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Let a man call misunderstanding bad luck.
God of Mercy, is it misunderstanding or bad luck.
Devil say is a bad luck and they trust.
I say is a misunderstanding but they do not trust.
Any training is a bad luck to you
Any tough moment is a bad luck to you
Is it not misunderstanding, this is misunderstanding.
Is it a bad luck or misunderstanding?

Is it fair for an unrecognized entrepreneur to search for a job?
If yes that is misunderstanding, pray for him/her to understand.
Is it fair for one man to get a Job and ten become jobless?
Is it fair for an unrecognized entrepreneur to search for a job?
If yes that is misunderstanding, pray for him/her to understand.
Is it fair for one man to get a Job and ten become jobless?

Written - undefined
-The Senior
Misunderstanding is everywhere, let’s forgive one another.
Mistakes are everywhere, let’s forgive one another.
We are living in an incomprehensible world.
We are living in a what next I do not know world;
Respect and forgive any human kind.
Forgive any misunderstanding of any kind.
No one will understand your feelings, better than you.
No one will understand your world, better than you.

Misunderstanding is in her, misunderstanding is in him.
Misunderstanding is in you, misunderstanding is in me.
Yeyi Yeyi, this is life of misunderstanding!
Yeyi yeyi, this is life of misunderstanding!
Yeyi yeyi, stop pointing fingers, forgive one another!
Yeyi yeyi, stop pointing fingers, love one another!

-Written by: The Senior 04/10/2018
-The Difference appetizer
Ugo Apr 2012
Dedicated to stillborn fetuses, 99 cent Malt Liquor and Existentialism
1.
Nymphomaniac tree huggers
And overweight bisexual vegetarians
Swallowing phentermine poison to stay fit.

2.
Funky fresh *******  
throwing pigs at St. Augustine’s pear tree
and frolicking abortions over Moloch’s philoprogenitiveness,

3.
While sipping barbecue sauce dipped in Lipton tea,
dancing around adhesive bonfires
reciting memories of holocaust, the Kristallnacht nights
and beautiful words suffered by ancestors lost.

4.
Inhale chicken noodle soup, with a side of Lithium,
And prance to Literacy class to combat envisionment
With free association conceptual constructions,

5.
Computerized like Prometheus’ fire burning through SmartBoards
In classrooms where the poison of heterosexual history
Is fed to boys in skirts cursed by Adam’s apple,

6.
Baptized by social norms and locked away in hopeless closets
According to the Tautology of Leviticus…
until they cut their breath by the vein of soteriology;

7.
Misunderstanding of God’s words
Covets the innocent to early graves
In biblical paratactic irony…like God betting Satan for a Job.

8.
Rub fried chicken oil on Bartholomaeus Anglicus’ skin
and soil his white pride with ***** flavor,
for revenge  On the Properties of Things

9.
and howl out in glory of victory
over totes of  lickerish piper methysticum blunts
that beg the conundrum,
'What is the origin of this world?'
'Ether,' he replied.
But it is not ether!
Nor Datta. Dayadhvam. Damyata.
It is Dada. Dada. Dada!
  10.
For this is a record of the life stories of the greatest minds and geniuses of your generation,
written in boys and girls
who mimicked Basquiat’s genius and tagged bathroom walls with abstract philosophies like “Love is a prime number” and “ the weight of Duncan McDougall’s soul can only be found on the 15th of October”
who drank vampirish gulps of Vicodin while consoling themselves with aphorisms such as: “don’t rue the misses, you don’t need a Mrs. when you’re elevated by chemical kisses”
11.
Who stood naked in mirrors, weeping, for they were a mystery to themselves, but a great talent and soon to be legend to some.
Who lit cannabis in loneliness and waltzed naked with their ghosts, fantasizing about ****** tomatoes and Corpus Christi Mexican Jazz.
Who composed psychedelic anthems from dreams that were lost in ghettoes where virginities were lost for loaves of bread, for the hunger of bread.
12.
Who wrote suicide notes on a toilet seat, contemplating the texture of Marshall Mathers’ favorite underwear and whether the color green was an invention of **** Germany.
Who used to love their lovers in darkness and colored the streets of Manhattan with rainbows on June 24, 2011 to mark the date lady liberty finally bought a new pair of glasses.
13.
Who lost musical talents to a Wine-house and ended up in a whine-house where lobotomy was subsequently prescribed by the milligram.
Who indulged in pharmaceutical vices and when asked why replied simply, every recursively enumerable set is Diophantine.
Who diagnosed themselves with “start ****-itis” and self medicated by eating Fifinellas at the stroke of each midnight.
Who rubbed paraprosdokians on their skin and occupied Wall Street in search of a new euphemism for being American.
Who poured Alkalizer on a dead moose and kicked it while feasting on the divine question, “why does Rice play Texas?”
14.
who got bored with conventional relationships and bought the Origin of the World on street corners from vixens nicknamed “Jezebel” and climaxed atop of them screaming  “I’m in Babylon, the great Mother of ******!”
Who attempted suicides upon suicides upon suicides, in Oakland, until they were shipped away to private catholic universities in Rhode Island, where the history of Colossus was being taught.
15.
who serenaded love interests with four letter curse words at open bars where Kubla Khan was read and Tartars kings were licked all over like holy communion *****.
Who drove home with the spirits of wine and crashed on telephone poles where their obituaries were written in their prime, leaving their mothers weeping and calling congress to reconsider Prohibition.
16.
Who mixed Redbull with Propofol and drank the juxtaposition galore only to be woken up the next morning dead in their sleep.
Who tattooed rat poison packages with goodwill messages such as “****** divided by Water =6th day of creation” or “Seroquel + Brett Favre = St. Patrick”,
who went speedballing with Basquiat during autoscopy and woke up wondering the cost of Nautilus in Albuquerque.
17.
who took 33 hallelujah 1800 tequila jello shots and daydreamed about laying on Mithras’ grave, yelling, beetlejuice, beetlejuice…beetlejuice.
who found the truths of the Bible invalid by the miscalculation of Pi in 1 Kings 7, verse 3, and mailed death on anthrax letters to Reagan in protest.
18.
who sat empty bellied at breakfast tables wondering the temperature of satellites at Lagrangian points,  only to soon catch fire in their tongues and speak Labyrinth soliloquies that ended in
19.
Zion,
Where Google knows every answer.
In Zion
Where the youth, tomorrow’s future, quote a ***** named Hova better than they can quote Jehovah.
In Zion
Where *******’s art was used as weapon during the Cold war.
20.
In Zion
Where sartorial geniuses where no pants,
In Zion
Where David Kato Kisule is the secret hero of these words, for he was taken at a time
In Zion
Where we were supposed to be our ancestor’s sci-fi.

21.
In Zion,
Where the youth bear the scarlet letter X for they are a problem to tradition and hold no definition for the future, for they have discovered
In Zion
That the origin of this world is in their living eyes, and not in the dictionary of their ancestors who lived
In Zion
when the epitome of the literature of life ended in Revelation of Amen and Shantih shantih shantih;
this is a record of the greatest minds and geniuses there ever was, written
in Zion
where the meaninglessness and nothingness of Dada reigns, and the trinity of life now lives in the Subject, subjective and subjectivity.
http://www.amazon.com/OLAF-Nothing-Above-Fiction-ebook/dp/B009XZ9OVY/ref=sr_1_1?ie=UTF8&qid;=1353822133&sr;=8-1&keywords;=olaf+last+king+of+nothing
svdgrl Jan 2016
Somewhere along the long stretching lines
of misogyny and misunderstanding,
******* and child-******* became
false-terms that were accepted by the masses
to describe small exploited human beings,
survivors.
and **** became a title boys and men aspired
to achieve, and not quite directly the
selfish manipulative sociopathic ****
that it really entailed.
Thank you, Curtis Jackson.
In case no one has screamed it enough,
It's January 2016 folks.
Let's place ourselves in some perspective.
The stories are never just one,
but I'm getting angry and I'm fortunate
enough to be able to speak.
I've got privileges that need to be checked,
too.
Let's check off the privilege that I haven't been abducted
or coerced at 12 by he who claimed that I was wise beyond my years,
and plucked out of my family to do his bidding
under the guise of a mature relationship.
He's 26, but all I can see is the fact I could be older
than the other girls. An old soul in a small pre-pubescent body.
Which is what they tell you to make you feel special.
Let's check off the privilege that
I'm not given those funny feeling drugs to help me
cope with pain of losing my "virginity" to a high-rolling old man
who was fond of his size.
Let's check off the privilege
that even if I do manage to escape the slavery that I'm put in,
I'm labeled as a *** and used up and too ****** up to really be better,
by both my family and my peers
You don't have to cover your ears and eyes,
because you think you can't see me.
You think I'm over seas or in some true detective podunk village
in middle America.
You think I'm not in your school-yard or
I wasn't the girl you teased for being pregnant in middle school,
the one that disappeared and never came back.
That I might not be your troubled niece who keeps hanging with the wrong crowd and going to boarding school this summer,
but she runs away from home before she's sent off.
But we keep blaming *** education, welfare and alternative schooling as the bane of our children,
all these ads for awareness and underfunded programs to aid them
are quickly shoveled under the thick heavy expensive rugs of the Kardashians and Wests,
the golden globes and the best dressed,
and those horrendous child beauty pageants.
Let's stop absorbing this filler material that we shovel into our
kids brains,
and maybe teach our little boys what it means to be privileged,
and to protect by learning to respect.
Our little girls how far they can reach if they learn to never second guess their worth.
It begins with us. Let's stop turning a blind-eye and shut ear,
because we fear making a commitment to the belief
that men and women should be equal.
That yes, not all men,
but yes there are women,
and our experience is not the only story that needs to be understood.
And everyone has a privilege that needs to be checked,
but check your own first.
January is human-trafficking and slavery awareness month.
It exists among us, all.
Let's stop being part of the problem and learn how we can help.
Matt Feb 2015
Form is emptiness
Emptiness is form

1. Sunyata (Emptiness) is the profound meaning of the Mahayana Teaching.

Two thousand five hundred years ago, the Buddha was able to realise "emptiness" (s. sunyata). By doing so he freed himself from unsatisfactoriness (s. dukkha). From the standpoint of enlightenment, sunyata is the reality of all worldly existences (s. dharma). It is the realisation of Bodhi — Prajna. From the standpoint of liberation, sunyata is the skilful means that disentangle oneself from defilement and unsatisfactoriness. The realisation of sunyata leads one to no attachment and clinging. It is the skilful means towards enlightenment and also the fruit of enlightenment.

There are two ways for us to understand this concept of sunyata in the Mahayana context. One way is to try to understand the explanation about its true nature. The other way is the realisation through practice. What we are going to discuss now is about its true nature.

Mahayana teachings have always considered that the understanding of sunyata is an attainment which is extremely difficult and extraordinarily profound.

For example, in the Prajna Sutra it says "That which is profound, has sunyata and non-attachment as its significance. No form nor deeds, no rising nor falling, are its implications."

Again in the Dvadasanikaya Sastra (composed by Nagarjuna, translated to Chinese by Kumarajiva A.D. 408) it says: "The greatest wisdom is the so-called sunyata."

This sunyata, no creation, calmness and extinction (s. nirvana) is of a profound significance in the Mahayana teachings. Why do we see it as the most profound teaching? This is because there is no worldly knowledge, be it general studies, science or philosophy, that can lead to the attainment of the state of sunyata. The only path to its realisation is via the supreme wisdom of an impassionate and discriminating mind. It is beyond the common worldly understanding.

2. The Significance of Sunyata and Cessation

The Buddha always used the terms void, no rising and falling, calmness and extinction to explain the profound meaning of sunyata and cessation. The teachings of the Buddha that were described in words are generally common to worldly understandings. If one interprets the teachings superficially from the words and languages used, one will only gain worldly knowledge and not the deeper implication of the teachings. The teachings of the Buddha have their supra-mundane contexts that are beyond the worldly knowledge.

For example, sunyata and the state of nirvana where there is no rising nor falling, are interpreted by most people as a state of non-existence and gloom. They fail to realise that quite the opposite, sunyata is of substantial and positive significance.

The sutras often use the word "great void" to explain the significance of sunyata. In general, we understand the "great void" as something that contains absolutely nothing. However, from a Buddhist perspective, the nature of the "great void" implies something which does not obstruct other things, in which all matters perform their own functions. Materials are form, which by their nature, imply obstruction. The special characteristic of the "great void" is non-obstruction. The "great void" therefore, does not serve as an obstacle to them. Since the "great void" exhibits no obstructive tendencies, it serves as the foundation for matter to function. In other words, if there was no "great void" nor characteristic of non-obstruction, it would be impossible for the material world to exist and function.

The "great void" is not separated from the material world. The latter depends on the former. We can state that the profound significance of sunyata and the nature of sunyata in Buddhism highlights the "great void’s" non-obstructive nature.

Sunyata does not imply the "great void". Instead, it is the foundation of all phenomena (form and mind). It is the true nature of all phenomena, and it is the basic principle of all existence. In other words, if the universe’s existence was not empty nor impermanent, then all resulting phenomena could not have arisen due to the co-existence of various causes and there would be no rising nor falling. The nature of sunyata is of positive significance!

Calmness and extinction are the opposite of rising and falling. They are another way to express that there is no rising and falling. Rising and falling are the common characteristics of worldly existence. All phenomena are always in the cycle of rising and falling. However, most people concentrate on living (rising). They think that the universe and life are the reality of a continuous existence.

Buddhism on the other hand, promotes the value of a continuous cessation (falling). This cessation does not imply that it ceases to exist altogether. Instead, it is just a state in the continuous process of phenomena. In this material world, or what we may call this "state of existence", everything eventually ceases to exist. Cessation is definitely the home of all existences. Since cessation is the calm state of existence and the eventual refuge of all phenomena, it is also the foundation for all activities and functions.

The Amitabha Buddha who was, and is, revered and praised by Buddhists around the world, radiates indefinite light and life from this "state of cessation". This state is a continuous process of calmness. It will be the eventual refuge for us all. If we think carefully about the definitions of calmness and extinction, then we can deduce that they are the true natural end-points of rising and falling. The true nature of the cycle of rising and falling is calmness and extinction. Because of this nature, all chaos and conflicts in the state of rising and falling will eventually cease. This is attainable by the realisation of prajna.

3. Contemplating the Implications of Sunyata and Stillness (Nirvana) by Observing Worldly Phenomena

All existences exhibit void-nature and nirvana-nature. These natures are the reality of all existence. To realise the truth, we have to contemplate and observe our worldly existence. We cannot realise the former without observing the latter. Consider this Heart Sutra extract, "Only when Avalokitesvara Bodhisattva practised the deep course of wisdom of Prajna Paramita did he come to realise that the five skandhas (aggregates, and material and mental objects) were void."

Profound wisdom leads us to the realisation that all existences are of void-nature. The sutras demonstrate that the profound principle can be understood by contemplating and observing the five skandhas. We cannot realise the truth by seeking something beyond the material and mental world. The Buddha, using his perfect wisdom, observed worldly existence from various implications and aspects, and came to understand all existences.

In summary, there are three paths to this observation:

a) We should observe the preceding state and the current state of conditions. i.e., Observation according to the concept of time.

b) We should observe existences according to their interrelationships. i.e., Observation via the concept of space (either two or three-dimensions).

c) We should observe the true nature of all myriad beings. This is like observing the worldly existences of a point, a line and an area. Those with supreme wisdom understand the true nature of all worldly existences by observing vertically the relationships between the preceding and current conditions, and horizontally the interrelationships. Then we can understand the true meaning of void-nature and nirvana-nature.

3.1 By observing the preceding-stage and the current-stage conditions, we can verify the Law of Impermanence of all worldly existences. All existences, be they material or mental, be they the material world, or the physical or mental states of sentient beings, are subject to continuous change.

The world may have certain states of beings where they stay static or are in equilibrium on a temporary basis (for example hibernation). But when we observe them with supreme wisdom, we will find that not only do they keep changing on a yearly basis, but also that this change applies to even every briefest moment. After the current state of conditions have ceased to exist, the newly-formed state materialises. This is the state of rising and falling. The rising and falling of each small moment reveals that all existences are ever-moving and ever-changing.

Conventional scholars have a very good explanation of these ever-changing worldly conditions. However they, including the practitioners of dharma, try to make sense of the reality from the ever-changing worldly existences. That is, they are fooled by the material existences and are not able to understand the deeper truth of all existences.

Only those with the supreme wisdom of the Buddha and Mahabodhisattvas realise and understand that all existences are illusions. They understand that existences are not real from the observation of the flow of changing existences. The numerous illusionary existences may well be diverse and confusing, arising and decaying. But when we look into their true nature, we will find them void and of nirvana-nature.

On the other hand, since all existences are of nirvana-nature, they appear from the perspective of time, to be ever-changing. They never stay the same even for the briefest moment. Impermanence implies existences do not have a permanent entity. This is another implication of the nature of sunyata and stillness.

3.2 From observations of existence via inter-relationships, we can conclude that nothing is independent of the Law of Causation, and that everything is without ego. For example, the Buddha explains that the individual sentient being is composed of physical, physiological and psychological phenomena. The so called ego is a deluded illusion which does not exist in reality. Its existence depends on the combination of both physical and mental factors. It is a union of organic phenomena. Thus we call it the empirical ego. It is a mistake to cling to it as an infatuated ego.

The Indian concept of the supreme spirit implies someone who rules. The spirit is the ruler who is independent of is self-dependent and all causes. In other words, the spirit is the one who is free from all primary and secondary causes (for physical and mental aspects). The spirit is the one who has the soul of his own body and mind. This is the ego or supreme spirit that the theologists cling to. From their view point, the only way to avoid physical and mental decay is to be self-determined and self-sovereign. In this way, the supreme being can stay permanent in the cycle of reincarnation, and return to the absolute reality by liberating himself from life and death.

But from the profound contemplation and wisdom of the Buddha and Mahabodhisattvas, we know there is no such reality. Instead, egolessness (non-self) is the only path to understand the reality of the deluded life. All existences are subject to the Law of Causes and Conditions. These include the smallest particles, the relationship between the particles, the planets, and the relationship between them, up to and including the whole universe! From the smallest particles to the biggest matter, there exists no absolute independent identity.

Egolessness (non-self) implies the void characteristics of all existence. Egolessness (non-self) signifies the non-existence of permanent identity for self and existence (Dharma). Sunyata stresses the voidness characteristic of self and existence (Dharma). Sunyata and egolessness possess similar attributes. As we have discussed before, we can observe the profound significance of sunyata from the perspective of inter-dependent relationships. Considering dharma-nature and the condition of nirvana, all existences are immaterial and of a void-nature. Then we see each existence as independent of each other. But then we cannot find any material that does exist independent of everything else. So egolessness also implies void-nature!

3.3 From the observation of all existences, we can infer the theory of nirvana and the complete cessation of all phenomena. From the viewpoint of phenomena, all existences are so different from each other, that they may contradict each other. They are so chaotic. In reality, their existence is illusionary and arises from conditional causation. They seem to exist on one hand, and yet do not exist on the other. They seem to be united, but yet they are so different to one another. They seem to exist and yet they do cease! Ultimately everything will return to harmony and complete calmness. This is the nature of all existence. It is the final resting place for all. If we can understand this reality and remove our illusions, we can find this state of harmony and complete calmness.

All our contradictions, impediments and confusion will be converted to equanimity. Free from illusion, complete calmness will be the result of attaining nirvana. The Buddha emphasised the significance of this attainment and encouraged the direct and profound contemplation on void-nature. He said, "Since there is no absolute self-nature thus every existence exhibits void-nature. Because it is void, there is no rising nor falling. Since there is no rising nor falling, thus everything was originally in complete calmness. Its self-nature is nirvana."

From the viewpoint of time and space, we can surmise that all existences are impermanent, all existences have no permanent self, and nirvana is the result of the cessation of all existences - the Three Universal Characteristics. But there are not three different truths. Instead, they are the characteristics of the only absolute truth and the ultimate reality. This is the explanation of Dharma-nature and the condition of nirvana. The three characteristics are the one characteristic, and vice versa!

We may cultivate our meditation, contemplating the impersonality of all existences. This will lead us to enlightenment via the path of voidness. Contemplating nirvana and complete calmness leads to enlightenment by the path of immaterial form. Contemplating the impermanence of all existences, leads us to enlightenment by the path of inactivity (no desire).

The Three Universal Characteristics are the other implications of Dharma-nature and nirvana. The paths to enlightenment are also the same cause of absolute reality. All of them return to the Dharma-nature and the condition of nirvana. In short, the teachings of the Buddha start from the observation and contemplation of all worldly phenomena. They are like thousands of streams of water competing with each other, and flowing from the top of the mountains to the bottom. Eventually, all of them return to the ocean of voidness and nirvana.

4. Sunyata and Cessation is the Truth (Nature) of All Existences.

All existences that are recognised by worldly understanding, whether materially, spiritually or intellectually, have always been misunderstood by us. We cling to them as real, physically existing and permanent. Actually, they are only unreal names.

The more precise meaning of the term "unreal name" is "assumption" or "hypothesis". It is an empirical name. It is formed by the combination of various causes and effects. (These include the effects of mental consciousness.) It does not exist by itself. Everything exists relatively. Thus, what is the ultimate truth? If we investigate existence further, we realise that all existences are empty. This is the fundamental characteristic and reality of all existence. It is ultimate and absolute. But we should not think that empty means nothing. It implies the disentanglement from the worldly misunderstanding of the existence of self, identity, and the realisation of the absolute.

In the Sutras and Abhidharma, the worldly understandings are sometimes referred to as all phenomena (Dharma). Sunyata is referred to as "Dharma-nature", and hence there is a distinction between "phenomena" and "Dhamma-nature". However, this is only an expedient explanation that helps us to realise the truth of sunyata through the phenomena of all existences.

We should not think that "existence" and "nature"; or the "phenomena of Dharma" and "Dharma-nature" are something contradictory. They are just concepts needed to understand the implication of sunyata.

We may analyse the exp
Seeker Jun 2017
you said it was just a misunderstanding
but it wasn't
how could you say that
i understand perfectly what happened
why can't you

it was not a misunderstanding
i said no
i said stop
i cried
i yelled
i trembled
and i was in both physical and mental pain

but he didnt listen
he was forceful
and aggressive
and i couldnt wrap my head around what just happened
until several hours later

you found out the next day
and decided to come up with your own conclusions
but you won't listen to what actually happened

you ignore
and pretend its nothing
that it was a misunderstanding
and that i am okay

well i am not okay
it was not nothing
and its okay to not be okay
and its okay to have something going on in your life

but you weren't there for me
even though you tell everyone you were
she wouldn't be proud
and you know exactly who I'm talking about

she's looking over not just me
but you as well
and she's devastated

as well as i am

because it was not a misunderstanding
it was assault
it was ****
it was wrong
La Mer Sep 2014
Each fast forward is a misunderstanding
Though it remains the same, just darkens with each handing
Harder for me to capture what’s written in ink
When the physical now takes over all that I must think
Seeds are the beginning of an expected progression
But a tree that stands tall is Old without Lesson
Shameful to hide behind mountains of growth
When you recognize the same scars in each and in both
Ironic is paper that is stripped down from tree
When words of my root are setting me free.
Nidhi Jaiswal Aug 2020
Where there is misunderstanding,
There is no perfect relation...
"Everyone accepts this truth as true"
But still,
I felt sometimes...
"Misunderstanding is perfect way to understand"
I know,
May be my thoughts are right or wrong...
"According to situation"
But still.....
Misunderstanding is filled with sorrow for few moments,
But When we understand,
"It clears our doubts and makes our relation as strong as much possible"
So about my opinion....
''Misunderstanding is the better way to understand"

''Misunderstanding is the better way to understand"
i feel sometimes so much sorrow and pain, when i misunderstood but after few moments, when i understand...than i feel better as soon...
SO;
according to me..
''Misunderstanding is the perfect way to understand"
Sarah Richardson Aug 2014
Innocence scrawled on a blindfold,
"Unfair" whispered from within.
Two subjective perceptions of the objective;
Two dreams disguised as reality.
Eyes glazed over with self assurance
you're wrong, you're wrong, you're wrong.
and now I'm sorry.
Excuses emerge from hidden willful blindness,
Searching for the core - where misunderstanding sits;
Two mouths moving, saying nothing.
Four eyes staring at the same painting, seeing different things.
Two hearts so submerged in cement that they've forgotten to beat.

The poisonous fog clears and drips onto our worlds melting all that we've built, but instead of taking everything, it's waken us up.
nosipho khanyile Jul 2018
I looked at society in the eye
and asked her
why she's so flawed.

she glared at me before saying that

I cannot antagonize her
when all she did was
give identity to a lost world
Joseph Childress Sep 2010
Let us not
Sit behind our stares any longer
The watch
Is moving
Why don’t we
Love’s paralysis
Is stronger
Than I expected
Shall it be
A falsehood
Of my misunderstanding
Or am I
Still
Standing here for a reason
Leaving
Chance to do my bidding
Abiding
By the construed rules
Of attraction
As I pause at awe
Awfully beautiful
An unlawful marriage of the minds
My unknowing bride
Lies in front of me
My truths lay juxtaposed
In the background
Just a pose
On one knee
Proposing to
My wife to be
Ha!
My imagination
Get’s the best of me
You still
Don’t know
My name
Nicklaus Bailey Oct 2019
1-Establish Lux as a farmer with his brother, father, mother. Show dissatisfaction at a lot in life, yearning for more, however Lux feels compelled to stay with family and help them. Establish a close relationship between the brothers, a good mother/son relationship, though a testy relationship with his father. Strange symbol branded on Lux’s chest, been there since he was a baby, no one is sure what it means- or no one is telling him. This is Lux’s L.S. beginning. Establish also is the world Lux is in, the facts of the ministry and the church, the knights and wars of before.
2-Introduce a festival in town with knights from “The Brotherhood” being present, establish them as knights capable of magic and swordplay, “The Brotherhood” knights are taking new recruits at the festival. Wanting to join, Lux goes through the trials and passes, though after a harsh reaction from his father, Lux does not leave with the knights. With Lux out of scene, a conversation between the mother and father should reveal the man is not in actuality Lux’s father, but his uncle, and his brother had been married to Lux’s mother (now his wife) though died fighting in a war between “The Brotherhood” as a member of their ranks, against a rival faction known as “The Order”  peak lux’s curiosity and focus on the desire to leave as established in the previous chapter. This and the next chapter are Lux’s “Go The Distance”
3-The end of the week long festival nears, and Lux is on a hunting trip with his younger brother, returns and is questioned by his father why he wants to leave so much. The truth of Lux’s true father is revealed, and though Lux’s uncle expected this to convince Lux to stay and not go into danger, Lux is angered rather, and leaves in a hurry to catch “The Brotherhood” knights before they leave. Lux is put under the tutelage of a man who claims to have known Lux’s father, though it is revealed Lux’s little brother followed him, and is taken into the recruit pool as well, despite never going through the testing. Note- perhaps have Lux refuse to go with the knights if his brother is not also offered a spot? Hero’s journey, he needs a moment of hesitation and refusal to go. This should be reflected like Lukes refusal to join ben, or Bilbos refusal of gandalf, but quickly change their minds.
4-Training begins the moment they arrive at a camp. Lux and his brother are immediately outfitted with leather armor, dark and gritty in contrast of the shining metal of the rest of the knights. Lux is doing well in training, sword play coming natural, shakey with a bow, and ofcourse a natural talent at magic, (though make a point that in fire spells Lux only manages to start small flames that he can throw, and struggles with healing magic) though his brother is struggling in all aspects and is beat by his trainer. Lux’s trainer urges Lux to ignore it,though Lux finally snaps and challenges the man. The two enter a circle made in the dirt with training swords, and though Lux appears to have the advantage at first, he is quickly beaten and left gasping and ****** on the floor. The trainer leaves Lux there, and soon a hand reaches down to Lux. A female trainee named Ciara picks up Lux and, joined by his brother, the three wander off for more training for the instructors. Introduce Peter, a man deeply infatuated by Ciara, rather than a knight Peter is a Father to the holy church, unable to fall in love and forbidden to marry. Subtle on Peter’s infatuation with Ciara, should really build Peter as a good friend to Ciara,
5. Lux, his trainer, CIara, and her trainer are all out in the forest doing patrol after reports that remnants of “The Order” have picked up their pace in activity in the surrounding areas, raiding small towns and taking young men and women as recruits. Lux and Ciara are separated for a time and grow closer through talk and laughter when they see two knights in armor that is shining silver on almost the entire body though the right arm and pec are a scarlet red, drinking water from a stream. Confirming with each other that is the description of “The Order” Ciara says they should find their trainers though Lux charges. Ciara is close behind, catching the two off guard. Both are quickly overpowered through the use of advanced magic from “The Order” but Ciara’s trainer jumps in, kills one, but is killed by the second. As he turns, Lux throws his dagger and hits the man in the eye, killing him. Lux and Ciara carry her trainers body back to camp. Ciara refuses to speak and when greeted at the gate by Peter, she embraces him and cries into his shoulder. Have both Lux and Ciara attempt healing magic to no avail. Have Lux grow frustrated at feeling the ABILITY to heal, but unable to do so.
6. Lux is punished for charging, while his trainer is taken to a secret meeting where they discuss what to do with Lux, but out of respect for his father, they keep him in “The Brotherhood”. Lux has not seen Ciara since the incident, though he can see her in the crowd when he is being taken to be whipped, and receives 10 lashes, to Peter’s dismay who recommends either banishment or death. After the punishment, he is cut loose from the posts holding him up and Lux’s brother charges the ground, picking his brother up and taking him to his bed. As they pass Lux manages an apology, but is unsure if she accepts it. Lux is informed she will be trained alongside him. Make Peter do some ******* **** idk. Resenting “The Brotherhood” Lux should vent to his brother about his growing distrust of the situation, asking if his brother has felt the growing gap between what they feel they can do, and what they can do.
7. Show training between Lux, Ciara, and brother, distinguish a growing connection between Lux and Ciara, much to Ciara’s surprise and reluctance. Show Lux go into his trainers room while he is absent, and sees a sword on the wall, bearing a strange symbol. Lux trainer will explain that the sword should belong to Lux as it was his fathers, and when it is time he will inherit the blade but for now he must leave the blade alone. Lux asks about the situation behind his father's death. Explain the following: The Brotherhood were not always the knights guarding the royal family, before his birth the royal family was guarded by The Order, who are the reason The Brotherhood practice both swordplay and magic, as the Order are master swordsman and powerful wizards, prolific in blood magic and necromancy. When one member of The Order desired the throne for himself, he split The Order in 2. The Brotherhood worship the Gods, but in his desire and lust for power, the man struck a deal with the old gods, evil barbaric entities who require blood and death as sacrifices for their eternal power. This is Nero, a man that Lux’s father took in and treated as a brother, both being trained as knights for The Order. During the civil war, Nero attacked the Royal Palace and though he was badly defeated, he did **** Lux’s father in the battle. End chapter on this story. This chapter should be shows as Lux is uncertain of The Brotherhood and his trainer, but with the story of his father, he is conflicted. If it is true, then they are just. If it is wrong, how many more lies has he been told?
8. Show Lux becoming prolific with a blade and very intimidating magically. When he, Ciara, and his brother are sent on a mission with no trainers for the first time, Lux naturally takes charge. They track knights of The Order down to a cave, where they are tested both physically and magically. Ciara and Lux both protect brother as much as they can, though brother is able to hold his own. They manage to corner one who instead of being taken prisoner, stabbed himself in the stomach after giving an ominous warning. As Lux approaches the body, he sees on the cave wall a crude drawing of a man with the same symbol on his chest as Lux’s, holding a sword with the same symbol as Lux’s fathers, a figure resembling a large black and red dragon behind the man. Dismissing it, Lux tells Ciara and brother to not bother approaching, and the last of the knights are dead. The report back to base, and Lux informs trainer of what happened, leaving out the symbol.
9. Word carries out on base that more and more caves are being found with members of The Order, all with strange paintings on the walls. Peter speaks with the knights, explaining he has been praying and granted visions of a large scale battle. Have Ciara grab Lux’s arm at the sound of war, which Peter will notice (important for later) and in a hesitation to prepare for a battle that may or may not come, the commander of the camp demands the trainees be knighted, their proper gear be made, and to meet with the main force.
Cut from Lux to Peter alone in a church, praying to the Holy Mother begging for guidance away from the desires of his heart, and in his prayers Peter slowly realizes that he will not give up his desire for Ciara and decides to betray the Brotherhood in hopes Lux may die and he may be able to gain Ciara’s affection. Peter is seen leaving by Lux, though when questioned says he is going for more Fathers to pray and meditate on the matter.
10. Peter tracks down members of The Order, informing them that he wishes to give them valuable information, surrendering to them. Peter is taken to the leader of the knights operating in the area, and in exchange for one thing, is willing to tell The Order where The Brotherhood is, where they are going, their numbers, and anything else that will be of use. All he wants is them to make Ciara fall in love with him./ While Peter is doing this, Lux is kneeling in front of his trainer who knights him with fathers sword. (maybe do a crusader knight knighting, this is oath/this is how you remember it) When Lux is handed his father's sword, the cold metal instantly feels warm and the grip adjusts to his fingers and though it looks heavy, appears just the right weight to Lux. Lux is given armor, though when he takes his shirt off he sees the symbol on his chest glowing, same as the symbol on the sword. Trainer only says “magic is a strange thing, boy” and Lux is put into armor and finally leaves the shed a knight after only 2 months of training./back to Peter who is given a potion, told to have Ciara drink it and leave with her before they make their move. As Peter leaves, the leader barks orders to men who address him as Nero. Perhaps instead of Peter getting the potion straight from Nero, have him get it on a witch in the woods who is secretly affiliated with Nero, have to work out how she gets the information from Peter, but she could use magic to contact Nero after. Perhaps part of the agreement is Peter must turn his back on his abandoned faith and be her student and as a test of loyalty he must tell her everything he knows.
11. As The Order masses its numbers, knights of the Brotherhood are entering the giant city dedicated to The Brotherhood(Remulus? Romulus?) and Lux is in awe as he sees the a giant palace, and near it a graveyard with tombs. The tombs are the resting place of knights of The Order who gave their lives in service to the royal family, and now knights of The Brotherhood join their numbers. A newly marked grave is standing as a monument to Ciara’s trainer. The day is given to them to explore the city, and Lux/Ciara are alone together. Share a kiss. Witnessing the kiss, Peter comes from the shadows and informs them that curfew is near, and they should be heading back to the castle/as Peter watches the two make way to the castle laughing/holding hands, he heads to a monastery. He kneels before a picture of his god, praying asking to be told what to do. He knows he is a man of faith, so why are lust and desire even capable of entering his heart? He begs for pardon from sin as he sets his heart on giving Ciara the potion.
12. Now that the trainees have been knighted and the generals have been informed of Peter’s vision, prepare for war. The inhabitants of the city and many villages around are all pulled into the Castle’s walls, able bodied men and boys are given swords, women and girls find refuge in the newly emptied dungeons (all criminals hung/drafted?) Lux is witness to a battle plan, and overhears that during the last battle at the capitol city, The Order had used dragons to its aid, and though there were no confirmed sightings of dragons now, The Brotherhood should still set up catapults and bastilles on the off chance. Lux finds his brother and Ciara and informs them of what he has heard, though Peter comes and informs them that Lux must just be tired from nerves, and no one has seen a dragon in a generation. End with Ciara stopping a near brawl between the two, and Lux heading to his bed alone, and Peter now with Ciara, when a sound fills the halls. Scouts are reporting a massive army on the outskirts of the city.
13. Rain. Silence. Lux, Ciara, and his brother are among the numbers at the front gate. Rain hitting the ground. Hitting armor. Men are vomiting. Peter along with other priests are swinging burning incense between the rows of men, chanting prayers and songs of their god. Pounding. Pounding so hard that when it hits the front gate, the rain flies off the door and hits Lux’s face. Lux looks to his brother. The two nod. Lux looks into Ciara’s eyes. The two kiss. Confess love. The gate is broken open and the war begins with a thunderous roar in the sky, a dragon spewing fire on archers perched on castle walls as troops charge. Lux and the other knights hold their positions with a great clash the two armies finally meet. In screaming and fighting, Lux loses his brother, and The Brotherhood are pushed back, further and further. Lux manages to grab Ciara’s arm and the two run to a set of stairs going down to one of the dungeon entrances to warn the others that they are losing, when the dragon knocks over a giant pillar, stones hitting the two. Lux stays conscious from the first hit, and sees Peter approaching an unconscious Ciara with the potion in hand. Stuck beneath rubble, Lux watches as Peter pours it in her mouth and wakes her with a kiss. Begging Ciara for help frantically, she walks away with Peter, and as Lux cries out for his brother, more stones hit, causing him to go unconscious.
14. Lux awakens in an unfamiliar setting, on his knees. His hands shackled to the wall, his armor and sword feet in front of him, a man standing behind them. The man asks if Lux knows who he is. Looking up, Lux can see from the torches a tired face. Shaking his head, the man informs Lux, “I am Nero, commander of The Order, Captain of the Conquered Reaches, and rightful heir to the throne. And you are Lux. My nephew,” Nero smiles, touching Lux’s face. Accusing Nero of killing his father, Nero softens his eyes at Lux and stops moving. A look of sadness. “Your father's mistake is the single most regrettable accident in my life,” tells Lux more and more about his father. Informs Lux why the symbol is on his chest. Its magically bonded to the blade. It makes blood magic more powerful. Nero then informs Lux that his father had found a dragon egg just like Nero did, as Nero pulls the egg from his robes, shiney and black with streaks of scarlet. Nero offers Lux out of this cell, and he will gladly show him the ways of blood magic and make sure that Peter pays for his betrayal of the other knights. “I do not find The Brotherhoods newest members traitors, how can they betray a cause they never were offered? But how do you think we knew you were going to be there when we did? All of this has been for you, Lux.” with a wave of his hand, the shackles fall off Lux’s wrists and he falls forward. Reaching to the egg, Lux hesitates slightly, looking down and seeing his reflection in the water. With a wave of his hand, Nero projects the image of Peter kissing Ciara deeply. “That passion she gives him should be yours. I cannot create love. Only transfer it with a potion. When peter described the man who took his beloved, I should have realized. But together, I can rid the potions course and Peter will pay, Lux,” and as Lux watch Ciara enter Peter’s bed, he firmly grabs the egg, which begins to shake and crack in his hand, emerging a tiny dragon. Nero’s past: Nero will portray his story as such: He discovered that Lux’s mother is the illegitimate daughter of the queen. When Nero went to tell Lux’s father, he was stopped by the queen who attempted to have him killed, for if it was discovered that her late husband had an offspring, she would have a claim to the throne. In the ongoing fight, Nero claims he accidentally killed the queen and was discovered by Lux’s father. The fight was a misunderstanding and he was never able to tell him the truth of his soon to be (pregnant) wife. The split of The Order were those who believed Nero and those horrified at the death of the queen. Nero claims the royals betrayed him and those who followed the truth. Show a refusal to believe at first, though as his imprisonment lasts, and he goes over it again and again in his head, for weeks as Peter gets further away with Ciara, left with visions of Peter and Ciara making love, his Nero pleading with Lux’s father, and the conflict. Ambiguous if this is actually true or just indoctrination.
15. Lux’s training begins immediately. He is placed in the middle of a circle, men attacking from all directions and must fight them off with his blade and newly learned blood magic. Slicing his palm before gripping his blade, the warm metal now burns hot in Lux’s hands, and he drops the blade. Scolded with beatings and lashings, Lux learns how to embrace the pain. Magic flows through him stronger than ever as he adapts. Fire flows from his tips when before he could only manage an ember. He heals fatal wounds when before he could hardly manage a small cuts and broken bones. Lux is routinely beaten and whipped, his dragon growing and watching all the while. Weeks go by. Lux concentrates only on killing Peter and revenge. Pain, anger, and of course blood fuel blood magic to its extremes.
16. Lux’s brother is brought into a small room with other generals who managed to escape the battle of the capitol. He is questioned if he has heard from Lux, Peter, or Ciara as their bodies were never found. All the remaining forces are falling back to the capital, where a final stand will once again be made. Lux’s brother is told he may visit home one last time and must report to the capital in no more than 5 days, and his trainer will accompanying him/Lux is kneeling once again before Nero, though he feels the sword tap either shoulder as he is knighted into the brotherhood. He is given shiney armor and as he puts it on, is instructed to place his sliced palm on the opposite shoulder and watches as his blood flows into the metal, turning that arm and shoulder scarlet red. He is officially in The Order. Lux is tasked with one task to prove his loyalty. **** his stepfather and attempt to convince his mother to come swear loyalty to nero if she refuses, **** her too. If he does that, when he returns his dragon will feed on the personal sacrifice and be ready for battle, and in return Nero will make sure both Peter and Ciara are waiting for him. “It will be done, Lord Nero.” show conflict in Lux if he is truly willing to do all of this, and conflict on loyalty to Nero. The Dragons growth and power is connected to Lux’s ability in blood magic. The more anger, hate, and pain he puts into his abilities, the stronger the dragon will become.
17. Chapter starts with Lux standing outside his old house in the early hours of the morning, the sun peeking out of the mountains but being quickly covered by storm clouds. As darkness settles over the brief light illuminating the house. Lux enters the house. His stepfather enters the room hearing the door open but is grabbed by the throat.during the fighting, Lux manages to strangle his step father and throws his body to the door as his mother is running into the room. As she surveys the situation, there is a cry from the door, and Lux’s brother and trainer are standing in the door, sword in hand. Lux begins to unsheathe his sword but his mother moves between them, talking to the brothers. Lux demands to know from his trainer if what Nero said is true and that his mother is the rightful heir. Confirming Nero’s story partially, though claims that Nero attempted to blackmail the queen with the knowledge of the heir to gain more power. Lux tries to persuade his mother to join him and come be with Nero, that his father would have wanted this. When she refuses, he explains that she would not understand what he HAS to do to end this war, and when he is done the conflict will be resolved and order restored. Argument between lux and brother over oaths broken. Mother approaches Lux, touching his face tenderly speaking softly watching as her son is breaking. She offers him to leave the conflict entirely and to just live home with her, though as she turns to face Lux’s brother, Lux stabs her. Gasping she looks back to Lux, touching his face once more, “You look so much like your father in that armor” Lux , trainer and brother fight, Lux leaves his brother unconscious in the house quickly, though he kills his trainer outside, taking the bodies with him back to Nero.
18.Lux returns to the agreed upon spot to meet Nero, but is instead met by Ciara, who in his confusion and hesitation desperately tries to convince her to leave with him when out steps Peter with a staff in hand, who has now learned the magic of the old gods. When Lux raises his hand, his dragon lands behind him with a mighty roar. With a smirk, peter does the same, and a white and blue dragon lands behind him, a roar just as mighty. The dragons take to the air, circling and roaring, spitting blue and black flames at one another as Lux and Peter fight to the death. Just as Lux manages to defeat Peter after taunting and back and forth, there is a loud crash as Lux’s dragon lands on the other teeth in its neck, ripping its head off entirely. Ciara comes to her senses immediately, seeing Lux in armor of The Order standing over a wounded and ****** Peter, the blood spraying on them. Stepping toward Ciara, Lux is surprised when she steps back in fear. Allowing her to leave, Lux watches as she sprints away. The conversation between Lux and Ciara should be that of both trying to convert the other. When no understanding is made between the two, it is Lux’s love for Ciara that allows her to leave, she sprints to the horses and makes her way back to The Brotherhood. Turning back to a wounded Peter, Lux raises his sword when his eye catches sight of a faint glow on Peter’s chest. Kneeling to rip the man's shirt out of the way, Lux finds the same symbol that is on his sword and own chest. Peter is Lux’s lost twin.
Will add more, unsure how to end the first book. (Have a trilogy in mind)
Claire E Jul 2013
I remember that spring morning all too well
As much as I wish I could forget
It was the Monday after prom
I came into math class, the teacher was eyeing me sympathetically
Then the principle came in with tears in her eyes
What was going on?

She started balling, I could barely make out her words
Then I heard her loud and clear
You were dead
No. No. No.
Surely I misheard
Surely this was all a big misunderstanding and the boy in that car wasn't you
Surely you'd stroll into class 10 minutes late as usual
But it was you in that car
And you never strolled into class again

I remember when I told my best friend, the girl you loved and who loved you
As I told her you were dead I watched the life drain from her face quicker than an avalanche falling,  and it has yet to return

And now her face is a reminder
And now your empty desk is a reminder
And now that bench where you used to sit all the time is a reminder
And that one less chair at our graduation is a reminder
And that picture of you in the hallway is a reminder
Everything is a reminder

No one really knows what happened to you that night
Do people really crash into brick buildings on accident?
Maybe you lost control of the car
Maybe you lost control of your life

All I know is seventeen is way too young to die
All I know is we should've been talking about prom that morning  
Who kissed who, who wore what, who's after party was the best
But instead we were mourning the death of a classmate
That morning we lost you, and along with you, we lost our innocence too
Misunderstanding
Must be the reason for this
I don't know anything
And I am basing my thoughts
Off of misguided feelings.
Raphael Uzor May 2014
What I said...
What you heard...
Were light-years apart!
10w
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
Ursula Wolf Mar 2023
I feel like there’s something in my heart.
Not you, not a feeling,
Rather a misunderstanding.
It raises when I take a breath,
But it never leaves with my words,
Rather it clings and screams.  
It wants my attention.
Care and appreciation,
But it only gives humiliation.
Like You did.
All my cells, my muscles and bones
My beautiful heart, brain and organs,
They learnt to behave to Those words.
Awful and cruel words.
My body still thinks I deserved them,
This clingy misunderstanding.
There are words that can hurt and traumatise our body more than you think and those words could stick with you forever. After some time your body reacts even without thinking. Be kind to yourself and don’t let those words win you over!
McKenzie Kohls Jun 2015
I don't feel a barrier inbetween us, as long as nobody is looking.
(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.
So often we associate love directly with pain.
We accuse it of causing us
Anguish
Damage
Misery.

Irrationally deciding
To never engage
With another being
On this deeper level again.
Convinced
We must avoid such harm.

But wait—
Is this merely a way
To justify the ways in which
We allow our feelings to hold the power?
Consume us
Confuse us and
Take complete control?

Strip down your hurt
Your anger and
Your bitterness.  
You may see clearer
Recognizing
It is not the presence of love that is hurtful.

Rather
The absence of love
The loss of love
The misidentification of love
Igniting these feelings within.

Truth is,
When love is open
Honest
Pure and
Present
It is truly an invaluable treasure.
If a husband and wife don't quarrel or if a
husband and wife have never quarreled
before, then it means that they are not
telling each other the truth. If a boyfriend
has never quarreled with his girlfriend
before, it means they are deceiving each
other. What am trying to say is that two
couples must have a misunderstanding or
quarrel. It is normal. But what is not normal
is malice. I have seen cases where a
husband and his wife don't greet each
other for one week and yet they are living in
the same house. I have seen cases where
husband and wife don't talk to each other
for many days because of a small quarrel
that happened. I have also seen a case
where a man refused to eat his wife's food
because his wife quarreled with him. A
boyfriend will not call his girlfriend for many
weeks because of one little misunderstanding.
Why? Because of ego. Nobody wants to
be the first to apology. This is very bad.
Malice destroys marriage and relationship.
When both of you had a quarrel, do not
nurse the anger for up to 24 hours. If your
partner did not apology, be the first to say
"am sorry" even if you are not at fault. Just
do it for the sake of peace. Two wrongs
cannot make a right. Save your relationship.
Any man who refuses to eat his wife's food
because of a quarrel is a boy. The man is not
mature at all. Malice is childish. Mature
people quarrel and settle and play together
again on that same day. Save your
marriage.
Save your relationship.
MdAsadullah Nov 2014
He gave a negative comment.
She took it in a positive way.
He called her ' A Model '.
She interpreted ' An exemplar '.
But he meant ' A Copy '.
Upon the mighty raging sea, whirlpools of fiery sparks, Catherine wheels of light and mist mix with the foam of time. Tossed by unseen movements a tiny globe is floating on the tides and flotsam swirls around its contours, attracted by invisible smooth ripples. Dashed to smooth curves, rare and precious treasure pebbles dance in the flotsam, around the tiny globe, lost in that vast sea, tossed aside by finned entities. Together they ride the foam of endless ocean.

Upon his bed of green soft flotsam, in peaceful tranquillity, gazing out at other treasure pebbles, upon the most precious jewelled blue sapphire, swimming in the azure sea, the purple man soaks up the rays of green made by the yellow globe.

The purple man sees and understands.

The lines of his world are shining silver light, for him there is no darkness in the night. Beset by cares he glances at the fractal flotsam and sees himself reflected, unfolding, timeless. Cares melt in mellow green.

The purple man fades and expands, his nebula fills the ocean wide and everything folds, unfolds; breathes in and out. Allfather stands beside the gate.

Where the fish swim and water snakes, where rivers run and wash the mountains silt upon the shore, there one day the star man came descending from a ship that sails the ocean Sky. The purple man was dreaming as before. From far away where people live in light, from where there is no hunger, fear or pain, where none deceive because there is no gain, where power is within and all are free, Wayland came.

Sitting by the river in the mud his fingers sinking into rich red clay he saw this world so full of music and in love, he sought the matrix seeds that dormant lay. Weaving the matrix then this Wayland made a pair of people from the clay and calling to the green fire of life, he gave them this garden free, to care for and in which to learn and play.

The purple man, who on his misty pillow lay said to Wayland then,

“Will you not stay?” The star man answered,

“I have so far to go and there is so much I want to see, you stay here awhile and tell them this: they are the keepers now of flotsam Zu, and you can teach them all that they must know. Say to them and get it right, 'you are the children of the light, travel where you will; you are not bound here by the clay. In all who say, “I am“ there is the life, and all who live are one in truth, this moment does not pass away.' I will return to visit you one day.”

Purple light shines green around the gate and all pass to and fro. There were the flying elephants of old, bright butterfly wings and iridescent scales, and fire within they blew and rose to mate high in the careless foam of space.

“I see, I see,” the purple man exclaims, “And I will leave a legacy.” Then taking out his notebook draws a stone and then another, places both together high upon the hill.

“All shall know!” he cries and gives them eyes and crowns. Thrones they hold with firm rock fingers, king and queen in rock of jewels tiny crystal shimmers. Eyes gaze out along the silver lines of truth, eyes of stone, and he cuts a small notch in the place the eyes alight their vision.

“Now all will know.” He spreads his cloak and sleeps beneath the hill in quiet satisfaction but dreams he did the task and lost in thought forgets. Stones stand waiting in dreams of eyes that only dreamers see and ride the light that only globe green rays can ride in pale yellow day.

“Forget, forget.” The whispers of the shining huntress sing sweetly and the residents of the butterfly house are soothed and filled with wonder. Dancing light reflects from yellow sand. Lifting hot feet to cool in baking oven rays.

Skating on tension, walking on invisible support a fish jumps from the water of a lake, cascading diamond spray around golden wings, then plunges back into the familiar world. Together all are one and life renewed. Wisps of purple smoke rise from a burning pile of old splendid green boughs now brown and brittle and delicious waves cook as chatter rises in anticipation. Toes muddy and wet warm as much as they dare and faces shine as globe of green gives energy. Wisteria sweet twists its tendrils on the gatepost and spreads its fingers wide to reach the stars.

The white and shining orb that, with full sails, is dancing with the flotsam sapphire tells her story in the ripples of a darkened pool. As in each drop the orb is, so it is with all and in all flows the green.

A grey cat-wolf with silky coat, who sweetly purrs sinks her teeth into feathers and warm nourishment flows from vein to vein. Carrying proudly to the doorstep leaves the gift but pricked purple fingers drip blood as tears flow for the tiny, feathered form.

Misunderstanding of the gift and weary sleep claim the mourner. In the corner stands a child of dusty clothes, untidy and ragged feathers. Grey coloured and brown his hair, face, and hair all dusty and brown. In mind of purple song was singing sad songs of green trees and fields of flowers and seeds. The child turns and eyes as old as time look deep as hands are stretched to greet. The purple man takes outstretched hands and they dance to music of the ocean deep.

“It cannot end, the green can never end, it just returns.” and round they dance, as the child is filled with light and transparent power touches purple hands and spirit surges to pull the purple man to stand before the gate.

Purple man rides on steed of unicorn; who sheds his twisted horn of white and says,

“With this you may write and tell the keepers of Zu to teach their subjects true.” His purple fingers hold the shining torch as on the saddle of his steed he carves the key, the binary. “All is here!” he shouts, “it is enough for all to be and all who will to see! Freedom is my gift to humanity!” Walking to the golden shore, he breathes the green fire to his steed, “Fly now and take my pattern home for all to learn.” The unicorn, now dragon born and horse is manifest, with fiery nostrils and shining fins swims into the long and winding currents of the thread of gold.

From that island home is cast the stone and off it goes into the seas of time, the circle seas. Music wafts around the globe as jewelled pebbles sing. The purple man, his eyes upon the depths, his head on soft flotsam pillow looks horizontally and wanders paths of space between.

A king of Zu in earnest thought upon the shore, a hornless unicorn has caught. A dragon horse who will not bear but shakes his saddle, burden gone he flies into the air. This trinket fine will grace the royal belt and a medallion the king does wear; magic token lost in time as those who knew could not stay and to the music danced away. Beyond the gate, into the ocean deep they to while away, until the wafting air lifts up the drops to bear.

Within the turbulence of that wild sea of calmness where regular tides disguise, mountains are ground, their pieces smashed and broken into shimmering beads of light. Each piece the matrix seed does hold within its crystal frame and life its energy. They shoot forth in forces, travel star to star, globe upon globe they circumnavigate and chaos brings movement to the stagnant ponds of flotsam, pools stirring, breathing life.

In Zu, the wanderers, who had no houses yet, who lived among the stars and trees, gathered round fires to eat their fruit and seeds at Mothers knee and told their oral histories.

Memories of mine and theirs and time distorts the tales so pictures made they to endure but meanings lost as careless child is watching dripping fat of meat and mouth is watering at the food to eat. Within the ring of warmth and fire the wild beast fears, the stories fall distorted on deaf ears.

“Remember well the lessons here: Once our world was full of fear. The seas rose up and swallowed whole the land of Zu, the air was cold. The globe its shining rays of green was hid beneath a reddish sheen of fire as worlds collided higher. The cold it came, the ice giants walked upon the land, so I was taught. Now eat this meat the hunter men have brought.” Within the shamans cave the purple man sleeps and walks on paths of many feet.

On bellies laid upon a hill of hot dry golden sand, the purple man looks down with his band of friends upon the tall city gate below. Beyond he sees the golden domes and tall white towers of so fair a place. A white wall stretches far as he can see and by the gate two fierce lions guard with swords of shining steel.

“I know not how to enter there.” he says, but then finds he is inside, alone and the white city walls are high around him. Trepidation grips his thought and on tiptoes he intrudes in wonder, clinging to the walls. The giant who stoops to lift him smiles, gold flashes from ornaments, turquoise beads on olive skin, and strong muscular arms pick up the purple man who looks around and down to see the white towers are but square pools of proportion huge. The strong hands plunge him down into clear water cool, so fresh it cleans, from showers of silver droplets a babe is raised up to the shining pale blue sky.

Seeing a tortoise then beside the waters edge, the purple man, still having horn of unicorn, inscribed the pattern of the nine with movement of the all, so that he would remember all that Wayland said. Then silence and dreams were once more inside his head.

Purple man sat at the foot of a great tree. A red furred squirrel ran up and down the bark, collecting food and going deep to keep its secret safe. Above the tree the globe was shining bright and yellow light was all around. The good folk who dwell in light transparent crystal vessels sang their song for all to hear and as the squirrel gathered food she heard their voices clear. Then, scampering along the ground quietly in case the purple man should wake, she buried down to the deep pools where three watch the water that feeds the sap. She hummed the song but had not listened to the words and got it wrong before those there to guide the destiny.

“Oh, careless child who listens not when at the fire, who now will tell the history?” The purple man saw the green sap of the tree within and understood.

“Make a machine!” the keepers say, “for you are bound by clay. Rip out the sapphires heart and give us power so that in darkness is the light of day. We have the words and wisdom here,” the keepers fight and hide the secret words, “the nine is ours not yours to know, we only have the power, is it not so? We are your keepers, guardians true; we would not lie to you.

“We took the power from Mother of the tribes to keep you safe from beasts who roam. They would not stay outside the ring of warmth and fire but come inside, devour you in your home.

“The seas rose up before and swallowed Zu, the people perished all except a few. Those few were chosen by the unicorn and here to us a tortoise bore its horn. We stole the fire that came on flotsam Zu, we have the lightening here entombed, the stars that fell in dire punishment, we kept them to remind you of your doom.

“We took the prophets all and kept their words, we wrote them down and only we can give those words to you. He who was here is gone for now but will return, to judge all those who will not heed our rule.

“We must make war to punish those who hate, we must sacrifice to please the beast. Then within our boundaries you will be safe in service to our cause for we are wise.”

The slaves of Zu who toil and sweat all day, all fearful of whatever comes their way; the slaves who have no water and no food and not because they have not loved the good, the slaves who weep for flotsam Zu, the ones who try to do what they believe is true, all listened to the keepers and were quiet, they had no heart to war and die in riot. They had no heart to disobey the rules well taught from their first day. Some turned and struck their fellows in dismay.

The feet upon the pavement hard in hardness crunch and shocks run up the legs and bounce the brains of those who cannot see. Purple streaks the sunrise comes and petals yawn to greet the sailing globe of yellow breathing green. Herded and obedient, the subjects of the kingdom of Zu wake and queue politely as keepers set the tasty morsels. Wheels and tides, time and ocean turn as globe spins in eddies and careless diamonds sprinkled in the flakes of cornfields tell the story unfolding.

Shadows play. The sickle shines its ****** sweetness horned and lovely; sparks of stars surround the misty blue. Knees and cries on time forget the sly insertions and nourish soon forgotten virtues.

A bell is ringing on the shore. Sound bounces wave to wave and lost in purple wandering a passing bee remembers that it cannot fly and hurriedly taking scissors cuts a fine raft of leaf, pointed as a ships bow and hops aboard to surf and glide on currents of the sky.

From the deep oceans light, Wayland sees and sends a whisper from his mind, the purple man is dreaming still among the many others of his kind.

“Its time to wake now, of slumber is enough. Zu needs to have its gardeners intact, its time to plant the Iris bulbs to grow in pasture and in desert before the ice comes back. Seeds of the rainbow must be sown on every track. When summer dawns on frosted fields, fingers of warmth probing into the hearts of seeds that sleep, come now its time for growing. Plough the furrows deep. When summer dawns on frosted fields, fingers of warmth probing into cold frost hardened hearts. Awake, its time for knowing!”

The purple man in forest sees green light of yellow globe is shining energetically its light on all, and one with all he walks in joyful song. Along a branch a leg is stretched, a long leg, there a person sits within the tree, smiling song of life,

“He's just like me!” the purple man does not intrude but curiosity is wakened as the man is standing tall and then is gone before his eyes of sight. A figure dressed in light, not vaporous, a solid man who flickers on and off he sees. The purple man perplexed is wondering, when at his side a figure tall and grey is standing, branches on his head, without a face in the full light of day. The purple man looks for the face, the seat of senses known to know who is it there and meets an eye as old as universe. The eye is looking for the same and as they meet in trap of combined senses all, there is a spark and purple man is travelling then, he is not in the planet Zu at all. The visitor who comes to show the way gives him a choice of paths to take, he forward walks along a narrow lane with strange and pointed leaves of maize. Rustling in the plants the other chases past, he greets him at the other side, and man of light is shining on and off out of the gate the purple man to guide. The rainbow bridge connecting all the worlds, the green path that all who live must share, the purple man looks for the visitor but turning finds that nothing's there. Then rippling wave of green comes flowing through the woodland and the day, it passes through all that lies before, and purple man is standing in its way. Green fire! The life! The sap of tree! I see! His spirit soars as Wayland flies away.

Looking down at hands and feet with rainbows shine, in great delight he finds he is not purple now but made of light sublime and at his step the irises spring bright.
1SP Mar 2014
After the things that we have been through,
Never did I see that you choose to be alone;
To not love another man for the things I did
Is wrong, because your love is so very placid.

I know that I misunderstood,
But you cannot dismiss man who is good.

Now I am cognizant of the sacrifices you made,
And it is far too late for us to build on knowing;
You have good men now who always appreciate
The love can offer by the way they were glowing.

I think that I had to be crazy,
But there are men who worship their lady.

I just misunderstood you Miss Understanding,
You cannot be that broken to what God is planning;
Please do not do what I did to you others too,
Because I was misunderstanding Miss Understanding.

Your heart is golden and your soul is priceless,
I may have taken your smile for granted over mine,
Because what you deserve is love at it nicest,
So allow yourself to open up someone who is kind.

I see that I was not your equal,
But not all the men in this world are evil.

There is a good man outside your door of fate,
All you have is unlock it and let him in from the rain;
He is drenched like I had you, feeling the weight
Of my lies, your tears, my cheating, and your pain.

I hear that you have found better,
But you have to get yourself back together.

I just misunderstood you Miss Understanding,
You cannot be that broken to what God is planning;
Please do not do what I did to you others too,
Because I was misunderstanding Miss Understanding.

I apologize for those harsh lies I told,
Now go get that man who fills your soul.
Frisk Jan 2016
“Big change, huh? Bet you could take some awesome shots here, Max.”

Max nodded, only hearing the last part of Warren’s sentence. Truth was, she was distracted by how beautiful this place was. If Max stood at the end of the street, she could get a killer depth-of-field perceptive image by aiming towards the long and skinny winding roads being enveloped by the building’s shadows. San Diego seemed to flourish with art and photography culture, and great opportune shots to shoot photographs.

“Earth to Max.” That seemed to knock her out of her thoughts. *****, focus.
“Are you going to go swimming with me and Brooke?”

From the look on Brooke’s face, she was hoping to God that Max said no. Brooke is the relationship equivalent of a boa constrictor, and she wasn’t sure how this hasn’t dawned on Warren yet. “I’m not sure. Maybe. Let me unpack first.”

After Kate dropped out of going to San Diego Comic Con last second, Max was nearly going to join her when Warren practically begged her to come. Coming back to the present - equipped with her suitcase and messenger bag - Max lingered behind the couple by several feet. This was her way of trying to avoid the reminder that she was third-wheeling with a boy who used to have a very awkward crush on her and his salty girlfriend.

“I’m going to go down to the pool.” Warren said, sliding his key card into room #228, turning his head to face Max before opening the door. “Maximillian, are you sure you don’t want to join us?”

“Like I said, I’ll think about it.”

The moment the three of them walked in, Brooke and Warren beelined for the restroom with their bathing suits in hand. Once they came out, Warren had a blue and black plaid board short swimsuit on whereas Brooke came out with a highlighter-colored graffiti two piece.  “Alright, Mad Max. We’re out of this joint. Catch us at the pool if you need something or want to swim. If not, we’ll be back in an hour.”

Max waved them off, digging through her bag for that bathing suit. The crimson colored ruched one-piece vintage bathing suit sat abandoned at the bottom of her matching vermillion suitcase. Down below at the pool area, she could hear screaming and laughing and splashing of the pool water. Max got up from her suitcase, and opened the curtain enough to look out at the hotel pool. Several other people were down there, pushing the time limit very close to closing in an hour from now. Come on, Max, you’re really going to let your whole adventure be ruined by the usual high-strung Brooke?

**** it.

Max nabbed the swimsuit from the hidden corners of her suitcase, stripping herself down to pull the swimsuit onto her body. Once the swimsuit was on, she turned her waist feeling the soft fabric conform to her small but still vaguely prominent curves. Max can remember Mom always saying that she looked good in red, so she recommended a red one-piece since Max doesn't have the confidence to show her stomach to anyone.

Well, except her best friend Chloe. They used to take bubble baths together as toddlers so it used to be the most natural thing in the world to get dressed in the same room together. It must have been a better time, where there were no insecurities. Now Max has trouble calling her up without her finger freezing up as she attempts to type the very last digit of Chloe’s phone number into her phone.

As Max turned around in the mirror, she noticed how her lack of a rear end was a lot more distinguishable in red. Wowser, Max thought, this looks really good on me.

“Wowser.” Max said aloud to her reflection, and threw on a bathrobe.

It must have been ten minutes into Warren and Brooke swimming when Max opened up the pool gate, entering the vast perimeter of the pool area. There were significantly less people around the pool, where most of the people still inside the pool area were kids our age. “Max, you’re here!”  

This made two teenagers stop in their tracks as they were opening up the pool gate at the other end of the pool to leave. One of them whipped around so fast that it was a blur of blue hair.  “Wait…”

“Is that…Max Caulfield? It looks a lot like her.” Rachel asked to Chloe, who hung her jaw open in disbelief. No ******* way.

Furrowing her eyebrows, she watched Max drop the robe on a nearby chair. Like an awkward penguin, Chloe watched her best friend waddle up to the pool edge & cannonball into the waters below oblivious to the two girls standing at the gate watching her. “You’re going to wake up the neighbors and the owner of this hotel's parents forty miles away, Warren!”

“Do you want to go say hi to her?” Rachel asked Chloe.

As Chloe decided on actually going to surprise her, Max's friend said something that made Chloe change her mind in a split second.

“How would you know? Besides, you’ll eventually forgive me for that once you meet the entire cast of Star Trek tomorrow, Max.” Warren yelled at Max, and Chloe did a small grin as she turned away from her best friend, closing the gate on both of the girls.

“No. Guess the oblivious nerd is going to Comic Con too.“ Chloe took one last look at Max before going back inside the hotel with Rachel Amber at her tail. "Do you think she'll recognize me in cosplay?"

"Probably not. Unless I drop the bomb on you guys."

“Shhh. I don’t need you ruining my surprise party, *******.”

Max, Brooke, and Warren weren’t in the pool for long, since Warren bumped his head into the side of the pool while doing laps with Brooke. They had to get out, and put an ice pack on Warren’s sore bump on his head. “Now how am I going to cosplay the 11th Doctor? I need to gel my hair back, but I have this gargantuan bump on my head.”

“We’ll figure it out, sweetie.” Brooke said, and Max nearly gagged.

Max went back to the hotel room first, since being around Brooke made her want to strangle her.  This whole third-wheeling thing was annoying, and Max was regretting coming alone without Kate as her faithful chauffeur. Nonetheless, she wasn’t going to let that ruin her trip. She was here to have fun. And to take a bunch of photographs, of course.

The next morning around 4:00 am, Max was rudely awoken by Brooke who shoved her in her shoulder. “Get up, Max. We’re leaving in thirty minutes from now.”

Was that necessary? Max thought, crawling out of bed. From the bathroom, she could hear Warren fretting over the mammoth-sized bump on his head as both of them got dressed in their cosplay outfits. “Okay. That hurt a lot. Ow, ow, ow.”

“Oh, is there anything I can do to help?”

“Shut up, guys.”

Feeling slightly irritable from the loud ruckus Brooke and Warren were making in the other room Max rolled out of bed. She rustled through her suitcase for a pair of skinny jeans and a white t-shirt with the print of a doe on the front. Once she had her clothes, she stood up to walk into the restroom to change when she noticed the ending result of both of her companions.

Brooke’s multicolored dark hair was pulled down in waves framing the scarlet dress with a black belt fastened around her waist. As for Warren, his usually shaggy brown hair was gelled back for his cosplay. She had to admit, he looked handsome in his mahogany jacket, red bow-tie and matching suspenders, and the cotton collared button-up he wore underneath. For a cosplay of The Eleventh Doctor and Clara Oswald, it was quite impressive how close they looked like the actual characters of the TV show Doctor Who.

“Take a picture of us, Max!” Warren said in a chirpy voice.

“On it.”

Max pulled out her camera, and pointed it at the couple who held up peace signs together. Once the picture rolled out, the couple split apart to put on the finishing touches of their cosplay.  As for Max, all she had to do was throw on her clothes. There wasn’t a lot of work in dressing up like normal people. Besides, she’s never really been a fan of cosplay.

If you want to count dressing up as pirates with her best friend Chloe on Halloween five years ago cosplay, then yeah, Max has cosplayed several times before.

“Max, hurry your *** up. It looks like the amphitheater is getting crowded from here.” Warren yelled from outside the bathroom door towards Max, who sloppily tied her shoes.

As they exited out of the large double doors of the four star hotel, Warren and Brooke took the crosswalk, pointing out people cosplaying as characters from TV shows or video games. They were smiling and laughing, leaving Max to third-wheel again. Instead of lingering on it, Max put in her headphones and turned on Crosses by José González tuning them out.

“Where is the line?” Max asked Warren as they approached the crowded complex filled with restaurants on one side and the amphitheater on the other side. Tents were set up here, even.

“This is what I call natural selection. If you come prepared with prior knowledge on how this works, you can conquer this haphazard looking line.” Warren spread his arms out, motioning towards the crowd that was rapidly growing in size.

“Let’s go, Warren.”

“Wait!”

Like an octopus, Brooke latched onto Warren dragging him into the depths of the growing sea of people. After three painful hours of waiting, Max felt the crowd start to lighten up around her as excited but deafening chatter filled the air of the surrounding herd of people. Everyone was clamoring loudly, quickly rushing into the open doors with their San Diego Comic Con day pass thrown around their neck.

As soon as Max received hers, she eagerly threw her day pass around her neck. After buying a small breakfast sandwich from a booth, Max decided to start people watching. Some of the cosplays made her laugh like the Darth Vader cosplayer leading a conga line of faithful storm troopers, taking long confident strides.

Max took several photographs of several different cosplayers, ranging from Doctor Who, Scott Pilgrim vs The World, The X-Files, Breaking Bad, Undertale, Magic: The Gathering, and Family Guy. When it started getting crowded, she got up from her chair and entered the large archway into the convention center filled with colorful tents and cosplay galore.

Wielding her camera bag close to her waist, Max carefully maneuvered her way through the sea of people as she took a look at the booths. Suddenly, the throng of people became too much for Max. An elbow into Max's side pushed her into the left side of her waist, throwing her into a booth.

“Hey, are you alright?”

Max’s eyes glanced up towards a blue-haired girl cosplaying as Pris from Blade Runner, who had grabbed her waist. Something about her was actually kind of familiar, however, Max couldn’t tell. “You hit that table pretty hard.”

Max felt the warmth from her waist leave slowly. “This crowd is suffocating. I need a place to breathe around here. It’s too claustrophobic for my liking.”

“Are you alone or something? Because I could always use company in my tent. It gets hella boring inside this tent sometimes.”

“Do you say that to all of your customers?” Max asked, chuckling nervously at the blue-haired cosplayer’s comment.

“No.” She mumbled something under her breath that Max didn’t quite catch. “I mean – unless you’re uncomfortable with it. I’ve seen people faint multiple times from claustrophobia here.”

Since her head was bent down over a sketch she was doing in a journal, the only way Max could tell that the girl was blushing was by how red her ears had gotten. The realization that the girl became a nervous wreck all of a sudden after that comment had made Max’s day already.

“Maybe you’re right. I should just sit down. There’s no places to sit around here, though.”

The blue-haired girl patted the armrest of the empty fold-out chair behind the table. “This is Rachel’s chair, but Rachel is helping out with the convention rave for later. She’s on the committee or some ****.”

“Coworker?”

“And an annoyance at times.” Max went around the table, taking a seat in the chair the girl patted. It was itching at her brain that there is something about this girl that is so nostalgic.

Suddenly, a long brunette-haired girl billowed through the back curtains of the booth, where Max saw a tattoo chair in the back along with an extended table with clutter everywhere. “Chloe, do you have my phone? I really need it right now.”

Wait a second. “Chloe?”

“Great. Thanks a lot, Rachel. You ruined the element of surprise.”

"No ******* way!"

After Chloe handed the phone to Rachel, Max followed with her first impulse, throwing her arms around Chloe. Immediately, Chloe laughed as Max nuzzled her head into Chloe's shoulder blade. Max could feel the initial excitement pounding in her chest as Chloe tightened her grip on her as well. “Get a room, Chloe.”

“I will shove this combat boot so far up your *** –”

“Okay, I’m leaving. I need to call Frank and see when he was going to get here.” Rachel stated matter-of-factly, then added as she was leaving, “Hope you have a fun reunion.”

Once Chloe let go of Max, she held onto her arms staring into her face. “Wowser. This is crazy. You’re dressed as Pris from Blade Runner. That is definitely my ****.”

“I hope so. Someone asked me if I’m cosplaying Ramona Flowers from Scott Pilgrim vs. The World. Now I will accept that misunderstanding because Ramona Flowers is my woman crush.” Chloe glanced over at Max, changing the mood merely by narrowing her eyes at the brunette. “Alright, are you going to explain why you didn’t call or text me for five years?”

It was so sudden that Max suddenly felt inferior to Chloe. "I'm sorry. My parent's decision to suddenly move to Seattle wasn't my choice."

"That's not a good enough reason." Chloe attempted to change the tone of the mood lighter, since this wasn't exactly the place to discuss that. "So what's up with you? Living it up here in San Diego or something?"

"I - uh - moved back to Arcadia Bay. Two months ago."

"Without a phone call, telling me that you moved back." Chloe pressed her lips together, annoyed. "Nice one, Caulfield. That's just ******* peachy."

Max started to get a little irritated herself. "Look, I'm sorry. Can we just drop it?"

"I’m sorry, Max. I don’t want to be the ******* to ruin your day. In fact, this was the complete opposite impression I was going for. If you want to punch me for being such an annoying rat, go right on ahead.” Chloe pointed at the bicep of her left arm.

I shook my head – chuckling as Chloe kicked back her chair – propping her feet onto the table cluttered with various types of artwork. There was a dozen pieces of art here, but I noticed Chloe was really into abstract watercolor paintings. Mostly Chloe did sketches of characters from TV shows and video games and painted it in watercolor. One of the paintings in particular caught my eye.

Of course – like all of Chloe’s paintings – it was strikingly beautiful: In front of an obsidian background was a butterfly with eye-popping azure wings. One of the wings seemed to be slightly blurred to give more definition to the closest wing. “Wow, you’re a real artist.”

“I’m also a tattoo artist. If you want to get a tattoo, just hit your girl up. It’s on the house for you.” Chloe said, holding out her arm to show me. “Rachel helped me with both designs.”

Chloe had a beautiful sleeve on her arm and a tattoo on the top of her hand of a red chrysanthemum. Max traced the red ribbon detail on her arm tattoo with one finger, making Chloe shiver. “Dude, you can look, but you can’t touch the tats.”

“Sorry, it’s beautiful.”

“Hopefully it will still look beautiful when I look like the human equivalent of a raisin when I’m 80.” Chloe joked, holding out her arm in front of her face. “How about it, Max? Wanna get tatted up by your best friend Chloe? It might be a great experience for you, hippie. No gang related tattoos, though.”

“Yeah, because I’m totally a part of a gang.”

The smile that lit up Chloe’s face sent Max into a comatose state of delirium. Her eyes focused in on Chloe like a lens, taking shots in her head so she didn’t forget this moment with her best friend. For once, Max was having fun. “You’re still a ******* geek. That’s good news.”

“Always.”

Chloe shook her head before getting up. “Alright, so do you want a tattoo or not? This is your final offer, Max. Don’t let it go to waste.”

“I don’t know. You know I’m scared of needles.”

“Still?” Chloe grabbed Max’s shoulders. “Come o
Tea Feb 2012
superhero holding friendship

I admire, I spectate , I watch and learn and notes I take
On a thunderous beauty, on this breath taking sight
Quivering breath at a mountains height
Those close around I fear they might drown
Terrified of what’s making change
Terror stricken, I flip through pages
that would never be re-written, never changed

I’m waiting for struggle, for flailing arm
for loneliness , peoples pulling up guards
Fences that we build and view as our shields
Just a horrible thing ,that wont let me in
Misunderstanding transforming
Now it’s a black mask of confusion, dooming

I panic at thought spinning around
Head is to full ,I feel for the ground
Darkness threatening my light life
I gasp for friendship and understanding
Then you flew in with a quiet landing
Tiptoeing around you lift me off the damp dirt
Wiping the darkness of my clean world

A new view of refuge, I need and needed you
Just a boy with good intention
Transformed into a superhero holding friendship.
Together walking side by side
we sort through what’s wrong and right
We plan a way to save the drowning
Climb fences and break through walls
Tear down others guards
I walk a walk , no longer alone in the dark.
I have you.thank all that is good
We stand were I stood
I love you
Sofia Von Aug 2012
Its all just words
No faces
No looks, no clothes, no smell
A simple connection

It could have been anybody

But it wasn’t

It started off as a hobby
Something to keep boredom at bay

By now you’re junior olympics... At least

It can be as flawless as beach glass

Or jagged
and farspread like the trees still dieing

I never know what to expect
Excitement
Misunderstanding
Seriousness
Interest
Laughter
­Understanding
Awkwardness
Distracted
An idea
... Clearly I could continue

It’s like my little escape hole
A therapist that Actually understands and wants to
We just click
Alined by the sun
Some would say

But I dunno if that’s true
All I know is what I feel

Should I not feel what I feel?
Do I feel what I feel?
Is what I feel real?
Or is it fake

Is it a lie?

Or should I make it one

I don’t know what’s best
How can I

I’m new at this remember

All I know are the words of the known
Who are unknown to me in one world
And an empty chair in the next

I sit down and wait patiently

Until it’s finally my turn, here is where I’ll sit

There is no shame finding comfort in the little things the chair offers
Its smooth silky surface
The wine stain down the middle
the dots that resemble a smile in the corner

You don’t forget what you know so well
You open up your palm

A baby snake inside

He doesn't take it
He doesn't **** it on the spot
He doesn't grimace with disgust
He doesn't burst out in laughter

He picks it up
and cradles it in his hands

And sets it free

Back into the world where it belongs

And then he gives you a dalia

You take it and tuck it behind his ear as something to be admired

He blushes

He needs you too
Maybe

But its real
Almost too real

So you push it away
It’s impossible
It might not even be close to what you think it might be

Forget

And stay silent

Hey

We start again

A haha here
A smiley face too

Climbing up the uncertain mountain that has never been climbed before

The chance of falling high
But you like the chase

And for now
It’s enough

You don’t really care if you summit anyway

A possible “when”
always dangling
Inside the clouds
Jess Jun 2015
Yeah, I'm clueless.
No, I'm not speechless.
I think you're misunderstanding
my misunderstanding.
This misunderstanding...
it drives me insane!
The words that i'm feeling are causing me pain.

A deep breath in.
I don't understand.
Just let me think
and let me ponder.
Your wondering now is making me wonder.
Do I need to act tall?
Do I need to pay attention?
If I don't really care, it won't put me in detention...

It's as if your words pass through me like a breeze.
Give me a minute and I'll understand.
All I want is to hold your hand.

So hold mine too.
That's all it takes to understand.

So look me in the eye and hold my hand.
teaching a wild creature to feed from your hand is a feat maybe maybe not Mom taught me from a young age then never let go in June 2013 the estate will cease all the coats hats shoes scarves skirts dresses blouses belts purses from Ultimo Saks Neimans wherever steaks from Gene and Georgetti’s Gibsons whatever will be consumed and she will be forced by the bank to resign her condo on lake shore drive and go live with her sister and i will be left with nothing

nothing feels better than fighting back gathering the strength courage to do that to fight until there is no daylight

the world is a mysterious place it is Sunday December 26th 2010 6AM pitch dark outside in several months daybreak will come earlier a remarkable surprise yet always been this way in several minutes firmament turns light i open eyes stretch legs look out window pink blue gray blue morning skies tree tops mountains watch flock of birds maybe 30 or 40 flying back and forth east west why do they do that how would you like to be one of those birds flapping around searching from above at the earth hmmm what if everyone had a ***** and ****** feathered wings fin distinctive tail floppy or pointed ears what if you could share breakfast or lunch with Kim Gordon Patti Smith work on poem with e. e. cummings James Joyce William Faulkner paint with Mark Rothko Anselm Kiefer play football with Payton Manning Drew Breeze jam with Jimi Hendrix Keith Richards race with Secretariat sniff with Lassie mix with Max Ernst Georgia O'Keefe Donald Judd meet with Gandhi and J.F.K. make love with Charlotte Gainsbourg Kate Moss dinner with John Lennon Friedrich Nietzsche dance with Albert Einstein Isadora Duncan share a smoke with Sam Clemens (Mark Twain) Sam Shepard last drink with Sylvia Plath Virginia Woolf then go to sleep next to Sphinx Pyramids wake with Cleopatra Mata Hari on Bali beach look up at tiny puffy clouds that resemble strange script do you understand the possibilities mysteries of everything

old is lecherous but i’m still trapped in childhood hurting wanting to be grown-up

i think i said i don’t know how to talk i was speaking to this **** greedy landlord trying to negotiate between 2 different spaces long distance and i meant to say i can’t talk right now i’m in a restaurant or shop but instead what came out was i don’t know how to talk he was insulting me bullying hollering at me on cell phone accusing me of dickering about price lease and it slipped out my terror from Dad my childhood fears repression inability to negotiate i froze fumbled finally uttering i don’t know how to talk then disconnected

i’m running scared gasping for breath heart pounding yearning praying crying for love beauty happiness success i’m smart creative powerful yet inept too shy or fearful to know how to properly spontaneously speak in person

what if consumerism is realized as a mental disorder a method to suppress genuine hunger with fetish products

what if money is identified as disease actual legal tender found to source fatal viruses

what if humanity is discovered to belong to an alien predatory race independent from Adam and Eve or monkeys

what if all knowledge is found to be deceptive invention concealing real world truth

what if existence is a chess game or trial enacted by higher forces and your every thought feeling recorded in eternity

what if progress is the enemy and primitivism the remedy

my whole life i’ve learned about infidelity my mom sister dad uncle i don’t understand i’ve never been unfaithful to a girlfriend (one is enough one is more than i can handle) why do people speak those vows then get married only to violate themselves their mates maybe that’s why i am afraid to ever get married infidelity is the most painful betrayal to find out your partner with all your shared secrets compromises them with someone else oh god

April 19th 1995 a bomb explodes in Federal building in Oklahoma City killing 168 people injuring 759 what are Timothy McVeigh and Terry Nichols thinking did they act alone there are so many lunatics running around out there so much misunderstanding disenfranchisement in America

Arlington Street Asheville North Carolina June 1995 Odysseus and his dog Farina keep mostly to themselves something is wrong with his voice he sounds hoarse when he speaks it is uncomfortable to talk he goes to free clinic and waits half a day elderly doctor attempts to stick long metal instrument down Odysseus’s throat Odysseus gags coughs elderly doctor becomes irritable he warns Odysseus to quit smoking Odysseus wonders what it would be like to be loved possibly married in loving positive relationship to know all the endearing enduring connections between caring couples other people manage it why can’t he? he thinks i’ve never been a good provider nor placed enough value in money i believe in freedom and love i chose to make art and pursue a life of self-discovery experiment dang i am wrong from the moment one’s work hangs in a gallery the artist’s integrity is compromised individuality becomes commodity typically people who buy paintings have so much money they scatter a trifle on art the artwork provides the consumer with a look of ‘soul’ to be shown off to their envious friends the artist becomes needy pet of dealer and client maybe converting one’s spirituality into commercial merchandise is like making deals with the devil he thinks about Native American artists whose work is immediately esteemed and utilized in their culture he has spent his whole life seeking validation in art world he wonders how many other unknown artists feel similarly useless discarded he considers i’m forty-five years old now and i don’t have a penny to show for all my troubles i still believe i have much to give insights to reveal but no practical plan for survival i don’t know how i’m going to get through this existence the world wants young promising talent not some older painter striving for another chance women want nothing to do with an impoverished aging dreamer my dog loves me she knows who feeds her i’ve got academic degrees a long resume of legitimate shows i know how to use a computer solve problems fix toilets sinks strip and paint serve food and liquor but i can’t land a decent job i never learned how to properly market or barter my work and i’m not interested in the position of sacrificial lamb i want a home and female partner like other men have i want to be needed respected loved a creative member of a community instead of an expendable outsider working menial jobs for minimum wage what good are paintings if no one looks at them what good are noble values in a corrupt society the world runs on money and greed not freedom and love
srax May 2018
they'll paint white walls over your thoughts
because they think simplicity looks better than polka dots.

they will strip you down to nothing
because bare is better than bare minimum.

they say your body is your canvas,
then why are they scribbling
on her canvas?

they’ll doodle words,
perhaps phrases of flatter
like "You're pretty"
teaching her that that's all that matters.

They'll hang up a **** model picture
because her body should look like this, you know?
Richer.

They'll say her body is a temple
“she's eating all that for lunch?”
they'll say her body is a temple
but her body
is the house
she grew up in
and yet you have the audacity to try and burn it down?

Oh
I forgot to mention
the white paint that they used to paint over her?
yeah ... slight misunderstanding
It's permanent.

what could they expect?
it's their fault actually,
it said everything on the label
but they were too busy you see.  
Too busy to see what it was really made out of, too busy to read what made it the way it was.
Because one glance is enough, right?

One glance is enough to ask her "what did you eat today?"
And as her stomach grumbled
and her blood ate her alive,
she would answer "oh plenty!"

And you would look happy with her answer because
she is treating her body like a house she doesn't even recognize.

And you would look happy with her answer because
she let her body become your canvas

And you would look happy with her answer because
Your white paint was worth your money after all.

— The End —