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onlylovepoetry Mar 2018
Friday night immodesty

theater on East 4th street @ 8:00pm,
so the girlie stuff commences on schedule
90 minuets a-priori and the medley music
(adele+amy+alicia+ pink bach for some zing)
a harbinger, a pioneer Greek heralding of
Friday night immodesty

the clothes laid out upon the bed, the shoes,
pumps selected and already on,
(always a puzzler to me,)
the subdued lower east side jewelry possibilities,
on the dresser drawer,
indifferently hoping for selection, but
casually beaming quietly,
like those kids waiting for interviews in the waiting room
of the college Admissions Dean’s office,
all with serious smiles
and tiny tearing eyes

aside:
helloooooo, I am in a poetry polo with my best jeans ready to go
2 hours before the curtain calls out,
hellooooooo

she sits at the makeup mirrored desk,
clad in only her underneath garments of varying utility,
when I sweep in imperially
and with one hand twist gentle her hair upwards,
betraying
her neck nape which is again
the sujet of a poem aborning

lips,
like a Greek lyre strings, pluck, the tiny hid hairs never seen,
her instant moans at the never fully expected motion poem,
beg more mercy but no quarter given despite repeated cries
of you’ll mess my makeup,
the best defense known to a lady!

god gave men two thumbs to lift up,
simultaneously stimulating,
slide down each of the thin black brasserie strap invitations,
upon each, a writ,
upon her flesh colored shoulders,
stating
“what was she thinking!”

my lips,
now polar explorers, those power (filled) poles side by side,
(east/west for the designer was a smart
bipolar guy-person);
the lips play silent night progressive jazz,
tinkling with higher noted keys,
nape to shoulders moving down to the back’s prefrontal lobe,
the small of her back, the body’s quivering,
a con-federate flag of surrender

her last defense swept aside, we drink honey and milk,
celebrate the week’s mellifluous finish with immodest touching,
the lower east side will belong tonite
to only the hipsters, the millennials,
as our hips are milling and  otherwise
pre-theater and post, occupado

some hours later, watching TV and eating delivered Chinese,
she laterally and literally arm punches my arm
intensely to mark her discontent,
still annoyed,
for I

1) messed up her makeup,
2) best blouse to the dry cleaner and
3) the tickets wasted, and worse,
hits me again!

after I laugh and giggle upon proffering
most modestly, most assuredly,
seconds of
onlylovepoetry

9.21am Saturday
thank you all who liked this tale of
the poetry in the details
of our lives.
olp
judy smith Nov 2016
Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide
Sarah Isma Nov 2017
I've always loved adele,
her music, the tones and melodies,
the way the words in her lyrics work so well,
I was fifteen,
she was my soul,
until my family sat silent in the car,
and a tear goes down my mother's cheek,
and my father's hands gripped the steering wheel,
that's when adele came on,
and how fire was set to the rain,
i had never really understood the pain,
but i know one thing,
adele was singing about going away,
and my mother had her ticket ready for the next plane,
and in that moment i realized,
love, no matter in marriage,
love is just such a foolish game.
-i promised myself i won't let it blind me,
and for i will never be truly the same.
"But there's a side to you
That I never knew, never knew
All the things you'd say
They were never true, never true
And the games you play
You would always win, always win" -set fire to the rain, adele
this much i knew how my parents are burning and how it left scars on all of us, and not just them.
onlylovepoetry Jul 2016
for Sally, Bex and Tonya, Denel and my beloved

<>

gods do not seek forgiveness,
or comprehension,
desertion, desecration, ascension
or condemning condescension

but how how they crave
just a good conversation,
to get a word in edgewise,
a nice chat,
entrée à, la tête-à-tête,
entre deux, deluxe-amis

a casually talking,
absent of
words of need and beseech,
reason and causality,
and no I or We pronouns,
sans enunciations and annunciations,
false hopes for incarnations, incantations,
set asides for life's grievous aches
all human requests, and some of God's commandments
for now, set aside,
annulled

just a talk,
some repartee,
but mostly an open ear lent,
an early morn quiet listen
over tea (he/she) and coffee (me),
paying attention to
both sides of an interactive story

as recompense for my willingness to be,
his engaged counter party,
my mourning gloomier cloudiness,
quick exchanged for instant,
rising sunshine warming glorious

my vista
of a bay dancing
to Tchaikovsky Swan Lake ballet music,
deftly inserted between
an Agnus Dei and an Ave Maria

mood music he said,
and we chuckled,
he/she was god and orchestrated
my tastes,
Adele et Dudamel,
comprehending my undesirable apprehension,
by granting my needy wish for
poetic inspirational composition contentment

all exchanged,
for just a good listen,
no judgements, in either direction

I am the god of love,
the one who makes you weep,
when you study your beloved's rising chest,
each uplifted breast heaving,
a confirmation blessing,
that her life is present
for at least the next second,
ready for your magi adoration

be not fearful,
this day we talk only,
as I pass by,
I have no business to conduct,
on your island of sheltering redoubt,
but to engage and unburden
for even gods
are required to confess,
and aging godheads do adore
a human shoulder
upon to rest,
a great invention,
(If I may say so myself)
and to whom better to address
than my only love poetry
poète personnelle

here he off-guards me
with a favorite injection,
Samuel Barber's Adagio for Strings,
music so sweet that it never fails
to weaken my knees,
sweeping my eyes unto weeping
priming me with this first coat of
sounds so elementary soothing

he half-bows before me and says,


forgive me human, for I have sinned

in Dallas and Nice,
just this past week,
with forays here and there,
doing god's work

read your bitterness and struggle,
anger and forgiveness all in one crust,
furious curses and wails so plaintive,
my heavenly musicians weep from jealousy,
at the cries emanating from the fired fury song
of human hearts torn and love plundered

I am the god of love

and

the god of pain and all that is the

anti-love

(and to make me better understand,  
Schindler's List score, so sweetly,
he plays for me,
to clarify the atmosphere,
that death and love -
and the courage of understanding,
so oft go hand in hand)

write me a love poem for me,
no hymn or sonnet do I require,
for love is essence of forgive,
there is no perfect union,
that cannot stand,
with out this emotion of
conciliatory intermediation

tell me you understand
that the scales
of bereft befallen,
disparate chance interrupting randomized,
must periodic perforce
sometimes weigh more,
than the good of simple

balance tip that creative god spark within,
of which you write,
away from my bloodied, unsightly hand

write me one more love poem
a frisson semi-sweet and cleanly neat,
of good things sad,
but worthy of remembrance

you are not the first for this bequest to receive,
other poet's before and after,
will Jacob-wrestle with my angels,
battling to find the...

no matter

"my love to thee is sound sans crack or flaw"^

let your love poem
to me
be of whole healing,
for these disarrayed feelings
cannot forever persist,
the perfect balance you desire
is not on your Earth existent,
unobtainable

these cracks and flaws must and will come


and yet

love poems
will be our common language

and then he/she left,
leaving this poem behind,
born from my mind, yet,
carved on my skin,
written with the nib of my rib,
sealed and signed,
future undefined,
but dated upon my
cleansed hand's lifeline,
hand held outstretched
as if to say


“and yet"
^ "my love to thee is sound sans crack or flaw".
William Shakespeare

Sunday, July 17th 2016
8:42am
Anno ab incarnatione Domini
Adele Jan 2015
The words they speak
are sharper than blades
And their looks,
daggers that could tear a skin
Their eyes are blind,
can't see what's inside

Like shadows they creeped
Stabbing backs and innocence deemed
Always lurking in the darkness
Justice they served
but lives diminished

Your flaws are
something they gaze
The truth made me daze
The word equality is no
longer in their vocabulary
How can they fire bullets
without thinking the lives
they perceived

Trash in their brains
are twirling like a tornado
slowly messing their thoughts
slowly killing feelings, everywhere they go

Dictated by their own free will
Cowered in fear as they
thought it was real
What they've seen,
deception in mutilation
Power overrule by those who torture
Torturing minds, creating lies
The innocent happily flying kites
But they cut it with pure contempt
Convincing they will get
that chance again
"Listen to the words you seek
Don't listen to a word they say
Do NOT listen to a word you've heard
Do not listen to a word you've heard
People are people we live for our own
Live how you think not by what you've been told"

In God's eyes we're all the same
where do you think we all came?
Don't let them fool you
By their tools of deception
We are all the same
We will die someday
So maybe, it's time for a change.

-
*Adele Karla & Erenn
"Let us start the change we want to see. The change that begins in me." Ending the poem with a prayer of hope.

Thank you Erenn! Especially for helping me out with my ink. Always been a good time collaborating with you. Society should hear this :D
PaperclipPoems Oct 2015
Hello? Yes, hello...
You must have built up so much courage,
But I'm inclined to say no.
Because although,
Many years have passed...
I'm still trying to rebuild the girl you destroyed and burned to ash

Hello, can you hear me?
Oh now you want to reconcile after all the pain you caused me...
So I've heard, you've been talking,
Going around telling everyone
How sorry you've been feeling...

There's such a difference, between us...
And a million miles.

Hello from the other side
It must have really hurt your pride
To have sat there, waiting.. for me to come around
After all the humiliating words you said to the crowd

Hello from the outside
I learned to walk away and smile
You have written letters and knocked on my door
Begging forgiveness but I must confess I feel nothing for you anymore....

Hello, I'll stop you there
Where's the girlfriend that you had back then
As you would run your fingers through my hair
I hope, she saw right through you
And that she left you just as broken as what you deserved coming to you

I'd tell you something, that I know now
But you're just not worth the time.

Hello from the other side
It must have really hurt your pride
To have sat there, waiting.. for me to come around
After all the humiliating words you said to the crowd

Hello from the outside
I learned to walk away and smile
You have written letters and knocked on my door
Begging forgiveness but I must confess I feel nothing for you anymore....
Love the original song. But I'm a huge fan of writing on behalf of the other side so here's my take on it.
Margo May Dec 2015
sticks and stones may break your bones,
but they will also start fires…

the importance of fire safety isn’t taken lightly,
so please take the time to act politely.

now no offense but from one girl to another,
you’re not Adele, Sean Kingston, or the Jonas Brothers.

do not set fire to the rain that pours,
call 9-1-1 before you burn up on the dance floor.

when the heat settles in and you’re feeling dry,
to your candles and cigarettes please say goodbye.

(since those items are illegal anyways,
you’ll be fined if they are caught ablaze).

this isn’t the Upper Room where fire fell on everyone’s head
keep the Holy Spirit’s fire set in your soul instead.

ignore this advice and your world will crash,
as before your eyes Miller Hall turns to ash.
wrote this for my friends who are doing a project on fire safety at my college campus, haha.
A dropped ball on the goal line
A tackle missed down field
It's amazing how a football game
Can make a man's mind yield

We come to tears when our teams lose
Even worse when our team wins
It's when we show all our emotions
It's when we break the MANLY SINS

But our girlfriend gets real angry
When we don't utter a word
When they want to talk of feelings
It's a word we've never heard
We're MEN and **** proud of it
We show support for MANLY things
Like football games and racing cars
Not relationshippy things

We wear our hearts upon our sleeve
When the two minute gun has sounded
When the game has come to overtime
When the last corner has rounded

We sit upon our seats edge
Nothing can break us from this trance
Not even when our **** girl
Comes and does a naked dance

But our girlfriend gets real angry
When we don't utter a word
When they want to talk of feelings
It's a word we've never heard
We're MEN and **** proud of it
We show support for MANLY things
Like football games and racing cars
Not relationshippy things

We cry when our dog passes
We get upset when things go wrong
But we'll never show emotion
To a ****** Adele song

We aren't built to be emotive
At least not when women want us to
I'll tell you more about emotion
When the football season's through
Jose Remillan Jan 2016
You asked me to confront the ghosts
Of our hearts.  As if moving on is as
Stagnant as the longed-for passing of

Pain.

Not your melodramatic melody of
Hope could cuddle the fright of sight.
Neither its rhythm rhymes with my life's

Deepest sigh.

As it has been and will always be,
Always a scar of scrolled poetry.
Of music and madness, of hues of

You. Nevermind,

I have found someone like you.
Adele Mar 2015
The darkness that shattered her world was left behind. Ashes to forget, memory lost in the wind of no rewind
She finally took the narrow path towards a new life. Today, she stands so tall and bright. No one can bring her down, solid as a rock. There's no turning back.

Selfless, relentless to fear
Everything that mounts to heights of frights, she's the warrior. Inferior to nothing. Candors of cadence impossible to break. Her heart made of mettle steel, nothing can make her falter.

All phobias are mundane
Except for one. That's when she met him at edge of the unexpected.
He sits at the rooftop alone everynight. Smiling to himself as he gazed into burst of constellations brimming with life.
"Is this love at first sight?", she thought
Past of men that broke her,
made her who she is today.
But this boy with a smile that could break her Titanic's Ice,
made her vulnerable.
With a smile that could break
the ice in her temple.

The power he illuminates
can set her eyes on fire.
Her fast beating heart is jumping out
Thoughts scribbling every night,
'This is going to be a mess,
I can't decide'

He closed his eyes, feeling the euphoria flowing inside.
The chimes and the chill of wind are all he can hear. He slowly touched
his chest and feel the bliss
As he opened his eyes,
a scintillating star in his sight.
Their eyes didn't meet, yet,
He glances back without her knowing tilting his head to the left, as she watched him from her window.
He was falling and sinking into her ocean eyes. Each glance makes him drowned and drawn deeper to her.

Yesterday was a blur, tomorrow is a vivid life. Within her is starting to tear with fear. Prayers of hope she will win and take the climb. She wants to grab the chance and be happy for once in her life.*

Both having the intent to speak.
Both prepared to make the first move
But bartered smiles was all it took
Heart's stolen, melting ice
They somehow knew this love will last..
Forever.
Sydney Dever Jul 2012
I heard that you’re single now,
That you lost the girl when you broke your vow,
I heard that you spoiled it all,
You can talk to me, but I won’t crawl.
 
Old friend, I know you’re not shy,
But it’s not like you to ask much about my life.
 
I hate to hang up on your call, unpersuaded,
but you had your chance, and I, I won’t be baited.
I just hope to see your face and how much it is jaded,
‘Cause for me, it’s all over.
 
Nevermind I found someone like you,
I wish you could love the way I do,
Please forget me, I said, now you’ve made your bed,
Sometimes it hurts its true, but sometimes it lasts instead
 
You know how my heart cried,
Only yesterday I thought I had died,
But I wiped the tears and I clearly see,
He’s twice the man you wish you could be.
 
I hate to hang up on your call, unpersuaded,
but you had your chance, and I, I won’t be baited.
I just hope to see your face and how much it is jaded,
‘Cause for me, it’s all over.
Nevermind I found someone like you,
I wish you could love the way I do,
Please forget me, I said, now you’ve made your bed,
Sometimes it hurts its true, but sometimes it lasts instead
 
Nothing compares to the way that he cares,
You love as much as your pride will allow,
Who would have guessed how much stronger I’d be now?
 
Nevermind I found someone like you,
I wish you could love the way I do,
Please forget me, I said, now you’ve made your bed,
Sometimes it hurts its true, but sometimes it lasts instead
It was just another ordinary day at the Pub.
I  as always at the helm tending bar hitting on hamsters and making crude jokes that usually walked the line and got me banned from a site that I was a living legend on.
Remember kids there is no Hello without Gonzo.

Hey Gonz you really need to do something bout the restroom some nameless bland writer that I probably liked cause I thought she looked hot said to me as she walked towards the bar.
What is somebody jerking off in there again ****** !
I swear creative ******* sure are a frustrated ***** bunch.

Just then a old man walked from the restroom .
Granddad  what did I tell you bout using the restroom?
Huh the old man replied with that look of who the hell am I am what the **** is this ***** behind the bar saying .
Yeah I get that look a lot .

Granddad !
Huh?
What's that ?
He replied again as he staggered to the bar smelling of whiskey and **** yeah almost like Lindsey Lohans new perfume ode to a ***** well minus the ******* and bitter smell of a burned out former child actress.

What's that your saying?
The restrooms father time what did I tell you ,there strictly for paying costumers go use the alley where  I keep your house slash cardboard box .

Oh yeah and by the way you still owe me rent duh just cause your old and related to me doesn't mean you can just sponge off me who do you think you are some washed up drunken writer who haunts a nearly dead website like some strange perverted ghost ?

Hey did you hit the blood bank you old ****?
But son they told me I can't go twice in a week or I could die!
Look old man if you cant do that then you better hit the street start jerking off truckers I swear it was good enough for grandma you lazy **** .

I swear you give a semi senile old **** a spacious alley and wonderful box to live in as you take his social security and this is thanks you get.
Oh well least when he passed I can still collect his checks I'll just keep him in the walk in box nobody will know the difference .

Hey ******* don't talk to that  nice old man like that.
A voice Interrupted  me as I was about to remind father time he needed to sign his check duh how else do you think I fund the bar?

You really are a ***** Gonz you should be ashamed off talking and treating that nice old man so terrible.
I couldn't believe the gull of this women and although I was slightly distracted by her ******* I had to keep  focused cause this story had to end some ******* time .

Miss first off may I say welcome to the Pub and you have a great rack.
***** you perve ! , She said in her angry yet I could tell she secretly wanted me cause I'm a totally delusional egotistical ******* writer who is really long winded and enjoys cheap laughs and even cheaper hookers but only in moderation like Jesus kind of sense .

What to much?
Well you haven't read **** yet kids .

Miss I realize you may view me as a totally kickass writer and dude that you secretly want to have a goodtime in the backroom with .
Drop dead **** ! the woman replied .
Yeah I could tell I was wearing her down.

What gives you the right to treat this old man so cruel?
Duh cause he's my family silly woman and it's not like I'm cruel to him
in fact I treat him great don't I grandpa?

I haven't eaten in four days .
The old man replied .

You poor old sweetheart the woman said as she put her arms around the old man as he began to cry what a total ***** .
It's okay I'll get you some help .
Oh thank you so much your such a nice lady .

What the hell !
I herd the woman say in a semi state of shock as she realized in her effort to comfort grandpa he had grabbed a handful of some tight **** .

Get your hands off me .
The woman shouted but grandpa was stuck to that women like a tight pair of jeans .
Come on sweetheart give pop pop  some love.

The old demented ******* said.
***** this the woman said as she drove her knee about five miles into the old ****'s junk.

The old man fell to the floor as all five of the regulars laughed and the dudes had to cringe .

You people are all insane ***** this place she said as she walked out the door .

The old man climbed the barstool in the woes of agony a frustrated climber trying to hit the peak of that really tall mountain that I cant recall it's ******* name oh yeah Adele .

Give me a *******  whiskey and a ice pack you little *******.
I swear pops that act never gets old you alright?
I said as I poured the old ***** a strong one and handed him a steak.

What the hells the steak for ?
Duh the swelling ******* besides we got to thaw it out anyways
somebody ordered one from down the street and would it **** you to shave I'm just saying the owner of the site really already dislikes me enough already.

Yeah you kids are ****** up with your cellphones and computers and your shaved ***** give me the old days where men were men and weren't afraid to be men and smell like men not French ******
speaking of ****** dam I miss your grandma .

Yes the Gonzo clan it's so great to come from such a long line of misspelling drunken ***** loving perverts .

You know pops maybe we need to pick a new scam to run on the yuppies I don't think you can take to many shots like that anymore.

Hey are you saying I'm old ?
Well when the first boat trip you ever took was on the  Mayflower I'd say so gramps .

Well did that order for the steak include any seafood?
No why?
I replied as I poured me and the old man another.

Well cause it looks like there getting some ***** with there steak.

                                          Fin

Stay crazy hamsters

Gonzo
xmxrgxncy Feb 2016
I have been in an Adele sort of mood lately....
Depression always hits me on Sunday's and I don't know why>.<
Nat Lipstadt Aug 2013
Here are the names of my lovers,
The women I sleep with, whom
I use, like they use me.
Spent, they discard me, for when their pleasure needs
Satiated, they climb aboard another man.

What they do not know,
Is that in my mind, in my ears,
everywhere,
I did not let them, or you go,
We are still romping,
For I
Take them as needed.

I need them all,
For my pleasure needs, like my unshaped heart,
Addictive, endless.

If your is name is here, I do not
Apologize.

Pink
Adele
Lilly Allen
Anna Nalick
Bess Rogers
Beyonce
Brandi Carlisle
Cat Power
Colbie Callait
Duffy
Eva Cassidy
Evanescence
Alison Sudol
Fiona Apple
Florence Welch
Grace Potter
Ingrid Michaelson
You
Joni Mitchell
K.D. Lang
Kate Nash
Kate Voegele
Leona Lewis
Lizz Wright
Madeline Peyroux
Marie Digby
Mary Wells
Norah Jones
Regina Spektor
Sara Bareilles
You
Sara Haze
Taylor Swift and Tracy Chapman
Tristan Prettyman
Vanessa Carlton

So many others, used so long ago, I can't remember the faces,
Which can't be googled.

Use them hard, use them often, more than daily.
Bluntly, I tell you
Your name is on my list,
Even if I do not disclose it.
Courtesy of Mr. Howard.
"Madamina, il catalogo è questo
Delle belle che amò il padron mio;
un catalogo egli è che ** fatt'io;
Osservate, leggete con me."

"My lady, this is the catalog
Of the beauties loved by my master;
a list which I have compiled;
Observe, read along with me."

4/18/18 was hanging with sara b., and this popped up...
Vernon Waring Aug 2016
I honestly don't understand
Your riches or your fame
The entire frenzy seems to me
Entirely insane

Your voice sounds ancient and dismal
And drones on with bitter feelings
Truth be told it's not at all
What one might call appealing

I'm not a devoted follower
Who thinks you're simply grand
I think you'd do much better
With a different career plan

Avoid recording studios
Or noisy concert halls
Stay home and count your money
And forget about applause

I know you would tell me
In your snippy classless way
To shut the **** up
And quietly go away

To which I will repeat
My title's earnest cry:
No more "Hello" Adele
It's time to say "Goodbye"
Patrick Sugarr Oct 2014
i just can't stop thinking about that day
   I remember, you were wearing grey
      without a clue, you sat by my side
         never thought our worlds would collide

there's something about you I just can't explain
   making my brain go insane
      lose myself whenever you're around
         like my heart melted and it fell to the ground

i wonder if you ever feel the same
   whenever they mention my name
      was ignorance just part of your game?
         or should i be the one to blame?

i fell too easily and crashed too hard
   somehow i feel like a ******
      in my thoughts you would dwell
         you had me listening to Adele

you are the light in my darkness
   the smile in my sadness
      though i know this is foolishness
         you existence is still my silent happiness
i wrote this poem during our ESL class years ago. our professor asked us to read the poem using different voices per stanza. it was hilarious xD i had to use a ghost-like voice, a very tiny voice, and others hahaha
Alexa Sinclair Feb 2016
No song of yours can hurt me more than
Seeing one child in pain
A picture is worth 1000 words
Donate to feed my starving children please
Third Eye Candy Jun 2013
we mortgage the unspeakable. we fit small bowls into big ones and speak on misdeeds
that rhyme with chrysanthemum without the letter ' M '.
from an upside-down star

weaving cauldrons of unguarded hope
jiggling in the gelatinous yammering
of a misguided baby god's night terrors  

and you still gotta go to work in the morning.

and for sleep. what's that ?
Rasmia Oct 2017
Happiness called my name... but I didn't answer.
I knew that it was another trick, used to get my attention.
A set-up for the ultimate defeat and heartbreak.

I loved before... it was pure. It was good. It was quite
literally everything.
Just how the mind wakes you up
after you die in a dream because death is something
outside of our imagination so was the amount
of feelings I could have for another.

The time has come where I must let my lover
love life. That means never having the
life we talked about. All those wishes
will never be granted.

So that's why I say when happiness called I
didn't answer.
I responded the last time and now I'm sitting
here writing about having to let go the love of my life
in a puddle of tears.
Poulton Library and
Adele & I are here to
share with whoever
arrives some thoughts
concerning War and
Literature.  Linda sets
us up with chairs and
table, and first here is
delightful surprise: Pat
who I taught thirty years
ago - there will be no
need for me to dig a
trench and put on a
jacket bullet-proof
with tin hat on my
head - Philip Larkin
Alun Lewis, Sassoon
and Wilfred Owen
give staunch support
to Jon Stallworthy's
World War One tome
Anthem for Doomed
Youth: Twelve Poets
but doomed not us
this century later.


(c) C J Heyworth June 2014
Through an Arts Council Grant organised locally here on The Fylde Coast by Adele Robinson of Lancashire Dead Good Poets, there is a continuing series of events over the Summer labelled Walking on Wyre, Wyre being the River Wyre which bypasses Poulton at Skippool Creek, and joins the Irish Sea at Fleetwood.
Poulton Library invited us to discuss War Poetry in particular with interested locals.
Pat who I used to teach and her husband Stuart were the welcome first arrivals and were soon joined by three additional members of Poulton Writers Group who were very prepared to join in and and make the discussion flow.  A further husband and wife couple joined us after an hour or so and overall the event proved to be a productive and enjoyable get together.
Once like-minded and amiable folks get together the conversation can gel splendidly.
Nat Lipstadt Nov 2014
prefer celery to carrots
light scrunch over an orange hard crack,
straw red over berries bluest,
coffee over tea,
skies white clouded
over
all clear, unadulterated uni-tone,
blondes, brunettes, redheads,
even pink or blue haired,
well, ain't going there
(wink wink,
too smart for that...)

but that's just me

colors viral virulent  over manhattan grey~black,
a good Pinot over a glass of Jack,
beach and sea undefined
over lake delimited, outlined bounded,
ocean caught fresh over farm raised,
city slick over country sweet,
striped bass over monk,
tuna bests salmon,
but both miso coated please...

Italian Indian Ethiopian
Sushi and occasionally Chinese,
all grand,
but my kosher deli and dogs, pickles,
yellow mustard ball parked,
tops them all
especially when serving
all-you-can-eat
over tasting portions...

but that's just me

right over left,
naked better than ****,
polite over rude,
Rembrandt tops Vermeer,
but his light nonethess,
extra over ordinarie...

Swiss over white American,
Gruyere beats goat cheese,
citrus tops apples,
sweet melon my
secret passion,
paprika and oregano,
never ever cilantro,
milk over OJ,
especially, grade A
milk of human kindness,
all flavors

love my poems centered,
(except for this one)
with no sugar added,
but a lot of cream and sweat,
both a necessity, not a luxury,
prefer mesmerizing,
crafting hard, laboring,
me writing, you imbibing,
leaving you oohing and loving
me
because of the appreciation built in
over
ditties that are semisweet
sugar nadas that populate the
easy come easy go away
poem of the day

but that's just me

like myself hard
cause when I melt,
to a child's grin shyest,
laughter silly me provoking
it is ever so better so...
tears, any kind, don't mind
laughing and sorrowing pouring,
let genuine be my only test
speed limit barrier unlimited

sorta saved a street crossing
phone-occupied-woman yesterday,
put my arm across her body
fast hard, unasked
so she wasn't
bicycle crashed,
both looks well received,
the *** and the gratitude,
but latter over former,
if I had to choose,
but I dont

but that's just me

Joanie M. over Judy C.,
Amy over Adele,
Eva Cassidy over all...
Zombies over Beatles,
Blunt over Taylor,
Rhyming Simon over Billy Joel,
no typos over flaring,
glaring no caring...

your poetry over mine,
cause it amazes,
cause mine,
just old familiar crazies,
just runaround Sues from yester pester days,
transcribed for a someday later
future grimacing laugh of
good god did I write that!

but that's just me

wrote quite the many
literary escapades
this morning,
like the yore,
good old days,
when every glance,
remark passing
made me run
to tablet them
in perpetuity ASAP

placed them before you
scattered thither and dither,
like all that jazz notes
running hands over planes geometric,
most just average,
but all there in hopes
you would love me better

but that's just me

sneaking inside you with
a wink, a tink-ering whimsy,
a stupid smile, a wicked sinning
humongous grinning
with a belly laughing,
havoc raising, me crazing,

*but that's just me
11-1-14
thinking I like celery better than carrots, and the rest you just read...
Adele Nov 2014
Where can I find 
the meaning of peace
when someone's dying every second
because of an empty plate 
and weapons that end a fate

Who can we blame
For the massacre that never ends
Where lives of innocence
treated like ants
Ignorance of what we don't know
Blinded by the media who always
puts on a show


Why is it that we rage 
when we have words
flowing from our minds, 
giving all the answers 
in a rough day

When will this end?
The earth's crying
"Please just **** me completely"
Viruses and disease
engulfs the poverty
But not the rich?
Are we really that blind to see
They preach justice but own the earth to attain power


How bad is the earth's wounds
as blood slowly drips
polluting the soil
creating trapped remains
buried deep in the ground,
never wanting to be found

Every cry of a new born child
Burnt, due to the one who
preached peace
But enslaving the innocence
Not able to savour the taste of the earth
Every mother bathe in blood
Crying in agony as the child dies

Every day is a war that everyone must fight to survive...

but why do they choose to fight, when they can choose to live in peace?

11/26/14

*-Adele ft. Erenn
It's time to speak our minds about what has been happening in the world every single day. The struggle, the pain, the suffering of nations. This chaos is starting and it's destroying humanity. If we are the key in
a.) making things worse, we can also be the key from b.) stopping the plague. We have the freedom to make our own choices. So, why not choose the right choice?

[an inspiring collab with Erenn]
Russell Kahn Dec 2013
You leave me stranded like years made up of moments and vacuum hickeys and Asian milk toast mean nothing.

Train tracks remain on my timeline like a seam opening the spine of an old diary with nothing written over and over inside.

You say we will be playing scrabble on the floor of your living room someday when we are old, just as your mother does next to us with her friends listening to Adele as we plot out our lives together on a collage atop your dining room table.

You hurt me

We are dinosaurs
Strutting for the fist time in glory down seventh avenue as people wonder who we are and we think of fun to be had with friends to be met.
Park ***** spread out before us paved yellow with fly paper.

Holding my heart in your hands as it is broken for the first time, i cry but know you will be there to turn those tears to glue for our friendship until you are not.

Years made up of your boyfriends that come and go and come and go and I miss you. And I want to strut down seventh avenue with you by my side feeling powerful and new again.

I want to feel fresh running down a beach of asphalt and trash; the whole world ahead gilded with possibility, and eternity resting gently on the horizon of city smoke and traffic lights. And I feel old now. But I suppose we always did.

I miss you

I still remember **** bought from boys with blonde hair and loving blue eyes hidden in camera cases, and smoked under thick trees that kept us safe from the turning of the earth. Elevators lifting us up to the 35th floor ticking like time bombs on days occupied by truth or dare marked red upon truancy calendars our parents would never find.

Why did you get so old? mature. I remember once together we vowed to remain silly and young and do all we could to smother the sound of the ticking clock removing our innocence,  silencing our songs, and slowly turning us into those who we were made by.

My sister is grown. Where are you now?

Beautiful the world looked from a Brooklyn balcony at 16, the skyline smiles with the mirage of possibility and smirks with a wicked knowledge of things to come and years to pass. Would I go back to that balcony now, and stay there with you forever.



If I needed you would you come

— The End —