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Q Oct 2013
Abigail is words, whispered in the dead of night
Abigail is pearls, so meticulously shined
Abigail is wind, personal yet public
Abigail is din, a beautiful ruckus

Bigail is books, every breath is a story
Bigail is gems, rich in her glory
Bigail is breeze, a soothing chill
Bigail is ease, with a bit of thrill

Igail is water, playful but cold
Igail is stormy, brewing and bold
Igail is calm, willing to wait
Igail is balm, soothing this place

Gail is half, fading quickly
Gail is worn, fragile and sickly
Gail is Earth, loving and warm
Gail is mirth, behind her thorns

Ail is sweet, and yet so sour
Ail is blood, of the hearts she devours
Ail is tears, as she turns to leave
Ail is fears, that she can't retrieve

Il is less, than sweet Abigail
Il is more, for she left a trail
Il is mad, raving lunatic
Il is bad, coughing and sick

L is tired, ready to go
L is crying, way down below
L is left, hanging by a thread
L is befret, the words she said

* * is nothing
There's nothing left of Abigail
No words left to whisper
Gone without a trail.
There are three ways to read this poem:
1. Read as written
2. Read only the phrases before the commas and the last stanza
3. Read only the phrases after the commas and the last stanza
Enjoy
   -Chaus
https://twitter.com/ChausVocamini
Ail
Joe still can't get
the senate chamber to agree
that he has a well thought out
budget strategy

parts of his budget bill wont get passed
this calendar year  
which will cause
the Libs and Nats to all jeer

expenditure
must be well reined in
the stack of treasury notes
are rather thin

none of the belt tightening
measures getting in
the impasse means the government
wont have savings in the tin

the country needs to have
the books in the black
if they don't pass the bills
we'll always looking back

Clive Palmer, The Greens and Labor
wont give ground
so the budget papers
will just keep hanging around

parliament will soon
be on a summer break
with our current fiscal balance
being at stake

we're all hoping
that common sense will prevail
as our nation's economy
shall continue to ail
Edna Sweetlove May 2015
I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.
Travis Dixon Jan 2012
Truth? a lewd's you
in known certain terms:
whether veins, when drowned
hawks a gin (loomin’)
a shin splinters as
mines bore on; why ‘ol
car bonfires grow tired
of a pack o’ lips’ wisp ring,
“Hydra Djinn—
Sine diem purgare nox.”

Redeem and weep
in tents, faces & phrases
met a fizz[i call]y
drunk in jest id bouts
wrested liver's tried & tested [buy con-
testant after contest-
ant] where West lids gaze
in two, the joy of the flame
hungry's gasping for air
[nothing's becoming] bright
berthed of ash-end tombs
lit up in the night.
nactuyah Apr 2014
her mother holding her hand as her veil covers her face, she waits for the right moment to walk down the ail. Her dress whiter than snow, as her mother leads her down to her lover. She dreams of the embras that awaits at the end of that long forgetting ail. with for-get-me-not's settled gently and evenly on either side of her she walks down toward her destiny as her belly is swollen with child and her mind wondering, she sees nothing but the smiles on everyone's face. Her mothers tears falling as she smiled along with everyone else. though her smile was with goodbye as her youngest child smiles and watches as her mother try's to hide her rain of loving joy. her mother rises the veil to kiss her forehead she leans over to allow the kiss, as her mother walks to the row to sit down. Her heart beating so fast she doesn't hear anything else. Her lover staring at her with an open heart. as they say their vows the dress seems to b weighing her down as they walk to the end of the ail. She made it down the ail of destiny, with her mother guiding her every move as she did when she started walking, as she teethed her first tooth, as she helped her ride her first horse. Her mother was there when she needed her and when her mother didn't want to let go she finally let her little butterfly fly away and leave the nest of her mother protective arms. Her butterfly hoovers over the road before running back to her arms and kissing her mother goodbye as she made her way toward a new life and a good husband to guide her through the tough times, but to her little girl her mother would always be her hero and protector
to my mother
PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort
Ah, what can ail thee, wretched wight,
    Alone and palely loitering;
The sedge is wither'd from the lake,
    And no birds sing.

Ah, what can ail thee, wretched wight,
    So haggard and so woe-begone?
The squirrel's granary is full,
    And the harvest's done.

I see a lily on thy brow,
    With anguish moist and fever dew;
And on thy cheek a fading rose
    Fast withereth too.

I met a lady in the meads
    Full beautiful, a faery's child;
Her hair was long, her foot was light,
    And her eyes were wild.

I set her on my pacing steed,
    And nothing else saw all day long;
For sideways would she lean, and sing
    A faery's song.

I made a garland for her head,
    And bracelets too, and fragrant zone;
She look'd at me as she did love,
    And made sweet moan.

She found me roots of relish sweet,
    And honey wild, and manna dew;
And sure in language strange she said,
    I love thee true.

She took me to her elfin grot,
    And there she gaz'd and sighed deep,
And there I shut her wild sad eyes--
    So kiss'd to sleep.

And there we slumber'd on the moss,
    And there I dream'd, ah woe betide,
The latest dream I ever dream'd
    On the cold hill side.

I saw pale kings, and princes too,
    Pale warriors, death-pale were they all;
Who cry'd--"La belle Dame sans merci
    Hath thee in thrall!"

I saw their starv'd lips in the gloam
    With horrid warning gaped wide,
And I awoke, and found me here
    On the cold hill side.

And this is why I sojourn here
    Alone and palely loitering,
Though the sedge is wither'd from the lake,
    And no birds sing.
Paul Gilhooley Apr 2016
Eternal flame burning bright for me,
A beacon of hope across life’s great sea,
A symbol of faith for wandering ways,
A guiding light for darker days.

The symbol of life that burns so quick,
That tall proud candle, with unspent wick,
My life it holds within its flame,
Either good or bad, it burns the same.

As life grows long, the candle grows short,
For a life lived carefree, or one of thought,
The candle cares not one jot,
It lives to burn, that is its lot.

Through time the candle grows so frail,
Just like myself, through time I’ll ail,
And just like I, oxygen gives it life,
To cope with all our daily strife.

Our time on earth, is fleeting, brief,
If time is tree, then I am leaf,
My faith proclaims life’s heaven sent,
But ends when my candles wick is spent.

All I ask from the life I live,
Is people appreciate all I give,
I care not for fame, nor even wealth,
Life is good if there is health.

I have the greatest gift of all,
I have my children, I love them all,
The gift I’ll leave hides in my words,
To me as melodic as the song of birds.

My candle of life continues to burn,
I have so much I've still to learn,
Until the day I give that final choke,
And my candle itself shows only smoke.

When time has passed, please don’t be sad,
Think of me with memories glad,
My candles flame, extinguished, gone,
Deep in your hearts, will still burn on.

© Cinco Espiritus Creation
2012
ryn Dec 2014
•i        
     was    
         once    
              whole    
               •full and
                    complete•
                       grand desi-
                          gns adorned
                              upon my very
                               soul•always...
              ­                  would land on
                                    my feet•my wo-
                                     rds now partially
                                      broken•resembli-
                     ­               ng that of an ail-
                                   ing crescent• i...
                                 am still here, i...
                               watch and i lis-
                           ten• scouring
                        for mediocre
                 remnants
             that still
         remain
 abs
en  
t•      
.
Pellucid pearls in northeastern
   North America since planetary birth
comprise Lakes Superior, Michigan,
     Huron, Erie, and Ontario
   (HOMES acronym) dearth
largest group of freshwater lakes on Earth
straddle Canadian–United States

   border tethering partial global girth
constituting 21% of world's surface
   fresh water species hearth
total surface equals 94,250 square miles
   And total volume equals
   5,439 cubic miles immeasurable worth.

Lake Erie from Erie tribe, abridged
   form of Iroquoian word erielhonan “long tail”
Lake Huron named by French explorers
   for Wyandot or “Hurons”
   whence they did sail
Lake Michigan likely from Ojibwa word
   mishigami “great water”

   aka outsize gold quail
Lake Ontario i.e. “Lake of Shining Waters”
   shimmering like hammered coat of mail
Lake Superior coined from French

   “lac supérieur” "upper lake",
   an emerald watery dale
   Ojibwe people called it gitchigumi
   medicinal to cure that, which might ail.

These five lakes each reside in separate basin
form a single, naturally interconnected
   body of fresh water caisson
linking east-central interior
   of North America to Atlantic Ocean
   akin to an escutcheon.

From interior to outlet at St. Lawrence River,
water flows via Superior to Michigan-
   Huron southward to Erie to avoid a shiver
finally released northward to Lake Ontario
   as like a well taut archer with his quiver.

The lakes drain a large watershed
   via many rivers as if a united olympic team
populated with approximately 35,000 islands
   this estimate not x stream
the Great Lakes region contains
   many thousands of smaller lakes,
   often called inland lakes undulating

   in cascading analogous to a fluid ream
Lake Michigan the only one located
   entirely within United States
   while the others border between
   United States and Canada
   essentially a liquid manifolded seam.

Lakes Michigan and Huron
   basically comprise a single lake,
sometimes called Lake Michigan
   Huron, combined doth make

   total area of 45,300 square miles (117,000 km2)
   have the same surface elevation of 577 feet (176 m),
   connected by 295-foot deep Straits
   of Mackinac Islands splayed like a rake.

Approximately 35,000 islands extant
   throughout oceanic like sea
largest among them Manitoulin Island
   in Lake Huron brushing up against Goliath knee.

The second-largest island
   Isle Royale in Lake Superior to boot
both of these islands contain
   multiple lakes them
   selves sacrilegious despoliation
   exceed wages of sin, hence
   further discussion, sans sanctity moot.
YOUR  SMILE

the ail is shy of
your smile,
it cried for winds' help
to escape the lightening storms
ushered by the wrath of
your smile

and you move free in here
to bring delight from there
singing in divine words
to comfort souls in highs
buried in, blanket of stress.

i raised up my mind
to see the bright sun
graced by you fit physique
honored by your sparkling coat
then
a cool breeze
to ice the warming hearts
with
your smile!
Notes (optional)
SassyJ Jan 2016
Patterned dots, existence connects
An anther to a stigma, reproduction
The pollen withers, pollution subsides
Colonies of bees vanish in the wind
Toxic genetic food wins in binge

Mother earth cries in pain, an ail
Food chains and supplies cut short
Globalised mass production of poison
Supermarkets stocking “all season”
Consumerism monopolies swell

The environment abused and misused
Plastic bottles displaced, a chemical sludge
The haunted “great pacific garbage patch”
Littered garbage, debris and chemical sludge
Humanity displaced, dissociated and divided
Ruining sea waters , floating landfill fueled

Probability of heightened population
Global panics, mimicked maniacs
Reductions of resources to feed all
Unsustainable long windy farms
Big roads, buried bills, stingy reality
We are connected to every elephant that stamps, every bird that flies and every bee that buzzes. As peculiar as this may be it is so true. In the last 15 years the bee population is diminishing/ disappearing! It may seem far-fetched but it is true and relevant. They call it CCD (Colony Collapse Disorder). Initially, they blamed it on pesticides but this can only affect 1/3 of the population. Some scientists blame it on genetically modified crops as they might have toxics that poison the bee. But this has got a great effect on the food chain.

Such trends identify immense threat. Globalisation has meant that we have "all season" food.... you can get what you want... when you want it. Is our consumerism mode to blame? Have our reckless outlook in life lead to "the great pacific garbage patch"?

The world population is on the increase currently at 7.3 billion and projected to be 9.7 billion in 2050. Have we got enough resources in mother earth? Have we abused and used her? It's a long long road, the windy path... the stingy reality.
Shreya Inks Feb 2015
There is not a day when I don't think of you;
its the only thing I’ll forever do,
I remember when the first time you held my hand;
you were standing close to me; it was a november end,
and my tears roll down on your photograph;
when I remember the moments you made me laugh.

Boy you said you will never leave me alone;
there were the days when you used to walk me home,
I remember those bikes that we enjoyed and rode;
do you remember those beautiful paths; together we trod?
and my tears roll down on your photograph;
and just a single thought is enough to turn my mood off.

Those days are gone when we were together?
you said this love will last forever,
and now every time it makes me go shatter;
I know; for you all this doesn't matter,
and my tears roll down on your photograph;
when all your thoughts scratches my core so rough.

All the roses you gave me have turned pale;
they now sing the story of my ail,
you have got your own world, I haven't got mine;
I donno how long it will take me to feel fine,
and my tears roll down on your photograph;
when all your memories divide my heart into half.

With bloodshot eyes I search for you everywhere;
I close my eyes and I see you; I open them and you disappear,
You are the one who has conquered my mind;
I donno how and why I got so blind,
and my tears roll down on your photograph;
when it reminds me of your bluff.

© Shreya ♥
Spenser Roper Mar 2014
flat at
flake lake
flame lame
flamenco cool
flamingo goof
flapped lapped
flayed layed
flavor vortex
flannel electricity
flag lag
flash lash
flaxen axen
flab lab
flail ail
flattering ring
flaw law
flair air
Easily Tux
Laxity Use
Laxity Sue
Taxis Yule
Taxi Yules
Tau Sexily
Axe I *****
Yea Xi ****
Yea Xi Lust
Aye Xi ****
Aye Xi Lust
Ail Yes Tux
Sail Ye Tux
Ails Ye Tux
Italy Ex Us
Laity Ex Us
Taxi Lye Us
La Suety Xi
Talus Ye Xi
Lax Yeti Us
Lax Suety I
Lax Ye Suit
Lay Exit Us
Lay Suet Xi
Lay Tuxes I
Lay Ex Suit
Sat Yule Xi
Taus Lye Xi
Sax Yule Ti
Sax Yule It
Say Lie Tux
Say Lei Tux
Say Lute Xi
Say Exult I
At Yules Xi
At Yule Xis
At Yule Six
Tau Lyes Xi
Tau Lye Xis
Tau Lye Six
Tax Yules I
Tax Yule Is
Ax Lieu Sty
Ax Yules Ti
Ax Yules It
Ax Yule Tis
Ax Yule Its
Ax Yule Sit
Ax Lye Suit
Ya Isle Tux
Ya Lies Tux
Ya Leis Tux
Ya Lutes Xi
Ya Exults I
Ya Lute Xis
Ya Lute Six
Ya Exult Is
Ay Isle Tux
Ay Lies Tux
Ay Leis Tux
Ay Lutes Xi
Ay Exults I
Ay Lute Xis
Ay Lute Six
Ay Exult Is
A Lyes I Tux
A Lye Is Tux
A Ex I *****
A Ye Xi ****
A Ye Xi Lust
La Yes I Tux
La Yet Xi Us
La Ye Is Tux
Las Ye I Tux
Lax Yet I Us
Lax Ye Ti Us
Lax Ye It Us
Lay Ex Ti Us
Lay Ex It Us
As Lye I Tux
Say El I Tux
At Lye Xi Us
Tau Ex I Sly
Tax Lye I Us
Ax Lye Ti Us
Ax Lye It Us
Ax Ye I ****
Ax Ye I Lust
Ax Ye Lit Us
Ya El Is Tux
Ya Let Xi Us
Ya Ex I ****
Ya Ex I Lust
Ya Ex Lit Us
Ay El Is Tux
Ay Let Xi Us
Ay Ex I ****
Ay Ex I Lust
Ay Ex Lit Us
Tate Morgan Jun 2014
A rich man's son inherits want
with no desire to work hands bare
Gives the job to another man
to look out from his easy chair

A poor man's son inherits grace
born of toil and sweat of his brow
He adjudged of hard earned merit
pushes on what body will allow

The rich man's son inherits greed
with what malice it may entail
Thinking others beneath his station
for lack of character he does ail

The poor man's son inherits kindness
which with all others level stands
Then asks the outcast bless his door
to share the fruit of his two hands

Heir to what is the rich man's son
tender flesh that fears the cold
To the poor never gives his time
nor dare he wear a garment old

Inheriting, it seems to me
what no good man would wish to be

Heir to what is the poor man's son
strong muscles and pounding heart
Chipped of a marble character
beloved by all he touched in part

Inheriting, it seems to me
what all good men would wish to be

Tate
This is one of three poems I have converted to a new all video format well worth the look at what I feel is the future of our art.
Original all video version
http://www.writerscafe.org/writing/aristate/1355765/
It isn't that rich people are per-say bad. Nor that poor people are good. It is the human condition that sets up society by stature. And counts wealth by monetary gain. Money is never happiness. Yet we are told all the time that it is. Look around you. See the multitudes rushing to amass their fortunes. And for what. Women who followed Gloria Steinem's ideals that you can have it all are miserable. Why? Because you can't have it all. You can't spend a life climbing the corporate ladder. Waiting to reach some plateau in your late 30s and then start a family. Children are not easy to raise. So why does money seem to make so many crazy and so many unhappy? Because money can't hold a hand. Money can't read a child's bedtime story. And money cannot make memories that last a lifetime. Shared life does that. Family does that. Descendants are the answer to selflessness. I cannot forget the look of a child's face who waited for dad to come pick him up when we were children. Only to hear again and again dad was too busy to come get him.The dreams of happiness preached on wall street are the lies that will not live forever neither will we. The smiles of children stamped in the mint of memory are the coin of the realm of happiness!
Tate
Nat Lipstadt Jan 2018
I Am that I Am (אֶהְיֶה אֲשֶׁר אֶהְיֶה‬ ’ehyeh ’ăšer ’ehyeh)

for Eléa

the requests are assiduous, regularly arrivaling, some shy,  
some heinous demanding and denouncing,
inquisitors inquisiting this revelation,
as if it could be bought in a Five and Dime,
with a childlike whining insistence

just  exactly who are you?

this is not my name above,
but one of seventy the Father gave himself

He named me in a fit of efficacy and whimsy and in and from, a fit of a deep veined mystery

You Raise Me Up

all this on the ****** side of corny, and would not blame you
if you moved on…

so nominated in honor of my mission, to travel with you in
all the travails that ail,
to raise you up to raise me up and thus salve the universe's cracks,
fill the crevices and the ****** scars invisible,
with the precise refreshment that make my life,
a slave to your thankfulness

I am the wetness of a mother’s lips upon
a thin red tear on a child’s skin,
I am the the rock hard father’s shoulders grasped by a child’s arms, the child does yet understand that human is illusion,
human is human, however strong,
it is the allusion of human limitations
that is our magical

I am the present re-borning come with a morning glory,
the time when the Am and the Pm  future merge in a name
without tense,
past present and what I may be is simply what
I am

when the past is but another sky bright star, untouchable,
but winking at you, to you personally

I am the touch of the untouchable,
a messenger commissioned to remind you when
the reminders are too far apart,
or even too close
and thus make a breathing space
in between for the living and the missing

I am the
no difference
between a newborn’s soft skin cells
relentless multiplying,
that offers the same precise sensation of the
grandmother’s delightful wrinkling cells of smiles of her
relentless dying,
for all, one and the same,
the child in her is you, baby

I am the fall before the rise, the first that defines the last,
the standard, once obtained, nevermore unobtainable

I am the first fruit of the summer,
a tongue blossom, a burst of memory, always recalled,
always the same, that begs for forgiveness for there are no
new words to describe the profound finding of the
simple pleasures that sustains the blessing over all things new that
are recurring and truly
renewable (shehechayanu)

I am the crinkle in the eye, the one that hides in the fine lines
and upon the lips,
when you purchase the hope however fleeting of a
$2 Powerball ticket,
the very same hope preserved when you laugh when you lose,
for there is contentment in knowing one may hope spring eternal,
yet again in a finite
three more days for and too another lousy two bucks fantasia

I am the ruse of happy satisfaction of a man
in the dark of alone at home,
staring at his sizeable bank balance
and the happy knowledge that its loss  it will make it greater someday when it  happy converted to memories and photos that  are worth a thousand times its multiplicity
if only,
or when,
he knows how

I am that pain in the left side of your red sea-parted soul that cannot be dismissed but is religiously ignored,
that you alone know of
due to its persistent existence, and because it is just tolerable,
it is a sad but comforting pain,
an acknowledgment that a companion travels with you
and that in someway is ok and you exist

I am the water on the night table that extinguishes the dry throat of recurring visions in eyes that always end badly
and make the bed’s welcome a fearful thing,
which is a fearful thing for in good sleep is the
re-naissance and re-formation and the salvation
that was given to you as a gift inside thy mother’s womb,
and that
it is I,
whispering the hum of easy soft lambs,
soft breathing you
unto welcoming rest

I am the poem that must end because of our
frailties and impatience to live in
the reality of human touch,
that must be put aside for any novocaine of words

I am the one who can only be alive
when he raises you up and
you begin a new poem all your own,
and then exit it too, willingly,
to embrace the raising up of living

and that is the
who I am
that I am
raising us up
There will be rose and rhododendron
  When you are dead and under ground;
Still will be heard from white syringas
  Heavy with bees, a sunny sound;

Still will the tamaracks be raining
  After the rain has ceased, and still
Will there be robins in the stubble,
  Brown sheep upon the warm green hill.

Spring will not ail nor autumn falter;
  Nothing will know that you are gone,
Saving alone some sullen plough-land
  None but yourself sets foot upon;

Saving the may-**** and the pig-****
  Nothing will know that you are dead,—
These, and perhaps a useless wagon
  Standing beside some tumbled shed.

Oh, there will pass with your great passing
  Little of beauty not your own,—
Only the light from common water,
  Only the grace from simple stone!
gurthbruins Nov 2015
PART THE FIRST

Samuel Taylor Coleridge (1772–1834)


’TIS the middle of night by the castle clock,
And the owls have awakened the crowing ****;
Tu—whit!—Tu—whoo!
And hark, again! the crowing ****,
How drowsily it crew!         5
Sir Leoline, the Baron rich,
Hath a toothless mastiff *****;
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;         10
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.         15
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:         20
’Tis a month before the month of May,
And the Spring comes slowly up this way.

The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,         25
A furlong from the castle gate?
She had dreams all yesternight—
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.         30

   .........................

The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air         45
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,         50
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,         55
And stole to the other side of the oak.
  What sees she there?

There she sees a damsel bright
Drest in a silken robe of white,
That shadowy in the moonlight shone:         60
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandalled were,
And wildly glittered here and there
The gems entangled in her hair.         65
I guess, ’twas frightful there to see—
A lady so richly clad as she—
  Beautiful exceedingly!

Mary mother, save me now!
(Said Christabel,) And who art thou?         70

The lady strange made answer meet,
And her voice was faint and sweet:—
Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!         75
Said Christabel, How camest thou here?
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
My sire is of a noble line,
And my name is Geraldine:         80
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,         85
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.

As sure as Heaven shall rescue me,
I have no thought what men they be;         90
Nor do I know how long it is
(For I have lain entranced I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.         95
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,         100
Sounds as of a castle bell.
Stretch forth thy hand (thus ended she),
And help a wretched maid to flee.

Then Christabel stretched forth her hand,
And comforted fair Geraldine:         105
O well, bright dame! may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth and friends withal
To guide and guard you safe and free         110
Home to your noble father’s hall.

She rose: and forth with steps they passed
That strove to be, and were not, fast.

   ................................................

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,         125
All in the middle of the gate,
The gate that was ironed within and without,
Where an army in battle array had marched out,
The lady sank, belike through pain,
And Christabel with might and main         130
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

   ..................................................

Outside her kennel, the mastiff old         145
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make!
And what can ail the mastiff *****?
Never till now she uttered yell         150
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can ail the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will!         155
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,         160
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
O softly tread, said Christabel,
My father seldom sleepeth well.         165

Sweet Christabel her feet doth bare,
And jealous of the listening air
They steal their way from stair to stair,
Now in the glimmer, and now in gloom,
And now they pass the Baron’s room,         170
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,         175
And not a moonbeam enters there.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,         180
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.

The silver lamp burns dead and dim;
But Christabel the lamp will trim.         185
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.

O weary lady, Geraldine,         190
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.

         .........................................

Again the wild-flower wine she drank:         220
Her fair large eyes ’gan glitter bright,
And from the floor whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countrée.         225

And thus the lofty lady spake—
‘All they who live in the upper sky,
Do love you, holy Christabel!

          ..............................

Beneath the lamp the lady bowed,         245
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,         250
Dropt to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!


THE CONCLUSION TO PART THE FIRST


A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—         305
Thou’st had thy will! By tairn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu—whoo! tu—whoo!
Tu—whoo! tu—whoo! from wood and fell!         310

And see! the lady Christabel!
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—         315
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!

Yea, she doth smile, and she doth weep,
Like a youthful hermitess,         320
Beauteous in a wilderness,
Who, praying always, prays in sleep,
And, if she move unquietly,
Perchance, ’tis but the blood so free
Comes back and tingles in her feet.         325
No doubt, she hath a vision sweet.
What if her guardian spirit ’twere,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:         330
For the blue sky bends over all!

PART THE SECOND

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead;         335
These words Sir Leoline will say
Many a morn to his dying day!

          ..................................


‘Sleep you, sweet lady Christabel?
I trust that you have rested well?’

And Christabel awoke and spied         370
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep         375
Of all the blessedness of sleep!
      
.......................

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,         400
And gave such welcome to the same,
As might beseem so bright a dame!
But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,         405
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?

Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;         410
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.         415
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—         420
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,         425
The marks of that which once hath been.

Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.         430
O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,         435
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek         440
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned         445
In the beautiful lady the child of his friend!

          ..................................................

        ‘Nay!
Nay, by my soul!’ said Leoline.         485
‘**! Bracy the bard, the charge be thine!
Go thou, with music sweet and loud,
And take two steeds with trappings proud,
And take the youth whom thou lov’st best
To bear thy harp, and learn thy song,         490
And clothe you both in solemn vest,
And over the mountains haste along,
Lest wandering folk, that are abroad
Detain you on the valley road.
‘And when he has crossed the Irthing flood,         495
My merry bard! he hastes, he hastes
Up Knorren Moor, through Halegarth Wood,
And reaches soon that castle good
Which stands and threatens Scotland’s wastes.

‘Bard Bracy! bard Bracy! your horses are fleet,         500
Ye must ride up the hall, your music so sweet,
More loud than your horses’ echoing feet!
And loud and loud to Lord Roland call,
Thy daughter is safe in Langdale hall!
Thy beautiful daughter is safe and free—         505
Sir Leoline greets thee thus through me.
He bids thee come without delay
With all thy numerous array;
And take thy lovely daughter home;
And he will meet thee on the way         510
With all his numerous array
White with their panting palfreys’ foam:
And, by mine honour! I will say,
That I repent me of the day
When I spake words of fierce disdain         515
To Roland de Vaux of Tryermaine!—
—For since that evil hour hath flown,
Many a summer’s sun hath shone;
Yet ne’er found I a friend again
Like Roland de Vaux of Tryermaine.’         520

         .............................................


And thus she stood, in dizzy trance,
Still picturing that look askance         610
With forced unconscious sympathy
Full before her father’s view—
As far as such a look could be
In eyes so innocent and blue!
And when the trance was o’er, the maid         615
Paused awhile, and inly prayed:
Then falling at the Baron’s feet,
‘By my mother’s soul do I entreat
That thou this woman send away!’
She said: and more she could not say:         620
For what she knew she could not tell,
O’er-mastered by the mighty spell.

Why is thy cheek so wan and wild,
Sir Leoline? Thy only child
Lies at thy feet, thy joy, thy pride.         625
So fair, so innocent, so mild;
Iris Nyx Dec 2014
Ail
I can feel
I can feel
I've felt the sun
I know it's real

I know how to care
how much I do
all for you my dear
all for you

Oh how intense this pain will be
oh how long this hours dread
Please spare me, unknown deity
Forgive all that I've said

Let me slip
into the bottomless void
Let me fall
Please let me avoid

Save me
Don't let me relearn
What I know
Don't let the fire burn

Put it out
with the coldest of waters
replace it with even
the evilest of inner monsters

Just please
I pray
Don't let
Me float too far in stray

Please don't
let me sway

I'm aware my gift lives really
as a hopeless bane from above
so please oh please don't leave me to


*love
SassyJ Jan 2016
Firefly a glowing light in the dark
Embodied in the ray of the rainbow
I see your radiance striking beauty
A shadow succulently saccharine
My tears flows to shed your pain and sorrow
Fear hints and hears, questions of why arises
Who bore them, those with haunted hate?
Do they ail with a sore inside their souls?
For they carry a cargo, loaded with misery
Swim afloat, for they love to see you sunk
Smile along, for their ties want you sad
Love along, for they will drown in hate
Come to life firefly, glow in the dark grow
A poem for Firefly reply to How would you be?http://hellopoetry.com/poem/1524115/how-would-you-be/
Keep your head up pal! be proud of you!
Atypnoc Feb 2015
I don't know where, if it will end.
Refuse to voice or recommend.
To treat what ails us is pretend.
Slips through fingers apprehend.

To help more than to hurt,
reflexive sunny disposition
which can cradle sallow sleeping stoic pride.
Distinguishing the dirt,
collective run beside conviction;
acting ladle heavy, heaping, terrified.
 
Leave things better than you found them
Received our debtors stand; surround them.

I wonder if to soothe what ail,
under apprehension prevail.
Therein lies each us, our grail -
our demons sinking in each nail.
When reeds are dead and a straw to thatch the marshes,
And feathered pampas-grass rides into the wind
Like aged warriors westward, tragic, thinned
Of half their tribe, and over the flattened rushes,
Stripped of its secret, open, stark and bleak,
Blackens afar the half-forgotten creek,—
Then leans on me the weight of the year, and crushes
My heart.  I know that Beauty must ail and die,
And will be born again,—but ah, to see
Beauty stiffened, staring up at the sky!
Oh, Autumn!  Autumn!—What is the Spring to me?
tangshunzi Jun 2014
Non ci sono dubbi .questo matrimonio rocce.E non solo perché si è tenuto nel piccolo locale impressionante conosciuta come Sedona.No .succede anche per caratterizzare un duo seriamente adorabile ( innamorati liceo .non meno ) .lussureggianti.fiori colorati da Jazz Bouquet e un ambiente sorprendente ( Creekside Inn ) che sarà una sorta di toglierà il fiato .Vedi tutto catturato splendidamente da Cameron \u0026Kelly Studio proprio qui .

ColorsSeasonsSummerSettingsAl FrescoInnStylesCasual EleganceRustic Elegance

Dal Cameron \u0026Kelly Studio .Samantha ha sempre voluto un matrimonio cortile e Creekside Inn è salito per l'occasione con i suoi prati ombreggiati .impetuoso torrente e opportunità per la famiglia di stare in una casa .Fratello Brenan ' più giovane abiti da sposa on line .Kyren ( QB corrente alla Northern Arizona University ) .citato durante il suo brindisi alla abiti da sposa corti coppia che sua Madre è sempreè eetting a luièperè ail suo o quello.èUn abiti da sposa corti giorno fece notare a lei cheèeRenan non è mai stato in difficoltà come questo quando aveva la mia età .èsua madre ha scherzato di nuovoè uUST gemmeèe in base a Samantha e quel soprannome è bloccato .Sam ha sorpreso anche il suo sposo con un segno per le ragazze di fiori per portare Detto quest

Sam aveva torte Bundt invece di torta nuziale regolare e Corn " Poe " per il dopo cena tratta .La cerimonia è stata accanto al torrente impetuoso e cocktail hour appena sopra il prato superiore.Gli ospiti assorbito un cocktail chiamato " Sedona Greyhound ".Mi è piaciuto molto il menu lavagna grande come ospiti camminavano attraverso un arco per entrare nella parte cena tenda della serata .Per i giudizi favori Sam aveva personalizzato coozies a ciascuna regolazione del posto .Tutti i



nomi delle tabelle sono da ristoranti dove la coppia aveva fatto la storia !
Da Sposa .Brenan e io siamo innamorati delle scuole superiori .Abbiamo cominciato ad uscire il nostro ultimo anno e siamo cresciuti insieme nel corso degli ultimi otto anni .Sono andato al UA e andò a ASU .in modo da poter dire che abbiamo una casa divisa e ancora discutiamo le nostre scuole .ma amiamo quando le nostre squadre giocano a vicenda .Abbastanza strano.ma noi chiamiamo a vicenda amici e nostri amici e parenti sanno questo soprannome .Quando mia madre mi chiedeva se eravamo fidanzati durante l'ultimo anno direi "No .siamo solo Budds . "Abbiamo fatto riferimento anche l'altro come Budd e si è bloccato con noi .Ci piace cavalcare le nostre biciclette insieme attorno a Tempe e andare in uno dei nostri posti preferiti Four Peaks per afferrare una birra .

Fotografo: Cameron \u0026 Kelly Studio | Dress : Monique Lhuillier | Catering : Dan Bistro | Coordinamento : Van Damme Matrimoni | Fiori : Jazz Bouquet | Tenda : Partito Classic Vacanze | Luogo : Creekside InnMonique Lhuillier è un membro del nostro Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui
Sedona Wedding da Cameron \u0026 Kelly Studio_vestiti da sposa
Be still, my soul, be still; the arms you bear are brittle,
Earth and high heaven are fixt of old and founded strong.
Think rather,-- call to thought, if now you grieve a little,
The days when we had rest, O soul, for they were long.

Men loved unkindness then, but lightless in the quarry
I slept and saw not; tears fell down, I did not mourn;
Sweat ran and blood sprang out and I was never sorry:
Then it was well with me, in days ere I was born.

Now, and I muse for why and never find the reason,
I pace the earth, and drink the air, and feel the sun.
Be still, be still, my soul; it is but for a season:
Let us endure an hour and see injustice done.

Ay, look: high heaven and earth ail from the prime foundation;
All thoughts to rive the heart are here, and all are vain:
Horror and scorn and hate and fear and indignation--
Oh why did I awake? when shall I sleep again?
Firefly Sep 2014
It seeped through my bones,
Made me a sputtering heart,
Lo this numbness,
See it in my eyes,
Touch me now!
Feel it inside,
This burning, white-hot cold.
I know you mean to tell me different,
That I may be over-reacting,
Over-imag'ning.
Thou skin has gone deaf to my calls,
Dead.
But tell me,
Lest thou eyes deceive you,
Do you not see mine own pallid skin?
See this now!
Dare not to tell me different,
Never mind, hold your tongue!
Thou face has already given away thou intentions.
Fix me dear therapevtees,
Take away this old lady's ailments,
Do not ail me.
Give me the Nepenthe,
Help me chase away my sorrows.
***** could be good,
Do you think?
I'll take anything you have,
Black Henbane, even Psilocybin.
Mend me please,
Stop this cold,
Make my days less dreadful.
It won't be long now.
Let this old lady go to death grinning,
However stupid it may seem.
I shall laugh in the face of death,
This old, sagging face shall laugh,
Just me and death,
Very old friends.
                                -**Firefly
Copyrighted September 18 2014
All rights reserved.
SassyJ Jul 2016
She is preserved at the greenery
fading inside the floating yellows
her mellow as the sun set strikes
face wondering on the future mirror

She longs to encase inside her cocoon
unhurt the pain pierced in her ribcage
the spent morrow of blunt perceptions
wavering the chronic deserted day

She is alone in a world of within
without the touch of the yester clouds*
the tremor of her upset is unreliable
watering the chronic ail she donned

She feels the crystal pain on the dial
rails of entrust and forgotten tense
the troubles of the self sacrifice travellers
trespassing ***** gates of wired shield

She knows when her well is overfilled
finding a self that can embrace life
the compromised placid meanders
flowing the alive esse of a today

She moans of eons undignified
trying to excavate her sinking soul
the one that made her feel like she
revealing the reality of her unusual peace

She jumps like a seasonal seesaw
illusions parading the absolute truce
a muse of delicate authentic flavours
transversing the idealised time and space

She knows herself best when isolated
when the moon sinks and the night draw
when vagaries explode in the chaotic skies
*when the pearl starry sun stares in her iris
Be still, my soul, be still; the arms you bear are brittle,
Earth and high heaven are fixt of old and founded strong.
Think rather,--call to thought, if now you grieve a little,
The days when we had rest, O soul, for they were long.

Men loved unkindness then, but lightless in the quarry
I slept and saw not; tears fell down, I did not mourn;
Sweat ran and blood sprang out and I was never sorry:
Then it was well with me, in days ere I was born.

Now, and I muse for why and never find the reason,
I pace the earth, and drink the air, and feel the sun.
Be still, be still, my soul; it is but for a season:
Let us endure an hour and see injustice done.

Ay, look: high heaven and earth ail from the prime foundation;
All thoughts to rive the heart are here, and all are vain:
Horror and scorn and hate and fear and indignation--
Oh why did I awake? when shall I sleep again?
Aditya Bhaskara Oct 2012
let silence settle by my side today
else i'd again be driven
into the echo of her thoughts

into the unfinished talks
into the incomplete memories
into her interim proximity

i summoned her as she left
but it went unheard
renegades often turn deaf

let silence settle by my side today
else i'd again be driven
into the echo of her thoughts

i'd claim it elusive mischance
i'd profess on empty hope
i'd even bridle my despair

'one can ail to no avail,
nor tears'll bring respite!'
these were her last words FOR me

let silence settle by my side today
else i'd again be driven
into the echo of her thoughts
so many orders of which none matter
in this harsh place where all words come to fail
in giddy smoke and stinking horses' stale

it seems that all our urges need to shatter
because we have not found the proper scale
so many orders of which none matter

but many fools who do not cease to flatter
yet will not stoop to help us when we ail
nor build a roof to shelter from the hail
so many orders of which none matter
SassyJ Jul 2016
A friend under the strict moonlight
The sunken lifetime street light
A tape from door steps always taps
The unheard voice of allied laps

A friend above the raised song
Whose eyes can lay in low savannahs
A conversational flow of escape traps
Words unspoken, reserved, immersed

My friend on the haunted cell phone
Whose hammock of reclusion tents
Pegs of condition,bungees of freedom
A sacrificial religious preconditions ail

My friend, a reflection of a world another
Take this winter coat I shunned
One that wakes by the sunset
As it shows me not to be afraid of the world
SassyJ Jan 2017
The sunset was tainted
In it's orange glowly faint
as skies billowy loaded
clouded with chemtrails
the balium and aluminium
fed as streaks of ******  
as strontium is ingested
Injected in our soils
as our oils turn sour
to drool our brains
of thought and ambition
Projected to our souls
as we ache and ail
in trials and fails
that drill our veins
with fraught and draught
as skies billowy loaded
In it's crescent lowly paint
The moon was sainted
Huge huge streaks of chemtrails everywhere today. It just blurred the beautiful sunset.
JAFAR SADIK Jan 2015
Red ants
of unsettled feuds
ail in my cerebrum
and spinal cord…
dear friend,
give me the medicine
of poetry,
let get my blood cold…
Spread the sedative
of poem
before taking me the knife.
Deeba Mar 2015
In the urge of finding the secret of happiness
I went through every emotion of life
and asked each one of them to
guide me
lead me
to the treasure trove containing the key of joy

Well, every emotion led me to a newer zone of feelings
But one such emotion called 'sorrow' showed me the mirror
and said,

"While i was hiding behind your eye lids
forming a sea of pain coming from your heart
I could only lighten your ail by flowing down your cheeks
as precious drops
these drops contriving themselves to make as beautiful pearls
are my dear, the secret of your happiness"

Finally, my urge was laid to rest and i murmured
"Thank you Sorrow for showing me the mirror
and never come back again, as
I do not want my happiness to wither"
Verily, the joy attained after going through immense pain
leads us to the greatest treasure of happiness
-1-
Uneasy eyes comprehend the easy lines of the minds who dine and constantly define all sacramental chimes without a whimper or whine I decline,
To be invited reunited I decided to combust without a rush might find a crush more than trust isn’t lust tho we do tend to touch less than enough,
Belief to be discreet the preacher falls to his feet help the man stand or pass again without demand now am banned from their gospel, am without welcome to their church, reached the spiritual out come that can praise without a book.

Shepard’s crook has created a nook of who play with the for play, my forte no pay do the doomed approve, or wether sentence you to a private room where all disapproved can go loose as is pleased, feel the ease then recklessly leave believers grieve.

Feigning teachers relentlessly fail as they see their fallen students have trials on bail, as unborn babies wail no need to be ail is a chance of good tales unreasonable detail of all hail, praise the male, position fail while grows frail as have said..He bled, the sermonizer not to seem mean but he has dreamed to wean off the unseen, ruining the light hearted beam he forgets to bring.

Evangelist is common type unless it brings a bible fight of heaven’s fright the right delight a fearful night in believer’s sight they might reunite, domestic might be what we need the preacher pleads ‘Oh please believe’ we don’t take heed we simply need to take the lead and set again demons pretend all sacrilegious men, do forgive of what we do, faithful to you, do not approve of what we choose to loose is You.
Missunderstood medicine man
plant and herbs tight in hand
veggies fruits and and tobaco plants
from tribe to civilized
plants are disected and pillized
while open awake to thrive
pharm free eating pots of honey hive
theres many that help and many that ail
tabaco dipped for death
hospitals smell stail
steel and lumber companies say hemp noway
that stuff is the devils kept
hemp went away because of that day
its back to wear and eat but not to smoke
what is this some kind of ******* joke
When the lad for longing sighs,
Mute and dull of cheer and pale,
If at death's own door he lies,
Maiden, you can heal his ail.

Lovers' ills are all to buy:
The wan look, the hollow tone,
The hung head, the sunken eye,
You can have them for your own.

Buy them, buy them: eve and morn
Lovers' ills are all to sell.
Then you can lie down forlorn;
But the lover will be well.
T2m Sep 2014
We let lust lure us
To beds beside Belthus
Making mountains murmur and
moan for pleasures
Fulfilling the flesh follies that fills
us

There , there trample on suitors
Creeping like crickets on sea shores
Lit little lamps and lead us
Through these things so , so
treacherous

Sunshine shearing our skin sores
As we walk and work the wild soils
All ail has ended mid- course
As Home! Home! Hauls the voice of
Jesus .
Belthus in this poem means no
more than a suggested name but it
is suppose to be a personification
of unquenchable urge for things of
the flesh

— The End —