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"bongos" poems
Bobo's kitchen in the kitchen icebergs rampage from the freezer burying pizzas and waffles in a glacier jungle Bobo swings forks and knives at the ice until the maintenance man cusses in Polish gallons of water dripping downstairs sizzling Bertalina's soul the fiery bilingual single mom living in fear below his fear of noise complaints she sends tape recordings to the landlord in her cute red faced anger loud people! and bongos! guitars! stomping! laughter! nightmares for her boys who think they hear ghosts her tight black spandex drives Bobo mad when she runs drifted scents of her food sift in through his windows knocking him out in hungry frustration! ¿Como estás? he asks her I speak ******* English! she barks back back up the stairs Bobo goes to his own kitchen where the mice crawl out the stove tops and potatoes grow tree roots clear through the window toward another life Jake Mahaffey Copyright (c) 2013 Jacob Mahaffey
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Jan 23, 2012
Jan 23, 2012 at 12:28 AM UTC
Bobo's kitchen
blue bikes and bongos on a teal trap ponderers pass through so quick technically tech tonic plates react as secrets shall swallow all wit beautiful burdens trickle between holes in my prance blushing at my cinnamon pancakes © 2015 Kate Volk
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Jan 26, 2014
Jan 26, 2014 at 12:28 AM UTC
cinnamon
Bohemian goddesses stalking the coffeehouse All wiry hair and flowing skirts Points of view and opinions and self worth How her soul craved to join them Don headbands and sandals and learn to be like them To play the bongos and be part of natures and kove what’s real She wanted to feel her soul in the mass joining of the human spirit She envisioned it, and it was beautiful.
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May 19, 2010
May 19, 2010 at 7:11 PM UTC
surrounding momma cedar
Drifting.... waning, wandering away from myself....               electric pine and turquoise eyes unfold,        greeting me,     a jade leopard winks with those eyes, an inside joke in the new moon darkness lighting the room..... I watch myself levitate into conscious caverns   in my gray matter canyon wind tinkles and chimes ( ( ( ( v i b r a t i n g ) ) ) ) the moist,              fleshy rocks...           memories of sativa green Canada echo-- a family of strangers       humming, buzzzing & drumming rhythms tattooing heartbeat sigils onto each other             amidst a sonic amethyst campfire           moonbeam embers glow         indigo guitar strings sing hymns      swaying and swimming in cuddle puddles--    a new age baptism.                              My wings shimmer,                          visions simmer and chill              the darkness returns             left with myself again         I flight right into another lightbub storm      as trebble trouble words rain bows of colors atop white lilies reaching for stained-glass clouds. Distantly, native flutes flourish like rippling water rises slowly into incandescent tides... sweet, filagreed foam tickling- washing bubbles popping over pores. and I rejoice! a homecoming for an ocean's drop rejoined-- rejuvenated! berserk bongos bump 'n thump a raucous rumpus of blissful voices vicariously lift my visage into everyone at once! astral silhouette forms cajole and conjoin and we laugh ourselves into ****** And for a fleeting moment... I reminded of the celestial infinity that surrounds us, where time isn't measured in promises and trees aren't groomed to be currency. Here, I remember the why of my existence, only to momentarily forget, upon opening my eyes, until delicate deja vu echoes intermittently remind me once in a while.
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Jun 13, 2015
Jun 13, 2015 at 3:14 PM UTC
Releasing Myself From Myself
Drifting.... waning, wandering away from myself....               electric pine and turquoise eyes unfold,        greeting me,     a jade leopard winks with those eyes, an inside joke in the new moon darkness lighting the room..... I watch myself levitate into conscious caverns   in my gray matter canyon wind tinkles and chimes ( ( ( ( v i b r a t i n g ) ) ) ) the moist,              fleshy rocks...           memories of sativa green Canada echo-- a family of strangers       humming, buzzzing & drumming rhythms tattooing heartbeat sigils onto each other             amidst a sonic amethyst campfire           moonbeam embers glow         indigo guitar strings sing hymns      swaying and swimming in cuddle puddles--    a new age baptism.                              My wings shimmer,                          visions simmer and chill              the darkness returns             left with myself again         I flight right into another lightbub storm      as trebble trouble words rain bows of colors atop white lilies reaching for stained-glass clouds. Distantly, native flutes flourish like rippling water rises slowly into incandescent tides... sweet, filagreed foam tickling- washing bubbles popping over pores. and I rejoice! a homecoming for an ocean's drop rejoined-- rejuvenated! berserk bongos bump 'n thump a raucous rumpus of blissful voices vicariously lift my visage into everyone at once! astral silhouette forms cajole and conjoin and we laugh ourselves into ****** And for a fleeting moment... I reminded of the celestial infinity that surrounds us, where time isn't measured in promises and trees aren't groomed to be currency. Here, I remember the why of my existence, only to momentarily forget, upon opening my eyes, until delicate deja vu echoes intermittently remind me once in a while.
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53
bonkers for found bongos. for alohas and soyu chicken and coconut milk too.
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Jul 20, 2015
Jul 20, 2015 at 8:09 PM UTC
bonkers
brady’s cafe i’m doing a reading at kent state got an interminably long wait to get on protesters outside provoke the cops about an after nine noise pollution law they bang bongos and march through the cafe disrupting the readings chanting “noise is illegal noise is llegal.” i am getting nerve racked and edgy so i drink port from disguised juice bottle we smoke a joint the time drags and i get somewhat drunk-my face a fiery blush but no longer feel the thump of my heart somewhere up in my neck it’s round midnight we smoke another and suddenly i’m on i totter up grabbing chairs for leverage the crowd receptive to my words never knew my mental anguish or saw the slight in my left knee. ana christy from beatnik blues
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Jul 26, 2014
Jul 26, 2014 at 5:07 PM UTC
brady's cafe
"I don't care ... I don't care ..." Well I would to be honest ... I'd miss them those long-hairs with their bongos, flowers & hula hoops, long skirts, velvet jackets, bells & sweet scented **** & smiles & trying just to be happy & leaving you all behind with your exploitation & misery & wars & death & sullen brown slow decay, I would care, "if all the hippies cut of   all their hair" I would. Hendrix lives ... by sweet Jesus yes he does!
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Apr 3, 2017
Apr 3, 2017 at 3:11 PM UTC
If all the hippies ... cut off all their hair.
You're no good for scheduling but ideal for dancing. While night tricks us into invincibility, whiskey tells us not to wait. So educate me on the nonsense of foreplay to a friend's poetry, And we'll lose our jobs over bongos and stale beer, Trading tips for one second tears. You stay on your side and I'll stay on mine, I'll take a receipt for time lost between sheets, While bruises take the place of scars. Just as my dimples look more mature in the morning, You sound better when your hands talk. So I'll degrade a dollar for last night's sake and the irony of grandpa in the morning. Then we'll kiss what should be left on the floor, And I'll keep you somewhere safe where I'm bound to lose you anyway. I hope you find your keys :)
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Mar 26, 2012
Mar 26, 2012 at 1:26 PM UTC
Cigarettes and ***
In this moment, we are all together. In this moment, we are healing. In this moment, we release our selves Flesh bodies sizzle cadmium red rhythms-- thunder gourdes rumble as everyone shouts cobalt lightning! A few stand quietly, hands prancing in the air feeding the one in the center of the circle a steady diet of colors. Drums bubble & thump beat primal heart screams-- yipps & mews & prrrrr's fill the Shipibo patterned room. Joyous dancing scorches the floor, tension falls away like the clothes of lovers laying atop each other under the bed. Here I sit, at home amidst the somatic chaos sounds chanting magic storm-wolf tones, pounding away on bongos patter-pitter jitterbug swing jungle vine jazz as my body rocks forth and back mountain lion paw hands tap crystals red eagle wings flap smiles navy ****** tail slaps bass brown snake-eyes snap out of reality! In this moment, we are all together. In this moment, we are healing. In this moment, we release our selves
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May 14, 2014
May 14, 2014 at 11:26 PM UTC
Healing Sound Circle
He was known as the roof top poet He was good, but he wouldn’t show it. He wrote about everything on the streets While listening to the Latin beat. His upbringing inspired him To write about crime and sin. He wrote about street drugs everywhere And ***** needles that they would share. He played the conga and bongos too This is what he had learned to do. There was not a topic that he would not touch For he loved life much to much. He wrote about robberies, muggings And ****** prostitution, gambling Corruption and all the rest His talent for street writing made him the best. But there was a soft side to him That people did not know And where ever children needed him He would go. He was a volunteer in the children s hospital And the orphanages too, which was Something that nobody knew. He would give them love, affection, and laughter Wealth or fame he wasn’t after. He gave them the key elements for the Children to survive, HOPE, LOVE, FAITH With hope in their hearts and faith in GOD There was nothing that they could not do. If to themselves they would be true. Now if we could be such as HE The world would be better for the children you see. HOPE IS THE KEY TO SET YOURSELF FREE louis rams :
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May 31, 2013
May 31, 2013 at 11:41 PM UTC
roof top poet
The Beatnik Café’ Cigarettes, coffee, a ****** beret Blue smoke and Blue Mountain, blue verse, blue rhyme -- O Come to the side-street beatnik café; Here present-tense yourself; caffeine the time Here order your Bacon very well Donne And jam your java with croissants and Keats Orate from Spenser; groove with Tennyson Tap out a line of Seafarer-four beats Tap out a manifesto; everyone does Pulp-print Red rags yelp “Revolution Now!” The typewriter is holy, and Up the Fuzz! Bongo that Kerouac, and Howl, but how? Bongo that beat, oh, yeah, it’s crazzzzy, man Sheaffer that rhythm, cat; Parker that line Ferlinghetti your truth to a yellow pad Sharpen your verbs to a rebel design Sharpen your verbs from a bottle of ink Light up a Camel; blow intellectual smoke Teach the ****** bourgeois how they should think Grey-suited capitalists – what a joke! L’Envoi – Time Slouches On Tee-shirted capitalists joke in Mandarin The latest chained coffee’s inside the mall English and Apples are original sin On glowing screens where the pale pixels crawl And no one crawls through rhythm, rhyme, or verse, Or bongos out an existential cry For poetry is dead; the twitters terse Reduce the ancient loves to I, me, my.
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Dec 14, 2016
Dec 14, 2016 at 6:50 PM UTC
The Beatnik Cafe'
He was known as the roof top poet He was good , but he wouldn’t show it. He wrote about everything on the streets While listening to the Latin beat. His upbringing inspired him To write about crime and sin. He wrote about street drugs everywhere And ***** needles that they would share. He played the conga and bongos too This is what he had learned to do. There was not a topic that he would not touch For he loved life much to much. He wrote about robberies, muggings And ****** , prostitution, gambling Corruption and all the rest His talent for street writing made him the best. But there was a soft side to him That people did not know And where ever children needed him He would go. He was a volunteer in the children s hospital And the orphanages too, which was Something that nobody knew. He would give them love, affection, and laughter Wealth or fame he wasn’t after. He gave them the key elements for the Children to survive, HOPE, LOVE, FAITH With hope in their hearts and faith in GOD There was nothing that they could not do. If to themselves they would be true. Now if we could be such as HE The world would be better for the children you see. HOPE IS THE KEY TO SET YOURSELF FREE
0
Aug 7, 2010
Aug 7, 2010 at 2:18 PM UTC
ROOF TOP POET
The time may come to say goodbye Who knows when Who knows why But for now let's have some fun Can I play bongos on your ***
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Sep 10, 2012
Sep 10, 2012 at 4:09 PM UTC
Right here, right now
I hear the song of this street a happier song than the blues of Denver destitution with gaiety more hope and love, worn souls and bodies hoping for the loose change that usually ends up lost between couch cushions in exchange for a simple show instead of begging for sympathy carefully arranged planter boxes to match the seasons and jubilance of passers by juxtaposed with the whitening beard of a ***** old man hustling for a buck for **** or food or ***** you will never know except for the few honest cardboard signs the two a.m. *** happy and ****** eagerly striking a conversation with lone students out for a simple walk looking only for someone to talk to because no one is a desert island, we need imports and exports of thoughts, ideas, and emotions to keep the small piece of land bearable the man in a mask with no skin showing playing congas on a hot Colorado day hoping for a pocket full of change, face hidden; like his beaten past he is humble— anonymously playing for a dollar or few without shock or pizzazz adults buying a drink while a block down children buy an ice cream cone both a vice modern jazz, which flows over the red bricked street guitars, bongos, violins, Home Depot bucket drums melding together into one, spontaneous song improvised by the ebb and flow of tourists and natives with changing verses of a woman’s opinion strongly voiced to a survey while her husband keeps the beat with his foot —never allowed to sing the chorus of children shrieking and crying in the dissonance of youth reflected in early couples sing infatuations short and fleet, struggling to keep a foot hold, but fading like pop songs… the experienced couples creating movements of pain, joy, and maturity, dynamic blues riffs full of emotion only those who have felt could understand
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Feb 28, 2013
Feb 28, 2013 at 10:15 AM UTC
Pearl Blues
I hear the song of this street a happier song than the blues of Denver destitution with gaiety more hope and love, worn souls and bodies hoping for the loose change that usually ends up lost between couch cushions in exchange for a simple show instead of begging for sympathy carefully arranged planter boxes to match the seasons and jubilance of passers by juxtaposed with the whitening beard of a ***** old man hustling for a buck for **** or food or ***** you will never know except for the few honest cardboard signs the two a.m. *** happy and ****** eagerly striking a conversation with lone students out for a simple walk looking only for someone to talk to because no one is a desert island, we need imports and exports of thoughts, ideas, and emotions to keep the small piece of land bearable the man in a mask with no skin showing playing congas on a hot Colorado day hoping for a pocket full of change, face hidden; like his beaten past he is humble— anonymously playing for a dollar or few without shock or pizzazz adults buying a drink while a block down children buy an ice cream cone both a vice modern jazz, which flows over the red bricked street guitars, bongos, violins, Home Depot bucket drums melding together into one, spontaneous song improvised by the ebb and flow of tourists and natives with changing verses of a woman’s opinion strongly voiced to a survey while her husband keeps the beat with his foot —never allowed to sing the chorus of children shrieking and crying in the dissonance of youth reflected in early couples sing infatuations short and fleet, struggling to keep a foot hold, but fading like pop songs… the experienced couples creating movements of pain, joy, and maturity, dynamic blues riffs full of emotion only those who have felt could understand
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91
Can we jam, brothers and sisters? Dare we meet at the impalpable chat room that exists beyond our third heaven? Dare we to speak in tongues and timbres, our skin taut across hollow shells, our veins strung across cadaverous bodies? I'll grab my drumsticks if you grab the guitars, and there's somebody on the bongos slappin' the skins with zealous fervor-- where my tambourine girls at? Don't worry, I haven't forgotten our forlorn hero sitting behind the keyboards-- Tickle me those ivories with pious hands and aching fingers, shake em down sweet Jerry Lee! And so we begin-- I lay down the drum beat that bops heads and scatters feet, and the bassman always on top of things slaps and slides and skips and sizzles hot diggity dog! I hear that sweet guitar scream and moan, praying for death under hazy lights and we all coast with eyes rolled back into our skulls and torpid lips drooped open over slack jaws. Not a word is said from a human voice, we speak through hands and feet, basking in colors eking from every kick drum stomp and the desperate wail bleeding from amplifiers. Feedback sings and screams, fighting the silence we taunt and hold at bay. Around every corner the colors trail coursing through our vesselious bodies propelled along the dizzying venture. We somehow spot every pothole and take detours, embarking down backroads and backalleys-- We can turn the wheel, but don't think for a moment we know where it's going. And the mirror's have all vanished, we know not from where we came. Someone shouts from the discovery as we exit a phrase to enter serendipity, toying with destiny, clay in our hands, stretching out the ****** perennially-- We laugh as the gods try to remind us we are Man. And the screams and the moans sensing the ****** is getting close so there's a crescendo I ramp up the tempo ahhhhhhhHHHhhhHhHhHhHHHHHhhhETERNITY IS NOW AND WE HOLD THE KEY TO HEAVENS GATES AND TIME STANDS STILL AT HIGH NOON IN THE TOWN'S SQUARE WHERE TRIGGER FINGERS TREMOR AND WE SPEAK TO GOD ON HIS PRIVATE CHANNEL COMING THROUGH WORN SPEAKERS CELESTIAL CREATURES IT WOULD BE SACRILEGE IF WE WEREN'T SUDDENLY SO HOLY HOLY HOLY HOLY HOLY HOLY HOLY HOLY HOLY So I say again, brothers and sisters, can we jam? SO I SAY AGAIN, BROTHERS AND SISTERS, CAN WE JAM? SO I SAY AGAIN, BROTHERS AND SISTERS, CAN WE JAM? So I say again, brothers and sisters, can we jam?
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Jul 10, 2016
Jul 10, 2016 at 12:39 AM UTC
Jam
Can we jam, brothers and sisters? Dare we meet at the impalpable chat room that exists beyond our third heaven? Dare we to speak in tongues and timbres, our skin taut across hollow shells, our veins strung across cadaverous bodies? I'll grab my drumsticks if you grab the guitars, and there's somebody on the bongos slappin' the skins with zealous fervor-- where my tambourine girls at? Don't worry, I haven't forgotten our forlorn hero sitting behind the keyboards-- Tickle me those ivories with pious hands and aching fingers, shake em down sweet Jerry Lee! And so we begin-- I lay down the drum beat that bops heads and scatters feet, and the bassman always on top of things slaps and slides and skips and sizzles hot diggity dog! I hear that sweet guitar scream and moan, praying for death under hazy lights and we all coast with eyes rolled back into our skulls and torpid lips drooped open over slack jaws. Not a word is said from a human voice, we speak through hands and feet, basking in colors eking from every kick drum stomp and the desperate wail bleeding from amplifiers. Feedback sings and screams, fighting the silence we taunt and hold at bay. Around every corner the colors trail coursing through our vesselious bodies propelled along the dizzying venture. We somehow spot every pothole and take detours, embarking down backroads and backalleys-- We can turn the wheel, but don't think for a moment we know where it's going. And the mirror's have all vanished, we know not from where we came. Someone shouts from the discovery as we exit a phrase to enter serendipity, toying with destiny, clay in our hands, stretching out the ****** perennially-- We laugh as the gods try to remind us we are Man. And the screams and the moans sensing the ****** is getting close so there's a crescendo I ramp up the tempo ahhhhhhhHHHhhhHhHhHhHHHHHhhhETERNITY IS NOW AND WE HOLD THE KEY TO HEAVENS GATES AND TIME STANDS STILL AT HIGH NOON IN THE TOWN'S SQUARE WHERE TRIGGER FINGERS TREMOR AND WE SPEAK TO GOD ON HIS PRIVATE CHANNEL COMING THROUGH WORN SPEAKERS CELESTIAL CREATURES IT WOULD BE SACRILEGE IF WE WEREN'T SUDDENLY SO HOLY HOLY HOLY HOLY HOLY HOLY HOLY HOLY HOLY So I say again, brothers and sisters, can we jam? SO I SAY AGAIN, BROTHERS AND SISTERS, CAN WE JAM? SO I SAY AGAIN, BROTHERS AND SISTERS, CAN WE JAM? So I say again, brothers and sisters, can we jam?
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56
Starry nights and grey clouds Warm blankets on the ground I lie here, The wind dusting over my soft face, Hearing the Earth's heartbeat, As I close my eyes, And drift to Mother Nature's paradise. But still this emptiness Twists inside my stomach. It reaches down all the way to my toes. This beauty, wonderful beauty, Is too gracious to share all alone. I slightly grin And lightly touch the grass on the tips of my fingers, How I wish to share this beauty. We could hear her heart rate pace like bongos, *** pumpum, *** pumpum, *** pumpum*, A gentle and muted sound. How the wind sings and dances around us, who even gets the leaves to dance. The flowers hold hands and wait for the moon to rise, before they drift to sleep. Starry nights and grey clouds Warm blankets on the ground. I lie here, How I wish to share this beauty.
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Oct 6, 2013
Oct 6, 2013 at 11:59 AM UTC
Green Fields
Coming in like a storm, not all that bright In movies, the lead and the light Slow of his drawl, not wanting to fight Flying high, as a kite Noisy and strong, as bongos on lawn Toking good **** so totally gone Naked and freed, holding a **** Singing his own little song Escorted to jail, a lawyer-less plight Selling Lincolns, an acting blight Batten down your hatches, making them tight Always saying "Alright, alright, alright" As hurricanes go, we all wish you to know Matthew the villain, tonight
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Oct 7, 2016
Oct 7, 2016 at 2:05 PM UTC
Alright
life is an autistic boy's shining blue eyes of childlike innocence incoherently slapping the bongos like God saying, "and?"
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Sep 17, 2013
Sep 17, 2013 at 10:11 PM UTC
at the only
Tell mother I found my way and this time I'll stay Tell insegnante I've got something to say and it all still sounds the same but I'm saying it my way Tell my favorite songs I think they're too long because they contain more than what I've seen Yell at the devil for being too loud, leaving me deaf, though I hear well enough, and tell him I've heard, well, enough of his cliche, heavy metal crowd Yell at the band wagon Tell it to stop for an oil change, and make sure it never rides again Its passengers have something to say, though they don't want to stay but they don't want to go away, though their noses are too long, and there's no fire in their song Tell them to say it their way though they want to runaway from their minds and from their hearts while never growing apart They can't have the best of both worlds My mind curls to the beat of its own bongos and shades of pink and red and black I find I don't lack firm ground, but am more abundant in frowns sometimes more abundant in smiles. Depends on the weather. After the people leave, that's when I know where I've come, how far I've come back to them So tell my best friend I'm still intact Tell the crowd I'm not out-of-whack Tell my favorite songs I've turned them into facts Tell all poets their words aren't to blame Tell mother that I'm okay
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Oct 10, 2015
Oct 10, 2015 at 6:06 PM UTC
What's Different?
When we first met, we barley saw each other We were in a space where it was so easy to look over the other Where boxes blocked our view of the other's perfection & the world around us caused static in channel only we belonged on. As time went on, you began to annoy me. Annoy me to points beyond belief but from you, it was allowed. You made sure I smiled at your antics and I made sure to keep them in my heart. You saw my face painted to be another person but you saw me for my true form and began to play for me. If over 90% of human interaction is non-verbal, you're eyes are louder than anyone's I've ever heard. Your eyelashes hit your water line harder than my pencil brush Your lip hits the guillotine of your perfect top row every single time our bodies are within ten feet... you're good to me. I can hear the sounds of an acoustic guitar coming form your chest I see the reflection of violin strings in your lenses The wind chimes grow from your scalp and sound perfect no matter how many time you cut them off and I can't get enough. I want to hand you the key to my soul so you can know the truth So you can find out that my ventricles play the piano while my veins strum cello strings. My mind calls for the bongos while my feet bleed for salsa. I want to dance. I want to dance to the songs that you'll play for me. The ones that only you and I will ever hear in the confines of our own studio where the walls are far from soundproof but it will never matter. |play for me|
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Oct 2, 2017
Oct 2, 2017 at 12:08 AM UTC
|melodic noise|
When we first met, we barley saw each other We were in a space where it was so easy to look over the other Where boxes blocked our view of the other's perfection & the world around us caused static in channel only we belonged on. As time went on, you began to annoy me. Annoy me to points beyond belief but from you, it was allowed. You made sure I smiled at your antics and I made sure to keep them in my heart. You saw my face painted to be another person but you saw me for my true form and began to play for me. If over 90% of human interaction is non-verbal, you're eyes are louder than anyone's I've ever heard. Your eyelashes hit your water line harder than my pencil brush Your lip hits the guillotine of your perfect top row every single time our bodies are within ten feet... you're good to me. I can hear the sounds of an acoustic guitar coming form your chest I see the reflection of violin strings in your lenses The wind chimes grow from your scalp and sound perfect no matter how many time you cut them off and I can't get enough. I want to hand you the key to my soul so you can know the truth So you can find out that my ventricles play the piano while my veins strum cello strings. My mind calls for the bongos while my feet bleed for salsa. I want to dance. I want to dance to the songs that you'll play for me. The ones that only you and I will ever hear in the confines of our own studio where the walls are far from soundproof but it will never matter. |play for me|
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21
I've always ment to tell you that you weren't my first love you weren't the thing that took my breathe away I remember my first love it was the first time I smelt a Bonfire and saw my friends playing there bongos and singing silly songs. I remember them ashes dancing in the sky as I took my shirt off and felt the wine run down my belly. I remember hearing the fire crackle with the sound of our laughter I remember seeing Jed throwing big *** wood logs into the fire God he was strong (dead now from a car surfing drinking and driving accident) I remember falling in the love that moment It was such a simple night but that night was the last time all of my friends were together before life suffocated everyone before school schedules and baby showers took over before everyone turned to ******* Life Chasers instead of Dream Makers. Now I'm sitting here and wondering do we all just forget how to live one day do we all just give in to the way society wants us to be do we all just forget how to live. I miss that night and I dream about it every night and if I could relive that day I'd replay it over and over and over because we were all free that night we were just kids singing,dancing,and laughing.
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Mar 28, 2013
Mar 28, 2013 at 1:05 AM UTC
Just Kids Singing,Laughing,and Dancing-
A 'cuse me? I lie, eh? I know the way, but let me be the one to wonder why would I lie, do you read or listen or look or stop when al you can do has been done al read y and stand waiting waithing to catch a breath Up ag'in the wall? If Dunning Kruger is all they got to throw, you know what you know, wrong ain't evil, lying ly real calling right wrong is something only a left hand wishing to make some noise could imagine right clap clap clap, and **** Feynman on the bongos backing us up with a little James Dean ditty from the Naked City Times change, reality may be de or re ift in a rich man with a satisfied mind. (if you'd only known.) Take another question? chew and swallow and wait, this will get your guts grinding reasons the frontal cortex always gets chirality inhibitions about letting the right hand do anything the left can't imagine. You know how it is. we get by.
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Jan 19, 2019
Jan 19, 2019 at 9:09 PM UTC
A 'cuse me?
The sound of your voice Approaches my vicinity vivaciously And your common conundrum Bangs into my cranium as bongos do My ears and my mind may be neighbors But they purposely put up white picket fences My ears- although adept Sometimes make a mess My mind keeps a clean yard And always takes out the trash
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Feb 24, 2013
Feb 24, 2013 at 12:48 AM UTC
Music for the Dumpster