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"critiques" poems
3-2-2017 (unknown date of origin) Something's wrong... you don't belong here. I said, looking down at the pineapple on my pizza. I said, looking down at the ketchup on my macaroni. I said, looking down at the cream of mushroom soup on my meatloaf. He said, looking down at me and my boyfriend, holding hands in public. Like I'm a creep.  I'm a ****** What the hell am I doing here? I don't belong here. You see there's these things that we learn at the dinner table. When we're kids we have certain items served to us on our plates. Whatever doesn't end up there, isn't a part of the discussion. After all, they say if you don't have a seat at the table, you are likely to be on the menu. So, when ****** orientation and gender identity aren't seated at the table of childhood, they get served for the first time in unexpected places.   Like an avante garde celebrity chef's designer meal, prepared for critiques by the food bloggers.   They get served in college classroom debates or in dorm rooms with freshman roommates.   They're on the menu in in some movies but served with a side of stereotypes and silly trope toppings.   They get grinded into glitter dust sprinkled on the annual PRIDE Parades like an overly salty seasoning mix.   They're on the menu in workplace diversity trainings, but too little too late - they get lost in the marginalized buffet.   They get served at the oppression Olympics, or actually at the Olympics unwillingly by a journalist who only pretends to eat a well-balanced diet, but really has LGBT food allergies,  if you know what I mean. In reality, these should be staple dishes consumed by commoners, consumed by you and me, consumed by children along with their healthy daily dose of broccoli and cauliflower, squash and zucchini, even eggplant.   They should be in every ******* cookbook with pictures and all different kinds of recipes! I want every child to have gay on their dinner plate, lesbian lunch, gender nonconforming on the brunch menu, and bisexual breakfast.   And everything in between in the queer spectrum served during snack breaks.   I want every child to look down at their plate and see pineapple pizza and say, gee that looks great!   I love all of the pizza toppings, no matter whether gay or nay. ... except for anchovies, of course.
0
Mar 2, 2017
Mar 2, 2017 at 4:28 AM UTC
Pineapple Pizza
3-2-2017 (unknown date of origin) Something's wrong... you don't belong here. I said, looking down at the pineapple on my pizza. I said, looking down at the ketchup on my macaroni. I said, looking down at the cream of mushroom soup on my meatloaf. He said, looking down at me and my boyfriend, holding hands in public. Like I'm a creep.  I'm a ****** What the hell am I doing here? I don't belong here. You see there's these things that we learn at the dinner table. When we're kids we have certain items served to us on our plates. Whatever doesn't end up there, isn't a part of the discussion. After all, they say if you don't have a seat at the table, you are likely to be on the menu. So, when ****** orientation and gender identity aren't seated at the table of childhood, they get served for the first time in unexpected places.   Like an avante garde celebrity chef's designer meal, prepared for critiques by the food bloggers.   They get served in college classroom debates or in dorm rooms with freshman roommates.   They're on the menu in in some movies but served with a side of stereotypes and silly trope toppings.   They get grinded into glitter dust sprinkled on the annual PRIDE Parades like an overly salty seasoning mix.   They're on the menu in workplace diversity trainings, but too little too late - they get lost in the marginalized buffet.   They get served at the oppression Olympics, or actually at the Olympics unwillingly by a journalist who only pretends to eat a well-balanced diet, but really has LGBT food allergies,  if you know what I mean. In reality, these should be staple dishes consumed by commoners, consumed by you and me, consumed by children along with their healthy daily dose of broccoli and cauliflower, squash and zucchini, even eggplant.   They should be in every ******* cookbook with pictures and all different kinds of recipes! I want every child to have gay on their dinner plate, lesbian lunch, gender nonconforming on the brunch menu, and bisexual breakfast.   And everything in between in the queer spectrum served during snack breaks.   I want every child to look down at their plate and see pineapple pizza and say, gee that looks great!   I love all of the pizza toppings, no matter whether gay or nay. ... except for anchovies, of course.
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26
I feel suffocated talking to lots of people, I feel so lonely in every parties I attended, I can not stand the crowds all time, I feel scared about their thoughts on me, yet, why, Do I feel so secure expressing myself in verses and lines, Voicing every pieces of my thoughts and story, To the people I never met face-to-face, And gladly accept any critiques to my words...
0
Apr 14, 2015
Apr 14, 2015 at 10:31 AM UTC
Introvert
Someday I'd like to wander free like butterfly, like bumblebee, perhaps to plant a willow tree beside the silent solemn sea, before these things exist no more, from mountain top to shifting shore, when, soon, bald eagles cease to soar and build their aeries nevermore, and fish forsake polluted streams (where sulfur swims and typhoid teems since no one really cares it seems) to die inside our toxic dreams while ice caps melt and winter steams, and all the air surrounding reeks as children choke, for no one speaks of fracking wells or oily leaks (Big Brother's silenced all critiques!), and rancid rains acidify so woods no longer multiply (for God so wills, we can't deny, which is, of course, our alibi). And as the deepest ocean fills with plastic bags, and garbage spills upon the plains, across the hills and turns to poison dust that kills wild dingo dogs and daffodils which sink in swamps’ forsaken swills, the mocking bird makes light and trills (midst waning wails of whippoorwills) "Behold the surreal scene that chills and greet the dread that death distills! You've had your day with all the frills that brought the flood and final ills that can't be cured with bitter pills nor yet undone with further thrills of profit gained that grinds and fills dead desert sands with dollar bills." EPILOGUE Though swaddled still in infancy, we feel we’ve reached our primacy (aloof, though preaching piously, disdaining deeds of decency) and have no need of augury. But in the pit of prophecy the crucial questions seem to be: “Is doom Earth’s fate, our destiny to twist in tides of agony destroying nature’s progeny with no return a certainty assured by death’s finality?” and ”Should we plant a willow tree to someday weep for you and me?”
0
Jun 16, 2015
Jun 16, 2015 at 2:45 PM UTC
A Willow Tree
Someday I'd like to wander free like butterfly, like bumblebee, perhaps to plant a willow tree beside the silent solemn sea, before these things exist no more, from mountain top to shifting shore, when, soon, bald eagles cease to soar and build their aeries nevermore, and fish forsake polluted streams (where sulfur swims and typhoid teems since no one really cares it seems) to die inside our toxic dreams while ice caps melt and winter steams, and all the air surrounding reeks as children choke, for no one speaks of fracking wells or oily leaks (Big Brother's silenced all critiques!), and rancid rains acidify so woods no longer multiply (for God so wills, we can't deny, which is, of course, our alibi). And as the deepest ocean fills with plastic bags, and garbage spills upon the plains, across the hills and turns to poison dust that kills wild dingo dogs and daffodils which sink in swamps’ forsaken swills, the mocking bird makes light and trills (midst waning wails of whippoorwills) "Behold the surreal scene that chills and greet the dread that death distills! You've had your day with all the frills that brought the flood and final ills that can't be cured with bitter pills nor yet undone with further thrills of profit gained that grinds and fills dead desert sands with dollar bills." EPILOGUE Though swaddled still in infancy, we feel we’ve reached our primacy (aloof, though preaching piously, disdaining deeds of decency) and have no need of augury. But in the pit of prophecy the crucial questions seem to be: “Is doom Earth’s fate, our destiny to twist in tides of agony destroying nature’s progeny with no return a certainty assured by death’s finality?” and ”Should we plant a willow tree to someday weep for you and me?”
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53
Jealousy Is hell Because I do not enjoy Myself, And well I enjoy all of you- You With your smooth moves Perky and peachy attitudes Teach me To be as sweet As you- Beautiful Can be cruel Not like it is on tv, Or beside me Everyone shining, Smiling, While my smile feels Like hiding Under this wax mask A painted canvus Of pale and black Don't look at me I'm a heartattack A bad act- Broken glass Of a painted doll I am a leo lioness Right? Righteous- Your hieness Sparkles on my eyelids But you see I have enough pride To hide it- Its priceless, Really hillarious Sometimes I feel Like a bad ***** But I'm none of this I am the pray, The gazelle in the grass But I am also the lion Waiting to attack myself Because you see, Jealousy Is hell, I am the lion I am the gazelle I am heaven and hell In a vessle of myself See what you will, Your critiques are nothing My only enemy is me My only savior is me I am a lion But I am also A sheep Don't look at me Sometimes I cry in the mirror Blink my mascara tears, Blurry mess- Can't fit in my old dresses Tearing apart at the seams, Literally Filthy Famish Crawled out of my skin And made some bad habits Declining wealth Declining health Laughing as the scales tip- After all I am a person, Not permanent Why should I care Oh, But I do I do when I look at you You with your talented hands With your spider lashes And good moods Teach me to feel As good As you My lipstick smears and screams As the paintings on my face mock me So will my body, My body thats bruised And missused Perfume to cover the ***** They'll see my cherry lips move But they won't hear me talking Its perfect, The mask of confidence My incompetence Is a perfect fit No, really Its lovely When I wear it, People love me! Because people think I love myself No Jealousy Is hell, Beacuse I do not Love myself I love everybody else, Even the ones who Say I am full of it, Selfish leo, Selfish lion Exaggerated ego- Winking eyelids Sparkle, Wings to my forehead- I flaunt What I don't want, Because you want me to You want me To love me Like you do All of you I remember the words From my mother, Jealousy Is not a pretty color- Its crimson red, Exposed Like blood, I've had to sew it up No- Don't look here Not at my guts, Look at my eyelids Are these not enough?!?! These cherry lips Tell you to sush Less of a lioness, More of a cub I know I am my own predator My own pray I am All of the above
0
Oct 29, 2018
Oct 29, 2018 at 3:38 PM UTC
Lioness
Jealousy Is hell Because I do not enjoy Myself, And well I enjoy all of you- You With your smooth moves Perky and peachy attitudes Teach me To be as sweet As you- Beautiful Can be cruel Not like it is on tv, Or beside me Everyone shining, Smiling, While my smile feels Like hiding Under this wax mask A painted canvus Of pale and black Don't look at me I'm a heartattack A bad act- Broken glass Of a painted doll I am a leo lioness Right? Righteous- Your hieness Sparkles on my eyelids But you see I have enough pride To hide it- Its priceless, Really hillarious Sometimes I feel Like a bad ***** But I'm none of this I am the pray, The gazelle in the grass But I am also the lion Waiting to attack myself Because you see, Jealousy Is hell, I am the lion I am the gazelle I am heaven and hell In a vessle of myself See what you will, Your critiques are nothing My only enemy is me My only savior is me I am a lion But I am also A sheep Don't look at me Sometimes I cry in the mirror Blink my mascara tears, Blurry mess- Can't fit in my old dresses Tearing apart at the seams, Literally Filthy Famish Crawled out of my skin And made some bad habits Declining wealth Declining health Laughing as the scales tip- After all I am a person, Not permanent Why should I care Oh, But I do I do when I look at you You with your talented hands With your spider lashes And good moods Teach me to feel As good As you My lipstick smears and screams As the paintings on my face mock me So will my body, My body thats bruised And missused Perfume to cover the ***** They'll see my cherry lips move But they won't hear me talking Its perfect, The mask of confidence My incompetence Is a perfect fit No, really Its lovely When I wear it, People love me! Because people think I love myself No Jealousy Is hell, Beacuse I do not Love myself I love everybody else, Even the ones who Say I am full of it, Selfish leo, Selfish lion Exaggerated ego- Winking eyelids Sparkle, Wings to my forehead- I flaunt What I don't want, Because you want me to You want me To love me Like you do All of you I remember the words From my mother, Jealousy Is not a pretty color- Its crimson red, Exposed Like blood, I've had to sew it up No- Don't look here Not at my guts, Look at my eyelids Are these not enough?!?! These cherry lips Tell you to sush Less of a lioness, More of a cub I know I am my own predator My own pray I am All of the above
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146
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
0
Sep 11, 2013
Sep 11, 2013 at 6:36 PM UTC
9/11 Distilled
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
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67
the quality of quantity is unmerciful, prodigious production of wine improperly aged, pours soiled drops spilled without craft, care or taste, poured too quick to be nothing more than less than waste born in reckless unrestrained than every thought a golden gift, bestowed upon the masses, droppeth like the harshest hurricane rains, gives no moisture sustenance to the world, only floods and lays waste in dazed hazes blesses none but the one who cannot but cant, measures his own demeanor in the mirror, unsuspecting the mirror mirrors the ides of ego, seeds of self destruction the throned monarch who giveth but does not take, thinking the king he is, his own best, even better than his creator and tho he carvo's his retno critiques upon the brows of his subjects, he cares not, for it boring brings more mastubatory page views his addition of success, his edition of self congratulatory of writs and snits, which adds up to a whole lot of **** but you may put you pen down now, for the world needs only need one poet, and it ain't me, and it certainly ain't you .
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Aug 23, 2014
Aug 23, 2014 at 4:24 PM UTC
The Quality of Quantity is Unmerciful
you have to be careful what you put in your pomes and how you word your critiques some poets are unique and their retorts are silenced like their critics.
0
Mar 1, 2015
Mar 1, 2015 at 9:25 AM UTC
put(in) pome
She was a child wild wearing a white dress, galloping through fields of unrest, inspiring anxious warheads, for a hot second. Off to the next. She was anxious like a feather caught in a breeze, far from that child that minded none the weeds. Backhand compliments more potent than misogynic critiques. She was Marilyn Monroe. Where was Norma Jean? Living in a man's dream, pinned up in a concrete bunker, a porcelain poster tearing each time she wasn't taken seriously, or spent nights alone aside a dusty phone, with no home but Norma Jean, Marilyn's martyr long at peace.
0
Nov 18, 2014
Nov 18, 2014 at 6:42 PM UTC
Fame. (Marilyn)
Selfhood: Strange burden to be trapped in perceptions All the heavier When alone. Expectation wraps her bony hand around my heart And squeezes tighter With every failure. Overheard critiques build bad blood My battered bravery turns green and spoils. Persistence is as twinned as the judge. Is it necessary for resolution? Is it self abuse? Hope is a shattered plate Sharply paralyzing bare feet.
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Jul 19, 2014
Jul 19, 2014 at 3:27 PM UTC
Fragments of Hope (1)
You can make your jokes and remarks, And I'll just take it in my stride, But don't ever think the things you say, Will make me run and hide. I may not care about your opinion, But I will not tolerate your lies, I won't listen to your gossip, But I do have my pride. So next time you feel the need, To draw attention to yourself, Leave me out of you critiques, You have your own stories to tell. If you think you're above us all, I'll bring you back down to earth, Because believe me darling, Your darkest secrets can be unearthed. I know things about you, You don't want spread about, But keep on spreading rumours, And I'll start to shout them out. Don't mess with me honey, I may look calm and sweet, But there is a side of me, You really don't want to meet, You really don't want to take me on, Because I have nothing to loose, And willing to take a bet, That what I have heard is true, Continue to try and break me, And I will ruin you.
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Jan 10, 2017
Jan 10, 2017 at 11:58 AM UTC
Gossip Girl
Rock step, trip-le, trip-le Rock step, trip-le, trip-le Judah bids us "Good morning!" at nine at night, He's like Fred Astaire, Big moves and big ears. Dylan is late coming in, Sliding out of his leather jacket with a sour expression - He's too cool for this game. Lindsey drags in the speaker system, All goofy grins and ugly sweaters, And she's so happy to see us. Rock step, trip-le, trip-le Andy with his slick moves and slicker hair. Matt who always smelled strange but lost to Kevin. Susan with her tight, swinging hips and constant critiques. Pete thinks he can do this, and then breaks your arm. Caleb concentrates too hard, and tries not to look you in the eyes. Josh gets bored with the basics, deciding to breakdance instead. Rock step, trip-le, trip-le Rock step, trip-le, trip-le And after an hour of being passed from one lead to the next Like a hot potato, And then standing with your back against the basement wall During the free-for-all, You decide you rather be studying algebra and leave. Lindsey waves goodbye.
0
Nov 18, 2012
Nov 18, 2012 at 2:05 AM UTC
Swing Club
Sara L Russell 8th June 2016 _________________________________________________ Dear Sir or Madam, we regret to say your manuscript is not quite what we need; so therefore we're returning it today, with all good wishes that you will succeed. * * * Dear [your name here] regretfully these days we do not read submitted manuscripts; we're mainly doing television plays and cannot give out full critiques or tips. * * * "I'm sorry but our editor's away and he's the only one for poetry what was your name again? But I will say we will get back to you eventually." * * * No news is good news, so we carry on till everything but desperation's gone.
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Jun 8, 2016
Jun 8, 2016 at 3:47 AM UTC
The Complication of Publication (sonnet)
I awoke one morning To light beating through the window, The steady hum of the city In my bones. I was in a manic mood Before noon, half-dressed with my hair Standing straight from a nervous hand. My chest throbbed with a warm weight, A smoldering ember that expression could extinguish only. I wrote and cried and bled To get the vibration I was feeling Down on paper. In vain I spewed Collections of letters, contorted and foreign My mind was Shooting up skyscrapers and Strolling down streets of shine; I could but lust at a copy of Gatsby through a puddle of cheap wine. I suddenly found I couldn't take my walls, Any longer. I forced open the window And the city flooded my room, Sending papers sailing. I resonated With the silver river And all of me cried for release. I scrounged together clothes and wet my hair, Then bolted out the building. I was embraced by the world and twirled along, Hull to hull with the lonely lot. We, the builders of this landscape, The elemental moving force That hollowed these ashen canyons. Day by day we toil along our track, Carving deeper and wider, shifting specks, Seamlessly, we are one-      Crisp dress shirt and an expensive smell, cracked black work boots and a ponytail. I raised my eyes to the brilliant glare Of the segmented sky and considered the beauty of being A drop within a trickle. Rushing, rushing, I flowed around corners And broke against departmental shores. I sought my gaze in a fifth avenue reflection but found only lips. If people are the sea then I am the mist. Understand me-- I felt not love for others, But a crushing connectivity. Drifting, drifting, I was swallowed whole by anonymity, crew and ship. Critiques are very much appreciated.
0
Dec 4, 2012
Dec 4, 2012 at 11:14 PM UTC
Plunge Your Hands Up to the Wrist
I awoke one morning To light beating through the window, The steady hum of the city In my bones. I was in a manic mood Before noon, half-dressed with my hair Standing straight from a nervous hand. My chest throbbed with a warm weight, A smoldering ember that expression could extinguish only. I wrote and cried and bled To get the vibration I was feeling Down on paper. In vain I spewed Collections of letters, contorted and foreign My mind was Shooting up skyscrapers and Strolling down streets of shine; I could but lust at a copy of Gatsby through a puddle of cheap wine. I suddenly found I couldn't take my walls, Any longer. I forced open the window And the city flooded my room, Sending papers sailing. I resonated With the silver river And all of me cried for release. I scrounged together clothes and wet my hair, Then bolted out the building. I was embraced by the world and twirled along, Hull to hull with the lonely lot. We, the builders of this landscape, The elemental moving force That hollowed these ashen canyons. Day by day we toil along our track, Carving deeper and wider, shifting specks, Seamlessly, we are one-      Crisp dress shirt and an expensive smell, cracked black work boots and a ponytail. I raised my eyes to the brilliant glare Of the segmented sky and considered the beauty of being A drop within a trickle. Rushing, rushing, I flowed around corners And broke against departmental shores. I sought my gaze in a fifth avenue reflection but found only lips. If people are the sea then I am the mist. Understand me-- I felt not love for others, But a crushing connectivity. Drifting, drifting, I was swallowed whole by anonymity, crew and ship. Critiques are very much appreciated.
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45
A lo mejor mi sentir hacia ti No se compara al tuyo pero un motivo me as dado a escribir sobre lo tuyo el tiempo sigue corriendo oportunidades se van desvaneciendo recuerdos desaparecen sentimientos borrosos que no vuelven te conocí y en una esclava me convertiste a ese vino espumoso años tras años cambio tras cambio solo vino seco en mis labios tengo en mis sueños revivo recuerdos mi conciencia me desvela esa tortura que intento borrar nunca te busco siempre apareces el pasado me persigue cuando intento olvidar no me culpes ni critiques mis sentimientos si borrarlos no puedo solo lagrimas bajan cada ves que te veo es inútil cuanto te quiero desperdicios creaste en mi sentir solo recuperarlos es mi vivir para dar se los alguien sin fin...
0
Feb 14, 2013
Feb 14, 2013 at 7:13 AM UTC
Una razón me as dado a escribir
« Notre amour était mon seul arme                                      Aujourd’hui  j’ai que des larmes Notre confiance  était le seul accord                     Maintenant le doute tue votre propre âme J’ai compris votre jalousie mais                             N’oublies pas que je suis une femme Une femme amoureuse de toi ,fidèle                         Et surtout confiante à toi et à moi-même Oublies les paroles ,et les critiques des autres          Laisses nous vivre une histoire pleine de charme Pardonnes moi de tous ce que j’ai fait                                  Stp pardonnes votre futur dame  » Elle m’ a dit; J’ai répondu:   « personne ne mérite tes larmes              Et celui qui les mérite ne fera surement pas pleurer Sois sur que je te souhaite que de bonheur              le bonhur… que t'  attends...                                           avec quelqu'un que  tu admires   Tu as choisi de jouer  tes cartes au profondeur                  Et mon jeu était toujours à la hauteur Tu as détruit ton propre  amour   Tu m’as perdu pour toujours                                 pour m’oublier    ,  Tu as besoin du temps                                 mêmes les anges ont besoins du temps de repos cherche quelqu’un qui fait rire ton cœur moi je ne peux  t’assurer que de malheur                                            la vie m’a donné une deuxième chance                                               je vais rattraper mes fautes d’enfance   tu étais la grande faute de ma vie tu es la personne que  …………j’ ai pas envie.   » Abdelkadir BELHADJ
0
Mar 25, 2015
Mar 25, 2015 at 4:45 PM UTC
Séparation
« Notre amour était mon seul arme                                      Aujourd’hui  j’ai que des larmes Notre confiance  était le seul accord                     Maintenant le doute tue votre propre âme J’ai compris votre jalousie mais                             N’oublies pas que je suis une femme Une femme amoureuse de toi ,fidèle                         Et surtout confiante à toi et à moi-même Oublies les paroles ,et les critiques des autres          Laisses nous vivre une histoire pleine de charme Pardonnes moi de tous ce que j’ai fait                                  Stp pardonnes votre futur dame  » Elle m’ a dit; J’ai répondu:   « personne ne mérite tes larmes              Et celui qui les mérite ne fera surement pas pleurer Sois sur que je te souhaite que de bonheur              le bonhur… que t'  attends...                                           avec quelqu'un que  tu admires   Tu as choisi de jouer  tes cartes au profondeur                  Et mon jeu était toujours à la hauteur Tu as détruit ton propre  amour   Tu m’as perdu pour toujours                                 pour m’oublier    ,  Tu as besoin du temps                                 mêmes les anges ont besoins du temps de repos cherche quelqu’un qui fait rire ton cœur moi je ne peux  t’assurer que de malheur                                            la vie m’a donné une deuxième chance                                               je vais rattraper mes fautes d’enfance   tu étais la grande faute de ma vie tu es la personne que  …………j’ ai pas envie.   » Abdelkadir BELHADJ
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32
I see what you're doing; I know what you are. Seen you travel some distance through this lyrical bar. I know your particular flavor, as you 'give' yet leave nothing to savor. Did you say it all...did you feed your callous need? As your 'so called' critiques and comments just left another to bleed? How 'brave' you are behind your avatar, but you see, You've done little, if anything, to honestly impress me. You use your lack of diplomatic restraint to simply crush spirits and leave behind a dark, bitter taint. Did you say all you needed, does is make you feel better? To ruffle thin feathers; crippling feelings altogether? I know what you're doing; I could BE you, if I very well wanted to! The bile and power of your word, leaves poor souls understanding that their thoughts and opinions, to you, are absurd. Time after time I read your insolent speeches on many a blog, as you spew forth your 'wisdom', dispensing a high voltage flog. I know what you're doing; I could BE you, if I very well wanted to! Unlike YOU, 'friend', I prefer to pay visits and leave a word of kindness; never leaving them with lyrical blindness. Sometimes I may read, and have nothing to say...if their words overwhelm, hit a nerve, or inspire my mind to stray...to a place of recognition...far, far away. I just felt this deep need to express, how you're grating on my nerves; with your sour, evil comments just disguised as 'clever words'. Go on now, my 'friend', try to pen words that INSPIRE... I promise I'll be kind, even as I unleash my fire... unto the likes of you... such a mean spirited shrew! So next time, give great thought to your comment before you click away, 'cause I know many a great poet here, that by YOUR cold, pathetic words... will NOT be chased away! -by Mercurychyld Copyrights
0
Mar 2, 2015
Mar 2, 2015 at 9:18 PM UTC
LYRICAL POISON
I see what you're doing; I know what you are. Seen you travel some distance through this lyrical bar. I know your particular flavor, as you 'give' yet leave nothing to savor. Did you say it all...did you feed your callous need? As your 'so called' critiques and comments just left another to bleed? How 'brave' you are behind your avatar, but you see, You've done little, if anything, to honestly impress me. You use your lack of diplomatic restraint to simply crush spirits and leave behind a dark, bitter taint. Did you say all you needed, does is make you feel better? To ruffle thin feathers; crippling feelings altogether? I know what you're doing; I could BE you, if I very well wanted to! The bile and power of your word, leaves poor souls understanding that their thoughts and opinions, to you, are absurd. Time after time I read your insolent speeches on many a blog, as you spew forth your 'wisdom', dispensing a high voltage flog. I know what you're doing; I could BE you, if I very well wanted to! Unlike YOU, 'friend', I prefer to pay visits and leave a word of kindness; never leaving them with lyrical blindness. Sometimes I may read, and have nothing to say...if their words overwhelm, hit a nerve, or inspire my mind to stray...to a place of recognition...far, far away. I just felt this deep need to express, how you're grating on my nerves; with your sour, evil comments just disguised as 'clever words'. Go on now, my 'friend', try to pen words that INSPIRE... I promise I'll be kind, even as I unleash my fire... unto the likes of you... such a mean spirited shrew! So next time, give great thought to your comment before you click away, 'cause I know many a great poet here, that by YOUR cold, pathetic words... will NOT be chased away! -by Mercurychyld Copyrights
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57
put your hands on me, nice cold and arrogant be with me until time declares us ignorant of the majestic sun's son's daughters created in a circle of death, and life everythinginbetweenyouandI the "and" between soothes underneath you beds cool and warm sheets ripped up pillows destroyed i can get no sleep when i want to i'm up all night putting myself into what ideal you've created if i understand can you understand that i can be patient if you can be my patient i'll relieve your tension with my medicine nice and warm untilthenithoughtitwasjustaline no decision has a meaning i can be your patient too soothe me until I can get rid of my sickness insanity, whatever i've been annihilated but endless critiques and praises but they're all in my head they're all in my head (just like us)
0
Jan 5, 2014
Jan 5, 2014 at 10:09 PM UTC
I Can Be Your Patient Too
Again Such a vivid yet abstract motivation, a warm sense of meaning in my gut concocted from some poignant expression And again I'm at it Clattering into a comfort, a comfort absent of the cellular and substantial, yet so personal and surreal Without a definite direction, do these words have meaning? Well... what means a lot to me right now? What clenches against my skin, burning it red with tension in pure uncomfortable distraction? What insecurities make me feel as though my bones and bits could brittle to the point of sand? Well.. the usual. Clarity, validation, ****** release, a definitive admirable prowd sense of self, a bunch of ethereal concepts that haven't had the decency to manifest themselves and be nice enough to kick me in the face, shocking my nerves into a smile of reality. And the usual reflection on these worries reminds me of the usual image glimmering back, a response of criticism. For fuck's sake. And it is then I say **** you to the irrational and rational growths of pressure, and try to discern, rationalise, make distinct what matters. Or I let it all go, but remind myself soon enough that the world is waiting. The usual. I wonder if that job, career, book, **** even if that house would center the scales, but I doubt it. I wonder if the girl would massage my mind into tranquility, or if that girl will even be close enough to not notice me there. Or if a new someone will wander in, force me into a unavoidable eye contact. Either way.. The rooms are less foggy, the words are more clear. The mirror man does look sexier. The critiques will keep coming, the work will cycle and the validation won't be felt for a while, and may not be felt at all from the sources associated. But my tongue has more words and my throat has more volume. The stigma of the eyes from a thousand people morphs from suspicion to callousness to clarity. So yeah. The meaning here... well... I'm fine thanks. How are you?
0
Nov 6, 2013
Nov 6, 2013 at 6:36 PM UTC
A good healthy deconstruction
Again Such a vivid yet abstract motivation, a warm sense of meaning in my gut concocted from some poignant expression And again I'm at it Clattering into a comfort, a comfort absent of the cellular and substantial, yet so personal and surreal Without a definite direction, do these words have meaning? Well... what means a lot to me right now? What clenches against my skin, burning it red with tension in pure uncomfortable distraction? What insecurities make me feel as though my bones and bits could brittle to the point of sand? Well.. the usual. Clarity, validation, ****** release, a definitive admirable prowd sense of self, a bunch of ethereal concepts that haven't had the decency to manifest themselves and be nice enough to kick me in the face, shocking my nerves into a smile of reality. And the usual reflection on these worries reminds me of the usual image glimmering back, a response of criticism. For fuck's sake. And it is then I say **** you to the irrational and rational growths of pressure, and try to discern, rationalise, make distinct what matters. Or I let it all go, but remind myself soon enough that the world is waiting. The usual. I wonder if that job, career, book, **** even if that house would center the scales, but I doubt it. I wonder if the girl would massage my mind into tranquility, or if that girl will even be close enough to not notice me there. Or if a new someone will wander in, force me into a unavoidable eye contact. Either way.. The rooms are less foggy, the words are more clear. The mirror man does look sexier. The critiques will keep coming, the work will cycle and the validation won't be felt for a while, and may not be felt at all from the sources associated. But my tongue has more words and my throat has more volume. The stigma of the eyes from a thousand people morphs from suspicion to callousness to clarity. So yeah. The meaning here... well... I'm fine thanks. How are you?
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14
I don't wear black clothing (when I do) because I think it'll make me fit in with 'cool' people, I wear black because I like it. I enjoy it. I think it's rad. I don't wear black nail polish on my fingers and toes because I think it's 'cool,' or that I want others to think so, I put it on because I like the way it looks. I like the chipping that happens; I feel it's a microcosm of Time, itself. Nail polish exemplifies Wabi and Sabi. Besides, I have quite the affinity for black. I don't wear black eyeliner (when I do) because I think it makes me so metal, or because I think I need makeup to look good, I wear it because I enjoy the theatrics and I like the way it makes me feel. I don't have the style I do because I want to associate with Goths, Rockers, Steampunks or Metalheads; I have the style I do because I genuinely like the way it looks. It just so happens that I get those labels because people like to put people in boxes. I don't do what I do because I want others to notice and like me for it, if anything, many others will simply mock and make fun of me for it, but, ironically, much of that spite and disdain merely fuels my relished rejection of modern cultural normality and gender roles. In times of identity crisis, how weird is it to self-identify? I do what I do because I like to do it, because it makes me happy; because everything is a way to express yourself, if you only allow it to be such a medium, if only you find things to use as such mediums. I see it as Art for the body, somewhat poetic and transient; make of it what you will. It's truly too bad everyone misconstrues expression based on their own psychology, even me. I do it too, though I try not to: I am not exempt from my own critiques; I am, in fact, my closest frame of reference. At the end of the day, though, you just have to do what you like, for people and words shall fade but it is what you have within that stays.
0
May 24, 2014
May 24, 2014 at 4:03 PM UTC
Quite the Affinity for Black
I don't wear black clothing (when I do) because I think it'll make me fit in with 'cool' people, I wear black because I like it. I enjoy it. I think it's rad. I don't wear black nail polish on my fingers and toes because I think it's 'cool,' or that I want others to think so, I put it on because I like the way it looks. I like the chipping that happens; I feel it's a microcosm of Time, itself. Nail polish exemplifies Wabi and Sabi. Besides, I have quite the affinity for black. I don't wear black eyeliner (when I do) because I think it makes me so metal, or because I think I need makeup to look good, I wear it because I enjoy the theatrics and I like the way it makes me feel. I don't have the style I do because I want to associate with Goths, Rockers, Steampunks or Metalheads; I have the style I do because I genuinely like the way it looks. It just so happens that I get those labels because people like to put people in boxes. I don't do what I do because I want others to notice and like me for it, if anything, many others will simply mock and make fun of me for it, but, ironically, much of that spite and disdain merely fuels my relished rejection of modern cultural normality and gender roles. In times of identity crisis, how weird is it to self-identify? I do what I do because I like to do it, because it makes me happy; because everything is a way to express yourself, if you only allow it to be such a medium, if only you find things to use as such mediums. I see it as Art for the body, somewhat poetic and transient; make of it what you will. It's truly too bad everyone misconstrues expression based on their own psychology, even me. I do it too, though I try not to: I am not exempt from my own critiques; I am, in fact, my closest frame of reference. At the end of the day, though, you just have to do what you like, for people and words shall fade but it is what you have within that stays.
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49
Writing with tired eyes, Tie-dyed red. Through wine mist he stares ahead, Through walls and time until he finds, A scene with Alice, in January: Her cherry blossom nails sailing Down shivering spine, Petal bud lips stalk my neck-- We advance and retreat, Drawing out the chilled honey time Until we meet. Her hair cascades around me, Waterfalls of Midas-felt wheat. Waves of revelation overtook me and    Shivers of honesty shook me, Under her starched ivory sheet. Critiques and comments are much appreciated
0
Dec 5, 2012
Dec 5, 2012 at 10:36 PM UTC
Snapshot at When?
I am here, waiting patiently for her, though long time no see like in ever, like in never, my absentia, dementia, both critiques of self-censure, here, then, my cadenza, dedicated solely soulfully for you: as the sabbath sun rises over the East River, saying, mocking, laughing upon me, “still here, though long time no see,” for though I cannot never look upon her as well, my sun, my sun, yet she, too is everywhere-inside of me, woman-sun, both warmly illuminating my muddled mind
0
May 21, 2019
May 21, 2019 at 8:04 AM UTC
excerpt: my muddled woman mind
Art Bounces Calmly in a blissful Daze. Enlightened thoughts Feathered with blackened Grace. Haunting lullabies Illuminated by crying Jokers, Killed by shattered Laughter and Melancholy Nights. Oppressed by Parasitic critiques, Quick to judge the Ravishing and Sentient Topics. Unsuspecting to all, we Visit the bleak and cold World where X-rays replace the blistering, Yellow sun, and overshadow the Zealous moon.
0
Jun 3, 2013
Jun 3, 2013 at 5:53 PM UTC
Art (An Alphabet Poem)
At 2:30 a.m., I drink a beer, as if it is a crushed Ambien. I light a joint (the parents are gone for the weekend). My girlfriend is asleep in the basement, eyes closed, lightly snoring, the left side of her face is covered in scars and burn marks. I look around my room: white and blue Ralph Lauren shirts hang from the lampshade, the collars and sleeves are layered with dust. The bookcase is littered with shoeboxes, novels, and poetry collections. I take a drag from my joint and realize my ears are full of static, as if they had been packed with black and white TV sets. There’s the faint sound of a car passing by. The car is a reminder: Civilization, glass buildings, happy hour at my favorite hole-in-the wall in Chinatown. I’m naked, but not totally bare. All I’m wearing are blue boxer briefs, as though it is my uniform for my current occupation as a poet. The blinds are open and I wonder if I open the window and jump out, will anyone give a **** My therapist will probably label me as suicidal, if I mention that last thought. I think I’m just restless and idle. I take another chug from my beer. I’m hunched over a notebook, and writing with a blue pen, not because I think I’m an authentic writer. But because my computer’s in the basement and I don’t want to wake her; I love her. But I can’t stand her critiques, in regards to me. Maybe I can’t handle the harshness in her honesty, as if it is a foreign language coming from a stranger who I’ve known for years. I’m not sleepy. I’m scared. Scared about growing up, scared about having to stop giving a **** and finally having to care about my life.
0
Dec 15, 2016
Dec 15, 2016 at 12:47 PM UTC
A Poem for the Insomniacs in NOVA
At 2:30 a.m., I drink a beer, as if it is a crushed Ambien. I light a joint (the parents are gone for the weekend). My girlfriend is asleep in the basement, eyes closed, lightly snoring, the left side of her face is covered in scars and burn marks. I look around my room: white and blue Ralph Lauren shirts hang from the lampshade, the collars and sleeves are layered with dust. The bookcase is littered with shoeboxes, novels, and poetry collections. I take a drag from my joint and realize my ears are full of static, as if they had been packed with black and white TV sets. There’s the faint sound of a car passing by. The car is a reminder: Civilization, glass buildings, happy hour at my favorite hole-in-the wall in Chinatown. I’m naked, but not totally bare. All I’m wearing are blue boxer briefs, as though it is my uniform for my current occupation as a poet. The blinds are open and I wonder if I open the window and jump out, will anyone give a **** My therapist will probably label me as suicidal, if I mention that last thought. I think I’m just restless and idle. I take another chug from my beer. I’m hunched over a notebook, and writing with a blue pen, not because I think I’m an authentic writer. But because my computer’s in the basement and I don’t want to wake her; I love her. But I can’t stand her critiques, in regards to me. Maybe I can’t handle the harshness in her honesty, as if it is a foreign language coming from a stranger who I’ve known for years. I’m not sleepy. I’m scared. Scared about growing up, scared about having to stop giving a **** and finally having to care about my life.
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56
What a critical world I show off my talents And get no praise All you see are the tiny mistakes You magnify the flaws And shove them in my face It’s a routine with everything I say Everything I make Everything I do Now I strive for perfection To silence your hate And judgemental reviews
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Jun 19, 2013
Jun 19, 2013 at 10:59 PM UTC
I Can Live Without Your Critiques