Submit your work, meet writers and drop the ads. Become a member
daniella Jul 2014
“You’re the elephant in every room now. I used to think you were the monster under the bed, but you’re not supposed to fall in love with the monsters. Not even when they kiss you like they mean it. I’m lying down in a field of apologies for you, and they all sound the same. I’m sorry this felt like a flying through a windshield. I’m sorry I didn’t stay to clean up the mess. I’m sorry all we had to show for this was a crime scene love affair. I’m sorry you stopped touching me. You’re living in my head for now, and we treat each other better this time. On the bad days, I think I see you in the supermarket or strolling down the sidewalk or in a car speeding by, and then I realize for a second that it’s still about you. Even when it isn’t, it is. Even when I’m not thinking about your name, everything around me is still singing it. Like a song I can’t get rid of. Like a song I want to unlearn. Like a song that will always belong to my voice no matter how hard I try to burn it away.”
~ d.***
Jazzelle Monae Apr 2014
The way he mouths her name
His precise tone and articulation
sends her crazed and off the edge
a bliss with no resuscitation
Exploring every inch with callused touch and hesitation
Whispered moans in exclamations
His kiss. His body. Her adoration
They build their high in accumulation
Released in sync, their exhilaration
Silent physical communication
Coming down with slow deceleration
They meet eyes and mouths in gratification
to slowly fall in reveries
from their affair and liberation
© 2014 by Jazzelle Monae. All rights reserved.
Mateuš Conrad May 2020
there was an audience... there is still an audience...
i wonder about it...
i'm such a conservative deacon in the comments
that... i leave very little traces of interaction...
i tried getting ****** into the whole affair
of leaving comments - like i might have left
grafitti tags on the pillars of bridges...
                   there was an audience... there's still an
audience... i imagine...
or i rather: translate with metaphor what i'm:
trying to imagine...
              three moths have attempted to fly into
my room to spend the night free from fear...
i caught two in my hand... put the clenched hand
to my ear... no... not the sea trapped in a seashell...
close... sound effect of... rain on a tin roof...
a moth trapped in a cage of a hand...
it hasn't rained for days... weeks even...
       the most... bountiful of springs in england...
and everyone is... supposed to handle the affair
like the 2nd coming of ribonson crusoe...
          i can: because i'm used to it...
                    peacefully anti-social...
                     it's hardly bragging but:
there's an audience... there's always an audience...
here's to me: getting regularly milked...
or... laying some eggs with the sunrise and the moon...
i am... at a stage of maturing from...
a phase where... i did... once upon a time...
care about what i wrote... for my own gratification:
but... not any more...
         i've reached a point where...
i can join the ranks of the 4 Dada Suicides...
     'the four' (who) 'took nihilism of the movement
to its ultimate conclusion, their works are
the remnants of lives lived to the limit and then cast
aside with nonchalance and disdain'...
Vaché (overdosed)... Rigaut (shot himself)...
Cravan and Torma (disappeared)...
        the latter two... probably lived a life in
approximation to what might have happened
to... Richey Edwards...
born on...                  disappeared aged 27...
death is the last clue...
    not that i'm going to imitate what's already
claimed...
but... a mile from my home...
i can... find... ample resources... hemlock...
the stems are poisonous...
      i've tried... lilac mushrooms... dog mushrooms
they call them...
i don't know whether i ate a poisonous
one or not... it wasn't...
    a muhomor... amanita fly agaric...
           but... when the circuses have died and
the bread is still there...
no new movies... no sports...
what can beat: the old tease of mortality...
the grain-of-sand per month's worth of movement
added... to the tally and
the curriculum vitae of vivo per se...
                   the theatre of death...
     if i don't think about death with a joke...
i stop being... ridiculous in life...
                   i like the thought of death when...
life doesn't preserve any... sense of...
any... alternative... "light" entertainment...
it's not like i'm planning an escape...
rich and about to clone myself...
   and teach the clone "me" to be: a "future" - and me...
i almost can see how someone must
have tried to cheat death with the available
avenue of cloning...
but... the subservience of the clone...
the clone being what?
       someone must have learned the hard way...
i just interjected the question as an: and...
which is a conjunction...
          but if you're gonna go...
hell... seal a room and yourself in it...
and buy a... metaphorical tonne of lily of the valley...
go to sleep... and never wake up...
death... even death has to become entertaining:
in thinking terms - at the very least...
the only real eventuality among...
half a dozen of impossible things to think about...
daily... and here's that apple...
   if nietzsche... sentenced the source
and future disease from the 19th century...
well... so much for overcoming nihilism...
         nihilism... after all... is not... apathy...
   and even with the death of nihilism...
                              at least nihilism still asked
for moloch-esque sacrifices of will...
     apathy? what does this slug ask for?
it asks of you to... well... wrestle with yourself...
hence that "overlooked" quote:
if a day has many pockets...
       yes... those pockets of self-realisations that
provide a glitch of proof...
a proof of... having to find dominion in
settled dust... oh to hell with grand metaphors
of staging revolutions brought down
from mountain-tops!
- and i'm literally drinking my way through...
what 19th century nihilism became:
a 21st century apathy hangover...
      i'll spare the 20th century the rites of...
a mythical new beginning... a year 0...
        100 years give or take... each side of the end
of the 20th century...
but... nihilism is no longer... the standard:
to overcome...
             as much meaning can be derived from
a peanut as from a falling star...
to be this: subjective sanitiße everything -
                       i hardly think... a dickens would
require an objective reader...
what is an objective reader?
someone who studies: rather than reads...
newspapers...
someone who probably proofs reading...
by also ensuring citations are... made abundantly
clear... archives... etc.
well... better contemplating the theatre of death
than... say...
"normies":
    ahem... the critique of china...
       point: can you imagine... if... communism...
was thought-up... when...
the french revolution began? the only revolution?
rather than the russian oopsie?
well... and communism began...
when... engels and marx... went to the north
of england... and... prior to the manifesto...
wrote of the details of child-labour...
this is not my thing but...
it gets to the point where:
you can criticize china all you want...
but there's no smart... or dumb way...
to go about... pretending to be at war...
with a population of a billion people...
that... if push comes to shove...
could be conscripted instantly...
              to point out... is to exhaust the argument:
to have an argument for:
"western" principles of democracy...
here... have some balloons... here's a keg
of helium... 'ave fun...
by now... saudi arabia is secretly planning
a jihad into the Xinjiang province...
saudi arabia: the vatican of the islamic world...
is secretly trying to... blah blah...
no... the saudi princes are strapped to their yachts...
the bangladeshi slave labour blah blah...
yeah: but whittle ol' england needs
the Neds of Lahore and their tier up from
the chimney top: crescent moon-lick... slick...
- but to be this... fired up...
                it's simply exhausting to have:
a freedom of speech for such high demands...
not need to hide behind the ideals of love...
or being misunderstood...
             in no defence... but... under the guise
of that grand word: capitalism...
the sub- thorough: made in china...
                and what now? the jaw dropping
counter to the very delicate status quo?
it's beyond nihilism... when such upheld
values allowed for artistic rebellion...
to the moon: been there, done that..
europe the old man... h'america the newly
acquired *******...
       you want politico jargon ******* squeezes...
sure thing...
     stoic india... always the stoic india...
to **** off the competition - cheap soviet steel...
the soviet union's nuna 2, on 13 september 1959 -
in between: frank sinatra's:
fly me to the moon - 1963...
and thus... r.e.m.'s yeah yeah: 20 July 1969...
it's hard to compensate / compete with
that sort of a trojan hard-on ***** of
the elgin marbles...
                              at least the germanic peoples
played and understood the ping-pong
with the slavic peoples -
the hungarians on the side...
but not this... african trash for beijing...
the mongol capital of crimea...
and golden hoarding project: typo...
   when they came riding in... smeared
in **** and week old **** and horse blood...
to make... the labyrinth of the baghdad library...
a pyramid of skulls...
squeeze me: to this tired state of lost
the head to a guillotine chatter-box...
even the events of napster unfolding...
and all that's being streamed and...
now's the time to kiss and cuddle prostitutes...
and wet mr. whittle dicky for second
chances of a lost digestive... in that pond
of brew...
                easy fools to fool: those camel back
rich in dino-blood: soul black...
like espressos of mecca... flowing rich
and dying with a soothing...
from amnesia and diabetes...
and amputated limps when... sugar ingestion
leaves them... dancing ballet on only one foot...
because: porky pie and ms. amber: ha!
all bad!
                so much for... what's waiting
the white girl pornstars...
the liberated afro-h'americans and the service...
of beijing shrimp ****...
double edged sword... the height and...
all those attaches... of a fine... fine...
procelain piece of ***...
no-man's-land... the middle ground:
of... mercedez-benson-and-hedges...
        on my way out... the apache / sioux /
dodo / aztec / mayan / dodo (again) projects...

semi-closure...
   gary glitter - rock & roll part II
     ian watkins (of lostprophets) -
                      shinobi vs dragon ninja...
sorry... that one was a paedo...
              toddle-****** for the latter...
and it's not like... i enjoyed the music
to begin with...
i can't see an ad hominem argument
for the former...
                 toddler-******: esp. if the output...
well... it's not trash...
   it's: dad mantra... it's dad claustrophobia...
my take on:
mahler contra pergolesi....
            counter: invest in 100 years to come...
of which... you will...
find a future reader: being alive...
not having re(a)d you...
1986... the reader is born...
1997... you die...
you are discovered... come...
2K and 7... 8...... perhaps 9...
  a time-reference of...
         13 years from the readers birth to your
death... it's Glasgow... a very rare...
sunny... afternoon...
psychosis of the reader...
         1997 through to... 2008...
              that's 11 years... so...
what matters most is... how well you walk
through the fire...
that one about the crow and the madmen...
and each: having his niche:
his "social distancing" clause...
writing was fun when one could
stomach the: in the background...
when people lived their: very troublesome:
important... surgical precision...
nobel prize winning type / typo lives...
writing via a sense of voyeurism was...
well... hardly the self-evident blatant it has
become...
escape into fiction (lies you tell others)...
escape into imagination (choking ties of
tier-a: as above... with tier-b: as below)...
or escape into memory (lies you tell
yourself)...
but i rather the memory...
the cinema of it...
i forget to blink when: blinking is akin
to... signatures... autographs of famous people...
bull... shyte: philately...
         lepidopterology... half closure of the semi-
closure... a brilliant metaphor...
      when the **** or the latex gimp suits
are not available...
there's always that 14 year old "idea"...
of... a tamed *******...
well... if you imagine it as... love at first sight...
you're 16 she's 14... and...
you're dating her older sister at the time...
and then... she disappears...
within the confines of her first and last
unflowering...
but the pristine first-impressions become
less metaphor and more: idealism...
it's fun... when there's a concensus of it being:
forbidden... it's what drives both the hunger...
and the feeding...
that it's never actually realised is beside
the point: made... in... lars von trier's
nymphomaniac...
          too catholic of me: born into it...
but... repressing the urges... is as much as...
delighting oneself in them...
ergo: the necessary *******...
so much for... *****-******* and oyster
slurping... when... you have been...
ahem... told to **** it up...
with the: "excess of skin"...
excess of skin / chemical imbalance
in the brain...
how about... i allow... a triatoma infestans...
to quicken my: dementia...
the myth goes... along the lines...
a horse with a grain of sand...
via its ear... will bash and ram and ram and bash
its head against a brick wall:
in an attempt to rid itself of the irritation...
conformity:
cul de sac queers and kwerks...
i lampoon on a sunday...
the rest of the days i'm free...
clued into: cwown...
which is... somehoo: velsh... in parts...

- by death i imply a riddle...
                 by death i imply:
          freed from the cinema of highly edited
pseudo-living...
not even among the stage of the theatre...
but at least...
cinema got one thing right...
   the suicide of christine chubbuck -
the urban myth goes along the lines of:
a cockroach was found... alive... 2 weeks...
after its head was guillotined...
       it's like that... bane quote:
and... the andrei chikatilo... reality...
non-verbatim:
                 'perhaps he's wondering... why
someone would shoot a man...
before throwing him out of a plane'...
rephrasing:
   'perhaps he's wondering...
why someone would shoot a man...
after throwing him into a prison cell'...
unless... he wasn't... expecting...
to wait for him... to die... of a urban myth...
2 weeks if not more...
brain-dead: heart still pumpking...
horrors from Kiev... Chernobyll the *******
icing cream topping the gwand:
godzilla: pie in the sky...

     i cared... once... once... that was:
upon a time...
these times don't really require much focus...
the space itself poses enough
liberty... no need to look as far back
as there's to look forward...
     the 20th century killer: zenith...
****** and ferriswheel of events...
                waking up to the new mandarin
plateau... it's like...
waking up from... the refreshing cain
mythos relatability...
always from h'america...
otherwise... bullet to the head...
king soldier: human rights...
   yeah... nice... the shame of homeless people:
there's an alexander the great...
a a diogenes of synope: with a hippocratic
oath... loitering around the corner?
hell! go wit' the flou...
                 jump-start a prison adventure...
less... high morality ****-pants
asking questions on the way...
people of high morality
and high: low social status importance...
**** someone...
better than becoming philosophically
homeless... blah blah...
                         i'm so little i actually
define myself as:
at liberty to preserve the lives of moths...
yes... well that's nice...
for anyone asking to: ride the easy... roulette.
Manami Morii Sep 2010
How long shall I deny this frailty?
A vice it has become.
Logic assessing your value,
And pride shutting my eye.
The mirror tells me I am right,
While bluntly attesting its cold.
The warmth I eternally seek is not
Beneath its mocking polished mold.

Time has passed but I, my love,
Still holds back my step.
And time stops not and lurks around
It feeds me more regrets.
But the picture captures not just the scene,
And links my unceasing stream of chain
Stretches not from fading horizon,
It hangs me lovingly on its trail.
This is an old poem I wrote and recently edited. I think it flows a bit better now and is less wordy. Although it is in "public" view, I would still love to hear critiques and improve not just this poem, but everything else I am to write and edit in the future as well.
Lazarus Poole Jul 2013
RELAX AND CLOSE YOUR EYES, WE ARE ON A LIL TRIP,

SHOES ARE OFF AND A BEAD OF SWEAT ROLL DOWN ACROSS UR LIP.

WALKING ON A BEACH OF WHITE SAND AND CRSYTAL CLEAR OCEAN,

YOU LIE DOWN AND GET RUBBED DOWN WITH SUN BLOCK LOTION.

BY THE WAY YOU POSITIONED, YOU FEEL THE SUN WARMING YOUR LOVELY FEET, 

A LIGHT TROPICAL BREEZE COMES BY AND COOL YOU OFF, (DEEP SIGH,) WHAT A RELIEF,

YOU SLOWLY OPEN YOUR EYES, AS EVERYTHING COME INTO FOCUS,

TURNING UR HEAD LEFT AND RIGHT, LOOKING UP AND DOWN THE BEACH; NO ONE REMAIN, JUST US. WE LIE AND CONVERSATE,

WITH YOUR HAND ON MY CHEST AND MY HAND ON YOUR WAIST.  

I KNOW YOU CAN FEEL IT, MY HEART BEAT JUST CHANGE;

I GRAB SOME FRESH FRUIT AND GIVE YOU A TASTE.  WE LOOK OUT OVER THE WATER WITH THE WAVES CRASHING AGAINST THE SOFT, WHITE SAND.
WE SEE DOLPINS SWIMMIMG AND JUMPING, WITH A BABY CRAB COMING ON LAND.
THE SUN RAYS ARE TICKLING EDGE OF THE SEA, WE BOTH KNOW THAT THE DAY IS COMING TO THE LINE, 
WITH SUN KISSING THE OCEAN, WE KISSED; IT’S SWEETER THAN RED WINE.  
THE DAY WE HAD WAS WONDERFUL, GREAT TIME, AWESOME QUALITY,
JUST HOPE SHE FEELS THE WAY I DO, UNLIMITED QUANITY
Zulu Samperfas Jan 2014
Anxiety is at the heart of all that ails me
like my best friend ever, it has always been with me
So familiar, my anchor in the dark
I return to it endlessly to remind me that this is just like the rest
This new thing, this new test
is just the familiar torture you've known all your life

By my side, it destroys my mind, and I can't stop
this addiction, will always be with me, I think
The lies it tells me, that this turbo spinning depleting energy keeps me safe
That the constant tension that translates into fear and self hate
Is as it should, as it was set up for me
And blocks me, just when I want most to be free and easy

Letting go of my best friend, so scary, and feels so light
and beautiful, like the afternoon sun in a quiet garden
where everything is colorful and peaceful and the air is fresh
and there is the smell of water from a hose...slightly rusty with an aromatic humidity
All is well, and from here I can do anything
but I catch myself: I am not safe without my best friend
and the ax falls down into the scene and it is now night and I am hungry and cold
and unwelcome and stalked and frightened, as it should be.

So anxiety is my enemy
It keeps me from this delight in life from feeling all is right
and I can go on: and when I meet it again
I shouldn't welcome it in like a friend, but finally
be honest about it and say: go away
You have no use anymore in my life
You served me at one time, but that time is over
and you must evaporate
and I must face the fear alone, without you
You stay back, and I go forward, with courage.
preservationman Nov 2015
A fitness woman who had a boyfriend who didn’t train
But the love affair that did remain
The fitness woman being named Jennifer who always took care of her body even when she was in her teens
Yet Ted being her boyfriend really didn’t have any interest in exercise
But it was Fitness Jennifer that captivated Ted’s eyes
It wasn’t until Jennifer introduced Ted to a competing male bodybuilder named William
Ted Seemed Ah and noticed all his muscle detail protruding through his T-Shirt of William
Later Ted went home and gave a good thought that maybe he should try exercising and thought about William in giving him guidance
Fitness and muscle running through Ted’s mind
But will it convince Ted to exercise with the thought divined
Well barbells became Ted’s start in train
William who was a competing Bodybuilder to help Ted through various exercises in helping Ted establish his own physique
Well things were on go with the idea of mystique
In a span of two years, Ted now had a muscular physique that he could be proud of, and was thinking about stepping onto the Bodybuilding platform
Well Fitness Jennifer gave Ted all the encouragement he needed
Persuasion became defined into pursue
It was all the encouragement coming from Fitness Jennifer due
Ted stepped on stage for the first time, and was a little nervous, but when the music started and he started to pose, the audience gave a raw of applause and being totally amazed
He was standing next to other Bodybuilders who were more advanced
But Ted saw a vision, and wanted to take a chance
As names were being called out, there was a certain anticipati8on in how Ted did
Yet Ted felt he wasn’t going to win and it was the end
Suddenly Ted’s name was called out in first place
After all that there was no time to waste
Ted proposed to Fitness Jennifer right there on stage
Fitness Jennifer was very surprised and she said yes without any hesitation
The multitudes of applause
Fitness Jennifer and Ted kissed with a cause
Immediately, muscle became two heart shapes
Muscle being true love and the flexing of two doves.
nivek Feb 2015
a tangle of roots and flowers out of reach
the maze with a centred heart
who would tread this road?
the poets love affair with words.
Patty P Aug 2018
These Saturn stones
          filled up your bones.
                     the quiet moon, gently cries.
                                the sun's many liabilities.
                                        your lies soar like spirit wings
                                                how you've fed your lies onto this ring.
                                                  the seeds burst into the earth's ground
                                                          ­       let me hear your inner sounds.
                                                         ­             i want to see the sprouts
                                                                ­            for i...
                                                            ­                   will in doubt.
                                                          ­                        can't wait until
                                                                ­                        you start.
a poem from "the affair series".
Mateuš Conrad Aug 2020
.all in all: pro bono persona non grata... but it's nice... the dodo of excavations because douglas murray citing t. s. eliot... is... such a pristine... welcome... caveat; it's such a stark-naked revisionism of the concept of pink... outside and beside having scotch-notching of the bristle... this... fidget and all that's the forever the anglo-sphere of solispism... the unsavoury redeemer of europe... napoleon (1)... ****** (2)...     the pauper states and the ottomans... take... three? hell! when england is fidgety about being an island dwelling folk (in europe) and a "diaspora" when something a bit like... h'america and australia... comes along... the best gay is the old gay is the no-new gay and the no-old... and gay... the 5pm stubble intellectualism... hot and bothered given there's not grand admiration for an ethics without a joy-ride of an expelled peoples... that the future is: having made... a people... local! for those being made to make digestion: focal... and immoveable... pawn strictures... post racial and thereby new scrutiny: grammar... or... lah blah l'ay lo bo'go'h zupp'ah crispy ****** ****** fue fue and few! this the "neuweil"...

     it's snooker and not chess...
and because snooker can
be televised...
    in that it's not a private affair
of "i.q." strain of a sudoku...
it's still purely optics...

   red = 1
             yellow = 2...
                   even if the pawn
were to = 1...
       you can't fathom the affair
with 3rd party spectactors without
a necessary lagging...

but it's a televized sport...
but it's unlike bayern munich
trashing barcelona 8 - 2...

          there's that theatre of
red is 1...
        all gyst of what remains
the doctrine of spheres...
      perhaps the pawn = 1 = red...
the blanket...

the metaphor of... the cue ball...
like a lion or any other
predator picking out the lazy
angle the weak pack of the herd...

        how doesn't one welcome
a sport of such befitting attire...
savile row -esque rummaging
to tie with a librarian monstrosity...

it's so much easier to stomach:
all spheres...
   the vast confines of limbo green
of what's pitch-black
vacuum of space and eternal
glue fabric of the orbs...

         now agitated in a sneaking
parody of bulldozer
a cue-ball an asteroid...
a football match
with so much fervor...
the chanting, the shirts...
the agony of the whole affair...

   never the stressed individual...
in a sport so much talk of
fluke and chance and: the gods
of snooker... oh indeed:
the gods still watch snooker...
chess is too much noir et blanc...

   snooker is a...
           why so much of everything
has to be wrong with love
in what's wrong with love
to begin with:
the idealism of males invested
in the project under
the pseudonym: stendhal...

          then there's the other comparison:
if snooker is not chess
then... perhaps it's... boxing?
such a brute sport...
it's bothersome enough to be eating
a diet of beef and tenderloin
poultry hearts in a broth...
to have to entertain the brutality
of boxing...

   i watch snooker i envision
myself coughing into a napkin...
i imagine... fencing...
another great expansion of sport...
selective sport
that's still somehow physical...
unlike chess because chess...
is not to be televized...

                   oh truly: these favourable
ideals of hot-topics for poets...
the ideal love...
"you" the "ideal" and "lover"...
never the one potting
a perfect 147 jerking off...
i tried myself with prostitutes...
it's a harsh reality
when both parties are playing
a poker of pretend...

   snooker is unlike any other sport...
to boast to blame to glisten
and to subsequently **** a suffocating
throttle of an exercise in...
agitation... whimsical! whimsical:
i dare you! please!

    it's unlike a football match...
       golf can **** my big toe xerxes...
the contraints...
i once anticipated this meditation
with tennis...
a game of... moon...
and... 7 rectangles and...
          the umpire and...
                        10 judges...
and... 4 ball-boys...
                             tired sport of
professional fluidity...
    
                         to appreciate is best
to not play it...
from the t.v. with nostalgia...
an itch a view of a
famous onlooker...
   none other than
the iron maiden drummer
    at the sheffield crucible...
                     nicko mcbrain...

yes: me right now...
a matthew arnold take on seeing
liszt play and all the girls
having reached beatlemania fever pitch...
d.n.a. score...
it usually took two to tango...
i don't like the idea
of the man being burdened
with a d.n.a. progression
of "passing-on"... the... "details"...

              i'm very content taking
the solo walk home...
because... come to think of it...
i am not impressed with the arguments
to counter my: will...
i'm not willing to make either
sacrifice or sacrilege...
                        i'm more than willing
for the entire lazy abode to jump
in on early on the nibbling prospect...
not out of: some high-praise of self-worth...

what would we be talking about...
had i not the capacity to take
snooker to sleep...
   and i was a east-end
millwall "hooligan" cabbie...
                   it's snooker...
it's not woah-kitty science... is it?

too much of perfect love went
into writing - perhaps a toll of mine -
and not into the exploits of
the day-to-day living out the grit...

tolling losing affairs with
english like the long lost cousin
of a bavarian misantrophe...
should there come an ease!
with a entymological scrutiny...
idiosyncratic as that old
borrowed & blatant saxon...

   fudge-packers of the world unite!
the broad and the default...
the skittle blisters of skim-rhetoric...
the lobsided slob...
beginning with etymological
genesis:
                  fudge-packing
           fudge-packing
                 either side
of the propaganda machinery... glut...
no glue! all the glut but no glue!
fudge-packaging:
the beside "question" of...
              a straight banana
                                 syndrome...
because: no new "wonder" analogy...
            beside "that" one...
                                  
   to be humbled is not, to be...
humiliated...
   how can... the tolerance
of humbling being made
synonym of being a meaning
of humilitiation?!
*******! asylum!
   proto-****-sane-"metaphysician"!

to abhor liberals is to somehow love
homosexuals...
to test the competency
the phallus
in competition the joy-*****...
           and such that...
there's no new morality...
only the old europe
with the europe
of the "rejected" yews...

clear-me-up-on-the-kippah:
forthright on the ***...
no new shlang...
    this... archaic... this...

primordial ****... and never...
the proxy bilingual...
you... basic... ****-wit and...
  comma!

   and... the gay-"dude"...
the argument...
the boxing females...
and the still intact...
***** industry...
   like... carpentry with
carpet tiers...
like...
    **** with stink...
like... metal with... ore
and... rust...
like: forget me whips...
and i'll flake you another; boss stephens!

to have to stiffen-up
over a... this logistics of gloating...
the west gloats...
a history of gloating...
whether the mongolian recession...
of the soviet nudging death-queue...
gloat... the ******* feeds off gloating...
i'm tired of gloating...
given... after a while...
there's no more a winning
or a losing: gloat
or party to feed off...
a supposed serenity of...
an otherwise...
nihlism & *******!

- you ******* ginger-bread flims!
finicky bypassing wording...
           ein-grab-beste-"oops"-

and thus: the name horowitz...
barking...
          ottoman....
    rotherham...
   ­           roam-befitting: "future"...
          there's the closure
with upmister...
            the the blessing...
all creasing with copper-skinz...

ONREPEATZ... ONREPEATZ...
same old replica...
           towing the jew
in a spiderweb...
like a gravitational pull
toward a moth and
scuttling h'americana

  best be broken h'americana
cain chess of the limbo
continental...
                 abel my abel...
my liquidating sod...

                      it was never to be
a prized event;
of good... to have cleaved one
to a momentum...
god.... the usual bollocking riddle.
Passes not by a day, that many an e-mail
unsolicited for would not stray--
from only Christ knows where--into
my SPAM folder. Some do sail
there to have a prurient stay,
bringing along many a memento
in an argosy of raunchy piquant pictures.

Some convey commerce, insurance or banking
messages; some the cargo of relationship
carry; while another an ad of ******
bears, still another talks about dealership.

Yet stood out Twain. Two diverse
SPAM e-mails have been berthing,
with goatish gaits and sharkish smirks,
in that folder unrelenting and unswerving.

One SPAM e-mail reads: "Why wait--have
an affair with a cheating wife today."

Sweetest SPAM!

Gorging myself on this fetish
fare free of charge. Kittenish
jades, serve me thy dainties of
dalliance enough!

To rock and roll, rolling in the hay,
making merry heaves, does ever crave
this rebellious flesh--yet, this randy
SPAM e-mail's offer offsets much the mind:

"A cheating wife" desiring to find--
for reasons amourous--a dandy,
a sort of cad.

Wondering muse: "A cheating wife"?
What a magic life!

Another SPAM e-mail says its own thus: "View
my pics. Lonely married women--
view **** pics." Indeed and true,
they grip with a serious sudden
poke the soul, like pangs the heart,
those three momentous, wrecking,
wretched words: "lonely married women."

Though content spicy and Libidinous;
yet maddening.
Secret meals seemingly are delicious,
but have a fiery taste.

Where--on Earth, in Mars, or in Hell
are they? Here, in this world they dwell.

Thought marriage is a blessed haven--
a heaven of unfeigned love and lasting bliss.

How could one be married and yet
be alone in life--lonely, who has
crossed over singlehood's borders,
nor is she a widow for bereavement?

A husband did his queen abandon
for a fresh-fangled pawn,
flying away with that new
dove--frittering his fortune away,
as she chirps love in lust songs anew
into his donkey's ears; flattery
displayed, a groovy
guise--

playing ducks and drakes with his riches

until his substance ship sank, like Titanic,
colliding with an iceberg of folly
in the deep of adultery:

making a muck of his wealth.

The flirtatious dollybird no sooner
flitted, then flew abroad at last,
leaving him to drown in the murky
waters of his wreck.

Returned the prodigal man to his hearth
in a sad pickle, with one shirt, one
jean,
and a pair of snickers, to the ever
gracious ***** of his loving Missis--
like a sinner contrite to Jesus.

Whilst a sudden grass widow, his wife
did not covet the companionship,
comforts and copulation
of another flagship--

but was committed to her
vows
to that fun-tossed lugger--
despite the billowy waves,

praying he'd come to his harbour.

The women howbeit in my SPAM folder--
those "cheating wives and lonely married
women", are like Lady Portiphar
pining and yearning for Joseph.

Unread.
Unreplied.
Jester Jun 2016
If you are the healer lay your hands on me, I am diseased you can set me free. If you have the will I have the desire, if you collect ashes send me into the fire.

If you are the liar then I am the fool, I wanna hurt myself by being close to you.

So catapult me into the sun and I'll burn baby burn, catapult me into the sun and I'll burn just for you.

If you are the liar I am the fool I will survive to be used as your tool.

Ten pence piece lays heavy on the heart, loose change love affair that's falling apart.

so catapult me into he sun and I'll burn baby burn, catapult me into the sun and I'll burn just for you.

Breakdowns and shakedowns got me bruised by your heart, it wasn't the words it was action from the start! You are the seducer I am the user together we feed off of each other.

so catapult me into the sun and I'll burn baby burn, yes catapult me into the sun and I'll burn just for you.
P S Bravo Nov 2010
I can still smell you.
It drives me mad.
Mad to hear you
Mad to see you
Mad to touch you
Mad to taste you
Mad.
Love has lifted us both
And to the heavens we reach
But as high as we are
Though as light as we are
We remain shackled
For fetters bind our flight.
Yet these fetters of ours I love
For it's not our limbs that are chained
But our very hearts.
So we float
Suspended from the ground
Holding each other while in hiding
Up top roof-tops under starlight lighting.
Dancing our dance when no ones watching.
Enjoying what we can
Whenever we can
For as long as we can.
ishaan khandpur May 2017
My hair and I don't talk anymore.
It's really quite sad because we were quite insightful together.
But now, the long mop is growing awry.
He no longer complements me.
He's made a mockery of my style.
My hair, I can safely say, hates me.

We tried counseling at the nearby parlor,
The counselor goes by the name of the barber.
he chopped at the problems and tried to make things right.
But the difference grew right back.
My hair's indifference to me is blinding.
I mean, I literally can't see!

We decided it was time to spice things up.
Bring back some excitement. By bringing another in the equation.
The gel, our saviour. The hero of our time.
This ******* was love unlike any other kind.

The moral of this story, is still a bit hairy.
Sort of like why beauty fell for the beast.
one cannot get down on one's knees
it is apparent that they are unbending
both patellas have gone into a freeze

the discomfort in them is never ending
one's knee joints oft tend to lock tight
it is apparent that they are unbending

their rigidity is becoming a real blight
scrubbing floors is a most painful affair
one's knee joints oft tend to lock tight

these days one's knees are in need of care
arthritis has set in for a rather long stay
scrubbing floors is a most painful affair

one would like the stiffness to go away
there isn't much flexibility in one's legs
arthritis has set in for a rather long stay

oh to have more spring in the knee pegs
there isn't much flexibility in one's legs
one cannot get down on one's knees
both patellas have gone into a freeze
Michael R Burch Apr 2020
The Lonely Earth
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

The pale celestial bodies
never bid her “Good morning!”
nor do the creative stars
kiss her.
Earth, where so many tender persuasions and roses lie interred,
might expire for the lack of a glance, or an odor.
She’s a lonely dusty orb,
so very lonely!, as she observes the moon's patchwork attire
knowing the sun's an imposter
who sears with rays he has stolen for himself
and who looks down on the moon and earth like lodgers.

Keywords/Tags: Kajal Ahmad, Kurd, Kurdish, lonely, Earth, stars, moon, sun, rays, lodgers, tenants, boarders, renters, mrbch



Mirror
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

My era’s obscuring mirror  
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.            
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



Kurds are Birds
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

Per the latest scientific classification, Kurds
now belong to a species of bird!
This is why,
traveling across the torn, fraying pages of history,
they are nomads recognized by their caravans.
Yes, Kurds are birds! And,
even worse, when
there’s nowhere left to nest, no refuge for their pain,
they turn to the illusion of traveling again
between the warm and arctic sectors of their homeland.
So I don’t think it strange Kurds can fly but not land.
They wander from region to region
never realizing their dreams
of settling,
of forming a colony, of nesting.
No, they never settle down long enough
to visit Rumi and inquire about his health,
or to bow down deeply in the gust-
stirred dust,
like Nali.



Bi Havre (“Together”)
possibly the oldest Kurdish poem
loose translation/interpretation by Michael R. Burch

I want us to be together:
we would eat together,

climb the mountain together,
sing songs together, songs of love,

songs from the heart, sung from above.
I want us to have one heart, together.

Many words in this ancient poem are in doubt, so I have excerpted what I grok to be the central meaning.



Birdsong
by Rumi
loose translation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!



First They Came for the Muslims
by Michael R. Burch

after Martin Niemoller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

Published in Amnesty International’s Words That Burn anthology, and by Borderless Journal (India), The Hindu (India), Matters India, New Age Bangladesh, Convivium Journal, PressReader (India) and Kracktivist (India). It is indeed an honor to have one of my poems published by an outstanding organization like Amnesty International. A stated goal for the anthology is to teach students about human rights through poetry.



Uyghur Poetry Translations

With my translations I am trying to build awareness of the plight of Uyghur poets and their people, who are being sent in large numbers to Chinese "reeducation" concentration camps.

Perhat Tursun (1969-????) is one of the foremost living Uyghur language poets, if he is still alive. Unfortunately, Tursun was "disappeared" into a Chinese "reeducation" concentration camp where extreme psychological torture is the norm. According to a disturbing report he was later "hospitalized." Apparently no one knows his present whereabouts or condition, if he has one. According to John Bolton, when Donald Trump learned of these "reeducation" concentration camps, he told Chinese President Xi Jinping it was "exactly the right thing to do." Trump’s excuse? "Well, we were in the middle of a major trade deal."

Elegy
by Perhat Tursun
loose translation/interpretation by Michael R. Burch

"Your soul is the entire world."
―Hermann Hesse, Siddhartha

Asylum seekers, will you recognize me among the mountain passes' frozen corpses?
Can you identify me here among our Exodus's exiled brothers?
We begged for shelter but they lashed us bare; consider our naked corpses.
When they compel us to accept their massacres, do you know that I am with you?

Three centuries later they resurrect, not recognizing each other,
Their former greatness forgotten.
I happily ingested poison, like a fine wine.
When they search the streets and cannot locate our corpses, do you know that I am with you?

In that tower constructed of skulls you will find my dome as well:
They removed my head to more accurately test their swords' temper.
When before their swords our relationship flees like a flighty lover,
Do you know that I am with you?

When men in fur hats are used for target practice in the marketplace
Where a dying man's face expresses his agony as a bullet cleaves his brain
While the executioner's eyes fail to comprehend why his victim vanishes, ...
Seeing my form reflected in that bullet-pierced brain's erratic thoughts,
Do you know that I am with you?

In those days when drinking wine was considered worse than drinking blood,
did you taste the flour ground out in that blood-turned churning mill?
Now, when you sip the wine Ali-Shir Nava'i imagined to be my blood
In that mystical tavern's dark abyssal chambers,
Do you know that I am with you?

TRANSLATOR NOTES: This is my interpretation (not necessarily correct) of the poem's frozen corpses left 300 years in the past. For the Uyghur people the Mongol period ended around 1760 when the Qing dynasty invaded their homeland, then called Dzungaria. Around a million people were slaughtered during the Qing takeover, and the Dzungaria territory was renamed Xinjiang. I imagine many Uyghurs fleeing the slaughters would have attempted to navigate treacherous mountain passes. Many of them may have died from starvation and/or exposure, while others may have been caught and murdered by their pursuers. If anyone has a better explanation, they are welcome to email me at mikerburch@gmail.com (there is an "r" between my first and last names).



The Fog and the Shadows
adapted from a novel by Perhat Tursun
loose translation/interpretation by Michael R. Burch

“I began to realize the fog was similar to the shadows.”

I began to realize that, just as the exact shape of darkness is a shadow,
even so the exact shape of fog is disappearance
and the exact shape of a human being is also disappearance.
At this moment it seemed my body was vanishing into the human form’s final state.

After I arrived here,
it was as if the danger of getting lost
and the desire to lose myself
were merging strangely inside me.

While everything in that distant, gargantuan city where I spent my five college years felt strange to me; and even though the skyscrapers, highways, ditches and canals were built according to a single standard and shape, so that it wasn’t easy to differentiate them, still I never had the feeling of being lost. Everyone there felt like one person and they were all folded into each other. It was as if their faces, voices and figures had been gathered together like a shaman’s jumbled-up hair.

Even the men and women seemed identical.
You could only tell them apart by stripping off their clothes and examining them.
The men’s faces were beardless like women’s and their skin was very delicate and unadorned.
I was always surprised that they could tell each other apart.
Later I realized it wasn’t just me: many others were also confused.

For instance, when we went to watch the campus’s only TV in a corridor of a building where the seniors stayed when they came to improve their knowledge. Those elderly Uyghurs always argued about whether someone who had done something unusual in an earlier episode was the same person they were seeing now. They would argue from the beginning of the show to the end. Other people, who couldn’t stand such endless nonsense, would leave the TV to us and stalk off.

Then, when the classes began, we couldn’t tell the teachers apart.
Gradually we became able to tell the men from the women
and eventually we able to recognize individuals.
But other people remained identical for us.

The most surprising thing for me was that the natives couldn’t differentiate us either.
For instance, two police came looking for someone who had broken windows during a fight at a restaurant and had then run away.
They ordered us line up, then asked the restaurant owner to identify the culprit.
He couldn’t tell us apart even though he inspected us very carefully.
He said we all looked so much alike that it was impossible to tell us apart.
Sighing heavily, he left.



The Encounter
by Abdurehim Otkur
loose translation/interpretation by Michael R. Burch

I asked her, why aren’t you afraid? She said her God.
I asked her, anything else? She said her People.
I asked her, anything more? She said her Soul.
I asked her if she was content? She said, I am Not.



The Distance
by Tahir Hamut
loose translation/interpretation by Michael R. Burch

We can’t exclude the cicadas’ serenades.
Behind the convex glass of the distant hospital building
the nurses watch our outlandish party
with their absurdly distorted faces.

Drinking watered-down liquor,
half-****, descanting through the open window,
we speak sneeringly of life, love, girls.
The cicadas’ serenades keep breaking in,
wrecking critical parts of our dissertations.

The others dream up excuses to ditch me
and I’m left here alone.

The cosmopolitan pyramid
of drained bottles
makes me feel
like I’m in a Turkish bath.

I lock the door:
Time to get back to work!

I feel like doing cartwheels.
I feel like self-annihilation.



Refuge of a Refugee
by Ablet Abdurishit Berqi aka Tarim
loose translation/interpretation by Michael R. Burch

I lack a passport,
so I can’t leave legally.
All that’s left is for me to smuggle myself to safety,
but I’m afraid I’ll be beaten black and blue at the border
and I can’t afford the trafficker.

I’m a smuggler of love,
though love has no national identity.
Poetry is my refuge,
where a refugee is most free.

The following excerpts, translated by Anne Henochowicz, come from an essay written by Tang Danhong about her final meeting with Dr. Ablet Abdurishit Berqi, aka Tarim. Tarim is a reference to the Tarim Basin and its Uyghur inhabitants...

I’m convinced that the poet Tarim Ablet Berqi the associate professor at the Xinjiang Education Institute, has been sent to a “concentration camp for educational transformation.” This scholar of Uyghur literature who conducted postdoctoral research at Israel’s top university, what kind of “educational transformation” is he being put through?

Chen Quanguo, the Communist Party secretary of Xinjiang, has said it’s “like the instruction at school, the order of the military, and the security of prison. We have to break their blood relations, their networks, and their roots.”

On a scorching summer day, Tarim came to Tel Aviv from Haifa. In a few days he would go back to Urumqi. I invited him to come say goodbye and once again prepared Sichuan cold noodles for him. He had already unfriended me on Facebook. He said he couldn’t eat, he was busy, and had to hurry back to Haifa. He didn’t even stay for twenty minutes. I can’t even remember, did he sit down? Did he have a glass of water? Yet this farewell shook me to my bones.

He said, “Maybe when I get off the plane, before I enter the airport, they’ll take me to a separate room and beat me up, and I’ll disappear.”

Looking at my shocked face, he then said, “And maybe nothing will happen …”

His expression was sincere. To be honest, the Tarim I saw rarely smiled. Still, layer upon layer blocked my powers of comprehension: he’s a poet, a writer, and a scholar. He’s an associate professor at the Xinjiang Education Institute. He can get a passport and come to Israel for advanced studies. When he goes back he’ll have an offer from Sichuan University to be a professor of literature … I asked, “Beat you up at the airport? Disappear? On what grounds?”

“That’s how Xinjiang is,” he said without any surprise in his voice. “When a Uyghur comes back from being abroad, that can happen.”…



This poem helps us understand the nomadic lifestyle of many Uyghurs, the hardships they endure, and the character it builds...

Iz (“Traces”)
by Abdurehim Otkur
loose translation/interpretation by Michael R. Burch

We were children when we set out on this journey;
Now our grandchildren ride horses.

We were just a few when we set out on this arduous journey;
Now we're a large caravan leaving traces in the desert.

We leave our traces scattered in desert dunes' valleys
Where many of our heroes lie buried in sandy graves.

But don't say they were abandoned: amid the cedars
their resting places are decorated by springtime flowers!

We left the tracks, the station... the crowds recede in the distance;
The wind blows, the sand swirls, but here our indelible trace remains.

The caravan continues, we and our horses become thin,
But our great-grand-children will one day rediscover those traces.



My Feelings
by Dolqun Yasin
loose translation/interpretation by Michael R. Burch

The light sinking through the ice and snow,
The hollyhock blossoms reddening the hills like blood,
The proud peaks revealing their ******* to the stars,
The morning-glories embroidering the earth’s greenery,
Are not light,
Not hollyhocks,
Not peaks,
Not morning-glories;
They are my feelings.

The tears washing the mothers’ wizened faces,
The flower-like smiles suddenly brightening the girls’ visages,
The hair turning white before age thirty,
The night which longs for light despite the sun’s laughter,
Are not tears,
Not smiles,
Not hair,
Not night;
They are my nomadic feelings.

Now turning all my sorrow to passion,
Bequeathing to my people all my griefs and joys,
Scattering my excitement like flowers festooning fields,
I harvest all these, then tenderly glean my poem.

Therefore the world is this poem of mine,
And my poem is the world itself.



To My Brother the Warrior
by Téyipjan Éliyow
loose translation/interpretation by Michael R. Burch

When I accompanied you,
the commissioners called me a child.
If only I had been a bit taller
I might have proved myself in battle!

The commission could not have known
my commitment, despite my youth.
If only they had overlooked my age and enlisted me,
I'd have given that enemy rabble hell!

Now, brother, I’m an adult.
Doubtless, I’ll join the service soon.
Soon enough, I’ll be by your side,
battling the enemy: I’ll never surrender!

Keywords/Tags: Uyghur, translation, Uighur, Xinjiang, elegy, Kafka, China, Chinese, reeducation, prison, concentration camp, desert, nomad, nomadic, race, racism, discrimination, Islam, Islamic, Muslim, mrbuyghur



Mehmet Akif Ersoy: Modern English Translations of Turkish Poems

Mehmet Âkif Ersoy (1873-1936) was a Turkish poet, author, writer, academic, member of parliament, and the composer of the Turkish National Anthem.



Snapshot
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows,
how long will the darkness remember you?



Zulmü Alkislayamam
"I Can’t Applaud Tyranny"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

I can't condone cruelty; I will never applaud the oppressor;
Yet I can't renounce the past for the sake of deluded newcomers.
When someone curses my ancestors, I want to strangle them,
Even if you don’t.
But while I harbor my elders,
I refuse to praise their injustices.
Above all, I will never glorify evil, by calling injustice “justice.”
From the day of my birth, I've loved freedom;
The golden tulip never deceived me.
If I am nonviolent, does that make me a docile sheep?
The blade may slice, but my neck resists!
When I see someone else's wound, I suffer a great hardship;
To end it, I'll be whipped, I'll be beaten.
I can't say, “Never mind, just forget it!” I'll mind,
I'll crush, I'll be crushed, I'll uphold justice.
I'm the foe of the oppressor, the friend of the oppressed.
What the hell do you mean, with your backwardness?



Çanakkale Sehitlerine
"For the Çanakkale Martyrs"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Was there ever anything like the Bosphorus war?―
The earth’s mightiest armies pressing Marmara,
Forcing entry between her mountain passes
To a triangle of land besieged by countless vessels.
Oh, what dishonorable assemblages!
Who are these Europeans, come as rapists?
Who, these braying hyenas, released from their reeking cages?
Why do the Old World, the New World, and all the nations of men
now storm her beaches? Is it Armageddon? Truly, the whole world rages!
Seven nations marching in unison!
Australia goose-stepping with Canada!
Different faces, languages, skin tones!
Everything so different, but the mindless bludgeons!
Some warriors Hindu, some African, some nameless, unknown!
This disgraceful invasion, baser than the Black Death!
Ah, the 20th century, so noble in its own estimation,
But all its favored ones nothing but a parade of worthless wretches!
For months now Turkish soldiers have been vomited up
Like stomachs’ retched contents regarded with shame.
If the masks had not been torn away, the faces would still be admired,
But the ***** called civilization is far from blameless.
Now the ****** demand the destruction of the doomed
And thus bring destruction down on their own heads.
Lightning severs horizons!
Earthquakes regurgitate the bodies of the dead!
Bombs’ thunderbolts explode brains,
rupture the ******* of brave soldiers.
Underground tunnels writhe like hell
Full of the bodies of burn victims.
The sky rains down death, the earth swallows the living.
A terrible blizzard heaves men violently into the air.
Heads, eyes, torsos, legs, arms, chins, fingers, hands, feet...
Body parts rain down everywhere.
Coward hands encased in armor callously scatter
Floods of thunderbolts, torrents of fire.
Men’s chests gape open,
Beneath the high, circling vulture-like packs of the air.
Cannonballs fly as frequently as bullets
Yet the heroic army laughs at the hail.
Who needs steel fortresses? Who fears the enemy?
How can the shield of faith not prevail?
What power can make religious men bow down to their oppressors
When their stronghold is established by God?
The mountains and the rocks are the bodies of martyrs!...
For the sake of a crescent, oh God, many suns set, undone!
Dear soldier, who fell for the sake of this land,
How great you are, your blood saves the Muslims!
Only the lions of Bedr rival your glory!
Who then can dig the grave wide enough to hold you. and your story?
If we try to consign you to history, you will not fit!
No book can contain the eras you shook!
Only eternities can encompass you!...
Oh martyr, son of the martyr, do not ask me about the grave:
The prophet awaits you now, his arms flung wide open, to save!



W. S. Rendra translations

Willibrordus Surendra Broto Rendra (1935-2009), better known as W. S. Rendra or simply Rendra, was an Indonesian dramatist and poet. He said, “I learned meditation and the disciplines of the traditional Javanese poet from my mother, who was a palace dancer. The idea of the Javanese poet is to be a guardian of the spirit of the nation.” The press gave him the nickname Burung Merak (“The Peacock”) for his flamboyant poetry readings and stage performances.

SONNET
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Best wishes for an impending deflowering.

Yes, I understand: you will never be mine.
I am resigned to my undeserved fate.
I contemplate
irrational numbers―complex & undefined.

And yet I wish love might ... ameliorate ...
such negative numbers, dark and unsigned.
But at least I can’t be held responsible
for disappointing you. No cause to elate.
Still, I am resigned to my undeserved fate.
The gods have spoken. I can relate.

How can this be, when all it makes no sense?
I was born too soon―such was my fate.
You must choose another, not half of who I AM.
Be happy with him when you consummate.

THE WORLD'S FIRST FACE
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
both consisting of nothing but themselves.

As in all beginnings
the world is naked,
empty, free of deception,
dark with unspoken explanations―
a silence that extends
to the limits of time.

Then comes light,
life, the animals and man.

As in all beginnings
everything is naked,
empty, open.

They're both young,
yet both have already come a long way,
passing through the illusions of brilliant dawns,
of skies illuminated by hope,
of rivers intimating contentment.

They have experienced the sun's warmth,
drenched in each other's sweat.

Here, standing by barren reefs,
they watch evening fall
bringing strange dreams
to a bed arrayed with resplendent coral necklaces.

They lift their heads to view
trillions of stars arrayed in the sky.
The universe is their inheritance:
stars upon stars upon stars,
more than could ever be extinguished.

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
to recreate the world's first face.

Keywords/Tags: Rendra, Indonesian, Javanese, translation, love, fate, god, gods, goddess, groom, bride, world, time, life, sun, hill, hills, moon, moonlight, stars, life, animals?, international, travel, voyage, wedding, relationship, mrbtran



Death Fugue
by Paul Celan
loose translation/interpretation by Michael R. Burch

Black milk of daybreak, we drink you come dusk;
we drink you come midday, come morning, come night;
we drink you and drink you.
We’re digging a grave like a hole in the sky;
there’s sufficient room to lie there.
The man of the house plays with vipers; he writes
in the Teutonic darkness, “Your golden hair Margarete...”
He composes by starlight, whistles hounds to stand by,
whistles Jews to dig graves, where together they’ll lie.
He commands us to strike up bright tunes for the dance!

Black milk of daybreak, we drink you come dusk;
we drink you come dawn, come midday, come night;
we drink you and drink you.
The man of the house plays with serpents; he writes...
he writes as the night falls, “Your golden hair Margarete...
Your ashen hair Shulamith...”
We are digging dark graves where there’s more room, on high.
His screams, “Hey you, dig there!” and “Hey you, sing and dance!”
He grabs his black nightstick, his eyes pallid blue,
screaming, “Hey you―dig deeper! You others―sing, dance!”

Black milk of daybreak, we drink you come dusk;
we drink you come midday, come morning, come night;
we drink you and drink you.
The man of the house writes, “Your golden hair Margarete...
Your ashen hair Shulamith...” as he cultivates snakes.
He screams, “Play Death more sweetly! Death’s the master of Germany!”
He cries, “Scrape those dark strings, soon like black smoke you’ll rise
to your graves in the skies; there’s sufficient room for Jews there!”

Black milk of daybreak, we drink you come midnight;
we drink you come midday; Death’s the master of Germany!
We drink you come dusk; we drink you and drink you...
He’s a master of Death, his pale eyes deathly blue.
He fires leaden slugs, his aim level and true.
He writes as the night falls, “Your golden hair Margarete...”
He unleashes his hounds, grants us graves in the skies.
He plays with his serpents; Death’s the master of Germany...

“Your golden hair Margarete...
your ashen hair Shulamith...”



O, Little Root of a Dream
by Paul Celan
loose translation/interpretation by Michael R. Burch

O, little root of a dream
you enmire me here;
I’m undermined by blood―
made invisible,
death's possession.

Touch the curve of my face,
that there may yet be an earthly language of ardor,
that someone else’s eyes
may somehow still see me,
though I’m blind,

here where you
deny me voice.



You Were My Death
by Paul Celan
loose translation/interpretation by Michael R. Burch

You were my death;
I could hold you
when everything abandoned me―
even breath.



Wulf and Eadwacer
ancient Anglo-Saxon poem, circa 960 AD
loose translation/interpretation by Michael R. Burch

My clan's curs pursue him like crippled game;
they'll rip him apart if he approaches their pack.
It is otherwise with us.

Wulf's on one island; we're on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
It is otherwise with us.

My heart pursued Wulf like a panting hound,
but whenever it rained—how I wept! —
the boldest cur grasped me in its paws:
good feelings for him, but for me loathsome!

Wulf, O, my Wulf, my ache for you
has made me sick; your seldom-comings
have left me famished, deprived of real meat.

Have you heard, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods!
One can easily sever what never was one:
our song together.

Keywords/Tags: Anglo-Saxon, Old English, England, translation, scop, female, women, ****, ******, ***, ****** abuse, ******, lament, complaint, tribalism, tribe, clan, pack, chauvinism, war, wolf, wolves, dog, dogs, hound, hounds, cur, curs, whelp, baby, offspring, island



I Have Labored Sore
anonymous medieval lyric (circa the fifteenth century)
loose translation/interpretation by Michael R. Burch

I have labored sore / and suffered death,
so now I rest / and catch my breath.
But I shall come / and call right soon
heaven and earth / and hell to doom.
Then all shall know / both devil and man
just who I was / and what I am.

NOTE: This poem has a pronounced caesura (pause) in the middle of each line: a hallmark of Old English poetry. While this poem is closer to Middle English, it preserves the older tradition. I have represented the caesura with a slash.



A Lyke-Wake Dirge
anonymous medieval lyric (circa the sixteenth century)
loose translation/interpretation by Michael R. Burch

The Lie-Awake Dirge is "the night watch kept over a corpse."

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.

When from this earthly life you pass
every night and all,
to confront your past you must come at last,
and Christ receive thy soul.

If you ever donated socks and shoes,
every night and all,
sit right down and put pull yours on,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk barefoot through the flames of hell,
and Christ receive thy soul.

If ever you shared your food and drink,
every night and all,
the fire will never make you shrink,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk starving through the black abyss,
and Christ receive thy soul.

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.



This World's Joy
(anonymous Middle English lyric, circa early 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



How Long the Night
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast:
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Adam Lay Ybounden
(anonymous Medieval English lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen and matron.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious! "

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



Excerpt from "Ubi Sunt Qui Ante Nos Fuerunt? "
anonymous Middle English poem, circa 1275
loose translation/interpretation by Michael R. Burch

Where are the men who came before us,
who led hounds and hawks to the hunt,
who commanded fields and woods?
Where are the elegant ladies in their boudoirs
who braided gold through their hair
and had such fair complexions?

Once eating and drinking made their hearts glad;
they enjoyed their games;
men bowed before them;
they bore themselves loftily...
But then, in an eye's twinkling,
their hearts were forlorn.

Where are their laughter and their songs,
the trains of their dresses,
the arrogance of their entrances and exits,
their hawks and their hounds?
All their joy is departed;
their "well" has come to "oh, well"
and to many dark days...



Westron Wynde
(anonymous Middle English lyric, found in a partbook circa 1530 AD, but perhaps written much earlier)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

NOTE: The original poem has "the smalle rayne down can rayne" which suggests a drizzle or mist, either of which would suggest a dismal day.



Pity Mary
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face: fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.

In the poem above, note how "wood" and "tree" invoke the cross while "sun" and "son" seem to invoke each other. Sun-day is also Son-day, to Christians. The anonymous poet who wrote the poem above may have been been punning the words "sun" and "son." The poem is also known as "Now Goeth Sun Under Wood" and "Now Go'th Sun Under Wood."



Fowles in the Frith
(anonymous Middle English lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood, " facing a similar fate?



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte.



War is Obsolete
by Michael R. Burch

Trump’s war is on children and their mothers.
"An eye for an eye leaves the whole world blind." ― Gandhi

War is obsolete;
even the strange machinery of dread
weeps for the child in the street
who cannot lift her head
to reprimand the Man
who failed to countermand
her soft defeat.

But war is obsolete;
even the cold robotic drone
that flies far overhead
has sense enough to moan
and shudder at her plight
(only men bereft of Light
with hearts indurate stone
embrace war’s Siberian night.)

For war is obsolete;
man’s tribal “gods,” long dead,
have fled his awakening sight
while the true Sun, overhead,
has pity on her plight.
O sweet, precipitate Light!―
embrace her, reject the night
that leaves gentle fledglings dead.

For each brute ancestor lies
with his totems and his “gods”
in the slavehold of premature night
that awaited him in his tomb;
while Love, the ancestral womb,
still longs to give birth to the Light.
So which child shall we ****** tonight,
or which Ares condemn to the gloom?

Originally published by The Flea. While campaigning for president in 2016, Donald Trump said that, as commander-in-chief of the American military, he would order American soldiers to track down and ****** women and children as "retribution" for acts of terrorism. When aghast journalists asked Trump if he could possibly have meant what he said, he verified more than once that he did. Keywords/Tags: war, terrorism, retribution, violence, ******, children, Gandhi, Trump, drones



In My House
by Michael R. Burch

When you were in my house
you were not free―
in chains bound.

Manifest Destiny?

I was wrong;
my plantation burned to the ground.
I was wrong.
This is my song,
this is my plea:
I was wrong.

When you are in my house,
now, I am not free.
I feel the song
hurling itself back at me.
We were wrong.
This is my history.

I feel my tongue
stilting accordingly.

We were wrong;
brother, forgive me.

Published by Black Medina



Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).



The Children of Gaza

Nine of my poems have been set to music by the composer Eduard de Boer and have been performed in Europe by the Palestinian soprano Dima Bawab. My poems that became “The Children of Gaza” were written from the perspective of Palestinian children and their mothers. On this page the poems come first, followed by the song lyrics, which have been adapted in places to fit the music …



Epitaph for a Child of Gaza
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



For a Child of Gaza, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow?

Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



I Pray Tonight
by Michael R. Burch

for the children of Gaza and their mothers

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Something
by Michael R. Burch

for the mothers and children of Gaza

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.



Mother’s Smile
by Michael R. Burch

for the mothers of Gaza and their children

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,

then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”



My nightmare ...

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



I, too, have a dream ...

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



Suffer the Little Children
by Nakba

I saw the carnage . . . saw girls' dreaming heads
blown to red atoms, and their dreams with them . . .

saw babies liquefied in burning beds
as, horrified, I heard their murderers’ phlegm . . .

I saw my mother stitch my shroud’s black hem,
for in that moment I was one of them . . .

I saw our Father’s eyes grow hard and bleak
to see frail roses severed at the stem . . .

How could I fail to speak?
―Nakba is an alias of Michael R. Burch



Here We Shall Remain
by Tawfiq Zayyad
loose translation/interpretation by Michael R. Burch

Like twenty impossibilities
in Lydda, Ramla and Galilee ...
here we shall remain.

Like brick walls braced against your chests;
lodged in your throats
like shards of glass
or prickly cactus thorns;
clouding your eyes
like sandstorms.

Here we shall remain,
like brick walls obstructing your chests,
washing dishes in your boisterous bars,
serving drinks to our overlords,
scouring your kitchens' filthy floors
in order to ****** morsels for our children
from between your poisonous fangs.

Here we shall remain,
like brick walls deflating your chests
as we face our deprivation clad in rags,
singing our defiant songs,
chanting our rebellious poems,
then swarming out into your unjust streets
to fill dungeons with our dignity.

Like twenty impossibilities
in Lydda, Ramla and Galilee,
here we shall remain,
guarding the shade of the fig and olive trees,
fermenting rebellion in our children
like yeast in dough.

Here we wring the rocks to relieve our thirst;
here we stave off starvation with dust;
but here we remain and shall not depart;
here we spill our expensive blood
and do not hoard it.

For here we have both a past and a future;
here we remain, the Unconquerable;
so strike fast, penetrate deep,
O, my roots!



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



Palestine
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

This land gives us
all that makes life worthwhile:
April's blushing advances,
the aroma of bread warming at dawn,
a woman haranguing men,
the poetry of Aeschylus,
love's trembling beginnings,
a boulder covered with moss,
mothers who dance to the flute's sighs,
and the invaders' fear of memories.

This land gives us
all that makes life worthwhile:
September's rustling end,
a woman leaving forty behind, still full of grace, still blossoming,
an hour of sunlight in prison,
clouds taking the shapes of unusual creatures,
the people's applause for those who mock their assassins,
and the tyrant's fear of songs.

This land gives us
all that makes life worthwhile:
Lady Earth, mother of all beginnings and endings!
In the past she was called Palestine
and tomorrow she will still be called Palestine.
My Lady, because you are my Lady, I deserve life!



Distant light
by Walid Khazindar
loose translation/interpretation by Michael R. Burch

Bitterly cold,
winter clings to the naked trees.
If only you would free
the bright sparrows
from the tips of your fingers
and release a smile—that shy, tentative smile—
from the imprisoned anguish I see.
Sing! Can we not sing
as if we were warm, hand-in-hand,
shielded by shade from a glaring sun?
Can you not always remain this way,
stoking the fire, more beautiful than necessary, and silent?
Darkness increases; we must remain vigilant
and this distant light is our only consolation—
this imperiled flame, which from the beginning
has been flickering,
in danger of going out.
Come to me, closer and closer.
I don't want to be able to tell my hand from yours.
And let's stay awake, lest the snow smother us.

Walid Khazindar was born in 1950 in Gaza City. He is considered one of the best Palestinian poets; his poetry has been said to be "characterized by metaphoric originality and a novel thematic approach unprecedented in Arabic poetry." He was awarded the first Palestine Prize for Poetry in 1997.



Excerpt from “Speech of the Red Indian”
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Let's give the earth sufficient time to recite
the whole truth ...
The whole truth about us.
The whole truth about you.

In tombs you build
the dead lie sleeping.
Over bridges you *****
file the newly slain.

There are spirits who light up the night like fireflies.
There are spirits who come at dawn to sip tea with you,
as peaceful as the day your guns mowed them down.

O, you who are guests in our land,
please leave a few chairs empty
for your hosts to sit and ponder
the conditions for peace
in your treaty with the dead.



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me again,
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know ...
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal our happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth absorbs the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—when nothing remains.



Identity Card
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Record!
I am an Arab!
And my identity card is number fifty thousand.
I have eight children;
the ninth arrives this autumn.
Will you be furious?

Record!
I am an Arab!
Employed at the quarry,
I have eight children.
I provide them with bread,
clothes and books
from the bare rocks.
I do not supplicate charity at your gates,
nor do I demean myself at your chambers' doors.
Will you be furious?

Record!
I am an Arab!
I have a name without a title.
I am patient in a country
where people are easily enraged.
My roots
were established long before the onset of time,
before the unfolding of the flora and fauna,
before the pines and the olive trees,
before the first grass grew.
My father descended from plowmen,
not from the privileged classes.
My grandfather was a lowly farmer
neither well-bred, nor well-born!
Still, they taught me the pride of the sun
before teaching me how to read;
now my house is a watchman's hut
made of branches and cane.
Are you satisfied with my status?
I have a name, but no title!

Record!
I am an Arab!
You have stolen my ancestors' orchards
and the land I cultivated
along with my children.
You left us nothing
but these bare rocks.
Now will the State claim them
as it has been declared?

Therefore!
Record on the first page:
I do not hate people
nor do I encroach,
but if I become hungry
I will feast on the usurper's flesh!
Beware!
Beware my hunger
and my anger!

NOTE: Darwish was married twice, but had no children. In the poem above, he is apparently speaking for his people, not for himself personally.



Passport
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties—
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes—
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me, not again!
Prophets! Gentlemen!—
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



Fadwa Tuqan has been called the Grand Dame of Palestinian letters and The Poet of Palestine. These are my translations of Fadwa Tuqan poems originally written in Arabic.



Labor Pains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight the wind wafts pollen through ruined fields and homes.
The earth shivers with love, with the agony of giving birth,
while the Invader spreads stories of submission and surrender.

O, Arab Aurora!

Tell the Usurper: childbirth’s a force beyond his ken
because a mother’s wracked body reveals a rent that inaugurates life,
a crack through which light dawns in an instant
as the blood’s rose blooms in the wound.



Hamza
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Hamza was one of my hometown’s ordinary men
who did manual labor for bread.

When I saw him recently,
the land still wore its mourning dress in the solemn windless silence
and I felt defeated.

But Hamza-the-unextraordinary said:
“Sister, our land’s throbbing heart never ceases to pound,
and it perseveres, enduring the unendurable, keeping the secrets of mounds and wombs.
This land sprouting cactus spikes and palms also births freedom-fighters.
Thus our land, my sister, is our mother!”

Days passed and Hamza was nowhere to be seen,
but I felt the land’s belly heaving in pain.
At sixty-five Hamza’s a heavy burden on her back.

“Burn down his house!”
some commandant screamed,
“and slap his son in a prison cell!”

As our town’s military ruler later explained
this was necessary for law and order,
that is, an act of love, for peace!

Armed soldiers surrounded Hamza’s house;
the coiled serpent completed its circle.

The bang at his door came with an ultimatum:
“Evacuate, **** it!'
So generous with their time, they said:
“You can have an hour, yes!”

Hamza threw open a window.
Face-to-face with the blazing sun, he yelled defiantly:
“Here in this house I and my children will live and die, for Palestine!”
Hamza's voice echoed over the hemorrhaging silence.

An hour later, with impeccable timing, Hanza’s house came crashing down
as its rooms were blown sky-high and its bricks and mortar burst,
till everything settled, burying a lifetime’s memories of labor, tears, and happier times.

Yesterday I saw Hamza
walking down one of our town’s streets ...
Hamza-the-unextraordinary man who remained as he always was:
unshakable in his determination.

My translation follows one by Azfar Hussain and borrows a word here, a phrase there.



Autumn Conundrum
by Michael R. Burch

for the mothers and children of Gaza

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Piercing the Shell

for the mothers and children of Gaza

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.



Sunset
by Michael R. Burch

for my grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight’s revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy's a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Published by The Lyric, Black Medina, The Eclectic Muse, Kritya (India), Shabestaneh (Iran), Anthology of Contemporary American Poetry, Captivating Poetry (Anthology), Strange Road, Freshet, Shot Glass Journal, Better Than Starbucks, Famous Poets and Poems, Sonnetto Poesia, Poetry Life & Times



Winter Thoughts of Ann Rutledge

Ann Rutledge was apparently Abraham Lincoln’s first love interest. Unfortunately, she was engaged to another man when they met, then died with typhoid fever at age 22. According to a friend, Isaac Cogdal, when asked if he had loved her, Lincoln replied: “It is true―true indeed, I did. I loved the woman dearly and soundly: She was a handsome girl―would have made a good, loving wife … I did honestly and truly love the girl and think often, often of her now.”

Winter Thoughts of Ann Rutledge
by Michael R. Burch

Winter was not easy,
nor would the spring return.
I knew you by your absence,
as men are wont to burn
with strange indwelling fire―
such longings you inspire!

But winter was not easy,
nor would the sun relent
from sculpting ****** images
and how could I repent?
I left quaint offerings in the snow,
more maiden than I care to know.



Ann Rutledge’s Irregular Quilt
by Michael R. Burch

based on “Lincoln the Unknown” by Dale Carnegie

I.
Her fingers “plied the needle” with “unusual swiftness and art”
till Abe knelt down beside her: then her demoralized heart
set Eros’s dart a-quiver; thus a crazy quilt emerged:
strange stitches all a-kilter, all patterns lost. (Her host
kept her vicarious laughter barely submerged.)

II.
Years later she’d show off the quilt with its uncertain stitches
as evidence love undermines men’s plans and unevens women’s strictures
(and a plethora of scriptures.)

III.
But O the sacred tenderness Ann’s reckless stitch contains
and all the world’s felicities: rich cloth, for love’s fine gains,
for sweethearts’ tremulous fingers and their bright, uncertain vows
and all love’s blithe, erratic hopes (like now’s).

IV.
Years later on a pilgrimage, by tenderness obsessed,
Dale Carnegie, drawn to her grave, found weeds in her place of rest
and mowed them back, revealing the spot of Lincoln’s joy and grief
(and his hope and his disbelief).

V.
Yes, such is the tenderness of love, and such are its disappointments.
Love is a book of rhapsodic poems. Love is an grab bag of ointments.
Love is the finger poised, the smile, the Question ― perhaps ― and the Answer?

Love is the pain of betrayal, the two left feet of the dancer.

VI.
There were ladies of ill repute in his past. Or so he thought. Was it true?
And yet he loved them, Ann (sweet Ann!), as tenderly as he loved you.

Keywords/Tags: Abraham Lincoln, Ann Rutledge, history, president, love, lover, mistress, paramour, romance, romantic, quilt, Dale Carnegie



evol-u-shun
by Michael R. Burch

does GOD adore the Tyger
while it’s ripping ur lamb apart?

does GOD applaud the Plague
while it’s eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Originally published by The Lyric



For All That I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.

Originally published by The Raintown Review



What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~underwater~~~
watching the shoreline blur
sees through his breath’s weightless bubbles ...
Both worlds grow obscure.

Published by ByLine, Mandrake Poetry Review, Poetically Speaking, E Mobius Pi, Underground Poets, Little Brown Poetry, Little Brown Poetry, Triplopia, Poetic Ponderings, Poem Kingdom, PW Review, Neovictorian/Cochlea, Muse Apprentice Guild, Mindful of Poetry, Poetry on Demand, Poet’s Haven, Famous Poets and Poems, and Bewildering Stories



The Octopi Jars
by Michael R. Burch

Long-vacant eyes
now lodged in clear glass,
a-swim with pale arms
as delicate as angels'...

you are beyond all hope
of salvage now...
and yet I would pause,
no fear!,
to once touch
your arcane beaks...

I, more alien than you
to this imprismed world,
notice, most of all,
the scratches on the inside surfaces
of your hermetic cells ...

and I remember documentaries
of albino Houdinis
slipping like wraiths
over the walls of shipboard aquariums,
slipping down decks'
brine-lubricated planks,
spilling jubilantly into the dark sea,
parachuting through clouds of pallid ammonia...

and I know now in life you were unlike me:
your imprisonment was never voluntary.



escape!
by michael r. burch

to live among the daffodil folk . . .
slip down the rainslickened drainpipe . . .
suddenly pop out
the GARGANTUAN SPOUT . . .
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.



Escape!!
by Michael R. Burch

You are too beautiful,
too innocent,
too inherently lovely
to merely reflect the sun’s splendor ...

too full of irresistible candor
to remain silent,
too delicately fawnlike
for a world so violent ...

Come, my beautiful Bambi
and I will protect you ...
but of course you have already been lured away
by the dew-laden roses ...



In Praise of Meter
by Michael R. Burch

The earth is full of rhythms so precise
the octave of the crystal can produce
a trillion oscillations, yet not lose
a second's beat. The ear needs no device
to hear the unsprung rhythms of the couch
drown out the mouth's; the lips can be debauched
by kisses, should the heart put back its watch
and find the pulse of love, and sing, devout.
If moons and tides in interlocking dance
obey their numbers, what's been left to chance?
Should poets be more lax―their circumstance
as humble as it is?―or readers wince
to see their ragged numbers thin, to hear
the moans of drones drown out the Chanticleer?

Originally published by The Eclectic Muse, then in The Best of the Eclectic Muse 1989-2003



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
,upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide
heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle ...

Feathers and wax
and the watchers huddle ...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!
Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

Published by The Lyric and The Ekphrastic Review



Chit Chat: In the Poetry Chat Room
by Michael R. Burch

WHY SHULD I LERN TO SPELL?
HELL,
NO ONE REEDS WHAT I SAY
ANYWAY!!! :(

Sing for the cool night,
whispers of constellations.
Sing for the supple grass,
the tall grass, gently whispering.
Sing of infinities, multitudes,
of all that lies beyond us now,
whispers begetting whispers.
And i am glad to also whisper . . .

I WUS HURT IN LUV I’M DYIN’
FER TH’ TEARS I BEEN A-CRYIN’!!!

i abide beyond serenities
and realms of grace,
above love’s misdirected earth,
i lift my face.
i am beyond finding now . . .

I WAS IN, LOVE, AND HE ******* ME!!!
THE ****!!! TOTALLY!!!

i loved her once, before, when i
was mortal too, and sometimes i
would listen and distinctly hear
her laughter from the juniper,
but did not go . . .

I JUST DON’T GET POETRY, SOMETIMES.
IT’S OKAY, I GUESS.
I REALLY DON’T READ THAT MUCH AT ALL,
I MUST CONFESS!!! ;-)

Travail, inherent to all flesh,
i do not know, nor how to feel.
Although i sing them nighttimes still:
the bitter woes, that do not heal . . .

POETRY IS BORING.
SEE, IT *****!!!, I’M SNORING!!! ZZZZZZZ!!!

The words like breath, i find them here,
among the fragrant juniper,
and conifers amid the snow,
old loves imagined long ago . . .

WHY DON’T YOU LIKE MY PERFICKT WORDS
YOU USELESS UN-AMERIC’N TURDS?!!!

What use is love, to me, or Thou?
O Words, my awe, to fly so smooth
above the anguished hearts of men
to heights unknown, Thy bare remove . . .



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



faith(less)
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.

ah-men!



honeybee
by michael r. burch

love was a little treble thing—
prone to sing
and (sometimes) to sting



honeydew
by michael r. burch

i sampled honeysuckle
and it made my taste buds buckle!



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’
the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Huntress
Michael R. Burch

Lynx-eyed cat-like and cruel you creep
across a crevice dropping deep
into a dark and doomed domain
Your claws are sheathed. You smile, insane
Rain falls upon your path and pain
pours down. Your paws are pierced. You pause
and heed the oft-lamented laws
which bid you not begin again
till night returns. You wail like wind,
the sighing of a soul for sin,
and give up hunting for a heart.
Till sunset falls again, depart,
though hate and hunger urge you—"On!"
Heed, hearts, your hope—the break of dawn.



Ibykos Fragment 286 (III)
loose translation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;

the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.

Originally published by The Chained Muse



Ince St. Child
by Michael R. Burch

When she was a child
in a dark forest of fear,
imagination cast its strange light
into secret places,
scattering traces
of illumination so bright,
years later, she could still find them there,
their light undefiled.

When she was young,
the shafted light of her dreams
shone on her uplifted face
as she prayed ...
though she strayed
into a night fallen like woven lace
shrouding the forest of screams,
her faith led her home.

Now she is old
and the light that was flame
is a slow-dying ember ...
what she felt then
she would explain;
she would if she could only remember
that forest of shame,
faith beaten like gold.

This was an unusual poem, and it took me some time to figure out who the old woman was. She was a victim of childhood ******, hence the title I eventually came up with.



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.



Remembrance
by Michael R. Burch

Remembrance like a river rises;
the rain of recollection falls;
frail memories, like vines, entangled,
cling to Time's collapsing walls.

The past is like a distant mist,
the future like a far-off haze,
the present half-distinct an hour
before it blurs with unseen days.



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of bright stars revolving above us
revel tonight, the most ardent of lovers.

Published by Writer’s Gazette, Tucumcari Literary Review and The Chained Muse



R.I.P.
by Michael R. Burch

When I am lain to rest
and my soul is no longer intact,
but dissolving, like a sunset
diminishing to the west ...

and when at last
before His throne my past
is put to test
and the demons and the Beast

await to feast
on any morsel downward cast,
while the vapors of impermanence
cling, smelling of damask ...

then let me go, and do not weep
if I am left to sleep,
to sleep and never dream, or dream, perhaps,
only a little longer and more deep.

Originally published by Romantics Quarterly



The Shape of Mourning
by Michael R. Burch

The shape of mourning
is an oiled creel
shining with unuse,

the bolt of cold steel
on a locker
shielding memory,

the monthly penance
of flowers,
the annual wake,

the face in the photograph
no longer dissolving under scrutiny,
becoming a keepsake,

the useless mower
lying forgotten
in weeds,

rings and crosses and
all the paraphernalia
the soul no longer needs.



I Know The Truth
by Marina Tsvetaeva
loose translation by Michael R. Burch

I know the truth―abandon lesser truths!

There's no need for anyone living to struggle!
See? Evening falls, night quickly descends!
So why the useless disputes―generals, poets, lovers?

The wind is calming now; the earth is bathed in dew;
the stars' infernos will soon freeze in the heavens.
And soon we'll sleep together, under the earth,
we who never gave each other a moment's rest above it.



I Know The Truth (Alternate Ending)
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

I know the truth―abandon lesser truths!

There's no need for anyone living to struggle!
See? Evening falls, night quickly descends!
So why the useless disputes―generals, poets, lovers?

The wind caresses the grasses; the earth gleams, damp with dew;
the stars' infernos will soon freeze in the heavens.
And soon we'll lie together under the earth,
we who were never united above it.



Poems about Moscow
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

5
Above the city Saint Peter once remanded to hell
now rolls the delirious thunder of the bells.

As the thundering high tide eventually reverses,
so, too, the woman who once bore your curses.

To you, O Great Peter, and you, O Great Tsar, I kneel!
And yet the bells above me continually peal.

And while they keep ringing out of the pure blue sky,
Moscow's eminence is something I can't deny ...

though sixteen hundred churches, nearby and afar,
all gaily laugh at the hubris of the Tsars.

8
Moscow, what a vast
uncouth hostel of a home!
In Russia all are homeless
so all to you must come.

A knife stuck in each boot-top,
each back with its shameful brand,
we heard you from far away.
You called us: here we stand.

Because you branded us criminals
for every known kind of ill,
we seek the all-compassionate Saint,
the haloed one who heals.

And there behind that narrow door
where the uncouth rabble pour,
we seek the red-gold radiant heart
of Iver, who loved the poor.

Now, as "Halleluiah" floods
bright fields that blaze to the west,
O sacred Russian soil,
I kneel here to kiss your breast!



Insomnia
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

2
In my enormous city it is night
as from my house I step beyond the light;
some people think I'm daughter, mistress, wife ...
but I am like the blackest thought of night.

July's wind sweeps a way for me to stray
toward soft music faintly blowing, somewhere.
The wind may blow until bright dawn, new day,
but will my heart in its rib-cage really care?

Black poplars brushing windows filled with light ...
strange leaves in hand ... faint music from distant towers ...
retracing my steps, there's nobody lagging behind ...
This shadow called me? There's nobody here to find.

The lights are like golden beads on invisible threads ...
the taste of dark night in my mouth is a bitter leaf ...
O, free me from shackles of being myself by day!
Friends, please understand: I'm only a dreamlike belief.



Poems for Akhmatova
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

4
You outshine everything, even the sun
at its zenith. The stars are yours!
If only I could sweep like the wind
through some unbarred door,
gratefully, to where you are ...

to hesitantly stammer, suddenly shy,
lowering my eyes before you, my lovely mistress,
petulant, chastened, overcome by tears,
as a child sobs to receive forgiveness ...



This gypsy passion of parting!
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

This gypsy passion of parting!
We meet, and are ready for flight!
I rest my dazed head in my hands,
and think, staring into the night ...

that no one, perusing our letters,
will ever understand the real depth
of just how sacrilegious we were,
which is to say we had faith,

in ourselves.



The Appointment
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

I will be late for the appointed meeting.
When I arrive, my hair will be gray,
because I abused spring.
And your expectations were much too high!

I shall feel the effects of the bitter mercury for years.
(Ophelia tasted, but didn't spit out, the rue.)
I will trudge across mountains and deserts,
trampling souls and hands without flinching,

living on, as the earth continues
with blood in every thicket and creek.
But always Ophelia's pallid face will peer out
from between the grasses bordering each stream.

She took a swig of passion, only to fill her mouth
with silt. Like a shaft of light on metal,
I set my sights on you, highly. Much too high
in the sky, where I have appointed my dust its burial.



Rails
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

The railway bed's steel-blue parallel tracks
are ruled out, neatly as musical staves.

Over them, people are transported
like possessed Pushkin creatures
whose song has been silenced.
See them: arriving, departing?

And yet they still linger,
the note of their pain remaining ...
always rising higher than love, as the poles freeze
to the embankment, like Lot's wife transformed to salt, forever.

Despair has arranged my fate
as someone arranges a wedding;
then, like a voiceless Sappho
I must weep like a pain-wracked seamstress

with the mute lament of a marsh heron!
Then the departing train
will hoot above the sleepers
as its wheels slice them to ribbons.

In my eye the colors blur
to a glowing but meaningless red.
All young women, at times,
are tempted by such a bed!



Every Poem is a Child of Love
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

Every poem is a child of love,
A destitute ******* chick
A fledgling blown down from the heights above―
Left of its nest? Not a stick.
Each heart has its gulf and its bridge.
Each heart has its blessings and griefs.
Who is the father? A liege?
Maybe a liege, or a thief.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Hearthside
by Michael R. Burch

“When you are old and grey and full of sleep...” ― W. B. Yeats

For all that we professed of love, we knew
this night would come, that we would bend alone
to tend wan fires’ dimming bars―the moan
of wind cruel as the Trumpet, gelid dew
an eerie presence on encrusted logs
we hoard like jewels, embrittled so ourselves.

The books that line these close, familiar shelves
loom down like dreary chaperones. Wild dogs,
too old for mates, cringe furtive in the park,
as, toothless now, I frame this parchment kiss.

I do not know the words for easy bliss
and so my shriveled fingers clutch this stark,
long-unenamored pen and will it: Move.
I loved you more than words, so let words prove.

This sonnet is written from the perspective of the great Irish poet William Butler Yeats in his loose translation or interpretation of the Pierre de Ronsard sonnet “When You Are Old.” The aging Yeats thinks of his Muse and the love of his life, the fiery Irish revolutionary Maude Gonne. As he seeks to warm himself by a fire conjured from ice-encrusted logs, he imagines her doing the same. Although Yeats had insisted that he wasn’t happy without Gonne, she said otherwise: “Oh yes, you are, because you make beautiful poetry out of what you call your unhappiness and are happy in that. Marriage would be such a dull affair. Poets should never marry. The world should thank me for not marrying you!”



Yahya Kemal Beyatli translations

Yahya Kemal Beyatli (1884-1958) was a Turkish poet, editor, columnist and historian, as well as a politician and diplomat. Born born Ahmet Âgâh, he wrote under the pen names Agâh Kemal, Esrar, Mehmet Agâh, and Süleyman Sadi. He served as Turkey’s ambassador to Poland, Portugal and Pakistan.



Sessiz Gemi (“Silent Ship”)
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

for the refugees

The time to weigh anchor has come;
a ship departing harbor slips quietly out into the unknown,
cruising noiselessly, its occupants already ghosts.
No flourished handkerchiefs acknowledge their departure;
the landlocked mourners stand nurturing their grief,
scanning the bleak horizon, their eyes blurring...
Poor souls! Desperate hearts! But this is hardly the last ship departing!
There is always more pain to unload in this sorrowful life!
The hesitations of lovers and their belovèds are futile,
for they cannot know where the vanished are bound.
Many hopes must be quenched by the distant waves,
since years must pass, and no one returns from this journey.



Full Moon
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

You are so lovely
the full moon just might
delight
in your rising,
as curious
and bright,
to vanquish night.

But what can a mortal man do,
dear,
but hope?
I’ll ponder your mysteries
and (hmmmm) try to
cope.

We both know
you have every right to say no.



The Music of the Snow
by Yahya Kemal Beyatli
loose translation/interpretation by Michael R. Burch

This melody of a night lasting longer than a thousand years!
This music of the snow supposed to last for thousand years!

Sorrowful as the prayers of a secluded monastery,
It rises from a choir of a hundred voices!

As the *****’s harmonies resound profoundly,
I share the sufferings of Slavic grief.

Then my mind drifts far from this city, this era,
To the old records of Tanburi Cemil Bey.

Now I’m suddenly overjoyed as once again I hear,
With the ears of my heart, the purest sounds of Istanbul!

Thoughts of the snow and darkness depart me;
I keep them at bay all night with my dreams!

Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer. Keywords/Tags: Beyatli, Agah, Kemal, Esrar, Turkish, translation, Turkey, silent, ship, anchor, harbor, ghosts, grief, Istanbul, moon, music, snow



Shadows
by Michael R. Burch

Alone again as evening falls,
I join gaunt shadows and we crawl
up and down my room's dark walls.

Up and down and up and down,
against starlight―strange, mirthless clowns―
we merge, emerge, submerge . . . then drown.

We drown in shadows starker still,
shadows of the somber hills,
shadows of sad selves we spill,

tumbling, to the ground below.
There, caked in grimy, clinging snow,
we flutter feebly, moaning low

for days dreamed once an age ago
when we weren't shadows, but were men . . .
when we were men, or almost so.



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



To Have Loved
by Michael R. Burch

"The face that launched a thousand ships ..."

Helen, bright accompaniment,
accouterment of war as sure as all
the polished swords of princes groomed to lie
in mausoleums all eternity ...

The price of love is not so high
as never to have loved once in the dark
beyond foreseeing. Now, as dawn gleams pale
upon small wind-fanned waves, amid white sails, ...

now all that war entails becomes as small,
as though receding. Paris in your arms
was never yours, nor were you his at all.
And should gods call

in numberless strange voices, should you hear,
still what would be the difference? Men must die
to be remembered. Fame, the shrillest cry,
leaves all the world dismembered.

Hold him, lie,
tell many pleasant tales of lips and thighs;
enthrall him with your sweetness, till the pall
and ash lie cold upon him.

Is this all? You saw fear in his eyes, and now they dim
with fear’s remembrance. Love, the fiercest cry,
becomes gasped sighs in his once-gallant hymn
of dreamed “salvation.” Still, you do not care

because you have this moment, and no man
can touch you as he can ... and when he’s gone
there will be other men to look upon
your beauty, and have done.

Smile―woebegone, pale, haggard. Will the tales
paint this―your final portrait? Can the stars
find any strange alignments, Zodiacs,
to spell, or unspell, what held beauty lacks?

Published by The Raintown Review, Triplopia, The Electic Muse, The Chained Muse, The Pennsylvania Review, and in a YouTube recital by David B. Gosselin. This is, of course, a poem about the famous Helen of Troy, whose face "launched a thousand ships."



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star...
how beautiful,
how wonderful
we are!



Published as the collection "Kajal Ahmad, Kurdish Poet"
her fingers traced
indistinguishable shapes
along my skin
leaving a lingering imprint
an exotic imprint of forbidden love
an imprint for me to remember
when my body is in his arms

her fingers held my once chained body
i find myself sobbing
from the pure intensity
it is downright terrifying
how much this woman affects me

her fingers traced
invisible shapes
along my skin
this is a fleeting affair
though it means the world to me
an intensity that is terrifying
Kimberly Aug 2013
Loving you seemed effortless
I was beautiful
Even with the strands of hair out of place
I was funny
Even when it was just a causal comment I thought of halfway
I was clever
Even when the things I said were never always quite right

Loving you seemed effortless
I never had to wake up early to pick my clothes
I no longer worried about the zit on my nose
I didn't feel the need to tie my hair
I just came as I was
And you accepted it there and then,
Magnificently
Perfectly

Loving you was effortless
How our conversations continued tirelessly
You knew just the right things to say
And I did too
we could understand each other
Magnificently
Perfectly
Like a whole new language
Only we understood
And how you told me I looked beautiful
Even though I was not

Then loving myself became effortless
Alex Courrier Dec 2014
A child like wonder is needed
In this funeral affair
Effy Royle Nov 2015
Aries-
oh what have you done to deserve this?
so much hate in your heart for yourself
yet you were living a lie
I hope you're happy now

Taurus-
sweet child, what a pity that people can't help
but leave you
how many tears did you shed when he said
he didn't love you back?
I hope you find peace within yourself

Gemini-
I'm sorry he doesn't see you're the one
you're both stuck in this never ending
paradox where no one wins
don't change yourself just to please
the unpleasable
I hope you're whole again one day

Cancer-
you poor, tired soul. take a seat and look in the mirror for a change.
you are nothing if not beautiful.
please be kind to yourself
I hope you find happiness one day

Leo-
oh what a warrior you are. wartorn land and heart.
you're much more than your mistakes.
take a look at everyone around you.
I hope you realize you're not alone

Virgo-
my honey bear, my sweetie pie
your hands still shake when they call your name.
stop pretending you're okay.
there's nothing to be afraid of
I hope one day you find clarity

Libra-
you beautiful creature, how many times has someone failed to compliment you?
that number is in the negatives now and you're still on your high horse
get off for a second and ground yourself. it's only a matter of time.
I hope you forgive and forget

Scorpio-
my light, my dark, my everything in between
stop and smell the roses
can't you hear them singing for you?
your eyes always did make my heart stop
I hope you forget why you're hurting

Sagittarius-
baby bear cub, you sweet little thing
how many days have you been at sea? enough to not love them back
just remember where you came from
I hope your dreams come true

Capricorn-
my one true love affair, you're mighty small for someone who loves to talk
your nose freckles never seemed so prominent
I love your laugh, I love your cry
I hope you realize what you've done to me

Aquarius-
my life and my wannabe lover, you're drowning in regret
I can smell the whiskey on your breath
yet you're too drunk to see straight
I hope you remember who you are

Pisces-
my soulmate and best friend
I know you're still hurting
but open up for a change and let them know the real you
you can't sweep it under the rug forever
I hope you can be yourself
Robin Carretti Jun 2018
The happy medium tea astrologer
Her tea leaves Google her anytime
Tea leaves of her poems

Another divine tea party just ask
Her lady of the Queen-dom
The fee for fun I'm in with
the mad crowd tea on the run
The tea party is getting loud
Eating those bonbons dreams
start to steep and stir he had his
overflow the house of Bel Air
Meet the Prince passionate
purple rain

Your cake and tea lips became a pain
You couldn't get a wink of the full
body flavor sleep

She’s the Subrosa tea worshipper

TEA TOUCH HER
TEACUP 1/2 TEARS
Her power not to push her moving
away from all the fears and years
Did the cat get your tongue?

He watches her in her sleep
He sees her tea eyes awake
All women stalk and tea talk
So much to write with tea poem

In France dark roast coffee
the secret competition was
my tea blend the winner raffle
It is au fond to be gratefully
Please don’t bottle Snapple
Remember you have the potential all
green money
but your eyes doorway he walks out
with your money? ahh

“Alltheformores” Tea tree lady calories
O-MY-God!

Mr.Tea toucher agent man
He keeps his right-hand
driving and the other hands Mmm…
Eyes ahead and hands on my tea
The green Emmy with poison ivy
She is the cherry pie of the black
cherry tea lie

How sneakily she buttered our cups that
butterscotch
How the seducer reducer tea she ******
up to him.

That secret’s its written in junk
buy one exotic hot-shot blend of
tea has her wits and
character and *****
So you don't stink like a rat pack
Eyes like an old tea bag
On a plane getting jet lag
smelling like a skunk

The green bull-eyes  army combat
trained always complains when
tea attention no baby blues
the green envy eyes
twice a week
tantalizing tea flavor vanilla
Godiva
On the Orient Express
Her tough exterior like a boss
not to cross
get involved with her assistant

She never brings the secret
flavor coffee on time and my tea is
Like a fortune cookie in rhymes
what tea business show business
homes ((Madhouse Paparazzi))
Eating hot sauce Ronzoni  half- Gothic
Sensual tea blend **** Bill ******
wouldn’t want to be anywhere
close to her dreams twice
Like a flower the subject Rosa
a petal of her tea

How can anyone see
through her spectrum
of colors scaring her face?
  That Madonna rebel heart of teas
Papa starts to
preach our teas
confessions
How did we touch tea leaf nerve?

Heres exactly what you deserve

Don’t we have an hour?
Tea demonstration of women's
hot boiling teas how the men
go down on their knees
When she wiped the steam off
she could see his face tea leaves

MADLY TEA PARTY OF SECRETS

Like those Rebel of Robin bird hearts
teacup of more tears
Going to the Spa that sauna
really drenched her
she was thinking of him.

How many secrets can we reveal?
Let’s not worry how we see through
peoples face as they stir their spicy tea
We all get a chance to take our last sip
of your lover’s tea

Tea Victorian could flower petal anyone's
thoughts hot-headed or over
Her iced ways or flaming her name
Ginger honey bear deeper the love affair
Her spiritual awakening transformation
Teavana or tea mint just another secret

TEA TOUCH HER TEACUP

1/2 hearts new start
She got mad but kept her cool to blush
her moving away from all the fears
who cares when we have the tea
forming to tears
it shows how we really are

She loved the shades of Japanese garden
So green suited her tree-lined block
Her pink sofa with such greenery
as her visions came strong he was there
All the time in her musical blend song

Whats in my drink, see her face
anxiously, what awaits, see her
through an ****** painting,
how it drips in a
Native-land Naples Italy
Those teacup puppies and French skirt
She narrow's anyone street you cannot
get anyone
To taste her tea for the couple beat
The museum addictions like an art
Colesium  the built for speed of teas
/Medium Astrologers/**** sipping
Watching the beauty of the statue's
Micheal Angelo, the musician playing
his Cello at least her teas weren't that
wiggly green jello

So Iced Queen tea spice
Romeo
Hello-Poetry
The exotic tiger Bengal teas
she roars in her jungle
poet clean mint tea
healthy gals
antioxidant
Green planet rocker leather
how his pants spread to the tip of
the shining armor book
she kept tight-lipped on you

She felt dragged how you were tied
secretly fit into her teacup
engraved ankle

Lips got damped tea flavors all limited
needed to give him
my special pampering all tramps
and tea thieves green shimmering
blend her best teas
Chai teas cinnamon girly

And the others Green 50+++ shades
deeper body vibe
Became mermaid blowfish tribe
Where like the Italian made
leash warriors
Roman empire ordered
a death wish

Tea secrets now or present
too smitten kitten tea gloves
and he was saying
I must have an heir,

Could fool anyone’s millionaire *** plan
became the butler’s on the deep-end
Madly tea taking the bad stick
such a plea
another scorching Porshe wrong coffee
tongue those mermaids turned the darkness
Grunge black side of their tea

Madly have eyes for you wilderness of
hearts deliciously
exposed
The pinball got caught too many sticky buns
they bit into___?

Those butler quarters was he going
to improve
all her secret’s wave of tiredness,
too much nickel and dime tea shops
She tried to subdue her situation
Barhops tea sips and she had away
by stirring her lips
Would she pay for her sins later?

Surfing the computer emailed or tea for two
mailed in a compromising tea imported love
what about tomorrow tea tears of sorrow

Let’s not focus too much on secrets
of forgotten yesterday

All her troubles so far away from Ireland
Or Liverpool London every tea bag
went nowhere
Yesterday song went everywhere imported
like her foreign exchange trade of teas
a mad tea party
no Alice Odd Moms invited


Tea Toucher ruling the world with magic

What’s really ringing, on the surface,
those terrible two teenagers? Something they
lost became tragic
Sage Tea-lady of Mount Fiji spice
Those greener then life mountain
tops to climb

How she opened his horizon to fan him on

over the media tea seduction escorted

Impression’s of intoxicating herbs imported
mermaids too many tails to slam
Strawberry field black tea forever with Beatles
Robin Bird of “ROOBUS, she was red devil blend
let’s trade  or swap some ****** teas for a tease

That madly kind of seduction
She has it all in her, patch sachet smells,
of ****** pleasure spices up words.
What is the reason for all this?
We never beg they gave
her a poem with a tea hug
Madly for anything but when we fink of tea does it relax you or feel like a tranquilizer or looking out of your bay window to see the sunrise well this is a tea blend story poem like no other relax let your tea kettle whistle Robin tea-bird is on your sill
Kia Apr 2014
open road
shining sun
a glorified affair

grass so green
skin so tan
hands running through hair

wind whispering
kissing, tickling
as they start to become bare

fear so strong
love so wrong?
far from despair
Mateuš Conrad Oct 2016
no, i don't need an outlet: talk to the public,
they tell you you're
either a well guised political machine,
a psychiatrist,
           or an oddity: come October time
propheteering rather than profiteering;
your choice, not mine:
   i look at poetry like
a plumber might look at a toilet:
go in and get the francophone out!
    so pardoning the French
is lost, as casual phrasing goes, woop,
  away away Superman included.

oh right, you might think i'm spelling
something Evangelical,
sure, i hope you do or d.p. as in
do please,
           what with the cool of Wall St.
sprechen d.l. (down low);
i had a few scribbled notes,
yes, Yanky, my laptop broke down
and i'm reduced to pen & paper
         like handcock & *******,
easy does the ****** of loser vill
           (can we drop the e
for the sake of autocorrect being right
when the big words matter? thanks) -
Platonism is plainly Thespian,
             Platonic thought is a Thespian
"espionage", get used to it,
you haven't matured into Aristotelian
         autism: you still want to act,
to puppeteer that shadows of people
without ever *being
the people,
don't take it as if it's supposed to be unlikely:
there's a boss around every corner:
whether you get paid or don't, which is fun,
because you state an authority but
still only play the cameo.
      reminiscent guise literature
of rewatching that t.v. phenomenon
that's billions -
             oh sure, t.v. these days overshadows
cinema, cinema is worth jack-****,
it's poverty is intrinsic in forming ideas
or reversed "Latin" grammar  idea-fermentation,
i said English loves to hyphenate
two kindred words,
    like that ego theory
             with the Germanic self-theorising,
self-enabling, self-interest, self-haemorrhaging
  gusto of the capital -
    what a way to finish, i as a prefix
toward robotic modula.

(i write pending, but ensure the enso,
            or Swahili wasabi sting of
green horseradish,
       same so, i live dangerously, or pretty
much on the sly,
           if i tell the taxpayers
  they're getting their money's worth
i'll bound to see a third runway at Heathrow:
got my nose in an Alsatians' buttocks mind you).

so...

i was going to end with it, but i'm afraid i must
begin with it, page entitled

a. a rebellion from the top?
    or right, it only comes from the bottom,
the guillotine and all,
  but never the despotic cupcake for an Antoinette,
right? wrong!
                coming from a worker's background,
i'd been happy doing the ******* roofs of
the Tate Gallery among other examples,
but i was educated as a chemist,
  and, i was told, you need toothpaste, or
am i wrong in that assumption?
     picture it thus:
a son of a roofer is real smart,
      goes to Edinburgh, gets his money's worth
in terms of tuition, over 30 hours year three
of his chemistry degree, when things were still
decent, ~£1,250 a year (one thousand two hundred
and fifty pounds): with words like that
you might sketch Dante and Donatello and
the Italian Renaissance in terms of clapping the ****
away at the gesture...
     but no, it was like that, study chemistry
and you get your money's worth in terms of tuition,
so how the **** did i descend from the "high" tier
of the sciences into the murk of poetry
and humanism?
       history of science and David Hume:
black swans to mind, also.
                          but the other kid in question
was a son of a doctor / radiologist,
and this talk of rebellion from the top?
he couldn't stomach a shifting hierarchy,
he couldn't stomach social progress,
     had i or hadn't i invested my pleasure
time in reading philosophy is no one's business,
had i made a professional wage from it,
sure, but i wasn't intending to do so:
      what's your favourite colour sort of
question and whether truant of the zeitgeist:
the ******* guillotine, mate!
            i just can't perpetuate this loaf of wording,
but it's necessary:
    of jealousy so corrosive, of jealousy so lined
with lice, only then a god is spawned -
           the person in question?
a skiving belittling camel jockey -
and that's me being polite...
       you can almost become auto-suggestive
of needing to cite: what Abel did next when
the roaring Milton God subsided and
     wanked a crucifix that later became 2000 years of
history: or in the making.

i can be a pompous and bombastic parrot
          that cites Polly this, Polly that,
but i can speak to a scaffolder and laugh: with him,
and not, at him...
                 because i know my bombastic mr. fantastic
behaviour about spending aeons in a library
   rather than sniffing bullseyes and ****
        is made to be the fo' sho' lingua rapper tinder
of something or other that doesn't require me
to foolishly date...
                         **** it, cheaper at the brothel.

...........................

                        oh­ i'm just getting started, hence
the title with (penting) in it: no, not really mr. tough-guy,
just a **** break and a smoke and all that's
necessary in terms of transparency, begging to
be revealed in all forms of literary composition...
  
let's just say: a new interpretation of the paragraph,
     for me reading books, a paragraph means Sunday,
1905... because of the constipation and what-not,
   a comma makes me feel like i need a pause to
hiccup or sneeze,
       a full-dot is never a full-dot unless it's a full-dot
and then it's a definite article of end, rather than
the intermediate an end: let's start over, once again;
       but when have you actually experienced
a Macgyver of what's otherwise a "work in progress"?
answer? never!
               you never have: you had to become
censored by publishers and editors for everything to
look the end-product squeaky-clean!
                   unless published posthumously...
and then... you might already be dead:
you never got to see a work in progress...
   and believe me, i have 8 pages worth of notes to
encode into something that's not
that fable about a boy waking up Barbarossa
from slumber and upon seeing crows
shouting: messerschmitt! messerschmitt! messerschmitt!
well, a diet of hanzel und gretyl will do that
to you, you get a fetish like Shpielberg and direct
the Indiana Jones franchise...
                       funny little me, "phony" Englishman
speaking a piquant variation of Essex banter,
8 years in Poland and of memories i speak of the fondest
in my life, and 22 years in this rotting *******...
                    i feel less organic, more inorganic,
i.e. metallic,
       it's like my insides were hollowed out
and i was faking that i am actually being -
   weird sensation, ask any displaced individual when
they have the organism of a Slavic, but a soul
of a German... feels, ******* weird...
                        i mean, Nietzsche and that complement
that the Poles are the French in the ethnic category?
what are the English in the Slav category then?
                          most likely Ukrainian.
i dare you to find a philosopher with a similar dilemma,
i dare you: in light of how this whole
gaining of fame works, not one wrote about
being displaced... well... unless you're talking about
Moses -

                (haven't even started, i need a drink).

there was no social tract anyway!
    to be forced into accepting insemination
        when the forward wording was:
       "i'm talking counter-contraceptive
measures" & 'i want you to *** in me'.
                 ditto encapsulating quote
for ambiguity, the otherwise: real life.
       is my ***** worth more than me?
have i not transcended a weak bladder / **** muscles?
       a pseudo-humanity, intrinsic in man
but not not in beast?
                    i call upon a reversal of what's
a staging of ****, or money grubbing -
                with a woman's twist of the Grimm tale:
as she said: i want this man,
              i will impose a moral grounding / battlefield,
judgement on him! entrapment!
and there's me apologising for the "****" / so-called,
in a fully-consenting intimacy:
   well, *****, why don't you? another Beethoven
is waiting? who's the whopper feminist these days?!
               me? you?! hardly you!
   i consented to a full intimacy,
        is ***** a foetus?
tissue would know,
    or a twisted fetish for ****** cream
advertisement in ****, huh?
              sure, my socks smell, but so does
your moral instinct.
                        the difference is that that i get to
say airy, while you get to say fairy.
                         it really takes a man respecting
a woman's freedom: i seriously thought you
were advocating the right to abort
as you might avert ****...
    sure: i'm sorry i inseminated you,
can you please treat it as a tear-jerker experience
of a rom-com that's actually a transvestite-rom
  and needs 50 years to ferment for the earthquakes
and heartaches and cha cha attacks?
              to me it's an apron needing a wash,
to you it a ******* moral dilemma needing
a ******'s rights to not father a child and you
needing your body to unnecessarily incubate it
so you get the Catholic nod... bonkers!
    yes, i impregnated a girl, at university:
i avoided white trash at school, sorry, but it's true,
i liked reading... let me stress that: i liked reading,
      or bold if italics and colon Gemini be antiquity...
she lacked the character judgements,
the 'why he didn't stay' method statement...
she called my friend and study buddy a troll
based on her aesthetic tastes...
          i could have had a family now, and all
the responsibilities, it just didn't fit into
a replica of Cleopatra and Anthony *******
when they honestly didn't have ******* to claim
as their own...
          jeez (replica of the hand-written transcript) -
writing this on pen + paper is like *******
a **** for reach a champagne fizz of ******
for an hour - thank you keyboard and the digital
pixel off blank: ******* is less painful
than writing with that oddity that's handwriting).
there was no social contract anyway!
     it's not like i was married, there's
no unwanted child joke in this: i do find abortion
abhorrent within a social contract, a marriage,
but outside of marriage? are you ******* kidding me?!
you an Irish priest or something?
       there was no social contract,
did i sign a social contract akin to marriage?
      am i in this for the shambles?
of course i didn't get married,
there was no +ring,
                     sure abortion is abhorrent,
but under a social contract,
  without a social contract (marriage)
i,    had,    no,         obligation.
      what, in order to practice a variation of Islam
on a woman's whim?
    *******.
                     plus i had the gross indecency
gay men have with surrogate mother prostitution;
oh wait, it isn't that? my bad.
            i always had a nicety divisiveness for
incubators... a 9 month ****, with dividends...
        really: feminism can **** itself!
because aren't we at a stage of rhetorically counter-validating
what we abhor in certain Asian communities?
oh sure, the patriarchs are gone,
forced marriages are gone too...
          but didn't i just describe a case
of forced marriage, where a western girl is given
all the powers to reign over a young man
as any despot might over a worker
so he can "think" and drink cocktails and
chuckle over his position between cocktails?
      
  i said abortion, yes, i didn't like the girl's aesthetic,
and you know what? that thing you call abortion,
apart from the fact that the foetus has no soul
the baby neither: not until the diaper is off...
to learn to strain the muscles outside the womb:
you really forgot that the implant of soul
or the later disputed notion of god
is only implantable once the memory kicks into
gear...
               only when you start to remember
is the human person born:
   beyond that it's still nature's brutalist lottery...
maybe a Beethoven might have been born,p
but who cares? we already have a Beethoven!
it's avoiding consented ****:
that's feminism and 9 months spared
the continuation of endured affair / "relationship",
i seriously thought that's what women
were campaigning for... obviously it's counter!
   i claim soul outside of a woman's body:
when the ****** thing passes the diaper gym
and learns to automate the bladder and the ****...
then i say: worthy an implant of a soul...
or chauvinistically that's counter and double-****
of 9 months and Bach with his 14 children,
and the Borgia Popes...
          but at least we have the surrogate "mothers"
and that pretty Disney scenario of two gay dads
to fictionalise into watchable Platonic cavemen
when the eyes aren't glued to the 2D.
why do you think such thoughts ferment in
the heterosexual imagining of actuality?
                your utopian counter-clockwise
has already extended into China being the only
provable state of physical activity...
    and the western zoo of mental philosophical
build-up-detachment? your mental health
scenario only suggests you created acid professions...
at least the physical "antiquity" of China
is compensated by a universal shortcoming:
death and mortality...
you created acid-baths: sport and completely mental
professions: YOU'RE SICK!
     honestly!
     people used to enjoy physical professions,
and the essence of such professions?
no immediate competitiveness!
         you replaced physical professions
with sports!
                  and compensated the need for
physical hands-on with the ****** gym!
no wonder you countered-Darwinism while
adapting the need to advertise it
            and made so many young people
mentally ill...
      because your whole mental estrangement
is the sauce or a broth that's currently on the boil!
IT'S a jazz affair, drum crashes and cornet razzes
The trombone pony neighs and the tuba ******* snorts.
The banjo tickles and titters too awful.
The chippies talk about the funnies in the papers.
  The cartoonists weep in their beer.
  Ship riveters talk with their feet
  To the feet of floozies under the tables.
A quartet of white hopes mourn with interspersed snickers:
    "I got the blues.
    I got the blues.
    I got the blues."
And ... as we said earlier:
  The cartoonists weep in their beer.
Till yesterday
minority was my issue
From today 
majority is my problem
haley Jan 2018
i am running out of
air
i am running out of
scrapes on my knees
running out of
new corners to cross
in this neighborhood

we are growing up in the same houses
with the same curtain of trees draping
their limbs over our windowsills
we are sleeping in the same bedsheets
wrinkled from the imperative
tossing and turning
of adolescents.

we inflate our chests
and float away like red balloons
a freckle in the pale complexion of the sky
for this love affair with the pavement
has lost its edge
this slipping on
slimy banana peels
has stabilized

we have bitten and scratched and stained
the doors of your fingers
studied every trail of your fingerprints
we have grown older in the palm of your hand
your fists raised to the sky
it is time for you to open them.
I met a married woman at a bar
I was single, but playing the field
I was looking for a relationship
This woman was in a loveless marriage
A marriage she was looking to get out of
She was a beautiful vibrant woman
We were attracted to each other from the start
We started an affair soon after meeting
I fell in love with her quickly
I thought that she felt the same
This affair lasted over eight months
Come to find out, she was just using me
She was never going to leave her husband
I was left alone with my thoughts
It doesn't anymore take
a red petaled rose
I need just a headache
to draw my love close!

Love is such a strange affair
when pain throbs in my head
takes me her hands under care
she flies me quietly to her bed!

Her fingers do passionate caress
play in my hair hide-n-seek
many watts powerful than embrace
unheard words of love do they speak!

My ache her fingers understand
love potion they spread in my hair
when kisses her hand each strand
I wonder if ever a pain was there!

I don't need anymore a red rose
now something else does it take
it entices her to come really close
when I suffer a bout of headache!
George Anthony May 2016
i never wanted to kiss her lips,
just hold her hand
maybe kiss her cheeks because she suited a gentler kind of treatment
something softer and more delicate, quiet;
quieter than the constant raging storms inside my stomach,
inside my mind
(never my heart)

those plump lips
she bit them raw when nervous, and they swelled
blossomed ruby as she looked at me
like she knew this wouldn't last
her eyes remained doughy and mellow
when i met her gaze.

my smile stung as it stretched the lines left by winter's bite
and split them open once more.
she brushed the blood beads away with her fingertips
with a touch so reverent that, for a moment, i thought
maybe she felt as though she were touching rosary beads instead,
and i held my breath to stop myself from chasing her
touch, and pressing her down into the mattress

unholy, chasing pleasure.
both agnostic, but she was much more pure than i;
chivalries always in mind, i wanted to preserve that.
there's always been something inside me
that presses down the animalistic urges with
a conscience caught on consideration and something akin to courtly love-
i wanted to woo her before i pursued her

but i never got further than pressing my lips to her forehead,
wrapping an arm around her shoulders.
i laced my fingers with hers but avoided tying any knots.
i am not a man to be bound,
too free-spirit, too restless, too claustrophobic;
a few months in and i was choking on the ghost of a future;
she kissed me first and i suffocated on the phantom of her hopes for us:
a future that didn't yet exist,
and i didn't want it to.
i never kissed her; i never let her kiss me again.

we tangled fingers over the duvet
the television a background noise to our unsteady breaths,
shallower
than my love for her
i enjoyed her quiet affection like one might enjoy curling into a blanket when cold and ill.
i wanted her smiles, i wanted to fill her memories with goodness
so that she never need feel hopeless, like all men are the same
so that she had something to smile about when she looked back on us;
once the bitterness of our breakup had left her mouth-
whenever that eventual end would be-
she could savour the taste of our sweet, slow-burn, love affair
and be reminded that not all love is true love, but nor is all love heart breaking

i broke her heart anyway.

nobody ever taught me how cruel kindness could be.
Mateuš Conrad Jun 2020
all this en masse... gravity toward...
"sanity" and sobriety...

well... it's the nicety of giving /
stating compliments...

if only there was less
fertile ground:
to make one's arguments for...

if the united kingdom
was more akin to... iceland...

             i drink...
  and that gives me hope
in my original venture:
h'america signed a plot
line division:
to abhor the liquid...

for it brought nothing but ill...
constipated abolitionists...
whiskey frankenstein's
monster's fire: bad... mantra...

in that:
the perverted persuasion
tactic of the... limited sober...
sane... the... cream / rather not:
the creep of the crop...
and this is... somehow...
the **** worthy of harvesting?

one ghost... limping...
dead loitering limb...
a foot... for that crazed
ballerina...
then a jargon of a hand
missing... ghost reading
of braille...
             as one does:
when one's elbow
arrives on the scene...
with... robert downey jr.
and tommy lee jones...

then again... ask...
what is... homogeneity...
to the... russians...
                    sweep-stake
the concept of mongol and orc...
somehow: the old east...
is the new south...
you have an imploded "problem"...
you allow it...
all the circus rights of a democratic
load and loot and allowance...

those... whitey...
masochistic chant-lords...
are no good to begin: governing:
anew...

i hear one more ref. to 1984...
i swear to god...
i'll start the **** book burning
fiasco...
              that's all that's ever recited
these days...
it's not the monolith of the bible
recitation...
it's 1984...
it's not even: homage to catalonia...
it's not even...
the stranger by albert camus...
it's this... fixation on:
this was necessarily true...
it had to be necessarily true:
since... we ensured that it be...
necessarily true!

         brave new world
and 1984: sometimes known as...
the works of prophet isaiah...
and malachi...
or some bogus first choice answers...

it's not like charles dickens...
the pickwick papers are to be cited...
no... ray bradbury's
          fahrenheit 451...
     or "we" by yevgeny zamyatin...
is no... one...
to cite... from...
the master and margarita...
mikhail bulgakov -
then again... again... again...
       he, of our own...
that was always right...
and we... of his own...
dumb enough... to have...
         walked... into his...
prediction... and... gloated at it...
when... walking into it...
**** y'ay: brovado!

          it's one scrutiny to...
blind time with all the omnipresence
of open space...
that there is a future:
you'll forgive me: there isn't one...
it's all... kiss and kick
a donkey with a whipping:
blind... then... fish one out...
for the royal ascot...
with an imaginary carrot...
the stick doesn't mind...
whether it be imaginary:
or detailed...

                  but as long as someone...
somewhere...
    is reading an alternative...
not some... thought-fulfilling gravity
of consorts and bitter bitten knees
with more than mere...
masochism of kneeling on pebbles...
there's the... kneeling...
and the exposed calf... and biting riddles
of... the demon with a name akin
to belzeebub! the one associated
with minding mosquitos!

     sayz who?

that these... people... are well verse...
they cite 1984 by george orwell...
like they might cite the *******
quran...
         because: hey presto!
something is real!
they adore... the past...
catching up to the present...
and the present being
devoid of a future...
who aren't the people...
already drunk from...
something in the past...
   coming true?!

      of fruit:
the U.B.D. the B.B.D.
and the S.B.D.
  i love those acronyms as much as i love...
that... affair with the acronym of...
the idea of USA... prior to...
   the louisiana purchase...
                     that little affair of
anglo-dutch proto-germanicus...
maine... new england...
all that fuzzy jazz and... smog...
and lost clue... for: dreamland of
lingering horror...

  so said the sober and "sane" people...
that sanity of the blah of the herd...
well... yeah...
h'america and probihition...
one of those... moon-milking
nation of narratives...
              how science-fiction was
always to eclipse the science itself.
PoetAnon May 2018
The worst part is
I loved you back
Adulterous affair,
Absolutely abominable!

Maybe you didn’t mean to love
Me, the girl inside
the young woman’s body,
you only thought you knew

Flirtatious banter
once hinted at thoughts

Unsayable;
Intelligible abyss once linked
unsuspecting minds;
Understanding so
Deep, so
Accidental.

Praise me, praise me.

Be careful,
Time is taking over,
How could you, you fool
You can't beat the clock!
You're in love now.
Did you intend for this?

But was it Me you sought to love?
Or was it just my body?
The thrill of the ilicit,
The power
Over a child?

Origins unknown

Grown out of your control.
Say goodbye to reason
I’m your master now.

What’s happening to you?
You’re afraid and I, well
I am the child
who will destroy you

Words, your last weapon
Escalating, no wait, stop
You’re killing yourself.

It's too late
I tried to warn you
You failed me, embarrassed
Me.

I egged you on.

I loved you back.

I’m sorry.
#MeToo
Reflections on my confusion and guilt after I reported my university professor for sexually harassing me.
Dorothy A Oct 2013
As Lewis walked up to the door, it strangely felt like he had been here before. But he hadn't. She had moved here three years ago, and he never saw the place. It smelled like Nina's home alright, though. The faint whiff of hydrangeas, of roses, and of other flowers caught he keen nose, and he breathed in deeply and smiled reassuringly to himself. The he became serious, as if he had no right to smile.

Was this the right thing to do? He hoped so. Time would tell. It felt as if it was almost yesterday, instead of six years ago, as he knocked on her door.

After a few knocks, a minute or two, Nina opened the door to her house. Someone had to be home, for there was a car in the driveway. As she looked upon him, Lewis expected her to slam the door shut in his face, but she also acted as if she had just seen him yesterday. And it seemed like no big deal to her.

Without much emotion on her face, she left the screen door shut, but she kept the inner door open. Walking away, it was like she expected him to follower her non-verbal lead. He did, hesitantly.

In the kitchen, Nina poured him a cup of coffee. "You hungry?" she asked him. "I am about to put some cinnamon roles into the oven. I'm going to open up a can from the fridge."


"Oh?" Lewis responded, trying to be nonchalant, trying to hid the nervousness in his voice. "Not from scratch?" His heart was practically beating out of his chest.

Nina's back was towards him. She was finishing some dishes in the sink. "Yeah, I know I was always Betty Crocker. But I'be learned to make short cuts, and it tastes just fine. Makes life easier to not do everything like Grandma did it."  

After she separated the rolls apart, and stuck them into the oven, she just kept going about her business. She started to open some mail and sorted the items into piles of importance and priority, and into a pile that could wait.

Lewis was shocked. He couldn't believe her composure. After a while, she turned around, leaned against the counter top, and she acted like she didn't have a care in the world. She didn't look one bit stressed, angry, sad, shocked, disgusted--or anything.

Finally, Lewis said, "Nina, I don't get it." He felt itchy, and tense, as if he could scratch his skin off, as if he was waiting for a bomb to drop. "Why aren't you telling me to get the hell out of her...to go ***** off...or call me every name in the book."

Nina just looked him up and down. He began to chuckle, nervously. "Come on, Nina! I am surprised you just don't grab that pan of hot rolls in the oven, and whack me in the head with them!"

In response, Nina still said nothing, acting as if nothing ever happened.

Becoming quite unsettled with her unexpected composure, he went on. "I mean...come on..scream at me. Cuss me out! Slap me! Punch me! Something, for God's sake!"

Nina raised an eyebrow, and tried to resist smiling. She was waiting patiently for him to explain himself, not to go on like this. "Is that what you want, Lewis? Is that why you came her? To beat you into oblivion with a pan of hot cinnamon rolls?" She didn't try to make him look foolish--he was doing a good job of that on his own.

Lewis turned red in embarrassment, and started to smirk. "Well...yeah...would make more sense to me."

The timer went off and the rolls were done. Putting her oven mitts on, Nina pulled them out of the oven and let them cool on top of the counter. The silence was eerie, awkward.

She poured him another cup of coffee, and finally addressed the elephant in the room. As he still looked up at her, dumbfounded by her, she said, "Lewis...if you have the ***** to come here...than I can certainly let you in and hear you out."

With that said, she filled a plate full of rolls, places them in the center of the table, pulled out a chair and sat down across from him at the table. "I'm listening", she said, her expressions still low-key. Yet Lewis thought that her eyes and mouth seemed ready to mock him, positioned to put him in his place. His guilt wouldn't allow him to think, otherwise.

Why would she serve him food and coffee? Why not just get it all into the open and demand that he spill his guts?

Lewis didn't want to beat around the bush any longer, but spoke plainly in his confession. "Nina, what can I say? I'm an ***." She didn't nod her head in agreement, nor say that he sure was an ***, yet a "look of  suspicion was growing upon her face.

"OK, OK", he went on. "I should never have left you--of all days! What a frickin' wimp! I should have manned-up and told you I wasn't ready to get married. Instead, I stood you up at the church...of all places...in front of your family...your friends. A complete no-show--I made a mockery of that day! It was supposed to be one of the best...and I made it the worst! Some in my family haven't really gotten past it or have forgiven me. Not fully. A few barely talk to me. My best friend, Steve, thinks I'm a *****--a dumb fool!"

Nina sighed with relief. This was what she wanted to hear. The tears started flowing.

Lewis told her, "So I just don't get it. I don't get why you are not furious with me! It just blows my mind!"

Lewis grabbed for another cinnamon role, and Nina handed him a napkin. She wasn't crying anymore, and he was glad. Why was she being so nice though? So hospitable? Did she have something up her sleeve? Did she mean to get back at him? Maybe poison in one of his roles? Lewis had to laugh at himself. Actually, that might alleviate some of his guilt right now.  

Picking at her role, Nina explained, first more sharply. Then she was soft in speech. "It's not all about you, ya know! Look, Lewis, don't think that for a moment that just because it is more OK now that it was OK back then! Well...I guess you already realize this. You see, I'm different now...changed...grown a lot since. I did a lot of soul searching, lots of growing."

"I can see that. It's wonderful."

"And I wondered what I did wrong...at first. Then I hated you, blamed you. I wished that I never said I would marry you. I did plenty of screaming at you--plenty. I bring things in a rage--mirrors, a clock, a dish or two--bruised my fists up pounding things."

She paused and continued, all the time looking at the intricate, lace doily on the center of the table, under a vase of fresh daisies. Finally, Lewis saw the gamut of emotions. In one moment, her face would pinch in frustration and anger. It would then evolve into a soft sadness, and other emotions within.

"Wasn't so composed about you back then, Lewis. Let's see...I swore at you. I wished you were dead. I ripped up every picture of you...put some in the shredder, wishing they were you, instead..prayed that you would die. Bitterness isn't event he word for it. I thought you were the worst thing that happened to me, that you ruined my life forever. I cursed you up and down, Lewis. I'm sure I even invented some new curse words."

That was enough said. She looked up at him and slightly smiled. Lewis smiled back, for at least she felt real to him now, quite natural. She admitted, But I think I cried far more than I hated you. I still loved you."

Lewis wanted to sit right next to her and hold her. "Oh, baby...I'm so sorry..."

Nina quickly interjected. "Honey, you weren't ready for marriage. We were both young, only in our mid twenties...we thought we had it so together. It took me a while, but I finally realized that you needed to find out who you really were, came to that conclusion for a while now. And, boy, did I need to get to know myself more, too!"

"No!", he insisted, emphatically. "Don't make excuses for me! I did not do right by you!"

Nina reached across the table and put her hand upon his. "It seemed like hell at the time, but I needed to learn about me, too! Crazy as it sounds....if it did not happen...I never would have..."

She stopped short. Lewis had tears in his eyes, and one began to roll down his cheek. "Met Gary", he said, finishing her sentence for her.

Surprise flashed across her face. "You did your homework!" Nina stated. She was quite impressed and smiled.

"I wanted to know what happened to you", Lewis responded. "You probably wonder why I didn't walk away for good. I intended to....but you deserve some answers, and I'm here to give them to you. Sure, I could have walked away, and stayed away. I could have saved myself the embarrassment of facing you, again. I could have pretended to have some dignity left."

"But you do have some dignity left", she insisted, sweetly. "It takes a lot of courage to do this. I'm glad you did."

"Are you happy now? I mean...I hope you are."

"Very."

Lewis didn't even have to ask. He could already tell. They sat in silence for a moment. Nina finally said, excitedly, "Gary's a great guy! We both love art. We both love nature, the outdoors, to travel.  He loves other cultures, and learning other things--like languages." Her face was beaming with pride. "Gary is trying to learn Portuguese and brush up on his Spanish. This year ,we are planning a trip to Portugal and Spain!"

Nina always did keep a nice home, and she decorated it with art that was acquired from different places. Where Lewis didn't have a sense of what looked good, she had a good sense of style. When they were both together, the talked of going to different places that they never traveled to--Africa, Asia, Australia--backpacking across Europe. They were big dreams.

Nina did not want Lewis to feel punished, but his agonizing expression of remorse would have been punishment enough. It already was for him, and it showed his sincerity.

"You know how I met Gary?"

Lewis shook his head. "A support group for divorced people! she admitted, gleefully, as if that was the most amazing thing to say.

Lewis looked embarrassed. Perhaps, he misunderstood her.  "What? For divorced people? You were never married before Gary, were you?"

Perhaps, there was something she wasn't telling him. Nina burst out laughing, seeming so carefree as she threw her head back and clapped her hands. Her laughter was beautifully contagious, and Lewis loved to hear it. "No, of course not!" she said. I have no secret past before I met you...or even now. It's just that a divorce support group was the closest support I could get. After all, there are no support groups for jilted brides and grooms!" She laughed even more.

They were talking so easily now, getting along so well. But why? It still seemed so surreal. Lewis laughed along with  her, as if this was just an encounter  to revisit the good, old times. When hearing of Gary, Lewis felt the pain of his loss, as well as some jealousy rise up. As if he had the right!  

He truly was an ***! He never deserved her!

Nina soon became serious, again. "So did you just come here to say you were sorry?" She was thinking he wanted something else from her, something else to say.

Lewis was once poised to take off in a real hurry. Now, he felt more at home. "Yeah...I came to say I was sorry to you...hoping to stop feeling sorry for myself... I guess. I'm wishing I could just turn back the clock. I swear I'd do it all again, differently."

"But the past cannot be change, and we both know it", Nina stated, resolutely.

He nodded in agreement. She didn't burst his bubble, for to think otherwise was a childish, fantasy.

"I don't know what else to say, Lewis". Nina's eyes reflected sorrow, not pity. "Life does really go on...if we let it. We have to let it, though." She now turned the conversation onto him. " So how about you? I hope you have some good news to tell me, something in your life."

He shrugged his shoulders. "I've had a few, short relationships", he admitted. Where there any displeasing looks on her face? Lewis didn't notice anything, now. "Not all that bad, I should say. But I just don't want to settle down until I finish my Masters in business. I'm nearly done."

"Good for you! That is great news!" Nina truly was glad for him, and it just showed him what a great woman she was. But then Lewis already knew this.

"Are you still teaching?" he asked, hoping she was, for she strove for the job, and loved it so much.

"Yes, I teach kindergarten, and Gary teaches science at Darland College."

"Well, what do you know? Both teachers. That sounds like a perfect match for you. And what about kids? None yet?"

"In time...sure. We just aren't ready right now."

She offered him more coffee, but Lewis declined. He was thinking he should go soon.  He said. "You know we used to talk about having a boy and a girl--and in that order, too!"

Nina rolled her eyes. "Yeah, boy oh boy. Like we had complete control over it".

They both laughed. It was fine to reminisce, and they did for a while, Lewis realizing that this would be the last time. He lived three hours away. And why should he come back? He did what he set out to do.

Nina would tell Gary about the visit after he came home from work. As husband and wife, there were not secrets between them. Nina was sure he would be surprised,f or his ex-wife never came to apologize for the pain she caused him.

"Gary's wife had an affair on him, and then left to marry that man", Nina revealed. "Thank God there were no children from that marriage."

"Wow, that is ******! Thank God I never did that to you!. I would have never cheated with another woman...or I might never have tried to face you. It would be easier to slink back into the ditch and stay there! This is hard enough as it is!"

"Maybe so, Lewis. Maybe so." Nina quickly added, "You aren't a bad man. I know this and I wholeheartedly mean this, so don't keep beating up on yourself. I've forgiven you for everything. I forgave you then, and I forgive you now. "

"Nina, that means everything to me!" He started to choke up, and more tears came.

Listen, Lewis. You need to forgive you, too."

He lowered his gaze, as Nina held his hand and gave it a squeeze. Never was Lewis so contrite before. Like many men, he never was overly emotional, and so this different side of him was a refreshing experience.

"Yeah,  it's time to move on", he stated, using a napkin as a tissue.

"Yes, it is. And I loved what you did. It was helpful for us both. It's the closure we need."

"Yep", he said, wiping away more tears.

"You are a guy with guts, Lewis. you do have courage, and more integrity than you think, and I hope you see it."

Nina offered him more coffee, and he accepted. Why couldn't they chat a little while longer? It was no harm, and it made the visit even more meaningful. Sitting and shooting the breeze more was not a bad thing.

The kitchen still held the fragrant smell of cinnamon, as they polished off more rolls and spoke more of good times.
Alessander Jul 2016
They enter the café just as some sappy pop song is playing
They order then immediately hug
Embrace
Swaying to one side, together, like the wind
Encircling the leaning tower of Pisa
Then teetering to the other solstice
Foot to foot, smile to smile, hand round skirted waist
Forearm resting on his tall  blazered shoulders

This is forgivable in the young
Those teeny-boppers with defiant hair-cuts and posters
However, he has peppered hair
She, though voluptuous and tanned,
Must be in her 30s.
Affair.”
My cynical devil snickers, between sips

But I sit mesmerized, and for the first time ever
Envious.
The chairs and the tables somehow seem more distant
The song  now sounds as if it’s funneled through some crackling phonograph
The very light disentangles itself from stones
It’s as if a sky has opened up in my chest
Flying high overhead,  one lone raven,
Its slow shadow
Gliding across my heart

Oh, how I miss you
5 states away

I see your smile on magazine covers
I vaguely sniff your scent on passing women
Yet you remain elusive - immaterial, haunting,  
While this visceral assault

Leaves me bewildered - empty
An echo in a chiaroscuro cavern  
Fading for thee
Artem Aug 2018
This is a tale of love and a tangled lie,
An apology.
A letter to a brown eyed firefly.
Our players being a naive spark,
Lost in feelings without a map
A broken, bittersweet charmer,
A dancing, reading dreamer with his face always turned to the skies,
And of course, the rosy orange firefly with warm coffee-bean eyes.
I hope that fireflies can glow a rosy orange, but my knowledge on this matter can’t be promised.
We live in a dreary place, one without lightning bugs to keep us honest.

A charming schemer once began to toy with a young, carefree spark,
Pushed her away when she got too close.
He tried to win her back, trying for a fresh, clean start
But soon he realized her trust was something to earn.
She was frighteningly cold when she was angry,
But even frozen, sparks have a tendency to burn.

As she brooded, pain and confusion kicking up a spiteful flame,
The bitter boy found a firefly, another pretty light with whom to play his game.

The spark’s young heart began to thaw, but the charmer continued to play and tease.
Wanting to shield herself from heartbreak, the spark turned her attention to a dancing, stargazing dreamer.
He made her feel much more at ease.

Firefly whispered to the spark, in girlish gossip,
Admitting to a love affair with the charmer, whose lips she could only describe as delicious.
But to the firefly’s chagrin, the bitter boy had demanded that their romance remain surreptitious.

The reading dreamer had a beautiful mind, his intelligence capturing spark’s glow.
But his lust for her, while with respect, was not something she cared to know.
Caught in a romance with the dreamer boy, while her desire for the charmer began to grow.

And so the game of cat and mouse resumed, until the spark succumbed to a kiss, too great was the desire.
The charmer told her there was no one else...
Poor firefly. Her lover was a liar.

A bruised plum mark seared into her neck
Dimmed the spark’s glow in burning shame.
Next day when told that charmer boy had left his firefly, she cursed herself, for she was the one to blame.

Such a tangled web of lies, all from the foolish girl’s mistake.
She’d tried to force a romance with her starry-eyed dreamer boy,
In finding that his feelings were one-sided, she’d tried to feel something new
With someone who treated her as if she were a plaything, just a toy.

And out of debt and friendship,
she comforted poor firefly, with words like balm, but all in vain:
For when the leaves turned yellow, charmer and firefly were in bed together, just the same.
But this time, charmer called it a dalliance, and but a pitiful echo of romance and sweetness remained.

Confusion thickened in the mapless maze, when once the firefly let slip
Ephemeral infatuation had overcome her in the spring when looking at the spark,
And all the lanterns of the maze were dimmed,
Wavering flickers in the hazy dark.

But truth came quickly to her mind,
As spark dreamed more and more of the firefly,
Spark loved her soul, her soft full lips,
And in doing so, she condemned her own youthful heart to die.

Oh such sweet torture fate had concocted for the foolish spark.
To crave the one she had betrayed.
To carry a love unrequited, all while watching the firefly’s innocent kindness be wasted away.

And this, dear readers, is the last chapter of this tale.
The spark left the dreamer, realizing her heart had been hiding behind a flimsy veil,
For she found herself more drawn to nymphs than gods.
And now there are three suffering heartbreak,
The dreamer missing his bright spark, the firefly wishing for just a simple date,
The spark knowing she’ll have to let a fate with the firefly slip away.
If only I had known my actions would cause you this much pain.

And so,
I’d like to apologize.
I can’t do it in person,
Cowardice being my excuse.
I can’t even call you by your proper name, because you can’t know this letter is for you.
So in my writing, you were a firefly.
A firefly burned by a spark.
And as a spark I’ve yet to learn,
Altruistic in every other path of life,
Not to yield to Selfishness:
The vice that doomed my soul to burn.
Time to let this go.
Tina McKenzie Apr 2015
After denying myself for so long
How can you accept me
Staring into my eyes
Seeing pieces of broken glass
Mirroring shattered dreams
Reflecting old lovers past
Yet somehow
You always come back
With a new smile
Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The *******'s a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet *** like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.

Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.

O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.

Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and *******, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a *****.
I can't communicate.'

I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.

Even in your Zen heaven we shan't meet.
Viseract Oct 2018
People say I'm intense and aggressive
Not camping, just scampering, rampant
I'm too quick to take care and I'm helping
The message is hell bent on answering
All of your questions so let up the pressure!

Chat, chat, chat and you think you're all that
Talk some smack just so you can get back
Launch an attack on the boy in black
That boy so sad he makes me mad
That boy is trash have you seen his raps?
He's so **** suss I really wanna clap
Left right, goodnight, put him in the spotlight
And scrutinise like I have that right

Aye, I bet you think you know me
When all you've seen is nothing really
Yeah, bet it turns you green
To know that I'm better than what you carelessly,
Push away, in rage, that's cute, so sweet
When you stay, enraged, by your own heartbeat.
When you fake til you make and that's why you grin
Guess you don't know that to lie is to sin

Yeah I was the kid who got left out and yes I was the kid who'd always doubt
I was the kid who had no friends and I was the kid who'd get left til the end
Chosen for games as the last called name,
If I couldnt be avoided like I carried black plague,
But look at me now, I stand so proud, and if you try to take this from me I will knock you down!

I bring the rain and you brought pain
So I gave it back like, keep the change
Hate it when you take it
Hypocritically making
Bad choices lately, despise me for saying

So you sneak like a snake and talk behind my back
But it never really cut me so I wouldn't say backstabbed
You never really mattered so I'll be fine
You can drown in your ball pit of lies

While I raise the storm and I right the wrong
While I pave the way and still remain calm
The black dog follows and hounds at my feet
But I am electric you can't bite me!

Stormbringer,
Stormbringer

You could call me Zeus I'm lightning when I move

Stormbringer,
Stormbringer

I'm a Godlike youth that you dream to pursue

Bolt from the clouds comes crashing down
Charging the air like a love affair
Handle with care? I was kicked down the stairs
They called me Zaps so be aware!

That's spaz backwards! Ha! So funny
Now that I'm electric I guess it means something
Now that I write hectic I guess it means cunning
Yeah I'm spastic with my bars but I'm shocking and I'm stunning

You wish you had the talent to grasp words with magnets
And have the power to change the charge like its only magic
And link negative to its own, and vice versa
Take a slasher of a song and make verbal ******

Call out the curses, fill them with hurt and close all your curtains, the sunlight is burning

Go outside and raise your head to the sky
Dark clouds race to claim it all as mine!

Stormbringer,
Stormbringer

Was the reject now I'm relevant

Stormbringer,
Yeah, Stormbringer

It's no dead ringer I was always a winner

Call me a sinner, I eat y'all for dinner
Those who call me a quitter, make claims that I never
Will get any better, when I'm rising forever
When I'm using my head and I'm light as a feather

I told you my name, don't use it in vain,
I gave you my hand, you can't do the same
So trust is reversed and storms start to churn
When I raise my voice it's a third degree burn!

I gave it non-stop what more could you want
When voices persist I'm getting *******
Continual fights and TV highlights
It took me a while but now I realise

Now I realise,
Now I realise!

I'm the Stormbringer....

Stormbringer, your head's like a spinner
Gasping for air, I crushed your throat from a distance, so killer, killer, killer...

Killer, killer, killer...

I shout out and you twirl around
Rotating one-eighty like you're an owl
You look at me foul like a fowl out of bounds so
This is just something for which you're renowned
Back in the day when you used to clown
Now that I'm clowning you're the one running around
What have I done? This isn't fun!
Come at me strong, or come at me none

Back in your cage, the one that you made when you went insane and told me to stay,
Never have I ever followed in your ways
Never would I ever listen to you persuade

You'd need some skill, and not fumble your speech
I've seen examples, week after week
Calling me out saying that I'm a creep
When I used to feel to get by I must sneak

Now the tides turned, I'm friends with Poseidon
I'm a demigod and you're just a pirate
Plundering the ***** of your best mates
What? You don't like the **** I say?

Aww...

But I am no fraud
I am my own mob
I'm raising my head,
To inflict what I got!

— The End —