A Brave and Startling Truth

We, this people, on a small and lonely planet
Traveling through casual space
Past aloof stars, across the way of indifferent suns
To a destination where all signs tell us
It is possible and imperative that we learn
A brave and startling truth

And when we come to it
To the day of peacemaking
When we release our fingers
From fists of hostility
And allow the pure air to cool our palms

When we come to it
When the curtain falls on the minstrel show of hate
And faces sooted with scorn are scrubbed clean
When battlefields and coliseum
No longer rake our unique and particular sons and daughters
Up with the bruised and ****** grass
To lie in identical plots in foreign soil

When the rapacious storming of the churches
The screaming racket in the temples have ceased
When the pennants are waving gaily
When the banners of the world tremble
Stoutly in the good, clean breeze

When we come to it
When we let the rifles fall from our shoulders
And children dress their dolls in flags of truce
When land mines of death have been removed
And the aged can walk into evenings of peace
When religious ritual is not perfumed
By the incense of burning flesh
And childhood dreams are not kicked awake
By nightmares of abuse

When we come to it
Then we will confess that not the Pyramids
With their stones set in mysterious perfection
Nor the Gardens of Babylon
Hanging as eternal beauty
In our collective memory
Not the Grand Canyon
Kindled into delicious color
By Western sunsets

Nor the Danube, flowing its blue soul into Europe
Not the sacred peak of Mount Fuji
Stretching to the Rising Sun
Neither Father Amazon nor Mother Mississippi who, without favor,
Nurture all creatures in the depths and on the shores
These are not the only wonders of the world

When we come to it
We, this people, on this minuscule and kithless globe
Who reach daily for the bomb, the blade and the dagger
Yet who petition in the dark for tokens of peace
We, this people on this mote of matter
In whose mouths abide cankerous words
Which challenge our very existence
Yet out of those same mouths
Come songs of such exquisite sweetness
That the heart falters in its labor
And the body is quieted into awe

We, this people, on this small and drifting planet
Whose hands can strike with such abandon
That in a twinkling, life is sapped from the living
Yet those same hands can touch with such healing, irresistible tenderness
That the haughty neck is happy to bow
And the proud back is glad to bend
Out of such chaos, of such contradiction
We learn that we are neither devils nor divines

When we come to it
We, this people, on this wayward, floating body
Created on this earth, of this earth
Have the power to fashion for this earth
A climate where every man and every woman
Can live freely without sanctimonious piety
Without crippling fear

When we come to it
We must confess that we are the possible
We are the miraculous, the true wonder of this world
That is when, and only when
We come to it.
Maya Angelou

by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.

“Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.”

                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865

Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”

Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road

There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours


He then realised what the date was . . . and slowly let his hands fall to his lap.

She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
       A TALE IN VERSE OF EARTHQUAKE, ISLAND FASTNESS, MALEVOLENT SPIRITS,
                                                AND REDEMPTIVE LOVE.

Feathers glimmer and shine
As though covered in fish oil
I lubricate the brain
As I slip through the sky
With a frictionless flicker
My lightening wings
Brain waves rapidly fluctuate
Perfect balance held
Between left and right
Each wing a hemisphere
As they beat and beat
Accelerating into hyper speed
80 to a hundred or more
Beats per second

As though injected
With a sonic speed
Synapses bursting and exploding
Exponentially connecting
Blistering wing speed
I become electric
My circuits exploring
Rippling and flickering through paper
My brain comes alive
Flashing multicolored lights
Like the cities nights

But still spaces collect around me
As I am buffered from the world
Perfectly still though standing
On an invisible ledge
I hold my mind in place
While I hum in space
Head down I drop my beak
Into a funnel of concentration
As I tunnel into trumpets
Penetrating deep I flower  
In new knowledge

Polar aspects of mind
Released through coherent communication
Set free with coordination
I seek to marry chalk and cheese
As I hold the balance
Between two worlds
Flashing synapses firing
And combusting
Against pointed concentration
My mind juggles two *****
Expanding into their fullness
Expressing vibrant color

My slippery slender beak
Slips and slides in
As I flutter through pages
I discover new unexpected surprises
Problems solved, Startling adventures
And puzzles completed
I find the sugary syrup
The delicate delicious sweet spot
With the thrill of falling domino's
Spilling and cascading
Many ripples fanning out
Through my mind  
I find freedom

Each ripple massaging my mind
I am catapulted into outer space
I dance from fact to golden fact  
As I am propelled forward on stardust
My momentum shoots me forward
I bounce and bounce
My mind becoming unbounded  
I enjoy this great Hummingbird delight

It was the twilight of the iguana.
From the rainbow-arch of the battlements,
his long tongue like a lance
sank down in the green leaves,
and a swarm of ants, monks with feet chanting,
crawled off into the jungle,
the guanaco, thin as oxygen
in the wide peaks of cloud,
went along, wearing his shoes of gold,
while the llama opened his honest eyes
on the breakable neatness
of a world full of dew.
The monkeys braided a ******
thread that went on and on
along the shores of dawn,
demolishing walls of pollen
and startling the butterflies of Muzo
into flying violets.
It was the night of the alligators,
the pure night, crawling
with snouts emrging from ooze,
and out the sleepy marshes
the confused noise of scaly plates
returned to the ground where they began.
The jaguar brushed the leaves
with a luminous absence,
the puma runs through the branches
like a forest fire,
while the jungle's drunken eyes
burn from inside him.
The badgers scratch the river's
feet, scenting the nest
whost throbbing delicacy
they attack with red teeth.

And deep in the huge waters
the enormous anaconda lies
like the circle around the earth,
covered with ceremonies of mud,
devouring, religious.

But I would rather be horizontal.
I am not a tree with my root in the soil
******* up minerals and motherly love
So that each March I may gleam into leaf,
Nor am I the beauty of a garden bed
Attracting my share of Ahs and spectacularly painted,
Unknowing I must soon unpetal.
Compared with me, a tree is immortal
And a flower-head not tall, but more startling,
And I want the one's longevity and the other's daring.

Tonight, in the infinitesimal light of the stars,
The trees and flowers have been strewing their cool odors.
I walk among them, but none of them are noticing.
Sometimes I think that when I am sleeping
I must most perfectly resemble them--
Thoughts gone dim.
It is more natural to me, lying down.
Then the sky and I are in open conversation,
And I shall be useful when I lie down finally:
The the trees may touch me for once, and the flowers have time for me.

BEFORE

Before we even started dating
I was very interested in you
I thought
"She's really unique
And cool
And into books
And smart

And cute."
Every move you made
The ease with which you made friends
And of course
How your nose was always in a book.
That interested me a lot
And I still love that
Even when I know
So much more about you.
My observations from outside.


2.  AS I WRITE

I told you I was doing something
For our six months.
It's nothing spectacular
Nothing expensive
Just time
And my thoughts
My love
I hope to put it into these words which I
Preserve for you
Uniquely mine
For uniquely you
And you alone.



3. SUSPENSE

I just told you today
And you ask for my hint
It was in one of my other poems
You read it
But didn't catch it.
It would be obvious if you did see
What the hint is.
And no, these aren't all going to be
Like this
Just basically a diary
No
They will be better.


4. LIST

I like a lot about you love
I even listed some things off to you recently.
Would you like a list?

The cute faces you constantly make
The way you fall asleep in my arms
The way you make my heart skip when you lean on me
The way your mouth moves when we kiss
Your scent that hangs on my clothes after we hang out
The way you bury your face in my chest when falling asleep
The texture of you hair
The way your face lights up when you're truly happy
The way your cheeks are fun to play with
The perfect shape of your body
Your inability to be mad at me
Your anger at people being self-destructive
Your rambles on things that you feel passionate about
Your sheer uniqueness
Your amazing beauty
The way you feel embarassed when you blush
Your quiet whimpers when I whisper that I love you in your sleep
The way you always tell someone when you're annoyed
Your ability to easily make friends
Your addiction to reading
Your crazy music taste
Your refusal to tell me games you play
Your amazing poetry
Your unique way of dressing
Your uncanny ability to look beautiful and **** in anything

And yes, there's thousands more.
But that's enough for now.


5. NIGHT

You know
I think of you always
During class
During sports
During robotics
During my dreams.
You're so great
You just sneak into my mind
And take all control from me.
I'm stuck thinking about you for awhile.
Not that I really mind.


6. SUDDENLY FRAGILE

I've known you for awhile
And now you're fragile
You seemed strong
Never once wrong
And I'm glad I grew close to you
So that I can be here for you
When you need someone
And I always want to be that someone.


7. FIVE

Today
Of all days
I'm sick.
What I wouldn't give
To kiss you once
On the cheek
Or give you a hug
Quickly
Fleetingly
I want to tell you I love you in person
But I cannot
Not today
But I will.


8. FREAKY

Do you know
How crazy it makes me feel
To just think of you?

9. ALONE

I am alone
With nothing but
My thoughts

Of you.
Obviously.


10. PICTURES

I look at the wall
The ceiling
Blank
Naked, but for some scratches
And I wish it was pictures of you
In plain sight
Wherever I look.


11. TRUE HAPPINESS

I know life is hitting you right now
Hitting you pretty hard
Being forced into therapy you don't want
Medicine that hurts your focus
And now it's ******* up your grades
Which in turn make your parents mad at you
And you seem to be despairing
And all I want to do
Is cheer you up
Make you smile
Forget your worries for just a little while.
I do what I can
But I don't think it's
Enough.
But I will keep trying
Every time I talk to you
Text you
Hug you
I hope I can bring you a little closer
To that honest smile.


12. YOU WORRY

You said it's been bothering you
You say I don't have to stay with you
Because I feel obligated
Because of your mental state.
Well
I'm glad you said it
Got it off your chest
But I would never stay because of pity
Because of guilt
No
I stay because of you.
The you-ness of you
You're just so startlingly amazing
Such a stark contrast to other interests I've had
And I love it.
And I love you.
I'm glad I could at least momentarily
Hopefully stop your worrying.


13. BRILLIANT AND BEAUTIFUL

When I think of you
I imagine gazing into your eyes
As I have done so many times
Those infinite, piercing
Beautiful eyes.
Brilliant, shining, beautiful
Just like you.
So wonderful
Calming
I dream of watching your eyes fall asleep
And waking to the very same pair
Happy and alive
Yet so real
Your beauty
And your realness.
Perfection.
I love you
I could say it a thousand timees
And mean it more every
Single
Time.


14. AGONIZING

It hurts me so much
To see you in pain
To know you're hurting.

You're trying to be more
Independant
You say
Well
Sure, be independant
But I want you to run to me
Cry on my shoulder
Because you aren't alone
And I don't want you to prepare for
A time when you could be alone.
Because I plan on staying within reach.


15. QUESTIONS

You lately have seemed
Scared
Afraid that I am staying with you for some
Pity
That I may feel.
Well, let me tell you
That is so wrong.
I feel bad for you
But that is different.
Because I could never date you through pity
I would feel like I was
Taking advantage of you
So don't worry.


16. SO MUCH I COULD NEVER SAY

I love you so
I can not describe it
The feeling
The exhilaration
From catching a glimpse of you in the hallway
I just feel the need to smile.


17. SMILE-INDUCING

Have I ever told you
That everytime you hug me from behind
I just feel uncontrollably joyful?
And when you refuse to let go
I find it cute
And I just want to stay like that


18. GOOD MORNING

A dream we both have
I want so very badly
To fall asleep holding you close
Singing to you the lullaby of my beating heart
Listening to your breath slow and relax
The perfect weight of your body against my own
And for you to be the last thing I see before I close my eyes
And the first thing I see when awakened
To make fun of your bedhead as the day's first light
Illuminates the room gently
To tell you how I love you
Before you can think anything else
Now only a dream
Someday it will happen.


19. TO RUN AWAY

I wannt to forever hold you
To hide away where nobody can find us
No schedules to disturb us
No cold to riddle our skin with
Goose-bumps
No agony tearing at our hearts
No painful reminders of the past
As the days blur into weeks
Into months
To hold you forever
In solitude.


20. WORRY

Why, love, are you so worried as of late
That you have changed?
I love every version of you
And I'm continually amazed at your ability
To cope
To prevail
But you are not strong enough alone my love.


21. LASTING

I have a feeling
That we will last
Overcome the odds
For a relationship that will endure
Past school
Past our new experiences
Past our differences
And bring us ever closer
More in love
As I feel myself falling for you more everyday


22. MARVELOUS

I never feel quite as amazing
As when I have you laying on my chest
Relaxed and falling asleep
With a blanket
A movie
Relaxation
No upcoming deadlines
Nothing else matters
Just the warmth of you relaxing on me
And my feeling of content.


23. DISCUSS

I love that we can discuss
Our different
Yet similar
Religions.
Yours as yet unnamed
Mine becoming again pure
And we can grow from this
And we become stronger.
And if we disagree about something
We can have a discussion about it
Though I keep my mouth shut
If I have the potential to start an argument
And we stay civil


24. LIST

One of your guesses as to
What I was doing when I hinted about this
A list.
Alright, you inspired me.
Words to describe you.
Beautiful
Intelligent
Different
Crazy
Startling
Lovely
Cute
­Modest
Mesmerizing
Relatable
Foreign
Sad
Lost
Stubborn
Sensitive
­And lastly for now
Theloveofmylife


25. TERRIFIED

Having you in my life is
Terrifying.
I worry so much
About your well being.
I wish I could be your knight in shining armor
But I just
Can't.
Society doesn't leave room for heroes.
It only attempts to create villains.
But you and I
We can resist it
Because society ***** anyway
And we're invincible.


26. DROWSY

When I fall asleep
The last thing on my mind is you.
And it's not just a thought that pops in then.
It starts when I am drowsy
And on the edge of sleep.
I imagine you snuggling close
Burying your face in my chest
Inhaling deeply and
Relaxing.


27. COMFORTABLE

I am glad that you can
Be relaxed enough around me
To fall asleep randomly.
And I love how, even in your sleep, you
Snuggle close
Twitch your hand three times
And whimper whenever I whisper into your ear
"I love you"


28. EXCITED

I love being with you
I love holding you close
Your breathe in my ears
The pounding of your heart
Speeding up when we kiss
Your happy sighs
Pulling me closer
Warming me in this new coming chill.


29.  HEAT

You are warm
You are hot
You keep the chill away
Heck, we could be in the snow without any significant
Warm clothing
And as long as I could hold you close
I could remain there forever.


30. PERFECT LOVE

You are my perfect love
The one for me
The two of us
Can do anything
Beat any odds stacked against us.
Overcome any hardship.
Just wait until we can escape to our life
We can win this race love
Destroy anyone who seeks to foil us
Or just ignore them
They aren't worth our notice
If they try to bring us down.


31. LIGHT

I look into your eyes today
And they are beautiful
As they always have been
I can lose myself in your eyes
The sight behind them
The intelligence
And so much more.
You're startlingly great
And I can't help but want to be around you.

After the painting by Leonard John Fuller

I had promised I would arrive in good time for afternoon tea with Edith and the Aunt. Angela was nervous.
     ‘Edith scares me,’ she said. ‘I feel a foolish girl. I have so little to say that she could possibly be interested in.’
      She had sat up in bed that morning as I dressed. She had frowned, pushed her hair back behind her ears, then curled herself up like a child against my empty pillow. I sat on the bed and then stroked the hand she had reached out to touch me. She was still warm from sleep.
     ‘They are coming to see you,’ she whispered, ‘and to make sure I’m not fooling about with your mother’s house.’
‘I’ve told you, you may do what you like . . .’
‘But I’m not ready . . . and I don’t know how.’
‘Regard it as an adventure my dear, just like everything else.’
‘Well that had been such an adventure,’ she thought. ‘When you drive off each morning I can hardly bare it. It’s good you can’t see how silly I am, and what I do when you are not here.’
        I could imagine, or thought I could imagine. I’d never known such abandon; such a giving that seemed to consume her utterly. She would open herself to this passion of hers and pass out into the deepest sleep, only to wake suddenly and begin again.

Angela felt she had done her best. They’d been here since three, poked about the house and garden for an hour, and then Millicent had brought tea to the veranda. Jack had promised, promised he would look in before surgery, but by 4.30 she had abandoned hope in that safety net, and now launched out yet again onto the tightrope of conversation.
         Edith and the Aunt asked for the fourth time when Dr Phillips would be home. How strange. she thought, to refer to their near relative so, but, she supposed, doctor felt grander and more important than plain Jack. It carried weight, significance, *gravitas.
       Angela hid her hands, turning her bitten to the quick nails into her lilac frock, hunching her shoulders, feeling a patch of nervous sweat under her thighs.
       ‘He’s probably still at the Cottage Hospital,’ she said gaily, ‘Reassuring his patients before the holiday weekend.’
      She and Jack had planned to drive to St Ives tomorrow, stay at the Mermaid, swim at ‘their’ bay, and sleep in the sun until their bodies dried and they could swim again.
       ‘How strange this situation,’ she considered. ‘Edith and the Aunt in the role of visitors to a house they knew infinitely better than she ever could.’
       The task ahead seemed formidable: being Jack’s wife, bearing Jack’s children, replacing Jack’s mother.
      Edith was thinking,’ What would mother have made of this girl?’ She’s so insipid, so ‘nothing at all’, there wasn’t even a book beside her bed, and her underwear, what little she seemed to wear, all over the place.'
      Edith just had to survey the marital bedroom, the room she had been born in, where she had lost her virginity during Daddy’s 60th party – Alan had been efficient and later pretended it hadn’t happened – she was sixteen and had hardly realised that was ***. Years later she had sat for hours with her mother in this room as, slipping in and out of her morphia-induced sleep, her mother had surveyed her life in short, sometimes surprising statements.
      Meanwhile the Aunt, Daddy’s unmarried younger sister had opened drawers, checked the paintings, looked at Angela’s slight wardrobe, fingered Jack’s ties.
      Edith remembered her as a twenty-something, painfully shy, too shy to swim with her young niece and nephew, always looking towards the house on the cliffs where they lived.
     They were those London artists with their unassorted and various children, negligent clothes and raised voices. The Aunt would wait until they all went into St Ives, for what ever they did in St Ives – drink probably, and creep up to the house and peer into the downstairs windows. It was all so strange what they made, nothing like the art she had seen in Florence with Daddy. It didn’t seem to represent anything. It seemed to be about nothing.
       Downstairs Angela knew. The visit to the bathroom was just too long and unnecessary. She didn’t care, but she did care, as she had cared at her wedding when the Aunt had said how sad it was that she had so little family, so few friends.
       Yet meeting Jack had changed everything. He wanted her to be as she was, she thought. And so she continued to be. All she felt she was this ripe body waiting to be impregnated with her husband’s child. Maybe then she would become someone, fit the Phillips mould, be the good wife, and then be able to deal with Edith and the Aunt.
        That cherub in the alcove, how grotesque! As Edith droned on about the research on her latest historical romance, Angela wondered at its provenance. ‘Daddy ‘ loved that sort of thing, Jack had told her. The house was full of her late father-in-law’s pictures, a compendium of Cornish scenes purchased from the St Ives people. She would burn the lot if she could, and fill the house with those startling canvases she occasionally glimpsed through studio doors in town. She knew one name, Terry Frost. She imagined for a moment covering up the cherub with one of his giant ecstatic spirals of form and colour.
       The chairs and the occasional tables she would disappear to the loft, she would make the veranda a space for walking too and fro. There would be an orange tree at one end and a lemon tree at the other; then a vast bowl on a white plinth in which she could place her garden treasures, rose petals, autumn leaves, feathers and stones. There might be a small sculpture, perhaps something by that gaunt woman with the loud voice, and those three children. Angela had been told she was significant, with a studio at the top of Church Lane.
       Edith had run out of experiences regarding her monthly visits to the reading room of the British Museum. She was doing the ’ two thousand a day, darling’, and The Dowager of Glenriven would be ‘out’ for the Christmas lists. The Aunt had remained silent, motionless, as though conserving her energies for the walk through the cool house to the car.
       ‘Oh Darlings,’ Jack shouted from the hall, ‘I’m just so late.’ Then entering the veranda, ‘Will you forgive me? Edith? Aunt Josie? (kiss, kiss) Such an afternoon . . .’
       Surveying the cluttered veranda Angela now knew she would take this house apart. She had nothing to lose except her sanity. Everything would go, particularly the cherub. She would never repeat such an afternoon.
      She stood up, smoothed her frock, put her arms around Jack and kissed him as passionately as she knew how.

Strange how the dank hand of disaster clarifies the thinking,
How all irrelevancies are scoured from the frontal lobe,
How, strangely, should you look into the morning sky, the blueness is of a brilliant, startling intensity.
How biting into a piece of fresh fruit reveals the new mouth watering,  exquisiteness of clean sweet,flavour.

Strange how the dank hand of disaster allow us to consolidate our values.
Where suddenly, the drabness of yesterday becomes the brightly,beautiful now.
Where miserable mindedness adopts an abrupt re-evaluation, in that the sour faced neighbour is embraced with passion as being a fellow survivor.
Where the rich and the poor are thrown together to work willingly, cheek by jowel, for a common cause…Tomorrow!.

Strange how the dank hand of disaster brings out THE VERY BEST IN US …isn’t it ?**

Marshalg
A commonality observed In having survived many disasters over the years.
1 November 2012

Marooned in an island of his own creation,
full of machine wonders and prehistoric monsters
                                 never one could dream,
he realizes,
life is what one brings out from
the depth of one's psyche's churning,
yet as much a creation of hands working,
on the potter's wheel that's turning
to create shapes of things we never had foreseen.

But deep down, he is a rage,
a fire threatening to erupt and consume all bastions of waste,
built, around our lives, by thoughtless monsters,
                                             then,
                                                a happy haze prompt him to flower,
                                                a rhapsody, kicks its baby legs inside
                                                a startling beauty begins to emerge.

all day long, their banging disturbed me at my work
startling me from my reverie, lost deep in the world
of I Wish I Had A Heart Like Yours, Walt Whitman

the birds, returned early from wherever it is they hide
during the long winter, have come to fling themselves
against the over-sized picture window in my living room,

songbird pitch themselves into my poet's dull daytime
so that i am moved to rise from my desk, to look out,
to seek a bird flying away, or peer down to search for the

tiny body maybe roosting among the stalks of the overgrown
hydrangea, which captured  autumn’s maple leaves, worn
like a Chicago matron's mink to keep the winter chill at bay

and, as the spring surrenders to the warmer days, i mow the
brightly greened grass, innocently cutting row after row,
to turn finally to the narrow strip nearest the picture window,

a mixture of grass, dried leaves and tiny twigs, all mulched
by the power mower, where i discover these dessicated bodies  
exhumed from shallow graves at the base of the newly leafed

hydrangea, their stiff, dry feathers bristly, colored a washed
out grey, tiny feet tightly balled, with all the soft parts missing
and the beaks a startling white, as though bleached, bright against

the dullness of the little corpses which seem to have sunk into
the mosses of the yard, so that they lay preserved below the blade
for the first late-spring chore -- mowing the bird bone garden

i sleep with the bedroom window ajar despite the overnight chill
and dream of the memory of birds, their shapes, their white beaks
and, still, the bird songs wake me in the cool green spring morning

What was more startling than the intense roar of thunder
sounding through the ever growing darkness
beyond my door,
was the sudden realization
that nothing would ever be as it once was
and never would it be again

Though the rain must fall
to brighten the days ahead
nothing was certain now
nor of tomorrow
and tomorrow again

Certainty had vanished along with the thunder
and left the darkness
beyond my door

There's an awkward thrill I feel
like wicked-wet rabies –
Oh. Ah. Oh.
To gaze over photos of the woman I created.
With my warped perception,
saturating and cropping everything into delicious
oblivion.
I am the knife as well as the ingredients
that sauteed her together in a camera flash.
She sits hot like heaven.
And I want to
stare at her picture all day until she comes to life.

The woman I created, I hang up like perfected rotisserie
and fall in love with her accidentally every day.
Looking into those precisely underlined
tiger-*** eyes of startling navy. Knowing their true dullness.
Hissing at the free-swinging curls
and the hours behind them. Loving the lie.
The flowy top and sleek trousers gliding down lovely as Niagara
over chaffing chub; all hidden. And thighs; unshaven.
And that topical smile everyone likes to see, waiting to plummet
into suicide like a kite hanging in one tight second.
Her image is my greatest
False accomplishment.

I hang my portrait up on a wall of the internet
for people of the world to migrate to
the photo exhibit, my little show-off room.
They make offers and toss compliments
with their “I like this. I like this." nonsense.


They don't know that the girl in the portrait, she
isn't organic. They seem not to notice
that she is something of a chemical flower.
Her face is my face, only with whiteout poison-paste
smoothed over twice.
And they want to
stare at her picture all day until she comes to life.

Gazing upon her believed-to-be beauty, as I hang my paintbrush,
she bites her body still as a painting,
bruised and needled
into perfect frame. She cries
like Jesus Christ, as she is stared at, but not seen.
I am the artist as well as the object.
And the woman in the portrait is
nothing,
but dot after dot of manipulated color.
And we want to
stare at her picture all day until she comes to life.

A sea of foliage girds our garden round,
But not a sea of dull unvaried green,
Sharp contrasts of all colors here are seen;
The light-green graceful tamarinds abound
Amid the mango clumps of green profound,
And palms arise, like pillars gray, between;
And o'er the quiet pools the seemuls lean,
Red—red, and startling like a trumpet's sound.
But nothing can be lovelier than the ranges
Of bamboos to the eastward, when the moon
Looks through their gaps, and the white lotus changes
Into a cup of silver. One might swoon
Drunken with beauty then, or gaze and gaze
On a primeval Eden, in amaze.

But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last ****?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.

Outwardly I am a titanium barrier, inwardly, a net of strings hold me together within confining my true self to my mind. The metaphoric needle posed between thumb and forefinger, sewing patch after patch across my ruined skin, holding in the things that threaten to burst. The thread is my self value, thin and dissolving.
Watching in the shattering mirror, who I am, as tears and blood slip past trembling fingers.  Reaching upwards towards light, but I drown in the darkness. I am swallowed by hopeless misery.
Floundering and toiling in the shadows of my own faith and nearly forgotten beliefs.
Sorrow floods me, consuming in a cold fire that doesn’t burn, but freezes to the core.
Refracting shards of light that escape like a song. They fall like a melody from my lips.
While the heat of the world swirls around me in shades of blue and black. I am bruised and ask "why do I hate myself?"
I never have an answer. Only the memories of a life so beyond dysfunctional that I have to resort to story writing to make believe a happy ending, never truly believing in it.

What were these whispered words that squirmed and infiltrated my mind, what are those lost secrets and memories left to fade away. Tormented, still I remain silent. Suffering quietly. Wondering if I'll go down without a fight, or would I take my own life. It is the loss of my humanity. I transcend in definition, no longer resembling who I was.  Silver tears, dripping from the eyes of the moon, as if such a cold distant satellite mourns for and with me.

Fear remains, as it always does, clutching my heart in an iron grasp. Despite the freedom of a new life, my knees are buckling, I’m poised to run, as if there were a place to escape to. Walls arise on all sides. I am locked in a box, where I hide away from the world, and I become, cold and distant as the moon. Fighting myself endlessly.
Hide everything I am from the world, and put it out of sight of myself, I don't dare to confront it.
I ask myself again. "Why do I hate?" I know a vague answer to it this time. I have allowed the evil and cruelty of a despondent life before this one to shape me, even after my resurrection, despite my belief and faith. I had let it consume me.
My heart, a thousand splinters of ice, would once break, even if it was looked at, or touched, cracked and shatter repeatedly. I only watch, making no attempt to heal myself. Content with viewing my own nails clashing with soft flesh that gives way to pain and agony. Slicing into cold abysmal depths, bleeding a metaphoric spectrum of ****** colors into my veins that then spill down the drain of my heart.

I wonder if there is any capacity within me, for the remnants of a shimmering soul to return to hope?   I'd abandoned love and hope for so long, had they dissipated completely. Do I dare to uncover such a startling miserable revelation?
My voice catches in my chest, as I sing halfheartedly for my freedom. To be released from my anguish. My voice not carrying past my lips, stolen by the wind of despair circulating around me.
I had changed, believed myself worthless and ugly. Melancholy, a kaleidoscope of emotions contrasting with one another. Dripping together to create the painting of my life. Magnificent, yet lonely and sad. Like forlorn splatter-paint tears down the side of eroding walls.

I was told once that I was shiny on the outside, and dull on the inside. Gilded. I want to change that. I cannot hide the scars I have been dealt, nor can I conceal the ones I've inflicted to my own body. I remember each slice to the skin with shame. That I had knowingly marred perfect flesh.
"What value could I possibly have if I'm constantly looked down upon?"  I pose questions like this to myself.
Everything they say makes me feel worthless, like I'm not supposed to be here.
Maybe I'm not, I wasn’t supposed to live was I?
“Worthless. Freak. Stupid.”
Do these words define me?
Are they who I am?
I am a shadow, As I sink into the depths of my own insignificance I stare speculatively, emptily up at the opalescent translucence far above me. I’ve always been worthless,  but now I am nameless. I’ve never been to solid in my own emotions, right now I don’t know what to feel anymore. Where and what is joy? What happened to the light?
I dissolve into toxicity and an almost chemical stasis of depression, seeping into my heart with the thickness of sick black tar, dragging me farther than I’ve ever been beneath the surface.

I become nothing, for that is what I presume I always was, nothing. Only a mirage burning holes into the fabric of lonely hearts longing, a haunting memory left to torment into seclusion and sorrow.
An empty shell of what once was a girl with dreams, is all that remains to decay in the dark. While the shudder of sobs dies down into a tempest of self loathing.
An incandescent nightmare, flares out like the petals of a blossoming flower, they unfurl and cover the dystopia of eloquently disfigured words that curl and uncoil, only to surround the wounds of me that pour from a inky black liquid that has replaced the blood in my veins.
The push and pull of the sorrow and hope mixing into the discordant symphony of life. The sound that is the melody of me.

A calming silence can hold its own beauty as a guide
When nothing at all, seems quite right
With barely a look at those storms outside
Turning quickly into dust
In your sight

Winds may blow within your hair, startling your spirit
Until calming silence’s beauty you behold
Sprinkling you with a peace defined and delicate
Streaming wisps of serenity
Into your soul

Quite a message a calming silence brings to me
When nothing seems quite right
I barely look at those storms, you see
With all this peace streaming
Into my sight

Such beauty is found in the serenity of silence
Regardless of the winds that blow
My spirit is calmed in a definite balance
When silence streams into
My soul

script on screen life is but a dream a b c d e f g gee **** g-chord ******  geezz script on screen row row your boat h i j k ellemenoh *** oh please baby *** for me let me watch you stream merrily merrily merrily script on screen q arrest tee you vee double you x why zee

last night i watched a woman answering questions about ***** size she spoke about the toilet tissue roll test for years i’ve been thinking my ***** is rather undersized (compared to studs on **** sites) this morning i took the test undid the roll from wall and stuck my ******* in the hole at first i had trouble getting it in so i guess my thickness is healthy then i slowly managed to shove the entire head of my **** out the other end by that time clear pre-*** was dripping from my ***** hole pressure from my hand gripping tissue roll felt surprisingly arousing i began ******* the roll squeezing pushing in deeper jerking almost bringing myself to ****** i passed the test the toilet tissue roll appears kind of twisted indented

what will happen next hoping for heartbreaking story with happy ending man masturbates while woman urinates both watch each other intently what is so fascinating

Asheville is small yet monumental by luck or fate he hooks up with Tim Calaprese a gregarious loving soul Tim loves women and wine and dogs particularly Farina he owns a beat up old house on steep hill overlooking downtown Asheville Odysseus rents a room for $200. a month Tim is a wine salesman and gone much of the time Odysseus is critically destitute he goes to Salvation Army they provide bed-sheets towels he sells tent and camping equipment to hippies on Haywood Street for several weeks he and Farina live on convenience store hotdogs he gets job prepping house exterior to be painted his boss tells him he is a good worker after a hard day’s work the boss lays him off he gets hired as a waiter for the dinner shift in the restaurant of a resort hotel he is weary of waiting tables but needs cash in the mornings he takes Farina to ****** Lake to swim then they go back to house paint on the porch many mornings are overcast with fog around noon sun comes out warms afternoon Odysseus loves Blue Ridge Mountains he paints a series of mountain scapes while listening continuously to Palace Brothers Pearl Jam Pavement Sebadoh Steve Earle occasionally he works on story about the clone sometime in 90’s DNA has become a factor and he needs to incorporate detail into story

on stormy afternoon in July as thunder echoes through Blue Ridge Mountains phone rings Odysseus is suffering from severe attack of food poisoning it is difficult to reach receiver phone keeps ringing it is Penelope her voice sounds shaky she says doctors have diagnosed her with leukemia it is startling shock she is only 43 years old his stomach rips he needs to run back to toilet telephone cord is not long enough Penelope says it is urgent Odysseus return to Chicago to see if he can be bone marrow match for her he tells her he will drive up immediately after food poisoning passes Penelope becomes irritable he can feel himself leaking between his legs hangs up immediately runs to toilet spends most of night in bathroom brief naps in bed in the morning he hears someone knocking at door he does not know who it is he cannot leave toilet he hears footsteps enter house call his name Odysseus are you there where are you it is Penelope and Sean he flushes toilet comes out to greet them what a weird surprise why didn’t you think to give me some notice he questions as he lies down on bed Penelope and Sean want to take Odysseus to hospital he tells them they are overreacting food poisoning will soon work its way out of his system Penelope asks if there is anything she can do Odysseus answers Farina hasn’t been out for a good walk in days Please be an angel and take her up the street there’s a field there she likes Penelope calls come here Farina let’s go for a walk Farina follows they depart out door Sean sits down at foot of bed he forcefully speaks Odysseus i know you you like to skew the facts to fit your own purposes then hammer me for whatever make-believe you can cook up when are you going to finally start being a man live up to your responsibilities Odysseus questions what facts are you talking about i’m sick as a dog now is not the time to have this talk Sean challenges yes it is you listen to me your sister is sick and needs your help Odysseus replies i’m heading to Chicago as soon as i’m well enough to travel Sean insists that’s not soon enough we’re taking you to a hospital Odysseus stands from bed Sean stands up facing him they stare each other down Odysseus goes to slip on jeans Sean stands in the way Odysseus tries to step around Sean shoves Odysseus back unto bed Odysseus stands shoves back fistfight ensues mostly Odysseus throws wild punches Sean blocks as they violently jostle out door Sean trips on wet porch falls breaks rib Odysseus grabs his pants car keys flees Penelope and Farina watch puzzled as he drives off day after incident and departure of Penelope and Sean Mom calls insists Odysseus return without delay to Chicago he answers i’m on my way Odysseus packs car with Farina drives north he feels pressure of his family envisions himself as piece of living meat whose sole purpose is to supply Penelope with bone marrow momentarily imagines his family as predators Mom is the real killer she knows how to delegate ****** Dad had been a killer for Mom Penelope has learned from Mom how to contend Odysseus is weak link he taught himself to brave harshest conditions yet is no competitor he is worker bee stupid dreamer all alone in greedy predatory world more than anything he loves and wants to help Penelope he is annoyed by nervous tension of family

A pheasant found a sunflower,
And perched on the arch,
And munched,
A little every day at an early hour.

What a way to go -
Obscene remains ragged on the tall stalk,
Startling the tactful dying all around,
The soothing autumn sinking-away-in-a-glow -

A murdered man on show!

Soft pads glide over silky pale flesh
Deep pools of ocean green become darker with passion
Every touch brings the storm closer to the  couple
The raven haired God like man looks over every millimeter
Her face flushes at the feelings building inside

Her black waist corsette pushes her ivory globes teasingly near
the point of spilling forth
Dark red tendrils lift off delicate cheek bones tickling her face
Her belly flutters as tiny goose bumps rise upon her arms

The soft padded fingers begin to explore this creature who has walked
right into his trap.
Long lashes lift revealing startling violet eyes
His breath catches harshly
He does not seem to realize he is under her spell as she remains in his trap

Julia's body is burning as Allen's fingers and hands weave an inferno built only by his touch
Her body responds as she feels the moisture begin to gather between her sweet petals
Trying not to move lest she give away the affect he has upon her

Allen watches her eyes noting how they seem to change to grey
His thumb slides across the bud covered by material yet
It cannot hide the obvious desire as the tender flesh hardens and a soft mewl escapes pouty lips

Julia begins to blush as her body betrays her mind
Allen chuckles at her discomfort
His hands and fingers seem to set her on fire every place they touch
She feels his knee **** gently at the apex of her thighs.
Moving slightly his knee grinds against the promise land

Flames fall back as her head follows suit
Sweet moans reach his ears inciting his passion more
Her hips move against his thigh trying to increase the friction
Allen rips the cumbersome corsette and shirt free allowing cool air
to kiss her flesh where his tongue wishes to follow

Pressure builds within the lust filled redhead, she digs nails into his shirt
pulling him closer.  
Allen's tongue swirls around first one then the other swollen bud
Dragging his teeth hard over the delicate flesh
Julia cries out as desire spins out of control.

Allen begins pulling the ****** into his feverish mouth suckling
Then biting as fingers pinch and pull the other
Julia grinds down ******* His thigh not paying attention to the moisture that stains his pants

She stiffens when she feels his hand pull her dress up allowing his fingers
to slide through her dew laden petals
The smell of need permeates the air
As his mouth continues to suckle then bite his fingers slam deep inside her
silky soaked lips

Julia's legs quiver when his fingers fill her well it is almost her undoing her screams of pleasure fill the air
Allen brings her to the edge filling her deep with long thick. fingers
Releasing her ****** he begins to kiss and nip her neck, fingers coated in honey slow down

Julia growls in frustration and he bites her neck hard just as fingers pinch her *******
She holds her breath panting as the inferno increases hotter
Both are sweating now as she begs him to allow her to fly
Allen chuckles whispering "not yet Lil *****"

She grinds down on his fingers trying to take what she wants
He is wise to her movements stopping abruptly until she realizes he
won't continue unless she stops

Suddenly out of nowhere she is turned over his lap where he brings his hand down ten times fast and hard cross her ***
His  knee lined up so each swat digs into her wetness
Crying out she bites her lip willing herself to not release

He pushes her to the ground and starts biting the tender buds while pulling and twisting that hardened flesh that has swelled past it's hood
Pace becomes faster as he growls in her ear to **** his fingers
She does so with wild abandon

His teeth bite down ******* her neck licking the area he bites
His fingers curve up as she grinds
Allen growls out NOW as his mouth finds her lips
Crushing them to his, catching her screams of pleasure
Her well explodes in spasms gripping his fingers hard enough to break

Julia quivers all over from the massive release, blushing as she remembers
her response to all he did
Allen drags His well manicured nails across her blistered half moons
Hearing her moan loudly, knowing he could send her spiraling just by spanking her once more.

Julia ducks under fiery curls trying to escape his scrutiny
Allen knows what she is up to and pulls the silky curls away
Lifting his soaked hand from between gorgeous thighs
Placing fingers between their lips kissing sand licking her juices off
The taste on his lips brings a feeling of decadence through Julia

They will meet again Allen said
Julia watched as he left her there hearing a car start
Now nothing but silence and the smell from her traitorous body

Whispering to the darkness
"Please return to me soon"


Written by:  Jennifer Humphrey
May 23, 2013

A slow sun
Peeps over the horizon
The golden dawn
Joins the lovers in
Their warmest embrace
Promise of
The most perfect day
Offered with reverence
From God Herself

Before the daydream
Can even begin
A swift hand
Snaps the blind shut
A not so casual escape
Towards the cliff edge
Startling the curious bluebirds
That were beginning to gather

Vanish does the dawn.
With caution
Light fingers trace the earth exposed
Cracked
Repelling all offers of relief
Regret overwhelming
The warmth of the sacred center
Evaporates rapidly

Releasing a sigh
Light and heavy
In every way
She retreats
As once again
She is reminded
That he is not
A morning person

So much have I forgotten in ten years,
So much in ten brief years! I have forgot
What time the purple apples come to juice,
And what month brings the shy forget-me-not.
I have forgot the special, startling season
Of the pimento's flowering and fruiting;
What time of year the ground doves brown the fields
And fill the noonday with their curious fluting.
I have forgotten much, but still remember
The poinsettia's red, blood-red in warm December.
I still recall the honey-fever grass,
But cannot recollect the high days when
We rooted them out of the ping-wing path
To stop the mad bees in the rabbit pen.
I often try to think in what sweet month
The languid painted ladies used to dapple
The yellow by-road mazing from the main,
Sweet with the golden threads of the rose-apple.
I have forgotten--strange--but quite remember
The poinsettia's red, blood-red in warm December.

What weeks, what months, what time of the mild year
We cheated school to have our fling at tops?
What days our wine-thrilled bodies pulsed with joy
Feasting upon blackberries in the copse?
Oh some I know! I have embalmed the days,
Even the sacred moments when we played,
All innocent of passion, uncorrupt,
At noon and evening in the flame-heart's shade.
We were so happy, happy, I remember,
Beneath the poinsettia's red in warm December.

She keeps dancing
over the dark water;
The flash of iridescent blue
Beneath her wings,
Quick as a breath.

How else could they see?
The dragonfly dart;
Then hesitate above
The mossy green bank –
As if it gave liberated pleasure.

How could they perceive?
The green dimness falling;
Between trees, that antique stillness,
Then the vermilion leaves –
Startling, unexpected,
Like an exclamation of delight.

How could they receive?
That moment when one, then two,
Then three dragonflies skimmed
All over the once pure river.

(9/11/13 @xirlleelang)