTSD.
     Still, all of those things, I can deal with. I've never had to take a medication before; I used to cut myself, for a couple years actually, but for the most part, good friends and a good therapist have been able to keep me alive. That was all that I needed, and really, it's all that I want now, to go back to how I was. In control.

    But recently, this year, things have really been spiraling out of control. It started with violent panic attacks, which I missed school for, and thusly my grades suffered. I couldn't go a day without one, and they weren't the type that makes you just cry. I'd be screaming and throwing things, fighting back the people who came to help me with fists and chewed down nails. I suppose I have always been one to fight in a pinch.
     Those feelings, though, grew, into a vast and crippling fear. I can no longer fight, something I took great pride in. The terror is so bad that I will occasionally collapse to my knees and clap my eyes shut as I weep. I did not have anything to cause it, and this ambiguity and seemingly random weakness bothered me. Apparently, my mind decided that the uncertainty about what I was feeling was unacceptable as well, because I have started seeing and hearing things.

     My therapist and doctor say that I am slipping into an anxiety-based psychosis. I know that the things I see are not real, but the horrible creatures that my mind produce scare me more than any movie, book, or bad boy friend ever have. Last night, I was actually forced to crawl into bed with my mother- a seventeen year old girl!- because I realized that I was having a literal fistfight with a crawling demon that was not there. I only know that this fist fight happened because I had punched my walls several times, and the blood on my knuckles is still there. My knuckles are purple and cracked open from the strain. You see, while I know that my delusions are just that, they are also deceptively corporeal, and chilling.
      There is one that slithers around my room and on the ceilings that looks like a human body would after being left under the river for some time: the skin is a sickening pink, the flesh is gelatinous and leaves a slime trail, and its eyes, when I see them, are not there. Instead, its eyelids are closed and caving in, like a mummy in the Carnegie. Another is tall and thin, ungodly thin, and pale to the point that it glows faintly. More or less, my mind has adapted the Louisiana swamp thing into the clip art it uses for monsters. Its eyes glow light green, but pierce like car headlights. Usually, it crawls with terrifying speed, but other times, it will come charging out of the woods or through my door on two feet, arms swinging wildly above its head. The thing's movements are ungainly when it rears up, and slow, but then you can see its true hight of seven or eight feet- seven or eight feet of skeletal fury- and I find myself rooted to the spot.
    Last night, that was who I fought with. I was tired of him watching me, because that is what he has been doing. Not he, it- if it had been a 'he' at one time, it is a Munich now. Though I digress; when it came charging into my room, the dance began. I was at one time a boxer, and a ballerina, and while I have lost much of my flexibility, my strength for the most part remains. That would mean something, if the Munich was real, but it is not, and all that happened in reality was that I threw my best punches right into the brick of my old fireplace and the new drywall.
  
     The  rest are just shadows, odd figures that I cannot quite understand yet. I will be starting on a medication very soon, and I am frightened to do so, for anxious and passionate are all I have ever been my entire life. However, I cannot allow the things that I have been seeing to progress into true madness. I am a smart person, I know this, and there is a lot of good that I can put my mind to when I grow up if I can just stay sane. Literally sane.
    I will never consider 'crazy' cool again. Crazy people, those who are trying to beat it, are the most amazing people I can ever imagine. I can't even fathom where I would be without my arsenal of doctors behind me. Well no. I can speculate just fine. The Munich and I would still be locked in battle, my mind the only one truly being dealt blows. It would tear me apart. Crazy is not cool. Crazy is my deepest fear that is about to be realized.

I.

Up the stairs Suzann without an E went.
8" X 10" bright white rectangles dotted
the yellowing and dusty walls,
clean reminders of bad family photos.
Her parents, Bob and Theresa,
had picked out wallpaper. Lilacs
and vines and oranges. Why? She
didn't know.

She tossed her backpack on the floor
at the foot of her bed. Her senior book
was still on the night stand. Charity and
Faith, her sometimes friends, had spent
the last two weeks filling out every page
of theirs, printing hazy images on cheap
photo paper at their homes and sliding them
into the plastic holders or taping them to
the pages without.

They coerced boys they
had liked or still liked or would like if to
fill out pages. When the boys simply signed
their names or names and football numbers,
they guilted them into writing more. Give
me something to remember you by.

Suzann liked to look at only one boy,
Casey Stephen Fuchs, pronounced "Fox,"
though you know that's just what the family
said. She didn't want him to write in her
senior book. She enjoyed the space between
them. She knew what her peers didn't:
she was seventeen.
She knew she didn't know
the right words yet. She knew the heart-bursting
flutters she felt were temporary--enjoy them, she thought,
shut up and enjoy them.

Her parents set her curfew at 10:30. So
this Friday, like most Fridays, she stays
home.

She opens ****** in the City of Mystics,
a novel she's burned through. Fifty pages
or so left. She likes detectives. The methodical
stalking, the idiosyncratic theories and philosophies
that allow them to connect dot after dot.

She shuts her eyes and sends herself walking down
the streets of New York, where hot dog vendors
whistle and say, "Nice legs." She flags down a cab.
She sees Casey across the street. What are you doing
here, stranger? She waves the cab on.
The driver, a brown-skinned man from some vague
country, throws his arms up. "C'mon."

She cuts across the traffic, dodging a white stretch limo,
a black Hummer, a hearse.

Casey's straight hair hangs over his left eye. It's both
melodramatic and troubled. There's a small shift
at the corners of his lips, the corners of lips, this
is a detail she writes of often in her journal--why?

She can almost hear Casey ask her, "What brings you here?"

"Business."

"What kind?"

"None of yours."

He takes this as an entry for a kiss. Not yet, handsome. No no.

"Make whatever you want for dinner," her mom shouts up the stairs.
"There's stuff for nachos if you want nachos. Some luncheon meat too.
Only one piece of bread though."

"Okay."

"Alright. Just whenever. Dad and I are going to go ahead."

"Okay."

"Alright."

Get me out of here. Suzann's whole life is small: small town,
small family, small church, all packed with small brained, short-sighted people. She wants New York or Chicago. She wants a badge--no not a badge. She'll be a vigilante. "You're not a cop," they'll tell her.

"Thank God," she'll say. "If I were a cop then there'd be nobody protecting these streets."

II.

She's read mysteries set in the middle of nowhere, small towns like her own Kiev, Missouri. They always feel phony. Not enough churches.
Not enough bored dads hitting on cheerleaders.
No curses. Every small town has a curse. Kiev's?
Every year someone in the senior class dies.

As far back as anyone she knew could remember
anyways. Drunk driving, falling asleep at the wheel,
texting while driving, all that crap is what was usually
blamed.

This smelly boy named Todd Louden moved out of Kiev
in the fall semester of his senior year a couple years ago.
Suzann was a freshman.

A few months after he was gone, people started saying
he'd killed himself with a shotgun. First United Methodist
added his family to the prayer list. They had a little service out
by this free-standing wall by the library where he used
to play wall ball during lunch. People cried. Suzann didn't know
anyone that hung out with him. Maybe that's why
they cried, unreconcilable guilt--that's what her dad
said.

Then in the spring Todd moved back. The cross planted
by the wall with his name confused him.
He'd just been staying with his grandma. Nothing crazy.
The churches never said anything about that. He was
just the smelly kid again. Well until late-April when
he got ran over by a drunk or texting driver.
They hadn't even pulled up the cross by the wall ball site
yet.

III.

You call it the middle of nowhere, a place where the roads didn't have proper names until a couple years back, roads now marked with green signs and white numbers like 3500 and 1250, numbers the state mandated so the ambulances can find your dying ***--well if the signs haven't been rendered unreadable by .22 rounds.

The roads used to be known only to locals. They'd give them names like the Jogline or Wilzetta or Lake Road, reserved knowledge for the sake of identifying outsiders. But that day is fading.

What makes nowhere somewhere? What grants space a name?

The dangerous element. The drifter that hops a fence, carrying a shotgun in a tote bag. Violence gave us O.K. Corral. Violence gave us Waco. Historians get nostalgic for those last breaths of innocence. The quiet. The storm. The dead quiet.

IV.

It's March and not a single senior has died.
So when she hears the front door open
around 2 a.m., Suzann isn't surprised.
She doesn't think it's ego that's made
her believe it'd be her to die--but it is.

She hears the fridge door open.
Cabinets open.
Cabinets close.
She hears ice drop into
the glass. Liquid poured.

She clicks her tongue in
her dry mouth. She puts
a hand to her chest. Her
heart beats slow.
She rests her head on
the pillow. It's heavy
yet empty, yet full--
not of thoughts.

She can't remember the name
of any shooting victims.
She remembers the shooters.
Jared Lee Loughner, Seung-Hui Cho,
James Eagan Holmes, Adam Lanza.
No victims.

She hears the intruder set the glass on the counter.
He doesn't walk into the living room.
He starts up the stairs. His steps are
soft, deliberate. What does he want?
Her death. She knows this. He is only a vehicle.
Nameless until. Has he done this before?
Fast or slow?

He's just outside her room, and she doesn't
remember a single victim's name. She hears
a bag unzip. She hears a click.

If he shoots her, Suzann Dunken, there's
no way the newspaper will get her name
right. Her name may or may not scroll
across CNN's marquee for a day or two.
If it does, it won't be spelled correctly.
This makes her move. Wrapping
her comforter around her body, she
tip-toes to the wall next to her door.

She hears a doorknob turn.
It's not hers.

He's going into her parents' bedroom.
They're both heavy sleepers.
She opens her own door slowly.
She steps into the hall. She sees the man.
The man does not see her.
She see the man and grabs a family
portrait. The man does not see her,
and he creeps closer to her parents.
She sees the man standing then she
sees the man falling after she strikes him
with the corner of the family portrait.
The man sees her as he scrambles to get
his bearing. She strikes him, again with
the corner. This time she connects with his eye.
A light comes on. "Suzann," her mother says.
He tries to aim the gun. Again she strikes.
He screams. He reaches for his eyes with
his left hand. Now with the broad side she
swings. She connects. She connects again.
The man shoves her off, stumbles to his feet.
By this time, her dad reaches her side.
One strong push and the man crashes into
the wall outside the room, putting a hole
in the drywall.

He recovers and retreats down the stairs
and out the door into blackness.

Her mother phones the police.
She pants more than speaks
into the receiver.

"Suzann," her dad says. "Sweetheart."

Suzann looks at the portrait, taken at JC Penny when
she was in the sixth grade. The glass is cracked.
She removes the back. She pulls out the photo.

"Did you get a good look at him?"

This photo. Her mother let her do anything
she wanted to her hair before they took it.
So she, of course, dyed it purple.

"That's right," her mother says.
"It's about half a mile east of the
3500 and 1250 intersection. Uh-huh."

Her dad sits down next to her.

"How long do you think it'll take them
to find us?"

There's a shift at the corners of her mouth,
and she nods, just nods.

I fear how much my heart would bleed
To witness real tragedy

To sink in Flanders Field
To collapse in Choeung Ek
To scream for mercy in Nanking
To beg before the walls of Baghdad

A life of insulation
Pain relative to the first world
My heart hardly calcified
Compared to the bones of those who died

Hardly removed from the horrors of mankind
My drywall castle shields each breath

So hardly removed
From the stench of death

You see a kaleidoscopic spongesque speck pushed into a blur over your vision,
Sitting on air & feathers.
You sit on air rather than feathers,
Incased in drywall,
Surrounded by your worldly possessions,
Drowning in sweat,
Suffocating from air,
The hum of coupled fans waltzes’ into your skull,
A metallic mind prints mass media
Via a melodramatic faux-vintage situation into your skull,
There’s the pitter-patter of post-traumatic pondering in your skull,
A Mexican Coca-Cola clutched in your left hand,
Phillip-Morris owns the pocket on your breast so that they sit closest to your heart,
Pabst Blue Ribbon has carved rights to your liver,
You have an over analytic sense of humor and well-being.
Now you decode your day.
Now you chastise your intuition for lustful engagements with shadow people.
Though you have no qualms with this,
You enjoy yourself from time to time.
But cannot you imagine a more climatic proposition,
In a less disposable universe?
Where corners are cut,
Shoving dignity & quality out the door
Is where impractical risks are made.
However,
All you ponder now is the blur pushed into the edge of your eye.
Perhaps it is a microorganism rendezvousing with another microorganism.
Though they would have no concept of predetermination.

Sometimes you might find me,
in a back alley, throwing up my guts,
in explosions, of green and orange.

Sometimes you might find me,
in a rundown apartment, with a ceiling fan
that arcs crookedly, hitting the ceiling in
explosions of drywall and poverty

Sometimes you might find me,
in a sunny park, scribbling lines in a
worn, tattered notebook,
in explosions, of ink and passion

Sometimes you might find me,
outlined in chalk, battered, bruised, ******
in explosions of red and abuse.

Sometimes you might find me,
standing beside you, walking with
and guiding you in explosions of
anger
and
I told you so's.

Desired to be more attuned with idols
Their private lives gleaned from
Stills and moving images cutting swaths across
Skyscraping billboards, TV screens
The sides of passing buses
Subway cars headed deeper in,
Further in, beneath
Magazine spreads pulled out for
ad-hoc posters taped and tacked across
the plaster-sputtering suburban drywall paths
Like screams in arctic winds

Many, the young mean-spirited things
Wanting kinship with these enemies
Trying to plot a course to
**** diagonally-up across
their strident wildlife scenes

Attuned with idols riding their
phantom wavelengths with the
maverick assistance of Reds and
water-cut pints of irish whiskey
Then Father comes in proclaiming
to have saved our democracy on
the whim of a lever-pull upon
a municipal voting machine

No interruptions now please
I will direct the favors of my unborn
I am honed in on what really matters:
Hemingway hedonism.
Getting dead with generations
slinking in and out of frame
from before and after
me

we've got to do a better job of getting lost in the relativity
**** your tooth fairy
...and suddenly i know things again
anthropologists taking notes
guttural longings
catharsis trailing down
but its delusion, soft swirls to the all

the source
we have now settled into the fortress
never seems like there was time

you are the clockwork
i am the pendulum
sycophant strange
the drywall notes
chanting
return to the what was that?

You’re less subtle than susceptible
to the sun rising
to hands softer than mine.
The smoke colors your fingertips
tarnished turmeric gold with
life passing through them
in waves and ripples
like Warsaw’s children
playing on the wharf.

That foam splashes up behind a sun
the rose hips on your hips, an alabaster canvas.
Nothing falls gracefully.

Brake,
break,
grab, slide, ball
like an infant safe in your ******* womb.
Cars around growl poised in packs on round haunches.
I hear finesse in relation to broken teeth,
rats in relation to style.
Like writing,
your name
on an outstretched rubber band
watch yourself shrink
and fly away every time
I see you let go.

Your teeth like drywall looks
when you’re eyes’ve gone red.
I want you like a child’s first attempt
at perfume
too much alcohol
and pulling blush from a warm rose.

I had heard long, long ago
Of the language of the Eskimo,
Where cars and drywall lack a name,
But snow and snow are not the same.
For, you see, in Eskimo,
There are a thousand words for snow.

By the shore I'm wont to roam,
I see the water as my snow.
From crystal clear to stormy blue,
The ocean holds a thousand hues.
Brackish green and sunset red,
The whitecap thunderous demons bred,
Seductive black on moonless nights
And wind-whipped tops plateau with white.

So maybe I'm an Eskimo,
But too warm-blooded for the snow.

Quiet throughout all the rooms
I sing to drywall

It’s not about the money
it’s not unusual
it’s not over
it’s not a tumour

it’s not easy
it’s not easy being green
it’s not easy being me
it’s not enough

neverwinter
never let me go
never say never
never back down

fix dead pixel
fix drywall
fix design
fix dripping faucet

find me spot
find me
find me guilty
find me love

why are flamingos pink
why are people gay
why are flatworms flat
why are we here

why is the sky blue
why stop now
why am I so tired
why do cats purr

then I got high
then I learned French
then I saw her face
then I got bronchitis

what is quinoa
what is love
what is the fiscal cliff
what is dubstep

i have survived
storms.
i have survived a father's voice like thunder;
handprint lightning flowers petal over my skin
like i am a garden to sinners-
adam and eve call my grassroots their home and hum lullabies-
i have survived
anger.
pros and cons of
clock-ticking therapy sessions where money is thrown at my gaze,
fixed on the wall,
dollar-a-second drumming fingers
screaming so loud that heaven shuts the blinds and hangs a "closed" sign on the door.
pros and cons of
stumbling home,
under a murky peerless crowd of smoke,
slurring words trail around and behind me like moths to a porchlight.
morning headaches,
angry adults
damaging drywall and breaking family portraits
exhausting search for answers
exhausting search in a silence that lengthens the disconnect from child to mother
where your mind goes red and the honest truth that stays stuck to the roof of your mouth falls out
where you become an overflowing mailbox and your hands shake
the absence of parents who never taught you to hold your tongue
i have survived
hurt.
i have survived the specific type of loss that you feel in the pit of your stomach
the one that lies next to you
when you stare at the ceiling and your face hurts from crying
tears scrub your eyelids raw and you promise,
"if i ever make it through this,
i will never be here again."
i have survived giving up,
taking it all back, throwing it all away,
parallel structures of contemplation and decision
i have survived
lonely.
angry storms of abandonment, melodies of the lonely and the hurt
i reprise to the ones that add injury to insult,
you are not the worst thing that has ever happened to me.
i echo choruses to the people that force me to grow up at sixteen
i have destruction embedded into my neurotransmitters
i have shooting post-traumatic pain in my memories
i have survived
a hell that your hands are not stained enough to touch.
i assure you,
my love,
i will survive
you as well

Long day.
Still no job.
Not a friend to hear my cry.
I just really need some sleep.

You know, my ceiling doesn't look the same anymore.
Endless nights of mindless staring--
has accumulated a peculiar fascination with
this slab of poorly painted drywall.
Blank, empty, curious,
it seems as if my ceiling and I have more in common
than I previously recognized.

I don't know when the sleepless nights started,
but my need for them to end is imperative.
I can't take it anymore.
Lying alone in your bed at night,
provides too much time for thought.
I can't deal with more thoughts.
Not with this insignificant life of mine.

Too many thoughts of love,
and how i don't posses it.
Too many thoughts of hope,
And how there is none.
Too many thoughts of Heaven,
And how I'll probably go to hell.
Too many thoughts about those painkillers in the drawer--
hiding so close to the whiskey;
Too many thoughts about how many pills It'd take;
Too many thoughts about the chance of getting some real rest;
...
I just really need some sleep--
Forever.


-Bb

To the simple minded man
This day would have been like the rest

Would have been an overdone steak dinner
Alone

But he plays a broken bone remix
Of ex-lover’s gritted teeth

It is the click in his jaw over steak
That reminds him of the gnashing

He nurses a beer
In between helpings

But there’s always the click
A painful metronome
For past music
When he was capable of lapping the language out of her mouth

Days when he was all noise
Like a hallway echo
Or a fist through drywall
Or a nightmare gasp

But now all he needs is the cotton he eats
To soak up the sound

So he won’t have to listen to himself keep sayin’

There used to be this growl my gut made
For your bitter music
When we choreographed a collision
Of bone
And breath
And teeth that touched when I still thought I wasn’t pressing hard enough

The masticating click
Reminds him of her smile

It hurts his jaw
And his memory
But he continues making her painful sound
Like it might actually bring her back

And it does a little
Just for today

And tomorrow?

Tomorrow is too far away

I have always been drawn to destruction;
air too thin to breathe-
I carry a pain eyes can't receive.

life and evil are only a letter apart,
and I've come to believe
this was no mistake;

the devil wears sweatpants and a rosary.

he weaves his fingers
through yours tightly
every time he holds you down-

and he shines-
stolen halos line red wrists,
they bang against the drywall-
its four in the morning
and he's come into the room again-
he forever invites himself in

maybe this time God will hear the ringing,
clinging together,
the halos,
the angels
will flee to ****** back
their innocence.
brilliance.

and the motion will cease.
the clouds, close.

claiming "possession"
is out of the question
for he did not seize my soul-
I extracted it, split my skull
all for a taste of the afterlife.

he loves mirrors and other pathways
of reflection;
the evil only seem to love themselves.

I am used to blinding confusion
and bittersweet illusions,
I crave the burn that follows pain.

he likes to leave a mark
beyond scarring the skin,
but I promise,
the worst is within-

life and death are only a day apart
and I've come to believe
I am stuck in between,
and the devil continues,
blissful and free.

The walls of your childhood home
used to hold their breath when you got upset.
I would pretend I didn't notice the holes
in the closet door and you would pretend
they didn't mirror the holes in your chest.
You never told me about your father, but
when you were drunk you'd mention your old man
and I could see all those
miles of running in your eyes.
I saw a picture in your mom's living room
of a man with the same jawline as you.
Always clenched,
always tense,
always ready to leave at a moments notice.
You said I made you softer.
I didn't know if that was a compliment
with the amount of venom you spat it out with.
You felt you were above vulnerability
but I remember
walking to your house in the rain
to shoo away your insecurites.
The door was unlocked
but you never really let me inside.
You didn't speak to me
for three days after it burned down.
When you finally did show up
at my doorstep you said
you were ready to come home.
I was ready to keep you warm in the winter
but I had forgotten
about your fists in the drywall
and the way you slammed doors
until the front window shattered.