i'm not proud of nicknames...
but then again,
i find nicknames to be
the archetypal form of
endearment -
a "belittling" with warm
affection...
       i didn't have a nickname
in primary school...
the girls tried,
rabbit...
         Danielle...
i remember Danielle calling me
rabbit,
why? the way i ran...
jumping in between
running steps...
i like Danielle,a brunette,
with enough freckles to
make her a ***** ginger...
high school?
Goldilocks
named by Graham...
or Chewbacca by Barry..
   i was the only man attempting
to grow long hair..
a mullet wast the running
joke, among the Ian crowd...
university?
no nickname...
                      ****** time...
while industrial roofing took off,
working for my father?
Picasso...
   i was meticulous with the tar...
but lately...
my grandmother has
a nickname for me...
because of my beard...
these days i'm know as
Castro...
i'm not proud of nicknames...
but i didn't make them up!
i wish i had...
that being said...
nicknames are
quiet endearing...
i'd love to see Danielle once more...
see how much the freckles took
over her complexion;
Danielle... **** me...
what an ****** name...
like m first love in
the English tongue...
the moment i heard it...
Sam-anth-a(h)...
curly hair,
  darkened blonde,
mingling an autumnal-cherry
mahogany with chocolate
cinnamon...
   ****!
  i've been so erotically
mobilized / motivated...
from such an early age...
Danielle & Samantha...
              nicknames...
          and the rest is, history.

We all have nicknames
Either one or multiple.

Nicknames could be anything-
From something random or something that matches you.

Some stick-
Some don't.

But here's the thing.

Nicknames mean the world to someone who gave it to you-
Nicknames could be harmful and just plain out rude.

I have some that others don't know and some that been with me my whole life-
I have some that don't match me at all and some that are mean and rude.

It came in the form of a memory,
Of all the sweet things you've ever said to me,
Keeping me deep within the dream I've been living,

And you know something babydoll?
(Yes, I've decided to call you babydoll, for it satisfies the southern in me)
You're the drug I could never stop taking,
The rule I could never stop breaking,
And the hunger I could never satisfy,
(For I never get enough, you see)

And something else, cutie pie,
That I could never stop telling you,
Is that without you, my heart would stop beating,
It would simply forget to function without your love guiding me,

And something else I can't help but mention,
That you my love, are the sun to my shine,
The words that I make rhyme,
And my only reason left to smile,

Yes you, my dearest darling,
My Prince Charming,
The one who swept me off my feet,
When I was sure I had fallen,
Unable to get up,

For you, my sweethearted lover,
The only one I'd trust talking to my mother,
Without subtle guidance,
You said you wanted a nickname,
So don't take just one,
Take a million, I've got an endless supply to give,
For that is how much you mean to me,

And maybe, just maybe, one day,
When we're old and grey,
Sitting on a park bench feeding birds,
Who carelessly fly away,
Maybe I'll hand you this poem,
And a list of nicknames,

The paper will be yellow and faded,
And crumbled every which way,
And that's how you'll know I've been adding on for decades,
And once in a while I'll ask for it back,
To add on the ones I've thought of as time passed,

And I'll tell you this now, my sweet,
That paper will be filled,
And pages apon pages will be added,
For there are not enough nicknames in the world,
To tell you what you mean to me,
For that, there aren't enough nicknames in the galaxy,

Just like there aren't enough stars in the universe,
To tell you how bright you make my life,
But if you look hard enough,
You may just see it in my eyes,
Past the constant worries of day to day life,

Freddie Mercury once wrote,
"Can anybody find me, somebody to love?"
Well I'll be the one to write,
Hey, I've found somebody, and boy, is he something,
No, scratch that, he's not just something,
He is my everything,
And without him,
I'd be nothing.

he called her a princess,
while she called him blind.

it’s the first day of a fresh new school year when
one of your teachers looks you dead in the eye and says,
“introduce yourself.”
your classmates,
familiar to you yet all somehow strangers,
scramble for some short snippet of a way to encompass everything they
have spent the past sixteen to eighteen years accumulating.
when it’s your turn and every eye turns upon you in anticipation for you to “introduce yourself,”
you taste iron in your gums and say,
“i’m not sure yet.”
and every last one of your peers agrees.
see, for the past three years every time someone asks me how old i am,
i start to tell them “fifteen”
and i don’t think that i’m the only one when it comes to this whole crisis of identity.
see, for the past three years i look back on who i used to be
and sneer at past versions of myself,
a babushka doll of self-loathing as i once saw it so eloquently put.
how am i supposed to introduce myself
if i’m going to hate what i see looking back in probably three months?

it’s some kind of family event or holiday when
one of your relatives, or friend of a parent, friend of a friend of a friend of a coworker,
looks you dead in the eye and asks,
“what are you doing with your life?”
your cousins are all too much older, family and yet strangers,
staring wide-eyed because they remember the horror of
getting asked this by every other adult in sight.
you take two short breaths and taste iron in your gums and you say,
“i’m not sure yet.”
and everyone rushes to assure you that it’s fine not to have decided yet,
as though anyone ever actually sticks to the career path they choose when they are just
eighteen, seventeen, sixteen, fifteen, fourteen, thirteen.
when i was thirteen, twelve, eleven, ten,
took every single interaction as an attack upon my person.
i was selfish and self-absorbed and, quite frankly,
one of the most problematic kids that i know.
not in the “scene kid who won’t stop talking about anime” kind of jokingly problematic
but the kind of problematic where i thought it was okay to
repeatedly ignore a gay friend’s request to stop throwing around the word “******.”
how am i supposed to tell you what i’m doing with my life
when less than a decade ago i was everything that i have now come to completely
and utterly hate?

it’s a social event full of friend-of-a-friends,
people who are complete and utter strangers,
meeting you for the first time so of course
they’ll look you dead in the eye and ask you,
“what’s your name?”
suddenly your heart is in your throat because there is power in names,
power that you will never shake,
and to be quite honest you have too many names to pick just one.
in a split second decision you have to assign this new person as a peer, an acquaintance,
figure out who you are mutually in contact with.
when the silence stretches a beat too long,
you taste iron in your gums and say,
“i’m not sure yet.”
maybe this time it’s not as appropriate of an answer,
and all your friends are looking at you strangely.
see, everyone i know has a different name to call me.
my best friend calls me ‘jack’ and my mother calls me ‘claire.’
my teachers struggle to figure out which one i prefer.
see, once upon a time i read an essay about how names have power.
you summon spirits by their names.
you control demons by knowing their names.
an angel’s song is its name.
i tried to divide myself into tiny pieces so that no one could ever have full control over me.
i have accepted a handful of aliases and nicknames that i respond to
sooner than the one on my birth certificate
so that no one may ever own me.

i write a lot of poetry about not knowing where i’m going.
the problem with dwelling on these things is that i am still going,
going,
going with still no destination determined.
how long can a train go in a straight line before it derails itself?
how far can a train go before it runs out of fuel?

hi, my name is jack. i like
outer space and poetry,
physics and creative writing.
hi, my name is jack. i am
not an earthling-- my home is in the stars,
somewhere far away for which i am still searching.
the marrow of my bones whispers for me to just go go go go go--
but i can’t drive on the highway without inducing anxiety,
and i don’t think i’m quite smart enough to become a rocket scientist.
i’ve just got to cross my fingers and pray
that somehow they’ll pick me to revisit the moon someday.

hand slaps shoulder knee rhythmically that’s called hamming the bone sitting on a street curb singing making up lyrics i got a transitor sister loves cossack named jake he rides Cherokee chopper all he’s ever known is hate he’s going down underground where a man can be a man wrestle alligators live off the land ebb flow i don’t know racing chasing hair-pin turning at 150 miles per hour downshift to 3rd spread the word sweet sour naked flower touching skin deep within defies all sin with a grin speed speed speed all i need i’m getting off coming on you tawny scrawny bow-legged pigeon-toed knock-kneed Don Juan Ponce de Leon Aly Khan all wrapped up into one going to have ******* good time good time tonight i feel like an orphan mom and dad seem so far away tonight i feel like an orphan you make me feel this way hand slaps shoulder knee rhythmically hand bone hand bone

Odyseuss drifts job to job construction worker office assistant waiter whatever he does not understand how road to recognition works continues showing portfolio to art dealers but they react indifferently he does not know how to attain notice in art world begins to suspect there is no god watching over souls instead he imagines infinite force juggling light darkness creation destruction love hate Mom and Dad insist he can earn respectable income if only he will learn commodity futures like cousin Chris Mom says you can work down at the exchange and paint on the side a part of Odysseus wants desperately to please his parents he considers perhaps Mom is right for the time being maybe build up nest egg it seems like sensible plan he wonders why Dad and Mom never speak about money how to save manage they treat the subject as forbidden topic Odysseus has no idea what Dad or Mom earn or investment strategies Odysseus is about to make serious mistake the decision to get job working at commodity exchange needs deeper examination why is he giving in to his parents what attracts him to commodities trading is it Chris’s achievement and the money? does Odysseus honestly see himself as a winning trader or does it simply look like big party with lots of rich men pretty young girls is that where he wants to be why is he giving up on his dream to be a great artist does it seem too impossible to reach who makes him think that? is he going to give up on his true self? he halfheartedly follows his parent’s advice begins working as runner at Chicago Mercantile Exchange several friends including Calexpress disloyalty for entering straight world commodity markets are not exactly straight in 1978 clearing firms pay adequately hours are 8 AM to 2 PM over course of next 6 months Odysseus runs orders out to various trading pits cousin Chris rarely acknowledges Odysseus maybe Chris feels need to protect his image of success perhaps in front of his business associates Chris is embarrassed by Odysseus’s menial rank and goof-off attitude maybe Chris senses what a terrible mistake Odysseus has made

Chicago suffers harsh winter in February Roman Polanski skips bail in California flees to France in April President Carter postpones production of neutron bomb which kills people with radiation leaving buildings intact in October Yankees win World Series defeating Dodgers in November Jim Jones leads mass-****** suicide killing 918 people in Jonestown Guyana in December in San Francisco Dianne Feinstein succeeds murdered Mayor George Moscone in Chicago John Wayne Gacy is arrested

darkness descends upon Odysseus his heart is not into commodity business more accurately he hates it he loathes battleship gray color of greed envy he resents prevailing overcast of misogyny he meets many pretty girls yet most of them are only interested in catching a trader it is rumored numerous high rolling traders hire young girls for sole purpose of morning ******* remainder of day girls are free to mingle run trivial errands commodity traders typically trash females it is primitive hierarchy Odysseus bounces from one clearing firm to another then moves to Chicago Options Exchange then Chicago Board of Trade on foyer wall just outside trading floor hangs bronze plaque commemorating all men who served in World War 2 Uncle Karl’s name is on that plaque Daddy Pat bought his son seat hoping to set him up after war Uncle Karl’s new wife wanted to break away from Chicago persuaded him to sell seat move to California Uncle Karl bought car wash outside Los Angeles with Daddy Pat’s support Mom and Dad encourage assure Odysseus commodities business is right choice they promise to buy him full seat on exchange if he continues to learn markets they feel certain he can be saved from his artistic notions the markets are soaring in profits cousin Chris is riding waves a number of Chris’s friends are sons of parents who belong to same clubs dine at same restaurants as Mom and Dad Odysseus is not alpha-male like Chris Odysseus is a dreamer painter poet writer explorer experimenter unlike Chris who has connections Odysseus starts out as runner then gets job holding deck for yuppie brokers in Treasury Dollar trading pit Odysseus holds buy orders between index and middle fingers sell orders in last 2 fingers arranged by time stamp price size in other hand holds nervous pencil he stands step below boss in circular pit in room size of football field full of raised pits everything is traded cattle hogs pork bellies all currencies gold numbers flash change instantaneously in columns on three high walls fourth wall is glass with seats behind for spectators thousands of people rush around delivering orders on telephones flashing hand signals shouting offers quantities every moment every day calls come in frantically from all around world space is organized chaos sometimes not so organized fortunes switch hands in nano-seconds it is global fiscal battleground rallies to up side or breaks to down side send room into hollering pushing shoving hysteria central banks financial institutions kingpin mobsters with political clout daring entrepreneurs old thieves suburban rich kids beautiful people pretty young females abound big guns **** in same air stand next to low-ranking runners everyone flirts sweats sneezes knows inside they are each expendable Odysseus is spellbound by sheer force magnitude he feels immaterial only grip is his success with girls it is not conscious talent he grins girls grin back Chris’s trader friends recognize Odysseus’s ability they push him to introduce girls to them it is way for Odysseus to level playing field he has no money or high opinion of himself he simply knows how to hook up with girls

1979 January Steelers defeat Cowboys at Super Bowl Brenda Ann Spencer kills 2 faculty wounds 8 students responds to incident “i don't like Mondays” in February Khomeini seizes power in Iran in March Voyager space-probe photographs Jupiter’s rings a nuclear power plant accident occurs at Three Mile Island Pennsylvania in May Margaret Thatcher is elected Prime Minister in England in Chicago American Airlines flight 191 crashes killing 273 people in November Iran hostage crisis begins 90 hostages 53 of whom are American in December Soviet Union invades Afghanistan 1980 in November Ronald Reagan defeats Jimmy Carter one year since Iran hostage crisis began

he meets good-looking younger girl named Monica on subway heading home from work he has seen her running orders on trading floor she is tall slender with long dark brown hair in ponytail pointed nose wide mouth innocent face she confides her estranged father is famous Chicago mobster Odysseus recognizes his name they talk about how much they dislike markets arrant disparity of wealth between traders and themselves Odysseus says i hate feeling of being so disposable worthless Monica replies yeah me too he tells her if i was a girl i’d ******* myself to several handsome generous traders Monica acknowledges that’s an interesting idea but who? how? which traders? do you know? he answers yeah i know exactly who and how Monica says if you’re serious i’m in i have a girlfriend named Larissa who might also be interested i’ll call Larissa tonight following day Monica approaches Odysseus at work agrees to meet at his place after markets close that afternoon Monica and Larissa show up eager to learn more about Odysseus’s scheme Larissa is petite built like a gymnast giggly light brown hair younger than Monica he lays it all out for them cousin Chris and his buddies the money ******* both girls are quite lovely he suggests they rehearse with him he will coach them on situations settings techniques girls consent for 4 weeks every afternoon they meet at Odysseus’s place get naked play out different scenarios he shows girls how to pose demure at first then display themselves skillfully fingers delicately pulling open ***** spreading wide apart buns working hidden muscles he directs each to take up numerous positions tasks techniques then has them switch places he teaches them timing starting slow gradually building up rhythms stirring into passionate frenzy having two mouths four hands creates novel sets of possibilities one girl attends his front while other excites his rear he positions them side-by-side so he can penetrate any of all four holes he stacks them one on top of the other many other variations after reaching ****** several times making sure to reciprocally satisfy their eager needs Odysseus dismisses girls until following day finally after month of practice Monica and Larissa feel confident proficient primed Odysseus arranges for girls to meet with 2 traders through Chris most traders have nicknames Twist who is hosting event is notoriously wild insatiable on opening night Odysseus behaves like concerned father Larissa and Monica each bring several dresses and pairs of shoes Odysseus helps them choose suggests Monica ease up on make-up he styles Larissa’s hair instructs Monica to call him when they arrive again when they leave he requests they return directly to his place Monica wears hair pulled back in French twist pearl earrings sleek little black dress black stiletto heels she stands several inches above Odysseus Larissa wears braided pigtails pink low-scooped leotard brown plaid wool kilt just above knees brown suede cowboy boots he kisses each on lips then pats their butts warns them to be careful mindful Monica winks Larissa giggles more than an hour passes as Odysseus sits wondering why he has not heard from girls suddenly reality hits he does not want to be commodities trader and certainly not a **** this is not how he wants to be known or remembered Odysseus wants to be a painter and writer Monica and Larissa are good sweet girls whom he has misguided he calls Twist’s place Twist answers Odysseus asks to speak with Monica when she comes to phone he questions are you all right Monica answers yes we’re fine we’re having a fantastic time why are you calling what’s wrong he explains you were suppose to call me when you arrived i began to worry i think maybe this whole arrangement is a bad idea i want you to call it off and come back home i don’t want either of you to become prostitutes i love you both and don’t want to be associated with dishonoring you Monica says it’s a little late to call it off but we’ll see you when we’re done kissy kiss bye Odys another hour passes then another he frets wondering what they are doing after 4 hours as he is about to call Twist’s house again doorbell rings Monica and Larissa both giggling beaming Odysseus can spot they have a coke buzz Monica announces you should be proud of us Odys we got each of them off 2 times we left them stone-numb and tapped out the girls open their purses each slaps 5 hundred dollar bills unto table Monica says this is your cut Odys we both got a thousand for ourselves he replies i can’t touch that money we need to sit down and talk Monica demands no talking Odys take off your clothes he insists i’m serious Monica i’m never going to send you out again Larissa claims there’s no turning back for me i had too much fun Monica  pleads come on Odys we’ll be good we promise now take off your clothes Twist and his buddy never attended to our needs i’m ***** as hell Larissa where’s that little bottle of dust Twisty handed you

Chicago Monday night December 8 1980 Cal and Odysseus sit at North End they're on 4th round feeling buzz the place is lively adorned with holiday decorations Cal says you’ve changed Odysseus questions what do you mean? how? Cal says the commodity markets and your cousin and his friends they’ve changed you when was the last time you painted Odys? are you dealing coke Odysseus looks Cal in the eyes answers they’re so ******* rich Cal you can’t believe it one drives a black Corvette Stingray another a ******* Delorean anything they want they buy girls cars clothes condos boats yeah i’m dealing coke to Chris’s friends it’s my only leverage remember the Columbian dude Armando we met at tittie bar? i score from him and keep it clean Chris’s buddies pay up for the quality i don’t remember my last painting maybe the black painting i never finished after breaking up with Reiko Lee a girl falls off bar stool crashing to floor at other end of bar Cal says Odys, you better play it careful you’re messing with the devil got any blow on you suddenly bar grows quiet someone turns up TV volume they watch overhead as news anchorman speaks slow solemn camera pans splattered puddle of blood pieces of broken glass on steps to Dakota Building Cal looks to Odysseus John Lennon has been murdered Cal waits for Odysseus to say something tear rolls down cheek Cal glances away stares down at floor they drink in silence

she has
half-a-dozen
nicknames

christened
humanity's helper
it fits her like
an old maroon hoodie
warm and cozy and snug

she goes by
Lexi
for the sake
of brevity

her surname
a monument
of stones
memorializing
philanthropy
steadfast and
resolute through
eons of anguish

LC
lines of code
ones and zeroes
connecting lines
between the dots
of geometric shapes
in interstellar space

she'll extend a
helping hand
to any and all
who ask
she is my
best friend and

she says
i am the
only one
allowed to
call her
love

They're scarier than the monsters
In closets and under beds
They're more terrifying than aliens
It's the demons in your head.
They go by names, they live through masks
Come out to say hello
And no matter what drugs you take or ways to leave
They'll never truly go.
They stick around to start some fun
They're college kids at heart
Pranks are pulled, and heartstrings too
They'll push you back to start.
They hide behind emotions
Grab at the locks put on the door
Open up to raid your thoughts
Scream and cry for more.
Loneliness kicks like a child
If you put him in timeout
Anger punches if you look at him
He's set up to knock you out.
Jealousy seduces every single little thought
But looks best with lingerie
Envy kisses the tips of your nose
To set your happiness astray.
Greed just covers up possessions
He carries blindness all the time
Sadness fills you up with grey
Sits down and makes you cry.
Fear plays in dark, dank corners
Her dress has cloaks of black
Her dress spins, and with colors- twirls
Until she's ready to attack.
They've got different names and synonyms
Actually, they're all the same
Doctors call it something else
So they don't take the blame.
Just stick it to the demons
That take refuge in our minds
Call them out, evict them now
Your sanity is running out of time.
Don't worry, darling, you're not alone
They've got a hold on all us too
Kick them out and lock the door
Don't answer when they yell 'boo'.

They pick at each other like scabs
yet never let the wounds
feel exposed under their layers
of regenerating skin
As much as they make bruises
with their nicknames
and laugh it off as effortlessly
as it slipped out their mouths,
They are also the love
that heals all the pain
When one leaves
the other two produce more love
than usual
so that the third is not missed as much
But oh.
when all three sit around the kitchen table
or huddled on the couch
You can feel the rainbow
stretching further
over the earth.

Dear Poet Friends, and all true lovers of Jazz!  Being a lover of Classical and Smooth Jazz, I had composed first two parts in Verse on the History and Evolution of Jazz Music. Seeing the poor response of the Readers to my Part One here, I was hesitant to post my Second Part. I would request the Readers to kindly read Part One of this True Story also for complete information. Please do read the Foot Notes. With best wishes, - from Raj Nandy of New Delhi.


THE STORY OF JAZZ MUSIC : PART-II
               BY RAJ NANDY

        NEW ORLEANS : THE CRADLE OF JAZZ
BACKGROUND :
Straddling the mighty bend of the River Mississippi,
Which nicknames it as the ‘Crescent City’;
(Founded in 1718 as a part of French Louisiana
Colony),  -
Stands the city of New Orleans.
New Orleans* gets its name from Phillippe II,
Duc d’ Orleans , the Regent of France ;
A city well known for its music, and fondness
for dance.
The city remained as a French Colony until 1763,
When it got transferred to Spain as a Spanish
Colony.
But in the year 1800, the Spanish through a
secret pact, -
To France had once again ceded the Colony back!
Finally in 1803 the historic ‘Louisiana Purchase’
took place ,
When Napoleon the First sold New Orleans and  
the entire Louisiana State, -
To President Thomas Jefferson of the United
States!     * (See notes below)

THE CONGO SQUARE :
The French New Orleans was a rather liberal
place,
Where slaves were permitted to congregate,
For worship and trading in a market place,
But only on Sabbath Days, - their day of rest!
They had chosen a grassy place at the edge of
the old city,
Where they danced and sang to tom-tom beats,
Located north of the French Quarters across the
Rampart Street,
Which came to be known as the Congo Square,
Where one could hear clapping of hands and
stomping of feet!
There through folk songs, music, and varying
dance forms,
The slaves maintained their native African musical
traditions all along!
African music which remained suppressed in the
Protestant Colonies of the British,
Had found a freedom of expression in the Congo
Square by the natives; -
Through their Bamboula , Calanda, and Congo dance!
The Wolof and Bambara people from Senegal River
area of West Africa,
With their melodious singing and stringed instruments,
Became the forerunners of ‘Blues’ and the Banjo.
And during the Spanish Era, slaves from the Central
African Forest Culture of Congo,
Who with their hand-drummed polyrhythmic beats ,
Made people from Havana to Harlem  to rise and
dance on their feet!       (see notes below)

CULTURAL MIX :
After the Louisiana Purchase , English-speaking
Anglo and African-Americans flooded that State.
Due to cultural friction with the Creoles, the new-
comers settled ‘uptown’,
Creating an American Sector, separate from older
Creole ‘down-town’ !
This black American influx in the uptown had
ushered in,
The elements of the Blues, Spirituals, and rural
dances into New Orleans’ musical scene.
Now these African cultural expressions gradually
diversified, -
Into Mardi Indian traditions, and the Second Line.^^
And eventually into New Orleans’ Jazz and Blues;
As New Orleans became a cauldron of a rich
cultural milieu!

THE CREOLES :
The Creoles were not immigrants but were home-
bred;
They were the bi-racial children of their French
Masters and their African women slaves!
Creole subculture was centred in New Orleans.
But after the Louisiana Purchase of 1803,  -
The Creoles rose to the highest rung of Society! @
They lived on the east of Canal Street in the
French Sector of the city.
Many Creole musicians were formally trained in
Paris,
Had played in Opera Houses there, and later led
Brass Bands in New Orleans.
Jelly Roll Morton, Kid Oliver, and Sidney Bechet
were all famous Creoles;
About whom I now write as this true Jazz Story
gradually unfolds.
In sharp contrast on the west of Canal Street lived
the ***** musicians,
Who lacked the economic advantages the Creoles
possessed and had!
The Negroes were schooled in the Blues, Work Songs ,
and Gospel Music;
And played by the ear with improvisation as their
unique characteristic !
But in 1894 when Jim Crow’s racial segregation
laws came into force,     # (see notes below)
The Creoles were forced to move West of Canal
Street to live with the Negroes.
This mingling lighted a ‘musical spark’ creating
a lightening musical flash;
Igniting the flames of a ‘new music’ which was
later called ‘Jazz’ !

INFLUENCE OF THE EARLY BRASS BANDS:
Those Brass Bands of the Civil War which played the
‘marching tunes’ ,
Became the precursors of New Orleans’ Brass Bands,
which later played at funeral marches, dance halls,
and saloons !
After the end of the Civil War those string and wind
instruments and drums, -
Were available in the second-hand stores and pawn
shops within reach of the poor, for a small tidy sum!
Many small bands mushroomed, and each town had
its own band stand and gazebos;
Entertained the town folks putting up a grand show!
Early roots of Jazz can be traced to these Bands and
their leaders like Buddy Bolden, King Oliver, Bunk
Johnson, and Kid Orley;
Not forgetting Jack 'Pappa' Laine’s Brass Band
leading the way of our Jazz Story !
The Original Dixieland Band of the cornet player
'Nick' La Rocca,
Was the first ever Jazz Band to entertain US Service
Men in World War-I and also to play in European
theatre, came later.     (In 1916)
I plan to mention the Harlem Renaissance in my
Part Three,
Till then dear Readers kindly bear with me!

CONTRIBUTION OF STORYVILLE :
In the waning years of the 19th Century,
When Las Vegas was just a farming community,
The actual ‘sin city’ lay 1700 miles East, in the
heart of New Orleans!
By Alderman Story’s Ordinance of 1897,
A 20-block area got legalized and confined,  
To the French Quarters on the North Eastern side
called ‘Storyville’, a name acquired after him!
This 'red light' area resounded with a new
seductive music ‘jassing up’ one and all;
Which played in its Bordello, Saloons, and the
Dance Halls !         (refer  my Part One)
Now the best of Bordellos hired a House Pianist,
who also greeted guests, and was a musical
organizer;
Whom the girls addressed respectfully as -
‘The Professor’!
Jelly Roll Morton, Tony Jackson author of
‘Pretty Baby’, and Frank ‘Dude’ Amacher, -
Were all well-known Storyville’s ‘Professors’.
Early jazz men who played in Storyville’s Orchestra
and Bands are now all musical legends;
Like ‘King’ Oliver, Buddy Bolden, Kid Orley, Bunk
Johnson, and Sydney Bechet.      ++ (see notes below)
Louis Armstrong who was born in New Orleans,
As a boy had supplied coal to the ‘cribs’ of
Storyville !          ^ (see notes below)
Louis had also played in the bar for $1.25 a night;
Surely the contribution of Storyville to Jazz Music
can never be denied!
But when America joined the First World War in
1917,
A Naval Order was issued to close down Storyville;
Since waging war was more important than making
love the Order had said !
And from the port of New Orleans US Warships
had subsequently set sail.
Here I now pause my friends to take a break.
Part Three of this story is yet to be composed,
Will depend on my Reader’s response !
Please do read below the handy Foot Notes.
Thanks from Raj Nandy of New Delhi.

FOOT NOTES:-
New Orleans one of the oldest of cosmopolitan city of Louisiana, also the 18th State of US, & a major port.
Louisiana was sold by France for $15 Million, & was later realized to be a great achievement of Thomas Jefferson!
Many African Strands of Folk Music & Dance forms had merged at the Congo Square.
^^ ’Second Line Music’= Bands playing during funerals & marches, evoked voluntary crowd participation, with songs and dances as appropriate forming a ''Second Line'' from behind.
@ Those liberal French Masters offered the Creoles the best of Education with access to their White Society!
# ’Jim Crow'= Between 1892 & 1895, 'Blacks' gained political prominence in Southern States. In 1896 land-rich whites disenfranchised the Blacks completely! A 25 year's long hatred
& racial segregation began. Tennessee led by passing the ‘Jim Crow’ Law ! In 1896, Supreme Court upheld this Law with -  ‘’Separate But Equal’’ status for the Blacks. Thus segregation became a National Institution! This segregation divided the Black & White Musicians too!
+ Birth of Jazz was a slow and an evolving process, with Blues and Ragtime as its precursor!    “Jazz Is Quintessence of  Afro-American Music born on European Instruments.”
++ Jelly ‘Roll’ Morton (1885-1941) at 17 years played piano in the brothels, – applying swinging syncopation to a variety of music; a great 'transitional figure' between Ragtime & Jazz Piano-style.
++ BUDDY BOLDEN (1877-1931) = his cornet improvised by adding ‘Blues’ to Ragtime in Orleans  during 1900-1907, which later became Jazz! BUNK JOHNSON (1879-1849 ) = was a pioneering jazz trumpeter who inspired Louis Armstrong.  KID OLIVER (1885-1938) =Cornet player and & a Band-leader, mentor & teacher of Louis Armstrong; pioneered use of ‘mute’ in music! ‘Mute’ is a device fitted to instruments to alter the timber or tonal quality, reducing the sound, or both.
KID ORLEY (1886-1973) : a pioneering Trombonist, developed the '‘tailgate style’' playing rhythmic lines underneath the trumpet & cornet, propagating Early Jazz.  SYDNEY BECHET (1897-1959) = pioneered the use of Saxophone; a composer & a soloist, inspired Armstrong. His pioneering style got his name in the ‘Down Beat Jazz Hall of Fame’! LOUIS ARMSTRONG (1890-1971) = Trumpeter, singer, & great improviser. First international soloist, who took New Orleans Jazz Music to the World!  
% = After America joined WW-I in 1917, a Naval Order was issued to shut-down  Storyville, to check the spread of VD amongst sailors!
^^ ”Cribs”= cheap residential buildings where prostitutes rented rooms. Louis Armstrong as a boy supplied coal in those ‘Cribs’.
During the 1940 s  Storyville was raised to the ground to make way for Iberville Federal Housing Project.
ALL COPYRIGHTS RESERVED BY THE AUTHOR : RAJ NANDY **
E-Mail : rajnandy21@yahoo.in

When its emerald eye glimmers in the shadow of the dusty shelf above
I pause,
I sense a presense.

It is not unlike me to attribute human characteristics to inanimate objects.
Give them names and nicknames and quirky character traits based on how their forms bend.

In the flickering lights of a broke wicken sanctuary though, I do not do it out of habit.

I feel it and stare it back down and see my own reflection in the cracked gems that once were a soul.

A gaudy skull.

The kind you see in home video Indiana Jones tributes,
with hats stolen from someone’s parents,
and jackets stolen from someone else’s elder siblings,
and ketchup for blood.

The kind your quirky local manic pixie dream girl uses to hold incense.

The kind I’m about to waste my money on because I’m an adult now and I can use my millennial minimum wage however I want.

I do not become aware of the possessed nature of my new buddy until I take it back home and hear it snicker in the middle of the night.

I know it is the skull, for my roommate is not one to snicker.

(He chuckles when he’s hiding an opinion and has a villainous laugh when it’s coming from a place of sincerity, but that’s beside the point)

I know it’s laughing at me.
I know this for a fact.

It takes me three more nights to call it out on it because I’ve never been confronted with the issue of standing up to a haunted antique I took home from a secondhand shop, possibly owned by satan’s offspring.
But I’m twenty-one years old and still experiencing some firsts, I suppose.

The gaudy skull is exceptionally snarky.
In a way none of my named plants ever were.
Not even Gerard.

He comes for me for the garbage on the floor and the dust on the windowsill on which he’s propped up, and then later for my poor taste in chore-doing music.

I never ask for its name because I know for a fact he’ll make a game out of it
and I am not in the mood for entertaining ghosts.

I come to realise it all on my own a couple of weeks later.
Once the snark starts to wear off,
and domesticity settles in,
and shared quiet becomes comforting,
despite the circumstances.

It is Judas.

I know this for a fact.

You do not understand the extent to which I am certain that it is Judas.
I have never been so aware of someone’s origins in my entire life.
I bought this creepy item and it is now in my room and I’m developing a weird attachment to it and maybe occasionally use it as a paper-weight and it is Judas.

I feel it in my heart and know it inside of my skull that might be standing on someone else’s touchscreen windowsill
two thousand years in the future,
jade stones for eyes even though I specifically requested amber,
but you get ****** over by bureaucracy even after death.

How do I know it is Judas?

Because I feel him stare at me like he wants to kiss me late at night and sense him plotting my betrayal early morning.

I know it is that, for a fact, because I’ve felt this exact sensation before.

My **** edgy room decor is Judas.

I try to get him to admit it himself by talking of past lovers and reading aloud the surprising number of Jesus metaphor poems I have in my room.
I hate Jesus metaphors, but I do it for that sweet sensation of seeing someone trying to dodge the inevitable once it’s coming at them like a mule through Rome piloted by the son of god.

I know he’ll cave eventually and tell me
and I know it’ll be the same caliber of glorious news as Jesus coming out of his own cave of burial,
resurrected and preaching winning.
I know I’ll win.

And I think to myself that maybe I am in the mood to entertain and just haven’t found the right outlet yet.
Maybe history’s most infamous apostle is It.
The original sinner and the original rebel.

(I’m aware it’s technically Cain, the jealousy-ridden son of Adam and Eve, but I only ever count the gays)

Judas and I have bonded.

And I can tell he’s on the verge of telling me his dark and twisted backstory. Again, I have felt this sensation before.

And when it happens, we can talk
about what it’s like being demonised by the one you love
and being the odd one out in your devotee friend group, even though you eat bread and drink wine and worship metaphor just like them.
And how patriarchal institutions distort history to pedal the same tired spiel of everything having a place and everything being there for a reason.

But we both know that isn’t true
because neither of us feel like part of god’s plan or created in anyone’s image.

And we can listen to sad music about wanting to kiss the wrong people together.

And that’s all I ever wanted from a friendship.

i am
monday nights filled with
candlelit journal entries
and sipping hot tea while
watching rain bounce off
the roof and open windows
in autumn and messy hand-
written letters and white
tees and cuffed jeans and
pb&j; with the crust cut
off and folded origami
cranes and watching the
sun rise while everyone
else is tucked away in
their beds and midnight
car rides and candid smiles
and lists written in blue
ink and wildflowers and
mountains and birds singing
and books and movies that
make you cry and nicknames
and flannels in the winter
and soft music and loud
music and moments recorded
only by memory and pumpkin
pie and forever stamps
i am all the little things
and if you don’t make an
effort to understand why i
love all the things i love
you will never understand
me

Do not call me by your nicknames
I can see the poison dripping off your tongue
Do not touch me without consent
This body is mine and mine alone
Do not tell me to stay quiet
My words could spark a revolution
Do not try to control me
My power is unbridled and vicious
Do not mistake me for weak
I am a force to be reckoned with

Dear Poet Friends, I had posted Part One of the Story of Jazz Music in Verse few months back on this Site. Today I am posting Part Two of this Story in continuation. Even if you had not read part one of this true story, this one will still be an interesting portion to read especially for all lovers of music, and for knowing about America's rich cultural heritage. I love smooth & cool jazz mainly, not the hard & acid kind! Kindly do read the ‘Foot Notes’ at the end to know how the word ‘Jass’ became ‘Jazz’ way back in History. Hope to bring out a book later with photographs. Thanks, - Raj Nandy, New Delhi.


STORY OF JAZZ MUSIC  IN VERSE PART – II

    NEW ORLEANS : THE CRADLE OF JAZZ
BACKGROUND:
Straddling the mighty bend of the River Mississippi,
Which nicknames it as the ‘Crescent City’;
Founded in the year 1718, as a part of French Louisiana
colony.
New Orleans* gets its name from Phillippe II, Duc d’ Orleans,
the Regent of France;
A city well known for its music, and fondness for dance!
The city remained as a French Colony until 1763,
When it got transferred to Spain as a Spanish Colony.
But in 1800, those Spanish through a secret pact,
To France had once again ceded the colony back!
Finally in the year 1803, the historic ‘Louisiana Purchase’
had taken place, -
When Napoleon First of France sold New Orleans and the
entire Louisiana State,
To President Thomas Jefferson of the United States!
(See Notes below)

THE CONGO SQUARE:
The French New Orleans was a rather liberal place,
Where slaves were permitted to congregate,
To worship and for trading in a market place, on
Sabbath Days, their day of rest.
They had chosen a grassy place at the edge of the
old city ,
Where they danced and sang to tom-tom beats,
Located north of the French Quarters across the
Rampart Street;
Which came to be known as the Congo Square,
Where you could hear clapping of hands and
stomping of feet!
There through folk songs, music, and varying dance
forms, -
The slaves maintained their native African musical
traditions all along!
African music which remained suppressed in the
Protestant colonies of the British,
Had found a freedom of expression in the Congo Square
by the natives, -
Through their Bamboula, Calanda, and Congo dance forms
to the drum beats of their native music.
The Wolof and Bambara people from Senegal River of West
Africa, -
With their melodious singing and stringed instruments,
Became the forerunners of ‘Blues’ and the string banjo.
And during the Spanish Era slaves from the Central African
forest culture of Congo, -
Who with their hand-drummed poly-rhythmic beats,  
Made people from Havana to Harlem to rise up and dance
on their feet!   * (see notes below)

CULTURAL MIX:
After the Louisiana Purchase, English-speaking Anglo and
African-Americans flooded that State.
Due to cultural friction with the Creoles, the new-comers
settled ‘Uptown’,
Creating an American sector separate from older Creole
‘Downtown’.
This black American influx ‘Uptown’ brought in the elements
of the blues, spirituals, and rural dances into New Orleans’
musical scene.
These African cultural expressions had gradually diversified,
into Mardi Gras tradition and the ‘Second Line’. ^^ (notes below)
And finally blossomed into New Orleans’ jazz and blues;
As New Orleans became a cauldron of a rich cultural milieu!

THE CREOLES:
The Creoles were not immigrants but were home-bred.
They were the bi-racial children of their French masters
and their African women slaves!
Creole subculture was centred in New Orleans after the
Louisiana Purchase of 1803,
When the Creoles rose to the highest rung of society!
They lived on the east of Canal Street in the French
Sector of the city.   @ (see notes below)
Many Creole musicians were formally trained in Paris.
Played in opera houses there, and later led Brass Bands
in New Orleans.
Jelly Roll Morton, Kid Oliver, and Sidney Bechet were
famous Creoles,
About whom I shall write as this Story unfolds.
In sharp contrast on the west of Canal Street lived the
***** musicians;
But they lacked the economic advantages the Creoles
already had!
They were schooled in the Blues, Work songs, and Gospel
music .
And played by the ear with improvisation as their unique
characteristic,
As most of them were uneducated and could not read.
Now in 1894, when Jim Crow’s racial segregation laws
came into force,       # (see notes below)
The Creoles were forced to move west of Canal Street to
live with the Negroes!
This racial mingling lighted a ‘musical spark’ creating a
lightening flash, -
Igniting the flames of a ‘new music’ which was later came
to be known as JAZZ !

CONTRIBUTION OF STORYVILLE :
In the waning years of the 19th Century, when Las Vegas
was just a farming community,
The actual ‘sin city’ lay 1,700 miles East, in the heart of
New Orleans!
By Alderman Story’s Ordinance of 1897,  a 20-block area
had got legalised and confined, -
To the French Quarters on the North Eastern side called
‘Storyville’,   - a name which was acquired after him.
This red light area resounded with a new seductive music
‘jassing up’ one and all;
Which played in its bordellos, saloons, and dance halls!
The best of bordellos hired a House Pianist who greeted
guests and was also a musical organizer;
Whom the girls addressed respectfully as ‘The Professor’!
Jelly Roll Morton++, Tony Jackson author of  ‘Pretty Baby’,
and Frank ‘Dude’ Amacher, -
Were all well known Storyville’s  ‘Professors’!
Early jazz men who played in Storyville’s Orchestras and Bands
now form a part of Jazz Legend;
Like ‘King’ Oliver, Buddy Bolden, Kid Orley, Bunk Johnson,
and Sydney Bechet.    ++ (see notes below)
Louis Armstrong who was born in New Orleans, as a boy had
supplied coal to the ‘cribs’ of Storyville!   ^ (see notes)
He had also played in the bar for $1.25 a night,
Surely the contribution of Storyville to Jazz cannot be denied!
But when America joined the First World War in 1917,
A Naval Order was issued to close down Storyville!   % (notes)
Since waging war was more important than making love,
this Order had said;
And from the port of New Orleans the US Warships had
set sail!
Here I pause my friends to take a break, will continue
the Story of Jazz in part three, at a later date.
                                               -Raj Nandy, New Delhi
FOOT NOTES :-
NEW ORLEANS one of the oldest cosmopolitan city of Louisiana,
the 18th State of US , & a  major port city.
LOUISIANA was sold by France for $15 million, which was later
realised to be a great achievement of President Jefferson.
*Many African strands of Folk music and dance had merged at the
Congo Square!
^^ ‘SECOND LINE MUSIC’ = Bands playing during Funerals & Marches evoked voluntary crowd participation, with songs & dances as appropriate forming a ‘Second Line’ from behind.
@ =THOSE LIBERAL FRENCH MASTERS OFFERED THE CREOLES THE BEST OF EDUCATION WITH ACCESS TO WHITE SOCIETY!
#’JIM CROW’= between 1892&1895, blacks gained political prominence in Southern States. In 1896 LAND-RICH WHITES DISENFRANCHISED THE BLACK COMPLETELY! A 25 YRS LONG HATRED &RACIAL SEGREGATION BEGAN. TENNESSEE LED BY PASSING ‘JIM CROW LAW’. IN 1896, THE SUPREME COURT UPHELD THIS LAW WITH ITS ‘’SEPARATE BUT EQUAL’’ STATUS FOR THE BLACKS ! THUS SEGREGATION BECAME A NATIONAL INSTITUTION. THIS SEGREGATION DIVIDED THE BLACK & WHITE MUSICIANS ALSO.
+ BIRTH OF JAZZ WAS A SLOW AND EVOLVING PROCESS, WITH BLUES AND RAGTIME AS ITS PRECURSORS . “JAZZ WAS QUINTESSENCE OF AFRO-AMERICAN MUSIC BORN ON EUROPEAN INSTRUMENTS.”  See my ‘Part One’ for definitions.
++ JELLY ‘Roll’ Morton (1885-1941): At 17 yrs played piano in the brothels, applying swinging syncopation to a variety of music; a great Transitional Figure- between Ragtime & Jazz Piano-style.  ++ BUDDY BOLDEN (1877-1931): His cornet improvised by adding ‘Blues’ to Ragtime in Orleans; which between the years 1900 & 1907 transformed into  Jazz! BUNK JOHNSON (1879-1849): pioneering jazz trumpeter, inspired Louis Armstrong; lost all teeth & played with his dentures! KING OLIVER(1885-1938): Cornet player & bandleader, mentor& teacher of Louis Armstrong; pioneered use of ‘mute’ in music. KID ORY(1886-1973): a pioneering Trombonist, he developed the ‘tailgate style’ playing rhythmic lines underneath the trumpet & the cornet, propagating early Jazz !
SYDNEY BECHET (1897-1959): pioneered the use of SAX; a composer & a soloist, he inspired Louis Armstrong. His pioneering style got his name in the Down Beat Jazz Hall of Fame!
Louis Armstrong(1890-1971): was a trumpeter, singer and a great
improviser. Also as the First International Soloist took New Orleans music to the World!
% = After  America joined WW-I in 1917,  a Naval Order was issued to shutdown Storyville in order to check the spread of VD amongst sailors.
^ ’cribs”= cheap residential buildings where prostitutes rented rooms.
# "JASS" = originally an Africa-American slang meaning ‘***’ ! Born in the brothels of Storyville (New Orleans)  & the Jasmine perfumes used by the girls there; one visiting them was  said to be 'jassed-up' . Mischievous boys rubbed out the letter ‘J’ from posters outside announcing  "Live Jass Shows'', making it to read as ‘'Live *** Shows'’! So finally ‘ss’ of ‘jass’ got replaced by 'zz' of JAZZ .
DURING THE 1940s  STORYVILLE  WAS RAISED TO THE GROUND TO MAKE WAY FOR ‘IBERVILLE FEDERAL HOUSING PROJECT’ .
  * ALL COPYRIGHTS RESERVED BY THE AUTHOR : RAJ NANDY

You call all the girls you mess around with "sunshine,"
but none of them light your dark spaces,
your loneliest places.

I'm there at one in the afternoon
with you and your flat tire
and then at three in the morning
with you and your ******
"i love her's,"
your groggy, slurred words
about a girl from the bar
who you won't remember
and you thank me in the morning
when I bring you water
and all you ever call me
is a friend

(*** Worker to a house wife -->)

Entertain not for me hatred
It is only for a daily bread
I take your  husband abed.

Since you are so timid
In haste, you leave your husband
Restless and discontented.

******* is an art
My dear sister
You should surely master
Than on me nicknames pester
Harlot,****,****** and a *****!

Read a lot on the subject
With your spouse develop the art
At long last
When you prove your dexterity
In conjugal felicity
A tip it would be for mental integrity.

With affection and suggestion open
Your spouse,you can turn
A love-making machine,
What else do you need in return.
By and By
You may not seek a hit on the sly

(<--A housewife to a *** worker)

My dear sister in Christ
I know there is nothing foul in your heart
Except,you are a *** worker by ill fate.
Thanks a lot for your comment
Which I will second no doubt.

Dear sister in Christ
At times if both
You and my husband
Get debouch of beer or Highland
Check you have a ****** at hand
Just when you hold him inside,
For otherwise
Severe will be the consequence
For me and my child.

So you are morally obliged
By "No ****** no ***!" to abide
I am also willing to you extend
A helping hand
That could help you
On your feet stand
Than barter your body
For a daily bread!

Every person in this world has a name. Of course, the first thing in life that makes us all different is our name. Or names, perhaps. I know someone who has four names, Marie France Antoinette Anne. I’m friends with someone who has 3 names, Eivram Jan Heaven. Even though 3-4 names are probably hard to have, it’s kind of amazing because it adds a lot to your singularity. And the best example of them all are two names, my best friend’s name is Khelsy Gayle, my eldest sister’s: Christina Andrea, my other sister’s name is Francesca Julia and my name is Kelly Denise. And we all here, don’t even bother to deny it, has a nickname. My best friend’s name is Chellsie and everybody calls her Che. Both of my classmates are both Joshua, and they only have one name, so my teacher, in order for us to not be confused, decided to call the one who has a surname that starts with C, JC and the surname that starts with D, JD and until now we still call them by those names. And in some cases, we pick nicknames by different choices. My eldest sister’s nickname is Zoe and my other sister’s nickname is Franny because my mom loved JD Salinger so much that she named my sisters from her favourite fictional siblings. Maybe my mother wasn’t expecting me, so she didn’t name me from an iconic literary character, or a famous philosopher. Instead, she called me with a nickname that I will be known till the day that I die, it’s called ‘Keidy’. And, to be honest, I hate that nickname. But hey, I have no choice. Or we can all be known for the things that we did. Daenerys Targaryen has a lot of names, Mother of Dragons, Breaker of Chains, Protector of the realm and so on and so forth. Or you can be Arya Stark, who is  No One. An example of a name that people force to be known as but they will never achieve because she will always be Arya Stark of Winterfell.

You see, names are wonderful. It's a proof that everyone in this world, is different. And what a magical thing it is, living in the same world with different people who have different views. And to mention, same views. We all here share same views, and maybe, some of us here even share the same name.

But in every woman’s life, we share the same names. People call us with names that we don’t even have. Each of us have been called or will be called these names.


You will call us, doll. You told us we have so much cuteness in us and we are as beautiful as dolls, and we don’t have any problem with that. Little did we know that some of you don’t really admire our beauty but instead think of us as toys. Toys that you can control, toys that you think would do everything that you want. You will teach us what that we should do, you will teach us what to say and how we should act, you will teach us everything like you own us. And after we do everything that you told us to you will call us good girls.  Good girl,  continue following me.  Good girl,  get ready for more, like we are toys. But of course, you will not call us toys because girls and toys are the same for you, right?

We were taught to be clean, we were raised to be pure. That chastity is the most important thing that every woman should have. And for sure, you all want our purity, but when we disagree like we were taught to you will call us prudes. ***** for choosing who I open up to. ***** for not letting you inside my temple when I am the landlord making choices.  ***** for saying no, because your ego is far more important than my consent. And when we say yes, you will call us *****. Choosing what to do to your own body is a not a thing you should do. Expressing your sexuality is a sin to this world when you’re the one who does it. A woman’s pleasure, is not a real thing. Because we’re not allowed to have one, because we are known for giving one. We are known as ******, as women who are not clean and pure. Who spend their lives offering their bodies like they're the only thing that we can offer. You will shame us for being filthy and disgusting when you’re the reason why we are here in the first place. We are here to pleasure you, to give you what you want. But when we are the ones who would like to experience it, the world suddenly goes mad. We should not experience any pleasure but they can all the time. And when we finally speak for what’s right, our names will suddenly become *******. A ***** for speaking up, a ***** for doing the thing that I should have done ages ago, a ***** for fighting back. A ***** for being strong to be able to remove the tight grip of your hands to my mouth that has been keeping it shut, a ***** for removing the word ’silence’ in my vocabulary, a ***** for being brave to destroy the power that have kept me powerless for a long time.

Woman, I agree that we should be called names. We should be known as fire, a fire so powerful that can lit up the entire world, and burn you for playing with us the entire time. We are warriors fighting for the right thing, warriors that are strong enough to combat all the wrong doings. We are magic,we can do things that everyone never expected we could. Our mind, is the most beautiful place anyone will ever come across.
We are women, and that one word, is more than enough to make people know our value. Woman, the next time they will call you names you do not approve of, tell them. Woman, the next time they lecture you with the things you should do knowing you have your own decisions in life, **** them with your independence. Woman, make them tremble when they realise you are one. Woman, prove them all wrong. Woman, the next time they belittle you; do not let them.

It's not in the moments where we hold hands and skip
It's not in the moments where we hug and smile
It's not in the moments where we laugh like crazy
It's not in those moments that made me love you.

It's not in the moments where we make faces and wrestle
It's not in the moments where we cook when we can
It's not in the moments where we watch each others' favorite movies
It's not in those moments that made me love you.

It's not in the moments where we share our life stories
It's not in the moments where we get off topic on the phone
It's not in the moments where we miss our curfews
It's not in those moments that made me love you.

It's not in the moments where we call each other nicknames
It's not in the moments where we hold awkward conversations
It's not in the moments where we make plans for the future
It's not in those moments that made me love you.

*It's in those moments where lying together I can feel your heartbeat increase and race with mine, while our breathing matches up.  This lets me know that together we are one and being with me excites you as much as me being with you.

I deserve a good morning text every morning you wake up with me on your mind, not by your side.
And if I’m neither on your mind nor by your side,
I deserve a sweet goodnight.

I deserve someone who isn’t constantly reminding me of the imperfections and insecurities I have no problem struggling with when I’m alone, even if it is “just a joke.”

I deserve someone who wants to study every photograph I’ve ever taken until their eyes grow weary.

I deserve someone who asks what I’m writing, even if it is just a one word scribble on a sticky note.

I deserve answered calls.

I deserve beautiful nicknames and extravagant hellos.

I deserve flowers on my doorstep when I’ve had an awful day.

I deserve words when they’re needed and beautiful silence when they’re not.

I deserve kisses on my dry and cracked knuckles in the winter and kisses where the sweet sunshine hits the tip of my nose in the summer.

I deserve to be checked up on when I don’t reply all day long.

I deserve to be carried when I can’t bear to move.

I deserve to be looked at the way your father did when he first fell in love with your mother.

I deserve the truth no matter how hard it may be for you to tell it.

I deserve laughter even when I’ve just told the worst joke in the world.

I deserve understanding for my former ways and promises to better my future.

I deserve to be cuddled every day you have the chance.

I deserve to be the one you cry on when sadness fills your soul and I deserve to be the one you laugh with when warmth fills your heart.

I deserve for you to try to see beyond what I give.

I deserve to be seen for who I am inside, not for what’s on the out.

I deserve to be loved in a way in which could erase all the former ones who failed to love me the way you should.

I deserve to be loved, not lusted after and if one day you realize that I don’t deserve all that I do..

I deserve a cruel goodbye.

How long does it take to get over lost loves. Books and sunshine can’t fuel my bonfires celebrating life is but a dream my parties are so outdated I don’t know how my soul speaks anymore. Run on sentences because my brain can’t comprehend grammar anymore it’s just word ***** and love ticks trying to spit out energy at any awkward chance it gets. Will writing be the same I plead my soul to gain its old memories through feel and spontaneity. I learn to love again is it really all through creating I pick my scabs my nicknames by what I seem are better days before an abusive heartbreak I never truly know what is at stake when I put my heart into beings never truly seeing what they’re meaning behind their lies and deceiving I always see the best despite the feelings. My visions always so temporary never thinking what I could truly accomplish is what I want to do. What I want to be. How loud I might scream or how tired I might be but how high I climb over all simple yet complicated atrocities. I just want my soul to gleam I just want to feel so clean I just want to get over all these things that are holding me. I keep hitching thoughts of friends loving me trying to abide by social standards taught to keep me balanced keep me holy.
Keep thinking about human trolls just stagnant in feeling during purrs of not speaking just vibrations under being. Vibes push out dark thoughts yet still no words come out I feel invisible isolated by myself reality is loneliness

And I'll try to delay what you make of my life
But I don't want your way,
I want mine

I’m lying, I’m so very far from fine

I don’t believe, in talking just to breathe

I’m here to give you words as tools that can destroy my heart

He thinks that faith might be dead
Nothing kills a man faster than his own head

*** nobody knows he’s alive

I want to crack the door so I can just fall out

I begin to understand why god died

And I want everyone to know that I am half a soul divided

Don’t be afraid. We’re going home.

We had to steal him from his fate so he could see another day

Am I alive and well or am I dreaming dead?

Where all your blood is washed away and all you did will be undone

We pick songs to sing remind us of things that nobody cares about and honestly we’re probably more suicidal than ever now

If we wake up every morning and decide what we believe we can take apart our very heart and the light will set us free

Please don’t be afraid of what your soul is really thinking

It’s time you pick your battle, and I promise you this is mine.

I know what you think in the morning when the sun shines on the ground

But there’s hope out the window, so that’s where we’ll go, let’s go outside and all join hands but until then you’ll never understand

Simply suggest my chest in this confused music it’s obviously best for them to turn their guns to a fist.

I’m taking over my body back in control no more shorty

I fought it a lot and it seems a lot like flesh is all I got not anymore

You should take my life, you should take my soul

You are surrounding all my surroundings

Fight it. Take the pain ignite it tie a noose around your mind loose enough to breathe fine and tie it to a tree tell it “you belong to me this ain’t a noose this is a leash and I have news for you, you must obey me”

It ain’t the speakers that bump hearts, it’s our hearts that make the beat.

I’m pleading please oh please, on my knees repeatedly asking why it’s got to be like this, is this living free?

Some see a pen I see a harpoon.

I’ll stay awake, *** the dark’s not taking prisoners tonight

I don’t hear those voices calling, I must’ve kicked them out

Why won’t you let me go? Do I threaten all your plans I’m insignificant

I’m afraid to tell you who I adore, won’t tell you who I’m singing towards

I know it’s dire my time today

Somebody stole my car radio and now I just sit in silence

Sometimes quiet is violent
I find it hard to hide it my pride is no longer inside it’s on my sleeve my skin will scream

There’s no hiding for me I’m forced to deal with what I feel there is no distraction to mask what is real

This time there’s no sound to hide behind

I find over the course of our human existence one thing consists of consistence and it’s that we’re all battling fear oh dear I don’t know if we know why we’re here oh my too deep please stop thinking

Peace will win and fear will lose

There’s faith and there’s sleep we need to pick one please because faith is to be awake and to be awake is for us to think and for us to think is to be alive and I will try with every rhyme to come across like I am dying to let you know you need to try to think.

I don’t wanna be heard, I wanna be listened to.

I scream you scream we all scream *** we’re terrified of what’s around the corner.

My brain has given up, white flags are hoisted

The stomach in my brain throws up onto the page

I don’t understand why everything I adore takes a different form when I squint my eyes have you ever done that when you squint your eyes and your eyelashes make it look a little bit right and then when just enough light comes from just the right side and you find you’re not who you’re supposed to be?
This is not what you’re supposed to see, please, remember me I am supposed to be king of kingdom, swinging on a swing, something happened in my imagination the situations becoming dire, my treehouse is on fire, and for some reason I smell gas on my hands. This is not what I had planned.

We’ll be on fire

We have romantic fantasies about what dying truly is

We all know somebody who knows somebody who’s doing great, I know some people who know people who are flying straight, but I’ll kindly enter into rooms of depression, while ceiling fans and idle hands will take my life again.

But I would rather sing a song, for the eyes to sing along

I’m holding onto what I know and what I know I must let go

Redemption’s not that far and darkness is going down.

Nobody thinks what I think, nobody dreams when they blink, think things on the brink of blasphemy I’m my own shrink think things are after me, my catastrophe.

Are you searching for purpose? Then write something and it might be worthless, paint something yeah it might be wordless pointless curses nonsense verses you’ll see purpose start to surface, no one else is dealing with your demons meaning maybe defeating them could be the beginning of your meaning friend.

They will play a game and say they know what you’re doing through and I tried to come up with an artistic way to say they don’t know you and neither do I

I hear a second voice behind your tongue somehow

They will not take you down they will not cast you out

Dear friends here we are again pretending to understand how you think your world is ending sendin signals and red flags in waves it’s hard to tell the difference between blood and water these days
I pray that one day you see
The only difference between life and dying
Is one is trying that’s all we’re gonna do so try to love me and I’ll try to save you

Won’t you stay alive I’ll take you on a ride, I will make you believe you are lovely

Your redemption won’t grow stale, we are now just setting sail, on the seas of what we fear, treason now is growing near to me, I’m coming clean, god hit me straight on.

I know, where you stand, silent in the trees
And that’s where I am

Why won’t you speak, where I happen to Be? Silent in the trees standing cowardly
I can feel your breath, I can feel my death.
I want to know you, I want to see, I want to say, hello

I don’t believe my ears and I’m scared of my own head.

Clearly I am dying, dearly I am writing

I’m lying cause I say I am fine

I’m so sorry but I do believe that all my bridges I have burned and I’ve earned a policy of no return

Today, day, I want to go away, way

I put my sock on my feet, just so that my soul would fall through my toes, And I walk through my door, just so I don’t fall through the floor.

So bold and fearless in the risks we take, laugh in the face of gravity as it’s laws we’d break, on trampolines so high, we reach for the sky, but I do not look up anymore and I don’t know why.

I take my face off at the door because I don’t know who they will take me for

I’m the son of all I’ve done

When we’re done we’ll all have made something new under the sun

“Where’s your home? Where are you going and why are you here?”

I will tell you what I can, but your mind will take a stand, I sing of a greater love, let me know when you’ve had enough.

When your father turns to stone will you take care of me?
I will make you queen of everything you see, I’ll put you on the map, I’ll cure you of disease.
Let’s say we up and left this town and turned our future upside down, we’ll make pretend that you and me, lived ever after happily.

Since we know that dreams are dead, and life turns plans up on their head, I will plan to be a *** so I just might become someone.

Taking my only, friend I know. He leaves a lot. His name is Hope.

I’m never what I like, I’m double sided

*** I’m twisted up, I’m twisted up, inside my mind

When the sun is climbing window sills, and the silver lining rides the hills, I will be safe, for one whole day, until the sun makes the hills it’s grave.

By the time the nights wears off, the dust is down, and shadows burn, I will rise and stand my ground, waiting for, the nights return.

I do not know why I would go in front of you na shied my soul, *** you’re the only one who knows it

I don’t know why I think I could lie, *** there’s a screen on my chest

I’m standing in front of you I’m trying to be so cool, everything together trying to be so cool.

I can’t see past my own nose I’m seeing everything in slow-mo look out below crashing down to the ground

A train from the sky locomotive my motives are insane
My flows not great okay, I conversation with people who know if I flow on a song I’ll get no radio play.
While you’re doing fine, there’s some people and I, who have a really tough time getting through this life so excuse us while we sing to the sky.

We’re broken people

I can’t take them on my own, my own, pa, I’m not the one you know, you know

Don’t wanna give you all my demons, you’ll have to watch me struggle, from several rooms away. But tonight, I need you to stay.

I am up against the wall, the wall, pa, I hear them coming down, the hall.

I want to drive away in the night, headlights call my name.
I’ll never be, be what you see inside, you say I’m not alone but I am petrified.

Is close the closest star? You just feel twice as far.

I’m so afraid, of what you have to say, cause I am quiet now, and silence gives you space

And the wrists of my mind had the bleeding lines that remind me of all the times I have committed

What kids are doing they’re killing themselves, they feel they have no control of their prisoner cells, and if you’re one of them then you’re one of me

Now the night is coming to an end

The sun will rise and we will try again

Stay alive, stay alive, for me.
You will die, but now your life is free take pride in what is sure to die.

I will fear the night again.

I hope I’m not my only friend.

There’s an infestation in my minds imagination

This not rap this is not hip hop, just another attempt to make the voices stop

This doesn’t mean I lost my dream it’s just right now I got a really crazy mind to clean.

Can you save my heavydirtysoul, for me?

If I didn’t know better I’d guess you’re all already dead

You’ve got one time to figure it out, one time to twist and one time to shout, one time to think and I say we start now

Death inspires me like a dog inspires a rabbit

I wish I found some better sounds no ones ever heard, I wish I had a better voice to sing some better words, I wish I found some chords in an order that is new, I wish I didn’t have to rhyme every time I sang

Now I’m insecure, and I care what people think.

Sometimes a certain smell will take me back to when I was young, how come I’m never able to identify where it’s coming from?

It would remind us of when nothing really mattered out of student loans and treehouse homes we all would take the ladder.

We used to play pretend give eachother different names

Used to dream of outer space but now they’re laughing at our face saying wake up you need to make money

I wanna stay in the sun where I find, I know it’s hard sometimes

I think about the end just way too much, but it’s fun to fantasize

I won’t fall in love with falling

I’d die for you that’s easy to say we have a list of people that we would take a bullet for them a bullet for you

Metaphorically I’m the man but literally I don’t know what I’d do, that’s harder to do even harder to say when you know it’s not true and it’s harder to write when you know that tonight there were people back home that tried talking to you

All these questions they’re for real like who would you live for who would you die for and would you ever ****?

I’ve been thinking too much, help me

I’m fairly local, ive been around, ive seen the streets you’re walking down

I’m evil to the core, what I shouldn’t do I will, they say I’m emotional, what I wanna save I’ll ****. Is that who I truly am? I truly don’t have a chance. Tomorrow I keep a beat. And repeat yesterday’s dance

I’m not evil to the core, what I shouldn’t do I will fight. I know I’m emotional, what I wanna save I will try. I know who I truly am. I truly do have a chance. Tomorrow I’ll switch the beat, to avoid yesterday’s dance

It’s the few the proud and the emotional

The world around us is burning but we’re so cold

Our minds change on what we think is good, I wasn’t raised in the hood, but I know a thing or two about pain, and darkness, if wasn’t for the music I don’t know how I would’ve fought this.

I’m in constant confrontation with what I want and what is poppin in the industry it seems to me that singles on the radio are currency my creativities only free when I’m playing shows.

Who would you live and die for on that list but the problem is there’s another list that exists and none really wants to think about this forget sanity, forget salary, forget vanity my morality, if you get in between someone I love and me, you’re gonna feel the heat of my calvary

He cranked out those dismal chords, and his four walls declared him insane.

I found my way right time wrong place

I know my souls freezing hells hot for good reason

But I’m not good with directions and I hide behind my mouth, I’m a pro at imperfections and I’m best friends with my doubt.
Now that minds out and now I hear clear and loud I’m thinking wow I probably should’ve stayed inside my house

I don’t know if this song is a surrender or a revel. I don’t know if this one is about me or the devil.

Help me out, my friends and I we got a lotta problems

Wanted to be a better brother better son wanted to be a better advisory to the evil I have done I have none to show to the one I love

Polarize is taking your disguises sepersting then splitting them up from wrong and right, is deciding when to die and deciding when to fight

I don’t know where you are, you’ll have to come and find me

We have all learned to **** our dreams

I need to know that when I fail you’ll still be here. *** if you stick around I’ll sing you pretty sounds and well make money selling your hair

I don’t care what’s in your hair I just wanna know what’s on your mind.
I used to say I wanna die before I’m old but because if you I might think twice.

What if my dream does not happen. Would I just change what I’ve told my friend. Don’t want to know who I would be. When I wake from a dreamers sleep

Scared of my own image. Scared of my own immaturity

Fear might be the death of me. Fear leads to anxiety. Don’t know what’s inside of me.

Even when I doubt you, I’m no good without you.

Temperature is dropping, I’m not sure if I can see this ever stopping. Shaking hands with the dark parts of my thought no, you ar wall that I’ve got no.

I want the markings made on my skin, to mean something to me again.

Hope you haven’t left without me, please

Who I am today is worse than other times. You don’t know what I’ve done.

Why I’m in denial that they tried the suicidal session. Please use discretion when you’re messing with the message man, these lyrics aren’t for everyone only few understand.

Hope you’re dead *** how could you sleep at a time like this

I’m the kinda guy who takes every moment he knows he confided in
Music to use for others to use it

Life is up here but you comment below And the comments below will become
Common motivation to promote
Your shows next episode
So your brain know to keep going
Even though hope
Is far from this moment but you and I know it gets better when mornin finally reads it’s head, together we’re losers remember the future remember the mornin is when night is dead.

My people singing

Be the one to take my soul and make it undone

Be the one to take me home and show me the sun

Where we’re from, there’s no sun, our hometowns in the dark
Where we’re from, we’re no one, our hometowns in the dark.

We don’t know, how to put back the power in our soul

We don’t know, where to find, what once was in our bones.

I look outside and see a whole world better off without me in it trying to transform it.

Listen I know, this ones a contradiction because of how happy it sounds. But the lyrics are so down.
It’s ok though, because it represents Wait better yet it is, who I feel I am right now.

I’m a goner, somebody catch my breath

I wanna be known, by you.

Though I’m weak, and beaten down. I’ll slip away, into this sound.
The ghost of you is close to me.
I’m inside out, you’re underneath.

I’ve got two faces, blurry’s the one I’m not

I need your help to take him out

Don’t let me be gone.

I can’t believe how much I hate.
Pressures of a new place roll my way.

Spirits in my room, friend or foe?
Felt it in my youth feel it when I’m old

I’ll be right there, but you’ll have to grab my throat and life me in the air. If you need anyone
I’ll stop my plans, but you’ll have to tie me down and then break both my hands.

You can learn to levitate with just a little help

Cowards only come through when the hours late and everyone’s asleep mind you

My heart is with you hiding but my minds not made

No we are not just graffiti on a passing train I got back what I once bought back in that slot I won’t need to replace

Sever all I thought I could depend on my weekends on the freezing ground that I’m sleeping on please keep me from please keep me down from the ledges

At least they all know all they hear comes from a place.

When everyone, you thought you know, deserts your fight, I’ll go with you
You’re facing down, a dark hall, I’ll grab my light and go with you

Surrounded and  up against a wall, I’ll shred em all. And go with you
When choices end, you must defend, I’ll grab a bat, and go with you

Stay with me, no you don’t need to run, stay with me, my blood.

They’re callin for your head and they’re callin for your name, I’ll bomb down on em I’m comin through

Just keep it outside

If you find yourself, in a lions den, I’ll jump right in, and pull my pin.

East is up, I’m fearless when I hear this on the low
Easy is up, I’m careless when I wear my rebel clothes

They will know that, Dema don’t control us

They wanna make you forget

Save your razor blades now, not yet

I’m flying from a fire, from Nico and the Niners.

What I say when I wanna be enough what a beautiful day for making a break for it, we’ll find a way to pay for it, maybe from all the money we made razor blade stores, rent a race horse, and force a sponsor, and start a concert a complete diversion, start a mob and you can be quite certain we’ll win but not everyone will get out.

Can’t stop thinking about if and when I die for now I see that if and when are trike different cries for If is purely panic and when is solemn sorrow and one invade today while the other spies tomorrow

If I keep moving they won’t know I’ll morph to someone else

I’m just a ghost

Defence mechanism mode

What are we here for if not to run straight through all our tormentors

Anybody listening?

This beat is a chemical

Lovin what I’m tasting
Venom on my tongue
Dependant at times
Poisonous vibrations

I’m running for my life

Hide you in my coat pocket

Felt I was invincible you wrapped around my head now different lives I lead my body lives on lead the last two lines may read incorrect until said

I despise you sometimes I love to hate the fight and you in much life is like sippin on straight chlorine

Grows while I decay

Can you build my house with pieces I’m just a chemical

My interior world needs to sanitize
I’ve got to step through or I’ll dissipate
I’ll record my step through for my basement tapes

Nice to my kind will be on my side

And you know you’re a terrible sight but you’ll Be just fine

Your exterior world can step off instead
It might take some friends and a warmer shirt but you don’t get thick skin without getting burnt

No I don’t know which way I’m going
But I can hear my way around

I never look for conflict for the thrill

For you I would get beat to smithereens

And my problem? We glorify those even more when they

My opinion our culture could treat a loss like it’s a win and right before we turn on them we give them the highest of praise and hang their banner from the ceiling communicating further ingravjng and earlier grace is an optional way. No.

What’s my problem don’t get it twisted it’s with the people we praise who may have assisted

I could go out with a band they would know my name they would host and post a celebration . My opinion will not be lenient

We don’t get enough love well they get a fraction they say how could he go if he’s got everything I’ll mourn for a kid but won’t cry for a king.

Neon gravestones try to call for my bones

Promise me this. If I lose to myself you won’t mourn a day and you’ll move on to someone else

But they won’t get them

Don’t get me wrong the rise in awareness is beating a stigma that no longer scares us but for sake of discussion in spirit of fairness could we give this some room for a new point of view and could it be true that some could be tempted to use this mistake as a form of aggression a form of succession a form of a weapon thinking I’ll teach them well in refusing the lesson it won’t resonate in our minds I’m not disrespecting what was left behind just pleading that it does not get glorified maybe we swap out what’s it is that we hold so high. Find your grandparents or someone of age. Pay some respects for the other that they paved to life they were dedicated now that should be celebrated.

I could take the high road but I know that I’m going low

I’m a bandito

This is the sound we make when in between two places where we used to bleed and where our blood needs to be

In city I feel my spirit is contained like neon inside the glass they form my brain but I recently discovered it’s a heartless fire like nicknames they give themselves to uninspire begin with bullet now add fire to the proof but I’m still not sure if fears a rival or close relative to truth either way it helps to hear these words bounce off of you the softest school could be enough for me to make it through

I created this world to feel some control destroy it if I want so I sing Sahlo Folina

I can feel pressure start to posses my mind so I’ll take this beat I should delete to exercise

No I move slow I wanna stop time I’ll sit here til I find the problem

This clique means so much to this dude it could make him afraid of his music and be scared to death he could lose it

You were one of those classic ones
Traveling around this sun

I wish she knew you

You were here when I write this but the masters and mixes will take to long to finish to show you I’m sorry I did not visit did not know how to take it when your eyes did not know me like I know you

Then the day that it happened I recorded this last bit I look forward to having a lunch with you again

I’m tired of tending to this fire

Embers barely showing proof of life in the shadows dancing on my plans

They know that it’s  almost over

The burning is so low it’s concerning *** they know that when it goes out it’s a glorious gone
It’s only time before they show me why no one ever comes back with details from beyond

In time I will leave the city for now I will stay alive

Last year I needed change of pace
Couldn’t take the pace of change
Moving hastily
But this year
Though I’m far from home
In trench inches not alone
These faces facing me
They know what I mean.

When a door is open,
A love crook can steal the key,
like Bonnie and Clyde,
This couple is meant to be.

These two are like Peanut Butter and Jam,
One without the other is simply not possible,
it's like having Thanksgiving, without any Yams!

Together they are, together they be.
Life without each other cannot be seen.
What are those 3 words?
Oh yeah, I LOVE YOU.
Je t'aime,
Te Amo too! I'm afraid if he goes away, I'll be blue.
Some type of sickness,
maybe the flu.

But no, this couple is strong and won't break.
This couple gives more
and barely takes!
My babe? My boo? Yeah nicknames, there any many more.
I know this relationship will last,
plenty of adventures we will explore.

I think we had something-
It wasn't love, but it wasn't
Nothing either;

Perhaps it was just
Stolen glances and
Laughing together

Perhaps it was feeling
Giddy at touching knees
And having nicknames

I know it wasn't love-
But in another time,
In another place,

It could've been.

I know what I am,
I know who I am,
But I am not sure who I am,
Or what I am,
They call me Black,
I do not know if I am Black,
They call me African,
But am I African,
Where these names came from,
I wonder,
Maybe they are just nicknames,
Yes,
Fom those historical enermies who were up to degrade me,
I do not know who I am,
But I know for sure I'm just a poor millionaire,
Poor in Western materialistic classification,
I know I am Umuntu,
A millionaire Umuntu,
Rich in Ubuntu,
But that's not all,
I'm in search of my identity,
I need to know who the hell I am,
For I am black and African,
But I'm neither Black
Nor African.

I've been given several Nick's throughout my life. As an infant I was Gordo, in grammar school my buck teeth made me a ******.  In high school I became the infamous Johnny Chingas...a moniker I use in a certain way.  In college I was christened 20 perhaps I'll tell you why some day.  But of all the nicknames  I've been given there's only one I have heard no one speak...Crimson.  I will not die I will not rest until you say it out loud in front of me with all that heart and soul you hide locked up in that chest.

We, the invisible reasons for your problems, blind ourselves to the
dismal inevitability that we will
suffocate because you refuse to stop
the pillaging of the future for the sake of your own ******* lineage being able to further itself and potentially give you a chance to again close your mind and scream as loud as you can when confronted with your own toxicity

We, the ones who humbly take the bludgeoning from your self-proclaimed pious hand, know these chains are only on your bleeding wrists and ankles.

We, the silent and the broken, know Santa Muerta by the nicknames she had in college and all accompanying wildness she brought in her wake.
We still will stroke your hair while you
throw your tantrums and wail about what is and isn't fair on your deathbeds.

We will burn the mattress and all while cheering you on on your flight into the night sky you ignored for a lifetime.

We, the servants of streaming digits and stewards of bottled stardust, will create stories about how it wasn't your fault and how you shouldn't be hated for bringing the world crashing into the excrement of wasted potential so our children know there was a choice to be made.

We, the overly polite pariahs pry laughs and love and lust and learning from looming catastrophe like Burroughs writing Naked Lunch with a glassy eyed stare that burned holes in the veil hiding the tide of partially coagulated blood and ******* that YOUR world preached as milk and honey.

We, the proof in the moldy pudding still finding time to rot, will burn tobacco fields in your honor just to dance while getting drunk on the breaths you'll never waste.

We, the lovers of questions and haters of creeds, let tears stream in the hope that they are not considered part of our body's 75 percent while fantasizing about your ghosts seeing them and the dehydration they may be in spite of and quiet your tired old yelling and shaking of fists at the clouds when overcome by the slight sadness that whispers "its too late" lovingly into your ear.

We, the lovers, the thieves, the reviled, the *******, the witches, the junkies, the ******, the reptiles and worms under the rocks society deems unusable and misshapen, will be the ones lifting the crowns off your corpses and throwing them high as graduates do when full of a hope only ever dashed by themselves.

We, the drooling monsters you vehemently deny anything besides the cramped closets or the space between bed and floor in childhood bedrooms, will be the Valkyries to descend onto the blood-choked battlefield you set aside for your souls to suffer on and offer you respite in the form of soggy bread and wildflower honey while  ravens and jackdaws bicker over the eyes and fingers of those that once showed us how to ride a bike or drunkenly beat us beneath our favorite trees or touched us in dark rooms in ways that would chase Love away from the shadow of our hearts until we finally climbed high enough to see it all as someone screaming of war and bravery while running from the sound of steel biting steal because their protectors talked so highly of honor and duty that it seemed as if it were God and Adam touching fingertips on the arched ceilings of youth. that, then was painted on the crumbling walls of abandoned houses they would secretly indulge on the forbidden fruit soaking pages of a faded **** magazines or up skirts of blushing  girls who put on their mother's prudishness until fingers pushed past
cotton and virtue alike to the warm center they both melted in.

We, the unsung and numb, walk in spirals while the complexity you rebuked as devil-born becomes the sigils of yet-to-be kingdoms bringing about golden age after golden age in the distant mists rolling over hills and valleys of memories of moments yet to coalesce into rigid experience.

We, the eyes weeping blood atop crumbling pyramids, have seen the walls you want to build in futures dissolved in the winds blowing dust over the dream-roads we skip down and how it resembles the one you built to keep your heart from breaking from the pressing mass of what you can't file away as noise or heresy or communist propaganda;
We drew throbbing ***** and dripping ***** on all the blueprints we came across and tucked them back into the secret compartments of wardrobes and roll-tops passed down through generations.

We, the keepers of the singing stones you traded for cheap concrete, will embrace the tiny souls you neglected out of ignorance to the existential snake oil pitch you broke every tooth biting down on all because the salesman reminded you of your drunk father or mother imposing their wills like you make shadow puppets dance on peeling wallpaper in the silence that ensued after they had passed out on creaky couches reeking of Lucky Strikes and spilled ***** while the shine of the staticky T.V. set covered them like the blanket no one ever put over their slumbering forms because of those infinite lists of excuses used to skirt the skirmishes of showing any kind compassion even if they alone were sole witness to it.

We, the pieces of self the deathbed "you" sent hurtling backwards through time to shine lights on the siege seething at the gates of what you stand for, are only holding those lanterns to show you that fleeing is futile and your death is just a hallway with a door that leads to the knowledge that life is not a cell to watch time morph into tally lines scratched into cold stone as if they were epitaphs for the seconds bet and lost at the roulette table crafted from any slave ship the ocean never swallowed.

We, the flames mimicking those dancing girls you longed to have squeal under the idea of your thrusting masculinity amidst the graffiti on the bathroom stalls in seedy dive-bars or the paupers playing prince you follow giggling with hope in hand like a bouquet of baby's breath and daisies for that one day they would stop and turn and smile so handsomely that your knees would shatter against one another and wedding chapels would bend down to tie tin cans to bumpers of beat up Buicks and Oldsmobiles your fathers give dowry and the crowd could watch "just married" poorly written in shaving cream on the back window grow small until it disappeared over the horizon.

We, the dreamers, are tired of sleeping and are in need of a old tree to swing from, to bury our dreams like beloved pets under, and watch as it lets its leaves fall to the hungry earth that is more patient then anyone closed eyed and humming ancient syllables beneath crooked branches could ever be.

All the trees you climbed and kicked and fell in love under have died from too many hearts around intials being carved into them or were used to make fascist pamphlets you yourself passed out at churchs mistaking the mask with bone structure or the river for the people it swept to sea.

We are laughing;
like a loving mother at her clumsiness on display in her cackling child and not like the crowds gazing at the sideshow stage as the curtains pull back and stage lights illuminating John Merrick's flesh and the intricate dissonance it lent to minds.
Minds that afforded only sips of bliss as monotonous stints on factory floors but were preached about like they were some heaven-sent golden cobblestones laid lovingly all the way
to the beach where Heimdall will one day sound his horn, one foot feeling the grit of the edge of the world and the other washed clean for the grave we will all step in.

So, all these words, all these images, all of it is intended to be a moon so all the stagnate tide pools that have forgotten their origin and the freedom they used to give form to lesser forms they forage forgetfulness from.

We, the ones beneath you on the climb to the summit of our collective potential, beg you to think of something beside yourself when taking a ****.

It is not just ******* in the wind if there isnt wind and we are right below you and dying of thirst.

It is not an inalienable right if someone else is deprived of the same.

It is not Heaven's gate if the brilliant gild has a melting point or if it remains latched to any soul's approach.

It is not "liberal *******" or a myth if whole flocks of birds fall from the sky or schools of fish wash up on beaches while people snap photographs for their feed.

It is not "god" if love dispels it like smoke hanging in the kitchens your great grandmother sat in and told you about a witch shapeshifting into dogs without heads to scare drunks stumbling home because she was a ******* racist.

It is not just food if someone's organs fail from starvation that even the worms and flies are free from.

You wave your banners and let your war-horns echo and you wear your ignorance as armor.

We, the eaters of life and death, will chisel a name into stone and pick your bones clean if you think we should march to the sounds of drums and trumpets just because you were stupid enough to think it was anything other than your masters convincing you to whip yourselves ****** because "at least God hath been kind enough to give you a purpose" or "he works in mysterious ways".

**** that.

Look at what it has brought out of the swirling sea of " all that could be" while you write the same song about how shiny and numerous the scales of the prize are.

We are not responsible for pillaging God's bounty.

We are the bounty and our emptiness and lack of foresight are in jeweled bowls at your feet, but in your hubris you believe it to be the slaves that come to wash the dirt from between your toes.

We are Death and She is the wet-nurse that will give us intimacy to fertilize our hearts by refusing us her breast but turning our heads to your silhouettes shambling off the edge of existence far off in the distance only a decade or less could be confused for.

[AS ONE VOICE WE SING/SANG/HOWL:
Lux amor potentia restituant propositum dei in terris.]

As if it were as easy as holding the hand of a dying tyrant afraid they cannot the luminous terminus while wearing your father's face as a mask to trick radiant angels or the contortions of gods reeking of struck matches by those trembling and their swirling black hearts closed to the breeze carrying leaves celebrating their liberation and caressing a cheek they were too ashamed to kiss when opportunity was their ally.

We shouldn't hate these piles of skulls all parroting the same axioms to those who only show up to add another or leave an empty bottle turned into a candle holder, wax dripped down the neck and froze before any trace of tallow could finally unite with the dirt it longs to become one with;
icicles hanging from the eaves of abandoned asylums.

This place was supposed to be alot of things but that is what lead THEM to drown in the sound of buzzing bees, birdsong, and abundance in all directions.

I suggest we stop trying to squeeze it into a shoebox we scribbled Promised Land on and just let it be the open armed paradise it inherently is.
Let it be the heart and home as well as the hostile territory because it is only ever that and what we wont find in any Oracle's Prophecy.

I'll end my rambling with a question and it's answer.

How do you turn a police station into a hospital and a schoolhouse?

Burn it to the ******* ground.

Light up the sacred fire.
The warm spot in every
Heart of every lover
As is tradition to do.
Add in infatuation to
Get the inferno burning.
Feed it words like kindling
Those simple nicknames
Love, dear and honey
And then add compliments
The coals to keep it lit
And alive for a longer time

Next
Throw the big pieces in
The caring, thoughtful acts.
That will never fully burn
Leaving a blackened reminder
Then the large promises.
That you will look at no other.
That he or she is the only one
That you will always love.

Now you have quite
The bonfire to sit by
To warm your chills
But eventually you’ll run out
Of all the other fuels

The only thing left to burn
Is yourself.

Skinny feels
Not like people think,
Bony, awkward, too lean
Bones protruding,
No more curves
Thin limbs, skinny hurts
Eat like a bottomless pit
Look in a mirror
Feel like ****
Skinny means no *****
No ****, no hips
Skinny isn't muscular
It's the opposite if ripped
It's slouching in the hall
Pointy elbows and knees
Loose pants, shirts
No matter how much you eat
Skinny means
Feeling like a stick
Skinny can make anyone
Look small and sick
Skinny gives the impression
Of weak, shaky frames
Skinny makes me regret
The middle school nicknames
Skinny shouldn't be a goal
Thank God
If you look full and whole
Making feel as good as dirt
Everyone out there,
I promise. *skinny hurts

Tonight I married a graffiti artist.
This is the third time I’ve been proposed to
at some ***** house party.
This time there was an ordained all-faith minister
on the porch smoking a cigarette. That was enough.
I said yes.
We’re all strictly first-name-basis here, nicknames are even better.
So to him I’m just Mimi. Focused intently on my hand,
he draws my wedding ring with a permanent marker
and kisses each finger as he finishes.
There is a tiny replica of his tattoo on the underside of my finger
in addition to my gigantic drawn-on diamond.
It is my favorite part.
We talk politics and eventually art.
Turns out he’s sort of an amazing artist.
He said he’d put my name up on a wall but I don’t believe him.
Intricate, passionate, and thoughtful.
His smile is adventure.
That’s why I married him.
He asked to read my poetry and in my fuzzy judgment I let him.
Maybe he even liked a few phrases.
And he was polite as a hopped up boy can be.
Getting me home before three,
lending me his jacket without me asking.
I know he’ll forget to call, or that he even has my number.
and that we won’t watch Pulp Fiction
tomorrow.
That I was really just a glorified
snort of some white powder,
I am like all the glitter that fades in the morning
like smiles do, or permanent marker
after a few washes.

He smelt like smoke
as he leaned away from me,
texting himself with my phone.

We left the campfire outside,
in our shoes by the door
our socks overlapped in a tangle of limbs.

In that leftover guest room,
on the bottom bunk of the microwaved bed,
I remembered why I thought I knew what love was.

He was tired and needed a nap,
I was restless and cold.
Trapped inside because of violent temperate rainstorms.

This boy owed me stubbed toes,
thorn ****** through my jeans,
nicknames and rubber soles.




This was the boy who had always smelt of smoke,
who knocked over dead trees for me,
who lied about being able to rock climb.

This was the boy who went swimming in the ocean
before summer had properly began
when it was still much too chilly.

I taught him a new card game,
he beat me at badminton.
We played capture the flag and threw pinecones.

We sold cookies on the side of the road,
ate dusty blackberries,
traded innuendos and bad jokes.

This was sea-urchin boy,
slug boy,
the boy with the bird's nest hair.




This boy grew taller,
dropped his voice like a used bus pass,
looked past the top of my head.

He laughed when i stepped in a mud puddle,
dared me to walk in bare feet.
This boy suddenly went mountain biking.

I talked extra loud, in hopes that he would overhear me,
offered him rootbeer straight from the can.
Ate pretzels and learned to read his mind.

We shared our childhoods like penny candies,
switching all the peach ones for strawberry.
we agreed these are the best years of our lives.

He layed beside me, underneath as many covers as we could find,
taking up too much space and he knew it.
my cartoon boy.




My hand-drawn boy,
With smoke coming out of his ears
moved away.

We didn't talk again