GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets

Despite repeatedly shaking her pincer... much as a sprightly pensioner might brandish a furled umbrella at a grappling contestant, currently being boo'd at in the red corner... the baby crab stamped her foot in annoyance as she glowered at every passing wave that rolled along the shoreline.  In absolving herself of any guilt she may have felt over her prolonged excursion, she had become, even further marooned by a failure to catch a succession of tides back home, an oversight she later confessed, to observe local tide-tables in 'Old More's Almanac...' on sale in all discerning book shops and selected High Street newsagents, priced 10/6d... for unless fluent in the Russian vernacular, it was just about as articulate to the little crab as a map of the Moscow Metro during a blackout, only to have the Rouble finally drop with a throat gagging 'Gaaargh...' clunk, that you were currently standing on the down-line platform, when you should've been stood on the up... as the last train lurched unsteadily out of the station whistling a jubilant entente cordiale... 'wish me luck as you wave me dasvidaniya'.

     Still stamping her foot, only now in strict rotation with the other seven, the baby crustacean peered out from beneath the shade of the large pebble, rearing its bulk out of the rockpool like a lollypop-lady's 'STOP'!!! sign, her beady eyes twitching independently, first this way, then the other, cut withering swathes through every cardinal point of the compass that didn't duck quite fast enough, was rapidly coming to the conclusion that the rock-pool in which she found herself tapping her foot in today, would be no less aquatic as any other rockpool that she may find herself still tapping a foot in tomorrow and that the best course of action was simply to stay-put and take the matter up with the local town council, then petition for additional fare-stages to be implemented... and with the cost of shoe leather at current prices... well, with eight legs to consider it would make savings that weren't to be sneezed at.  

     It wasn't everyday of the week that a young and upwardly mobile baby crustacean had occasion to move both up-market and down the beach, all in the same mouthful... and into what could only be regarded as a desirable, detached beachfront property, a rock-pool of distinction with all available mod-cons.  She felt relieved that apart from the occasional day-tripper, who invariably dropped litter wherever they went, that a baby crab of distinction such as herself, was certain to be accepted socially and hob-*** with a new and discerning circle of acquaintances... you only had to take that nice lady earlier in the week, they both seemed to have so much in common... then she would roll up her sleeves and really show the neighbourhood what knitting was all about...  

     With as much enthusiasm as that of a three year old screaming for an ice-cream in the middle of an heat-wave, Red marched up the beach and as far from his wife's waspish tongue as a lame excuse would carry him, heading back towards the growing crush of holidaymaking fathers who were only there presumably, for the sake of their own children, laying siege to the mobile vendor... only this time, having already stood in the same queue ten minutes earlier, now had a sufficiency of funds to purchase that which he'd unsuccessfully queued for the first time.

      After an unspecified time which by his wife's reckoning was grounds for divorce... Red, now laden down with the iced confectionary picked his way through the same throng of fathers who moments earlier had been happily chatting in the queue together, were now enjoying the same berating as the one Red was looking forward to as he made his way back towards the rock pool, juggling more ice-cream than two manly hands could intelligently control... while in a bid for freedom, the rapidly thawing confectionary were hatching plans of their own, ones quite independent from those intended as they embarked upon their meandering exodus, known only to iced creamy desserts on hot sunny days... and into the unknown, roaming across Red's hands and trusting their fate to a far higher authority.

     "Did I mention that I was on a diet" snapped his significant other, as she sat licking pistachios from the melting cornet... "don't you ever listen," secretly smiling to herself... "and you did remember to bring Sockeye's water this morning.. didn't you..!" she continued "someone with half as much sense would've stood it in the rockpool to keep cool, I'm sure the little crab wouldn't have objected..!"   At the mention of his name, Sockeye with ears far too free-lance to ever consider gainful employment of their own, needed no further persuasion and charged straight through the rock-pool to his mistress's side, walloping the thermos flask for a tail whopping six... bringing his personal batting average so far this holiday to a self congratulatory forty not out... and found the baby crab spluttering flat on her back and having second thoughts on any immediate savings in shoe leather were she to stay. 

     Generous to a fault, Sockeye now thought to shower everyone's ice cream with liberal helpings of the seashore as several parasitic irritations had Sockeye hard at work serving eviction notices on some of the more exotic zoology that only a patent Bob Martin's would dare to muscle up to... the local wildlife, by the look on his face were having the time of their lives bivouacked behind his left ear, throwing wild parties and disturbing the peace.  Cross-eyed, it was only while launching a double pronged assault on the latest settlement of interlopers that Sockeye finally succumbed to his injuries and surrendered to a neighbouring sandcastle... it really didn't do to mention a certain name too loudly at times like these, especially when you just happened to be on the receiving end.

     For some strange reason he was undoubtedly in the dog house... they'd shouted at him, which made him sad, all except his little master who had pushed him away... which left him bereft.  Sockeye sat down on dads beach-towel and had a long, thoughtful scratch... where had all the fuss gone? he searched for appreciation their faces... his tail gave one disheartened thump before it stopped... and all those little pieces of ice-cream dipped wafer, which up until now had always appeared as if by magic.  

     Catching sight of one such treat, undoubtedly forgotten by the rock pool, a marauding seagull pulled out of a rolling dive and swooped, at the same instant as two gaping jaws launched themselves skywards... canine jowls quivering bravely in the light sea airs... and not too dissimilar to a heat seeking missile, rose gracefully from the ground to meet it... 'well intercepted..!' as both ears applauded in mid-air... no aerial freeloader was about to skip town with Sockeye's ice cream wafer without paying... leaving one solitary wing flapping its willingness to pay up.

     At least it kept her husband in useful employment Tina decided... and mercifully out from under her feet, as she brushed a fragment of affectionate pistachio from her bikini top... she'd have to  make sure he went for the ices in future... and without the means to pay for them... a mischievous smile turned the corners of her mouth as she leant towards the beach-bag and invested herself with several more juicy grapes... that everyone who fell within her sphere of influence had been warned well away from... under threat of dire consequence... and it would take a brave man indeed, or a very foolish one... she gave her husband who was sitting well within arms reach a caustic glance... and Tina's particular variety of justice had a very long arm indeed.

                                                        ­           ...   ...   ...**

a work in progress.                                                        ­                                                                 ­  1297

Breathing fire, from below,
Spitting a molten soul skywards,
Flinging pumice, ash, and fear,
The angry Vulcan casts,  
His ever darkening shadow cross,
As the timely reminder , of
The fragility of this existence.

© Nick Strong 2014

Gentle evening wind, non existent till a moment before
lying low among the children playing with the flakes of golden sun
fallen on the silver white sand, quickly rises, unnoticed by any one
flirt with the comely coconut palms lined on the beach,that act coy,
blows towards the long, rolling blue wave, meeting it headlong,
a blast, white spray springs up spectacularly like a fountain,
then, easily lifts three kitesurfers, fling them high up stylishly
across the fortress of water, they look invincible, untouched
by the waves, that look foolish eyeing skywards, the milling crowd
howls in mirth, seeing the dramatic twist, it's all fun till sun down.

I sit on the same well-tended grass by the water as I did
when I finished my novel about the place where love leaves us,
and I'm looking out across the lake to the dock
where we lay the other night.

A seagull sits there now,
atop a small white post, and there
is nobody else. The bird is unmoving
save for its feathers, ruffling in the wind, and I realize that everything
will very soon be seagulls because
if that spot there-- where we watched that Chinese lantern
float skywards and where you said that you knew me better
than you ever had-- can be a seagull,
well then so can be and will be every other place where I sat
watching things that weren't Chinese lanterns
do something other than float skywards.

While I'm tempted to say you made your mark on this place,
the seagull begs to differ-- no, you made your mark
on me.

A lake as still as still — a cloudless sky —
A bird-less forest — silent as the page,
That monk-like sits reflecting for an age
On pious deeds exalted upon high,
The page gilded in wisdom, lauded by
Its maker’s peers, wherein is set the stage
For Nature’s bountied beauty — I give homage
Unto its gifted craftsman, one that I
Have oft’ with envious eyes admired afar,
And matchless to his art, have grasped for skill
Far far above my grade — From him to me
Has come a gift as bright as Keats' Bright Star —
        Unto thy lake, may this stone rend the still,
        And loose thy songbird skywards, Timothy.

Let us not keep our secret,
secret any more!

Thousands have read your poem,
from your tributary, they have drunk.

So I am re posting once more
to remind grandmother,
so many
you,
adore.

I will not stop
till ten
thousand new admirers
have you paid homage.
then I will
              post it again.


~~~~~~
Oct 6, 2013
The Banyan Tree (A Tribute to Sally)
I am a man, grandfather to four.
Adherent to the same religion,
Poetry.

Breathing through mine eyes,
Exhaling carbon words,
That with time and pressure become
Poems, verbal musical notes upon life.

Each motion, from tiny to grand,
A capsule of expression,
That if examined under microscope,
Familial DNA, interconnected tissue,
Discovered, tho logic says,  
Time and distance render impossible.

But this is a diamond
This is a writ to be slipped
Upon the finger, the heart, the essence,
Of the only Banyan tree I have hugged.

This poem but a fig,
In the cracks of kindness,
The crevices of caring,
It has slow germinated.

You dear, Sally,
My host,
A building upon I can lean,
When wearied spirits uproot
My surficial composure.

Your seeds carried from east to west,
By a fig wasp, a bird unknown,
An ocean voyager, of indisputable vision, strength.

This seeded messenger, word carrier,
Supplanted in me, and your pupils,
Whose very names breathe poems,
In others too, like me and so many,
Seeds to become new roots, but you,
Our Host official and forever
Planter of trees of loving kindness.

You already know with love and affection,
I call you Grandma Sally,
And when you ask, beseech,
I cannot refuse.

Together we will will banish the sad,
Acknowledge we, that life's ocean,
A mixture of many, even sad, a necessity.

But I promise that will turn it into
Something simple, something good.
For you have asked and I answer you
Right here right now - your wish,
My objective, deep rooted like you,
Like an old banyan tree,
Your roots spread far, spread wide.

So some eve, when to the beach, to the sky
You glance, smile, no matter what, troubles dispersed,
For the reflection of you, seeds, full fledged trees now,
Bending skywards, in search of your rays of expression,
Your maternal wisdom rooted, spread so wide, globally,
All over this Earth, is visible from your
Beloved Philippines.


---------------------------------------
In her own words..

I am a widow,
with five remarkable granddaughters....
all beautiful, intelligent girls.
It is such a waste not to write....
each morning that unfolds is filled
with things to write about....
the people, the birds,
the trees, the wind,
the seas,
everything we set our eyes on,
they are all
poetry in motion.
Life itself is poetry,
I always have pen and paper within reach.
My past experiences are a
never-ending source
of ideas and words for my poems....
I shall write until time permits me,
"til there's breath within me."
-------------------------------------------------
A banyan (also banian) is a fig that starts its life as an epiphyte (a plant growing on another plant) when its seeds germinate in the cracks and crevices on a host tree (or on structures like buildings and bridges). "Banyan" often refers specifically to the Indian banyan or Ficus benghalensis, the national tree of India,[1] though the term has been generalized to include all figs that share a characteristic life cycle...
Like other fig species (which includes the common edible fig Ficus carica), banyans have unique fruit structures and are dependent on fig wasps for reproduction. The seeds of banyans are dispersed by fruit-eating birds. The seeds germinate and send down roots towards the ground.

The leaves of the banyan tree are large, leathery, glossy green and elliptical in shape. Like most fig-trees, the leaf bud is covered by two large scales. As the leaf develops the scales fall. Young leaves have an attractive reddish tinge.[6]

Older banyan trees are characterized by their aerial prop roots that grow into thick woody trunks which, with age, can become indistinguishable from the main trunk. The original support tree can sometimes die, so that the banyan becomes a "columnar tree" with a hollow central core. Old trees can spread out laterally using these prop roots to cover a wide area.

in silence
a smile blooms
heart shoots skywards

The Cornish shore …
Where golden sand lies next
To dappled grey granite rock,
Where the sea breeze sweeps
And the mussels flock,
Where the rock pools gather
And the small ***** patrol,
Where the white foam curls
And the breakers roll,
Where the sea birds call
And the salt spray stings,
Where the seaweed sunbathes
And the limpet clings,
Where a stream’s course meanders,
And reflects the azure sky,
Where a starfish gazes skywards
And white clouds go scudding by.

By all means take treasured memories,
But please take nothing more,
And leave nothing but your footprints
On this sacred Cornish shore …

In many different tongues, each one love's manifestations,
Some even to me unknown until the very moment,expressed,
I keep talking to you, my divine lover,out of my passion,intense
For you brimming within. Distraught a bit, feeling left in the lurch
On pouring rain and thunder storm; but you know how firm I am!
I stood rooted here, lost all sense of time, queer, ever  felt you near.
Then a sharp pain hit weakening my heart ,but couldn't deter me,
I am a cat of nine love lives, a species so stubborn, thrives in trust.
Dead of night it is , I  keep vigil, perking up ears, eyeing  skywards,
How do I know from, where would my only love, to me speak?

Moving horizons
seem to gorge the visuals,
alongside cumulus clouds that pre-shadows the destination,
on scraped knees even the shoreline dissipates with the impervious vista,
at times the night air feels insecurely ballast,
how can we be said
to be truly safe?
when the vestige Cities
mourn with the tiresomeness of the beaten track.

Iris peels back
three generous petals,
ample in exposure,
a gravitationally drawn
dress, *******,
with drops and folds, a downward-
opening, bares elegant anatomy,
stripped from the waist
of a lighter three petals, lifting,
inside, reflective,
reaching skywards, and naked
ribbed with natural frill,
raw with the colours of flower flesh
white tiger stripes
and purple veins,
curling towards the ground like tears
and lifting up like laughter,
with centered yellow streaks
that lead into the heart,
where another tri-petal formation
folds in on itself,
as if to contain some sacred secret
that is gently holding at her *****

    a trinity
    within a trinity
    within a trinity
    of beauty

her naked convolutions coil into
just the right amount of earthly space,
so perfectly held there in the air
with poised and dancing stillness,
the perfect allure
of a delicate goddess,
rooted in the ground
but living also
inside the I,
elevated by the gaze
into limitless imaginal expanse,
no mere flower, in relation
      
                she is
                an entrance
                into love

You with the sad eyes,
isn't that a song?
It flitted fast across your face, the pain
you hide from everyone
and especially from
me.
Guarding me from it
shielding me, you stand in front of me,
block my
vision
it is too terrible,
won't let me see the
damage.
Uncover my eyes please -
let me look.
Does it hurt when I press here?
Right here,
over your heart?
You're only going to stare on straight ahead,
No,
Please,
I'm quite alright.
And walk on by, quickly now, flash a smile, then hold her tight
Maybe she won't ask questions.
But she wants to.

Running, run after you and I'll probably
trip over my own feet
trying to keep up with you because you move
so quick, snap your fingers and
everything changes.
Caught you.
Reaching out to grab your hand
to make you turn and face me, grasp your face with both my hands
Look at me.
Angry eyes now, so cold, fire would be better,
I touched you once and you pulled away, now I'm
petrified in place.
Pure hot anger is better, you feel
something that way
like love maybe, you feel
love
and you feel
alive.
Cold anger, frozen anger is the worst
kind, the kind you
can't talk about, the kind you
can't feel, nothing can touch you
nothing can make you warm.
Let me touch you, touch you again
I'm warm from trying so **** hard.
I could make you feel okay again,
good again,
wonderful maybe, if you would let me?
No,
Stop,
Stop trying to do that
Words like ice and I'm stuck in this spot I can't even dodge
the frozen shards, sinking into, tearing
my skin, my
eyes freeze wide open, as the
tears turn to icy trails on my cheeks.
Don't touch her, don't go too close with the
ice cold fury because you might
freeze her
but you've done it anyways when you wouldn't tell her,
when you turned
away
so touch her,
touch me.

In the midst of this frigid cold comes your
breath, warm on my cheeks.
Whisper, whisper.  
With the sweetest tongue, the softest mouth and
you love me.
Again and again you love me.  
I love you.  
I love you.
The tune fits so flawlessly, slips
from your tongue to mine
and back again,
again please?  Kiss me, harder
longer,
slower every time, show me
please, how you love me,
need me.  
Sing to me, play
for me, sing the song of how
you love me.
I'll beg if I have to,
please God please.

What do they call it?
Love, I mean.
A rollercoaster
well that is much too slow
the incline not steep enough
the falls not hard enough
but I suppose it will do for a metaphor.
You don't like heights but if you hold my
hand, maybe we could stay up here
a while?  No chance
we drop and hit the ground
then we're tossed back up
skywards, flailing for one another
for a hand for a heartbeat.
With a roller coaster at least you know,
you're never going to hit the ground.  
Please wait until the train has come to a complete
stop before exiting the ride
but I don't want to leave
don't want to let go
I can't, I won't
Promise, okay?
Because I would rather hit the ground in your
arms on this ride
than be anywhere else
I'm safest with you.
I guess it's not so much like a roller coaster after all
but I like what I've written there
so I'm letting you read it.

I never wanted to make anyone
smile, as much as I want to make you.
Your smile, sometimes rare,
occasionally common
is the most wonderful thing
I can think of.
So smile please?
Laugh for me, when you're not
happy I hurt, I want to
curl my body so tight around yours, wrap you up
inside of me
until you stop hurting, and then I'll feel
alright again.
I'll **** it out through your nose, through your mouth,
take the sadness right out of your lungs, see
how I made that sound poetic, when
it's only an inside joke?
Smile please?  
There you go.  
It's not so hard, is it?  Just
do what I do, follow me.
Your smile is so
enchanting
infectious
perfect.  
How could I not
smile
when you are happy?  Because all I ever
want, all that I
need, is for you to
smile.  
And not a fake smile, not so forced -
try again,
a real, genuine smile because you are
happy
to be alive, to be
with me, to be
the most wonderful person in my life, to be
the only one that can make me
smile, really
smile.

And I see that smile,
surfacing from behind that glare that is
'just your face' (it's not your face)
and when it happens, when it
splits open, and you look so happy (that is your face)
I smile and I want to be
close to you,
closer.
Let me touch you, run my
fingers over your
face, and through your
hair and down your body let me
touch you,
touch me?
Touch my face, with your
fingers, with your
lips, tell me how you cannot let me
go
because you need me like I need
you, I can't stay
away from you, can't keep my hands off of
you, sink my fingers hard into the
soft skin of your back because I won't let you
leave, I could not live if you
left.
If you let go of me I will never
make it, not
alone, not without you,
you cannot let go.
Hold me, close to you
next to your heart and never
let me move from there, it is where
I am happiest.

the moon was chasing the shadows of the forest,
while the night scurried into the black fields,
placing a small toe into a sorrowful grey cloud
the wind hardly more than a whisper.

and then midnight unwound, blue shadows on grass,
the fields green as dark emeralds,
the clouds dreaming of a soft moon,
and the eye drawn skywards,

filled with forgotten dreams
the wind began to hurry
birds crammed into a bucketful of sky
like flapping pages hinged to a spine.

welcome then to the stomach of night
to moonflower and the bright light that spins
uncovering the stones that lie in the dark moss
revealing the surreal landscape to a broken moon.

welcome then to our love, even more surreal,
as we hold each other close, and shiver like
strange plants wrapped into the black ink of the night
as the world unfolds to kisses and wilderness.

Amidst my self-sinkin' a'droppin' down
into involuntary shunts you note:

"Pensive, pensive–
He is always so pensive.
He smokes another cigarette
and takes another bath."

Amidst crossin' o'clawfeet
in clawfoot tubs you repeat:

"Check the water for them words
you were park-wanderin' a'lookin' for
while I was out all last night
a'lookin' only for you."

And as I look,
I do only, for you.

"Sometimes – sometimes I am so in love with you, it's surrealism.
My heart's breaking from the weight, from my romanticism,
a castaway'd castawayer a'makin' memoirs in the morning.
I'm a beach-combing romantic; I'll fall out of love by the morning."

Ponderin' a'wanderin' takes me back to the Fall with leaves, fallen too;
to our breaking point, pointing skywards in the off-season kite flying season.
I kiss the wind washing over my face and curse all the dumb, **** reasons
that I never did kiss you; I never meant to kiss you. I do only, for you.

*"Pensive, dear pensive,
you do this for me:
Go ponderin' for months–
O' sonderin' on o'er me."

the halcyon timberland rest
a cottage with gliding vines upon its wall
tasted soot and first snow,
knew the land where all grass grows.

I am a piece of mild apple rotting in merry hues
upon skeletons of twirling tree roots.
I peek skywards to the ripen boughs
and the mirthful hopping birds  
of gold and yellow, of ruby and dream.

Amidst a silvery silent
sun rays make its glow of gold
with the sapphire ocean's salt.
Hear the wealthy sea soughing from afar?
in quiet burrows the rabbit takes its ample rest
as deep and soundly as dormant butterflies
in the green harmony bushes;
with the subtle, halcyon seawaves' singing...
A fine lullaby indeed.


**l.r

They were always up there, when
Moments of cognitive reflection started,
Gathering they went from white to grey.

They would start to think, rumbling
As Liquid thought meet with ice
Particles of deliberation.

Then thoughts would strike from their
Being to the solid below, it would be the
Beginning of words as gravity took hold.

Precipitation fell, first thoughtful drizzle,
Then as words spoken, each raindrop
Was voiced on the terrain below.

They uttered for what seemed like a
Deluge, their words flowed down
Streams and rivers to the waiting sea.

Words spent, that flowed no longer, not
Talked but evaporating skywards to the
Waiting white, to be spoken once more.

magnesium bright
alterimage behind closed eyes
of how it would be
with you

intuitive
the shuddering breath
the uneasy familiarity and deja vu
the first time we meet
~~
unexpected
in silence
a smile blooms
heart shoots skywards

Shimmering Sea

Sitting at my cluttered desk
I’ve just attacked a rabbit
with a knife. Don’t fret,
it was an Easter gift,
a golden bunny bebowed
and belled, the chocolate
incised and brought to light,
rich and dark so keenly
comforting aside the coffee
beaned from Nepal.

Her gift so lovingly given
I bless her ever-thoughtfulness,
and turn my thoughts
to see her walking by the sea,
on the cliff path
by the shimmering,
glimmering sea, always
at her right hand, blue,
an April blueness
barely a footstep from
a vertical drop through
the light-filled air . . .


Heady Scents

Fox, she would say,
without so much as
a sudden sniff,
and carry on her way
alert to all and everything.
And I would wonder,
Fox? But I had not been
schooled to recognize
a creature’s scent,
though sensitive always
to the human kind:
that sweetness after ***
found in Cupid’s gym.
So the subtle coconut
of bright-flowering gorse
and garlic woodland-wild
when trodden under foot.
will have to do instead.


Brimstone and Blues

Well, the sea is blue today,
why not the butterflies too?
though seen, it seemed
for a second,
fluttering at her feet,
tumbling indecisively
in flickering flight,
then gone: to leave
a stain of perfect blue
upon the retinal cells.


Peacocks (not butterflies)

I thought it was a peacock’s cry,
but it turned to be a turkey
out in the orchard next
our path to the sea.

Such an unpleasant-looking
bird whose tatty hind-feathers
rose as its blood-red throat
trembled with venomous
indignation at our presence.

Sad creature,
so ugly,
a troubling form
lacking grace or line,
majesty or wonder,
colour or display
of the pave cristasus.


Skylarks

Larking skywards
in the soft spring
vertiginous blueness
of the daylight heavens,
on song with circular breath,
seaward and away.
We only saw it descend
and heard the formants
change of its harmoniced
voice as it brushed
the standing crop,
finally fell,
and disappeared.


Swallows

Martins maybe?
Surely swifts?
But swallows?
Not yet awhile.

Some similar birds
fresh from flight
across southern seas
appeared, tumbled over,
shook the blue air,
then disappeared, as
suddenly greedy for grubs,
insectivously joyful,
so glad to be over land
once more.


Stonechats

I take your word for it
(having still to finish
the birding book you gave
at Christmas). Sounds right:
the sound of two stones
being rubbed together?
This robin-sized bird,
though dumpy in comparison,
who likes to sit on a gorse bush
and flick it wings; a nervous habit
some might say.


Blue on Blue

The sea in your eyes
is blue on blue
dear friend, dear lover
of my earthy self
whose eyes are browny-green,
whilst your’s own cloudless sky,
reflect the still shimmering sea.


A Ruined Castle

In a gap between
Purbeck Hills.
the Castle of Corfe
stands tall yet ruined.
Kaikhosru Sorabji
once lived in its sight,
composer, pianist, recluse.
Owning a cottage
he called The Eye,
with a Steinway Grand
and a cat called Jami  -
he wrote long complex music
people found difficult to play.
Eventually forbidding
all performances, he died
aged 96 - in 1988.
A curious man.


A Complete Castle

This must be an Italianate folly,
hardly ruined but complete.
We’d stopped for tea,
both hot and thirsty.
You’d hoped for ice cream
but had to wait for another day,
another place.

Had we not a train to catch,
and two miles still to walk,
we might have sat on its balcony
high above the shimmering sea,
and whilst eating ice cream,
looked on the sight of Lot’s Wife,
that white and final pillar of chalk
far out in Alum bay.


A Chapel

Profoundly square,
on a cliff-top high,
buttressed to its cardinal points
with a single window,
with a single door,
this chapel stands
where St Aldhelm
of Malmesbury,
would sing his sermons,
and, just for fun, some
hexametric enigmata
(riddles to you and me)

From his weaver’s riddle, Lorica:

non sum setigero
lanarum uellere facto
Nec radiis carpor duro
nec pectine pulsor

I am not made from
the rasping fleece of wool,
no leashes pull [me] nor
garrulous threads reverberate . . .


A Lighthouse

Brilliant white
and thoroughly walled about,
squat and unmanned,
it sits begging for
a crashing wave,
a serious storm,
but not today.
The sea is still,
calm and gently lapping
against the rocks below.


A Steam Train**

At Swanage station
just in time,
and amply satisfied
by our twelve-mile walk,
we settled ourselves
on bench-like seats
in the carriage
next the engine as
56XX Tank No.6695
took on water,
built up steam
for the seven-mile ride
past Heston Halt,
past Harman’s Cross
to Castle Corfe.

A circuit made
in seven hours
by path and rail.

not a religious man
at times, I pray,
times, when the options are severely limited

look, get it, that makes me hypocrite,
instagram-man, shooting photo prayer upwards,
propelling them with all deliberate speed
skywards
thinking a passing angel will pluck'em
and hand deliver them to the correct
deity who will be good mood groomed,
thoughts fly, wishes returned bountiful

mark me upright or not,
mark me man with need for solutions,
mark me asking where should my eyes turn,
when there are none who answer,
mark me not,
for I have already been marked
Cained by life

for you, of you: you’ve been between my ears

close enough to being on my mind,
almost the same thing,
though that’s unfairly inequitable, we both agree,
for when in an ear one opines, too oft it escapes
out the other side, only a tree ring mark left,
someone was here, present

as for the Confucius confusion in

ok, who’s writing this poem to whom,

cause it’s never clear between us
who is
asking the questions,
since the answers come
demanded and undemanding,
fomenting newer questions and follow through,
before, as well as,
‘please sir, may I have some more?’

the mutualizing game tasking begin-began-begun,
for this, our lovely crazy teasing of our-thing, ago began,
don’t recall who or how intimated-initiated
this oil drilling exploration,
who is the annointer and who is the annointed,
who seeds the plants, picks the fruit, and who
gets paid with cloves of poems, by the bushel

you say I’ve been on your mind,
which we now have both pointed out
is somewhat extraordinary since,
the sight lines are drawn through
long distance cloudscapes that travel
through underground cables,
making everything said,
fallow and rich-ending, deeply frustrating,
impossible to see the outcome

clouds usually imaginary, (not like now),
making visibility normative poor,
unlike the real ones I’m flying at the moment through,
ensconced in front row seat 1F, heading northwest passage,
passing by so ridiculously close to where
you are minding the soil,
as I am
mining your soul’s soil, tilling it between the ears,
of you, by me, for us, and the excited sadness
makes me happy and yes, inequitably, again,
hopping-mad

because your breadcrumbs and dark Swiss chocolate bars are
scattered and defaced, bitten and chewed, lovingly licked melting,
we who cover our tracks too well;
but what I do have, makes me ravenous,
having read all your poems,
in random order and then one more time,
sequentially

I see your history, near escapes and resurrections,
in fine grained moody minutiae punctuated by huge gaps in between,
that we must cream fill with clouds of wondrous loving curiosity,
a torture so exquisite, only the gods could have invented it like
Sunday Night Football,
and crazy sayings,
like I love you too...

been on my mind and I imagine you
hot and sweaty,
bent over, aching tired, from
picking weeds (gotcha),
when sudden one of us stands up straight, back aching,
screaming out loud
this is crazy, and follows up with
a *** Darius type proclamation,
who’s writing this poem to whom
issued to the upwards-skywards,
but addressed to ourselves,
the poets

as we search clouds by the thousands,
is that you in that cloud, in that poem,
I look down thinking that, that must be,
the plot of green and dusted light brown ground
where she has gone into hidey-hole hiding,
disappearing for months at a time,
before arising for the sticking of me
in the sticking place,
wounding me fresh with brand new poems
scandalous and imaginous,
and our imaginations are both
too skilled

so here I close, overwritten, overridden, too long,
overshot my imaginary bounds, so one
pulls down the shade over the oval window
through which too many great stories have commenced,
and ended

the thick cumulus shouting
as we look up
as we look down,
saying “enough, you crazy people,
your poems tell too much,”

perhaps, find me in that
next bite of herbs buttered,
and then ask (of course)

who’s writing this poem to whom?

then breathe out, exhaling me a
breath-poem up above, to where I’m hiding
just as I, am sending one to you,
earth falling from thirty thousand feet,
coming to rest on your mind,
in between your ears,
friend

<>

8-6-19
somewhere in the sky, clueless, heading north by northwest

sleeping pill
on sleeper trains overnight to andaman adventures
or on bus rides to and fro to mountain heavens
naps in car rides to taxi number of 411 and 611

awake for the sunrise only to sleep through the day , lazy beach walks
spent weeks in hammocks that bleed
family tree spreading down the roots have been found

peace to the world
is peace in the now
peace is won , my friend the doldrums do end
the pacific shores rise east and west surface
marvel a glass marble containing clouds swirls and tropical flowers
balloons float skywards
no choice but to let them float , and flow
with the change of pace , the change of place , forge on ahead
forging the sword in the fire flames cut the hair
change the name
invent a new game
play old games
if you dare

they have are old and friendly , they wise
to know the place that is truly home , can't choose your family but then they are just old friends

pressure breaks eventually
patience
patience
patience

.
pale bright yellow infringes
just beneath shadowed drift
of lingering snow

as if a nascent smoldering flickers
breathlessly gasping for light
penetrating cracks on whiter opaque

wondrously drawn skywards
'neath an unseen sky so far away
revealing an obscure warmth
in blossoming will

tomorrows vanguard
unfolding beneath a blanket
that only grows deeper
over the long winter night 

a darkest silence borne
beyond frozen time layered depths

in the magic of a moment,
the clouds let the wind stir
the fickle sun's yellow paint brush

and like an burgeoning embryo,
a reclusive hope bursts forth
metamorphosis within
an all encasing hidden evolution

the wind whispers an audible sigh;
a sole daffodil peeks out
from enveloping darkness,

  casting out the memory
               a beautiful light hidden within


                         words in the wind

        ... February 28th, 2017 and counting

A four way crossroad
A decision to make
Each one leads onward
Which one should I take?

The one that goes deskwards
A pencil in my hands
Words shall flow like water
from the tip onto the pad

The one that goes skywards
My dream I shall grasp
Villagers call my
Stethoscope to their hearts

The one that goes northwards
Riches I await
Meet people from around the globe
Maybe that's my fate

Or the one that will go everywhere
No destination I shall have
Stories from here and there
A camera for a pal

A four way crossroad
A decision to make
Each one leads onward
Which one should I take?

Under the open sky's benevolent eyes,
when everyone in the caravan
was in deep slumber,
                                   his  lonely heart was on fire,
when he felt, someone touching his forehead.
The past he could tell, was catching up with him,
a venerable monk,  a divine presence
with his white, long flowing beard
stood leaning on his long, strong, staff
peering at his face, those eyes, the light of grace,
"Make peace with your past,
make the bats hanging upside down, vanish,
with deep repentance, cleanse your turgid soul,
its in your hands, then see what happens"
rang the Guru's words in his ears.

He rocked all his dark loves to sleep and bid
good bye for ever to his weeping wounds,
Eyes raised skywards, he sought forgiveness
to everyone he did wrong, in silence.
He heard the guru's words repeatedly booming in the wind
"Repent, it would absolve you for ever"
He meditated, till his cloak from black to white transformed.

At the day break, he woke up to a new life,
the ground, was deserted, silence reigned, expectently
No trace of any caravan, did they vanish in to thin air?
The rhythmic pounding of the staff, of the monk,
was it just an illusion of mind, a visitor
at moments of darkness and doubt, bringing light?

To some questions, we don't really expect answers,
the very questions are the answers we look for.

The valley was full of flowers,  and sky
was crowded with robust white clouds, portentous!

**As he was walking down the rocky path,
a woman looked at his face and asked:
"Monk, where did you come from?
aren't you the one they told, would come, no doubt!"
He smiled.Understood.

hard edges
relentlessly slicing my soul
rending to tatters if allowed

forever protecting
constantly repairing

I gaze seawards, skywards
to vistas beyond vision
worlds with no hard edges

expanses where souls dance
to the lullaby of love

borderless
beyond time and space

leave me there

Little changes are adding up like the
Drip drop of water that pools in the bathroom sink
from a rusty metal tap not quite stoppered.

And I am glad it is opened.

I am glad to look up from the little pool of changes turned large
To flick my eyesight skywards and head on into the mirror that steams up with condensation as I breathe

and I'm me

I breathe, and I know I am alive.
I look in this mirror and just like all the water droplets I see all the changes

And they're in me.

The tap is gushing freely since the day I took control
I took residence in the drivers seat and found the courage to twist the metal between my fingers and let it be how it is to be

And I am healthy

I see lights in my eyes again
I see a shine in my hair
I see new length to it too
I see clothes chosen with flair

I see colour flood my skin and a smile that shows teeth
I see red painted lips and weight off my hips
I see confidence in my stance, upright and straight
I see peace and tranquility less smothered by hate

But most of all, and finally
I see what I have always wanted
I see, and I know that if I am not free
I am soon to be

(I see recovery.)

So, it came to pass in those days
the last of the wild things crept
into their dens, caves, nests and burrows,
and passed from the knowledge of man.
The fish stopped swimming
and the birds...stopped flying,
the flowers stopped blooming
and man noticed not.
In those days,
the sea died
and the land became sterile
except for the places kept alive by force.
And all that remained living,
was suffered to exist
in order to feed,
clothe
or amuse mankind.
Their abodes spread like a blight
across the surface of the earth
and the light from their habitations
blotted out the stars
but no one looked skywards.
And in those days,
God bowed his head and disowned his creation
but man ignored his orphanage.
There was nothing left divine,
just profits and loss
and everything had a price
but nothing value.

Then one night a freak accident happened
the lights went out
and the stars appeared.
Great men ran in the streets
weeping in fear at the unknown sky.
They were certain that the end had come.
Slack jawed they stood there staring,
until they realized
that their all powerful machines had fallen silent
and the world was quiet.
No breeze caressed their cheek.
No wind rustled through the trees
for there were no trees,
and no birds sang,
not even a funeral dirge.
There were no ripples on the pond
or waves upon the sea,
just the silence of the dead.
And in that time, man understood
what he had done
and understood he was alone.
He hung his head to cry
and none were there to sympathize.
His heart ached at the knowledge of his fate.
So it came to pass in those days
that the ***** of man failed and lust died.
And mankind, shamed before his own eyes
bowed his head and walked into the void
unmourned.

I long to gaze upon your rugged beauty
Magnificent as you rise up
From soft flowing valleys
To collide with the clouds
Slate coloured eyes
Surveying everything beneath you
Dangerously calling me to conquer

I long to swim in your energy
Caught up in the waves of your emotion
Intoxicated by your ebb and flow
My sanity lost in your cadence
Throbbing in your tide
Adrift in the moment as you propel me
Back against the rocks

I long to lose myself in your radiance
As you hang suspended in a sea of stars
Calling lovers to worship
Powerless to resist your temptation
Assaulting my senses with romantic whimsy
Knowing that this soul awakening
Will soon cease to exist

I long to climb in your nakedness
Your skin rough against mine as I ascend skywards
Balancing on sunbeams
A vision caught in stillness
Stripped of colour
Waiting to be reborn
As Spring slowly warms our limbs

I long to watch you break free again
Flower heads bursting through cold cracked earth
Invading my wasteland with exquisite provocation
Observing from a distance
A future that could be
Captured in a heartbeat

I long to feel alive, rekindled, empowered
I long to smoulder in the flame of your eyes
Drown in a waterfall of passion
Soar like an eagle released from agony
Rising in ecstasy  
Knowing my fall will be softy broken

Lovelonging

I          Long          For          Love

(C) Pixievic 2016

This is where it almost blew us away.
Where stunned silence gave way to
chainsaws and sirens,
where a whole community rolled up
its chequered sleeves in solidarity,
brought tractors and barrows,
ladders and axes and enough rope
to pull it all together.

(we've seen it all on screen)

It split bare trees.
Some lay paralysed,
varicosed roots flung skywards.
Others, headless, fixed like totems
gave a new slant of light to the polished cobbles.

Some were touched, others not.
Some cursed God's reasoning,
others sure of scientific fact.
The abyss did not divide them.

Peace coincided with the setting sun.
The wailing of sirens and chainsaws gave way
to the sound of unadulterated joy.
(Earth allows these moments-
they are her children.)

In a battle of strength, small hands
locked in solidarity, made way for life.
Straining against an opposing force,
tugging on a rope
where the trick is to stay grounded,
to hold on and not let go.

copyright © Caroline Grace 2014

God made me human
she was feeling capricious that day
actually I was meant to be a frog
                        
green and certain, self contained
content to simply squat and watch
flick a sticky tongue at a passing bug

observer of two worlds
at home in both
a leap-in-waiting

able when need or impulse
dictates to skedaddle
with the nonchalance of a Buddha

a gleam of green and gold
glistening on a lily leaf
or kerplunking into deep cool water

Frog had I such toes such elegant legs
I too could scrutinise the mysteries
of pools, the undersides of lilypads

do you wonder Frog
whether there are other ponds
do you dream a dream of elsewhere

do you pause to peer skywards
harbour a secret  wish for wings
ah, what may lie beyond your pool

but perhaps I ascribe                                        
too much mystery to you Frog
you simply are

whilst I, I am stuck in wondering,
trying to connect two worlds two realities
**** **** the divine indifference



                                  
  Tricia Lambert
   2010

The serenity of my mind’s eye brings me to the most wondrous place I have ever been. As I step the crevice in the mountainous rock face, it widens, bringing me to a large cavern. I step further into the cavern’s expansive main chamber, I come upon three tunnels…each different and unique in appearance. However, the one that intrigues me the most has a faint glow coming from it. As I step towards the tunnel cautiously, the glow a distinct blue haze. I dare not tarry any longer than necessary, so I pick up my pace to finally come to the end of the long tunnel. My breath catches within my breast as the tunnel opens up into another cavern that seems to go for miles on end. Beneath my feet, I come to realize the feel of something soft yet prickly. I bend down to investigate and to my astonishment find that I am standing on grass. This is no ordinary grass as it is a dark bluish black with a soft faint glow to it. As my eyes adjust further to the new light source, I find that the cavern is filled with plants of the same color and faint glow. All of these plants as far as I can see, are ten times the size as their real life counterparts. My eyes then wander skywards as movement catches my gaze. It is then I notice black vine-like tendrils swaying back and forth within a nonexistent breeze, the very tips of which also glow faintly, brushing up against the plants upon the ground lightly. It’s then that I come to from my venture into the depths of my mind. I sit here not only further at peace with myself, but in awe of the beauty I just witnessed. I also await my next venture within that wondrous world I have discovered.


Copyright/All Rights Reserved Liliana Marks 2011

1.Tried, but I  couldn't take my eyes off her,
she left happily with my eyes allover her.

2.Her eyes were two deep, blue pools,
together,they'll invite me to swim in them,
wasn't I naive to think the other would
get jealous,if i decide to jump in to one
when I saw getting reflected on both,at once
I realized,how easily love took me for a ride!

3.She was a creature,created for delight,
each part,even a strand of hair, strange
had an effect on my  senses any time
and I was made to be attuned to  her always!
each act of her could both invigorate or tranquilize.
but only on their own sweet will,i found
The effects of a psychedelic drug,I felt
in her presence, one I have never ever taken!

4.My error quotient goes perilously high,
when you are somewhere near tome and sigh!

5.With her feminine  fingers locking mine,
my imagination quickly flies sky high
two interstellar travelers are you and I
ready to live out there,on sky in a new high,
without bothering to care for logistics!

6.With each of your love bites arousing,
I fire all my rockets,roaring skywards.
Your teeth play a naughty hide and seek
with my earlobes,I get so wild,you get thrilled
taken over by a seizure,I feel eyes  blue simply ecstatic!

I give you back the things you gave me
Take all of them; they were no gifts.
You called them Truth, but no truth claims them
Like weeds, they drain -- like wood, they drift

I give you back the words you sang me
Of tendriled judgment and tangled praise
Up the heart's walls, growing skywards
Like vines, they creep -- like stalks, they sway

I give you back the self you sold me
Shaped by deception and no sacrifice
You called it the core, but the roots were too shallow
Too dry was the soil -- too high was the price

I give you back all of your garden
The seeds that sprout and buds that grow
I have seen the true sun, and how brightly it's shining
Like Heaven, I rise -- like God, I now know