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Terrifying are the attent sleek thrushes on the lawn,
More coiled steel than living - a poised
Dark deadly eye, those delicate legs
Triggered to stirrings beyond sense - with a start, a bounce,
a stab
Overtake the instant and drag out some writhing thing.
No indolent procrastinations and no yawning states,
No sighs or head-scratchings. Nothing but bounce and stab
And a ravening second.

Is it their single-mind-sized skulls, or a trained
Body, or genius, or a nestful of brats
Gives their days this bullet and automatic
Purpose? Mozart's brain had it, and the shark's mouth
That hungers down the blood-smell even to a leak of its own
Side and devouring of itself: efficiency which
Strikes too streamlined for any doubt to pluck at it
Or obstruction deflect.

With a man it is otherwise. Heroisms on horseback,
Outstripping his desk-diary at a broad desk,
Carving at a tiny ivory ornament
For years: his act worships itself - while for him,
Though he bends to be blent in the prayer, how loud and
above what
Furious spaces of fire do the distracting devils
**** and hosannah, under what wilderness
Of black silent waters weep.
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
Francis Duggan Aug 2010
It's cold in Duhallow this morning and the fields that were green yesterday
Lay chilled to the frost that the night brought a cover of silvery gray
And the little dunnock on bare hedgerow too cold and too hungry to sing
On **** branch he perch sad and silent the hardship that January can bring.

The robins and sparrows by back door like beggars they wait to be fed
In hope that when breakfast is eaten the housewife might throw out some bread
With no thought for song or for nesting their battle is to stay alive
How many will live to see April the Winter so hard to survive?

The first heavy snows of the Winter have fallen on the higher ground
On Clara, Shrone and Caherbarnagh the hills are so white all around
The blackbird and thrush on the bare branch their feathers fluffed against the chill
And hare has come down to the lowland there's nothing to eat on the hill.

But I can remember the bright days when sun shone on the leafy tree
And robins and thrushes and finches piped in the woods of Knocknagree
And to her nest on barn rafters the sparrow brought feathers and hay
And out on the dandelion meadow the pipit sang all through the day.

Young calves and young lambs in green pastures were full of the frolics of Spring
And joy too had come to the river the song of the dipper did ring
And moorhen was out with her babies and she chirped loud if human was near
Her first lesson to them survival to teach them the meaning of fear.

It's cold in Duhallow this morning the thrush silent on the bare tree
And gray on the fields and the hedgerows and gray over all Knocknagree
But I can remember the bright days when nesting birds piped all the day
And hedgerows and woodlands and meadows smelt sweet with the blossoms of May.
HRTsOnFyR Apr 2016
Some day, if you are lucky,
you’ll return from a thunderous journey
trailing snake scales, wing fragments
and the musk of Earth and moon.

Eyes will examine you for signs
of damage, or change
and you, too, will wonder
if your skin shows traces

of fur, or leaves,
if thrushes have built a nest
of your hair, if Andromeda
burns from your eyes.

Do not be surprised by prickly questions
from those who barely inhabit
their own fleeting lives, who barely taste
their own possibility, who barely dream.

If your hands are empty, treasureless,
if your toes have not grown claws,
if your obedient voice has not
become a wild cry, a howl,

you will reassure them. We warned you,
they might declare, there is nothing else,
no point, no meaning, no mystery at all,
just this frantic waiting to die.

And yet, they tremble, mute,
afraid you’ve returned without sweet
elixir for unspeakable thirst, without
a fluent dance or holy language

to teach them, without a compass
bearing to a forgotten border where
no one crosses without weeping
for the terrible beauty of galaxies

and granite and bone. They tremble,
hoping your lips hold a secret,
that the song your body now sings
will redeem them, yet they fear

your secret is dangerous, shattering,
and once it flies from your astonished
mouth, they-like you-must disintegrate
before unfolding tremulous wings.
But some good Triton-god had ruth, and bare
The boy’s drowned body back to Grecian land,
And mermaids combed his dank and dripping hair
And smoothed his brow, and loosed his clenching hand;
Some brought sweet spices from far Araby,
And others bade the halcyon sing her softest lullaby.

And when he neared his old Athenian home,
A mighty billow rose up suddenly
Upon whose oily back the clotted foam
Lay diapered in some strange fantasy,
And clasping him unto its glassy breast
Swept landward, like a white-maned steed upon a venturous quest!

Now where Colonos leans unto the sea
There lies a long and level stretch of lawn;
The rabbit knows it, and the mountain bee
For it deserts Hymettus, and the Faun
Is not afraid, for never through the day
Comes a cry ruder than the shout of shepherd lads at play.

But often from the thorny labyrinth
And tangled branches of the circling wood
The stealthy hunter sees young Hyacinth
Hurling the polished disk, and draws his hood
Over his guilty gaze, and creeps away,
Nor dares to wind his horn, or—else at the first break of day

The Dryads come and throw the leathern ball
Along the reedy shore, and circumvent
Some goat-eared Pan to be their seneschal
For fear of bold Poseidon’s ravishment,
And loose their girdles, with shy timorous eyes,
Lest from the surf his azure arms and purple beard should rise.

On this side and on that a rocky cave,
Hung with the yellow-belled laburnum, stands
Smooth is the beach, save where some ebbing wave
Leaves its faint outline etched upon the sands,
As though it feared to be too soon forgot
By the green rush, its playfellow,—and yet, it is a spot

So small, that the inconstant butterfly
Could steal the hoarded money from each flower
Ere it was noon, and still not satisfy
Its over-greedy love,—within an hour
A sailor boy, were he but rude enow
To land and pluck a garland for his galley’s painted prow,

Would almost leave the little meadow bare,
For it knows nothing of great pageantry,
Only a few narcissi here and there
Stand separate in sweet austerity,
Dotting the unmown grass with silver stars,
And here and there a daffodil waves tiny scimitars.

Hither the billow brought him, and was glad
Of such dear servitude, and where the land
Was ****** of all waters laid the lad
Upon the golden margent of the strand,
And like a lingering lover oft returned
To kiss those pallid limbs which once with intense fire burned,

Ere the wet seas had quenched that holocaust,
That self-fed flame, that passionate lustihead,
Ere grisly death with chill and nipping frost
Had withered up those lilies white and red
Which, while the boy would through the forest range,
Answered each other in a sweet antiphonal counter-change.

And when at dawn the wood-nymphs, hand-in-hand,
Threaded the bosky dell, their satyr spied
The boy’s pale body stretched upon the sand,
And feared Poseidon’s treachery, and cried,
And like bright sunbeams flitting through a glade
Each startled Dryad sought some safe and leafy ambuscade.

Save one white girl, who deemed it would not be
So dread a thing to feel a sea-god’s arms
Crushing her ******* in amorous tyranny,
And longed to listen to those subtle charms
Insidious lovers weave when they would win
Some fenced fortress, and stole back again, nor thought it sin

To yield her treasure unto one so fair,
And lay beside him, thirsty with love’s drouth,
Called him soft names, played with his tangled hair,
And with hot lips made havoc of his mouth
Afraid he might not wake, and then afraid
Lest he might wake too soon, fled back, and then, fond renegade,

Returned to fresh assault, and all day long
Sat at his side, and laughed at her new toy,
And held his hand, and sang her sweetest song,
Then frowned to see how froward was the boy
Who would not with her maidenhood entwine,
Nor knew that three days since his eyes had looked on Proserpine;

Nor knew what sacrilege his lips had done,
But said, ‘He will awake, I know him well,
He will awake at evening when the sun
Hangs his red shield on Corinth’s citadel;
This sleep is but a cruel treachery
To make me love him more, and in some cavern of the sea

Deeper than ever falls the fisher’s line
Already a huge Triton blows his horn,
And weaves a garland from the crystalline
And drifting ocean-tendrils to adorn
The emerald pillars of our bridal bed,
For sphered in foaming silver, and with coral crowned head,

We two will sit upon a throne of pearl,
And a blue wave will be our canopy,
And at our feet the water-snakes will curl
In all their amethystine panoply
Of diamonded mail, and we will mark
The mullets swimming by the mast of some storm-foundered bark,

Vermilion-finned with eyes of bossy gold
Like flakes of crimson light, and the great deep
His glassy-portaled chamber will unfold,
And we will see the painted dolphins sleep
Cradled by murmuring halcyons on the rocks
Where Proteus in quaint suit of green pastures his monstrous
flocks.

And tremulous opal-hued anemones
Will wave their purple fringes where we tread
Upon the mirrored floor, and argosies
Of fishes flecked with tawny scales will thread
The drifting cordage of the shattered wreck,
And honey-coloured amber beads our twining limbs will deck.’

But when that baffled Lord of War the Sun
With gaudy pennon flying passed away
Into his brazen House, and one by one
The little yellow stars began to stray
Across the field of heaven, ah! then indeed
She feared his lips upon her lips would never care to feed,

And cried, ‘Awake, already the pale moon
Washes the trees with silver, and the wave
Creeps grey and chilly up this sandy dune,
The croaking frogs are out, and from the cave
The nightjar shrieks, the fluttering bats repass,
And the brown stoat with hollow flanks creeps through the dusky
grass.

Nay, though thou art a god, be not so coy,
For in yon stream there is a little reed
That often whispers how a lovely boy
Lay with her once upon a grassy mead,
Who when his cruel pleasure he had done
Spread wings of rustling gold and soared aloft into the sun.

Be not so coy, the laurel trembles still
With great Apollo’s kisses, and the fir
Whose clustering sisters fringe the seaward hill
Hath many a tale of that bold ravisher
Whom men call Boreas, and I have seen
The mocking eyes of Hermes through the poplar’s silvery sheen.

Even the jealous Naiads call me fair,
And every morn a young and ruddy swain
Woos me with apples and with locks of hair,
And seeks to soothe my virginal disdain
By all the gifts the gentle wood-nymphs love;
But yesterday he brought to me an iris-plumaged dove

With little crimson feet, which with its store
Of seven spotted eggs the cruel lad
Had stolen from the lofty sycamore
At daybreak, when her amorous comrade had
Flown off in search of berried juniper
Which most they love; the fretful wasp, that earliest vintager

Of the blue grapes, hath not persistency
So constant as this simple shepherd-boy
For my poor lips, his joyous purity
And laughing sunny eyes might well decoy
A Dryad from her oath to Artemis;
For very beautiful is he, his mouth was made to kiss;

His argent forehead, like a rising moon
Over the dusky hills of meeting brows,
Is crescent shaped, the hot and Tyrian noon
Leads from the myrtle-grove no goodlier spouse
For Cytheraea, the first silky down
Fringes his blushing cheeks, and his young limbs are strong and
brown;

And he is rich, and fat and fleecy herds
Of bleating sheep upon his meadows lie,
And many an earthen bowl of yellow curds
Is in his homestead for the thievish fly
To swim and drown in, the pink clover mead
Keeps its sweet store for him, and he can pipe on oaten reed.

And yet I love him not; it was for thee
I kept my love; I knew that thou would’st come
To rid me of this pallid chastity,
Thou fairest flower of the flowerless foam
Of all the wide AEgean, brightest star
Of ocean’s azure heavens where the mirrored planets are!

I knew that thou would’st come, for when at first
The dry wood burgeoned, and the sap of spring
Swelled in my green and tender bark or burst
To myriad multitudinous blossoming
Which mocked the midnight with its mimic moons
That did not dread the dawn, and first the thrushes’ rapturous
tunes

Startled the squirrel from its granary,
And cuckoo flowers fringed the narrow lane,
Through my young leaves a sensuous ecstasy
Crept like new wine, and every mossy vein
Throbbed with the fitful pulse of amorous blood,
And the wild winds of passion shook my slim stem’s maidenhood.

The trooping fawns at evening came and laid
Their cool black noses on my lowest boughs,
And on my topmost branch the blackbird made
A little nest of grasses for his spouse,
And now and then a twittering wren would light
On a thin twig which hardly bare the weight of such delight.

I was the Attic shepherd’s trysting place,
Beneath my shadow Amaryllis lay,
And round my trunk would laughing Daphnis chase
The timorous girl, till tired out with play
She felt his hot breath stir her tangled hair,
And turned, and looked, and fled no more from such delightful
snare.

Then come away unto my ambuscade
Where clustering woodbine weaves a canopy
For amorous pleasaunce, and the rustling shade
Of Paphian myrtles seems to sanctify
The dearest rites of love; there in the cool
And green recesses of its farthest depth there is pool,

The ouzel’s haunt, the wild bee’s pasturage,
For round its rim great creamy lilies float
Through their flat leaves in verdant anchorage,
Each cup a white-sailed golden-laden boat
Steered by a dragon-fly,—be not afraid
To leave this wan and wave-kissed shore, surely the place was made

For lovers such as we; the Cyprian Queen,
One arm around her boyish paramour,
Strays often there at eve, and I have seen
The moon strip off her misty vestiture
For young Endymion’s eyes; be not afraid,
The panther feet of Dian never tread that secret glade.

Nay if thou will’st, back to the beating brine,
Back to the boisterous billow let us go,
And walk all day beneath the hyaline
Huge vault of Neptune’s watery portico,
And watch the purple monsters of the deep
Sport in ungainly play, and from his lair keen Xiphias leap.

For if my mistress find me lying here
She will not ruth or gentle pity show,
But lay her boar-spear down, and with austere
Relentless fingers string the cornel bow,
And draw the feathered notch against her breast,
And loose the arched cord; aye, even now upon the quest

I hear her hurrying feet,—awake, awake,
Thou laggard in love’s battle! once at least
Let me drink deep of passion’s wine, and slake
My parched being with the nectarous feast
Which even gods affect!  O come, Love, come,
Still we have time to reach the cavern of thine azure home.’

Scarce had she spoken when the shuddering trees
Shook, and the leaves divided, and the air
Grew conscious of a god, and the grey seas
Crawled backward, and a long and dismal blare
Blew from some tasselled horn, a sleuth-hound bayed,
And like a flame a barbed reed flew whizzing down the glade.

And where the little flowers of her breast
Just brake into their milky blossoming,
This murderous paramour, this unbidden guest,
Pierced and struck deep in horrid chambering,
And ploughed a ****** furrow with its dart,
And dug a long red road, and cleft with winged death her heart.

Sobbing her life out with a bitter cry
On the boy’s body fell the Dryad maid,
Sobbing for incomplete virginity,
And raptures unenjoyed, and pleasures dead,
And all the pain of things unsatisfied,
And the bright drops of crimson youth crept down her throbbing
side.

Ah! pitiful it was to hear her moan,
And very pitiful to see her die
Ere she had yielded up her sweets, or known
The joy of passion, that dread mystery
Which not to know is not to live at all,
And yet to know is to be held in death’s most deadly thrall.

But as it hapt the Queen of Cythere,
Who with Adonis all night long had lain
Within some shepherd’s hut in Arcady,
On team of silver doves and gilded wain
Was journeying Paphos-ward, high up afar
From mortal ken between the mountains and the morning star,

And when low down she spied the hapless pair,
And heard the Oread’s faint despairing cry,
Whose cadence seemed to play upon the air
As though it were a viol, hastily
She bade her pigeons fold each straining plume,
And dropt to earth, and reached the strand, and saw their dolorous
doom.

For as a gardener turning back his head
To catch the last notes of the linnet, mows
With careless scythe too near some flower bed,
And cuts the thorny pillar of the rose,
And with the flower’s loosened loneliness
Strews the brown mould; or as some shepherd lad in wantonness

Driving his little flock along the mead
Treads down two daffodils, which side by aide
Have lured the lady-bird with yellow brede
And made the gaudy moth forget its pride,
Treads down their brimming golden chalices
Under light feet which were not made for such rude ravages;

Or as a schoolboy tired of his book
Flings himself down upon the reedy grass
And plucks two water-lilies from the brook,
And for a time forgets the hour glass,
Then wearies of their sweets, and goes his way,
And lets the hot sun **** them, even go these lovers lay.

And Venus cried, ‘It is dread Artemis
Whose bitter hand hath wrought this cruelty,
Or else that mightier maid whose care it is
To guard her strong and stainless majesty
Upon the hill Athenian,—alas!
That they who loved so well unloved into Death’s house should
pass.’

So with soft hands she laid the boy and girl
In the great golden waggon tenderly
(Her white throat whiter than a moony pearl
Just threaded with a blue vein’s tapestry
Had not yet ceased to throb, and still her breast
Swayed like a wind-stirred lily in ambiguous unrest)

And then each pigeon spread its milky van,
The bright car soared into the dawning sky,
And like a cloud the aerial caravan
Passed over the AEgean silently,
Till the faint air was troubled with the song
From the wan mouths that call on bleeding Thammuz all night long.

But when the doves had reached their wonted goal
Where the wide stair of orbed marble dips
Its snows into the sea, her fluttering soul
Just shook the trembling petals of her lips
And passed into the void, and Venus knew
That one fair maid the less would walk amid her retinue,

And bade her servants carve a cedar chest
With all the wonder of this history,
Within whose scented womb their limbs should rest
Where olive-trees make tender the blue sky
On the low hills of Paphos, and the Faun
Pipes in the noonday, and the nightingale sings on till dawn.

Nor failed they to obey her hest, and ere
The morning bee had stung the daffodil
With tiny fretful spear, or from its lair
The waking stag had leapt across the rill
And roused the ouzel, or the lizard crept
Athwart the sunny rock, beneath the grass their bodies slept.

And when day brake, within that silver shrine
Fed by the flames of cressets tremulous,
Queen Venus knelt and prayed to Proserpine
That she whose beauty made Death amorous
Should beg a guerdon from her pallid Lord,
And let Desire pass across dread Charon’s icy ford.
Martin Narrod May 2014
We know you, and your little dark colors too. A picture book in your purse penned in mustaches on the full faces of your fare. We call you from bed, 8 o' clock in the morning, dog-light you slow wander the Peruvian darkness making jellyfish tentacles with your hands while you feel your way through Salem. We're colder than night and we wake thrice the bits of your day gig. You collapse in a green field of dandelion where thrushes drown you in Brown. We gorge ourselves on mango slivers, pineapple yolks, a half of grapefruit. We know you are close to your end.

On the tops of the cities you call to your lycan friends, the half-sick and muted bray allures them to you, from Bratislava and Mimon, the thoroughfare through the suq. We wait. The foregone untold, the beep beep jug jug swoop sound of the nightingale, in all her dun glory, we wait. Then, as if descending through the moor-lounging silver smoke, the cool stickiness to your fingertips; the fog.

We are there when the blue-less and smoky screen surrounds you, when you shank the auburn Scot hair of the sly fox that stalks, say, a cigarette from your lips. When you take the corners swiftly, gadding the streets. The prize king of vulpicide. You rub its matte fur against your bristly gray beard. And while you lay in your lumps of twelve carat flesh you bleat and you nag. One day you will never come home.
*Johnny 3:16 is an unattainable film featuring Vincent Gallo. The trailer for the film is available here
Chitter , chatter chirrup
Three birds of a feather
A friendly chummy posy -
in perfect morning tide pleasure
Trilling , thrilling , touring Thrush's in the noon palmettos
Chiming sweet refrains in the -
broomcorn meadow
Musky , dusky weary
Gold songsters in a bush
A huckleberry trio in the-
nighttime hush
Copyright April 5 , 2016 by Randolph L Wilson * All Rights Reserved
Two lovers by a moss-grown spring:
They leaned soft cheeks together there,
Mingled the dark and sunny hair,
And heard the wooing thrushes sing.
O budding time!
O love's blest prime!

Two wedded from the portal stept:
The bells made happy carolings,
The air was soft as fanning wings,
White petals on the pathway slept.
O pure-eyed bride!
O tender pride!

Two faces o'er a cradle bent:
Two hands above the head were locked:
These pressed each other while they rocked,
Those watched a life that love had sent.
O solemn hour!
O hidden power!

Two parents by the evening fire:
The red light fell about their knees
On heads that rose by slow degrees
Like buds upon the lily spire.
O patient life!
O tender strife!

The two still sat together there,
The red light shone about their knees;
But all the heads by slow degrees
Had gone and left that lonely pair.
O voyage fast!
O vanished past!

The red light shone upon the floor
And made the space between them wide;
They drew their chairs up side by side,
Their pale cheeks joined, and said, "Once more!"
O memories!
O past that is!
Some are laughing, some are weeping;
She is sleeping, only sleeping.
Round her rest wild flowers are creeping;
There the wind is heaping, heaping
Sweetest sweets of Summer's keeping,
By the cornfields ripe for reaping.

There are lilies, and there blushes
The deep rose, and there the thrushes
Sing till latest sunlight flushes
In the west; a fresh wind brushes
Through the leaves while evening hushes.

There by day the lark is singing
And the grass and weeds are springing:
There by night the bat is winging;
There forever winds are bringing
Far-off chimes of church-bells ringing.

Night and morning, noon and even,
Their sound fills her dreams with Heaven:
The long strife at length is striven:
Till her grave-bands shall be riven
Such is the good portion given
To her soul at rest and shriven.
When April bends above me
And finds me fast asleep,
Dust need not keep the secret
A live heart died to keep.

When April tells the thrushes,
The meadow-larks will know,
And pipe the three words lightly
To all the winds that blow.

Above his roof the swallows,
In notes like far-blown rain,
Will tell the little sparrow
Beside his window-pane.

O sparrow, little sparrow,
When I am fast asleep,
Then tell my love the secret
That I have died to keep.
Verdae Geissler Jun 2013
This is one of the great memories I have of the, rare but precious, moments I spent with my daddy. I was all of,maybe, six years old. And this is how it went dow that night...

It was during a wedding party for my dad’s good friend Billy Phibin, where he and I would pull off more than a couple of our wonderfully delicious pranks.  Mostly though, we would put to test our excellent skill in ******* off his wife, while amusing all the  wedding guests. And with a style all our own,  we would leave our  mark on a couple of “celebutants” of the New York, Atlanta art scene. My dad and I were quite a team.
I am sure we left our mark, to this very day, on those silly chicks!

As I recall,  one of the two, along with a terrible fake British accent, and some funky 70′s, pre-punk eclectic outfit, was wearing this pair of truly, unforgettable, green sunglasses.
...The kind that would put ol’ Elton to shame!

My dad and I,  when we weren’t throwing bricks, with Harold Kelling, off the top of the old Atlanta warehouse, followed the two celebutants around the party, heckling them through out the night.
...Or, when we weren't reaching for the neon coca cola sign, which seemed so close I thought we might actually be able to touch it, we razzed and heckled the crowd.

The warehouse seemed more like a huge tree house, full of everything wonderful and exciting, than a downtown loft, in the worst neighborhood possible, and where a man might actually be mugged and left for dead in the street!

My dad and I had indulged ourselves in all the boring fun we could stand at this point. Plus, the celeb chicks were getting ready to leave.  So we set our mischief into action.
It was crazy.
Like syncronicity.
...We never planned a thing,  yet we both knew what the plan was, and what the next move was going to be.
So like we were one entity, and in unison, we followed those two chicks to their swank little antique convertible, where we inevitably ended up, absolutely, tricking one of those silly chicks out of her “funky green sun glasses”!  
Not to mention her phone number, for my dad, no less!
My daddy and I were on a roll!
We laughed and laughed as I put them on, then ran.
Wearing those funky green sunglasses!                                  
"Well, that was fun!", my dad exclaimed.
"What's next Daddy?", I screamed with delight!
With a wink and a smile, we were off again....
That is when we really did it up!
We threw it all to the wind!
..and the real fun began!
Hell, we were already in deep **** with Linda Phibin and Da Mama!
....why not have some REAL fun!

...So, as we watched the little antique sporty speed off into the distance, my dad and I set our plan into action...

Let me take a moment to explain the entrance to this loft. It had a very narrow and steep stairway, which led, abruptly, to the sidewalk outside.
So if a man were to loose his balance, it would pretty much be over!

Back to the scene of the crime...

I will, again, note that this staircase was very narrow, steep, and old.

If a man were to fall, he would, inevitably,
land, face first, onto the ***** sidewalk.

...As my dad got busy positioning himself to look as if he'd fallen down the staircase.
He went on to position his face and wine cup just right...
... with them both spilling out onto the sidewalk...!

Now, my job was to sneak back in to the loft's tiny kitchen to get some "blood" for around his mouth and hand.
Off I went...
... I sneaked past the front room, then past the swing, onto the kitchen, people smiling at me the whole way.
... never knowing what was up my sleave...
Finally, I arrived in the cramped little kitchen.
I proceeded, in stealth mode, on to the fridge for ketchup.

Hah! mission accomplished!

I was headed back to the scene, when the
bride caught me by the arm, as she was mixing up some drinks.
She smiled and winked.
...I will always think, because she knew my dad,
and by reading the look on my face, as I stood there with her bottle of ketchup in hand,
she secretly loved whatever  it was, we were up to!
So she gave me the go ahead with then nudge of her chin. T
Then off  I was, once again!
We proceeded to put the finishing touches on our grotesque scene....
... A scene that would most probably now, cause, even, me to have a heart attack,
were I to come upon it!
As I reached my dad, who was all sprawled acroos and down the stairway, I screamed, in my kid voice; "Mission accomplished, daddy!"
"Here's the blood!"
We squirted it in all the right places....
After everything was just right, I  already knew my next mission:
collect the crew, and bring them out to the horrific scene!
Now, I must remind the reader, that "the crew" consisted of my step mother, who had been fed up long before now, and then there was Linda Phibin, who'd been over my dad's antics since 1972!
They made up the "crew"!
Just so you know, they were acting as if they'd had less no fun that evening.
and if they had to put up with “just one more thing out of us”, they would both implode.
Thinking back now, I can say with pride;
The scene was perfect!
We had everything in place.
Now for the theatrical perfomance of my entire childhood...
...My dad looked like **** Jagger, or even Keith Richards during the thrushes of a major overdose, or perhaps Joe Cocker, on a bad drunk...
....With his head all ******, from all the ketchup we'd squirted all over the  place, there he  was.
.. My dad with his bloodly head hanging out into the city’s dark, *****, and dangerous sidewalk!

After, once again, climbing the stairs, I rushed in on the crowd.
I was a kid in hysterics!
I was screaming about, how my dad had lost his balance.
and was, now, lying on the stairs, bleeding into the street.
I led them back to “the scene of the crime”,
sobbing the entire way.

...It was better than we ever could have imagined!
They swallowed it all, hook line and sinker!
They were all freaking out, screaming for an ambulance, medic, anything!
I even remember hearing someone scream,
“Oh God, I think his neck is broken!”
...Then another scream,
”And so are his legs!”
I'll never know how he continued to lay there without cracking up,
but then at that very moment,  
my dad sprung to life, acting as if he were some kind of zombie creature!
They really freaked at that.
... crying and screaming, and freaking out!
Then they screamed some more...
...I was ecstatic, bursting with pure admiration and awe of my daddy’s brilliant performance.
I was walking on air knowing we'd pulled it off , once again!
Meanwhile,
Let's just say, the others were a lot less amused.
So we all piled back into the momobee.
Then headed home, with them scolding us, and ******* the whole way.
....Some things never change!

Even then, my dad and I kept our private little buzz going....

...on  Ketchup and Green Sunglasses!
Robert Ronnow Feb 2023
There are actual people
half woman half man
running mornings and
dream people in movies
half language half light.
Tomorrow is John’s funeral.

* * *

This is my minute
my moment
Oops, gone!

Anything can happen
if you don’t resist
Resist!

* * *

But who am I? You think bullets won’t
****? I’m the guy they put before a
wall and shoot then eat lunch.

* * *

Long as yr livin
yr havin that dream in
which yr killin the villains
w/o even needin a weapon.

* * *

If it was fun, they wouldn't call it work,
but it is fun. It's what we do, a bird
sings, dogs bark. We work. Sing bark work.
Honey, put on your shorts, it's gonna be 90 today.

* * *

How right is the rabbi!
"What a good and bright world this is if we do not lose our hearts to it,
But what a dark world if we do!"

* * *

We saw a barred owl
camouflaged in winter branches.
Bird of death (in myth), hunts down the dark,
floats to a farther tree, turns its back, and naps.

* * *

The sadness of summer, the silence of winter
you can’t sum it up in one more metaphor.
So don’t complain about the epoch you live in.
Go to Big Hidden Lake and jump in!

* * *

Down to negative calories, in deep snow
we find soft wintering rose hips, gobble them down.
First time for me a wild edible made a difference,
not just a delicacy. Then we snowshoe out.

* * *

Spring morning
flycatchers, jays, thrushes, a woodpecker’s loony cry.
A toilet flushes.

* * *

Zach
awoke from a scary dream
I kissed him back to bed

He asked
are all the doors locked?
I said yes knowing they would not hold

* * *

The republic may expire
but birds go on traveling, singing
in their best attire.

* * *

My plump cashier
has a new love.
Her skin is clear
and her line moves.

* * *

Desafinado means slightly out of tune which is not a problem.
It’s a fortunate condition. Zach just called from school sounding clear
and happy to say there’s floor hockey this afternoon. For me, another       cold,
slow Spring. How lucky!

* * *

At basketball I was reminded
the better players in their private moments
think on the ultimate reward. Perfect rest.

* * *

You come in our backyard, we go in yours.
That about sums it up. Assuming there are definable, accepted backyards.
Suppose it’s all one backyard and time is all one sheet of ice?

* * *

My son Zach said as a toddler he liked the old house
and he’s having a good time now at the new house.
We were lying together in the window seat passing the early morning       time,
late September and happy as I was I thought what’s running out is time.

* * *

The young women’s bodies were awesome. I appreciated
the couple of Muslim women who kept their bodies
covered. That was easier on an old man’s eyes.

Not that I wanted to change the American girls’ ways.
They seemed comfortable wearing underwear outdoors
and unaware, more or less, of the longing it provoked.

* * *

To invade a clean house
searching for weapons or insurgents, I agree
with the enemy, that is a sacrilege.
Not that I accept their god, and there could be,
hiding, a mouse.

* * *

I tell my sons
If some man tries to pull you into his car, fight
kick bite yell run punch curse scratch knife
make him **** you right there in the street
use your feet your fear your hate.

* * *

If everything seems under control, you’re not going fast enough.
—Mario Andretti

* * *

The river in its muddy symmetry
high water mark in Spring
is a god to me
in a way that I can be to a dog while thinking
or the sky is to the hanging apple.

* * *

A day, a new day, starts at 5:00.
Earlier than that it’s still yesterday,
the rags and dreams, the sweat and worry, the *** and laughter
of that day. The alcohol and aspirin, the sunset and machinery, the dinner       and toothache
of that day. The germs and friends, the sports and editorial, the gleam and
      dullness
of that day.

* * *

The key to success is cross out, delete, compress,
rub out, expunge, black out scratch out blot out,
censor, crop, shorten and silence.
Clip, cut, erase and eradicate.
Hate everything you write.

* * *

I will be saved
and spanked too.

* * *

Phil is on a movie diet. Bad movies in which the logic switch is turned off. Jumps from scene to scene like a cat.
Most ******* is hilariously obscene. Genitals like little animals. Snowplows hit potholes sending up sparks.

* * *

Make way for a future that’s irresistible!
Dust. Rest. Mist. Rust.
One day follows another until the last day.
And on that day, there will be weather.

* * *

Driving in traffic
80 mph, 80 y/o.
Turkey vultures shrug shoulders.

* * *

When an archangel
flies into your windshield
sing cuckoo!
O cool is the valley now
And there, love, will we go
For many a choir is singing now
Where Love did sometime go.
And hear you not the thrushes calling,
Calling us away?
O cool and pleasant is the valley
And there, love, will we stay.
Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers,
And that cannot stop their tears.
The young lambs are bleating in the meadows,
The young birds are chirping in the nest,
The young fawns are playing with the shadows,
The young flowers are blowing toward the west—
But the young, young children, O my brothers,
They are weeping bitterly!
They are weeping in the playtime of the others,
In the country of the free.

Do you question the young children in their sorrow,
Why their tears are falling so?
The old man may weep for his tomorrow,
Which is lost in Long Ago;
The old tree is leafless in the forest,
The old year is ending in the frost,
The old wound, if stricken, is the sorest,
The old hope is hardest to be lost:
But the young, young children, O my brothers,
Do you ask them why they stand
Weeping sore before the bosoms of their mothers,
In our happy Fatherland?

They look up with their pale and sunken faces,
And their looks are sad to see,
For the man’s hoary anguish draws and presses
Down the cheeks of infancy;
“Your old earth,” they say, “is very dreary;
Our young feet,” they say, “are very weak!
Few paces have we taken, yet are weary—
Our grave-rest is very far to seek.
Ask the aged why they weep, and not the children,
For the outside earth is cold,
And we young ones stand without, in our bewildering,
And the graves are for the old.”

“True,” say the children, “it may happen
That we die before our time.
Little Alice died last year—her grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her:
Was no room for any work in the close clay!
From the sleep wherein she lieth none will wake her,
Crying ‘Get up, little Alice! it is day.’
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries;
Could we see her face, be sure we should not know her,
For the smile has time for growing in her eyes:
And merry go her moments, lulled and stilled in
The shroud by the kirk-chime.
It is good when it happens,” say the children,
“That we die before our time.”

Alas, alas, the children! They are seeking
Death in life, as best to have;
They are binding up their hearts away from breaking,
With a cerement from the grave.
Go out, children, from the mine and from the city,
Sing out, children, as the little thrushes do;
Pluck your handfuls of the meadow-cowslips pretty,
Laugh aloud, to feel your fingers let them through!
But they answer, “Are your cowslips of the meadows
Like our weeds anear the mine?
Leave us quiet in the dark of the coal-shadows,
From your pleasures fair and fine!

“For oh,” say the children, “we are weary,
And we cannot run or leap;
If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping,
We fall upon our faces, trying to go;
And, underneath our heavy eyelids drooping,
The reddest flower would look as pale as snow.
For, all day, we drag our burden tiring
Through the coal-dark, underground;
Or, all day, we drive the wheels of iron
In the factories, round and round.

“For all day the wheels are droning, turning;
Their wind comes in our faces,—
Till our hearts turn, our heads with pulses burning,
And the walls turn in their places:
Turns the sky in the high window blank and reeling,
Turns the long light that drops adown the wall,
Turn the black flies that crawl along the ceiling,—
All are turning, all the day, and we with all.
And all day, the iron wheels are droning,
And sometimes we could pray,
‘O ye wheels,’ (breaking out in a mad moaning)
‘Stop! be silent for today!’ ”

Ay, be silent! Let them hear each other breathing
For a moment, mouth to mouth!
Let them touch each other’s hands, in a fresh wreathing
Of their tender human youth!
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals:
Let them prove their living souls against the notion
That they live in you, or under you, O wheels!
Still, all day, the iron wheels go onward,
Grinding life down from its mark;
And the children’s souls, which God is calling sunward,
Spin on blindly in the dark.

Now tell the poor young children, O my brothers,
To look up to Him and pray;
So the blessed One, who blesseth all the others,
Will bless them another day.
They answer, “Who is God that He should hear us,
While the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word.
And we hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?

“Two words, indeed, of praying we remember,
And at midnight’s hour of harm,
‘Our Father,’ looking upward in the chamber,
We say softly for a charm.
We know no other words except ‘Our Father,’
And we think that, in some pause of angels’ song,
God may pluck them with the silence sweet to gather,
And hold both within His right hand which is strong.
‘Our Father!’ If He heard us, He would surely
(For they call Him good and mild)
Answer, smiling down the steep world very purely,
‘Come and rest with me, my child.’

“But, no!” say the children, weeping faster,
“He is speechless as a stone:
And they tell us, of His image is the master
Who commands us to work on.
Go to!” say the children,—”up in heaven,
Dark, wheel-like, turning clouds are all we find.
Do not mock us; grief has made us unbelieving—
We look up for God, but tears have made us blind.”
Do you hear the children weeping and disproving,
O my brothers, what ye preach?
For God’s possible is taught by His world’s loving,
And the children doubt of each.

And well may the children weep before you!
They are weary ere they run;
They have never seen the sunshine, nor the glory
Which is brighter than the sun.
They know the grief of man, without its wisdom;
They sink in man’s despair, without its calm,—
Are slaves, without the liberty in Christdom,—
Are martyrs, by the pang without the palm,—
Are worn as if with age, yet unretrievingly
The harvest of its memories cannot reap,—
Are orphans of the earthly love and heavenly.
Let them weep! let them weep!

They look up with their pale and sunken faces,
And their look is dread to see,
For they mind you of their angels in high places,
With eyes turned on Deity;—
“How long,” they say, “how long, O cruel nation,
Will you stand, to move the world, on a child’s heart,—
Stifle down with a mailed heel its palpitation,
And tread onward to your throne amid the mart?
Our blood splashes upward, O gold-heaper,
And its purple shows your path!
But the child’s sob in the silence curses deeper
Than the strong man in his wrath.”
The vivid grass with visible delight
Springing triumphant from the pregnant earth,
The butterflies, and sparrows in brief flight
Chirping and dancing for the season's birth,
The dandelions and rare daffodils
That touch the deep-stirred heart with hands of gold,
The thrushes sending forth their joyous trills,--
Not these, not these did I at first behold!
But seated on the benches daubed with green,
The castaways of life, a few asleep,
Some withered women desolate and mean,
And over all, life's shadows dark and deep.
Moaning I turned away, for misery
I have the strength to bear but not to see.
Farewell to the bushy clump close to the river
And the flags where the butter-bump hides in forever;
Farewell to the weedy nook, hemmed in by waters;
Farewell to the miller’s brook and his three bonny daughters;
Farewell to them all while in prison I lie—
In the prison a thrall sees naught but the sky.

Shut out are the green fields and birds in the bushes;
In the prison yard nothing builds, blackbirds or thrushes.
Farewell to the old mill and dash of waters,
To the miller and, dearer still, to his three bonny daughters.

In the nook, the larger burdock grows near the green willow;
In the flood, round the moor-**** dashes under the billow;
To the old mill farewell, to the lock, pens, and waters,
To the miller himsel’, and his three bonny daughters.
In a dream I shall feel
The wings of the world unfolding, and
Worlds spinning on the axis of mad journeys;
And the seas breaking turquoise, upon their rippled surface.

In the heart of the ears
I shall hear the shivering willows, dreaming their
Wood-smoke dreams, full of sap and  funneled sunlight;
Pierced by light for a thousand years

And the flowers sleeping nestled in stars;
Gathered in the deep, among the wood-thrushes,
In coagulated violet forests, all shadowed and dark:
And a whispered peace barely rustles this world.
Hunters, where does Hope nest?
Not in the half-oped breast,
Nor the young rose,
Nor April sunrise—those
With a quick wing she brushes,
The wide world through,
Greets with the throat of thrushes,
Fades from as fast as dew.

But, would you spy her sleeping,
Cradled warm,
Look in the breast of weeping,
The tree stript by storm;
But, would you bind her fast,
Yours at last,
Bed-mate and lover,
Gain the last headland bare
That the cold tides cover,
There may you capture her, there,
Where the sea gives to the ground
Only the drift of the drowned.
Yet, if she slips you, once found,
Push to her uttermost lair
In the low house of despair.
There will she watch by your head,
Sing to you till you be dead,
Then, with your child in her breast,
In another heart build a new nest.
wordvango May 2014
conspire.....

Yours: snapping turtle in the cattail thrushes;
             IMPRESSIVE   you are!
Impressive you be.
              My rage ensues at cattail thrushes......
by your rage I steam
              and swagger bemused
succumb in glorious rendevous,
              amazed.
Mine: we conspire secretly,
SO naughty..... poetically.
Bodhi May 2017
Someday if you are lucky, you'll return from a thunderous journey, trailing snake scales, wing fragments, and the musk of the earth and moon.
Eyes will examine you for signs of damage or change and you too will wonder if your skin shows traces, of fur or leaves, if thrushes have built a nest in your hair.
If Andromeda burns from your eyes.
Don't be surprised by prickly questions from those who barely inhabit  their own fleeting lives, who barely taste their own potential, who barely dream.
If your hands are empty, treasureless, if your toes have not grown claws, if your obedient voice has not become a wildcry, a howl, you will reasure them.
We warned you, they might declare, there is nothing else, no point, no meaning, no mystery at all. Just this frantic waiting to die.
And yet they will tremble, mute, afraid you've returned without sweet elixir for unspeakable thirst, without a fluent dance or holy language.
No teach them without compass bearing to a forgotten boarder where no-one crosses without weeping for the terrible beauty of galaxies and granite and stone.
They tremble, hoping your lips hold a secret, that the song your body now sings will redeem them, yet they fear.
Your secret is dangerous, shattering and once it flies from your astonished mouth, they-like-you-must-dis-intergrate
Before unfolding tremendous wings.
Mark C Jan 2013
Thursday.  My Indian GP sees me.  Gives advice about my moods.  Nods.  Is sympathetic.  Writes my prescription. Warns me to be alert and careful, if I am weaning myself off the medicine.

Friday. I crack a lame joke with the black girl in the chemist.  Half-asleep, I apologise for mumbling;  mutter something about it being Friday.  Realise it’s the first time I’ve spoken today.  I pay, pick up the tablets, walk off.

It’s a beautiful morning;  cold, azure, crisp; real.  The kind of morning when you remember why it’s worth being alive.  The kind of morning when the traffic shuts up, and you hear the thrushes.  The kind of morning when you realise you can do anything.  Cumulus start to bubble up over London.  You feel like you can fly through the clouds.

A thunderhead eclipses the sun.  Six foot tall, fifteen stone;  broad and handsome.  Close cropped hair.  Black boots, black shades.  Tight, sleek, black jeans.  George Cross embroidered over his heart.  ******* stitched to the arm of his black NF jacket.  Walking with the confidence of a man who knows he is Chosen.  

I stumble.  

*the thrushes fall silently out of the sky
In melancholy moonless Acheron,
Farm for the goodly earth and joyous day
Where no spring ever buds, nor ripening sun
Weighs down the apple trees, nor flowery May
Chequers with chestnut blooms the grassy floor,
Where thrushes never sing, and piping linnets mate no more,

There by a dim and dark Lethaean well
Young Charmides was lying; wearily
He plucked the blossoms from the asphodel,
And with its little rifled treasury
Strewed the dull waters of the dusky stream,
And watched the white stars founder, and the land was like a dream,

When as he gazed into the watery glass
And through his brown hair’s curly tangles scanned
His own wan face, a shadow seemed to pass
Across the mirror, and a little hand
Stole into his, and warm lips timidly
Brushed his pale cheeks, and breathed their secret forth into a
sigh.

Then turned he round his weary eyes and saw,
And ever nigher still their faces came,
And nigher ever did their young mouths draw
Until they seemed one perfect rose of flame,
And longing arms around her neck he cast,
And felt her throbbing *****, and his breath came hot and fast,

And all his hoarded sweets were hers to kiss,
And all her maidenhood was his to slay,
And limb to limb in long and rapturous bliss
Their passion waxed and waned,—O why essay
To pipe again of love, too venturous reed!
Enough, enough that Eros laughed upon that flowerless mead.

Too venturous poesy, O why essay
To pipe again of passion! fold thy wings
O’er daring Icarus and bid thy lay
Sleep hidden in the lyre’s silent strings
Till thou hast found the old Castalian rill,
Or from the Lesbian waters plucked drowned Sappho’s golden quid!

Enough, enough that he whose life had been
A fiery pulse of sin, a splendid shame,
Could in the loveless land of Hades glean
One scorching harvest from those fields of flame
Where passion walks with naked unshod feet
And is not wounded,—ah! enough that once their lips could meet

In that wild throb when all existences
Seemed narrowed to one single ecstasy
Which dies through its own sweetness and the stress
Of too much pleasure, ere Persephone
Had bade them serve her by the ebon throne
Of the pale God who in the fields of Enna loosed her zone.
Though loth to grieve
The evil time's sole patriot,
I cannot leave
My buried thought
For the priest's cant,
Or statesman's rant.

If I refuse
My study for their politique,
Which at the best is trick,
The angry muse
Puts confusion in my brain.

But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blind worm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife.

Or who, with accent bolder,
Dare praise the freedom-loving mountaineer,
I found by thee, O rushing Contoocook!
And in thy valleys, Agiochook!
The jackals of the *****-holder.

The God who made New Hampshire
Taunted the lofty land
With little men.
Small bat and wren
House in the oak.
If earth fire cleave
The upheaved land, and bury the folk,
The southern crocodile would grieve.

Virtue palters, right is hence,
Freedom praised but hid;
Funeral eloquence
Rattles the coffin-lid.

What boots thy zeal,
O glowing friend,
That would indignant rend
The northland from the south?
Wherefore? To what good end?
Boston Bay and Bunker Hill
Would serve things still:
Things are of the snake.

The horseman serves the horse,
The neat-herd serves the neat,
The merchant serves the purse,
The eater serves his meat;
'Tis the day of the chattel,
Web to weave, and corn to grind,
Things are in the saddle,
And ride mankind.

There are two laws discrete
Not reconciled,
Law for man, and law for thing;
The last builds town and fleet,
But it runs wild,
And doth the man unking.

'Tis fit the forest fall,
The steep be graded,
The mountain tunnelled,
The land shaded,
The orchard planted,
The globe tilled,
The prairie planted,
The steamer built.

Live for friendship, live for love,
For truth's and harmony's behoof;
The state may follow how it can,
As Olympus follows Jove.
Yet do not I implore
The wrinkled shopman to my sounding woods,
Nor bid the unwilling senator
Ask votes of thrushes in the solitudes.
Every one to his chosen work.
Foolish hands may mix and mar,
Wise and sure the issues are.
Round they roll, till dark is light,
*** to ***, and even to odd;
The over-God,
Who marries Right to Might,
Who peoples, unpeoples,
He who exterminates
Races by stronger races,
Black by white faces,
Knows to bring honey
Out of the lion,
Grafts gentlest scion
On Pirate and Turk.

The Cossack eats Poland,
Like stolen fruit;
Her last noble is ruined,
Her last poet mute;
Straight into double band
The victors divide,
Half for freedom strike and stand,
The astonished muse finds thousands at her side.
Magical silence of Midnight..
as we ponder moments of life.
Solemn  thoughts at tranquility..
Virtues guiding our pursuit..
Images of distant loves..blurr our waning thoughts..
Envisaged You through virtual reality
of thirty years or some more
so ago,
I haven't encroach Thy heart
to no one but You.
A rare bloom floret to my sight!
Beauty Ahah!,,I cant resist this thorn in my Rose Garden.
"And tempted by the charming fragrance of
the blooming gardener".- whom He divulged:
                "Purple bloom reflects a purple heart that expresses love unsurpassed,,,I am writing these words  with my crimson blood ,, to equal thy charm the glow of your love"
He recounted to me over.
Then I know I behold to keep it in my
cognizant jeweled mind, oh so dear.
With my long blondish brown hair
swaying softly cool but warm.
Truly though agitated by the
earthly abating absence-
of Your tangible touch.
Unsurpassed by my astral dream
with much ado!
Gladly remembering You,
in my fervent thoughts.
Thereby cherishing you
on times when things make sense
to me-
out of distress,
to madness so unlikely permeates.
When I am down in anguish, I couldn't weather!
                      "Let the beauty of the woven words ,,
                        guide Your day into fruitfulness, so deary,
                        "Let the rhythm and cadence gives You music in Your restlessness."
  Sir I said, ' I love You" withal affirms..
                       "Let the laughter of my jokes, '
                         lighten Your burden, ease Your yoke,
                       "Let the fire of fiery words be Your armor n silent sword!"
Woe to me as I heed to hearken and thirst for more!
                       "Let d spell of Your poignant smile,,
                         fills my cup instead of wine,,so that I may lie in deep slumber
                         as I gulp Your sweet nectar so divine!"
                         T'is lady  Rose ( scientific name liigaiea vellenoeva) is the best
                         of them all,,
                       I wanna pick her!'
He likewise and inadvertently  told thine.
Along came my sweet behold, I so to keep.
Love such a splendor, undeniably volatile,
in total intimacy desperately onto
conjures.
Yodeling and Yonder fire churning escapades,
To someday crossed our paths
should not perish, So afar!
I beseech thee, make me a swell great day!
Even though  fuming flowers and bees so abounds!
In a ROSE  minted heartland
truly endowed.
Thy thorn so stuck amidst for
You and me
For every storm to grasp its thrushes,
Be res-assured nifty and dandy
For you my daddy
to come Home to,
and hangout together.
That pokes and pukes
Lingered though day in day out,
colloquially.
From jive to logic.
From sane to insanity.
Only one soldered Thorn sojourns!
Prabhu Iyer Aug 2012
This is the time I cannot bear: this silent evening hour
As I shut windows and the balcony to prying nightsong:
In the trance of dim lights, I ride the incense plume
Across whispers and half-thoughts, slicing through
The canvasses of time: that unforgettable house of love
Perched by the lakes, circled by the stream and canal
Where worlds and time stopped to catch a glimpse
Many shades of grey silhouetted against stormy skies
Of swans gliding past fresh ripples across reeds
Drenched in a hundred hues of ethereal moonlight,
Hum of the wind surfing on the waters, drunken voices
Of assorted lovelorn: thrushes, finches, hidden warblers
Majestic storks and herons guarded the secret doors
To eternity, pitched right in the middle of the great city
By the home that housed love in precious embrace
O the cold of the winter that screened for damp corners
In our souls, through meditative shades lining the view,
The home that I squandered, I who love ruins and rubble
At yon boundaries are shrubs,
Waiting like unlit chapel bulbs,

Under are flowers also plugged,
Within wet soil, grabbing waters,

Rains once pelted withal seeds,
Into the skies they both breathe,

Under earth, worms wriggle up,
Graduating in swirls to the sun,

On blankets of grass are daisies,
Wildly napping a dreamy breeze,

Thrushes in rushes joyfully sing,
Lilt of lullabies from skies begin,

Songbirds dropping windy hues,
The giddy butterflies justly knew,

What bees do bounces, busy for,
Such patchwork paradise galore.
Martin Narrod Nov 2015
weathered fingertips in sensual crescendo
arouse blitzing keystrokes to commove
wild Js and Zeds, Ks and Is too.
harmony of the king's three-thousand acre jungle
swallowing the stormy orange cyclical stew

and tantamount to its feral cavities
thrushes whet jagged spinal bones to split
news of the no-rhythm, sambas of new religious canter
infiltrates the **** cavernous walls

This inner ear and greater sound
knew to find sanctuary here.
Lends its awesome craft to the next
And next, and next, and next;

beautiful unboxed melodies
new unused sweet single-reeds
threading that 20s centrifuge.
Saxophone. Incantations unfolding

Aloof in its ***** it unwraps
The veil of green, a costume of black coffees
Cigarette stained curtains exhumed to greet
Thick plumes of albicant sinewy smoke
At the heap of its glorious song

Uniting the funnel of eardom to consecrate
Bliss. Intrinsic and purple
An irrational knot of Portuguese drum
Met over by African toms and rattles

A glue imbued into those unmistakable
Chakras of this spell of mourning and reversed
Names of starlight girls and their other'd selves
These are the weapons of our new key strokes.

And upon the cortex it reveals this lift anew
Where death greeted me to intervene a place
Where sound and silence meet, and new strikes
Put my hands in halves. Pear-shaped birds pecking
At the joints, and where bowl-shaped tones bring

Their impeccable limbs to atone with auburn and cerise soils
Beneath the high ridges of doom- the empowering backspace
Does not exist, only new nothingnesses and their hooves
Splashing into each step into the next, and the next, and the next,
And the next.
When June comes dancing o'er the death of May,
With scarlet roses tinting her green breast,
And mating thrushes ushering in her day,
And Earth on tiptoe for her golden guest,

I always see the evening when we met--
The first of June baptized in tender rain--
And walked home through the wide streets, gleaming wet,
Arms locked, our warm flesh pulsing with love's pain.

I always see the cheerful little room,
And in the corner, fresh and white, the bed,
Sweet scented with a delicate perfume,
Wherein for one night only we were wed;

Where in the starlit stillness we lay mute,
And heard the whispering showers all night long,
And your brown burning body was a lute
Whereon my passion played his fevered song.

When June comes dancing o'er the death of May,
With scarlet roses staining her fair feet,
My soul takes leave of me to sing all day
A love so fugitive and so complete.
david mungoshi Oct 2016
the twigs are still and quiet
            indeed the birds have flown
            soon it'll all be ice and snow
         and shrubbery in a white gown
     as everywhere traffic seeks ease of flow
            
           i see that the birds have flown
      and that no more grass has grown
no more daffodils, lupine and hollyhocks
or the bluebirds, larks, thrushes and nightingales
     that jimmie rodgers waxed lyrical about

     one swallow i see in acrobatic show
        of frantic rhythm to beat the snow
        but futile its extravaganza ever is
       for one swallow does not make a summer
      i see that indeed the birds have flown
being recently arrived on a visit to the british isles i was struck by the absence of bird song at the break of day. then it struck me that the birds had probably migrated to warmer climates. i couldn't resist the temptation to do a parody of the words of Charles the second on arriving at a belligerent parliament: i see my birds have flown. the pun is deliberate
muna Mar 2016
I
Suddenly, I'm nostalgic,
for the times when life was simpler,
and we were blind to the evil that dwelt amongst its thrushes
where we played.
We coloured its black and white pages
with crayons,
and placed them somewhat carelessly
into the folders of our memories.
Now we constantly search for them,
and the joy that was once ours.

II
The dark was my sworn enemy,
but now I embrace it with open arms.
Curiosity was once my dear friend,
now I've all the answers I never wanted.
Questions continue to bloom
in my garden of knowledge
and I let them die.
Afraid to know the truths,
I would rather nourish the lies
I have planted.

III
Suddenly I am nostalgic,
for the times when life was simpler;
when I could admire the roses,
without glancing at their threatening thorns;
when I could freely laugh,
and not feel the tears behind my eyes;
when I could dream my whole world up,
and not fear it will come crashing down.
Ignorance was really bliss,
and freedom, never my wish.
Sometimes I miss when I wasn't an angsty teenager, confused and much too emotional. You never see how mean life can be as a kid.
Sienna Luna Jan 2017
Wandering

not lost because only those
who choose to be lost
are the ones who feel most free.

Wondering

not found because those who
find themselves stranded on mountains

peaks that steep with cliffs
so brief they threaten to
collapse the body with snow.

But dirt tends to cling
to those who dare
themselves to fall
hitting pine trees
and mulberry bushes
hearing buzzing bees
and small white thrushes.
Small, different hues of brown
Little black eyes and tiny pink feet
Junco
Eating the seeds on the ground
Inspiring something inside

The next day,
Clear tubes with red perches
Showed off the mix of seeds
Waiting for the first customer
Disappointed when nothing came

The next week,
Losing hope
Still looking, but not as often
Nothing, the one single Junco
Gone

Then that one day
There were two
Hopping off the fence
Onto those little red perches
Draining the tubes of the food
That had been waiting for them

Slowly but surely
More started coming
New birds
New numbers
Sparrows, finches, thrushes, doves

New feeders
New house

Getting the birds back
A new feeder
Filled with nectar
Waiting patiently
Now knowing it could take a while
And then

One day
Watching out the window
Hoping
That one just one might come
Then not one but three!

All in that one day!
Male and female Anna’s
Male Rufous
Zooming and glimmering
Light reflecting off gorgets
Creating the otherworldly hues
Of purple, red, green

In the days that followed
More feeders
More birds
More knowledge
Much more learned

A new hobby
A new love
That will continue
from that day on
Thanks
To that little
Junco
This is the story of my love of birds started, and is still going
MoMo Mar 2012
My place, my secret haven is the forest.
I love it because it’s an escape from the torture of reality that plagues me each and everyday.  
It’s where I can go when I’m close to breaking down and losing my mind.
Where heaven meets Earth, if just for a little while.
Where the wind blows gently through the tree’s shimmering green leaves.
Where the moonlit air warms everything and the nightingale sings the songs of blessed night.
The grass is thick, a carpet of living emerald that’s softer than feathers against travel weary feet.
Flowers the colors of precious jewels cluster in pools of the moon’s love; delighting the eye with their sprightly smiles.
Gaia’s forest children fly through her many wooden arms on light paws and hooves.
Deep within this holy sanctuary lies a waterfall that cascades into a pool and runs off in a waist deep stream. The water is of the clearest blue with fish of brilliant colors and gleaming scales.
The air smells forever fresh, like after a storm, and the heady aroma of pine drifts on soft breezes.
Moonlight plays on the dappled spots of wide-eyed fawns as they romp in the grass under the watchful eyes of their mothers. A lone wolf laps up cool water from the pool after a long run through the trees, and then lies in a bed of grass near a cluster of does in amiable silence.
The chirp of crickets hidden in the brush accompanies the trickling of the waterfall, and the whisper of the wind through the trees.
The faint hooting of a dwarf owl barely disturbs the orchestra of midnight sounds.
The earth sighs in contentment caressing her children in the featherlike grass, as she and they prepare for sleep.
A family of thrushes snuggle in their nest, lulled by the nightingale’s lullaby.
A little ways away silken chrysalis split and Tearful Underwing take their first flight on newborn wings.
Liz Apr 2014
Down the aisle of
dandelion clocks
we stroll,

Copse's line our quiet 
lane and thrushes 
flit between them.

All that can be heard 
is the soft thrum 
of their wings behind the veil 
of thistle.

A train of mist 
follows the missed 
lace daisies latticed into a thousand spiderwebs and

The Grass gloved 
in due teary dew 
follows us.
In a melancholy mood
Tweeting thrushes twittering
Above our heads,
A certain thickness about the air
Which fills my lungs with ***** matter.
The heavens opening, scarring my scaled skin.
You talking.

Tulips
Fresh from a plot of
Lazily potted plants,
The stench garrotting me as I walk past,
And just as I do, you appear,
Talking.

I'm at best when I'm resting.
Stop pressing me I need this serenity,
This blank papyrus and
Sea sodded swimwear.
My only memento of you.
Stop talking.

You and I, You and I, You and I,
They said.
Why must they lie and ignore
Your tentative gaze?
My harboured farcical thoughts
Encroaching my mind,
Slowly metastasising through the hollow mould
Which is my body.

The noose lies still on the white-wash table.

We are together again.
Our  names imprinted on a boulder of soft, cold granite,
And beneath the dead tulips
And the heavy mud,
We stop talking.

— The End —