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"quaver" poems
(To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love’s song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird’s throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair—did I tie it? For it always ran riot— Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face— Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, ‘You have only wasted your life.’ (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets’ hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God’s heaven and hell.
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Roses And Rue
(To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love’s song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird’s throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair—did I tie it? For it always ran riot— Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face— Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, ‘You have only wasted your life.’ (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets’ hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God’s heaven and hell.
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69
When you walk into the room, fireworks before me, a ship sinking and yet, i forget my minds sails to another parallel that swims to deep, tutut, juju, and warm to light and heartbeat torture of another day that pendulum monkey on my back dances to that haunted dancefloor that begs to be conquered from thankful bells that toils to answer, our disguise and wonder, my sweet our touch is a beauty of a crash course, for the ravers as you much on quaver after quaver, what about the midnight hour that gets to be a sweet requiem of us, justice to us that never follow their favourite game. Goodnight.
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Sep 11, 2012
Sep 11, 2012 at 7:54 AM UTC
Goodnight
One step behind the other, I keep my eyes ahead. I'll keep myself together If I watch where I have tread. I'm sure I'm being hunted By monsters in the night. Not sure if I've been stunted, Or if this is their true height. But if the shadows wavered, Or gave way to my stare, I'd sing instead of quaver And stand with shoulders square. No time to sit and panic Or just wait for the dawn. Until I leave the manic, I must keep trudging on. Wait until I'm with you, And then I might break down. Take comfort when it's through, When at last pain makes a sound. Just save me a seat in the closet I'm fighting my fears now: Fear was the one to cause it, But I will answer how.
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Aug 8, 2017
Aug 8, 2017 at 1:30 PM UTC
Save me a seat in the panic room
When we look deep inside, Our hearts quaver, our soul Shiver, our minds doubt, Our spirit….uncertainty Of which is which One in all, all in one We do not know. When we worship, He goes by the Gita, She, by the Koran, I… the Bible All for one God, Why the differences? When we pray, He praises Krisna, She exalts Moha, I pray Christ, Avenues to one God. When we die, He re-incarnates, She enters paradise I awaits judgment What injustice! But …what if I were To seek out the Unborn And find the hidden balance?
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Apr 8, 2011
Apr 8, 2011 at 4:14 PM UTC
Unborn
On the wheels, I whirl, I spin, I move Clouds too whirl, then darkness spins A lightning bolt, then the deafening sound, Then it pours, N the fire flies go dim I dont amble, I dont whisk Opening my hand, gawking above, I dont decline Three winks! Drenched n detached from the me wrenching myself, I wheel as  "The Lance Armstrong" Heavy pours invite a stroll Cats and Dogs pouring down dismay Rats, ROFL! Oust as Prince Zuko, I stroll Surrendering myself to  the Zephyr Same trail but with ****** looks Hypnotic green, drenched, raise me to the Oblivion Shimmering in the distant are two dim lights N I ***** like " The Supertramp" Beginning of the ultimate inception, I touch Extending my arms to the cries of sky Dont know the destination of this alley Trying to think what 'm anticipating Though without any charge on my shoulders Flickering in the near distant are two lights I hike as " The Aron" 'm I tears, I dont know Even the silence has sulked Nothing's in my head Green n Brown, Pink n Purple hues Repose the folioles, within Distant lights are passing by now I stride as " The me" To the Aisle, where birds peep, cheep, chirp, quaver, tweet n warble From the stroll to the stride 's a short walk of hues n blues The fringes have passed by Arena's clear n so 'm I.
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Sep 3, 2016
Sep 3, 2016 at 7:10 PM UTC
Stroll to Stride
and so they fell … Tears as pearly quaver Salty in their pas de deux from her realize A can-can polka in strip tease of soul bare How vibrant, albeit transient in masquerade, their desire A dance of miniscule quandary in micro adventure Frilly knickered, in slivers of the truth In folly, a spent of friendship abandoned Curtsey now, in diversity of no embrace, why? …for our lives are but a piecemeal of conversation Random etymology in lesson A three penny opera with no beg your pardon The once bemused attar of forget me nots Their fragrance now heavy in the air …and the diminutive whys, wander rhetorically, in and out of the bungle bungles of reality… because they can-can
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Apr 1, 2012
Apr 1, 2012 at 3:47 AM UTC
I can-can and you can-can
God loves me, doesn't He want me to be happy? why must He do this again and again why, why must I quaver with self doubt bring myself to tears with doubt and shame no one should feel like this, no one should be afraid that their love for another person will send them to burn for eternity- my eternity cannot be spent with someone else and I am in agony, I feel as though part of me is ripping in half why do they tell me that it's because of sin when it's just because they've been telling me how dangerous and how evil, how wrong it is that my soul wants something contrary to God's will they've been telling me this over and over my whole life it has never felt anything but right between me and God until someone else came in and told me it wasn't and I'm not sinning, I'm not acting, its just the shape of my heart is different than they say God wants but God fashioned my heart, didn't He? did He not hold it in his hands and mold it with His fingertips, teaching it how and whom to love so that one day I may use it? did He not plan every part of my heart out and write my past and future, why is it that I must ignore what He has written into me with every pump of His own handiwork?
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Dec 12, 2014
Dec 12, 2014 at 10:38 PM UTC
gay
We synthesized tomorrow; -since. Enzymes bore more than- Colour to bone; --though. It wasn't the sound Of nothing that betrayed- Marble-ebbing-into-waves. A lisp could quaver, Sight; we only heard Centipede-segments-sometimes; with- One leg too many. They caressed magic from Moon-vivid illusions; and As whispers wrangled senses, We found the ground- This wraith became me. In distance; I stole. Attention, yet before that. We electrified paper once.
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Sep 18, 2014
Sep 18, 2014 at 7:48 PM UTC
A Poets Electrified Paper
The stars said " I love you" and moon said "Me too" And Jupiter said "Whoever does not love is only a fool." The sun said "Be bright", the earth said "Be bold" And Venus nodded, saying "Find yourself somebody to hold." Mars circled a little closer and said "Do not waver" So Uranus smiled gently and said "Don't let others see you quaver." Neptune told you "There's so much to see" And Mercury said "It does not take much to know you are free." So Pluto called out, saying "There's much more to know!" The universe agreed, and said "There's more time to grow." The Milky Way murmured "Keep your love at your core" And I looked up and said "I will always love you more."
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Sep 11, 2016
Sep 11, 2016 at 7:45 PM UTC
Planets
The restaurant where I often eat has a raw cinderblock shell to show the world It was painted a long time ago, when a new owner bought it out It was meant to beautify, it didn't work But I guess it's the thought that counts. On the East wall, near one corner, is a rectangle of thick white paint in a field of grime. Always fresh, always clean. It is marred by a series of looping black slashes. Stare at them for long enough, relax the muscles behind your eyes, let them slip out of focus And you'll start to see letters In the dipping and diving bands of black. It's writing An alien calligraphy People as woefully uncool as you or I weren't meant to decode it There is energy in the strokes though. It's a performance frozen at it's moment of completion You can see velocity, grace, excitement, a little fear, and a deft, darting contempt. All of these things in the broad and narrow ribbons of paint. When I'm in the right sort of mood, with a full stomach and a lazily sunfried imagination, with the heat from the asphalt making things in the middle distance quaver, I can make out the dim shape of the artist. See where they stood, the sweep of their arm the turn of their head, wary of witnesses. Days in and out, it goes on. Bare white one day, blackened, besmirched, beautiful the next. The snowy rectangle grows thicker. Why the owner never stakes out his restaurant one night, I'll never know. Why the artist doesn't venture beyond that one little pen, or choose a new wall entirely will remain a mystery, probably for all my breaths to come. It's like some mad story penned by a poor, gibbering lunatic. Each is doomed to a war neither can win, and neither can lose. I bend double I'm laughing so hard They take it so seriously. But then, don't we all have our petty conflicts?
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Nov 15, 2014
Nov 15, 2014 at 9:59 PM UTC
The Great War of Paint
The restaurant where I often eat has a raw cinderblock shell to show the world It was painted a long time ago, when a new owner bought it out It was meant to beautify, it didn't work But I guess it's the thought that counts. On the East wall, near one corner, is a rectangle of thick white paint in a field of grime. Always fresh, always clean. It is marred by a series of looping black slashes. Stare at them for long enough, relax the muscles behind your eyes, let them slip out of focus And you'll start to see letters In the dipping and diving bands of black. It's writing An alien calligraphy People as woefully uncool as you or I weren't meant to decode it There is energy in the strokes though. It's a performance frozen at it's moment of completion You can see velocity, grace, excitement, a little fear, and a deft, darting contempt. All of these things in the broad and narrow ribbons of paint. When I'm in the right sort of mood, with a full stomach and a lazily sunfried imagination, with the heat from the asphalt making things in the middle distance quaver, I can make out the dim shape of the artist. See where they stood, the sweep of their arm the turn of their head, wary of witnesses. Days in and out, it goes on. Bare white one day, blackened, besmirched, beautiful the next. The snowy rectangle grows thicker. Why the owner never stakes out his restaurant one night, I'll never know. Why the artist doesn't venture beyond that one little pen, or choose a new wall entirely will remain a mystery, probably for all my breaths to come. It's like some mad story penned by a poor, gibbering lunatic. Each is doomed to a war neither can win, and neither can lose. I bend double I'm laughing so hard They take it so seriously. But then, don't we all have our petty conflicts?
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33
The brass peal of encouragement fanfares me to action And bids me to play myself the highest note as can reach Balanced on the edge of a scale, my treble-hearted quaver To hold my tone in purest form until, beyond my fine appeal I may breathe again
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May 12, 2013
May 12, 2013 at 7:55 AM UTC
Holding On
A gentle quaver, resonating from within the bird mothers breast; she reassures her fledgling to waver not.
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Oct 18, 2013
Oct 18, 2013 at 1:28 AM UTC
Bird Mother (Tanka Free-form)
It is in our all for we are all and in a tunnel coiled An entwining miasmic kaleidoscope we call our entirety We are a collective phantasmagoria of escapeless toil Lost in ourselves and forewent to society The quark to the universe the everything to the quark All beauty too big to look and too small to see An everything of light yet we have sight only to the stark Within the bleak there is only me for you and you for me The god’s perform their song in the foundations of all formed Waves sway and quaver thrumming from an insoluble craw One note un-precise and we’re left ever so more deformed Each of us hear it differently yet as you with mine all I can hear is yours
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Sep 3, 2013
Sep 3, 2013 at 11:31 AM UTC
The Tune We All Hum
Since you have already plucked my heart strings, let us make music together. Whisper to me at night, in syllable serenades that I will only half remember on waking. Kiss me, kiss me, kiss me, until my tongue can stand it no more and I must speak in symphonies. Touch me delicately, tickle my ribs until they become piano keys, and play them until they cry out chords that spell your name. Let your laughter be trills in our cadenzas. Let the pop of your knee drive a march to my bed. Let me run my fingers up your spine, jumping vertebrae like octaves, from your tip to your toes. Let my every shuddered breath be but syncopation to the bass drum of your heart. Be quiet with me, let us play in piano, soft as silence or sleep. Stay there, linger for as long as the fermata holds. And then, let us raise our voices together, glorious crescendos upon crescendos, until at last we can build no longer, and return together to the tonic. Run your hands across my hips, play my longing in liquid legato strokes, effortless in your endeavors. Touch me again. Let our gasps play counterpoint to the melodies of our moans. Take what you will of me, fill me with song, write sheet music in my lungs, so that every breath I draw sings on its way out. Purse your lips and kiss me like embouchure. Give me every quaver, every semitone, every holy harmony. Leave me buzzing vibrato, kiss me con brio. Let me caress your delicate curves, as though you were a violin made flesh. If my temperament be just, then play on. And let us be of one form, sonata-allegro, until we must be jazz. And then we shall burn the world with passion, with chords no one knows but us. So, for the sake of recapitulation, I must ask again: let us make music together.
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Mar 17, 2015
Mar 17, 2015 at 5:06 PM UTC
Entwined; An Aria
Since you have already plucked my heart strings, let us make music together. Whisper to me at night, in syllable serenades that I will only half remember on waking. Kiss me, kiss me, kiss me, until my tongue can stand it no more and I must speak in symphonies. Touch me delicately, tickle my ribs until they become piano keys, and play them until they cry out chords that spell your name. Let your laughter be trills in our cadenzas. Let the pop of your knee drive a march to my bed. Let me run my fingers up your spine, jumping vertebrae like octaves, from your tip to your toes. Let my every shuddered breath be but syncopation to the bass drum of your heart. Be quiet with me, let us play in piano, soft as silence or sleep. Stay there, linger for as long as the fermata holds. And then, let us raise our voices together, glorious crescendos upon crescendos, until at last we can build no longer, and return together to the tonic. Run your hands across my hips, play my longing in liquid legato strokes, effortless in your endeavors. Touch me again. Let our gasps play counterpoint to the melodies of our moans. Take what you will of me, fill me with song, write sheet music in my lungs, so that every breath I draw sings on its way out. Purse your lips and kiss me like embouchure. Give me every quaver, every semitone, every holy harmony. Leave me buzzing vibrato, kiss me con brio. Let me caress your delicate curves, as though you were a violin made flesh. If my temperament be just, then play on. And let us be of one form, sonata-allegro, until we must be jazz. And then we shall burn the world with passion, with chords no one knows but us. So, for the sake of recapitulation, I must ask again: let us make music together.
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52
"Have you ever been in love?" I asked her. She smiled wearily and looked into the distance. "Yes," she replied, and it broke my heart because I felt the pain she was hiding. I saw it in her sad eyes and in the circles around them. I heard it in her firm voice . I felt it. And it was a pain so great, like the whole world caved in on her. I felt that pain **** the air out of her. She looked at me and drew a deep breath. "I still am." "Where is he now?" I asked her. "Probably in his office, preparing a blueprint for a building." "Is he married?" "Not yet , but he will be." She cleared her throat. The wind blew and her hair brushed against her face. Her hair was dark with a few streaks of gray. She looked younger then, with that serene look on her face. I could see her again as an eighteen-year-old. She was still small, but she had a certain kind of fierceness. She was altogether fragile, like thin glass. She was broken, but she did not cry. I shifted in my seat. "So he's engaged?" "Yes." "Do you know the girl?" A hint of a smile showed, but I knew it wasn't of amusement. Even in her smile, I saw the sorrow. "She was my bestfriend," she replied and it was the first time I heard her voice quaver. A tear rolled down her cheek. She laughed miserably. She laughed at the ridiculousness of her situation. She laughed at herself for being so stupid, so pathetic. So hopeless. She didn't love like others did. She didn't love so fleetingly, so conditionally. She was forgiving, and gave second chances as if they grew on trees. She loved with her whole heart. She didn't love with the physical kind of love. She loved with her soul, and she loved another soul. One soul. One man, and that was it. And she knew that even in the end, when she lies cold in her grave, she will never stop loving.
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Nov 1, 2015
Nov 1, 2015 at 9:41 PM UTC
An Interview with my 30-year-old Self
"Have you ever been in love?" I asked her. She smiled wearily and looked into the distance. "Yes," she replied, and it broke my heart because I felt the pain she was hiding. I saw it in her sad eyes and in the circles around them. I heard it in her firm voice . I felt it. And it was a pain so great, like the whole world caved in on her. I felt that pain **** the air out of her. She looked at me and drew a deep breath. "I still am." "Where is he now?" I asked her. "Probably in his office, preparing a blueprint for a building." "Is he married?" "Not yet , but he will be." She cleared her throat. The wind blew and her hair brushed against her face. Her hair was dark with a few streaks of gray. She looked younger then, with that serene look on her face. I could see her again as an eighteen-year-old. She was still small, but she had a certain kind of fierceness. She was altogether fragile, like thin glass. She was broken, but she did not cry. I shifted in my seat. "So he's engaged?" "Yes." "Do you know the girl?" A hint of a smile showed, but I knew it wasn't of amusement. Even in her smile, I saw the sorrow. "She was my bestfriend," she replied and it was the first time I heard her voice quaver. A tear rolled down her cheek. She laughed miserably. She laughed at the ridiculousness of her situation. She laughed at herself for being so stupid, so pathetic. So hopeless. She didn't love like others did. She didn't love so fleetingly, so conditionally. She was forgiving, and gave second chances as if they grew on trees. She loved with her whole heart. She didn't love with the physical kind of love. She loved with her soul, and she loved another soul. One soul. One man, and that was it. And she knew that even in the end, when she lies cold in her grave, she will never stop loving.
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13
Absorb yourself in serenity, and begin to sing an ode to the things undone and the absence of light below the sun Surrender to guilt, and from your quaver I percieve the ode to the things undone and the absence of light above the sun Rinse us Rinse us Rinse us Rinse us Rinse us Rinse us Rinse us Rinse us
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Feb 8, 2021
Feb 8, 2021 at 4:42 PM UTC
Untitled
If I could live forever, I would still strive for more medals. If I could write in time, I would love to engrave my writings in the hearts of men. The mountains stand forever, Don't tell me they don't quaver. My feelings stay eternal cause am in love with historic medals. Together is not forever. Leaves will always wither, Ice melts even in winter. Stem and branches will not always be together, Those who doubt can ask Mr timber. If we think we can be mighty, Let us fight but don't get ***** Those who read will become legends. Inspiring lines live forever. He who speaks lives for a while, he who writes lives in time. After time has past and a thousand years has come and gone, Someone somewhere will pick up your work like a scribe from the sky and blend to the rhythm of your pen like young men from the west to the tune of Kayne west. Then you will realize  your effort wasn't in vain and that the joke of fate didn't tamper with your taste. You will then begin to live again.
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Mar 20, 2018
Mar 20, 2018 at 9:10 PM UTC
Writers live forever
I sit within myself loosely Like crumpled sheets Waiting to be made A song laid out Semi quaver (dis)chord Waiting to be played A whisper Caught between Tongue and lip I am whiskey Sipped Then spilled Time killed I am paused Mid flight A Pheonix Rising Covered in ash
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Jul 29, 2011
Jul 29, 2011 at 6:16 PM UTC
A whisper
I'm what's better known as a versatile utility singer. I can sing backing, middle and up front too. I do a cracking JDB on particular songs and I say particular as the rest of his exquisite  collection of songs  goes into top gear and are very hard to drive in particular at fast top speed and with power of voice. Bono to Boy George Keane to O'Reily its Do they know its christmas with Holly Johnson! I was everywhere always on the move driving it on as long as I could start when I want to and finish when I want too! I don't know if you recall when I was a little dut at all, I got up and sung Silent Night in primary school in front of the whole class like Aled Jones eating a quaver. Even back then it became override peculiar like a sandwich in a cake! On your own performing courage of a christmas carol only one verse long. I loved the sound of school the playground was awesome and cool, A place to hang out and carry out your hobbies of football until that horrid bell rang or latter due to modern technology of a whistle which became the brain wash sound form of musical statues and then quickly line. It was somehow meant to be that I would become later in life a utility retired singer, driver and even a writer on the side, in good old O'Reily fashion of an own goal. Side on face on come on! The roads are paved with gold or a cut throat final signature tune on a silent night over looking the horizon and into a bar going up and then down with each empty glass fortune. Learn, work and school life as in no sooner along comes a wife, a chain reaction next to your comment hence a full stop. O'Reily 27102014
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Oct 28, 2014
Oct 28, 2014 at 12:33 AM UTC
ChainReaction
I'm what's better known as a versatile utility singer. I can sing backing, middle and up front too. I do a cracking JDB on particular songs and I say particular as the rest of his exquisite  collection of songs  goes into top gear and are very hard to drive in particular at fast top speed and with power of voice. Bono to Boy George Keane to O'Reily its Do they know its christmas with Holly Johnson! I was everywhere always on the move driving it on as long as I could start when I want to and finish when I want too! I don't know if you recall when I was a little dut at all, I got up and sung Silent Night in primary school in front of the whole class like Aled Jones eating a quaver. Even back then it became override peculiar like a sandwich in a cake! On your own performing courage of a christmas carol only one verse long. I loved the sound of school the playground was awesome and cool, A place to hang out and carry out your hobbies of football until that horrid bell rang or latter due to modern technology of a whistle which became the brain wash sound form of musical statues and then quickly line. It was somehow meant to be that I would become later in life a utility retired singer, driver and even a writer on the side, in good old O'Reily fashion of an own goal. Side on face on come on! The roads are paved with gold or a cut throat final signature tune on a silent night over looking the horizon and into a bar going up and then down with each empty glass fortune. Learn, work and school life as in no sooner along comes a wife, a chain reaction next to your comment hence a full stop. O'Reily 27102014
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12
cries carry their echoes like scared children into the deepest pockets of the abyss waiting for merciless thunder to stop bombing the earth where the soil of kinetic frustration realizes the roots were of pure harmony a tenderly crafted perfection - brought to life in an air of laughter found in back door summers and ice cold beers a constructed fantasy - populated by playful youth on their thrones of rebellion raising the fire from its safe place to burst the night sky into crackling bliss free from chains of pressured change promising a potential future stripped of good times leaving naked anxiety scars to color perspective uncertain if this sky is blue or black
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May 19, 2016
May 19, 2016 at 5:59 PM UTC
Quaver
Those are narrow, steep stone steps that lead up to short crusted walls and gritted grounds of sand   Overlook the expanse of the lake the willow trees, the autumn colours Isolation, as you must learn, comes in red and dust and wilted golden when the wind blows and the leaves rustle, it is an echoing emptiness the snow-frosted flower blossoms   but walk past the fragile elegance and hear it; listen to the soft sigh quaver in the cold
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Jan 19, 2016
Jan 19, 2016 at 7:58 AM UTC
fallen
Time spins circles of recurrences I'm never sure if it's the past or present The effect you have on me, Cares nothing for time It is immune No defences to wear away There were never any built You seep into my consciousness And surround me with your frequencies The reverberation of your soul enlivens me Your energy spellbinds me Memory and fantasy merge You words quaver through my senses Your love keeps me warm Wish you were never here
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Apr 18, 2016
Apr 18, 2016 at 1:18 PM UTC
Heart Mnemonics
I love the way it looks, the flickering lights licking your cheeks I love the greens and the golds, embracing each other around the window frame I love your smile, and your warm hand on the nape of my neck I love the way it feels to go back in time I love my name on your lips, smooth and sweet like sugar melting on your tongue I love it when you say I’m staying I love it when you laugh I love cupping my hands around our eyes and making a secret universe I love never knowing when I’ll see you again I love hearing your voice quaver with so much truth I love falling asleep in your fleece I love red lights in the night time I love walking in the cold with my hand in your pocket I love this nothingness I love you I love the lingering smells on my pillow I love that you think I’m smart I love your little messages I love giving you everything that I have I love lacing fingers, locking hands I love the space in my heart for you and feeling it grow every single day I love closing my eyes and trusting you I love everything I love this I love what you have given to me I won’t let it go I promise
0
Nov 28, 2010
Nov 28, 2010 at 6:33 PM UTC
I LOVE
She felt she'd said all she needed to say the torn paper and broken plates had said the rest in the settling dust that swirled peripatetic in the collapsing corridors of the relationship there was a tiny quaver a voice saying, "you should have seen this coming" I didn't, and now half my possessions, my frayed cotton shirts and haphazardly creased pants sit on the passenger seat like sullen accomplices as I drive toward a friend's basement so I can get some sleep.
0
May 11, 2015
May 11, 2015 at 8:34 AM UTC
Leave.