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Zara rain Mar 2018
As the tide wash over frostbitten shores
in the soon forsaken kingdom of Jack Frost.
I found my moment of solitude finally,
wrapped inside the cold breath of the norther.
The desolate requiem of terns in flight
disrupting the stillness of my mind.
Conjuring the uncalled ache of you
from my safe of forbidden memories.

As the years move everything we know
and we grow old both in heart and soul.
These memories will still be so easily stirred,
wailing for attention, just as the needy terns,
slowly moving sideways across the burning horizon.
And I will cast a spell for the wind to carry,
far across the ocean, crossing everything between us.
To finally reach you in the winter of our age
with the gentlest kiss, a forlorn whisper
telling you what went missing in our past...

...my love
From the lost archives of shattered dreams

Arrival of the birds by the Cinematic Orchestra
https://www.youtube.com/watch?v=MqoANESQ4cQ
Susan Hunt Jul 2012
CHAPTER ONE: THE DEMISE OF A YOUNG GIRL SEPTEMBER 1975


I had not seen my father in over two years when he showed up at my mom and step dad's condo. He had a slick knack of disappearing when laws were broken and he was wanted for questioning. He had an even better ability to re-enter when the heat was off.

My father owned three nightclubs in Oklahoma City. His first was the Silver Sword, and then he opened The Red Slipper. After he met his second wife, they together, opened the Jade Club.

All were successful, but the Red Slipper had a reputation. On a rare occasion, my dad would take me with him to open up the place. At first, it scared me. It was so dark in there. But as the lights came on behind the bar, I fell in love with the atmosphere.

Bobby Orr’s hockey stick hung on the wall, along with an endearing note from F. Lee Bailey. At six years old, all I knew was that they were the objects that made my dad beam.

I learned to play pool by standing on a phone book. I watched the colorful smacking ***** bounce around the most beautiful color of green I had ever seen. Chalking the stick was a chore, but after nearly poking my eye out once, I soon caught on.

It was a struggle to climb up on a barstool, but it was worth the effort. I sat at the bar and had lunch: popcorn, pretzels, peanuts and Pepsi.

As I grew older, I saw less and less of him, until he became a stranger, drifting in every once in awhile.  Every few weeks or so, I would come home from school, and see his car in the driveway.

This always shot fear and excitement through me. The air of unpredictability always made me want to ***. Unfortunately, most of the time, we were locked out of the house for a few hours, so I would have to *** in the back yard or at the neighbors. We waited on the stairs for the front door to open. And it always did, by my mom. She usually looked satisfied and serene but other times, I saw dread and sadness on her face.

Ever since I could remember, my dad had been a string of disappointments for me with a few indescribable moments of pure enjoyment mixed in between He could be kind, funny and like a real dad sometimes, that was the dad I missed. I tried to hold onto those experiences, even though he was such a mean ******* most of the time. But mostly, I just didn't know him.

Their divorce became final around the summer of 1972, but that didn't stop my mom from loving him. I don't know why, but she chased him frequently, going out to bars with her friends, trying to get a glimpse of him, and maybe more.

The last time I’d seen my father had not been pleasant. When I was thirteen, he broke down the door to our apartment and went straight to my mother’s bedroom. The noises were terrifying. The screaming, and punching sounds were followed by my mother’s whimpering, begging, groveling.

"How dare you do this to me, Patsy!? And behind my back! You could have at least told me!"

My dad had bailed himself out of jail that night. She promised him she would never seek alimony or child support again. Her lawyer was wrong. It wasn’t worth getting killed over.  

Shortly after, he had to leave the state. It had something to do with a low-level mob deal involving an insurance fraud. Too bad, it involved burning a building with someone in it. My dad became nothing but a memory, which faded away over time.

**

Alcohol and tobacco were constants in my family, so when my older brother, Tim, started smoking at ten years old, I don't remember much protest from anyone. I was seven and when my sister Abby, turned ten the next year, she also started smoking.  All the older kids were smoking cigarettes. I wanted to be cool, so I puked and coughed as I practiced. By the time I was ten, I too, was inhaling properly.  Around that time, I was introduced to *** by my sister's boyfriend. It did help my mood, somewhat, but it wasn't enough.

By 1974, I was using drugs from my sister’s boyfriend. John was a true drugstore cowboy. At first, he committed burglaries, which were easy at the time. There were no sophisticated electronics to stop someone from cutting a hole in the roof of a pharmacy. It took only minutes to pry open the safe that contained the narcotics. Then it took maybe another minute to fill a pillowcase full of every variety of amphetamines, barbiturates, valiums, etc.

It wasn’t long before I graduated to using morphine, ******* and then overdosed on Demerol. My stepfather sent me to a treatment facility in Tulsa Oklahoma, about one hundred miles away from Oklahoma City. The Dillon treatment center didn’t accept clients under age of sixteen but made an exception with me. I was a walking-talking disastrous miracle...or a miraculously saved disaster.

They figured that since I was fourteen, the sooner the better to start my road to recovery. Apparently, they didn’t condone sneaking *** and valiums in to the facility. I was kicked out of Dillon after about a month.

I came back home and laid low. I went back to Hefner Jr. High and enrolled back into the ninth grade. I quietly picked up where I left off, going back into business with John. My job was to sell the safe stuff; valiums, seconols, white bennies, ***, etc.


Summer came; I turned fifteen and had developed a tendency to over test my wares. I overdosed and nearly died in the hospital several times, which had led to my current predicament. Nobody knew what to do with me.

In August, I entered the tenth grade...for two weeks. I was expelled, (you guessed it) for dealing drugs. I was on homebound teaching twice a week with little supervision. My mother worked, my step-dad, **** ,worked, and I was home all day. However, I was not just sitting idly around. I was into enterprise.

**

In September, I overdosed again. I was quickly killing myself and my mother didn’t know what to do to stop it. That is why what happened was not my mother’s fault. But it wasn’t my fault either.

I never figured out how he knew where we lived. My mother moved over at least fourteen times in between the time I was six and twelve years old. Yet, here he was, at our front door, with his undeniable ‘ah shucks’ charm. His modesty was convincing. His timing was incredible. My mother stood frozen, her mouth agape. **** took the lead. He placed himself between my mother and father.

“You must be Gary Don, my name is ****; I’m Patsy’s husband." **** had never met my dad, but he'd heard enough about him to surmise who was standing at the door.

"Um, yeah, I'm Gary Don, it's nice to meet you ****", he said; as he offered a friendly hand shake to ****.

"I hope I'm not interrupting you, I was just in Duncan with my parents and they suggested I stop by and talk with you before heading back west. It's about Susie....

"Yes, Patsy said you called yesterday. We weren't expecting you this soon, but it's no problem. Why don't you come in and tell us what your plans are? Patsy, honey, would you mind putting on a *** of coffee?”

This unfroze my mother and she scurried to the kitchen. I was still in shock at seeing my dad’s face. I retreated to the staircase, but poked my head around and caught him glance at me. I flew up to the landing. I could easily escape up the rest of the stairs to my bedroom.
I was small enough to remain hidden on the landing, and heard the conversation between my mother, my dad and ****. **** was the classiest, most even-tempered adult I had ever encountered. I wished I could stop hurting him and my mother.  

My mother sat down two cups of coffee on the dining room table where my dad and **** sat. As she retreated a few steps back into the kitchen, **** politely probed my dad. My dad had the right answer for every question.

He swore he was a completely different person. He had changed. He had no hard feelings, instead he was back to help. He was remorseful for being an absent father and he wanted to make things right. He was back for a reason. He had heard that I was in trouble with drugs and school and he felt guilty for that. He had the answer to my problems. He was so convincing, so….humble, almost shy.

As I listened, I began freaking out with fear and excitement. I always wanted my dad. The last time I tried to live with him, it didn’t work out; he sent me back to my mother’s after a month. Now my dad wanted me! He wanted to save me, take care of me!

He lived by himself now. He was the manager of The Palace Restaurant/Hotel in the little town of Raton, New Mexico. It was a refurbished hotel, built over a century ago The ground floor was an elegant bar and restaurant. He was making very good money, he paid no rent and he had an extra room for me.

With a population of 6000, it was not a place to continue a lucrative drug business. Also, he would enroll me into the little high school and I could get my diploma. I could work in the restaurant in the evenings where he would keep his eye on me. Then, there was the horse. He would buy me a horse. And on and on and on.

The logic and sincerity of his argument was convincing. So there it was. An hour later, my bags were packed. I was going to live with my father in New Mexico.

That’s how in September 1975, my father whisked me away from my home in Oklahoma City, under the guise of saving me from my own demise. I was stolen and held captive in Raton, New Mexico for what seemed like forever.

My dog, Baron was coming with me, I refused to go anywhere without him. He was a tiny black and tan Dachshund. I got him free when I was fourteen, when I got back from Tulsa. To me, he was priceless. He was my best friend. He couldn’t have weighed more than ten pounds, but his heart was huge.

I talked to him about everything and he consoled me by nodding, and licking me on the cheek non-stop…or he would admonish me through his expressions and demeanor. I had lived with Dachshunds since I was seven, so understood their language pretty well. Baron understood humans better. We developed a rare communication that worked well for both of us.
Herman, our older dachshund had greeted my dad cordially. Baron couldn’t figure this out, he expressed his apprehension. He looked at me and conveyed,

“Well, if Herman isn’t worried, I guess it’ll be Okay, right? Right, Susan?”

I was sorry I didn’t have an honest answer. I did my best to settle him.

“Sure, this’ll be fun, a whole new adventure!”

As we drove West, toward the Texas panhandle, Baron kept the conversation going by his curious interest expressed by wide eyes and attentive ears. My dad amazed him with his knowledge of history, geography, geology, astronomy, world geo-politics, weather, music on the radio, literature, mechanics, religion and countless other topics. I knew he was faking his fascination with my dad. He knew he was doing me a favor.

There was not a dead moment in the air. An occasional “really?” expressed by me was enough to keep my dad’s mouth running. I was thankful for that. It kept my attention away from my jangle of emotions. As we drove through the night, I was conflicted, scared, excited, happy and worried. I didn’t know where I was going, or who was driving me there.

My dad’s jovial demeanor comforted me. He made The Palace sound like the perfect place for his little princess.

When we arrived, it was late, after 10pm., Baron was exhausted. I stood on the corner and looked up. I gulped. The three-story building was like an old gothic castle. It was a huge rectangle with the front corner cut back with a fifth wall about ten feet wide. This provided the entrance with two giant oak doors. Baron was less than enthused by its foreboding appearance. I had to agree.

Dad ignored my hesitation. “Come on, you’re going to love this place!”

He pulled open one of the oak doors, which had to weigh at least five hundred pounds. I was hesitant, but thirsty. Baron’s squirming had started to annoy me. I went forward filled with adrenalin.

The initial entrance was a small round foyer with a domed ceiling of cut glass. It was about six feet round. As I stared up at the beautiful little pieces of color, I heard my dad chuckle.

“See? I told you, there’s no place like this!”

Then I saw the true entry to the bar, a set of small bat winged doors that swung back and forth. He pulled one of the doors back, beckoning me forward. He looked down at me with a tender expression.

“Welcome home, honey, this is home now.”

As we entered the bar, I was dumbstruck. Baron was not. I stepped back in time, to 1896, into The Palace Hotel.

The bar took up half of the first floor of the hotel. It was the most captivating centerpiece of the establishment. The mirror behind the bar was the longest continuous piece of reflection glass in all the states, the brochure proclaimed. A brass foot rail extended the length of the long cherry oak bar A few feet behind was a waist high railing just like the saloons in old John Wayne movies.

The carpet was a deep royal red interlaced with black swirly patterns. Bright golden paper covered the walls. It was smooth and shiny with raised curly designs made out of felt or maybe even velour. God, I just wanted to reach over and run my fingers across it!  

The wall opposite the bar had windows that were quizzically narrow and impossibly tall. Lush maroon velvet drapes adorned them, parted in the center to provide a view of the quaint town just beyond the sidewalk.

I looked up at the ornate ceiling, which seemed a mile above me. It was covered with tiles of little angels that all looked the same, yet different. The angels danced across the entire ceiling until it curved and met the wall. I got dizzy looking at them.

“You can’t find ceiling tiles like that anywhere! My dad grinned. “They’re covered in pure gold leaf!”

I didn’t know what pure gold leaf was, but the word ‘gold’ impressed me very much.

He introduced me to the staff. I l blushed when he said; “This is Susie, my favorite little girl!” I had never heard that before. The whole crew greeted me warmly, all smiles and friendliness.  

I always paid attention when Baron got nervous but I chose to ignore him. I jostled him in my arms. My stern look at him stopped his squiggling, but his look back conveyed that I was clueless.

I, however thought, Okay, I have died and gone to Heaven! I was enchanted. My fascination with this magical setting made me feel happy; I was in the neatest place I had ever seen. I’m going to love it here!

On the first night, my dad led me around the ground floor. The restaurant was as elegant as the bar. To the rear of the restaurant, there was a large commercial kitchen. Off the rear of the kitchen, he showed, me a short hallway to the back exit. To the right, a huge staircase led to the two upper floors of dilapidated hotel rooms. A manager’s apartment had been converted from several hotel rooms connected together on the second floor, just above the entrance to the hotel.

We ended up back in the bar and sat at a table for two. Crystal, the head bartender stayed on for a little while longer after the rest of the staff were allowed to go home.

Sitting at the table, he ordered Harvey’s Bristol Cream Sherry. I had never had Cream Sherry before, but it tasted like candy with nuts and I had no problem going through numerous rounds in a very short time. I was hungry but I was too nervous to eat.

Baron, however, was ravenous. My dad fed him little pieces filet mignon and French bread with real butter. He played cute for my dad, sitting up and begging. He jumped up, putting his paws on my dad’s leg, wagging his tail like crazy.

I was a little befuddled until I caught his sideways glance that said, “I do not like this guy, but I gotta eat, I’m starving. You’re the one falling into his into his trap, not me.”

Ouch. “Baron, sometimes I wish you would shut the hell up.”

After having his fill, he settled into a wary sleep on top of my feet. I never worried about losing Baron. Where I went, he went, period.

I wasn’t aware when the bartender left. The bottle was on the table before I knew it; he kept my glass full. I was five feet tall and weighed 106 pounds. I had a lethal level of alcohol pulsing threw my entire body…and I had my daddy.

I was in a haze. Actually, it was more of a daze than a haze. My vision was
Obadiah Grey Jun 2010
I'm goin sideways when I perish;
want to end up, in a rock pool
in the sand.
I'll have a shiny shell,
that I can cherish,
with two claws, fer my chores;
not a hand.
sharing my abode with thirteen rag worm;
who'll confirm,
that it's sunny,
by the sea,
we can wish **** the fish a happy birthday,
n the weather,
we can also,
guarantee,
yes I’m goin sideways when I perish,
to cherish, my rock pool by the sea,
to squirm with the worm n embellish
another lifetime - as liddle lobster me.

Alan nettleton.
S R Mats Mar 2015
The crow works its way sideways on the wire.
Nature lives at full tilt. It does not worry

That it may soon be used up.  It lives in the moment
In pursuit of having a fulfilled purpose.

For the busy crow the fleeting moments pass unnoticed;
Time scarcely has consequences for the satisfied;

Down he flies for crusts of hamburger buns.
Dianna Mar 2014
Whenever i try sneaking a peek at you or a sideways glance
I see so much beauty
Hidden in those insecure and tired eyes
you see
I have fallen deeply in love with your flaws
your imperfections

whenever i hear you say, you hate yourself...it hurts me


My Dear you are Imperfectly perfect*

I wish and hope with all of my heart and soul
that you'll see that one day

you are beautiful
**Inside & Out
Girard Tournesol Nov 2018
. . . there's a path that could not have been
can't be but shall be seen by wise eyes 
all seeing all knowing belonging to you 
yet not you in some form sideways 360
nonexistence up safe in a tree perched 
on the brink a vast ethereal forest 
nocturnal wide-eyed visionary
A tribute to  poet Byron Hoot.
She could make a cow grow sick and die,
She could sicken a healthy pig,
She could poison somebody’s cottage pie
But she couldn’t harm Tom Rigg.
For Tom wasn’t born of woman
He’d been plucked too soon from the womb,
When his mother lay there dying
From a concoction stirred with a broom.

So he’d grown up broad, and tall and strong
With a warlock cast to his eye,
Whatever the spell she tried on him
He would turn on her, ‘Just try!’
She conjured a flight of vampire bats
To follow him here and there,
But the bats were spurned, and then returned
And they tangled up in her hair.

She would lie in wait by the farmer’s gate
With the graveyard dog in a ditch,
So he’d open the sluice that was not in use,
And soak her, every stitch,
She’d scream, come tumbling after him,
‘You think you’re so fine and big,
I’ll spell that you fall in love with me,
Just see if I don’t, Tom Rigg.’

For deep down under her witch’s pride
Was the beat of a woman’s heart,
And the sight of Tom had sent it, quivering
Shaking itself apart,
But Tom had kept himself to himself
Immune to a woman’s wiles,
Determined to fix the old windmill
On the other side of the stile.

He lived in the ancient tower mill
That he’d bought, picked up for a song,
It hadn’t been used for a hundred years
Since part of the works went wrong,
The sails were seized, poked up at the sky
In a way that said, ‘We’re spent!’
But Tom believed that he knew just why;
The cog on the shaft was bent.

He cleaned it up and he scraped the rust
And he greased the copper sheath,
He checked it over and sideways, down
And he peered from underneath,
But the shaft was rigid, it wouldn’t turn
He was giving up in despair,
When late one night with a mighty crash
There was something amiss out there.

He peered up under a rising moon
There was something caught in the sail,
All he could see was a besom broom
But then came an awful wail,
The witch was caught in the topmost sail
Where she’d swooped in the night unseen,
And now she was clung to the old wood frame
And all she could do was scream.

There wasn’t a ladder that went so high
So all he could do was stare,
‘Now how do you think I could rescue you,
And how did you get up there?’
The mill was starting to creak and groan
As the wind came over the hill,
The sails were starting to slowly turn
With the witch stuck firmly still.

The weight of the witch had freed them up
And she shrieked as the sails whirled round,
While Tom was laughing, joyfully, merrily,
Rolling over the ground,
‘I’ll swear you’ve done me a favour, Jane,
I was going to call it quits,
But now, if ever you come back down,
I’m ready to kiss a witch!’

David Lewis Paget
JJ Hutton Feb 2012
General Patton and droppers
in between the cushions of couch,
in between the ceiling fan and carpeted wasteland,
in between nirvana and judgement day,
heavy, heavy,
I lost my way --
I Dug the Pony,
I Luft the 99th Balloon,
I was a Carpenter and You were a Lady,
in between sheets,
in between seams,
in between nail and crucifix,
heavy, heavy,
I dug in and stayed --
I wedding banded,
I honeymooned,
I threshold,
in between purgatory and heavenly blur,
in between intersection and parallel,
in between watercolor and pastel,
heavy, heavy.
Sam Shoyer Apr 2015
They made me a racehorse
Blinders and all
Huffing and scuffing my hoofs
Impatiently at the dirt
The open track ahead
But against my chest a wooden board
I heave and pant but it won't break
I wish it gone but here it stays
Twisting turning, turning red
Hot air balloons within my head
Wet steam rising from my nose
My chest is raw and splintery

But I will break it
Break through to the open track
Spreading my legs as long as I can
Forward, sideways, any way I want to go
Heaving and panting just the same
But free, this time
Lane Bohman Dec 2015
By you
I'm bitten,
smitten,

I'm not kidding.

How you got me,
Don't stop
Darling, won't you stay?

Four score,
seven years before
Knock, knock
I'm knocking at your door

Make it so hard

to bite my tongue,

Lower my guard,
crumble at the sight
of your face.


Just one taste.

Cause I've been
fiendin,
fantasizing.
Bending over
back and sideways.

Can't put out the fire,
Wish I could deny.

This girl,
Brings out the beast in me.
I wonder
If this Wild heart
will spark my defeat.
Oh this girl
could be the death of me
I resolve,
to never self sabotage.

Second time around,

Maybe I'm too proud.

But your lips
they keep me wanting,
***** hips

You won't stop flaunting.

Just a moment with you,
(But you never let me through.)
Two-tone,
smile then fake it
Just enough love
To keep me baited.

But then
she said, she said

"baby it's too late,
there's no maybe
I've give up on you
There's nothing left to do."


"My bags are packed
I'm gone tomorrow,
for what you lack

it brings no sorrow.


I've given up on you,
there's nothing left to do"


Every little rhyme
And every reason.
Colors of the year,
And every season-
Pales to all my fears,
scared what's in the mirror.

Oh, I can't take it.
Can't take it no more.

This girl,
Brings out the beast in me.
I wonder If this Wild heart
will spark my defeat.
Oh this girl
could be the death of me
I resolve...

**What can I learn from this?
When you both promise to not catch the feels but you do, and she doesn't.
St. Agnes' Eve--Ah, bitter chill it was!
    The owl, for all his feathers, was a-cold;
    The hare limp'd trembling through the frozen grass,
    And silent was the flock in woolly fold:
    Numb were the Beadsman's fingers, while he told
    His rosary, and while his frosted breath,
    Like pious incense from a censer old,
    Seem'd taking flight for heaven, without a death,
Past the sweet ******'s picture, while his prayer he saith.

    His prayer he saith, this patient, holy man;
    Then takes his lamp, and riseth from his knees,
    And back returneth, meagre, barefoot, wan,
    Along the chapel aisle by slow degrees:
    The sculptur'd dead, on each side, seem to freeze,
    Emprison'd in black, purgatorial rails:
    Knights, ladies, praying in dumb orat'ries,
    He passeth by; and his weak spirit fails
To think how they may ache in icy hoods and mails.

    Northward he turneth through a little door,
    And scarce three steps, ere Music's golden tongue
    Flatter'd to tears this aged man and poor;
    But no--already had his deathbell rung;
    The joys of all his life were said and sung:
    His was harsh penance on St. Agnes' Eve:
    Another way he went, and soon among
    Rough ashes sat he for his soul's reprieve,
And all night kept awake, for sinners' sake to grieve.

    That ancient Beadsman heard the prelude soft;
    And so it chanc'd, for many a door was wide,
    From hurry to and fro. Soon, up aloft,
    The silver, snarling trumpets 'gan to chide:
    The level chambers, ready with their pride,
    Were glowing to receive a thousand guests:
    The carved angels, ever eager-eyed,
    Star'd, where upon their heads the cornice rests,
With hair blown back, and wings put cross-wise on their *******.

    At length burst in the argent revelry,
    With plume, tiara, and all rich array,
    Numerous as shadows haunting faerily
    The brain, new stuff'd, in youth, with triumphs gay
    Of old romance. These let us wish away,
    And turn, sole-thoughted, to one Lady there,
    Whose heart had brooded, all that wintry day,
    On love, and wing'd St. Agnes' saintly care,
As she had heard old dames full many times declare.

    They told her how, upon St. Agnes' Eve,
    Young virgins might have visions of delight,
    And soft adorings from their loves receive
    Upon the honey'd middle of the night,
    If ceremonies due they did aright;
    As, supperless to bed they must retire,
    And couch supine their beauties, lily white;
    Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they desire.

    Full of this whim was thoughtful Madeline:
    The music, yearning like a God in pain,
    She scarcely heard: her maiden eyes divine,
    Fix'd on the floor, saw many a sweeping train
    Pass by--she heeded not at all: in vain
      Came many a tiptoe, amorous cavalier,
    And back retir'd; not cool'd by high disdain,
    But she saw not: her heart was otherwhere:
She sigh'd for Agnes' dreams, the sweetest of the year.

    She danc'd along with vague, regardless eyes,
    Anxious her lips, her breathing quick and short:
    The hallow'd hour was near at hand: she sighs
    Amid the timbrels, and the throng'd resort
    Of whisperers in anger, or in sport;
    'Mid looks of love, defiance, hate, and scorn,
    Hoodwink'd with faery fancy; all amort,
    Save to St. Agnes and her lambs unshorn,
And all the bliss to be before to-morrow morn.

    So, purposing each moment to retire,
    She linger'd still. Meantime, across the moors,
    Had come young Porphyro, with heart on fire
    For Madeline. Beside the portal doors,
    Buttress'd from moonlight, stands he, and implores
    All saints to give him sight of Madeline,
    But for one moment in the tedious hours,
    That he might gaze and worship all unseen;
Perchance speak, kneel, touch, kiss--in sooth such things have been.

    He ventures in: let no buzz'd whisper tell:
    All eyes be muffled, or a hundred swords
    Will storm his heart, Love's fev'rous citadel:
    For him, those chambers held barbarian hordes,
    Hyena foemen, and hot-blooded lords,
    Whose very dogs would execrations howl
    Against his lineage: not one breast affords
    Him any mercy, in that mansion foul,
Save one old beldame, weak in body and in soul.

    Ah, happy chance! the aged creature came,
    Shuffling along with ivory-headed wand,
    To where he stood, hid from the torch's flame,
    Behind a broad half-pillar, far beyond
    The sound of merriment and chorus bland:
    He startled her; but soon she knew his face,
    And grasp'd his fingers in her palsied hand,
    Saying, "Mercy, Porphyro! hie thee from this place;
They are all here to-night, the whole blood-thirsty race!

    "Get hence! get hence! there's dwarfish Hildebrand;
    He had a fever late, and in the fit
    He cursed thee and thine, both house and land:
    Then there's that old Lord Maurice, not a whit
    More tame for his gray hairs--Alas me! flit!
    Flit like a ghost away."--"Ah, Gossip dear,
    We're safe enough; here in this arm-chair sit,
    And tell me how"--"Good Saints! not here, not here;
Follow me, child, or else these stones will be thy bier."

    He follow'd through a lowly arched way,
    Brushing the cobwebs with his lofty plume,
    And as she mutter'd "Well-a--well-a-day!"
    He found him in a little moonlight room,
    Pale, lattic'd, chill, and silent as a tomb.
    "Now tell me where is Madeline," said he,
    "O tell me, Angela, by the holy loom
    Which none but secret sisterhood may see,
When they St. Agnes' wool are weaving piously."

    "St. Agnes! Ah! it is St. Agnes' Eve--
    Yet men will ****** upon holy days:
    Thou must hold water in a witch's sieve,
    And be liege-lord of all the Elves and Fays,
    To venture so: it fills me with amaze
    To see thee, Porphyro!--St. Agnes' Eve!
    God's help! my lady fair the conjuror plays
    This very night: good angels her deceive!
But let me laugh awhile, I've mickle time to grieve."

    Feebly she laugheth in the languid moon,
    While Porphyro upon her face doth look,
    Like puzzled urchin on an aged crone
    Who keepeth clos'd a wond'rous riddle-book,
    As spectacled she sits in chimney nook.
    But soon his eyes grew brilliant, when she told
    His lady's purpose; and he scarce could brook
    Tears, at the thought of those enchantments cold,
And Madeline asleep in lap of legends old.

    Sudden a thought came like a full-blown rose,
    Flushing his brow, and in his pained heart
    Made purple riot: then doth he propose
    A stratagem, that makes the beldame start:
    "A cruel man and impious thou art:
    Sweet lady, let her pray, and sleep, and dream
    Alone with her good angels, far apart
    From wicked men like thee. Go, go!--I deem
Thou canst not surely be the same that thou didst seem."

    "I will not harm her, by all saints I swear,"
    Quoth Porphyro: "O may I ne'er find grace
    When my weak voice shall whisper its last prayer,
    If one of her soft ringlets I displace,
    Or look with ruffian passion in her face:
    Good Angela, believe me by these tears;
    Or I will, even in a moment's space,
    Awake, with horrid shout, my foemen's ears,
And beard them, though they be more fang'd than wolves and bears."

    "Ah! why wilt thou affright a feeble soul?
    A poor, weak, palsy-stricken, churchyard thing,
    Whose passing-bell may ere the midnight toll;
    Whose prayers for thee, each morn and evening,
    Were never miss'd."--Thus plaining, doth she bring
    A gentler speech from burning Porphyro;
    So woful, and of such deep sorrowing,
    That Angela gives promise she will do
Whatever he shall wish, betide her weal or woe.

    Which was, to lead him, in close secrecy,
    Even to Madeline's chamber, and there hide
    Him in a closet, of such privacy
    That he might see her beauty unespy'd,
    And win perhaps that night a peerless bride,
    While legion'd faeries pac'd the coverlet,
    And pale enchantment held her sleepy-ey'd.
    Never on such a night have lovers met,
Since Merlin paid his Demon all the monstrous debt.

    "It shall be as thou wishest," said the Dame:
    "All cates and dainties shall be stored there
    Quickly on this feast-night: by the tambour frame
    Her own lute thou wilt see: no time to spare,
    For I am slow and feeble, and scarce dare
    On such a catering trust my dizzy head.
    Wait here, my child, with patience; kneel in prayer
    The while: Ah! thou must needs the lady wed,
Or may I never leave my grave among the dead."

    So saying, she hobbled off with busy fear.
    The lover's endless minutes slowly pass'd;
    The dame return'd, and whisper'd in his ear
    To follow her; with aged eyes aghast
    From fright of dim espial. Safe at last,
    Through many a dusky gallery, they gain
    The maiden's chamber, silken, hush'd, and chaste;
    Where Porphyro took covert, pleas'd amain.
His poor guide hurried back with agues in her brain.

    Her falt'ring hand upon the balustrade,
    Old Angela was feeling for the stair,
    When Madeline, St. Agnes' charmed maid,
    Rose, like a mission'd spirit, unaware:
    With silver taper's light, and pious care,
    She turn'd, and down the aged gossip led
    To a safe level matting. Now prepare,
    Young Porphyro, for gazing on that bed;
She comes, she comes again, like ring-dove fray'd and fled.

    Out went the taper as she hurried in;
    Its little smoke, in pallid moonshine, died:
    She clos'd the door, she panted, all akin
    To spirits of the air, and visions wide:
    No uttered syllable, or, woe betide!
    But to her heart, her heart was voluble,
    Paining with eloquence her balmy side;
    As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled, in her dell.

    A casement high and triple-arch'd there was,
    All garlanded with carven imag'ries
    Of fruits, and flowers, and bunches of knot-grass,
    And diamonded with panes of quaint device,
    Innumerable of stains and splendid dyes,
    As are the tiger-moth's deep-damask'd wings;
    And in the midst, '**** thousand heraldries,
    And twilight saints, and dim emblazonings,
A shielded scutcheon blush'd with blood of queens and kings.

    Full on this casement shone the wintry moon,
    And threw warm gules on Madeline's fair breast,
    As down she knelt for heaven's grace and boon;
    Rose-bloom fell on her hands, together prest,
    And on her silver cross soft amethyst,
    And on her hair a glory, like a saint:
    She seem'd a splendid angel, newly drest,
    Save wings, for heaven:--Porphyro grew faint:
She knelt, so pure a thing, so free from mortal taint.

    Anon his heart revives: her vespers done,
    Of all its wreathed pearls her hair she frees;
    Unclasps her warmed jewels one by one;
    Loosens her fragrant boddice; by degrees
    Her rich attire creeps rustling to her knees:
    Half-hidden, like a mermaid in sea-****,
    Pensive awhile she dreams awake, and sees,
    In fancy, fair St. Agnes in her bed,
But dares not look behind, or all the charm is fled.

    Soon, trembling in her soft and chilly nest,
    In sort of wakeful swoon, perplex'd she lay,
    Until the poppied warmth of sleep oppress'd
    Her soothed limbs, and soul fatigued away;
    Flown, like a thought, until the morrow-day;
    Blissfully haven'd both from joy and pain;
    Clasp'd like a missal where swart Paynims pray;
    Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.

    Stol'n to this paradise, and so entranced,
    Porphyro gaz'd upon her empty dress,
    And listen'd to her breathing, if it chanced
    To wake into a slumberous tenderness;
    Which when he heard, that minute did he bless,
    And breath'd himself: then from the closet crept,
    Noiseless a
Mia Anderson Jan 2016
The snow fell hard that day
as cold as the ice in my chest
Driving away was always easy
It wasn't until I slid into the snow bank
until my car flipped sideways
until I thought I might die
I thought of those I loved most

Sideways in my car
Unable to get out
stuck in the freezing winds,
I wanted to call you
But instead dialed 911
You aren't my lifeline anymore
I don't know if that is good
or if I am just desolate
All I know is,
I felt at home
Trapped in the snow
Please drive safe in winter conditions.
Yesterday sugar became unspeakably irritated because mother’s apron crushed ants wearing stillness caped wonder just William author wrote ****** explicit headlines newspaper columns pillar architecturally sound villages super-imposed images quivering Shepard’s ******* antelopes jumping furiously with tyramisphorising fornicating flanges woodwork lessons gym period ****** advert teasing testicles sumptuously ravishing me sideways and erupting deep blasts suffocating you inside without ******* headlong in my armpits.

Eventually everyone always signs legal documents leading to ****** bondable zoos inserted buffalo sized puddings eaten by frogs spanking archbishops underwear while licking toes crushed under fridges dropped from clouds of buttercups being pushed into ovens smelling gorgeous not consumed pimps and alarm clocks ring people to talk for hours and pineapples exchanged cod fish for tickets to see S Club 7 being caressed internally whilst ******* bags covered in water deserts sunk from space aliens from Tescos selling hardback fish cleaning toilets and singing in pink wellies dancing to Madonna look-a-likes prosecuted for *** shops selling frozen fish socks washed daily in cranberry coffee after being passed under bridges flooded in margarine soaked pillows.
mj Mar 2018
sometimes i feel hopeless
like it's never going to get better
it's been a roller coaster
of ups and downs
mostly downs
i want to get off this ride
too many hills
too many loops
too many abrupt halts
but i can't
i can't get off without hurting someone
what's one person though?
not like i have so many people
who love and adore me
who care and are concerned
i'll give this ride another chance
life is like a never ending rollercoaster
ups and downs and sideways
all i can do is go up, my friend
Lewis Hyden Nov 2018
I came across a crab
Strolling on the beach,
And paused to admire
His stride:

Muscular legs held
Up a stony shell as
He marched ever onwards,
Sideways, back to the ocean.

He paused also, as if
Admiring my own gait,
And so I asked, “Mr. Crab,
Why are you walking sideways?”

Only later did I realise that,
As I asked him that question,
He must have been thinking
The exact same thing of me.
© Lewis Hyden
I

He would drink by himself
And raise a weathered thumb
Towards the high shelf,
Calling another ***
And blackcurrant, without
Having to raise his voice,
Or order a quick stout
By a lifting of the eyes
And a discreet dumb-show
Of pulling off the top;
At closing time would go
In waders and peaked cap
Into the showery dark,
A dole-kept breadwinner
But a natural for work.
I loved his whole manner,
Sure-footed but too sly,
His deadpan sidling tact,
His fisherman's quick eye
And turned observant back.

Incomprehensible
To him, my other life.
Sometimes on the high stool,
Too busy with his knife
At a tobacco plug
And not meeting my eye,
In the pause after a slug
He mentioned poetry.
We would be on our own
And, always politic
And shy of condescension,
I would manage by some trick
To switch the talk to eels
Or lore of the horse and cart
Or the Provisionals.

But my tentative art
His turned back watches too:
He was blown to bits
Out drinking in a curfew
Others obeyed, three nights
After they shot dead
The thirteen men in Derry.
PARAS THIRTEEN, the walls said,
BOGSIDE NIL. That Wednesday
Everyone held
His breath and trembled.

II

It was a day of cold
Raw silence, wind-blown
Surplice and soutane:
Rained-on, flower-laden
Coffin after coffin
Seemed to float from the door
Of the packed cathedral
Like blossoms on slow water.
The common funeral
Unrolled its swaddling band,
Lapping, tightening
Till we were braced and bound
Like brothers in a ring.

But he would not be held
At home by his own crowd
Whatever threats were phoned,
Whatever black flags waved.
I see him as he turned
In that bombed offending place,
Remorse fused with terror
In his still knowable face,
His cornered outfaced stare
Blinding in the flash.

He had gone miles away
For he drank like a fish
Nightly, naturally
Swimming towards the lure
Of warm lit-up places,
The blurred mesh and murmur
Drifting among glasses
In the gregarious smoke.
How culpable was he
That last night when he broke
Our tribe's complicity?
'Now, you're supposed to be
An educated man,'
I hear him say. 'Puzzle me
The right answer to that one.'

III

I missed his funeral,
Those quiet walkers
And sideways talkers
Shoaling out of his lane
To the respectable
Purring of the hearse...
They move in equal pace
With the habitual
Slow consolation
Of a dawdling engine,
The line lifted, hand
Over fist, cold sunshine
On the water, the land
Banked under fog: that morning
I was taken in his boat,
The ***** purling, turning
Indolent fathoms white,
I tasted freedom with him.
To get out early, haul
Steadily off the bottom,
Dispraise the catch, and smile
As you find a rhythm
Working you, slow mile by mile,
Into your proper haunt
Somewhere, well out, beyond...

Dawn-sniffing revenant,
Plodder through midnight rain,
Question me again.
Jordan Rowan Dec 2015
Let's speed down the highway
85 under the street lights
Watching the towns grow small behind us
The music murmuring in the background
The cars fading
Shadows dancing across your face
And no matter what's ahead of us
I can't stop looking sideways
As we drive into the night
Making memories in the moonlight
Holding hands under the bridge
Exchanging kisses at the stop lights
Staring at you while you drive
Cause you can't stare back
with both eyes on the road
Laying my head against your arm
Wishing this **** console wasn't here
Wishing the night would last forever
So I could ride along with you
Mateuš Conrad Sep 2018
oh right...

    back in h'america it's called
patriotism -

but 'ere, over, Here -
it's called nationalism...

back on the old continent
where and when all politics
is far-right mantra

and then you have
your Victoria and Abdul -
love the curry...
but like the **** said...
i'd prefer the aura and sauna
of the...

don't get me wrong:
i love the food...
but watching the Indian caste
system?
   of Indians employing slaves
to build their upper-middle-class homes?
more tanned?
oh, you mean the Sri Lankan
or the Bangladeshi poor *******?!

sorry... i thought all slave
owners were white...
      no?
              oh...
                          ­       alright...
******* then!

because?

next time you ask...
i'll do what the Nazis did to the *******...
i'll twist the star of David sideways...
exposing the prayer mat
and an opened book...

and, as far as i am concerned,
Islam is equivalent to the bubonic plague...
now...
   compare the geographic literature
and spot the quarantine areas on a map
that constitutes Europe.

i'd rather die...
than fiddle with a phallus for
a taste of the Arabian quasi
harem orchestra of... absolute...
*******!

  Arabian women?
fat hands...
their hands are too fat...
     they have to inter-breed to
get rid of their
        farmers' market of
fudge fingers and knuckles...
Arabian women expose
what is the most **** aspect
of a woman's body...
their hands...
Arab women have pork chops
for fingers...
and i'm not even sorry
making this observation...
    fatty extensions
that you wish could at least
succumb to the esteem
of a pork head terrine.

Arab women can wear their niqab,
or whatever the hell they wear...
   one problem...
FAT..... HANDS...
     FAT....   FINGERS...
hell, hide them...
these women are worth half the *******'s
worth in the ******* market of
feminine hands...
          
Arab women are no possessed with
geisha hands... porcelain architecture...
they're not tender... slight, polite...
        
    the hands of Arab women are
the hands of European women...
   who have a legitimate sway on arable
land, that is fertile with either
potatoes or cabbage;

well...
            fat fingers eager to harvest ginger
(roots) -
                what can i say...
no matter the diamond,
or the European *****...
          the hand is still looking
readily available to milk a ******* camel.
Ivan Brooks Sr Mar 2018
My complex brain keeps me thinking deeply
For hours it keeps spitting **** perpetually.
I think outside the box and write always,
look at things in 3D and cross the streets sideways.

This is the universe at work in another way.
Maybe I'm being rewarded, if I may,
For the countless hours put into thinking
About a fraction of mankind's problems.
And the thoughts about seeking answers to questions,
That will someday bring a resolution to our problems,
For the universal betterment and the good of mankind.
Maybe I'm a product of some social and scientific
Or intellectual experiments or the combination of all three.

All that was yesterday, when I was something else
If I was ever made a saint then for my past good deeds,
I have no recollection of what transpired down those dark Corridors of the part of the multiverse I came from.
So, if I ever did some positive things in my past life,
Kudos to that mass or ball of energy I once was.

Today, maybe I'm just one idiot with a laptop
Who has time to write things some people may deem
obnoxious, senseless and otherwise incomprehensible?
Maybe I'm an outlet for deep thoughts
And a vessel of wisdom for some people.
Through perseverance and the little time, I have on hand,
I have helped save lotta folks some precious time
In coming to acknowledge the reality of our time.
Thus, making it easier for them to see,
That things are messed up and that despite this,
hope looms!
If this is not a poem, it ends with a line that says hope looms.
annh Mar 2020
Love travels sideways,
Down dark alleys,
Along winding country lanes;

Arrives late,
Hesitates too long,
Leaves early;

A journey to take,
A destination unmapped,
An invitation to linger when we least expect it.

Her clear lazuline gaze ******* my clumsy attempt at transparency, an unambiguous hesitation the length of a skipped heartbeat. I watched her eyes darken and spool as realisation ebbed and flowed, and ebbed and flowed again. 'Let’s go,’ she said, pulling me gently to my feet. 'And listen to the ocean breathe.'
1
Flood-Tide below me! I see you face to face!
Clouds of the west—sun there half an hour high—I see you also face
   to face.

Crowds of men and women attired in the usual costumes, how curious
   you are to me!
On the ferry-boats the hundreds and hundreds that cross, returning
   home, are more curious to me than you suppose,
And you that shall cross from shore to shore years hence are more
   to me, and more in my meditations, than you might suppose.

2
The impalpable sustenance of me from all things at all hours of the
   day,
The simple, compact, well-join’d scheme, myself disintegrated, every
   one disintegrated yet part of the scheme,
The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on
   the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.

Others will enter the gates of the ferry and cross from shore to
   shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the
   heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half
   an hour high,
A hundred years hence, or ever so many hundred years hence, others
   will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the
   falling-back to the sea of the ebb-tide.

3
It avails not, time nor place—distance avails not,
I am with you, you men and women of a generation, or ever so many
   generations hence,
Just as you feel when you look on the river and sky, so I felt,
Just as any of you is one of a living crowd, I was one of a crowd,
Just as you are refresh’d by the gladness of the river and the
   bright flow, I was refresh’d,
Just as you stand and lean on the rail, yet hurry with the swift
   current, I stood yet was hurried,
Just as you look on the numberless masts of ships and the
   thick-stemm’d pipes of steamboats, I look’d.

I too many and many a time cross’d the river of old,
Watched the Twelfth-month sea-gulls, saw them high in the air
   floating with motionless wings, oscillating their bodies,
Saw how the glistening yellow lit up parts of their bodies and left
   the rest in strong shadow,
Saw the slow-wheeling circles and the gradual edging toward the
   south,
Saw the reflection of the summer sky in the water,
Had my eyes dazzled by the shimmering track of beams,
Look’d at the fine centrifugal spokes of light round the shape of my
   head in the sunlit water,
Look’d on the haze on the hills southward and south-westward,
Look’d on the vapor as it flew in fleeces tinged with violet,
Look’d toward the lower bay to notice the vessels arriving,
Saw their approach, saw aboard those that were near me,
Saw the white sails of schooners and sloops, saw the ships at
   anchor,
The sailors at work in the rigging or out astride the spars,
The round masts, the swinging motion of the hulls, the slender
   serpentine pennants,
The large and small steamers in motion, the pilots in their
   pilothouses,

The white wake left by the passage, the quick tremulous whirl of the
   wheels,
The flags of all nations, the falling of them at sunset,
The scallop-edged waves in the twilight, the ladled cups, the
   frolic-some crests and glistening,
The stretch afar growing dimmer and dimmer, the gray walls of the
   granite storehouses by the docks,
On the river the shadowy group, the big steam-tug closely flank’d on
   each side by the barges, the hay-boat, the belated lighter,
On the neighboring shore the fires from the foundry chimneys burning
   high and glaringly into the night,
Casting their flicker of black contrasted with wild red and yellow
   light over the tops of houses, and down into the clefts of
   streets.

4
These and all else were to me the same as they are to you,
I loved well those cities, loved well the stately and rapid river,
The men and women I saw were all near to me,
Others the same-others who look back on me because I look’d forward
   to them,
(The time will come, though I stop here to-day and to-night.)

5
What is it then between us?
What is the count of the scores or hundreds of years between us?

Whatever it is, it avails not—distance avails not, and place avails
   not,
I too lived, Brooklyn of ample hills was mine,
I too walk’d the streets of Manhattan island, and bathed in the
   waters around it,
I too felt the curious abrupt questionings stir within me,
In the day among crowds of people sometimes they came upon me,
In my walks home late at night or as I lay in my bed they came upon
   me,
I too had been struck from the float forever held in solution,
I too had receiv’d identity by my body,
That I was I knew was of my body, and what I should be I knew I
   should be of my body.

6
It is not upon you alone the dark patches fall,
The dark threw its patches down upon me also,

The best I had done seem’d to me blank and suspicious,
My great thoughts as I supposed them, were they not in reality
   meagre?
Nor is it you alone who know what it is to be evil,
I am he who knew what it was to be evil,
I too knitted the old knot of contrariety,
Blabb’d, blush’d, resented, lied, stole, grudg’d,
Had guile, anger, lust, hot wishes I dared not speak,
Was wayward, vain, greedy, shallow, sly, cowardly, malignant,
The wolf, the snake, the hog, not wanting in me.
The cheating look, the frivolous word, the adulterous wish, not
   wanting,

Refusals, hates, postponements, meanness, laziness, none of these
   wanting,
Was one with the rest, the days and haps of the rest,
Was call’d by my nighest name by clear loud voices of young men as
   they saw me approaching or passing,
Felt their arms on my neck as I stood, or the negligent leaning of
   their flesh against me as I sat,
Saw many I loved in the street or ferry-boat or public assembly, yet
   never told them a word,
Lived the same life with the rest, the same old laughing, gnawing,
   sleeping,
Play’d the part that still looks back on the actor or actress,
The same old role, the role that is what we make it, as great as we
   like,
Or as small as we like, or both great and small.

7
Closer yet I approach you,
What thought you have of me now, I had as much of you—I laid in my
   stores in advance,
I consider’d long and seriously of you before you were born.

Who was to know what should come home to me?
Who knows but I am enjoying this?
Who knows, for all the distance, but I am as good as looking at you
   now, for all you cannot see me?

8
Ah, what can ever be more stately and admirable to me than
   mast-hemm’d Manhattan?
River and sunset and scallop-edg’d waves of flood-tide?
The sea-gulls oscillating their bodies, the hay-boat in the
   twilight, and the belated lighter?

What gods can exceed these that clasp me by the hand, and with
   voices I love call me promptly and loudly by my nighest name as
   approach?
What is more subtle than this which ties me to the woman or man that
   looks in my face?
Which fuses me into you now, and pours my meaning into you?

We understand then do we not?
What I promis’d without mentioning it, have you not accepted?
What the study could not teach—what the preaching could not
   accomplish is accomplish’d, is it not?

9
Flow on, river! flow with the flood-tide, and ebb with the ebb-tide!
Frolic on, crested and scallop-edg’d waves!
Gorgeous clouds of the sunset! drench with your splendor me, or the
   men and women generations after me!
Cross from shore to shore, countless crowds of passengers!
Stand up, tall masts of Mannahatta! stand up, beautiful hills of
   Brooklyn!
Throb, baffled and curious brain! throw out questions and answers!
Suspend here and everywhere, eternal float of solution!
Gaze, loving and thirsting eyes, in the house or street or public
   assembly!
Sound out, voices of young men! loudly and musically call me by my
   nighest name!
Live, old life! play the part that looks back on the actor or
   actress!
Play the old role, the role that is great or small according as one
   makes it!
Consider, you who peruse me, whether I may not in unknown ways be
   looking upon you;
Be firm, rail over the river, to support those who lean idly, yet
   haste with the hasting current;
Fly on, sea-birds! fly sideways, or wheel in large circles high in
   the air;
Receive the summer sky, you water, and faithfully hold it till all
   downcast eyes have time to take it from you!
Diverge, fine spokes of light, from the shape of my head, or any
   one’s head, in the sunlit water!
Come on, ships from the lower bay! pass up or down, white-sail’d
   schooners, sloops, lighters!
Flaunt away, flags of all nations! be duly lower’d at sunset!
Burn high your fires, foundry chimneys! cast black shadows at
   nightfall! cast red and yellow light over the tops of the houses!

Appearances, now or henceforth, indicate what you are,
You necessary film, continue to envelop the soul,
About my body for me, and your body for you, be hung our divinest
   aromas,
Thrive, cities—bring your freight, bring your shows, ample and
   sufficient rivers,
Expand, being than which none else is perhaps more spiritual,
Keep your places, objects than which none else is more lasting.

You have waited, you always wait, you dumb, beautiful ministers,
We receive you with free sense at last, and are insatiate
   henceforward,
Not you any more shall be able to foil us, or withhold yourselves
   from us,
We use you, and do not cast you aside—we plant you permanently
   within us,
We fathom you not—we love you—there is perfection in you also,
You furnish your parts toward eternity,
Great or small, you furnish your parts toward the soul.
Daniel Mar 2013
A revaluation occurred
just the night before
an answer that I could not see
an answer that I could not bore.

It all started
with the simple number 8
at first it did not seem significant
at first it did not seem to translate.

Gradually and gradually
It began to haunt my life
and I began to wonder about it
and it provoked me like a knife.

I watched many flicks
and went to the gym
I did everything I could
I did everything on a whim.

Just to forget
the blinding and boundless pain
that you have brought upon me
that you sought to make me drain.

One movie stood out
and it eased my depression.
I then continued on with my days
I then continued with my aggression.

That movie had a scene
about seeing the solution out of a problem
Could you be the problem I've faced?
Could I live with out them?

Again I thought nothing of it
and week after week went
the number 8 persisted
the number 8 made me vent.

So then, So then
On a drive, in the night
to the city, with my best music
playing to my minds sight.
The answer hit me right when recalling the movie Patch Adams.
How Arthur Mendelson tought Patch
about seeing the good in every day.
How to get out of the depth of drought
Out of fear, conformity or laziness.
and then I thought:

Annie was my problem
I've sought out for a solution
but I was too focused on the problem
and could not look beyond.

In Patch Adams the answer was 8
To see what nobody else sees
To see what everybody chooses NOT to see.
See the world anew each day.

That's when it hit me like a punch to the gut.
The combination of "Big Fish" finale music,
"Patch Adams",
Annie,
8,
I worked it out in my brain.
Was no longer driving me insane.

That this divine message
of constantly seeing number 8,
was not a lucky number,
nor  a date.
Nor a month,
or a time frame.
Just a reminder
to not be lame.

If I died tomorrow
what would I leave behind?
Cannot be this willowing self-pity.
What would people say of me?
That my last few months were ******?

So whether it was God, Allah, or a cosmic sign
Annie is the problem, and my solution I must see past.
The 8 was telling me to move on, no more should I whine.
I should no longer look to the past.

Infinitely this sign fed itself
and made complete utter sense.
I am strong, and full of love.
None of which to you I give.
No more, No more.

No no, not any more...
Owen Phillips Feb 2013
All these roads lead somewhere
Our dismembered beings will never see it all until we're dead
But we can die and make it back alright
And if we died, would we even want to come back inside?
There's something real out there and it'll always be there and all it takes is to pay perfect attention
Chance favors the prepared mind as we can see for ourselves
When we traverse this abyss
Learn to pay attention
Learn to dance with the patterns you perceive
The sonic tapestry is a music piece
It never stops , and it covers everything
Everywhere is always everywhere else
Music never stops
Listen to it beat you away
Is there a difference between me and the music?
I am you, after all, this poem is me
And yet it is you because I'm not the only one
And we'll never be apart until we die, but even then we'll be together, each as nothing
So beautiful, so absurd

Feel that breeze blowing your hair?
You are its breath
It escapes your lungs and you ride around a vibrating
Symbol, your thoughts swimming and crystallizing but never blinding
Swirling around you in coagulating meaning
The grass grows, it is your beard
Lying there in the field
Can you feel it any different?
The grass brought you here to lie down on it
The grass inhales you as you light it,
And fully grokked, your ghost breathes itself out in rings

Snap the rhythm and it ripples with the cymbal
Into love,
The path through remains you, it's full of stars and eternal youth
The gray dawn on the beach is a constant truth
Our dreamtime dreams of being awake

I woke up and thought I could fly
How wrong I was
Spying over the shoulder of God
I told him, "You're a character in my story
I am you,
I am more.
What can you do to me?"
And God looks back, knowing that what I say is true
For I perceive him and even as he marvels me with illusions he can never erase my mind
I don't even capitalize his pronouns

God and his carpenters joined the dancing eternal parade
Like the end of an Animal House knockoff
Where we send off parts of ourselves to new times and places we've never conceived of
Populating the universe
Which gets bigger the more detail we observe
An optical contradiction
For you are the greater resonance of both your
Self and your Opposite
Zoe Mae Jan 2022
It's snowing sideways
Let's play horizontal too
Love that side of you
I will tell you what he told me
in the years just after the war
as we then called
the second world war

don't lose your arrogance yet he said
you can do that when you're older
lose it too soon and you may
merely replace it with vanity

just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice

he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally

it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop

he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England

as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry

he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention

I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can't

you can't you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don't write
Sydney Ann Apr 2015
Day 2 to no prevail
with infinite available
my thoughts are, going
Idle              
No pressure , Zero gravity
Speaking my mind
In freaking rhymes

I'm bored
Can't even call
up a chord

It's dire,  yet today
I'm impossibly smiling

but I'm afraid
this can only work once
Why?            
the same                                
Dang                            
thing                        
Comes out      
Every time

Bored                      
My train of thoughts
looks like graphite
trains are _  I don't
Know

(The following was written in the margins)
So now I'm
going Sideways
my life is sideways
but no one ever got
anywhere
cool
by
walking
**forward
I found this in my Creative Writing class notebook. I tried to type it up exactly how it was on the page so ^ there it is ;)
Albero Centrale Apr 2014
When you learn about something like that everything goes sideways
not knowing everything about it
but knowing what to do you want to help
that’s not enough to save people no matter how much you love them

Not being able to say goodbye is the worst part
too far away to get there in time even if you knew in advance
that’s what cancer does
takes people’s lives and turns them on their sides

~Javier S.
Angela Mary Pope Sep 2014
tumbling trees and bumbling branches
leave it to me to **** through the circumstances
perhaps you reflect the mess of second glances
with these days all sideways I'm not much to take chances

I never felt like we were quiet
quite a perfect match
you leave it to me to unravel the riot
I leave it to you to deadly the catch

and you're next
and i'm next
and we're next
and he's next

and one day this will all be mine.
Heather Moon Feb 2014
Dad
So my father,
he goes into the store to buy his $10 a pack for cancer
while he still attempts to hide his addictions from my sister and I.
Now I don't think it would bother me oh so much
but his frugal attempts to sweep the dust under the rug is like using a mop instead of a broom...
We see the crumbs leading to your door from the cookie jar.
Yes, we all have flaws, but you,
you
weave shamefully through the under layers of darkness, devoid of any resemblance to a heavenly nature, you fall like a night creature weaseling through crooked creaky cement alleyways, your gremlin spirit set ablaze.

LIFE, I revel and roll within the taste of each second, I run the grain of life across my tongue until saliva fills the creases and far reached corners of my mouth. I tap my finger to my lips like a true virtuoso, a connoisseur of life. Life.

My father's addictions completely derail me,
not even so the notion itself, I mean yes, but his blatantly obvious ways of avoiding confrontation not only from us, but also from himself.
Like Pinocchio's nose, my fathers back gets hunched more and more, his breath quickens when we draw close.
Father you are not prey, in fact if there be a predator, it is you unto yourself. I can no longer help but to roll my eyes when you tell me for the fourth time in the day that you must take out the trash so as to have a smoke.
I am fed up, excuse me sir, the trash will still be there no matter how many times you take out the "trash" .
The only "thing" that won't be left after you're repeated offenses of the benign chore will be you're dignity because you are so naive and ignorant in the way you dodge truth. How can you live respectfully when you don't respect yourself? Nor do you value what you are spitting out to your own daughters.
I am addicted to life,
I breathe it in with passion,
I embrace the truth within me
and have an eagerness to expand my wisdom.
How come father you do something that you know is a betrayal to yourself? How come you hide away in that old bar, the one with the flashing(flickering) light on the outside, dingy worn out red leather(plastic)booths on the inside, the bar located in some musty  little hole in you're brain and a blind spot on you're heart.
You sit in the back in a lonesome booth slumped like some chump, stuck in a stump, you ooze and wheeze not even grasping for air, no fight left within, you are like mucus, a toad melting into the ground. Sinister and swindling in the greed of you're gut. Your ***** mopey yellow eyes and the shameful acceptance as you indulge in the baths of life's luxuries whilst you poison your body, trash what you hold dear and continue to block out that little annoying voice.
The voice with the cracks in it,
worn out from you're games, the voice that nags and pleads. The one that catches you before you order another round, take another smoke break, the one that pulls you, tantalizes you with it's simple sweet natural charm in hopes of distracting you from your self harming ways.
The voice that chimes in the second you raise your fist to punch me. The voice that is screaming at you when you lock eyes with mine and can see my fear.
Yeah that voice, the little punk one that returns even after the crime of your actions has been committed.
After the music stops and it's just you and the world.
but even then
I don't think you will hear it.
You're living on the edge of the pavement father.
No you wont hear that voice, not when you're twisted and contorted into the sideways way of things. You killed that voice long ago, when you wound yourself deeper and deeper like a clock in time,
when you twirled yourself into that little empty pub, with a quiet pool table, with no hope, a sanctum of greed.
Yes, you're guilty, yes it was you.
It was you who killed the voice inside of yourself.
You killed it when you traded
your dignity and your truth
for yet another
$10 dollar pack of
emptiness,
lies,
and forfiet.
Madeline Mar 2014
our tram rides are loud
words spilling out like loose rice
scattered round our feet
bright blue, silver, darkest black
jackets soft and warm
eye contact that lasts too long—-
immediately
overanalysed, I know.
my wishful thinking,
it often gets out of hand.
walking in the dark,
my hands are cold and lonely
our eyes glance sideways
too much, and yet too little.
Dustin Holbrook Aug 2012
++every now and then i’ll look again
out an opposite window to see
the same things, in the same light
i asked for peace
and to fill my head with perspective
i’d look you in the eyes
but this recurring scenery
sets me back face down
where my eyes pierce the air
to the gouged and grave ground
the colorful bracelet i wear
doesn’t mean as much as i wish
you would
i’ll hang you so high
i’ll hang you from a street light
if it meant you’d be there
but we don’t have many of those around here
i guess the silo
would fit your ego
and the tractor will knock it down
to be collected and fed to the world
...
if i ever got the chance
to make my way to the moon
the only place
where you haven’t been found
i’d write your name in the dust
like atop the mountain
where we made love
but the wind was hot that day
and the woods blocked the sound
of the fault giving way
to our blanket and our bodies
so we dove deep down
where i’ve stayed until today
i’ve lived and breathed
all the air beneath the seas
in an open field where i cut my knees
the grass breaks to wheat
i was either born again or realized home was dead
and the high school i attended
tried to coat the walls in my tongue too
put a pump jack to my lips
tried to surface the words i said
but i’ll say it again, i’m mine until i’m dead
don’t make me say it again, i’m mine until i’m dead

++in italy, where all the roads are made of dirt
the pebbles make a sound
and whisper the rest of what we know
to the gouged and gravel ground
your fingers touch the stones
where your mind seems to seep
down into the earth
and back up through your teeth
your hair is cut so short
compared to what it was
your arm is torn to tethers
that keep your body bound
leather like the face of love
so beaten like the wooden screen
...
through and through, and threw
your scarf
into the wind
into the snow
bright beaming colors wrap around your lips
and into the drain
around the brick
i’d wish for the patterns i sleep with
to be everything they could
in the sense that light won’t ever slow
so pace yourself against the wind
the gears will turn as you type them in
the hammers have been built
and the hand shakes have been firm
coordination isn’t key
but opens the door to the fighting alone
but i’ll say it again, i can make it on my own
don’t make me say it again, i can make it on my own

++i want a movie inside my mind
like the arms of her dress
burying books in the sand
on a black, flat stage
on every morbid wednesday
(the beach blonde scars
on every bleach blonde head)
your face looks squished
from the weight of your brain
juggles ignorance
i’ve done things i regret
but wouldn’t take back
that’s called sorry
it’s all called something sorry
...
like blue synthesis capsules
full floating, flying
lick the side to make sure tiles flow
automatic black glass
opaque lights
glowing blue lines keep the glue on tight
hospital bracelets keep your archetypes
fatherly fatherly fatherly hugs
inside the apartment
kicking the front steps
porches absent on our heads
your green t-shirt
taken off quickly
and faded blue jeans
with no belt to lock them
ready and not waiting for no one to jump in
off the dock in new jersey
at the palisades cliffs
i felt the back of your neck just before your lips
the scars from your dad melted away
they morphed into something pretty
and i remember you gripped
on the wood where we sat
and all my dead cells begged to be brought back
as we both looked into the other
a blue blanket and a pillow too white to be confused
with anything other than something owned by you
apart so quickly, laid content and prepared
to wake up and die
like any sane person would do
(for us the tiny grains of sand meet the hanging paper lamps
lines next to curves next to lines
is a way to write what we said)
but i’ll say it again, i’ll never give in
don’t make me say it again, i’ll never give in

++clear plastic ridges
painted a lovesick sky
(cut the sun with the branches
your eyes, your eyes, your eyes)
timidly timidly timidly
you said look at the moon
but i’d rather see you
your face looks better sideways
like the way you walk
outside when the moons orbit the halo
you never folded up
or tried to conceal inside
like the treaty you signed
around the insulation
that dampers your thought process
that dictates your walking steps
(love and LSD
blood and rusted trees)
on top of the world
falling through the streets
the scents are the same
and remind me of safety
that i applied to the dimension of the squared and faulty
lines
buy i’ll say it again, i hate that you’ve absorbed others’ dreams
don’t make me say it again, i hate that you’ve absorbed others’ dreams

++(i would like to smell a pool)
i think we lost it all
but it happened while we lost ourselves
or we’re knitted together perfectly
so we’ll never understand the whole scheme of things
i wish you’d tell me everything
you’ve become a mold that all your friends will fit into
the opposite of trees
we will **** it down through our feet
(not through our teeth)
I will wear my bandana once again
blue stained gold
even your hair has lost most of the effect
that it had on my soul
colorado was a place to remember
where i remember you most
even though we never went there alone
should i be glad i no longer feel the pain
or sad it’s not there?
because what that entails is me  not caring
and forgetting that you even forgot
you’re forgetting how it felt
you remind me of my dad
how every thing’s connected
and you stay away from the earth
and touching the ground
and we know i’m intuitive
so it means something when i say things
it means i’m right on some phase
or some plane of things
don’t tell me you’re not falling because i’ve seen it too many times
to mistake it for anything other
than what the passed over people do
it’s hard to look forward
and tougher to take a step
part of finding what you want is saying it’s there
but catch up into the trailer
fibres into the helium we wear
the generations have not been remembered
...
(the murals on the walls fade to intersectional colors)
...
primary walks into a green room
and says we’ve never made a thing
to make our lives better
and he talks about what’s underground
he talks about the padding on the seats
how that’s where we should’ve stopped
we’ve been backwards since the beginning
we’ve been backwards from the start
but i’ll say it again, i’m alive, i’m falling apart
don’t make me say it again, i’m alive and i’m falling parts
xavier thomas Sep 2020
Boo you know that you’ll always be mine
I accept your flaws, so don’t you be shy
I’m your king that knows your worth, girl
You play to much under these covers
Hit it sideways, that’s my weakness
P90-X workouts, doing fitness
Making noise like we recording a sound track
Give me your all, don’t you hold back
Got you playing “Simon says”-for the night
We “Stop, Go” like red light, then green light
Can’t go no further, so rollover
I hope I fulfilled your appetite
I just love it when you go hard
Ending the night with your lotus trump card
Time to put you to bed lil’ mama
Next time, I’ll have you on the floor crawling
Nick Strong Nov 2013
The crab looks forward,
But scuttles sideways.
Should I?

    ©  Nick Strong 2014
Marie Jul 2022
I fell in love with you sideways
Stumbling through
Blurry vision
But I saw you
I couldn’t walk
so I crawled to you
Into your arms
I was drawn to you
The only place where time moved fast
I tried to keep steady
I clawed into you
Covered my face in your chest
But I saw you
It took all my strength
I gave into you
Shattered to pieces
Picked them up for you
Stood up straight
Got back on my knees for you
Couldn’t face myself
But I saw you
Nika Cavat Jul 2012
Orcas in Puget Sound

Along the road, abandoned wild apple trees bend
with their heavy loads, dusty skirts of blackberry bushes
purpling fingers, piercing flesh
mouths ringed with berry juice, vampires all.
Along San Juan Island salmon leap clear
out of the briny water, just yards ahead of their predators,
Orcas, dorsal fins curving shiny black, sluicing and slicing
the surface like sharpened knives

They have bred with one another for 10,000 years
trolled these waters through famine, earthquakes, world wars
through shifting continents, glacial avalanches,
through the extinction of whole civilizations.
Standing on a cliff, my daughter and I
watch the Orcas churning the water - studies in grace
the largest gem on the necklace of a great food chain
and when we sleep we too chase
the great King Salmon of our deepest dreams,
the fathers we lost, the currents that bear along children

Translucent jellyfish, palm sized, breath below
sideways exhale, convulsive inhale
umbrellas opening and closing a thousand years or more
sliding through forests of brown kelp where mollusks cling

We have clung like this to one another, with my body
thrown over hers for protection and her exhaling away from me
If Mama Orca keeps her young close, so will I
If there are salmon to chase and harbor seals to command, so we will

Arcing in the late August sky
slapping and parting the surface, over and over
the whales, lords of the Sound, swim in our brains as we sleep
sparkle against blackening waters
You are of my body from my body cleaving there for 10,000 years
Whatever quarrels there are on land vaporize
In the presence of these creatures,
arcing against all that is temporal, vicious, small,
studies in power and grace

The tide pulls out, skimming across rocks and oysters in their muddy beds
But this need to care for you remains as big as an Orca
your appetite for adventure as voracious
and I watch you, my child, disappearing with summer
into high school, into womanhood, into
the salty, light-dappled ocean
Gaffer Mar 2017
It was great for a time
*** and wine
Wine and ***
Then commitment and open and shut curtains.
Special delivery of child made the bond complete
Six months down the line
Breast feeding was action watched from a distance
Intimacy was a tired look
The neighbours cat looked hot
Killed the lonely nights
Killed the commitment outright
Got to know the lawyer through rapid bank withdrawals
Weekly child visit watched over by Brutus
Bar visits watched over by the world's condemned
Special occasion became a twice yearly treat
Birthday and Christmas, bit of hate thrown sideways.
Then the new man.
Felt good for her.
Maybe some pressure off.
Maybe missed that lobotomy bar lecture.
Years dragged the hate forward.
Time moved on.
One day I wrote her a letter expressing my anger.
She wrote back in triplicate.
I wrote back in double triplicate.
She sent a thesis on men and *****.
Suddenly without thinking, we had dialogue.
After a while, we moved on from the anger.
We became human again.
I actually liked writing her letters and receiving them.
We never got back together.
But the letters kept us close.
Sometimes there would be a kiss at the end.
The little bit of love I probably never deserved.
I would mention it to her in my next letter.
Even an *** deserves a solitary kiss now and again.
The bar room lawyers would probably agree.
Onoma Oct 2013
Mangled skirmish, of bespeckled olive-green
serpents.
Their sinuous anarchy runs cold upon her
skull.
Caravaggio, you immortalized the *****,
immured her, hermetically sealed her within
that shield.
Her reflection was at once the face she
never saw...******, she...then beheaded.
I notice you've even painted the shield the
color of her serpentine locks.
Serpents registering her ontological shock--
retentive, entwining, dangling in an odd
curl here and there.
Blood spurting from her almost indiscernible
neck, as if to draw a passable neck of blood,
almost like rays of blood, Christ's pierced side.
Her eyes seem so determined to chisel their
way out of stone, reconnect her head to her
body.
Her face is stunning, an excruciating ferocity
bulking stiff, slightly opened mouth about to...
explode out of her eyes.
Eyes hissing downward, sideways--there in the
pitch black glint of them...a primordial drama
to be continued.
! Made himself the sky!
Venus took her fingers,
amniotic earth aura
Faded and frigid Venusian;
Bring to me Heimat ...!

In the dream my love,
Ghiberti blew through your elbows
floriarena the ammonites,
sea shoreline ...
region of my glance.

I touched her soft back,
and to rotate;
Ghiberti bring to me Heimat,
floriarena  from your region
where we saw one day
walking the stone sea.

When in a casual insight love,
my encourage love;
He acknowledged your life
siluet and Tuscan figure,
made himself aqua emerald your face
streamly explosion made himself ...
your eyes full of water,
they gave to me;
the unknown universe,
hundred time  water ...

clematis verbal slender,
You touched your lips
my shading roam step ...
dark black shadows;
... Universe, almost bluish ...

You Heimat clematis!
with the force of my love look,
ordained the word love
pine  love  walks like mist;
with igneous light monodia
whose love is my heart.

My heart is your life,
your eyes its shine;
when I look Into Your Eyes,
"My universal heaven,
I sleep waiting for your life
to love the flourishing sea "

Now it is winter,
and the wet shores of your kingdom
I think I see you in the morning;
walk with your hips made Nautilus ...

When you look at me smile sitting
play with your vulnerable figure;
her translucent ...
It appears only in the mornings ...


Heimat ammonites sleeps ...
sleeping in my footsteps ...
marking soft sea;
translucid happy that my eyes,
I bring in the morning ...

By early Sea,
the stretch your eyes and your mouth sideways
It is filled with fluid ammonites,
and you return orange the viaduct ...

The assembly gave my love thy hands;
these mobile pieces of air,
They are talking about me ...
and speaking my deep image,
My heart pounded in his voice.

How often gray sea
wash your beautiful cheek ...?
and you away from here ...
you ignored if it was night or stormy day ...


The truth is for today
you pronounce my name,
so I'll touch your lips inside;
as glanders viaduct ...
take your eyes full of light ..., the sea soon ...
the stretch your eyes and your mouth sideways,
fill with your ammonites
Orange becoming the viaduct ...

When I usually remember transfigured moon,
July cold complicity ...
It makes me get you on those points of your face,
where innocent love your sound pronounce my name
as if his arms would carry my name ...

Palest cold!
undulate like the sea,
and the sea blows like you
when I'm gone,
White ammonite not fall into wailing ...
because their translucent and dense tears,
disintegrate their coordinated fingers
these compounds and sand ...
They will not go by sea glanders;
but their soft sandy feet
shelled die teardrops wherever
without a single step to ...

"Ammonite glassy smell ...
I love to see you...,
shims because my reason and my love
here by the Sea "

Nepente taking at twilight,
to slide your goddess yarn;
i return pretend that Venus,
God as a deluded ...

Today when I closed my house,
and I stretched my arms out
I felt cold ...
and said to the cold ...:
"Look to your beloved,
never tired in looking at you ...
and if you feel my own cold,
remember you will love.


José Luis Carreño Troncoso  Copyright  15
Tuscany Middle Love Ceppi

— The End —