Matsuo Basho Translations



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The first soft snow:
leaves of the awed jonquil
bow low
—Matsuo Basho translation by Michael R. Burch

Come, investigate loneliness:
a solitary leaf
clings to the Kiri tree
—Matsuo Basho translation by Michael R. Burch

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho translation by Michael R. Burch

The sea darkening,
the voices of the wild geese:
my mysterious companions!
—Matsuo Basho translation by Michael R. Burch

The first chill rain:
poor monkey, you too could use
a woven cape of straw
—Matsuo Basho translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho translation by Michael R. Burch

I wish I could wash
this perishing earth
in its shimmering dew
—Matsuo Basho translation by Michael R. Burch

Dabbed with morning dew
and splashed with mud,
the melon looks wonderfully cool.
—Matsuo Basho translation by Michael R. Burch



Basho's Butterflies

The butterfly
perfuming its wings
fans the orchid
—Matsuo Basho translation by Michael R. Burch

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies!
—Matsuo Basho translation by Michael R. Burch

Air ballet:
twin butterflies, twice white,
meet, match & mate.
—Matsuo Basho translation by Michael R. Burch

Ballet in the air! ―
two butterflies, twice white,
meet, mate, unite.
―Matsuo Basho translation by Michael R. Burch

A spring wind
stirs willow leaves
as a butterfly hovers unsteadily.
―Matsuo Basho translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Matsuo Basho translation by Michael R. Burch
aki o hete / cho mo nameru ya / kiku no tsuyu

Come, butterfly,
it's late
and we've a long way to go!
—Matsuo Basho translation by Michael R. Burch

Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
―Matsuo Basho translation by Michael R. Burch



Basho's Famous Frog Poem

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
—Matsuo Basho translation by Michael R. Burch

An ancient pond sleeps...
untroubled by sound or movement...until...
suddenly a frog leaps!
—Matsuo Basho translation by Michael R. Burch

Explosion!
The frog returns
to its lily pad.
—Michael R. Burch original haiku



Basho's Heron

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho translation by Michael R. Burch

Lightning―
the night heron's shriek
severs the darkness
― Matsuo Basho translation by Michael R. Burch

A flash of lightning―
the night heron's shriek
splits the void
― Matsuo Basho translation by Michael R. Burch



Basho's Flowers

Let us arrange
these lovely flowers in the bowl
since there's no rice
—Matsuo Basho translation by Michael R. Burch

Like a heavy fragrance
snowflakes settle:
lilies on rocks
—Matsuo Basho translation by Michael R. Burch

High-altitude rose petals
falling
falling
falling:
the melody of a waterfall.
―Matsuo Basho translation by Michael R. Burch

Revered figure!
I bow low
to the rabbit-eared Iris.
―Matsuo Basho translation by Michael R. Burch

Cold white azalea—
a lone nun
in her thatched straw hut.
―Matsuo Basho translation by Michael R. Burch

Glimpsed on this high mountain trail,
delighting my heart—
wild violets
―Matsuo Basho translation by Michael R. Burch

Disdaining grass,
the firefly nibbles nettles—
this is who I am.
—Takarai Kikaku translation by Michael R. Burch

A simple man,
content to breakfast with the morning glories—
this is who I am.
―Matsuo Basho translation by Michael R. Burch
This is Basho's response to the Takarai Kikaku haiku above
asagao ni / ware wa meshi kû / otoko kana

Ah me,
I waste my meager breakfast
morning glory gazing!
―Matsuo Basho translation by Michael R. Burch

Morning glories blossom,
reinforcing the old fence gate.
―Matsuo Basho translation by Michael R. Burch

The morning glories, alas,
also turned out
not to embrace me
―Matsuo Basho translation by Michael R. Burch

Morning glories bloom,
mending chinks
in the old fence
―Matsuo Basho translation by Michael R. Burch

Morning glories,
however poorly painted,
still engage us
—Matsuo Basho translation by Michael R. Burch
asagao wa / heta no kaku sae / aware nari

I too
have been accused
of morning glory gazing...
—original haiku by by Michael R. Burch

Curious flower,
watching us approach:
meet Death, our famished donkey.
—Matsuo Basho translation by Michael R. Burch



Basho's Poems about Spring, Summer, Autumn and Winter

Spring has come:
the nameless hill
lies shrouded in mist
—Matsuo Basho translation by Michael R. Burch

Spring!
A nameless hill
stands shrouded in mist.
—Matsuo Basho translation by Michael R. Burch

The legs of the cranes
have been shortened
by the summer rains.
—Matsuo Basho translation by Michael R. Burch

These brown summer grasses?
The only remains
of "invincible" warriors...
—Matsuo Basho translation by Michael R. Burch

An empty road
lonelier than abandonment:
this autumn evening
—Matsuo Basho translation by Michael R. Burch

Autumn darkness
descends
on this road I travel alone
—Matsuo Basho translation by Michael R. Burch

Taming the rage
of an unrelenting sun—
autumn breeze.
—Matsuo Basho translation by Michael R. Burch
aka aka to / hi wa tsurenaku mo / aki no kaze

The sun sets,
relentlessly red,
yet autumn's in the wind.
—Matsuo Basho translation by Michael R. Burch
aka aka to / hi wa tsurenaku mo / aki no kaze

As autumn draws near,
so too our hearts
in this small tea room.
—Matsuo Basho translation by Michael R. Burch
aki chikaki / kokoro no yoru ya / yo jo han

Late autumn:
my neighbor,
how does he continue?
—Matsuo Basho translation by Michael R. Burch

Winter in the air:
my neighbor,
how does he fare?
― Matsuo Basho translation by Michael R. Burch

Winter solitude:
a world awash in white,
the sound of the wind
—Matsuo Basho translation by Michael R. Burch

The year's first day...
thoughts come, and with them, loneliness;
dusk approaches.
—Matsuo Basho translation by Michael R. Burch



Basho's Temple Poems

Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
—Matsuo Basho translation by Michael R. Burch

The temple bells grow silent
but the blossoms provide their incense―
A perfect evening!
—Matsuo Basho translation by Michael R. Burch

See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
—Matsuo Basho translation by Michael R. Burch

Like a glorious shrine—
on these green, budding leaves,
the sun's intense radiance.
—Matsuo Basho translation by Michael R. Burch
ara toto / aoba wakaba no / hi no hikar



Basho's Birds

A raven settles
on a leafless branch:
autumn nightfall
―Matsuo Basho translation by Michael R. Burch

A crow has settled
on a naked branch—
autumn nightfall
—Matsuo Basho translation by Michael R. Burch

A solitary crow
clings to a leafless branch:
autumn twilight
―Matsuo Basho translation by Michael R. Burch

A solitary crow
clings to a leafless branch:
phantom autumn
―Matsuo Basho translation by Michael R. Burch

A crow roosts
on a leafless branch:
autumn nightmare
―Matsuo Basho translation by Michael R. Burch

NOTE: There has been a debate about the meaning of aki-no kure, which may mean one of the following: autumn evening, autumn dusk, the end of autumn. Or it seems possible that Basho may have intentionally invoked the ideas of both the end of an autumn day and the end of the season as well. In my translations I have tried to create an image of solitary crow clinging to a branch that seems like a harbinger of approaching winter and death. In the first translation I went with the least light possible: autumn twilight. In the second translation, I attempted something more ghostly. Phrases I considered include: spectral autumn, skeletal autumn, autumnal skeleton, phantom autumn, autumn nocturne, autumn nightfall, autumn nightmare, dismal autumn. In the third and fourth translations I focused on the color of the bird and its resemblance to night falling. While literalists will no doubt object, my goal is to create an image and a feeling that convey in English what I take Basho to have been trying to convey in Japanese. Readers will have to decide whether they prefer my translations to the many others that exist, but mine are trying to convey the eeriness of the scene in English.

Except for a woodpecker
tapping at a post,
the house is silent.
—Matsuo Basho translation by Michael R. Burch

Swallow flitting in the dusk,
please spare my small friends
buzzing among the flowers!
―Matsuo Basho translation by Michael R. Burch




Basho's Insects

A bee emerging
from deep within the peony's hairy recesses
flies off heavily, sated
—Matsuo Basho translation by Michael R. Burch

That dying cricket,
how he goes on about his life!
—Matsuo Basho translation by Michael R. Burch

The cicada's cry
contains no hint
of how soon it must die.
—Matsuo Basho translation by Michael R. Burch

Nothing in the cicada's cry
hints that it knows
how soon it must die.
—Basho translation by Michael R. Burch

The cicada's cry
contains no hint
of how soon it must die.
―Matsuo Basho translation by Michael R. Burch




Basho's Moon and Stars

Pausing between clouds
the moon rests
in the eyes of its beholders
—Matsuo Basho translation by Michael R. Burch

The moon: glorious its illumination!
Therefore, we give thanks.
Dark clouds cast their shadows on our necks.
―Matsuo Basho translation by Michael R. Burch

The surging sea crests around Sado...
and above her?
An ocean of stars.
—Matsuo Basho translation by Michael R. Burch
ara umi ya / Sado ni yokotau / Ama-no-gawa



Basho's Companions

Fire levitating ashes:
my companion's shadow
animates the wall...
—Matsuo Basho translation by Michael R. Burch

Among the graffiti
one illuminated name:
Yours.
—Matsuo Basho translation by Michael R. Burch

Scrawny tomcat!
Are you starving for fish and mice
or pining away for love?
—Matsuo Basho translation by Michael R. Burch



Basho's End of Life and Death Poems

Nothing happened!
Yesterday simply vanished
like the blowfish soup.
—Matsuo Basho translation by Michael R. Burch
ara nantomo na ya / kino wa sugite / fukuto-jiru

Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
—Matsuo Basho translation by Michael R. Burch

Sick of its autumn migration
my spirit drifts
over wilted fields...
―Matsuo Basho translation by Michael R. Burch

Sick of this autumn migration
in dreams I drift
over flowerless fields...
―Matsuo Basho translation by Michael R. Burch

NOTE: While literalists will no doubt object to "flowerless" in the translation above ― along with other word choices in my other translations ― this is my preferred version. I think Basho's meaning still comes through. But "wilted" is probably closer to what he meant. If only we could consult him, to ask whether he preferred strictly literal prose translations of his poems, or more poetic interpretations! My guess is that most poets would prefer for their poems to remain poetry in the second language. In my opinion the differences are minor and astute readers will grok both Basho's meaning and his emotion.

Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho translation by Michael R. Burch



New Haiku Translations, Added 10/6/2020

Air ballet:
twin butterflies, twice white,
meet, match & mate
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Denied transformation
into a butterfly,
autumn worsens for the worm
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Higher than a skylark,
resting on the breast of heaven:
mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Farewell,
my cloud-parting friend!
Wild goose migrating.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Secretly,
by the light of the moon,
a worm bores into a chestnut.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

This strange flower
investigated by butterflies and birds:
the autumn sky
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Where’s the moon tonight?
Like the temple bell:
lost at sea.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Spring departs;
birds wail;
the pale eyes of fish moisten.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon still appears,
though far from home:
summer vagrant.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Cooling the pitiless sun’s
bright red flames:
autumn wind.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Saying farewell to others
while being told farewell:
departing autumn.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  
Traveling this road alone:
autumn evening.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Thin from its journey
and not yet recovered:
late harvest moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Occasional clouds
bless tired eyes with rest
from moon-viewing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The farmboy
rests from husking rice
to reach for the moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon aside,
no one here
has such a lovely face.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon having set,
all that remains
are the four corners of his desk.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon so bright
a wandering monk carries it
lightly on his shoulder.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls
is obscured
by smoke from the crematory.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls!
Smoke from the crematory?
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Family reunion:
those with white hair and canes
visiting graves.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

One who is no more
left embroidered clothes
for a summer airing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

What am I doing,
writing haiku on the threshold of death?
Hush, a bird’s song!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Fallen ill on a final tour,
in dreams I go roving
earth’s flowerless moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Stricken ill on a senseless tour,
still in dreams I go roving
earth’s withered moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Stricken ill on a journey,
in dreams I go wandering
withered moors.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch


New Haiku Translations, Added 10/6/2020

Air ballet:
twin butterflies, twice white,
meet, match & mate
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Denied transformation
into a butterfly,
autumn worsens for the worm
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Higher than a skylark,
resting on the breast of heaven:
mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Farewell,
my cloud-parting friend!
Wild goose migrating.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Secretly,
by the light of the moon,
a worm bores into a chestnut.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

This strange flower
investigated by butterflies and birds:
the autumn sky
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Where’s the moon tonight?
Like the temple bell:
lost at sea.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Spring departs;
birds wail;
the pale eyes of fish moisten.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon still appears,
though far from home:
summer vagrant.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Cooling the pitiless sun’s
bright red flames:
autumn wind.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Saying farewell to others
while being told farewell:
departing autumn.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  
Traveling this road alone:
autumn evening.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Thin from its journey
and not yet recovered:
late harvest moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Occasional clouds
bless tired eyes with rest
from moon-viewing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The farmboy
rests from husking rice
to reach for the moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon aside,
no one here
has such a lovely face.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon having set,
all that remains
are the four corners of his desk.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon so bright
a wandering monk carries it
lightly on his shoulder.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls
is obscured
by smoke from the crematory.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls!
Smoke from the crematory?
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Family reunion:
those with white hair and canes
visiting graves.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

One who is no more
left embroidered clothes
for a summer airing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

What am I doing,
writing haiku on the threshold of death?
Hush, a bird’s song!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Fallen ill on a final tour,
in dreams I go roving
earth’s flowerless moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Striken ill on a senseless tour,
still in dreams I go roving
earth’s withered moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Stricken ill on a journey,
in dreams I go wandering
withered moors.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

OTHER POETS

Observe:
see how the wild violets bloom
within the forbidden fences!
—Shida Yaba (1663-1740), loose translation/interpretation by Michael R. Burch

When no wind at all
ruffles the Kiri tree
leaves fall of their own free will.
—Nozawa Boncho (1640-1714), loose translation/interpretation by Michael R. Burch



Keywords/Tags: Basho, haiku, translation, Japan, Japanese, Oriental, Orient Occident, nature, season, seasons, waka, tanka, life and death, compassion, empathy, mrbhaiku, mrbbasho

It came upon the good doctor to clutch it in his palms
An object so sharp that blood oozes over its tip
Touching and clutching it he weeps tears of excess
Excess of the desire from where emerges life

Nothingness is the very excess that flows beyond being
Beyond the infinitesimal horizons of cosmic pleasure
The devil at play beyond the confines of the mind
Language the immanent trap that infinitely failed

Moving beyond the pale meditation of holy dignity
Gods emerge from the midst of haunting madness
The excess of the gods, divine excrement turn into dust
The sweet aura of the banished god- the scavenger

The very life of the gods contained with death and play
They danced across spaces, traversed beyond scope
Their bodies decay as stars while their excess reaches within
Within every marked desert of intoxication that grasps infinite depth

Weeping in the midst of the great gulf, the gods fade as the night
They emerge as beasts and flowers amidst the deep of the sea
The fall into madness, excess, passion and excrement
Perfume is but the odour of man turning into dust

Even the glory of the gods reflected divine excrement
Every entity an extension of another, the cosmic essence
That binds and destroys life as movement unfolds beyond reason
The essence beyond the shared catastrophe that binds life to itself

The good doctor watches the blood ooze from the body
Blood being the testimony of immanent frailty which traumatizes being
His tears dilute his blood as trauma sustains life
It falls into the ground and the divine fruit is born

The essence of goodness contained within the germ of madness
Madness that tantalizes the notion which shames reason
The realm of divinity where infinite wisdom dwells
It dwells in the midst of bliss- Ananda !

The God of Bliss awakens as the stench of being enters the heavens
The creator weeps as he watches the excess of heavens multiply
The object that the good doctor possesses drives him into oblivion
Never more is the world haunted by the gods !

Bliss even the bliss that is found in the mountaintop
Where the last god lay and washed his feet with perfume
And the milk of the divine yak nourished the heavenly nymphs
Charged with ****** excess, paradise lay in the midst of hell

The good doctor returns to the womb from whence he came
Beyond the confines of trauma, desire and being
Every creature watched as he lay the world bare and nacked
Never again will the gods return to plague the world

Then lie the bodies, cold, writing in pain and pleasure, leaning on love
Bodies that desire the gods of old to sustain trauma and jouissance
Where is the good doctor now? Whence will he return my love?
And there in her eyes, the beauty of the world lay

I looked at her and in an instant her eyes transformed reality
Oceans swept the depth of the horizons, stars became angels
Time turned into eternity and the darkness ebbed into nothingness
Trauma was rent apart and life was bound by divine love

I kissed her lips and as I wept I beheld the good doctor
He lay dying in the depth of the traumatic vengeance
His organs lay in the excrement of totality
His eyes gauged out, his ears rent apart and his mouth torn asunder

His limbs were scattered and his intestines emptied
The years of his life at an end and his body dismembered
Disseminated, the stench of the lifeless corpse filled the universe
I looked at her and it was the stench of love

I looked into the heart of darkness and I wept
The sound of my anguish filled the halls of time and space
The pillars of paradise was torn asunder and rent Hades apart
Eternal sorrow that sustains our love

And then as I beheld the futility of existence I kissed her lips again
I closed my eyes and I experienced the touch of the heavens in her mouth
And in the infirmary  his body lay among the dead
His organs burned as a sacrifice to atone for existence

Existence, trauma and excrement echo the cry of divine justice
And here the body lay without its organs and we were too sorrowful was beyond measure
We then buried his cold body under the stars in the heaven
We saw the scars from where his organs were rent asunder

A corpse contains the testimony of death as he gather everything to himself
But a corpse without organs? What does it contain?
Must it not contain death and trauma itself?
And here his hollow body lay, and death the parasite

A parasite's life lies in the life of the organs within the body
When the organs cease of give life, the enemy perishes
And death lay dying in the grave he decayed
The good doctor lay in the realm of darkness forever !

The blood and his tears have now produced fruit !
It was its fragrance that brought life to darkness
In the darkness of the night my lover went into the grave
Fearing not what lay in the midst of the darkness

Wind is the master of time, she flies beyond the medium that she animates
The wind carried in her ***** the fruit of blood and tears
And then she saw that the keeper of the dead leave the confines of his realm
The wind blew beyond measure into the land of the living

And then I kissed her in the graveyard one last time
For she was too sore to live but her eyes spoke one last time
And there I saw the good doctor was not dead ! He smote his foe in the deep !!
His fruit was now beyond the grave where they lay him !

The hollow of his body is now the testimony of love and eternity !
And there I awoke from my dream and my heart skipped a beat !
My desire was water was now beyond measure and I looked into the river
In the sky I saw that love is the very excess that engulfs desire !

Sarah
Sarah is a virgo
 but she is no ******.

She is full of experience,

and im not talking about ***, or drugs.

( though she had her fair share.)

Im talking about life.

Sarah hasnt lived in a fairy tale,

but if she did,
 she would be a prince.

She is charming,

bold,

kind,

and tenacious.

Sarah would **** a dragon

just to make sure you were safe.

She will make you laugh,

and iron soap,

Dancing as she watches you with

her precious knowledge of Amity.

Sarah will hold you when you cry,

and she will tell you its okay to be sad.

Sarah had her vision turn gray when she was a child;

words tore at her skin,

but she is still alive.

Her vision turned back to technicolor

but that doesn’t mean it won’t turn back to gray.

Sarah dosent like to talk about herself,

but you can talk to her,

She will help you see the world.

If you can’t see the flowers

Sarah will hold your hand and 
sing you a picture.

Sarah holds all of her friends,

there names taped to the front of her heart.

She plants her seed of friendship

deep in the roots of your garden.

You dont need to meet her more than once,

you can tell that she is always there.


Sarah can be mean,

but thats just cause shes tired.

Sarah carries the troubles she has with her,

they are wrapped with the sign 
“do not enter”

but she dosen’t let them weigh her down.

Sarah dosent ask for help 
she is given it,

and she will always return the favor

but she will complain about you giving

even before you finish your task.

Sarah is a mystery,

She smokes a lot of 
cigarettes

but she still

smells like 

Sarah.


She is far from perfect,

she animates her life with overdramatic hand movements

and tells her wisdom with sonnets or

Monologues from act i scene ii,

She plays overtures from her heart,

and talks lyrics from her soul.


Sarah is a musical of a life 
full of future.

She is a name in lights 
not yet recognized.

Sarah hasn’t finished her life yet,
but she is the lines

of poetry, and songs

not yet written.

Sarah adds years to peoples lives.

Sarah is a friend,

and im happy to know her

even if a short minute of her hourglass

is all I ever see.

This is what animates me
The force to set the motion of my soul
Gears that grind, thoughts that whir, the sustenance of something holy.
I do not think I sprang from Adam’s Rib
I think I must have been struck into the ground like a stone
A thread of lightning from the leaden sky,
And the mechanics that rose after
Demanded fuel, demanded heat
And thus was born in the cooling core of me
This mad desire, this stumbling, ceaseless search
For words to light a fire in my head
For eyes to light a fire in my bones
For some weapon of beauty
Some flaming sword
A tool- nothing more-
To sift among the dust and grit of time
To stoke the embers and evoke a spark
Prodding, prospecting
As for gold
Searching for a remnant which still burns
Softly, feeble, buried but unquenched

I chase the fire
For it must always be:
It cannot die
But cannot be held
It is escaped and never captured,
Only felt and lost, an infinite second-
A running step to overtake itself.

I am the **** in your pristine garden,
Hidden between the Hollyhocks and Petunias,
Unwanted, I lift my head high,
Invasive, pervasive, you hate me.
You spray me with emotional roundup.
You wish I would simply go away
Crushed under your foot yesterday,
I wilted under your hate.
Resurrected by the creators love,
In joy I dance to his music,
That floats on the wind.


I am a rose of Sharon,
Planted firmly in the dirt.
Hated by you for just being,
The one who made me loves me,
He loves me unconditionally.
Planted in the wilderness,
Where he walks in search
Of those who seek his name.
If you see me know that, he is near.
Yet you hate me for being the ****.
Invasive that shows up in the cracks,
Of your frequent well-beaten paths of hatred.
You stomp on me, mangled I lie still.
Revived by my God who loves me.

Someday he will do justice,
Someday he will show them mercy,
Them that failed to love his creation.
He animates me an earthen vessel,
With emotions triggered by fluid actions,
His loving smile, His tender touch,
In his love and goodness, I find joy.
The joy that effuses and rises to my brain,
Like a flooding sea of contentment,
Knowing that in him I have rest, I am secure and calm.
From your bitterness, that floods my feet,
He produces exquisite flowers and sweetest fruits.


Freely I give the love I receive,
As fragrance it wafts on the breeze,
Used to the smell of death and dying,
The Tanner smelling the fragrance of Love and Life faints.
They revive him with curing leather from the tannery.
Someday the tanner will appreciate fragrance,
Someday the night shift miner appreciate the light,
Someday those that cry for war will love peace,
Someday those that hate others learn to love.
Someday those that clang pots and pans in raucous cacophony,
Will find peace and quiet in his sweet rhapsodies and quiet melodies.
And the promoters of the ugliest of ugliness,
Love the beauty of God's creation.
Some day will this enslaved and captive soul fly free?
Forever free in the plains of Eternity.

I will continue to write in remembrance of his inspiration. For I am not committed to any form or force of expression rather I choose to indulge in the ***** mediums made with slow slurring and rhythmic outbursts. But they are devices to be pitied, dull and decrepit from years of tantalizing abuse by many rulers and scribes. Why did you leave Austin? You had so much yet to let me learn of an enduring and angst-riddled soul. The hours spend sitting, trying to decipher each other’s language and tone. I paced myself for the sparks we would strike on walks by the canal, regrouping each night, too wild and crazed to of known empty figures from friends. Sitting that night on the roof of who-knows-who’s home, looking out at the street lights of Magnolia, deliberating the finer points of it's message and meaning far beyond any hope of achieving any answer; just truly sitting silent inside, too moved by what we had seen. These rare eyes given to you and I finally found courage in those ceaseless evenings which only put humanity in question more and more, night by night caught furiously in the ebb n’ flow of monstrous possibility, of gentle breezes and the tyranny of thoughtless men. After you left  I stuck around for a while. It was dried up past my ability to stomach any more. I don't really know what was so undesirable about  friends we use to run flags with that pushed me away but they where a crowd I felt had nothing left to tell or offer me. In all honesty they began to sicken me thinking about how they sickened you. I didn't even want to wake up; to sleep through the Fridays and Saturdays where no one could find me. Resting in frightened dreams, windows open to the foxtrot-cotton air dancing on my face with a gentle appeal of conscious being that I may be fearless yet wrapped in all bliss and achievement. Still for you my friend, I carry those words; regardless of how many moments I run into that say otherwise. I can still hear your faith in me, resonating back off the wall again and again. Even on that night hearing moans from the room up stairs, your words carried me home and into bed; betrayal had no grips on my eyes. I saw past it. Beautiful-she: the depravity of all men, once and now to us, do we deserve more than colorful intentions that leave dust on our window seals. We deserve better than harlots running down the streets. We deserve better than those less than beautiful, with perfect faces covered in perfect carbon paint. No my friend I want the battered and scared who's lines glow ever more dissonant in the moonlight. I sat in the sunlight today by the water reading the Great Gatsby watching mallard ducks couple up and down, embroidered males chasing after brown stripped females, as boats passing by rippled the water with their wakes, crashing into the wall I was sitting by, pushing away. Two years are gone and I still can't forgive myself. What you have to understand is I still hold on to the depth of her hurt and from that I have learned too much already. The joys of fearing love and never admitting that I care for the hallow banter and easily forgotten confessions. Those half-planned collisions of flesh that never get the resolution they deserve, but rather twist in every moment they are deprived of such satisfaction; this is what animates me to write and stirs every voice inside me.

To gather the peace
That swirls through the
Cedars in the yard

To put it in
With where I would
Store my record collection
If I were to have one

If the world still turned slow

To combine that bark stained whisper
With the notes that find my ears
When I can’t find my mind

To give you the music
That animates my thoughts
And the stillness that animates their origin

To acknowledge my weakness
For your smile and its sweetness
To gather and gift my secrets
To hope that it pleases
To sort through the meaningless
To make you laugh till your chest wheezes.

To walk further along if these blessings don’t meet us.

To keep pushing forward
With all I have left
To keep my soul’s doors unlocked
With no fear of theft
To accept you may listen to my music
And wish you were deaf
To prepare to gather up the chunks of silence
After you break it over my chest

To trust that chaos
Is not the rebellion
Of the cedars’ breath

the flowers that grow on the trees
look like
muted explosions
but not malicious enough to hurt the eye

the flowers are so tender and soft
and all i can see is nature's true beauty
as the gentle breeze animates the trees

we're standing in my driveway
and it's a vivid spring day

pastel tones tones
swaying lightly in the wind
their sweet fragrance is
only noticeable if you are close

close enough to disregard
the fact that you have allergies and asthma and should
not inhale pollen...

close enough that when you reach out and
touch the branch the impossibly small petals
break free and fall slowly to the ground. . .

close enough that i watch as the petals brush your face
and you are,
for the minute,

at peace.

She shimmers in front of me, translucent.
Waiting.
Waiting for me to step inside.
I do.
I always do.
She animates and we walk through life.
We put away the dishes and put away our words
When Mom asks for another favor or Sister gets mad for no reason.
We give hugs and she feels the love course through her.
I don’t.
I’m buried inside.
We go to sleep at 12:30, then I get up and go to school.

A new girl shimmers in front of me, translucent and waiting
Waiting for me to step inside.
I always do.
She animates and we walk through life.
We do our work, always on time, and, always on time
The bells ring and we drift through the halls.
We laugh with friends and she feels satisfied. She fits in.
I don’t.
I’m buried inside.
We are free of school at 12:50, but she never leaves.

I jump from girl to girl, role to role-
The loving daughter and sister, the A+ student, the stable friend,
The peacemaker, the easygoing giver, the girl who wants to go into medicine,
The happiest, most smiley girl you’ll ever meet,
The girl that everyone else needs me to be.

I can live like this.
Someone always needs to give.

But I still wonder what it would be like to experience life-
And not just by sitting on a window sill, with a laptop on my knees-
I wonder what it would be like to experience life for myself
And not for everyone else.

Hail! generous youth, whom glory’s sacred flame
Inspires, and animates to deeds of fame;
Who feel the noble wish before you die
To raise the finger of each passer-by:
Hail! may a future age admiring view
A Falkland or a Clarendon in you.
But as your blood with dangerous passion boils,
Beware! and fly from Venus’ silken toils:
Ah! let the head protect the weaker heart,
And Wisdom’s ægis turn on Beauty’s dart.

     *       *       *       *       *

But if ’tis fix’d that every lord must pair,
And you and Newstead must not want an heir,
Lose not your pains, and scour the country round,
To find a treasure that can ne’er be found!
No! take the first the town or court affords,
Trick’d out to stock a market for the lords;
By chance perhaps your luckier choice may fall
On one, though wicked, not the worst of all:

     *       *       *       *       *

One though perhaps as any Maxwell free,
Yet scarce a copy, Claribel, of thee;
Not very ugly, and not very old,
A little pert indeed, but not a scold;
One that, in short, may help to lead a life
Not farther much from comfort than from strife;
And when she dies, and disappoints your fears,
Shall leave some joys for your declining years.

But, as your early youth some time allows,
Nor custom yet demands you for a spouse,
Some hours of freedom may remain as yet,
For one who laughs alike at love and debt:
Then, why in haste? put off the evil day,
And ****** at youthful comforts while you may!
Pause! nor so soon the various bliss forego
That single souls, and such alone, can know:
Ah! why too early careless life resign,
Your morning slumber, and your evening wine;
Your loved companion, and his easy talk;
Your Muse, invoked in every peaceful walk?
What! can no more your scenes paternal please,
Scenes sacred long to wise, unmated ease?
The prospect lengthen’d o’er the distant down,
Lakes, meadows, rising woods, and all your own?
What! shall your Newstead, shall your cloister’d bowers,
The high o’erhanging arch and trembling towers!
Shall these, profaned with folly or with strife,
An ever fond, or ever angry wife!
Shall these no more confess a manly sway,
But changeful woman’s changing whims obey?
Who may, perhaps, as varying humour calls,
Contract your cloisters and o’erthrow your walls;
Let Repton loose o’er all the ancient ground,
Change round to square, and square convert to round;
Root up the elms’ and yews’ too solemn gloom,
And fill with shrubberies gay and green their room;
Roll down the terrace to a gay parterre,
Where gravel’d walks and flowers alternate glare;
And quite transform, in every point complete,
Your Gothic abbey to a country seat.

Forget the fair one, and your fate delay;
If not avert, at least defer the day,
When you beneath the female yoke shall bend,
And lose your wit, your temper, and your friend.

Ponder awhile during test:  what will cause love, unity, true paradise, and glorious success?
Again, where is the spring's success?
When it causeth the spring's waters to manifest.
Yes, the spring's true paradise and glorious success.
How the spring's waters ever come from the spring's true paradise and glorious success.
But who knoweth the spring's success save the spring's waters?
Colors of the spring's true paradise: unity, love.
What true paradise.
Who can speak such love.
Sincerely true bliss.
Love animates, waters emerge.
It's sun give hope waters and success in matters.
Here true love abounds in matters.
Hope upon hope, true bliss.
Here sun gives test.

The ebb and flow
of a mind which knows it is in flux
yet also belongs to that unchanging one
whose breath animates us.

I fall into unconscious shuddering
with desperation and mute wonder
and hidden hopes and silent screams

I recognize what's become fixed within me.
Lost progress, traumatic laughter.
The Apotheon is calling

once again, I'm stone cold
but don't want to be sober. I try so hard
to get over myself, my loneliness.
I got all this poison, and I don't want to share.

I'm losing my time on earth
to the gods of the underworld.
I turn around and see Orpheus
following me

Hail, happy saint, on thine immortal throne,
Possest of glory, life, and bliss unknown;
We hear no more the music of thy tongue,
Thy wonted auditories cease to throng.
Thy sermons in unequall’d accents flow’d,
And ev’ry ***** with devotion glow’d;
Thou didst in strains of eloquence refin’d
Inflame the heart, and captivate the mind.
Unhappy we the setting sun deplore,
So glorious once, but ah! it shines no more.
  Behold the prophet in his tow’ring flight!
He leaves the earth for heav’n’s unmeasur’d height,
And worlds unknown receive him from our sight.
There Whitefield wings with rapid course his way,
And sails to Zion through vast seas of day.
Thy pray’rs, great saint, and thine incessant cries
Have pierc’d the ***** of thy native skies.
Thou moon hast seen, and all the stars of light,
How he has wrestled with his God by night.
He pray’d that grace in ev’ry heart might dwell,
He long’d to see America excell;
He charg’d its youth that ev’ry grace divine
Should with full lustre in their conduct shine;
That Saviour, which his soul did first receive,
The greatest gift that ev’n a God can give,
He freely offer’d to the num’rous throng,
That on his lips with list’ning pleasure hung.
  “Take him, ye wretched, for your only good,
“Take him ye starving sinners, for your food;
“Ye thirsty, come to this life-giving stream,
“Ye preachers, take him for your joyful theme;
“Take him my dear Americans, he said,
“Be your complaints on his kind ***** laid:
“Take him, ye Africans, he longs for you,
“Impartial Saviour is his title due:
“Wash’d in the fountain of redeeming blood,
“You shall be sons, and kings, and priests to God.”
  Great Countess, we Americans revere
Thy name, and mingle in thy grief sincere;
New England deeply feels, the Orphans mourn,
Their more than father will no more return.
  But, though arrested by the hand of death,
Whitefield no more exerts his lab’ring breath,
Yet let us view him in th’ eternal skies,
Let ev’ry heart to this bright vision rise;
While the tomb safe retains its sacred trust,
Till life divine re-animates his dust.

To be just one thing
Is a travesty of time
And effort in the making.

Be everything!
Embrace those who do not understand
Play their games, but play yours too
Behind curtains and in sunlit squares
In nightclubs and in conversation

There's infinite again -
Running down its childlike street -

And likewise,
You must let your soul run free.
What joy is sinful?
Show me where that sin is
That animates your lust for life
With sweet beginnings.

There is one rule that you can trust:
Be the sum of everything you are.

Be happy
Curious
And free.

And each one of yourselves.

From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,--
And turns to write . . .  The clock, behind ticks softly.

It is so long, indeed, since I have written,--
Two years, almost, your last is turning yellow,--
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course--just as I too have altered--
And whether towards each other, or more apart,
We cannot say . . .  I've just re-read your letter--
Not through forgetfulness, but more for pleasure--

Pondering much on all you say in it
Of mystic consciousness--divine conversion--
The sense of oneness with the infinite,--
Faith in the world, its beauty, and its purpose . . .
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark?  Or is it rather
Our own brute minds,--in which we hurry, trembling,
Through streets as yet unlighted?  This, I think.

You have been always, let me say, "romantic,"--
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics . . .  You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst . . .  Then, by degrees,--
Savoring all more delicate gradations

In all that hue and tone may play on flesh,
Or thought on brain,--you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays . . . And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
Towards the central chamber . . .  Which now you've reached.

What, then's, the secret of this ultimate chamber--
Or innermost, rather?  If I see it clearly
It is the last, and cunningest, resort
Of one who has found this world of dust and flesh,--
This world of lamentations, death, injustice,
Sickness, humiliation, slow defeat,
Bareness, and ugliness, and iteration,--
Too meaningless; or, if it has a meaning,
Too tiresomely insistent on one meaning:

Futility . . .  This world, I hear you saying,--
With lifted chin, and arm in outflung gesture,
Coldly imperious,--this transient world,
What has it then to give, if not containing
Deep hints of nobler worlds?  We know its beauties,--
Momentary and trivial for the most part,
Perceived through flesh, passing like flesh away,--
And know how much outweighed they are by darkness.
We are like searchers in a house of darkness,
A house of dust; we creep with little lanterns,
Throwing our tremulous arcs of light at random,
Now here, now there, seeing a plane, an angle,
An edge, a curve, a wall, a broken stairway
Leading to who knows what; but never seeing
The whole at once . . .  We ***** our way a little,
And then grow tired.  No matter what we touch,
Dust is the answer--dust: dust everywhere.
If this were all--what were the use, you ask?
But this is not: for why should we be seeking,
Why should we bring this need to seek for beauty,
To lift our minds, if there were only dust?
This is the central chamber you have come to:
Turning your back to the world, until you came
To this deep room, and looked through rose-stained windows,
And saw the hues of the world so sweetly changed.

Well, in a measure, so only do we all.
I am not sure that you can be refuted.
At the very last we all put faith in something,--
You in this ghost that animates your world,
This ethical ghost,--and I, you'll say, in reason,--
Or sensuous beauty,--or in my secret self . . .
Though as for that you put your faith in these,
As much as I do--and then, forsaking reason,--
Ascending, you would say, to intuition,--
You predicate this ghost of yours, as well.
Of course, you might have argued,--and you should have,--
That no such deep appearance of design
Could shape our world without entailing purpose:
For can design exist without a purpose?
Without conceiving mind? . . .  We are like children
Who find, upon the sands, beside a sea,
Strange patterns drawn,--circles, arcs, ellipses,
Moulded in sand . . .  Who put them there, we wonder?

Did someone draw them here before we came?
Or was it just the sea?--We pore upon them,
But find no answer--only suppositions.
And if these perfect shapes are evidence
Of immanent mind, it is but circumstantial:
We never come upon him at his work,
He never troubles us.  He stands aloof--
Well, if he stands at all: is not concerned
With what we are or do.  You, if you like,
May think he broods upon us, loves us, hates us,
Conceives some purpose of us.  In so doing
You see, without much reason, will in law.
I am content to say, 'this world is ordered,
Happily so for us, by accident:
We go our ways untroubled save by laws
Of natural things.'  Who makes the more assumption?

If we were wise--which God knows we are not--
(Notice I call on God!) we'd plumb this riddle
Not in the world we see, but in ourselves.
These brains of ours--these delicate spinal clusters--
Have limits: why not learn them, learn their cravings?
Which of the two minds, yours or mine, is sound?
Yours, which scorned the world that gave it freedom,
Until you managed to see that world as omen,--
Or mine, which likes the world, takes all for granted,
Sorrow as much as joy, and death as life?--
You lean on dreams, and take more credit for it.
I stand alone . . .  Well, I take credit, too.
You find your pleasure in being at one with all things--
Fusing in lambent dream, rising and falling
As all things rise and fall . . .  I do that too--
With reservations.  I find more varied pleasure
In understanding: and so find beauty even
In this strange dream of yours you call the truth.

Well, I have bored you.  And it's growing late.
For household news--what have you heard, I wonder?
You must have heard that Paul was dead, by this time--
Of spinal cancer.  Nothing could be done--
We found it out too late.  His death has changed me,
Deflected much of me that lived as he lived,
Saddened me, slowed me down.  Such things will happen,
Life is composed of them; and it seems wisdom
To see them clearly, meditate upon them,
And understand what things flow out of them.
Otherwise, all goes on here much as always.
Why won't you come and see us, in the spring,
And bring old times with you?--If you could see me
Sitting here by the window, watching Venus
Go down behind my neighbor's poplar branches,--
Just where you used to sit,--I'm sure you'd come.
This year, they say, the springtime will be early.

There's a crowd of pitch black unicorns at a Chelsea Wolfe's concert.
A crowd of pitch black unicorns moving their onyx hooves and horns
at the rhythm of drones dressed in electric guitars. An acoustic break follows.
The vibrations of the music and dancing cause purple flowers to grow,
purple flowers weaned on blood and sticky black tar. There's a crowd of
unicorns dancing at a Chelsea Wolfe's concert feeding on ladybirds crisps
and dragonflies sticks, that once home will play vinyls on mystic turntables of fire.
The purple flowers grow into vines and try to smother the unicorns
to prevent them from listening to bloodred-dyed vinyls on mystic turntables of fire.
Meanwhile in the corner of a museum S. Teresa of Avila's statue animates by itself, walks
to the window and throwing itself crumbles into a thousand of pieces of marble.
The seventh seal has not been opened yet but the ninth the eleventh and the seventeenth
exploded already, cracked their own wax and started spreading tongues of flames
and water to decimate humanity. A woman dressed in a fifteenth century scarlet outfit
leads the pitch black unicorns to salvation creating a safe haven for them
in Manchester and another one in California. They have in the meantime gone bonkers
and started feeding on each other. Equine teeth suddenly grow carnivorous jaws.
Nothing is left in the two oasis apart from a puddle of blood and a pavement of corpses.
It's 7 a.m. Chelsea has not yet finished her concert and her music blossoms around
played by the mystic turntables of fire. That which remaineth is pitch black light
and the breath of aeons lingering here and beyond and nowhere.

I am the **** in your pristine garden,

Hidden between the Hollyhocks and Petunias,

Unwanted, I lift my head high,

Invasive, pervasive, you hate me.

You spray me with emotional roundup.

You wish I would simply go away

Crushed under your foot yesterday,

I wilted under your hate.

Resurrected by the creators love,

In joy I dance to his music,

That floats on the wind.

I am a rose of Sharon,

Planted firmly in the dirt.

Hated by you for just being,

I am loved by the one who made me,

Loved unconditionally.

Planted in the wilderness,

Where he walks in search

Of those who seek his name.

If you see me know that he is near.

Yet you hate me for being the ****.

Invasive, that shows up in the cracks,

Of your well beaten paths.

You stomp on me, mangled I lie still.

Revived by God who loves me.

Someday he will do justice,

Someday he will show them mercy,

For failing to love his creation.

He animates me an earthen vessel,

With emotions triggered by fluid actions,

His loving smile, His tender touch,

In his love and goodness I find joy.

The joy that effuses and rises to my brain,

In its flooding sea of contentment,

Knowing that in him I have rest I am secure and calm.

From your bitterness that floods my feet,

He produces exquisite flowers and sweetest fruits.

Freely I give the love I receive,

As fragrance it wafts on the breeze,

Used to the smell of death and dying,

The Tanner smelling the fragrance of Love and Life faints.

They revive him with curing leather from the tannery.

Someday the tanner will appreciate fragrance,

Someday the night shift miner appreciate the light,

Someday those that cry for war will love peace,

Someday those that hate others learn to love.

Someday those that clang pots and pans in raucous cacophony,

Will find peace and quiet in his sweet rhapsodies and quiet melodies.

And the promoters of the ugliest of ugliness,

Love the beauty of God's creation.

Some day will the enslaved and captive soul fly free,

Forever free in the plains of Eternity.

Gazing through the liminal windows  
Only to find what I already hold so dearly
Fronting smiles for a quick benefit
As my stone-set complexion wanes wearily  
And, my Humanity animates this miserable repose
Into a shameless portrayal of diminished whit
  
And, all of these unsent letters forming disappointment
Remind me that this sickly apathy could have been avoided
I saw the torment approaching from behind every grin-
Connecting my reality to this life I've been appointed
A continuation of actuality so meek and despondent
Vaguely showcasing the sensations of the sublimity within
  
How can the objective see all this self absorption?
When we're looking through a constant one way mirage
A reflective outlook from one of the searching minds
Fixated on all the shells of this social entourage
Pondering the inner entanglement of their sad misfortunes
leaving nothing but questions with no answers to find
  
Impossible as it seems to depict the substance of perception
These literal creations we compose must amount to something
Or at least comfort us with a contorted definition of self
Without this written word - would I be left with nothing?
Can I bare to see myself forgotten as a faint misconception?
Should I clot the thread of memory with a part of myself?

My body once an ocean,
Water seeped through my pores,
Now a dry crustacean
Discontent shall be no more

My body a euphoric journey
In a wavely atomic state
In faithful hopes of good fate
No more cynicism, no more hate

No more No more,
I shall do without,
Without animus, without fear
And nor any further shedding of tear

My body a talkative spirit
Good spirit talk some more
Engage the well-winded conversation
But not end in confused frustration

My body animates love from
The surface of my Eyes
I do not wish for anymore Cries
Unneeded to despise

My body with yours
Perfection that pours
Connection that will ever last
Both in present and in past

You and me,
We equate you see,
Like two pods in a pea,
Or is it the other way around?

For beloved Eternity,
Our Universe smiles at each other,
In sane glee
Insane and happy  

Our devotion cystic
The warmth holistic
We protect from Sadistic
Do you see? We click

My body once an ocean
Water seeped through my pores,
Now a dry crustacean
Discontent shall be no more

I am the **** in your pristine garden,

Hidden between the Hollyhocks and Petunias,

Unwanted, I lift my head high,

Invasive, pervasive, you hate me.

You spray me with emotional roundup.

You wish I would simply go away

Crushed under your foot yesterday,

I wilted under your hate.

Resurrected by the creators love,

In joy I dance to his music,

That floats on the wind.


I am a rose of Sharon,

Planted firmly in the dirt.

Hated by you for just being,

I am loved by the one who made me,

Loved unconditionally.

Planted in the wilderness,

Where he walks in search

Of those who seek his name.

If you see me know that he is near.

Yet you hate me for being the ****.

Invasive, that shows up in the cracks,

Of your well beaten paths.

You stomp on me, mangled I lie still.

Revived by God who loves me.


Someday he will do justice,

Someday he will show them mercy,

For failing to love his creation.

He animates me an earthen vessel,

With emotions triggered by fluid actions,

His loving smile, His tender touch,

In his love and goodness I find joy.

The joy that effuses and rises to my brain,

Like a flooding sea of contentment,

Knowing that in him I have rest, I am secure and calm.

From your bitterness that floods my feet,

He produces exquisite flowers and sweetest fruits.


Freely I give the love I receive,

As fragrance it wafts on the breeze,

Used to the smell of death and dying,

The Tanner smelling the fragrance of Love and Life faints.

They revive him with curing leather from the tannery.

Someday the tanner will appreciate fragrance,

Someday the night shift miner appreciate the light,

Someday those that cry for war will love peace,

Someday those that hate others learn to love.

Someday those that clang pots and pans in raucous cacophony,

Will find peace and quiet in his sweet rhapsodies and quiet melodies.

And the promoters of the ugliest of ugliness,

Love the beauty of God's creation.

Some day will the enslaved and captive soul fly free,

Forever free in the plains of Eternity.

I am the **** in your pristine garden,
Hidden between the Hollyhocks and Petunias,
Unwanted, I lift my head high,
Invasive, pervasive, you hate me.
You spray me with emotional roundup.
You wish I would simply go away
Crushed under your foot yesterday,
I wilted under your hate.
Resurrected by the creators love,
In joy I dance to his music,
That floats on the wind.


I am a rose of Sharon,
Planted firmly in the dirt.
Hated by you for just being,
The one who made me loves me,
He loves me unconditionally.
Planted in the wilderness,
Where he walks in search
Of those who seek his name.
If you see me know that, he is near.
Yet you hate me for being the ****.
Invasive that shows up in the cracks,
Of the well-beaten paths of hatred, you frequent.
You stomp on me, mangled I lie still.
Revived by my God who loves me.

Someday he will do justice,
Someday he will show them mercy,
Them that failed to love his creation.
He animates me an earthen vessel,
With emotions triggered by fluid actions,
His loving smile, His tender touch,
In his love and goodness, I find joy.
The joy that effuses and rises to my brain,
Like a flooding sea of contentment,
Knowing that in him I have rest, I am secure and calm.
From your bitterness, that floods my feet,
He produces exquisite flowers and sweetest fruits.


Freely I give the love I receive,
As fragrance it wafts on the breeze,
Used to the smell of death and dying,
The Tanner smelling the fragrance of Love and Life faints.
They revive him with curing leather from the tannery.
Someday the tanner will appreciate fragrance,
Someday the night shift miner appreciate the light,
Someday those that cry for war will love peace,
Someday those that hate others learn to love.
Someday those that clang pots and pans in raucous cacophony,
Will find peace and quiet in his sweet rhapsodies and quiet melodies.
And the promoters of the ugliest of ugliness,
Love the beauty of God's creation.
Some day will this enslaved and captive soul fly free?
Forever free in the plains of Eternity.

I am the **** in your pristine garden,
Hidden between the Hollyhocks and Petunias,
Unwanted, I lift my head high,
Invasive, pervasive, you hate me.
You spray me with emotional roundup.
You wish I would simply go away
Crushed under your foot yesterday,
I wilted under your hate.
Resurrected by the creators love,
In joy I dance to his music,
That floats on the wind.


I am a rose of Sharon,
Planted firmly in the dirt.
Hated by you for just being,
The one who made me loves me,
He loves me unconditionally.
Planted in the wilderness,
Where he walks in search
Of those who seek his name.
If you see me know that, he is near.
Yet you hate me for being the ****.
Invasive that shows up in the cracks,
Of the well-beaten paths of hatred, you frequent.
You stomp on me, mangled I lie still.
Revived by my God who loves me.

Someday he will do justice,
Someday he will show them mercy,
Them that failed to love his creation.
He animates me an earthen vessel,
With emotions triggered by fluid actions,
His loving smile, His tender touch,
In his love and goodness, I find joy.
The joy that effuses and rises to my brain,
Like a flooding sea of contentment,
Knowing that in him I have rest, I am secure and calm.
From your bitterness, that floods my feet,
He produces exquisite flowers and sweetest fruits.


Freely I give the love I receive,
As fragrance it wafts on the breeze,
Used to the smell of death and dying,
The Tanner smelling the fragrance of Love and Life faints.
They revive him with curing leather from the tannery.
Someday the tanner will appreciate fragrance,
Someday the night shift miner appreciate the light,
Someday those that cry for war will love peace,
Someday those that hate others learn to love.
Someday those that clang pots and pans in raucous cacophony,
Will find peace and quiet in his sweet rhapsodies and quiet melodies.
And the promoters of the ugliest of ugliness,
Love the beauty of God's creation.
Some day will this enslaved and captive soul fly free?
Forever free in the plains of Eternity.

A zephyr's caress
Provokes listless leaves to dance;
Animates still life.

Mute witness, ancient;
Observing seasons and Man -
Awaiting progress.

Alien life-form,
Symbiotic vitalism
Understood - Unknown.

Over this I vacillate:
The writing down of verse,
Wealth of language distillate
Quench and cause my thirst.

Easy enough to hesitate
When errands need be run,
Either way I procrastinate
Leaving the other undone.

For quiet I equivocate
Time and time again, for
It is bliss to terminate
The what, the where, the when.

Sometimes I stew in stalemate
Two webs entreat be spun:
Revel in stillness or illustrate,
I pay with time for one.

Rilke said discriminate
If one must write or not,
To breath to write to oscillate
Conundrum of my plot.

Awareness and artistry bifurcate
My will in two extremes,
Yet I know when conjugate
They vivify the means.

Unsure if it is designate
I muse and metaphor,
I know with thrill words compensate
When they begin to roar.

What is the thing that animates
This soul to write a poem,
Passion to note and formulate
Or to be loved at home?

I am the **** in your pristine garden,
Hidden between the Hollyhocks and Petunias,
Unwanted, I lift my head high,
Invasive, pervasive, you hate me.
You spray me with emotional roundup.
You wish I would simply go away
Crushed under your foot yesterday,
I wilted under your hate.
Resurrected by the creators love,
In joy I dance to his music,
That floats on the wind.


I am a rose of Sharon,
Planted firmly in the dirt.
Hated by you for just being,
The one who made me loves me,
He loves me unconditionally.
Planted in the wilderness,
Where he walks in search
Of those who seek his name.
If you see me know that, he is near.
Yet you hate me for being the ****.
Invasive that shows up in the cracks,
Of your frequent well-beaten paths of hatred.
You stomp on me, mangled I lie still.
Revived by my God who loves me.

Someday he will do justice,
Someday he will show them mercy,
Them that failed to love his creation.
He animates me an earthen vessel,
With emotions triggered by fluid actions,
His loving smile, His tender touch,
In his love and goodness, I find joy.
The joy that effuses and rises to my brain,
Like a flooding sea of contentment,
Knowing that in him I have rest, I am secure and calm.
From your bitterness, that floods my feet,
He produces exquisite flowers and sweetest fruits.


Freely I give the love I receive,
As fragrance it wafts on the breeze,
Used to the smell of death and dying,
The Tanner smelling the fragrance of Love and Life faints.
They revive him with curing leather from the tannery.
Someday the tanner will appreciate fragrance,
Someday the night shift miner appreciate the light,
Someday those that cry for war will love peace,
Someday those that hate others learn to love.
Someday those that clang pots and pans in raucous cacophony,
Will find peace and quiet in his sweet rhapsodies and quiet melodies.
And the promoters of the ugliest of ugliness,
Love the beauty of God's creation.
Some day will this enslaved and captive soul fly free?
Forever free in the plains of Eternity.

Call me antediluvian, 
But I want to hold you by your hand
Kiss you on the cheek
Whisper, I love you
Call me delirious
I'm just in love.

‎It's hard to say,
That your body animates me
It's hard to say, 
That I want you

It's hard to say, 
That I want to caress your every flaw with my tongue 
It's hard to say, 
That I want to make love to you.

It's hard to say
What words cannot do

Like art
I want to draw you
Trace every inch of you with my fingers
Read every bit till your breath hinges
Watch every part till your toes curl.

It's hard to say,
What words cannot do.

Let me taste your thoughts with my tongue
Inhale the sounds you make
Exhale and grunt to the way your back archs

It's hard to say
What words cannot do.

When there's so much to do
That words cannot say

After each honey-dipped dispute the hapless toddler bounces on a squatter’s mattress,
Teething and drooling like an adorable zombie, gormlessly tossing chewed toys and causing a mess.
On a drenched bed drifting in a flooded car park, the infant paddles towards a collapsed lamppost using a G.I.JOE.
Strobing, the broken light dances in the gloomy water and animates the odd objects below.

Inquisitive, the primal child scales the desecrated metallic obelisk with caution.
Oily and perverse the rain-greased pole requires instinctive body contortions.
Briefly understanding the enormity of the ordeal the naïve kid starts to scream and clings,
Prays for mum, for help and repents for all the bad things,

He thinks he has done. He loses his grip and slides down, landing on his grimy float,
Skimming like a stone across the charged lake, he bounds over used nappies and punctured plastic bags in his boat,
And settles like a fallen petal. He is safe and apologetic.
Though he finds his feet and jumps ignorantly again. His capacity to learn is pathetic.

My friend,
My old friend.
Think of me as a romantic,

Though please do not consider this
A weakness or a foolhardy and
Archaic enterprise.

It is but the pursuit of each flavour
Of emotion.
To taste

Both the sticky sweetness
Of infatuation,
And the hollowed defeat

Of an impossible love.
How the pains of a misguided plea
Can cleanse you

From all of the lies and
Cynicisms you have adorned yourself with.
The life of a romantic is nothing

But freedom.
It is the freedom to be, and to relish
In each dynamism of the heart

And to feel no shame in it’s decimation
Of your activities. A romantic
Is free to sulk

And to indulge oneself
In the theatre of their heart,
To forsake all that

Does not transcend them,
And all that does not lead them
On their pilgrimage

For that consummate love.
And, my friend,
My old friend,

It is the belief in love that creates me.
It animates my limbs
Into action each morning

And motivates my heart
To keep up its business
As shadows lengthen across the ground,

In the simplistic hope that one day,
Love will appear in a wicker basket
At my doorstep.

For now, I shall remain
Studious. Though that word should
Have no real place

In a romantic’s life.
I shall read of the love that escapes
Every author,

That causes them to spill words onto a page,
Hoping that they too
Surpass all of reality

And hold true the feeling of the numinous
That causes men to weep
At their guitars

And women into their pillow.

carefully I cradled the garden seeds
depositing them in the incubating
warmth of the earth's black womb
then buried my heavy heart there for a season
I thought of my cousin Roger who had just
relinquished the magical breath that animates
all living beings in this universe
it didn't matter that he had abused his body and
was an emotional wreck most of his brief life
more like a brother, fond memories of innocent play,
mischievous fun and a generous, loving persona
poked through fresh and green
like tender infant shoots
these were the perennials, the lasting bouquets
that could never be laid to rest
the fluffy double orange hoop skirts of the hibiscus
dancing in the corner
and the African daisies laughing purple faces
make me smile
I could feel my cousin's Spirit whispering in
the gentle Florida breeze
"hey, cuz, life goes on.......forever!"

In the realm of tea, a profound analogy emerges, where the tea itself embodies the essence of the soul, while the cup serves as the vessel that houses this precious elixir. Just as the soul defines the very core of a being, it is the tea that holds the true essence, flavor, and character of the experience.

Like the soul, the tea exudes a captivating aroma that dances delicately upon the senses, drawing us in with its alluring fragrance. It is through this aroma that the tea reveals its true nature, enticing us to explore its depths and embark on a journey of taste and enlightenment.

As we take the first sip, the flavors of the tea gently caress our taste buds, awakening dormant sensations and invoking a symphony of taste. Each sip becomes a communion with the soul of the tea, as its unique flavor profile unfurls and captivates our palate. It is in these moments of intimacy that we forge a profound connection with the very essence of the tea itself.

Just as the soul animates the body, the tea animates the cup, infusing it with life and purpose. The cup, a vessel of beauty and elegance, serves as the conduit through which the tea connects with the tangible world. Its form and design may enhance the aesthetic pleasure of the tea-drinking experience, but it is the tea, the soul within, that truly imparts meaning and significance.

While the cup may vary in shape, size, and material, it is ultimately a vessel that carries and presents the tea, much like the body houses the soul. Like the body, the cup provides a tangible form, but its true value lies in its ability to hold and showcase the essence within.

Thus, just as the soul transcends the limitations of the body, the tea transcends the vessel that contains it. It is the tea, with its depth, character, and the journey it takes us on, that truly matters. The cup merely serves as a humble companion, honoring and showcasing the beauty of the tea within.

In the realm of tea appreciation, let us not forget that the true essence lies in the tea itself, much like the soul is the essence of our being. Let us cherish and honor the tea, allowing its soulful flavors to nourish our senses and elevate our spirits, for it is the tea that matters more than the cup.

Rapturous and overjoyed with the prospect of bridging innocence into essence. Preparations and organisations as the raw love and affection fill your aura. Guiltlessness chastity swells and animates inside the womb. A blank page ready to embark on life, never before experienced the sensations that should follow. The words don’t reach the blissful state of mind at first. Realising the reality of the dreadful situation collapsing into an abyss of hate. The once shinning beacon of life and innocence lost into inanimacy. Still birth is no option; stress and depression are ripping the edges of the soul. Crumbling like stale bread, horrid and sadistic thoughts begin to bloom like mould. The structure of everything positive begins to decompose like the departed carcass inside. Rid of the tiny dead beast that has caused such pain. The hatred begins to mingle with the guilt and the shame. The specialists give negative reactions towards the longing for detachment.  Bad they say, recovery is essential now, detachment is the later. As you arrive into the kitchen, the harsh taste of alcohol lingers in your worthless mouth. Neither God, nor the devil will grant forgiveness for what happened next. The half shattered bottle of poisonous alcohol embedded in the belly. The tiny lifeless carcass still not quite developed lay peacefully on the ground. Broken but departed the doctors were right.  Twisting the bloodied bottle to the jugular the eyes close. From love to death the pattern will follow.  The mercy of above is non-existent.

The heart stops. Life ceases.


By Joseph Burns

may i ask, which pronoun are you searching for, and if in which model, which pronoun-verb in the Cartesian duo function could you ever ask me what pronoun occupies f(∴)? you see, mathematics doesn't sincerely pledge i think with i am, given dues to f(∵), given geometric intersection, both are Gemini, unequivocal, David's abstract.

perpetually open eyes, never acknowledging a blink,
Venetians cascading on Byzantium, near blink near conscience,
but never near an Ottoman consequence;
how ***** into role of Janissary: fear the impaler and all
who reign in his caste disguised... yet you encourage
that they come.... what tailoring of suit
so well disguises the blood? a heavy collar or the lightly
mandated to feel a "conscience"?
i like freaks like him, i too cared to wear many
masks, is that worth a psychiatric evaluation,
you spared me no trust,
your secret dealings could have spared me
my health, what you fear is double-jeopardy,
including a seclusive f.b.i. reclusive supposedly paranoid...
please leave all your badges of officiation to
an affiliated organisation of governance behind
including your firearms, and other scientific
conditionings prejudiced against the church v.
Galileo... please leave dogmatism to students and
anomaly encounters to professionals as stated by
the entitlements of doctorate...
the plot has no identifiers worthy of investigation,
unless everyone was brainwashed into thinking
that goldfish held a greater memory span in a
fish tank than all the people in the world, atmosphered,
and later impregnated by nothing other than
vacuum and astronomical interactions of simple
alphabetical greek into complex chemistry? or
could a world conspiracy come about as simply
the words: she was worth a 1000 Greek ships
worth of **** to later ascribe the capital
of love as Paris? the raw animal is worth more in
his ontological environment than in a zoological one,
cages enliven violence rather than envision them
in either subject or the culprits mind...
it's the added prospect of seclusion that animates
a piquant status of memory to a kindred
fingerprint cloning deviation, a susceptible replication
environment: esp. through no familial motive, other than an
individualistic swarm-like reaction to an insecticide:
however much the individual invigorates a
suspect accommodation to an equilibrated pluralism
within a status ascribed to an: individual.
i admit, the psychological rhetoric is the new
invention of the wheel... it goes on and on forever,
i fear for those hapless idiots studying the logic
of excluding soul (as an absence of thought), god,
and free will to ever return to the rational / sane world
of afternoon tea, given they specialised in these
specified wording to a rubric equatable to 1 + 2 = 3.
you'll learn no more human secrets than that of
a *sloane's viperfish... otherwise you're entering a realm
of perfected adaptability with some quasi-science
via fiction and conspiracy, that leave you no more than
an agent of the priesthood and a loss of a good
niche of ******... well, is't the priesthood
pathetic so jealous as to have lost the reigns having
kept them for so long? oh yes, the public will react...
regarding the next nutritionist's fact...
it's called adaptability i may say, leave them to it,
you kept to your symbolism for too long,
we learned the crux like we learned to say X
three times ensuring we watched ****...
oh i'm not jealous, i won't be the one having to
orphan the ******* sons, as your church had to keep
them to keep up pretences... all they have to keep
up is the stability of universally recognising a
centimetre, which, like satan said of the kingdoms
to be given, the Orientals sort of ignored with
the grievance demanding an explanation for
the ineffectiveness of thus said temptation.

snow and humidity flow wealth
deal slow spoken depart of evening dusk
geography gave its classic crowning achievement
banks of breeze
chrysanthemum, artemisia, dahlia profusion
teeming between vast favelas
undulating urban inscribed temple example
contributes to interlude
unafflicted infrastructure officially released
an array of agglomerations and organisms

fantasy spoke understanding
capacity to cope
innermost insulation in the valley
small lessons prepared immune defense
immense swaths of civilization plan
an accumulation of saplings
prestige expanding on the edges of periphery
trees rooted in tribal transformation
movement conceived by branches
an acquisition of blooms abounding

connectivity involving strategic placement, intuitive responses, orchestrated shift
combination of changes to communicate an aesthetic of nature
a perceptual intellectual engagement to negotiate the cumulative effect
the manner in which a sense seems to take shape
through elements overhead

sculpted mindset of synthesis
animates the dynamics
a characteristic
a reservoir of peace
paradise components
dazzling province
metropolis of permanence

I have yet
to write
a single
poem

certainly I can
rhyme and meter
compose a verse
haiku
limerick
and build cadence
yet
it’s
withheld
refrained
restrained
it does not allow nor admit
in fact
it’s fraudulent
a paean sin of omission
omitting truth
vulnerability and
humanity!
why not weep of wide
open
limpid lucidity?
why not the magic of
heartfelt disclosure?
each ****** feature fearlessly
presented with palpable pretensionless
petals that the sun skips
over skin through
sky of algid air as
each lung
animates
all admissions
tumbling down
in the merriment
that transports
grace
eternal, primal
screams
ancient
songs
that release grudges
from muscles
the mysterious immersed magnificence that
confronts a chartreuse day as an
unimaginable
gift
through the lens of immediate
freedom
with burdens and cares
falling away to
a purely peaceful
poise
not a song, sonnet nor
a single sentence
rather the grasping of
a fresh infusing of
divine pleasure

GREEN SILENCE

Dust settles
on the ladybird.

She sits on the window sill
dead to the world

pretty
as paste jewelry

courted by a terra cotta
Priapus

chatting her up
unaware that she is

dead.

She remains deeply
unimpressed

by his ability
to keep it up.

A fly lands on the very
tip top of his tumescence.

It's enough to make
a dead ladybird laugh.

The dance of net curtains
animates the moment.

Outside the silence
is stained green

by chestnut leaves
flirting with the sun.

Nootropics brood
my mind a broth
my body, fire:
heating the soupy concoction.
Milky, opaque; yet watery clear
my coffee animates
my foundation.

what ever happened to food?

The causal effect
was the kiss of the blind spot.
I wake up every morning
smelling blood.

The space animates you,
leaving the truth outside.
An unwritten message was lost
in the watering eyes.

The aquaduct dries up. You
get the cramps of city,
after the memes of swollen eyes.
Do not open the umbrella,
sun was hiding.

Your brain becomes wired.
Someone slaps a sticker on your lips.
You cannot cry. A muffled scream,
shatters the windows of the capitol.