I am the prodigal daughter
of Hestia--
Goddess of hearth,
warmth,
embers that do not fade,
for they glow as softly
as lightning bugs.

But this time,
I will not be returning home.

Don't you see?

I've burned it down already.

Perhaps there shall exist no redemption
for my pyromanic sins.

They could not save
Sylvia Plath
as she ****** her head into the oven,
carbon monoxide stealing away
her last strands of breath.

(Sadness climbs up my throat in
stalagmites of flame,
rises from the chasm of my soul like bile,
like a phoenix reborn.)

They could not save
Joan of Arc,
whose flesh screamed out among
the ringlets of fire
and threads of cinder
that consumed it
so mercilessly.

(No, I am not a witch--
just a demi-goddess,
just a dangerous woman
But, unlike Joan of Arc,
I am no Saint either.)

They could not save Pompeii
whose inhabitants lay
victimized
asphyxiated
stolen
by the magma regurgitated by
the Almighty Vesuvius

(I cannot decide who I am
more similar to--
the inhabitants of Pompeii,
or the lava itself)

Perhaps then,
there is no saving a woman like me--
a woman forged from brimstone,
Hell's very own Femme Fatale.

I wear lighter fluid
atop my collar bone like its fragrance;
braid singed ribbon into my hair,
its ends charred and
curling upwards like tendrils of smoke;
rouge my lips with gunpowder.

Kiss me and
bite the bullet, darling--
make love to me
and you will combust.

But oh!

How these men will  bite their lip
at the thought of
******* me,
of dipping their fingertips
into the molten pools
that dwell between my thighs
similar to the way
a mere girl
(I, 16 years old)
is fascinated by the prospect
of baptizing her own melancholic
hands in candle wax.

(Who's the real ******* here, Baby?


Sincerely,
your Filthy Pyrophilliac.)


I am a
shadow charmer,
arsonist
the  Siren
of this Inferno
(wanted for her crimes).

Perhaps I was never the epitome of darkness,
perhaps I simply
lured the darkness towards me
(sorrow and the devil too.)

It's funny now that I think about it,
how the stars too reside in darkness,
how, when I wish upon them,
I am really only wishing on fire.

And where there is fire,
there is destruction;
it's no wonder all these dreams--
those of
love
magic
poetry--
have shuddered to ash.

Still, l I find myself making
snow angels in the ashes,
stick my tongue out,
let the remnants of desire
scorch my taste buds.

Here I lie
like an extinguished cigarette,
my use fulfilled and discarded.
But that's just fate,
stars ain't too fond
of nicotine, ya see,
ain't too fond of me
even though the very atoms
that comprise my being
are made of the stuff of galaxies.

But, oh, how these galaxies
have escaped my brooding grasp.

I do whatever it takes
to re-ignite what has been
lost--
chew on matchsticks,
let the splinters sear themselves
into my tongue;
lap at the iridescent gasoline puddles
that wade along
lonely streets corners;
howl beneath paper lanterns,
for both the sun and the moon
have forsaken me.

I do whatever it takes
to remember where I come from--
a state of limbo,
wherein I am simultaneously
angel (falling) |and| demon (the fallen)

What am I without flame?

Flame--
they could not save me from it,
from burning.

But perhaps the peril was never in burning;
perhaps it was in  burning out;
perhaps it was in disintegrating.

In the meantime in the Állos kósmos or Ultramundi, Wonthelimar after hearing the speeches and paragraphs of the speakers saw from paradise how Calypso Lepidoptera appeared, approaching in great magnitudes on the dry land on the banks of the blue and golden stones of Skalá. In torrents of rushing from the water-sky with wind-water, by geomorphological hydraulics of the collapse of the irresistible capacity to harass each other in the ears of Seleuco's dialogues, after they piled up in the sneaking curds of him on the island of his speech. Right there it settled from the koelum or sky of the Lepidoptera from the Orofí or ceiling, on the natural arches of aeolian erosion and its devastating plumage, appearing in the subaerial splendor of Chauvet and its gloomy darkness, changing the morphology of the bank of Skalá turned into enchanted turquoise light also with Calypso nuances. From here Wonthelimar obscures the circumflex arc or circumflexes, which pierced and eroded the surface, piling up the ex-generals of Alexander the Great, to skewer them on the stump that was languidly seen supporting them, after the tides of Lepidoptera that avalanche in destined per capita towards the destined underworld of Wonthelimar.

Wonthelimar was separated from everyone by the moat that was separated from the gods of the surface, but now where the supporters of Seleucus were predestined by imbibing themselves in the bilocated kingdom of Chauvet and its darkness, where they were put into agreements of suitability and clarity of words discursive for the eagerness to persuade his major general. But they all fell into the middle of a dark Ultraworld, judging themselves to be dying in stockpiles of biosystems where no one helped them and gave them some indication or diagnosis of being separated from the canopy that drained them from spectral affairs, speaking as vivid visions of benefits and sovereignties that escaped from themselves without contemplation or quietism of the human race, which procreates xenophobia to kings without throne or nation. Under the Attic, calendar were the months here were only eighth, Anthesterion, received them with the name directly of the main festival celebrated in this month, Anthesteria. In goods of name contests in the semester of Pyanepsia, Thargelia, and Skira where they were relatively significant, in some of the greatest celebrations in the life of a Polis, which is not recognized in the name of the month. Some sparkled in the sound of the Great Dionysia celebrated in Elaphebolion (ninth month), and the Panathenaia in which they are only indirectly recognized in Hekatombaion (month one), named after the hecatomb, of the sacrifice of "one hundred oxen" celebrated at night. End of the Panathenaia. This is where the suspicious fondness of both families of Seleucus and Alexander the Great differed in the accent that marks the written line of the infra Polis, where the leaders of Haides or Hades are lost, for the purposes of Aïdes, as not indivisible, but with the presence of Wonthelimar, who is invisible but epically static on his balustrade in all the rings that chorally wore them for each patronage of the diádocos generals, even so he had betrayed the Hellenic legacy, by a Hellenic-Orthodox one in the disappearance of Alexander the Great in Babylon without knowing that it had been rescued by Wonthelimar, surpassing the limits of the rings of stefánes ibix, or Aros de íbiz, as nano kvantikoí daktýlioi, quantum nano-ring that augured to sensitize the dermis of its carpal phalanges, from the eighth, Anthesterion to Elaphebolion (ninth month), minus the one hundred and twenty days of gestation in a month of the attic of imníbiz, that it was of wise advice to receive him in the new engend rivers of Wonthelimar in the depths and bundles of marrow with gestation forms of an Ibex goat, with their embedded bases of stalagmites, filing the meaning of each life that was lodged in the depths of the caves and its opacity. The Eygues of Valdaine was the Acheron, but with half the deceased who sat in rows and unleashed their laurels that possessed poor aids tormented by mandrake root hands.

The underworld was a swamp that covered the heels of the diádocos in the immense blackness of the cavern that wounded them one and the other with its Kopis, by more than a hundred blows and slashes that covered them with mud and moans in their buried half bodies. That they had been intruded from linear entrances to the underworld of Wonthelimar. In the thick musts of the quagmire where objects with ornaments of fear and cavalier materiality lay, such mangrove deserts satiated with gloomy fibromyalgia and amnesia, refiguring in the wandering bones, that sinned in lights and destinies that were adopted in the sub-world with incorporeal needs., more than the exhaustion that tore the skeletal muscle of each one behind the meager compromise openings, in the strong ligaments of the host Wonthelimar that took them at forced steps towards paradises where there will never be consciousness from a Theseus typology, but from a sub taxonomy - Verthian mythological, for purposes and among others that unleash it by propelling self-infernos that are not those born by a Macedonian force or Satrap into puny kings turned into a servile, mute and decayed.

It is necessary, that solitude of all the entrances from the abyss into which they fell, was titanic and of ultraphobic acquiescent inspiration, and in the acid gestures of search of Persephone or Aerse that in random gestures fled from their persecutors, like females who ended fleeing from themselves falling into the back room where the end of souls is never exceeded or Psyché re emigrating from the punishments of a satire or a static that resulted in a ghostly wandering, or in tendentious spinners that tribulated in belated bundles of repentance. From primitive times, subjugations have been longed for in kings who would never think of leaving their cracks and washing their hands behind the backs of others who stood by, leaving the courage to lose themselves in the perversity of a body deposited in the Tartars, having to give them their prehistoric debts and meadows of carpeted debts and caged rooms.

The generals commanded by Seleucus walked barefoot along with the stump that wounded them in seams for their plantar areas, and in extreme distress, they did not dare to ask mercy from the cave host who transported them through the deep pit of perpetuity, where the frigid bullet of angina of Wothelimar, filled them with memories that protected their survival. In unworthy caprice and watery *****,… it ran frivolously down their legs, even after each impulse to recover the flashes of estimating being scared of oneself, after finding dead fruits subsisted halfway, feeling voices from the origin of the abyss that I quoted them.

Etréstles says: "Mashiach allow me to enter this grave, I do not know if I should go to rescue them, because I know what will happen..., I only ask that if I enter with courage, help me to find the same light of the exit, with the same memory of not to waste arrests, and not to lose myself in my entrustment by those who I know will not return”

Behind some Sabine poplars, it is seen how the elytra of the Lepidoptera were opened for those who crossed from the darkness without the appearance of their fruitful eyes that tickled praises of surrender, and not of ibid in the ibid that surrounded them, as if they were violated that heal at the moment when their faces departed from the miracle of privacy, and from the solitude decreed of non-existent company, companionship calming any dogmatic symptoms and hypoxia that the glimpse of the Eygues and the Acheron left them, further behind in which Saint John the Apostle and Vernarth, Reader and Petrobus to bring Etréstles back.

Saint John the Apostle says: “Vernarth go for your brother,… he wants to protect the souls of Seleucus and his comrades, go soon because there is little left to fill them with darkness which will even besiege in their reasoning and anti homelands that will not be from the din of the campanile, out of tune with joy that runs on the graces of the gift that frees you from the worst virus by not being anti-viral… ”.

Vernarth replies: “Etréstles is the slogan of Erebus, perhaps of Bumodos…, I have to stop him for his profession, since the comrades of Seleuco will not return, the effigies of Wonthelimar have made them of his children in Ultramundi, and what is Solstice of the underworld, it is only a small Sun that fits in the buttonhole of the orthogonal slot that confines it”.

At that time Raeder paraded where he before they reached the omega of the gully pit, running swiftly over the eyelets of Wonthelimar, leaving both completely naked, to tear them away from the contrived spell and bring Etrestles back all the way together and running., but both stripped of lightness and acceleration escaped from the centripetal bodies. After the tortured walls of the pit, they no longer supported themselves in their Skotos or Erebo of Wothelimar in such a primordial deity of this theogonic and fantastic event in the bilocated cavern of Chauvet in Skalá. Here all the densities and units of physical genres, from above and below surrounded them in the thick sulfur atmosphere, Ananké in such a goddess of inevitability ran after all who tried to reverse the situation of the diádocos, for the purpose of consenting their paragraphs Hellenics and to save their lives, but the mother of the Moiras went behind Etréstles and Vernarth along with Rader and Petrobus who were basking in the glow of Persephone that imbued them as they stagnated drinking mead with the Canephores who followed him. From this cryptic moment or from the bombastic insignia of Crete, Kanti's trotting from his Cretan figure was felt united with the Lepidoptera Calypso, redeeming Demeter from her crying on the edge of some Bern olive trees, emptier now that the last gradients of the agonic and venous voices in the hilarious of some diádocos that were completely absorbed by the benevolent illusion of Wonthelimar, snowy in the harrowing tenuity of his gestures and of the great Iberian that took them towards the heights of the hillocks and towards the Ultramundi that It turned them into proles of the mountainous areas, and into super aquatic monsters with thousands of loose eyes in the arches of the generals bleating, which transposed ****** subjugations of primal deities, and philastics of phantasmagorical genres of Hellas that is plucked from the peritoneum of their stomachs, and that guttural eradicated them from the blue adrenaline of Apollo.

This odyssey dispelled the orthogonal lines of the poetic affliction of those who could see the sunset and the Spyché ***** that antagonized Ananké's numinous efforts to extubate them, and perhaps exile them to the Theban plains to graze Achaeans of the first degree alongside Shamash. Lamenting of young afternoons and of the abysmal with beautiful hair of the generous of effects, swampy and of feverish Hadesian or Hade's rounds that crippled their districts, they emanated from some Marie Curie junk and vapors radiating this Parapsychological Quantum to them from their own holy final body., for a virtuous and rout of the Ultramundis of Wonthelimar.

the feathers went up in the breeze,
between the tree's skeletal structure,
as though poured from a jug,
the tree laying on it's side
like it had conditioner in it's hair

and stayed there until the the feathers had fully passed by,
although a few got stuck in it's ear.

Treacle is dripping from the ceiling,
but it's not dripping it's hanging in sticky tentacles
like sweet stalagmites not letting go of either the floor
or the ceiling
making my hands stick together
and then my arms to my jumper feels really tacky
and covers my hair and drips down my face tickling it
sticking my eyebrows so when I open them wide
they don't feel like they ought to feel
I go to stretch them out with my hands
but that makes them more sticky and stalagmites
form between my eyelashes as I try to open them
and the treacle touches my eyeballs.

The feathers brushed against
the desert's floor,
scooping up small amounts of sand
with each pass
and depositing the grains through
their fingers whilst they stroked the wind,
as it carried them
across the desert floor.

wet young pine cones
and how did they melt in to that resin
that smelt so piney
and stuck to my hands
I could smell it for days on them
It stuck with dirt but still smelt of pine cone resin
My fingers slightly stuck to everything they touched
It was annoying
It wouldn't stop being sticky

I take a handful of sand and feathers
and eye's closed
drop them slowly on my head like a gentle sand timer,
and detect each touch of the sand
and cascade of feathers down my face
and then wake up in a pool of treacle
and the feathers all stick to me
as I try and wrestle my way out
they keep sticking to my body
until I can fly away.

Part I. When the Saguaro Cactus Blooms

“All mountains everywhere are being worn down by frost, snow and ice.”

“In the brief arctic summer grasses thrive, but too little energy reaches the ground for trees to grow.”

“When Nubian Ibex dual with their horns, the tussles can last up to an hour if the opponents are evenly matched.”

“Rainforest covers only three percent of the Earth, but contains more than half its plants and animals”

“The Shark is faster on a straight course, but can’t turn as sharply as a seal.”

“Throughout much of nature, life is built on decay.”

“Earth’s journey round the sun creates the four seasons, in most places. In the tropics, the sun strikes the earth head- on year round, temperatures barely change.”

“The Great Island of New Guinea harbors forty-two species of birds of paradise, each more bizarre than the last.”  

“As always, where life thrives, trouble follows.”

“Each year a single tree can **** up hundreds of tons of water through the roots, but the trees can’t use all this water so much of it returns to the air as vapor from the leaves on the branches”

“Every year three-million caribou migrate across the frozen Canadian Tundra. Some herds travel over two-thousand miles a year in search of fresh pastures. This is the longest over-land migration of any animal.”

Part II. And Your Bird Can Sing

From my position as being something
Other than what I am now, I saw
the planet Earth which is too impossible to be true.

I saw that land never stands above water.
Water simply allows the tired earth to rest upon its shoulders.

I see places where nothing is alive, save the maggots that feed off themselves,
amongst the cathedral of stalactites and stalagmites and lakes of acid.
No one ever said Hell wouldn’t be beautiful.

I see what was once mountains, now little more than slender, awkward
pillars into the sky. Withered away by an unwavering wind
That blew rigid rock as easy as it might blow
a leaf on the streets of city.

I see that spring even touches the most arctic of locals.
and that you can freeze in a desert that you can fry in.

I see for the first time, the tree as the inverse of itself;
branches into sky, roots into earth.
And I suddenly question paper and hard-wood floors.

And animals,
which we so often chose to deny as our neighbors and brethren.

I met with the Amur Leopard, rare as jewel,
Never before seen,
Destined to lose his home or his fur coat
To the likes of a Russian czarina.

I laugh at the penguin, the sausage of the bird family
and marvel at its audacity to survive
in places its unthreatening, unimpressive body should not.

And in the shark’s eye I saw, as it leaped out of the water
finally engulfing the once allusive seal,
the grace of god, the face of ******
at 1/50th of  the normal speed.

I came across baboons wading through flooded plains
walking upright through the shallow waters,
holding their young above the depths,
predecessors to a two-legged, less noble cousin.

I witnessed nearly every animal fight each other for supremacy,
with the same savagery we do,
but with less discrimination as to who they combat with.

I noticed that countless animals disguise themselves.
Frogs as rocks of exotic hues. Foxes as bushes seemingly on fire.
Bugs as flowers not yet in bloom.
I think I’ll hide myself as a whale
with a harpoon in his side.


I watch male birds of paradise attempt to sing, yell, peck and dance
themselves into a lady bird’s heart;
their Pavarotti, their Don Juanian exploits, their best Baryshnikov
yield them no love, yet my undying admiration is theirs.

I long to be a part of a flock of birds or school of fish,
who seem seamlessly connected by one mind(interwoven by the urge to move)


I see the flower and the fungi bloom, the latter off the former,
in stop-motion photography
I wish to see myself grow in stop-motion.

I swam next to two whales;
a large one whose eyes said to the smaller one,
“I’ll starve for you.”
a small one whose eyes said,
“I will lose my mother when the water is warm.”

I walked with caribou, transient as I am.
Just searching for a place to call home,
both of us knowing that the only stable thing in
life is continuous change.

Part III. Rivers Do Run Dry (See Grand Canyon)

Years later it would be discovered that “HD TV” did not in fact stand for High Definition Television, but rather Hoaxed Depiction Television. Indeed nothing we saw in “HD” was in actually real; rather it was highly doctored images created by the media powers that be. This would explain seemingly implausible animals, landscapes and natural phenomenon seen in the BBC series Planet Earth. Cryptic statements made by the narrator of the documentary (who turned out to not actually be British or a man) such as, “This is the first and last time this spectacle has ever been documented on film.” Ironically, these claims by the narrator are the only truths the entire project has to offer. The images never will be seen again in nature due to the fact that they were fabricated in a Hollywood warehouse.

Dig deep in the sand with a cupped shovel-hand
Until you come across a healthy source of water.

Scoop up what you see and let loose the soggy contents,
Let them dribble through a careful filter fist.

Slowly drip foundations and upon them start your fortress
Using steady streams of trickled dribs and drabs.

Stalagmites in hyperspeed form walls and lookout towers
With the damp bricks one by one constructing peaks.

Spectators of all sizes will collect and cast their gazes
But you must keep up the focused droplet swell.

Maiden battles can't be won and so the masterpiece will crumble
To the tide that forces motes to overflow.

Waves crash and reek their havoc on the castle that you managed
To build with will and manky dripping palms.

The sand on which it once stood will be flattened out and polished
To make way for a palace twice as grand.

Heaven's gates open in beat with my eye lids
As we stumble in sweet confusion
We can taste the air as an ostrich wine
And the only sounds are angelic choirs joined in mirth
The walls are painted scenes blessed in eternal movement
With God himself scribing the tales
Telling stories of triumph merged in harmony
And penmanship worthier than any poet

Men docilely behold grace itself on the walls of heaven
Ever worthy of the eyes of mankind
Of those who stole a glance turn to gold
And immortals join in ritual

The sense of sight, light, is portrayed as holy crystals
Incandescent stalagmites create divine paths for righteous to follow
While those lost in damnation are lead to eternally fall
As the path lingers the walls inspire a revelation in ones heart
Blessing all who listen, with God's word

A DINOSAUR EATING THE NIGHT

Death had frozen
his mind

and all his musings become icicles
stalactites and stalagmites  of thought.

He snapped a thought off
an even number of stalactites and stalagmites .

Then he placed them one by
one in his jaws

like row upon row of
dinosaur teeth.

"Roar!' he roared
roaring himself out of this

"whatever it is!"

"Roar!" he roared again

eating the night
and all it brought

with his new stalactitestalagmite
dinosaur teeth.

When the night was all
eaten he

lay back and
fell asleep

inside the dream's
dream.

"Brother!" he said

and his dead brother
comforted him as if

he was not dead.

"Brother!" he cried

but the world had
reappeared

ready for the new day
that was spread before it.

Thirsting
For subterranean
Blue morphology

Azure dreams
Flitting about
On butterfly wings

Mining stalagmites and
Stalactites
Sipping nectar

Numinous ruminations
Illuminating
Analogous mimetics

Allegories of the Cave
An altar for
Pluming rhetoric

A deep mystery lies within
Equivalent that to meeting a new friend
Are you cold, dark and eerie?
Or do you hold a sense of joy?

Stalactites hold tightly onto the ceiling
Hiding from those below
Stalagmites rise mightily from the ground
Boldly holding their ground to those who pass

There are many different types of caves
There are many different types of people

I’ll not take your time, beyond what the need,
To relate to you a story and deed
As there’s no one else to plea this decree …
For just I survived, don’t you see.

I’m an old man, with a mind full of mist
But details of that night in my mind still exist
As vivid and clear, both sharp and exact
No, no mist there – all of it’s fact!

When I was young, and adventure routine,
With excitement and newness still unforeseen
I was eager to spread my wings to the world
And seek more adventures as those wings unfurled

Within my long travels I happened to meet
Two other men, with friendships replete
One was named Beckett, the other one Flynn
And better friends there never have been.

Beckett was tall – an athletic type
While Flynn, the scholar, more of pinstripe
Pinstripe or athlete – it mattered not
It was our essence together and that which it wrought.

Engaged were we in all daring do
High on the mountains, and under seas, too,
We crossed dry deserts, and jungles of green
And other adventures there in between.

We’d been together, t’was our sixth year,
And still our adventures made us cohere
To every madness – to every rave …
Until we decided to enter The Cave.

We discussed the encounter and planning for weeks
And assembled equipment – some new, some antiques
Until at last the day it arrived …
And our excitement?  It still there survived.

The map we used, was bought from a guide
Who told my friend, Flynn: “Don’t go inside”
When he had learned of our journey’s intent:
To enter The Cave, and begin our descent.

The guides’ words, had given us pause
We had thought: What was his reason or cause?
But … dismissed were his words of advice
We had each other … and that would suffice.

With ropes and lantern-hats and other such gear
It was into The Cave we then disappeared.
The light from our lanterns speared into the dark
We spoke very little - made no remark.

Onward, downward, in blackness we went
Placing out markers for our later ascent
The sounds of our footsteps, and scraping of walls
Reverberated ‘round us – as echoed recalls

In about six hours, or maybe ‘twas more
We encountered water upon The Cave floor
And there all around were beautiful shapes
Never were seen such gorgeous landscapes

Stalactites, stalagmites and mineral mounds
And dripping water with its’ “plopping” sounds
Pinks, violets and shades of green hues
And small salamanders made their debuts

We found a small dry spot and then we assessed
This was a place we could stop now to rest.
I turned up my lantern, and took off my hat,
When Beckett said: “Hey.  Did you just hear that?”

I moved not a muscle, and my ears went to strain.
All I could hear were the droplets, like rain.
Then from The Cave’s bowels came a loud din
I continued to listen – then heard it again.

We looked at each other, but said not a word
Confused and startled by what we’d just heard
It wasn’t a moan, it wasn’t a gasp
But more rather like a guttural rasp

One thing was certain, it wasn’t of stone
That could create sounds while standing alone
T’was our discussion, from which to derive:
The source of the sound was something … alive.

Then from The Cave’s deepened black hole
Came again sounds from a source with no soul
The sound was menacing, and one I despise,
I watched the fear grow within my friends’ eyes.

Instinctively, we three then moved as one
In that instant – our re-ascent had begun
I had been last in the line coming down
Now I’d be the first to reach the “above-ground”.

Quickly my feet in the lead, lead the way
Flynn, right behind had nothing to say
My friend Beckett, brought up the rear
And in that position had the greatest to fear

The lamp on my hat pierced through the black
And I looked for our markers to lead us back
To save our strength, nothing was said
Again - the loud sound that filled me with dread.

The sound became louder and closer it be
And I moved faster through the black before me
I could hear Flynn’s breathing, so close behind
I tried to concentrate on the markers to find

Somewhere behind me, then snarls I heard
Loud and vicious, run together and blurred
Close … so close … the beast was so near
Adrenalin rushed through me to react to my fear

T’was then I was hit with an overpowering stench
The smell caused my stomach to turn and to wrench
The odor blew past me, and I knew t’was the breath
Of the Beast of The Cave – its’ oder of death.

I was near running, but down on all fours
Sweat was streaming from all of my pores.
Then I heard those terrible screams
The ones I keep hearing in all of my dreams

It was Beckett I knew in his shocked agony
Midst the snarled snapping of jaws I can’t see
I heard bones cracking and squishing of flesh
And the fear within me gave new strength afresh

My fingers were raw from grabbing the rock
But on moving forward my mind had its’ lock
My stomach still queasy from the stench of the beast
I knew it was finishing its’ beastly feast

I knew, too, t’was only a matter of time
When the beast would return - I had to climb!
I heard Flynn say: “IT’S COMING AGAIN!”
Again was a surge of my fear deep within.

I heard once more the beast from behind
And fought the panic taking over my mind
Something heavy struck against The Cave’s walls
The kind of sounds that ghastly appalls:

A scraping of talons of heavy clawed feet
Caused my heart to double its’ beat
I had the feeling that Flynn lagged behind
I screamed my urgings loud and maligned:

“Flynn!  Flynn!  Catch up to me!”
But took not the time to look back and see
For the beasts’ crashing against The Cave’s face
Told me it neared – and was re-gaining the race

My knee hit a rock, and my balance was lost!
I fell to the ground, and then feared the cost
In losing the time in scrambling free
Again sheer panic stabbed into me.

In less than an instant, Flynn was there too,
His face in my light was of a strange hue
And as he helped me get back to my feet …
Flynn turned around – t’was The Beast there to meet.

The stench overwhelming, but the sight was much worse
There standing before us: The beastly curse
Of overlapping scales in shades of dark gray
The rest of its’ body concealed in umbrae

But its’ eyes … its’ eyes … I’ll never forget
Rheumatoid yellow, and deeply inset
Its’ reptilian lids blinked just one time
‘Fore its’ lips peeled back - revealing the slime

Glistening yellow over dagger-like teeth
Then oozed from its’ mouth to fall there beneath.
The beast reared up, then we saw its’ claws
Sharp and deadly within its’ forepaws

Towering above us, no sound the beast made
On beams of our light had his gaze stayed.
Unexpectedly Flynn then turned and faced me
… With less blinding light, the beast could again see

Why Flynn had turned I never will know
For the beast bit him in two, at his torso
And I was looking at Flynn – direct in his face
When the beasts’ bite his life did erase.

I screamed, and instantly away did I run
Away from the beast, and dead companion
Through the price of Flynn’s life, more time had been bought
To reach The Cave’s entrance – the goal that I sought

Running wildly, several times did I fall
Toppling did not my mission forestall
The beast I knew still somewhere behind
Drove me on forward with my frantic mind

I heard its’ clawed talons scraping the wall
And prayed I’d not again stumble and fall
Then, up ahead, a small opening I viewed
And I saw my chance, with hope there exude

Twelve feet … six feet … then it was three
But the beast and its’ stench was there behind me
I dove through the rock opening, scraping my head
But better that injury than ending up dead

I was elated, and about to rejoice
I then heard a scream – it was my own voice!
In my leg erupted intense blinding pain
Looking down I saw the bloodstain

My leg, through the opening, still was stuck out
There was but split-seconds, before I’d lose it no doubt
I pulled my leg back, and in but a flash
My shoe was removed by a clawed talon slash

I crawled back from the opening, then I could see
My wound was deep, from ankle to knee
Then suddenly through the opening came
A clawed talon whose aim was to maim

I quickly withdrew out of its’ reach
As claws shot through the openings’ breech
The opening too small, for continued rampage
And the beast began then to voice its’ outrage

It’s deafening roars assaulted my ears
Echoed Cave chambers and in my mind did adhere
I began attending unto my grave wound
Knowing I now was no longer marooned.

T’was another hour ‘fore I crawled out The Cave
But many days ‘fore I’d shed the shockwave
Of what had transpired, and what I had seen
And my damaged leg was lost to gangrene.

Now sleep evades me, for my horrible dreams
Show beams of light, and unearthly screams
Of Beckett and Flynn and The Cave we were in
I know tonight, I’ll re-live it again.

So, now you’ve the story, you’ve heard the deed
I swear is the truth I’ve herein decreed
And Beckett and Flynn are enslaved in their grave
And I lost my leg to the Beast of The Cave.

Gripping dripping smearing love.
Over your eyes!!!
Over your ovaries, where babies, your clutch.

There's no time to nest,
Resist!
Resist
,
be the diode, resistor to heart plunge.
Plug up the sewer.
(more like a catacomb)
My heart's in the ****** cake.
The smell, Cytotoxic invades chemical response conformation.

We; bitten, by fangs of silicon,
the world takes us away from ivy
grown homes,
torn then seamed up jack o' lanterns always smiling orange.

Have you ever grown up from being 11?
It's the saddest thing you've seen.
You see a fledgling,
altricial,
awkward,
gawk/****,
turn from a boy
to a lady.

Plump. Or . Musculate.

Slowly they regenerate their lady parts.
Regardless of gender.

Have you seen them bleed?
Some bleed white tears that burn the urethra.
Some, never grow up.
Transmogrified they call it.
Never to be beautiful again.
Angst entangles, ensues, makes doubt
pubescence is for flowers and hairs.
Namesake.
5th Grade.

Curious formation, curious nature
It's as if we are stalagmites of the future,
We decorate walls or cave ceilings to perform our correct action.
Too bad our self image is always garbled, confused by our refraction.

NEVER GRADUATE COLLEGE.

Tear out my eyes
repainting them shades of purple puke
and send me off back to work
Snip the curious child
from my gut
and paint the walls pink with his feet
pour drano into my ears
so that i may not have to think anymore
lobotomize my fingernail biting fetishes
till i only get hard-on's from my skull
dragging its skin across the pavement
you pitiful excuse for a poet
you hope to dazzle them with dayglo frosting
caked like mold in the corners of your mouth
you sick hopeless perfectionist
knitting cellophane walls
of hands slapping your face
so you can close your eyes
and lose yourself in the confines
of your stalagmites
you with your cut and paste philosophies
which leave gaping holes
stretching across everybody's pupils
huh?
exactly you ******* pustule of plastic bubbles
you are an empty bud
no flower could rise from soil as rank as yours
no love will ever find comfort in a heart as prickly as yours
i can only be ashamed
that i share your body
i'm better off getting aborted
next time you sneeze
so that i could infect another's fragile flesh
passing our sick parasite
at least something of yours will be left
for others to cherish

Sittin in High School
One of my fondest memories
Wasn't of sports
or seeing the pretty preppy girls walking around in mini skirts and loose v-neck shirts
Knowing that they are out of my league

Surprisingly it was the rare moments that I would put my head down in class
Just close my eyes and think
Slowing drifting into an odd state that I know we all know

The state of complete relaxation and the definition of calm
The time between zonked out and aware of your surroundings
The point where your ears are the only thinks that work right
You listen to conversations going on around you
Ones that continue over the top of you
Whispers gliding gently over the back of your head
Kissing your hair to reminding you there are still people in the room

But in all reality you could care less
Looking so peaceful, calm, and still
Arms folded and head resting upon them

If only people knew what type of demons you are fighting in that deceiving head of yours
Legs begin to twitch as you spring through an unfamiliar jungle
Being chased by a pack of rabid
Twelve foot long Caterpillars
They lay Seven feet high
Two foot thorns coming out of their fast, round, jiggly bodies
Mouth gaping like a cave
Teeth that resemble stalactites and stalagmites
Dripping with a bio-luminescent substance that has to be poisonous

You hurtle rocks and logs
Ninja slide under giant tree roots and low hanging branches
While running you must swat away gigantic ravenous butterflies
They are pretty, but not very nice

Sweat pooring from your body
Blood pressure is running through the ceiling
Panting heavy
Scared shitless

You make the mistake of looking behind you to see if you lost the beast

And you trip...
Falling ******* the ground with a loud thud
Starring up as the caterpillar leaps into the air and in slow motion comes down
Jaws open
Mouth watering
Stomach hungry
As he begins his decent your mind is blank
About to die

With no warning the ground below you disappears
Falling into a black abyss of nothing
The bottom appears quickly
You brace yourself to splat on the ground
As you hit the earth
You jump wildly in your seat with a loud yell...

The bell rings with the class gazing at you giggling
Filled with embarrassment   you pick up your things and quickly shuffle out of class

Follow me through skies of Grey
through murky marshland mire.
Accompany me through forest
labyrinths and fields of pale rye.

Step carefully through old mine
fields and feel my chest fall silent
for momentarily my heart skips,
caught by the long grass stalagmites.

The imagination coils up horrifying
imagery, a moment in time where
warriors flee, outmanned and gunned
down, the indigenous falls to his knees.

Look up and seize my thoughts
from falling into the past, for life
is like a bike ride, and in order
keep a grasp, head forward

following an orbit and do not
lose sight of the tunnels end
for satellites which go off track
crash, break, smash and bend.

Sat in the grass staring up, you
giggle and pull my legs, I trip
on accord and hear the twang
of an IED before crumpling

like folded paper, onto a jagged
boulder, feeling a pain in my head.
I roll onto my back and face up to
the battlefield where hungry farmers

fend off intruders who gun them
down again, blink and they’re shackled
as the decorated men of war crack
out cigars, sip from crystal and cackle.

Scrunch these lids and rub my eyes
the image raids from red to yellow
crimson streams appear to mellow
as your face above me, draws calm

overhead, forget the cries of war-torn
towns and villagers who bled
to keep their crop in the forlorn
era which saw many a soldier dead.

A soul escapes and floats past
your face we pause and marvel
as it pirouettes smoothly, spiralling
slowly into the fog and falling back

down in the adjacent swamp. Trudge
and trace footsteps west of the border
As the scenery picks up, you nudge

my ribs and point down the valley,
towards the green and golden leaves
of Burma where our journey ends.

Rotunda of doors
Select an arbitrary gateway
Rotate a frigid bronze **** and dislodge
Gaze into an opaque, stone encircled realm
Proceed through the division
Inhale damp, stale earth
Hesitate in a moment of hair-raising atmosphere
Ignore and tread slow
Ignore the echo of the sole warmth emanating in rapid succession from within
Ignore the nagging to turn back
Do so anyways
Realize pupils dilate when the entrance is not visible
Debate possibilities
Feel pointless muscle movement pulling white eyes for stimulus
Exhale tension melting air
Whine and tread against small stalagmites
Extend palm forward and to the side
Grasp for sight
Grab nothing
Constrict throat down
Acknowledge and accept the situation
Continue onward
Stumble against a solid
Release pain
Trace the direction of hopelessness
Follow with purposeful motions
Brush against another impediment
Successfully avoid
Allow air to flow against dry tongue
Taste lifelessness and potential
Release resolution and determination
Gain momentum
Allow ears to beg for rays of sun
Decide resiliency
Pant and expend time
Sense vision assimilating
Investigate the environment
Crouch and take in the floor
Gasp and whimper
Behold bones
Three sixty and engage all faculties
Cower as truth speaks: labyrinth.
Lift chin and only stone above.
And collapse, collapse onto knees in dramatic fashion
With back arched over, hands grasping and pulling at hair
Fight against reality.
Terror eviscerates.
Submit on to the parasitic solid inorganic void.
Become more bones.

It looked all right through the windows of
Our cosy sitting room,
The day was light and the sun was bright
But the house was like a tomb,
The other rooms were as cold as hell
With their stalactites of ice,
That dripped from the bedroom ceiling down
To meet the stalagmites.

I’d settled Eve on the couch and spread
A blanket round her arms,
I didn’t think I should tell her, just
In case she became alarmed,
She’d spent a week in the sitting room
For she wasn’t feeling well,
How do you say, ‘We’ve fallen into
The Seventh Circle of Hell!’

They taught us the laws of physics were
Impossible to change,
Gravity, mass, and basic math
Had a certain, definite range,
But men of science had interfered
With the particle known as ‘God’,
They’d built the Hadron Collider and
The results, they said, were odd.

I could have told them how odd they were
When I went outside to see,
My car was covered in mushrooms
And a train sat up in the tree.
A whale was floating beneath the Moon
And a porpoise lay in the park,
The light was bright in the sitting room
But outside, it was dark.

Nothing remained the way it was
For all the colours had changed,
The lawn, the colour of strawberry jam
And the sky was rearranged,
The stars were falling like sequins in
A cluster of drops like rain,
And ice was forming up on the eaves
That tasted like champagne.

I went inside and I slammed the door,
I turned on the News at 6,
They said there’d been an apology
But it wouldn’t be hard to fix,
They’d run the Collider backwards to
The way that they’d done before,
And hopefully, the ‘particle God’
Would be as he’d been once more.

I sat with Eve as the sun went down
And I tried to keep her still,
Away from the hallway mirror so
She wouldn’t scream or squeal,
The lines were deepening on her face
As our lease on life had lapsed,
I hoped she wouldn’t go out today
With the world outside, collapsed.

The sun rose up in the morning as
It had for a million years,
And everything was familiar,
They’d run the thing in reverse.
The News went back to the good old things
We were used to, from before,
Stabbings, murders, infanticide
And that good old standby, war!

David Lewis Paget

Transcendent
Like a phoenix
Up from fire
Heat
Blistering skin
Of all who are
Underneath
In caves
They will hide
And scratch out
Meager living
Dripping
Forming up
Water runs
Through earth
Stalagmites
Stalactites
Pillars
Fallen down
Asleep evermore

When I fell into your cave,
Your stalagmites pierced me;
I became impossible to save,
The rock much too deep.

The sun did not shine there,
People did not see me hurt.
They did not see the blood,
How the rock made it spurt.

Some tried to pull me out,
But they all failed upon trying.
My strangled cry became a death shout,
For I was slowly dying.

My body, pulled from the deep cave,
Remained lifeless in your arms;
I had never been saved,
And I met the face of harm.

I was too far gone,
I could not return;
I did not see dawn,
Death I had earned.

psychic infantile bopping
play silent drum kits in ear canals.
screeching like whales
in caverns of sea and stalagmites.

servantile shrapnel leaking into abyss:
feeding on skin and bones,
parasitically.
eating through biting cries,
viciously.

gumdrops streaking sidewalk
in musical rhythm stain glass windows
and blurry red eyed sun high in the sky
shines down crystalline tear drops
over your singularly secular shadow.

Searching for the past through a million different caverns,
algae and stalagmites like,
a tavern in the daylight.
Empty for the most part, shadows in the dark start,
dancing in excitement; dinners on the house tonight gents.
Master ninja hand signs, kunai skill for knife fights
and
the eyeballs always closed cause we see it all with foresight.
A Pokeball as my homestead, digital paradise to the unread,
single specks of data lost in hella mice and undead.

I went outside for a cigarette
Sat on the step and
I see myself down the street
forty years from now;

Burnt like an ember in an ash pile
Ground into a particle by
the street sweeper to be eaten
by the atmosphere's tangled black tongue.

Walking up and down the
battered stairs tires my weary legs
with every trip I make
Lungs crying for air like a newborn.

A tool for procrastination
A tobacco fascination can lead to
a disastrous situation. Kurt
Vonnegut once said, "Cigarettes

are a classy way to commit suicide"
He must have been stupefied making that statement.

Like taking a blade serrated 1000 times
and nudging one more notch through
his flesh with every caramel covered kiss.
But he was too scared to take it out.

Exhale and apologize to Earth
for his suffocated statement. Breathing in
snakes and rusted copper.

The man down the street probably wishes
to be my age back in his day again.
My eyes frozen in space like Walt Disney's
severed head.

He catches a  a cloud of smoke
and his lungs scream through stalagmites
that drip with unwashed tears
that never fell from Vonnegut's stone face.

the slow trickle
of water torture,
beads of
glacial sweat
carving canyons,
torrents of rain
sweeping
leaves
dirt
and trash
through a
miraculous dance
passed the curb and
down the drain.

to the living
minutes and moments
are just drops of water
                on an icicle.

such an elegent procession,
such elaborate progression,
and, too, ulimately fragile,
      the reality of mortality.

furthermore,
              on time:
we view the world
as a stop motion animation.
perception of time
is invented,
utterly subjective
and therefore fallible.

time is,
quite literally,
an optical illusion,
a homegrown hoax.

all moments can be one moment
to that which blinks but once.
the sum of all instants
is one single instant.

and so
stalactites
reach for
stalagmites,
bond and be one,
and find comfort
in their caves.

attraction has
its origins
in the atoms.
maybe earlier.
that was jim morrison's
"atomic love".
electrons were the first roses.

There's a great big area deep in the Amazon,
It's called the basin,
It's made of plastic, made by tefal,
The tribesmen go a hunting,
They're going mining, deep into the basin of the tAmazon,
They're going chocolate mining,
Down, down, down they creep, sliding down them plastic edges, slippery but very steep,
Go into the darkened halls,
Where chocolate stalagmites, they grow,
As it's getting hotter and hotter and the air is getting sickly sweet,
The drips and drops are falling fast as stalactites fall down,
The mine's all filled with chocolate, what a crazy dream,
There are funny little fellows, hiding in the chocolate ghetto,
Hyperglycaemic,  they're flying on the sugar rush.
(C) Livvi

Setting: Black and white landscape, grayscale populace. Dull droning frequency progressively inaudible, machine type quartz operated movement from birds eye view.                •••••••• READ•THE•MESSAGE••••••••

Way -  too - much.

You're not spending enough.
You need a car like this.
You don't look like them.

Next Setting: The brain. Synapses and dendrites/stalactites and stalagmites.

••••••••IN•ANOTHER•PLACE••••••••

Reading angels write hymns of summer sight, snowflake moonlight; life to no end, broken door still shut with moist eyes and dry lips. Sing to me from fallen skies and invade my prison mind.

Fever clutch shadow craving collapsed oxygen bandages soaked red with blood and organized by decomposition rate.

Capsized ship sunk mentality, leveled from the tarnished mirror. Scoop hand down for packaging cassette tapes neatly. No kneel working while busy foraging the soft shore for answers to the newer questions yesterday. Grains and globular surface melting molten and traveling through the path of least resistance.

••••••••OLD•NEWS•NEW•ESCAPE••••••••

Commence the countdown!

chewing diamonds
intestines are stalagmites of ice
ribs are crystals
i shatter my fingernails
shoving them under the
ridges of rock that is my
purple
frozen
corpse

the darkness had taken her away
with deceit and promise of an escape.
as it happened to be,

this path lead to a tunnel
which led to a cave with great wide jaws
and teeth of stalactites and stalagmites

one could marvel at for hours on end.

the cave ate her whole and she plummeted
into the world of misfortune and misery called Earth

They see castles in the air, I see air in the castles
They see the end of the road as I see the road in the end
the treacherous enemy in every friend
whilst I see potential allies in every adversary
they see the peril in crossing the sea
while I tap the perilous adventures in what they see
they see the horizon of the dawn
I see the dawn of the Horizon
They time love, I love time
they see a storm in the thickest of clouds
I see a silver cloud in the heaviest of storms
they see the future, I see the millennium
they see the maximum, I see the minimum
they sleep to dream, I dream to sleep
they keep to give, I give to keep
They find a burden in the load yet I find the Lord in my burden...
They see the words in the lines, I see the lines in the words
They see shards in the whole as I see the whole in the shards
They see a Caterpillar even in the most beautiful butterfly
I see a floret butterfly in the spine-chill of Caterpillars
they see stalagmites and stalactites, I see future pillars
They see death in life, I see life in death...
because whilst they are people of the world
I am a world of the people, an outsider
beating the odds, going against currents
breaking the rules and gladly paying the price...
they view the game of life by the odds
I view the odds by the game instead and
truthfully speaking, odds don't count...
We all look at one thing, but I see
different, I always will...

'Beautiful stalagmites and stalactites!' 'Clayton, this cave has breath!'

Do you feel the air?' 'The air movements are strong and prevent our death,

But they can extinguish the lamp.' To lead the way, he unrolled many feet

Of rope to mark their exit in case of being disoriented in this huge 'suite'.


They named the other one Queen's Chamber, because it was small.

It was a dim room, twenty feet high having a nice circular white wall.

After an amount of stooping, crawling, scooting, and squirming, while

Passing through damp trail ways over pits and breakdowns of the aisle,


Through tight keyholes, they reached a lake of water. Then, they have

Transported wood, to build a boat, and to explore the other part of the cave.

On the other side of the lake, they saw a room looking like a stone quarry.

After that, they recognized the finished stone house in its greatest glory.


They saw that the refreshments were served, consisting of tea, coffee,

And dressing, but the people weren't inside, yet. Surah took a toffee

And two of the numerous huge lamps hanging on the right cave's wall.

They heard a strong music and many loud voices coming from the ball.


' Imagine this, Clayton; we were bending, crawling to pass through

So many tight spaces in order to find that this cave is my sister's clue.'

'It's one single cave having two parts, which are separated by the lake.'

'Let's go home!' said Surah maliciously smiling. 'Anne is a real snake!'

(Of course, Queen Anne was not a snake. The old castle was built around the cave and those two chambers were used to protect the kings and the queens all over the time. The legend of the beast was used to protect the other entrance in the cave during many wars taking place along the time. )
………………………………………………………………………………………………………………………………………..

They were floating back until they reached the shore of the other side.
She dropped two lamps in the water, and left the boat being in a hurry to hide.
They blocked the entrance of the passage, and their lamp started to tingle.
Clayton bumped a paddle against the wall to pass, but it sounded like a jingle.

They opened the metal door, and then they climbed up the tower‘s stairs
To get into the secret room. There, they saw two beds, a table, and three chairs.
On the table, there was a golden little spindle being full of golden thread.
'They use this gilded altar to pray for Jezebel', said Surah turning her head.

To be continued......(tomorrow)

And then she was a chasm,
A cavity of weakness;
Void of throat shredding screams,
Drowning in mind mincing whispers.
She is now hollow of all
But a single reverberating beat
Clawing at the Heaven she yearns for.

But she is now a chasm,
A cavity of sorrow;
She found the space behind her ears
Home to hundred-legged creatures;
Her mouth's roof now scarred
From the family of nesting bats;
The glow worms that once illuminated her dark eyes
Sleep.

That is all she will ever be:
A Chasm.
Her bones broke when she joined the mountain side.
Muscles turned to moss, skin to crumbling stone.
Her lashes are now the stalagmites and stalactites
And although she did not open her eyes to this,
She is no neophyte to the mountain's arms.
She simply allows herself to forget for a time.

I swallowed
the sound of your name
like it was a star--
five points,  
the type they
teach you to draw
in kindergarten.

It hurt
on its way down,
stalagmites of constellation
catching on my uvula,
hanging on with
astronomical strength.

But this is no cliffhanger.

Do you know what happens next?

I stopped breathing.

You've never deserved
your name,
you know.
"Light giving,"
it means.

Oh,
and how I gave into
the sublime
fallacy
of it.

Because
all you ever did was steal
the moons from my irises.

You treated me like
I was the dirt beneath
your fingernails
(you forsake
the dust on your windowsill--
but don't you know
all dust comes from
the wondrous galaxy that
dwells before us?)

I reached out to you
only to get
c u t
          o f f
at the hands

Still,
I couldn't let you
go,
didn't know how to.
Even when my flame
was reduced
to these weeping cinders,
even when the idealization
I held between my palms
found itself exiled
to this mausoleum
of severed trust,
hatred blossoming
in rosettes against
crumbling tombstones.

The epitaph reads,
"At a loss for words."

Tell me this:
what sort of
"light giver"
doesn't believe in
in the possibility of magic--
in the pinnacle of light itself?

You always thought me
a foolish girl
for dreaming--
naive girl,
silly girl,
wrists blooming
in paper cuts,
always one fairytale
away from insanity.

Until
one day,
I stopped believing
altogether.

And all it took
was a single glance
from those eyes--
glacial sapphires,
your grandest seduction.

Hell itself would have
hardened itself to tundra
at the sight of them.

You always had a way
of contaminating
the things I loved
with a frostbite so lethal,
I would have
gladly dismembered
every hypothermic part
of myself
(every fragment of soul
you ever touched).

Like a shooting star,
I fell for you--
hopelessly.

Catastrophically.

And then the heavens went
dark.

I learned bravery when my first kiss
Was the one who used force
Who took advantage of my developing body
And turned my morals into mind rot
When my body became cavernous
With stalactites and stalagmites skewering me from the inside
And my heart poured out through a hole
Like soup
And you
Swallowed it whole

Post Script:

You devoured me on first sight
You saw my craving for knowledge
And my body as an advantage
You did not know this then

You gave up your current
For a new model
Gave me letters and flowers
And then trouble and hate
Pain and ‘no lipstick’ ohh wait that was the other guy
It matters not because you both fall into the same category
Mistake
Your strength could never match mine
Because I grew from my past
I learned from my flaws
I turned them into armor
While you turned them into excuses
You left me broken in other ways,
But not as broken as you’ve made yourself
You turned to drugs and alcohol
Looking for answers in acid
And lost your soul in the process
Not that you believed in one in the first place

My sad is copper sulfate,
A blue shriek in my sternum,

A pressure frame inside me,
Too far away to burn him.

Leave my sad to crystallise,
Please just keep your distance.

Through my stalagmites of sorrow
Take the line of least resistance.

I carve companions from the rock,
Each one a salty clone.

I’ve made societies down here
To sit with my alone.