Chop, chop, chop, chop, chop,......
.....stack, stack, stack, stack, stack.....chop,chop, chop, chop, chop....  stack, stack, stack, stack.....
HEY!!!
  What are you doing here??
There's nothing here to see but an old man chopping fire wood and stacking it. 
 Heard tell it's gonna be a cold winter.
Colder than a witches ***. 
 You don't need to be here for this boring, repetitive, chore of mine.
Run along.
I'm sure you can find something better to do.  
And let me get back to my work,
Thank you very much.  
Chop,chop,chop,chop,chop.....stack, stack, stack, stack ....chop, chop, chop, chop, ...etc...etc...

Chop...Chop...Chop...Chop...Chop...
Laugh.
Murdering is an art!
It takes caution, skill, and smarts.
It also takes a weapon.
In the case of murdering, you can say...
that technically a human murders every day,
may not be of it's own kind, but...
we **** other living things every single day.
Do we see them?
No, maybe, possibly, I don't know. Do you?

I am...
Jack the Ripper!
I ****** prostitutes,
women who defile their bodies by
showing off their ******* and bellies...
and innards...to lost men.
I don't know why I **** this specific kind of pray...
but I do...And I know its fun teasing the media.
Maybe I should start murdering the men too...
Sneak into the room while their...going about their business...
...Never mind...That's a nasty thought...
Murderers care about that kind of thing too, you know?

They do not cry.
They don't have time to cry.
They do not scream.
They do not have time to scream.

I slice their throat first,
which means I win from the start.
Then...Save for my third,
I drag their innards around their bodies
like...fuzzy neck boas.
I take no souvenirs...It would cause a havoc...
A havoc I prefer not to have...

Chop...
Chop...
And laugh!
Chop...
Chop...
And laugh!
Chop...
Chop...
And laugh!


© 2012 Melody

I think I let this blueness overflow a bit
Mother’s being tender again
She talks to me like a bee does
To a sleepy sunflower
And does not mention the missed classes
Does not remind me of the exams
She says to me
‘Ayesha,’ she says,
‘Ayesha, you brood too much.’
And I know mother.
And she jokes that she might have to
Burn this notebook I keep scribbling in
Because it does not make me happy

She says to me,
‘I know you’re brooding when you write
And all that writing makes you grey.’
She says she’ll have to throw it out
In the street
But I know she never will
She’s too tender
Too tender, my mother.
I think, ‘Will I have to myself then?’
And I think, ‘How many will I throw?’
And I think, and I think till the sun
goes down

But I brood when fairies are on their way
To the stars
And mother,
Why are dead things always the scariest?
Sorry, I know I’m supposed to be
Focusing on these Orbital radii
But I can’t stop, mother
The atomic structures
Keep mingling with dragons
And their pretty eyes

Mother’s being soft again
I am a little child stumbling up the hill
And she never asks me to help in the kitchen
But when I wander around
Light as a wind
She lets me chop the vegetables
I do
There goes an onion, so quiet
Chop, chop, chop
Mother, do you think if trees bled
We would still butcher them to pieces?

Chop, chop, chop
Mother, who carved this goddess out of my name?
It feels heavy now, wings mighty and huge
I can barely stand this mortality
Chop, chop, chop
Mother, does it not pain you
Seeing all the coriander dry in the pots?
The dirt that birthed it from a quiet seed could not keep it alive.
How are you so strong?

Mother, mother
It reminds me of my Morning Glories
Last year
They bloomed so happily every morning
And they’d wilt by the evening
And the next day
The slender plant would make more blooms
They kept dying, mother
All of them
On and on and

There was nothing I could do
Nothing the stems could do
I watered and watered and watered, they kept dying
Born to wither
And in the winter, when the sun wasn’t as cruel
Cold did the job
And all the leaves fell down
empty plastic wrappers, they were
And I pulled the hollow vine off the railings
We burned it that night, I and Faizan
The fire ate away what was left, and
Ate herself when nothing was

chop goes the last lamb
I sacrifice a lot to my wolves
The sparrows outside ask me why I do not talk
I do, mother, don’t I?
I talk a lot, a lot, a lot, my skin gets tired of hearing
The silence hops around the kitchen,
a mad cat

Mother wipes the heat off her forehead
The stove whispers on
‘You’re brooding again, Ayesha.’
‘Whatever, I told you it was not just the poems.’
Everything’s a poem to you, Ayesha
No mother, I’m just tired—

Just My Job

I chop off hands, I chop off feet,
I'm the kind of guy, you don't wanna meet.
I chop off legs, I chop off arms,
if you wanna help, I'll take turns.
I chop off *****, I chop off *****,
I freeze the parts with ice cubes.
I gouge out eyes, I chop off ears,
don't worry I use sanitized sharp sheers.
I cut out your kidneys, I cut out your liver,
Cannibals pay me good to deliver.
I chop off your *****, I cut out your heart,
then put them all in a shopping cart.
You may ask yourself why cannibals,
because they eat humans, like we eat mammals.
I peel off your skin, then chop off your head,
they eat your skin with some mayo and bread.
The payment plan is very well,
if it wasn't, I would never sell.
Times are tough in this recession,
please don't get the wrong impression.
This has become my career and passion,
sorry that I show no mercy or compassion.
I lure people into my home,
started with a salesman selling chrome.
Jehovah Witnesses are easy victims,
I guess you can say I have serial killer symptoms.
I sell the blood to all the hungry vampires,
if you could only read my secret diaries.
If anyone you know is considered missing,
it's because of me going fishing.
Cannibals give me a people list,
I'm doing Gods work with a twist.
Ten years and going strong,
I guess, what I'm doing is wrong.
People please don't judge what I do,
or my next victim, could be you.

the reason those paintings sell for so much at auctions, is because, unlike poems, you've invested in oil paints, brushes, the canvas, a space to do the work... with poems you don't really need raw materials on such a scale, obviously a manuscript might sell, but never in the range of a painting; poets don't invest much in writing a poem, or if they do, it's treated like an ***** donor's bits-and-bobs - hey! turn on the conveyor belt of recycled heartbeats! we have one dying over here, and another needs a transplant! turn it on, we're not stopping for one ******* or another! but i ask you, is this really such a cold harsh reality, when compared to a graveyard? and that moss on the gravestones, and the forgotten mourning vigil of actual relation?*

i don't know why liquor is such
a sin, to so many people,
i once exclaimed: 'do you know
any other potent sedative?!
i don't, and sleeping pills don't work
without the intake of alcohol;
i know, counter-intuitive,
so where did you stash the barbituates?'
well if not a party drug to dumb-down
i drink and sedate myself,
i'm a turtle after a while,
although a turtle that still types things
down... like now...
let's write a pop poem:
got the munch, feel a hunch,
both are on my back...
poached a pear, stalked a grizzly bear...
felt it was all one, big, india's independence
day funfair. how's that? hmm... humph!
telephone Sweden for me, and tell
them i called asking for secretary Nobel
in the archives of time...
i don't like what i write, maybe that's
because i just write...
and i write... and write... and write...
elevate writing above slaving
at the plumbing or the light-bulb
and suddenly the world enlarges itself
in its commotion...
and a little fading grey dot emerges,
made exponential by your ego;
but i guess you can say o grand *******
when you write on the sly...
i can see poetry as a transcendental medium
from chop, charge, chop, charge,
chop, typo, chop, typo, chop, buzz,
chop, buzz, chop chop chop, typo... charge,
well d'uh, but how to capture a
transcendental conversation without
actually abusing the art into one's own escape
plans, like the inverse of suicide...
how to capture a convo... convalescent and
readied for more...
you're taking that poem up a mountain
to shout it out loud?
do that on the plateau of a marketplace
and ready yourself to shake hands with a straitjacket;
because that's how we now live.

Chop. Chop. Chop.
The colors of the pepper
scatter on woodgrain.
They sit next to the diced onion
that I cut blind-
Chop
with my face turned to the door.
Those are next to the once big trees of broccoli-
Chop
now small flowers,
and there's a potent pile of garlic-
Chop
ready to be thrown into a shallow pit of heat-
the olive oil is sizzling.
Stop.
Listen to sound of produce.
Go!
Don't let the smoke rise too far-
the noses will come visit
and take your dinner away.
That's okay...
**I wasn't hungry anyway.

Your the one son being rebellious little darlings here comes
the sun drenching delicious but wait those cloudy days
watch out the hunters run ducking our heads like babies
wetting and water squirting beds getting too saucy
  ten O clock playpen the daring duck gourmet sauce
Orange you glad all her rich creme spread across
her penpals
Do you trust those gals too country slick on Newsweek

Getting paid he is the longest laid egg all grilled we are
not thrilled here is the "Chuckie Duckie" doll those *****
barbie collectors they are sitting duck Graphic Artist
Not one quack doll plastic surgeon duck lips she thinks
shes the hot stuff romantic "French" lips up the
"Eiffel Tower" splash splash she is out of cash
Those hot items presidential poll what a lost soul

Too much blue yes attention swan dancers Springtime
Not  the red attention yellow instead ****** please
I need a  journey not the "Attorney" such a ****** case
When you need them they always duck
When they have a new quack case they are ruining
my image
Duck tapesty Carol Kings youve got a friend

I'm feeling yellow homesick on your feather duck pillow
The same yellow tie a different atmosphere Go- Spa
She's flirting do you know where your going how is
life treating you he's giggling way too wild on her
goose chase
  Losing our grip down to her chicken bone hip
Duck season not much time for love being hunted

The Spa  la la ha have Merci' oh la la 'Disco Duck"
The wild ones the only ones quack- quack the
lonely ones
At the waterfront trip to "Chinatown" they let
them hang to dry but why Dad? They are better
like the delicacy shark finn soup we need a Spa
lucky green group Irish eyes are smiling stories
of ducks

I am  not buying do you see duck climb the
          "Eiffel Tower" yellow as a canary
All talk-talk is cheap lets talk French Mom walks
With her pretty duck handle umbrella we waddle
The penquin what a beauty swan feather pen
  But she's the"Prima Donna" look out!

The slingshot Marilyn Monroe wiggles out
                  The "Spa- Ma"
                 Don't  Scramble me darlings
                    Breakfast eggs cagefree
                     *          *          
My little chickadees organic brown on my gown
Spa duckies traveled the whole Atlantic town
The longest pond sleeping like "Rip Van Winkle"
twinkle twinkle
doublecrossed the street you get one dermerit
Sesame street Big bird how many words in duck
vocabulary quack- quack who get's the duck star

Mars from Men women go to the Spa like the bad
omen and they don't leave tap tap chop chop
I want it now!! Its now or never why does she always
get ugly duckling book delivered
Lazy goose she is the spoiled rotten egg how
do we love those  I apples
Carrots are for the eyes Mom always gets bird eyes

My little chickadees the Alaskan cute puppies
Big salute to the cutest duck feet "God Bless America"
  Visa  American Express Daffy Duck in Disney mess
the real picture "Mona Lisa" getting the duck
         Prime  chop minister
"Parliament Spa" prices so sinister
"Eat Duck and Pray" the  southern biscuits
more recruits

My cute rookies those duckier cookies another Spa day
So prim and proper teatime with "Queen deck"
  Alice in rabbit hole-Santa candycane poles cute chick
is homesick you better sent her money quick
The ducky bib the Chinese duck soup won ton
The feather fan she loves her Sushi roll Hollywood
Style California all duck drama
The best treatment duck made carpet

On the "Disney Hollywood" deck "Epcot"
On the futon what diction for a duck "My Fair lady"
Got the whole fortunes bed
The duck on the hill what a fool but the monk
Is the whole spiritual existence
The peacock's longest wait for lobster tails
centerpieces red bird Robin fly Robin Fly

Disco ball fancy tails she ended up up up to the sky
Her duck sunglasses a dozen ***** spin's the disco
The Duck Pop singer wants him back
High price or a short mack duck shooter attack
Food for thought homesick all saucy duck tie waiter
Cinderella rags to ducklings I went to "Woodstock"
Imagine me the teenager chick the duck split

Fill wing concert sky made a hit
The blues love is strange chick-lets are yellow
Like clock work what a duck work out orange          
        Duck handle umbrella               
 Duckies I pledge to you College Preppies
The chick feeder Ain't nothing but a hound dog
      Elvis heart breaker bird-brain feeder

  Moms duck sugar cookies
******* Jack one prize quack quack
 Huckleberry Finn paper boat old billy goat
  In the drowned mans eye holy ducks he delivered
I will blow you down duck horn the day you
were born
Having a third eye one duck Wendy 4 for a 4

Notre Dame church tragic but saved
   The  Easter yellow chicks
To Rome lend me your feathers no secret ears
Sticky Fingers she lost her writing finger in the
pond  OH! look whats beyond so kind
With her duckling apron dress he ducked
The chatty cat "City Dr Seuss"

Wearing duck boots those duck lips played her
like the fancy feast
The teachers pet the ducklings cute darlings
Spa cream she quite the flabber belly dancer
The ballet swan achiever "Spa One Day tripper"
The ugly duckling changed to beauty witch
Holy-land or duck pond Mickey's ears
                   Disneyland

Stand up daffy duck comedian Las Vegas
Godiva Peking duck soup flapping swishing
mess
The Big Ben red whose been sleeping in my
duck wing bed
The car stops he hiccups cute bebops
The guardian angel quack quack any luck
Yummy raspberry pie someone delivered

Christmas Scrooge all tears
New York lights camera I love my
        Serendipity chandeliers
Those duck tear drops last stop
Or you die__your still quacking
       Just in time said I
           Fly Robin Fly

     Saved my baby chick lovely
     Cradled her to love her
          Dr Seuss read

The barbie doll lost her hands
They were cut off by society's demands
Starting from the fingers, they were easiest
A waist larger then a twig just wouldn't fit
So chop, chop, chop went the first finger along with her meals
Touching limbs, no thigh gap
Another ******* thrown up in the toilet at 2am
Painted her face too much, too little
Chop, chop, chop goes two more
Another budget spent on fixing her hair
Ripped out another finger in an anxiety attack
Pressure, pressure to give in
She gives him her body and he takes two more fingers
Hunger pains, you still can't see her hips
She swallows the finale ******* along with cotton
He takes her palms with him as she leaves
All she has is a broken body and empty limbs
A perfect doll

the party to welcome colleen mcCullough and kel nagle to the cosmos


yes, the party has started when aw good golfer and friendly person passes away

yeah, he departs earth with a big PARTY, up on the planet os SATURN

with slim dusty sings i love to have a methane with old kel, here

i love to tip methane on him

we’ll drink in moderation, and we’ll burn the suffering out of him

you see, we drink in the town and country, and PARTY with methane, oh yeah

i love to have a nice methane with kel nagle, cause he is our pal

and then sam kinison yelled out WILD THING, OH YEAH LET’S PARTY

you make my heart come right out of my body, and into my lap

you dark and despicable wild thing

and, payne stewart, got a meteorite, and gave it to kel saying, your my inspiration

then scott mcdonald came up to kel and said, come with me, i’ll show you round the after life

ready to have a bottler PARTY for once and for all

and kel picked up some methane and tipped it on himself saying, i am now one of you

then the door bell rings and who can it be, and barry allan answers the door, and it is

colleen McCullough, the author of the thorn birds enters saying welcome everyone

i am the great colleen mcCullough, and i just ended my stint on earth

so i can calm the spirit of ronnie biggs and osama bin laden

and she said to brian allan, yes, it’s great you don’t want to have any scandals in stardom

but brian allan, you are popular on youtube, and you do acting  in canberra

and you entertain in poetry slams, dude, ok and don’t stress about hollywood, listen to your father, buddy

then colleen released paul berenyi and said, you leave the after life ALONE osama and biggs

and go straight to fucken hell, ok, because i am about to go into work to

keep my spirit running into my next life, to fight this wart on terror, it’s a hard battle

i died of natural causes, but, terrorists, really are ruining mother earth, ok

so we need all religions to come together to fight on this war, fight on this war on terror

and colleen mcCullough, guarded paul and all the others from stupid osama ghost laden

so kel angle and colleen mcCullough took each others hands and danced to

pardon me boys, it’s the chattanooga chop chop toot toot

you see it’s party down in party town

so pardon me boys, it’s the chattanooga chop chop, yeah yeah

we’ll party on till our rebirth oh yeah

and then sang the big hit called ain’t she sweet

see her coming down the street, i ask her very confidentially ain’t she sweet

ain’t she nice, look her over once or twice, i ask you very confidentially ain’t she nice

just cast an eye, in her direction, oh me oh my ain’t this perfection, i repeat

i repeat, don’t you think this is kinda neat, i ask you very confidentially ain’t she nice

pardon me boys, it’s the chattanooga choo choo, oh yeah

come on dudes, swing this party right, come on ya dudes

it’s the chattanooga chop chop, oh yeah, come on

and this train is heading to our new home on neptune, till our earth bodies, get reborn

slim yells out i would love to have a beer with kel and colleen, cause they were our famous mates

and welcome to the afterlife, enjoy ya stay here, in preparing for your next life,

WE ALL HOPE IT GOES WELL

brian allan as cronus said as he places a piece of green gassy methane on kel and colleen

saying

HOPE YOU RELAX, TO MAKE YOUR NEXT LIFE VERY FRUITFUL, DUDES

and kel ended up hitting a hole in one from saturn to the point in neptune

and it reached that point in neptune in one hit, COOL MAN

i - Introduction:
ii - Lismore Park
iii - The Road to Maidenhead
iv - Town Square
v - Contradiction, contraband
vi - Saturday Afternoon
vii - The Circus Comes to Town (Sunday)
viii - The Show
ix - The ringmaster
x - The Fracas
xi - An incident at Upton Park
xii - No ball games
xiii - New found…
xiv - Nearly done
xv - Another time…

i - Introduction:

Come friendly bombs you’ve still to hit
The place whose name means quagmire
The town, the place that’s left bereft
Of soul, of spiritual fire.
But hurry, hurry, please be fast
For the crack dealer plies his trade
With slight of hand and cunning
A ghetto he’ll have made

The peroxide perms have now all grown
And muster outside shops
To wait for the be-suited sales rep
With his rocks and his alco-pops
They’ve all spawned offspring of their own
Fifteen-year-old cradle pushers
Who sold their souls in return for hope
To thirty year old cradle snatchers

Come friendly bombs it’s plain to see
The vacant, empty faces
The lifeless eyes, the pallid skin
The love that leaves no traces
The love that lasts a knee trembling minute
Outside Harry’s and Sluffs
A love that smells of emptiness
O they cannot get enough

Come with me, look over there
To the sculpture in the mall
The stainless tree with it’s stainless birds
And stainless birdsong call
A bird sings and the town all stops
To see from where this sound will show
A bitter disappointment when learned
It was played on the radio

Community service on the airwaves
To draw the crowd together
A song played, a one hit wonder
Reminds us nothing is forever
The sterile radio station plays on
Opiates to which we should yield
And bare our souls and be grateful for
The song of Bedingfield

ii - Lismore Park

The sight of a child playing in the street
Is one of day’s gone bye
But Lismore Park sees them out in droves
Stealing cars and getting high
The twelve year old sent out to play
Whilst mother takes a knap
But really she’s having it away
For a fiver and a brown wrap

The party at the house next door
That never seems to stop
The men all come and go and paw
Girls in this knocking shop
But halt weary traveller, stop!
Come sit and rest your back
The bench awaits you on the green
And the deluded maniac

The man who knows what’s wrong with you
And how to make it better
As long as he keeps his soul filled up
With cheap White Lightening cider
Six large cans for a five-pound note
From the corner shop near the school
An offer really not to be missed
And to make the drunkards drool

A songbird sits on the climbing frame
And sings his cheerful tales
A tune too much for our dear lush
The maniac exhales
The songbird sings and fills the air
With a loving string of notes
That reminds the sitters on the bench
There may still be a hope

A radio plays ‘that’ song again
Should you dare to forget the rhythm
The bird has flown away now
Fed up with this hypnotism
The airwaves are now filled with dross
Thanks to the flat opposite the green
The weary traveller moves on
“Better days has this place seen”

iii - The Road to Maidenhead

O friendly bombs do try to miss
The sweet blossom, the fragrant smell
The flowers, the green grass of the parks
The havens in this hell
Be careful around the Jubilee River
With it’s wildlife and sculpted hills
For a walk in this very man-made place
Will surely heal your ills

But spare no mercy for the superstores
That pollute and destroy our thoughts
“If it’s not on the shelf, we haven’t got it…”
The familiar assistants’ retort
Take no prisoners with the office blocks
That lay empty year after year
For they clutter up the atmosphere
And have no value here

O friendly bombs, o friendly bombs
The cabbages are all grown
They read the Sun and sing along
To the radio’s dreaded drone
Whilst in their vans they speed on by
Jumping all the lights
To price a job – a small brick wall
Based on a thousand nights

The car showrooms… the car dealers
Stack ‘em high and sell them cheap
Chop-chop salesman, soften ‘em up
The rewards are there to reap
Finance, part exchange or cash
Anyhow you like
“No sir, not me sir…
…I’d prefer to use my bike”

The bustle of the weekend crowds
The steamy traffic queues
Stare too hard at that red car
And suffer the abuse
Overtake the blue one now
And make him toot his horn
See him raise his voice in anger
To satisfy his scorn

iv - Town Square

Saturday morning, seven o’clock
The town begins to wake
A pair of sleeping winos
Dream about their fate
They plan their morning sermon
But who will really care
For what they say means nothing
Less than their icy stare

The busker and the balloon man
Wait to take their turns
To entertain and irritate
And suffer being spurned
By a thousand shady shoppers
Who’ve heard it all before
And probably given hard earned cash
To make them play some more

The trickster and the barra’ boys
Set up all their stalls
Selling mobile phone covers
And fake branded hold-alls
Adorn your phone with logos
Hankies for a pound
“Yes sir, we’re here on Sundays…
…(Providing there’s no police around)”

Grab a baked potato and sit
And watch the folk go by
Some will have you in hysterics
Some will make you cry
The man on his double-glazing stand
In his suit and in his tie
The perspiration on his head
Watch him wilt and fry

The songbird settles on the wall
And sings to our delight
A merry sonnet that will inspire
Dreams we’ll have that night
The wino shouts his sermon now
The bird has paused his song
This post-war sprawling Hooverville
Muddles slowly along

v - Contradiction, contraband

On the steps of the library he screams aloud
Through a mist of smuggled gin
“You’re all fools, the lot of you is ****
I’ve not committed sin…”
“It’s not my fault I’m a lush… a drunk
I don’t choose to live this life”
“You’re all wrong in carrying on
It’s you what’s caused my strife”

In his wretched form he abuses the world
Pooh-poohing this and that
A skunk telling the world it stinks
The polemic polecat
“Society has robbed me of everything
And left me less than whole”
“The only day that’s good is Thursday
When the postman brings me dole”

On Friday he meets his dealer
To fuel his pickled mind
The man with the van on Saturday
With the spirit and the wine
By Monday, he’s all skint and broke
The weekend has passed him by
He takes his place on the library steps
We shake our heads and sigh…

Every week the same routine
The same routine again
Like clockwork his life ticks on by
The suffering and the pain
But he tells us it’s all our fault
We’re the ones not right
But it’s very easy for him to say
The man who’s so contrite

The children watch him puzzled
It’s more than they can bear
“It’s very rude…” their mothers say
“To stand like that and stare”
But what, do they expect their young
To ignore this fool a mumbling?
For they will see it for what it is
A stormy weather warning

vi - Saturday Afternoon

I sit on a wall in Slough with friends
Sharing the Dutch export
Watching and laughing at the world
And it’s variety of sorts
A happy bond that we all share
The joy of simple things
Come friendly bombs and gather round
Watch us while we sing

The friendly bombs you call upon
Are they straight off the shelf?
It’s my belief, my firm belief
The bomb is in yourself
Ticking slowly by and by
Just waiting for the code
To trigger you and trip the switch
To make the bomb explode

We watch the people from where we sit
The hellholes they’ve all made
They don’t live they just exist on
The edge of a razor blade
Stop! Step back and take a look
It’s not too late to change
And become what you really want to be
An icon of your age

Over now to Langley Park
To sit and bathe in the sun
O friendly bombs please wait a while
Until this day is done
But what will tomorrow bring my friends?
And will it come too late?
Something that may save us all
The bombs may have to wait

A sedate sleepy Saturday
Away from all the crowds
Share a joke, a ****, a smoke
And laugh together loud
The sun warms our sombre souls
As on our backs we lie
Staring as the clouds roll by
United under the sky

vii - The Circus Comes to Town (Sunday)

Halt now, wait awhile please
Stop the counting down
Today the air is charged with joy
The circus comes to town
Must have arrived last night we think
Under cover of dark
And settled down and pitched it’s tents
In the grounds of Upton Park

The queue to purchase tickets
Trails far along the road
No. 53 offers cups of tea
From outside her abode
The crowds are mum, they say not a word
As they wait their turns to go
Inside the circus big-top tent
And sit and watch the show

We settle down and take our seats
With an ice-cream and a coke
But wait, where are the circus clowns?
Is this some kind of joke?
A wall of mirrors fades into view
And puts us in a spin
Reflecting all the bright lights
The colours and the din

The ringmaster enters, cracks his whip
And hands out little slips
“Everyone’s a winner” was
On every body’s lips
The clowns they all appear now
With a modicum of fuss
Hold on just a minute now!
The clowns we see are us

A spotlight points up to the gods
At the top of the trapeze
A giant money spider glides
Down with greatest ease
He touches each and everyone
All paralysed with fear
And hands out ten pound notes to all
Then promptly disappears

viii – The show

A strongman strolls out slowly with
A length of iron bar
A leopard spotted leotard and
Moustache sealed with tar
He looks around the big top with
A menace and a sneer
Surveying all the audience
He seeks a volunteer

The white van man he raised his hand
The tattoo on his arm
Said this man must not be crossed
To do so would mean harm
The strongman bent the iron bar
Across the van man’s back
Then invited him to strike him down
An unprovoked attack

The van man clenched his hand and hit
And hurt his mighty fist
A statue of the strong man shattered
Turning into mist
The van man stood and stared in fear
The mist it gathered round
And carried out our hero driver
He hardly made a sound

No-one clapped we all just stared
Our faces ghostly white
The strongman re-appeared and looked for
A second stooge that night
No-one raised a hand in fact
No-one said a thing
The strongman shrugged and vanished…
Empty was the ring

A knife thrower was the next to appear
And seek the help of one
With nerves of solid steel and courage
Secondly to none
Down came a fallen woman
Who said she had no fear
A knife was thrown and pierced her skin
Her right large ear-ringed ear

ix – The ringmaster

A second knife it struck her chest
She didn’t seem to weep
She didn’t seem to be in pain
Although the knife was deep
A third knife struck her arm and then
A fourth it struck her head
The knives that should be missing her
Were hitting her instead

Horrified the crowd looked on
Without a fuss or row
The woman now all full of blades
Politely took her bow
She then went back and took her seat
And never said a word
Not another word she said
And not a word she heard

A magician was the next to charm
And thrill us with his tricks
He pulled a rabbit from his hat
Then sat it on some bricks
He then threw watches at this beast
That grew to a great size
The rabbit caught them all and juggled
Them to our surprise

But here’s the rub when we all looked
At places on our wrists
No watches were there to be seen
A cunning little twist
The magician cracked a whip and put
The rabbit in a stew
Which vanished there before our eyes
Vanished out of view

The magician he announced that he
Alone did have this plan
To mystify and amaze us all
With his clever hand
Indeed he was the ringmaster
That owned this circus troupe
That terrified and petrified
Our frightened little group

x – The Fracas

A swarm of bees engulf us now
And cover us with honey
The ringmaster cracks his whip again
The bees all turn to money
Then suddenly the fight begins
As we grab this flying stash
Filling up our purses now
With the hard-grabbed cash

The ringmaster, a clever man
Calms us with his sigh
“There’s plenty here for everyone
…And more than meets the eye”
Suddenly a flock of doves fly
Sweetly through the air
They then attack the baying crowds
Pulling at their hair

Then with a deafening bang, a crack
A flash of burning light
We all cascade towards the floor
The circus out of sight
Confused we all stare around
Thinking it absurd
This bizarre spectacle should vanish
Gone without a word

I look from face to face to face
Whatever could this mean?
We all are laughing nervously
How stupid have we been?
We talk about the day’s events
We talk and talk some more
A voice booms from out the sky
“I’ve opened up the door”

“I’ve brought you all together now
To pander to your greed
To watch you take from fellow man
Deny him what he needs”
I reach in to my pocket
For the money I did place
It reads “Admission: 1 adult
To The Human Race”

xi – An incident at Upton Park

That week the local paper ran
An exclusive full-page ad
“Faland’s Travelling Circus Troupe”
“The most fun ever had”
But no review was there to read
To tell of our event
The strange encounter with this circus
To which we all went

The following Sunday we meet up
In groups of three or four
Since that incident in Upton Park
The spectacle we can’t ignore
No-one knows quite what it means
I don’t think that we’ll ever
Understand all that happened here
That brought us all together

Perhaps there is a deeper message
Given on that day
Faland may be telling us
That we have lost our way
He simply used us all as tools
To illustrate our folly
That had now become too serious
A risk to things so jolly

Every week now we all gather on
This hallowed piece of land
And this is very odd because
Nobody makes the plan
The idea comes to all of us
A self-ignited spark
And draws each of us in turn
To meet in Upton Park

We picnicked then we all played games
Then talked about the rain
We toasted our new friendships
And vowed to meet again
The bombs, the bombs they’ve all slowed down
Compassion saved the day
This newfound love we now all have
Must surely pave the way

xii - No ball games

The joy did not take long to spread
Across our grimy frowns
And bring a little sunshine
To lighten up this town
Happiness is upon us now
The whole of Slough-kind
Depending on how you look at it
And on your state of mind

The lush upon the library steps
The wino on the bench
The Publican and Landlord
The ***** serving *****
They all wear smiles and laugh a lot
And speak of wondrous things
A songbird perches on the fence
And merrily she sings

The children, o the children
How they sing and dance
Always being friendly
In any circumstance
They have no care for politics
You’ll see it in their face
They want to play with everyone
Who’s in the human race

Meanwhile back in Upton Park
The townsfolk meet again
But there’s no talk of horror
Or suffering and pain
Instead though how a monument
Should be erected in our names
And pulling down the signs
That read ‘No Ball Games’

The bombs have all stopped ticking now
And line up by the wall
And every now and then they clang
Just to remind us all
If we get too complacent
And don’t respect our friends
We’re marking down the seconds
To our bitter end

xiii – New found…

We shared our food and shared our tales
Life stories we all told
They made us laugh they made us cry
Left us warm and cold
The suffering we did speak of
Helped us understand
How fellowman and woman kind
Dwelt in other lands

We laughed at tales of folly
And stories of the past
Stories that we are in awe of
Stories that will last
For another thousand years or more
And travel on the wind
A gentle breeze that talks to us
Thrilling to the end

Gathering momentum
Our stories travel far
Picked up and told by new folk
Under glowing stars
They bring warmth and humanity
Softened by the rain
They travel back to each of us
To be re-told again

Who’d have thought this loving joy
This beacon in the dark
Would begin upon the grass
Of hallowed Upton Park
The greed has gone or mostly so
Now happiness is here
We’ve seen the light and now must spread
Our messages of cheer

Looking back it hardly seems
We could have been that way
Not caring if each other lived
To see another day
This new found near Utopia
Must spread across the land
And we must stand to offer all
Our warm and guiding hand

xiv – Nearly done

The story is now almost told
Of how a strange event
Saved us from our selfish selves
A message heaven sent
With cunning tricks and sleight of hand
The error of our ways
Was written up in greasepaint
Shining through the haze

A strange di

I

In that November off Tehuantepec,
The slopping of the sea grew still one night
And in the morning summer hued the deck

And made one think of rosy chocolate
And gilt umbrellas. Paradisal green
Gave suavity to the perplexed machine

Of ocean, which like limpid water lay.
Who, then, in that ambrosial latitude
Out of the light evolved the morning blooms,

Who, then, evolved the sea-blooms from the clouds
Diffusing balm in that Pacific calm?
C'etait mon enfant, mon bijou, mon ame.

The sea-clouds whitened far below the calm
And moved, as blooms move, in the swimming green
And in its watery radiance, while the hue

Of heaven in an antique reflection rolled
Round those flotillas. And sometimes the sea
Poured brilliant iris on the glistening blue.

                        II

In that November off Tehuantepec
The slopping of the sea grew still one night.
At breakfast jelly yellow streaked the deck

And made one think of chop-house chocolate
And sham umbrellas. And a sham-like green
Capped summer-seeming on the tense machine

Of ocean, which in sinister flatness lay.
Who, then, beheld the rising of the clouds
That strode submerged in that malevolent sheen,

Who saw the mortal massives of the blooms
Of water moving on the water-floor?
C'etait mon frere du ciel, ma vie, mon or.

The gongs rang loudly as the windy booms
Hoo-hooed it in the darkened ocean-blooms.
The gongs grew still. And then blue heaven spread

Its crystalline pendentives on the sea
And the macabre of the water-glooms
In an enormous undulation fled.

                        III

In that November off Tehuantepec,
The slopping of the sea grew still one night
And a pale silver patterned on the deck

And made one think of porcelain chocolate
And pied umbrellas. An uncertain green,
Piano-polished, held the tranced machine

Of ocean, as a prelude holds and holds,
Who, seeing silver petals of white blooms
Unfolding in the water, feeling sure

Of the milk within the saltiest spurge, heard, then,
The sea unfolding in the sunken clouds?
Oh! C'etait mon extase et mon amour.

So deeply sunken were they that the shrouds,
The shrouding shadows, made the petals black
Until the rolling heaven made them blue,

A blue beyond the rainy hyacinth,
And smiting the crevasses of the leaves
Deluged the ocean with a sapphire blue.

                        IV

In that November off Tehuantepec
The night-long slopping of the sea grew still.
A mallow morning dozed upon the deck

And made one think of musky chocolate
And frail umbrellas. A too-fluent green
Suggested malice in the dry machine

Of ocean, pondering dank stratagem.
Who then beheld the figures of the clouds
Like blooms secluded in the thick marine?

Like blooms? Like damasks that were shaken off
From the loosed girdles in the spangling must.
C'etait ma foi, la nonchalance divine.

The nakedness would rise and suddenly turn
Salt masks of beard and mouths of bellowing,
Would--But more suddenly the heaven rolled

Its bluest sea-clouds in the thinking green,
And the nakedness became the broadest blooms,
Mile-mallows that a mallow sun cajoled.

                        V

In that November off Tehuantepec
Night stilled the slopping of the sea.
The day came, bowing and voluble, upon the deck,

Good clown... One thought of Chinese chocolate
And large umbrellas. And a motley green
Followed the drift of the obese machine

Of ocean, perfected in indolence.
What pistache one, ingenious and droll,
Beheld the sovereign clouds as jugglery

And the sea as turquoise-turbaned *****, neat
At tossing saucers--cloudy-conjuring sea?
C'etait mon esprit batard, l'ignominie.

The sovereign clouds came clustering. The conch
Of loyal conjuration *******. The wind
Of green blooms turning crisped the motley hue

To clearing opalescence. Then the sea
And heaven rolled as one and from the two
Came fresh transfigurings of freshest blue.

~for Wendy ~

with my almost two years old poetry advisor,
who loves her Sunday rituals, an extra sabbath,
of waffles and Shrek, kid’s gym and artistic endeavors,
cozying up with Nana and siblings in a big old bed,
snacking and chewing on the good silk sheets

as always, she and and I go off to have an intellectual conversation,
letting the older ones to do kid stuff, while we converse and debate
topics of nature vs. nurture, the weather vs. climate change,
and the future of everything, unbeknownst to everyone else

which is greater, love or honor, she inquires,
sensing my thoughts are preoccupied with matters of honor...
as she strokes my itchy, scratchy day old face,
insuring her having my full attention, while
taking advantage of my loving weakness

grandpa:
honor over everything my opening gambit,
while she coyly harrumphs in response,
one can love without reason for such are
our natural souls programmed,
but honor needs concentration and contemplation,
and if done right,
then love will surely follow!

She-Woman:
ah ha! once again you sidle up to nurture,
cause love is too inexplicable,
old man, old man, did I not love you before
any season of reason crossed my brow,
and my vocabulary consisted of just
more, no, toy and hungry

what did I know of Aristotle, logic, codes of conduct,
the definition of honor yet abstract,
while love is nature’s illogical construct,
coming first without restrictions,
while honor is malleable and
property of the eye of the beholder

grandpa:
wise beyond your tears, you are, and unquestionably correct,
but while coming first, love cannot last,
until cover-coated with honor,
for honor gives us the because, and locks down the why,
honor gives the insight, the rationale, the rules of how to say
yes and no, when love is tendered and an R.S.V.P. is requested

She-Woman:
absent experience, for now will concede,
but be warned this is not over,
fo you have not brought me a definition of what truly honor be

grandpa:
honor is the housing of love, and though you granted me your favor,
comes the day that you will demand proofs that
what was unearthed & unearned
is now earned, a course in credit, a baccalaureate in life’s lanes,
when to heed them, when to crossover, when to say I do, I do,
no to someone else alone, and yes to your honorable self

She-Woman:
adult double speak, I suspect, and you will rue the day
when forced to concede, with a wrenched
‘child, I do not know,’
meanwhile change my diaper
after I karate chop your knee

Grandpa:
yes child, but know,  two of your requests/notifications are
honorable acts and/know real love can be ONLY be exchanged
tween honorable humans

poignant and pointing
this is what you will be
second inward from the left
free, you will see

well rounded and fresh
garnished with a ring
growing openly
soon, you will be

there's **** Jagger and i have a lobster - ooh
hey yeah fan mail - i'll die tonight listening to
alpha bravo... charlie out;
summertime Kabul Tupac Shake Jovi - Bon Bon
Mangetout Rodney, the flyer across the street
of Peckham East on a tricycle -
any other onomatopoeia too -
or a knock knock joke?
how many times will the joke last
before the joke ends and i
send you two to the scaffold
with Antoinette's head rolling,
down down south?
what? you the only billionaire
with a puppet instrument gagging
teen girls worth a colliding shout?!
i too sold out,
i signed a ******* and then thank fucky fucky
bowed out on holiday in Thailand.
oh here comes Layla with Clapton,
genie and the Harrison and wasted Beatlemania -
tomorrow sounds just fine
and welcome to repeat with high tea at 5 take or hoot bonkers
clarification a repeat; or thus said vogue:
it was necessary to keep the garden primed,
even if it was Liverpool F.C. -
and everyone said that Michael Owen was an estate agent.

Long hair
Long brown hair
Long soft brow hair

Blue eyes
Blue soft eyes
Blue sad eyes

Pretty dress
Pink pretty dress
Flowery pink pretty dress

A chest
A chest so full
A chest so beautifl

Scissors
Scissors on pretty long har
chop, Chop, CHOP

Blue eyes
Teary blue eyes
Relived blue eyes

A hoodie
A hoodie and black jeans
Black ripped jeans and a band T

A chest
A chest in pain
Chest wrapped flat to body

she, She, SHE
Thats what they see
They will never see their son

Chop chop tree
Whip whip glee

Tame the horse
Hide remorse

Make a home
Build a dome

Dam on river
River under dam

2 acre wheat
3 acre bajra

Marry a woman
Veil the face
Make a son
Buy the lace

Make a God
Build a shrine
He ain't yours
He all mine

Chop chop tree
Hammer the glee

Cut the hill
Continue the drill

Make a home
Destroy a dome

Dam under river
River on dam

2 acre wheat
3 acre bajra

**** a woman
Burn the face
Make a son
Tear the lace

Sell the God
Buy a Shrine
You ain't His
He ain't thine

Chop chop tree
Buy the glee
He ain't human
Nor are thee.

The evil witch is after the 11 year olds


Once upon a time there was an evil witch,, and this witch was like no witch i n any fairy tales, no this witch was pure evil, you see she took pride in grabbing 11 year old kids avid locking themselves in the basement to eventually chop them up and put them in an oven, to give herself a feast, the first kid was young a 11 year old boy named Tommy Kinarfis and he was on his way to school and he was just minding his own business when this black car pulled up and before Tommy could run away, the witch grabbed him and shoved him in the boot of his car and being as scared as he was, Tommy really didn't want to die, and tried to bang the the walls of the boot to show that he has been kidnapped but nobody heard him and before he knew it, he found himself locked up in a cage being fattened up, so the witch can eat him up, and after about 12 hours Tommy was dead, and the witch was happy, the next kid was 11 year old daughter of president Frederick Leonardo, you see this president was so conservative and everyone was too scared to do anything bad to his kid, but one day when the presidents daughter, who was named Terri was waiting for her body guard after school when this car turned up and this man got out pretending to be her bodyguard one day, and after 2 hours of driving Terri realised that she has been kidnapped, and then the bodyguard took off his nice disguise and when Terri noticed it was the witch, she tried to escape but soon enough she was locked in her cage being fattened up, so the witch can enjoy her feast, and the presidents daughter Terri was dead and the president had a little burial for her.
The next kid was 11 year old Peter Vernin and he was a kid who loves sport, especially the AFL, because that was a boys sport, and Peter had it in his mind that because he played AFL, he will he invincible but as he was going to footy training, he had to walk because his parents had to work, a ******* car pulled up and this man pulled up and asked Peter if he would like a ride, and Peter, being only 11 said yes thinking he was being treated like a kid that everyone liked, but then he found himself chained up in the witch's basement ready to be slaughtered at any given time, you see because Tommy had muscles, that was enough to make him be nice and tender to eat and when the witch finds out that he had suffered enough, then the witch will cook Tommy up and before he knew it, Tommy was just a corpse and the witch was feeling very happy and this made her feel she can slowly get rid of each child as soon as they reached 11, and she was feeling like nobody will ever stop her from accomplishing this feat.
The FBI are having a hard time trying to find there missing kids because they just vanished without a trace, but they had every officer and forensic investigator in to try to catch the witch and make her pay, mind you the FBI were unaware that the persons responsible is a wicked evil witch.
The next kid was Raymond Terrestal, an 11 year old who was in a broken home and every day he went to the local shops to buy milk for the family but also he would occasionally steal a chocolate bar and also a few flavoured milks, and the witch said to herself that this boy needs to chopped him up and watch his shiny white legs slowly turn to very tasty meat. Even though Raymond put up a fight, saying you can't chop me up, fella, I am a sports boy and I have heaps of muscles, but the witch told him that the muscles make him even more tastier, and she wants to have Raymond to really taste nice so he can really get away from any way of being a sports boy, and as Raymond was cooking, he is yelling and yelling, saying, let me go, I am a big tough sports boy, I like playing footy, I don't wanna die, let me go and leave me alone old witch, but the witch said heh heh heh hen heh, no buddy you ain't a cool kid, all the other kids are tough, but you Raymond, no you are all mine, and Raymond was screaming, please save me from the wicked witch, And he also said why me, why me, why me, and the witch said, no mate your not like us,mate
You are still a little shy boy, and I am just doing what The Lord wants, you see Raymond, The Lord wants me to cook boys up when they turn 11, because then they are even more tender because they are mature enough so I get a good tasty bit of human flesh, and eventually Raymond died and the witch continued on her journey to rid the world of kids right till they turn 11 years of age.
The next kid was 11 years old Naomi Roberts who was a really family and friends type of girl and she very rarely strayed away., but one day she and her friends played outside the witch's house, because it was a pretty good place for kids to play in but unknown to Naomi that her friends were playing a trick on her and had planned to get her stuck in the bushes near the mail box and when the witch went outside to see what the noise was, she saw Naomi stuck in the garden trying to break free, and the witch used her powers to make her look like a nice old lady and brought Naomu inside to keep her safe, then the witch showed her true colours and told Naomi that she will never escape from her, and she also said she is hosting a dinner party and Naomi is the main course and from the moment she said that Naomi started to get scared and screamed and screamed for the witch to let her go, she also said it's not she that the witch wants, it's her friends, who stabbed Naomi in the back and the witch said, no they are young women and I don't want to **** young women, it's you, who I want, little girlie, and you are never going to ever escape from me, and Naomi said no Mrs Witch, you will be with me till my dinner party and then Naomi you will be no more. You will leave this world never to return little baby little girlie, Naomi is very scared and starts to feel like her perfect world is about to end because the wicked witch has her right where she wants her.
Naomi was trying to scream so loud that the witch's neighbour would hear and come and rescue her but nobody can hear her and Naomi starts to get very scared, so scared in fact, she tried to fight her way out of the cage but it is closed so tightly and Naomi is starting to get scared because still the FBI have no leads on the whereabouts of these kids, and despite being bullied by the parents of the missing kids, they feel tempted to give up the search till they get a lead, simply because there is no point in trying to find a needle in a haystack, but the parents wanted them to find their missing kids, even if it means they have to become vigilantes and defy the law and find those kids themselves, meanwhile the next day in the witch's house, the witch was starting to cook Naomi up so they can have their dinner party, a nice tasty little girl for dinner, heh heh heh heh heh heh heh, and when Naomi was slowly dying the witch kept of stirring and stirring to make Naomi really suffer, you see for the witch, well, she took pride in torturing kids as soon as they turn 11, and then Naomi died and the witch was happy and said that is another 11 year old under our belt, heh heh heh heh heh
The next kid was 11 year old Pat Roberts, who was a cool boy who loved to tease so much that he would take people away from their families to do so, unless they do as they do and one day he gave up playing football with the tough boys to tease a boy who he hates very much, and stop him from being a family person and also brainwashing everyone into thinking a family person is supposed to do as they are told, and one day the wicked witch who really wanted to keep taking these boys decided to go after Pat Roberts and cook him up and then she will get rid if this boy from the would once and for all, but getting rid of Pat Roberts will be a hard thing because this boy is so hard to catch, because he is ever so smart, and it will be a battle to get rid of this Pat Roberts because of that, Pat Roberts would say, no mr witch, you can't catch me fella, you can never catch me for as long as you'll alive, and you are going to die soon if you keep catching kids anyway, the next day on the witch's quest to catch Pat Roberts, she decided to use her ***** magic to try and lure him to his house but Pat Roberts is too smart for that as he kept himself inside saying no witch is going to get me, if you are going to catch me, you'll have to get past my father and I can guarantee old witch that my dad has the power to put you right in her place, you are mrs witch, you haven't got the power to overcome me, so come on wicked witch, just you try and catch me, but you won't get me, I can make you suffer of you try and get me ya wicked witch and the wicked witch straight away thought maybe one day I will catch Pat Roberts, I will try and take some other 11 year olds and the next 11 year old was Gordon Gullet and he was a boy who was a bit of a black sheep who went on a mission to **** the wicked witch but when the wicked witch captured him, but she had no plan to cook him  up, actually she planned to try to get him on side to catch Pat Roberts and when Gordon said, I won't tell you where Gordon is, I will never tell you where he is. Just let me go ya old cranky wicked witch, and because Gordon was talking too much the witch put her hand on her mouth, she eventually had to put sticky tape on it and then the wicked witch said, if you don't tell me where Pat Roberts is, you'll suffer, and I mean you'll suffer, mate, suffer forever mate.
The next day when the witch got up and saw Gordon trying up escape and the witch said, mate, you'll never escape from me, no you'll never escape, until you tell me where is your friend Pat Roberts, and Gordon said no, I won't ever tell ya, you will have to **** me first, Pat Roberts is a friend, no, I will never ever tell you, ya wicked witch, and the witch said no I ain't going to **** you, I just want you to tell you where Pat Roberts is, why won't you tell me, I will be your friend forever, and Gordon said, no, I won't tell you anything you old fucken witch, and you can do to me anything you want, I will never ever tell you, you mean nasty old witch.
The witch then said, ok, you will stay there in that cage till you tell me and when you are ready to tell me where your friend Pat Roberts is, I will make you suffer, even if I don't **** you, you will be suffering without anything to make you keep your mojo in tact, you will suffer Gordon, I will make sure of that, so unless you tell me where your mate is, you will suffer, and be kept there until you tell us of the whereabouts of Pat Roberts because I want you and him to cooked together and eaten, and if you don't tell me, I will keep you here for the rest of your life, so Gordon are you going to tell me and Gordon yells out with a loud voice, which went,  NEVER, my mate Pat Roberts wants to tease people who are trying to work to hard and push themselves into breaking point, and I want you to let me go, because I am tougher that you, cause you are a mean nasty witch, who should burn on the planet Mercury and the witch said no, mate, say hell, you see you are still a little Christian boy, and while you have your beliefs that you will die one day, you are like us, but if I find out that you are keeping the whereabouts of Pat Roberts from me, I will hold you at knife point and force you to tell you and Gordon said no, I will never tell you, never, I will prefer to do die myself, rather than tell you where he is mate.
The next day the witch went out to try and catch Pat Roberts and then Pat's dad said to Pat Roberts that he will protect him and when they heard a strange noise outside their house and it was the wicked witch, who was lurking about outside and when Pat Roberts went outside, the witch put a hand over his mouth and said I have you mate and then the FBI came and despite a desperate fight to get herself free, the FBI took off to Salem to get burnt at the stake and Pat Roberts and Gordon was safely going home with his family and the witch was reincarnated as a pig and then a tiger and after that a deer, she suffered, especially when she will be constantly bullied by hunters.

Walking down the short hallway to the restroom, Laura was definitely feeling the buzz. She even had that chemical burning lovely shades in her digestive tract, or at least, that's how it always felt when she got high. That **** burned right through her inhibitions and her exhaustion; it made her watchful and ******, any touch felt like lightning. A GOOD TIME kind of time comes to mind, where merely a pair of lips and teeth scraping against her skin could make her come......a drug that was so disgustingly ****** to her it would probably have ruined her for a sober life. Forever ******* and trying to find the heights she had once achieved even with the most incompetent lovers. It was truly a drug for a woman. Always the ones expected to make someone feel better than they are, constantly begged to lend validation to the worn and make them feel new again with your love and admiration. It absolutely disgusted her sometimes the things she had done, but you could never deny her the title of success in that arena. She had traversed a pile of trash and made them feel golden and important, even allowing a man to **** her soul until it couldn't love anymore. Lack of responding was forever to be her kryptonite....but here she lies, Laura, the fuckingest of the *******, and queen of the ******* she ****** back to life in her drugged state- the only time she had ever been able to stomach being a "modern" woman. Covertly sneaking the addicts and the losers love underneath the table....trying to make them rise up and redefine it all. But her army would never come, and the war would never begin- thinking they would be the only ones who would fight for her, the ones she had bore into full men, but oh was she wrong. And oh was she stuck for good.

Ever since she has felt a dissonance from a pleasure. But back to her present past we were talking about...she is walking down a hallway feeling that nice fuzzy synth feeling. The sexiness and the sway in her own hips is even electrifying her...turning her on....getting lost in the restroom between her own legs and also a straw up her own nose....CHOP CHOP CHOP...then the sweet SNIFF SNIFF SNIFF.....circling her reflection in the mirror after each hit trying to see how it changed her on the outside....she felt so alive for the first time after a life that seemed to have been filled with oppression prior to this dark crystals reawakening of her senses. But she began to see shadows in the night; shadows of the past, shadows leading to the monster's locked away in the recesses of her mind that were only allowed out sometimes. She felt lost in the dreaming of this toxicity of her inner haven...even her psyche had been taken over. All she longed to do was ****, smoke, please, and be incredibly beautiful and feel wanting/wanted....desire in the purest form no matter what it was about or what it was for....forever spinning around looking for what was not lost, but definitely for something in herself and others that was never quite enough. That's probably why she lost that one man, or the next....she could never fully finish because it was an ongoing walking, uncontrollable stimulation....always on the brink of ****** and always searching for it. Even after feeling it it didn't seem to quite satisfy..."I can't get No Satisfaction" comes to her ear in these moments...blinding her ****, spilling into her overly absorbed and enlightened prefrontal cortex. She thought she was such a genius...planning to make money and run away into this lifestyle and never re-emerge again. Oh but she was cunty and ****** up and made too many fall in love with her....and after the only one she truly loved betrayed her....told her and showed her that he could never be the lover he promised he would be in prison, well....she got spun for life and hasn't been fully untangled since....It's a drought season in the year of that love....she could bring about all the desire in that man, even make him love her....for who she really was not just the doped up junkhead she had become....but it would never be enough because his demons couldn't be satisfied with anything but a jail life full of structure. Her ***** lips couldn't seal him in tight enough, close enough to home to stick.....and so as he disappeared from her heart willingly....so did her sanity. Going truly mad over this sick and constantly incarcerated beautifully disgusting soul broke her. Wanting to love him better, to love him the way she wanted to be loved so bad.......and not getting it not even once. . . Travesty in her heart...sobriety spinning her out into dope again, and the ten mile walk of shame after she couldn't find him again when he ran from her insanity that had been induced....well....she almost died just trying to stay in love with the one person in all her dope days that made her feel loved and celebrated....not just ******, symmetrical, and ideal.....she never wanted to be ideal, she just wanted to be enough.
Riding along with her own self hate on the coaster of her life into all the wibbly wobbly bits of life that could never be explained away....only tears could seal them far enough for heart to be so far from touching them she didn't even want to go through the trouble anymore

Grown beneath the sun,
Holding the occasional rain drop,
Surrounded on all sides by companions.

Snip!

Cut off forever from nourishment,
Collected with a few companions,
No clue what the future will hold.

Moving swiftly through the air,
Higher than ever dreamed, but
Fearful of sky diving without a parachute.

Misted occasionally,
Attempting to maintain appearances,
Despite being starved of food.

Enduring more body-jolting aerial swoops,
Drowned in a swift waterfall,
Losing companions that did not maintain their appearance as deftly.

Chop, chop, chop!

Sliced into innumerable bits,
Wondering if life is over,
Now that one’s shape is forever lost.

Perfuming the air with a distinctive aroma,
Blending it with those already in the air,
From other small bits of greenery.

Fears realized at last:
Falling from a great height to the ground,
But falling on a soft cushion.

Smothered with white strings,
Rolled up tightly in the soft cushion,
No escape route possible.

Dying in the heat,
Spreading into the gooey whiteness,
Wondering what the point of it all was.

Eventually cooling down,
Being exposed to air once again,
And hearing (if it were only possible):

This is the best herb cheddar bread I’ve ever had!

Was the result worthy of the chives and Italian parsley’s sacrifice?
All who partook of the savoury goodness certainly believed it was!

I never sleep, and never will, I hold my breath, quiet, still.

The slightest sound puts me on edge, a snapping twig, a rustling hedge.

It matters not how far I go, how fast I run, how high, how low,

There’s a monster after me…


Huge and hungry, filled with hate, this creature would not hesitate, to slice me up, this is my fate, a pile of parts upon his plate… Yuck!

Fear is the price that I must pay,
For fear is what keeps him away, I tremble softly as I lay, or when I rise throughout the day, I’m terrified, I have to say…

My future frozen by my fear, yet, I know the monsters near!
And if I were to persevere, and let my terror disappear, the monster then  would find me here, and chop me up! That much is clear…

Though some would say that I’m a slave, deep... Alone within this cave,

How can they say that this is slavery, actively avoiding bravery? Don’t they know courage is savory, like some tasty monster gravy?!

And, you may say that I am blind, to think that fear is something kind, that fear keeps monsters far behind, well, it’s worked this far, so I don’t mind…

The strike of the rainbow warriors
After a few hours in the dark cages of horror we suddenly see a sharp light in the sky of evil. The golden goddess notices another ship coming towards the devils spike city.

At that moment the orange and black pirates run towards their  ships in dock and sound a long dark horn of terror. The golden goddess notices a large rainbow type ship sailing in firing laser rays at the pirates vessels of evil.

The ship sets into the dock of spike city while  some remaining  pirates get cut down and captured with blue laser nets of torture.  Our eyes  open with horror when  rainbow type creatures with bows and arrows jump out of the ship and circle our cages of horror.

A few of the black  pirate in the purple bushes try and shoot the rainbow warriors but get cut down with their laser fast arrows.  The commander of the rainbow warriors suddenly jumps down from the  ship and lifts up the cages with power and  ease while the warriors round up the captured pirates.

I comfort a shaking luitent megs while the commander shakes our hands before releasing the other golden warriors from their dark cage.  The horses bow their heads towards the commander while the golden goddess looks with hope in her beaten heart.

All of a sudden two rainbow warriors march out a swearing and aggressive woman  holding a long jagged sword and pirates armband. The rainbow warriors quickly zap her evil body  and hold her down tightly .  The golden goddess goes  over for a better look while her long tongue  of nails  cuts of a warriors head off  with ease.

The rainbow warriors  chop her evil tongue off with a swipe of the rainbow sword  before pinning her to the cold ground. two of the warriors then begin to peel  her black  dress of horror off while  other rainbow braves flock around.

A curious golden goddess peeps though for a better look while the warriors are  undoing her  small black studded bra of terror. The goddess looks on with a smile and twinkle while she screams in anger at her ******* bouncing in the dark cold night.

All of a sudden the commander comes inside the circle of torture  and begins removing her  devilish red ******* while the  warriors cheer and scream.  The golden goddess looks  on with  a content smile while  the  warriors chop her body up into bit with their  glowing swords.

After a few minutes the rest of the pirates are shot and executed with laser bouts  while we all sit watch with open mouths of  horror.  The commander then takes us aboard the rainbow ship of safety  while the pirates come back to evil spike city with four more pirate ships of torture.

We all sail across the red  evil sea towards a big large rainbow in the glowing  yellow sky whilst  being followed by two black  pirate ships.  Once we reach  through  the rainbows end we begin to notice the water  turning bright pink  and the pirate ships turning  back towards the red river of horror.

A relived golden goddess  turns towards her army and smiles while we we all jump about on the rainbow ship of safety.  I hold luitent megs tight in my arms while the green moon sets across the  blue landscape in the distance.

written by wayne mockler
ownership and copyright wayne mockler

They have now thronged brimful, all the barazas
In their elderly gear, in a move to cut off my thing,
The Maasai chiefs and elders have their fangs now,
More glowing in the crudeness of despotic culture,
Their foul circumcisers’ tools sharply menacing,
All focused on my ****** *******, the only joy of my nature,
They want to maliciously cut it off in their selfish solace
Minus mine consent the right of a young girl,
Chided by evils done in the name of culture,
Kwani? a maasai and culture who creates the other?
Can’t we create culture that  is so darlingly to rights of girl?
Other than receding back to crookedness of un-gendered past
Denying I your posterity the rights to self worthiness,
Kindly I beg that you don’t cut of my *******.

Blanket city run along soaked in rain. Idiot Boy wastes his time visiting a passing crush at the other end of town. Slips between two houses and a metal sheet, communal refrigerator in the middle of the road filed with half-empty soy bottles.

Dead bell stop, mocking red blink of the operator. Father arrives, a mess of wiry muscles and hair.

“Hey. Is Coffin Cat here?”

“Who?” Father squints at Idiot Boy’s cap. Idiot Boy avoids eye contact.

“Um.”

Recessed in the blackness behind Father, a Figure says, “You looking for Coffin Cat?”

Idiot Boy nods.

The Recessed Figure turns. “I’ll go get her.”

Father returns to his parched body on the couch, content.

Indistinguishable forms move back and forth in the kitchen to the right. They stop their pacing and glance at Idiot Boy as he passes. Idiot Boy avoids eye contact and slips into the left-bound arterial vessel.

“So this is the heart chamber I’ve been living in,” Coffin Cat says as Idiot Boy enters her room. There is music gear. “It’s pretty comfy.”

“Oh, sick mic,” Idiot Boy says, pointing at the mic behind Coffin Cat’s head.

“I feel like a ghost,” Coffin Cat replies, falling on her bed.

Idiot Boy settles next to her. Animal distance. Intensely aware of his rain-soaked right shoe. “Same.”

Nothing comes out right, intersubjectivity a false God to mediate the impossible kernel of being, nobody can find nor express. Idiot Boy searches for connection. He glances around the heart chamber, at the music gear, but nothing grips. Four pears sit on a table by the window, their skins garish green in the harsh grey light.

Coffin Cat moves from the bed to the floor. She opens a virtual aquarium on her computer; fish eat pellets dropped from the sky to **** out coins to buy more fish to **** out coins to buy more fish. Capitalist investment and accumulation. Every few minutes a rocket-spewing robot teleports into the aquarium to attack the fish. Ruthless competition in the global marketplace.

“No! Why would you swim there, you ******* fish?” Coffin Cat yells as one if her fish is eaten by the nomadic war machine. “So dumb. ****. Why did it eat my fish?”

A knock at the door. The Recessed Figure from earlier enters the room. “Hey, mind if I join?” Their arms dangle like fine threads of hair.

“I like your music gear,” Idiot Boy says, pointing at nothing in particular.

“Idiot Boy also makes music,” Coffin Cat adds from the floor.

The Recessed Figure does not respond. They are enthralled by their phone, streak of dead pixels along a digital chessboard, minute reflection of their own gaunt face in the glass. After an extended period, they decide to move none of their pieces. A gaping coffee grinder rises out of the rubble at their feet. They begin filling it with tobacco from broken cigarettes.

“I’m surprised you’re still playing this,” Idiot Boy says to Coffin Cat. “I swear this is one of those games designed to ruin your life. Get addicted, stop going to work, become a hikik weaboo.”

“Already there, man,” Coffin Cat laughs. “Nah, this is my new job. I’m going to be a professional gamer.”

“Stream only PopCap games.”

Another knock at the door. Tired squander in an endless pacing of flesh. Strawman enters and nods at the Recessed Figure. “Hey bro.”

“Good to see you, man.” The Recessed Figure plugs the coffee grinder into the wall. “You got any ciggys?”

Idiot Boy points under the table and says “Ahh” with his mouth.

The Recessed Figure empties it into the coffee grinder. The device whirs into motion, creating a centrifugal blur, a mechanical and headless hypnotic repeat.

Idiot Boy and Coffin Cat look for horror movies to watch. The Recessed Figure empties the contents of the coffee grinder onto a metal tray. Strawman repacks it into a ****. White smoke fills the empty column, moves in slow motion like an oceanic rip a mile off coast, surface seething with quiet, impenetrable violence.

Idiot Boy refuses the first round. It’s never done him any good. Face turned to smoke and the wretched weight of a tongue that refuses to speak. Headless carry-on as time ticks through the clock face.

The door bursts open. Everybody turns as Manic Refusal or the Loud Person saunters in.

“I can’t believe it. I can’t ******* believe it. They’re selling me off!” the Loud Person says in exasperation. “First time back in New Zealand in five years and they do this to me!”

“What? What’s happened?” Strawman asks.

“Some rich ****** in Australia has bought me as his wife. I knew it, I knew if I came back, my parents wouldn’t let me leave again. Whole ******* thing arranged!” the Loud Person laughs bitterly, before hitting the ****.

“Oomph, that’s rough,” Coffin Cat quips from the side.

“No, you don’t even understand. This is the first time back, the first time back in five years, and I’m being sold to off some rich ****** who owns all the banks in Australia.”

“But like, who is this guy?” Strawman asks, pointing.

“And he’s been reading all my profiles. He has access to all my information. I don’t even have control over my Facebook profile. Grand Larson’s logged in as me, posting for me,” the Loud Person continues. “I met him once in Australia, clubbing, and now he’s tracked and bought me.”

“That’s creepy as ****,” Idiot Boy says.

“So he’s not a complete stranger?” Strawman asks.

“I can’t believe it. I can’t ******* believe it. First time back in five years and I’m being sold off!”

Idiot Boy decides one hit from the **** wouldn’t be so bad. He packs the cone with chop, lights and inhales. Smoke rushes through the glass channel, a swirl of white ether, more than he’d expected. He quickly passes the **** to Coffin Cat, before collapsing onto the bed, eyes closed. A suffocating sensation fills his body. He sinks into the chasm of himself, further and further into an impossible, infinite depth.

“Still working at . . . ?”

“Yeah, yeah. Management. Hospital. You?”

“Like, property. Motions.”

“Subcontracting? Intonements?”

“Yeah, yeah.”

“Mmm.”

Idiot Boy doesn’t know what’s going on. He feels sick and tries to get Coffin Cat’s attention, but cannot move his body.

“Come on. Sell me drugs, Strawman.”

“Nah. I don’t deal drugs. I don’t deal drugs.”

A strange silence stretches like an artificial dusk, a liminal duration, the hollow click of a tape set back into place in reverse. The Recessed Figure coughs and the Loud Person whirs back into motion.

“I can’t believe it. I can’t ******* believe it. They’re selling me off! First time back in New Zealand in five years and they do this to me!”

The Recessed Figure makes a noncommittal noise.

“I knew it, I knew if I came back, my parents wouldn’t let me leave again. Whole ******* thing arranged!”

Coffin Cat laughs quietly.

“No, you don’t even understand. This is the first time back, the first time back in five years, and I’m being sold off to some rich ****** who owns all the banks in Australia.”

“How about this fella? He doing okay?” Strawman asks, pointing. Everyone turns to Idiot Boy and laughs affectionately.

“Still working at . . . ?”

“Yeah, yeah. Management. Hospital. You?”

“Like, property. Motions.”

“Subcontracting? Intonements?”

“Yeah, yeah.”

“Mmm.”

“Sell me drugs, Strawman.”

“Nah. I don’t deal drugs. I don’t deal drugs.”

Idiot Boy slowly opens his eyes and stares out the window. The same grey light as before. He moves his arm further towards Coffin Cat, but is still too weak to get her attention. The same strange silence stretches. The Recessed Figure coughs and the Loud Person whirs back into motion.

“I can’t believe it. I can’t ******* believe it. . . .”

As the conversation repeats over and again, Idiot Boy begins to think he has become psychotic, or perhaps entered into a psychotic space. He thinks of computer algorithms, input-output, loops without variables, endless regurgitations of the same result. Human machines trapped in their own stupid loop. Drug-****** neuronal networks incapable of making new connections, forever traversing old ones. Short-term memory loss, every repeat a new conversation of what has already been. The same grey light painted upon four pears by the window.

He’s not sure if Coffin Cat’s laugh is getting weaker with each repeat.

Signal-response. The exterior world oversaturated with variables: roadways, rivers, forests, wildlife — an ever changing scene to respond to — the illusion of depth. Automatic response mechanisms reorient to new stimuli. The soul rises like surfactant, objectified fractal diffusion. A becoming without end.

But within the border of this interior world, the light stays grey. No input, no change; the same dead repeat, over and over, until sundown triggers a hunger response. Lined all along the street, a black box ceremony of repeating machines, trapped in their idiot cults, walls of clay and blood.

Idiot Boy finally gets Coffin Cat’s attention. She helps him through the house’s arteries to reach rain and wet stone, overcast skies. As he shakes in shock, Coffin Cat mumbles, “It’s cold.”

Idiot Boy sits silent on the ride home. Travels through himself. Tunnel through the body or Mariana Trench. Loses his footing before a traumatic void. Leaves the car and pukes.

See the Republican,
Hop, hop, hop.
Hack up the welfare laws
Chop, chop, chop.
See him getting wealthy,
Shop, shop, shop.
Watch all our forests go
Drop, drop, drop.

Teflon coated Republican,
Crook, crook, crook.
Put him in a prison cell,
Book, book, book.
Fine him for every dime he
Took, took, took.
Check out his finances,
Look, look, look.

Hear the Republican,
Lie, lie, lie.
Selling out constituents,
Sigh, sigh, sigh.
Writing up new voting laws,
Cry, cry, cry.
Cutting breaks for all the rich,
Why, why, why?

Smell the Republican,
Stink, stink, stink.
Defender and a patriot,
Wink, wink, wink.
Master of the magic trick,
Blink, blink, blink.
Hater of the common man,
Fink, fink, fink.

oh god, oh god! that dump felt: just about as good as a zeppelin droping bombs over london... i managed to feel a vindaloo up my **** at the end of it! magic.

ever heard of huskies?
                                                                             no?
        my godmother is a huskie...
she's a doctor, she sometimes didn't shave
her legs: or that was my initial bewilderment
when i was playing video games
i.e. *porsche challenge on PS1...
and that's donkey's years ago...
        but she was a huskie...
                       she was a woman with a deep
voice...
                  but this is in another culture
and i'm sitting here, watching western culture
and thinking: well **** me! no problem
with the genital removals...
   but who the **** is going to reconstruct your
jaw-line?
                you can't fake a femenine jaw
from a man's jaw... nor the hands...
     that's why i sometimes think my **** is
tiny... but then i can hold a basketball in one hand,
that means: pick it up with one hand...
   that's why i always said... the sexiest part
of a woman's body? her hand(s).
           i can't believe i'm going to name these
people, but given my godmother's husky voice
i think i should... on a matter of principle:
and yeah, i sometimes speak like i've been castrated,
even though i smoke tobacco my voice should
be deep... all the time... i sometimes resonate:
like an angel... when i'm being pretty pretty, nice;
   how the **** are you going to reconstruct
the jaw so that i don't think you are?
                      self-conscious about your larynx?
that's not even sad, that's prompt for: me being
inquisitive... given my godmother (the doctor)
who spoke like she spoke...
                                 em... chloe arden?
    what the **** is this huskie playing at?
               blaire white... oh 'ere we go, another huskie...
i'm not laughing... you look into those eyes
and you know something is a "tad" bit iffy...
            i get it... you think you sound like a "man"
sometimes... and i get it: i sometimes sound like
i've been licked in the ***** by a karate kick...
    and that has happened to me one...
            i was doing this course in some specific
interest area... and i was signalled out
  because i wasn't shouting when i was moving forward
doing kick! chop! kick! chop! ha! ya(h)!
                    sensai was away, and this white geek
took over the class... he said: you have to shout
while moving! i was like: no...
           what the hell does he do? kicks me in the *****...
clap clap... well done you ******* ******.
          you don't do that sort of thing in boxing
for ****'s sake... that's a no go zone...
             if he even gained a black belt in the art...
he'd be excomunnicated there and then...
                             you a ******* woman or something?
*****.
                 yeah, i realised that, i have this delay
button... something happened to me 15 years ago
and i'm only writing about it now... it's a bit like Proust
on stereoids... i'm not gay enough to remember
eating: that "special" macaroon.
   like i said:
         these girls are huskies...
                         i know because my godmother
is a husky...
                               it's self-consciousness in the extreme...
get kicked in the ***** and you'll start wearing
post- / anti- transgender spectacles...
        no matter what you tell me... that jaw line and
those plump cheeks with the missing cheek bones
that's characteristic of women... mmm...
             you have a better magic trick? 'cos'
this one isn't working on me (ref. the two stated examples);
o.k., and my godmother.