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howard brace Feb 2012
Inconspicuous, his presence noted only by the obscurity and the ever growing number of spent cigarette stubs that littered the ground.  It had been a long day and the rain, relentless in its tenacity had little intention of stopping, baleful clouds still  hung heavy, dominating the lateness of the afternoon sky, a rain laden skyline broken only by smoke filled chimney pots and the tangled snarl of corroded television aerials.

     The once busy street was fast emptying now, the lure of shop windows no longer enticed the casual browser as local traders closed their premises to the oncoming night, solitary lampposts curved hazily into the distance, casting little more than insipid pools mirrored in the gutter below, only the occasional stranger scurrying home on a bleak, rain swept afternoon, the hurried slap of wet leather soles on the pavement, the sightless umbrellas, the infrequent rumble of a half filled bus, hell-bent on its way to oblivion.

     In the near distance as the working day ended, a sudden emergence of factory workers told Beamish it was 5-o'clock, most would be hurrying home to a hot meal, while others, for a quick drink perhaps before making the same old sorry excuse... for Jack, the greasy spoon would be closing about now, denying him the comfort of a badly needed cuppa' and stale cheese sandwich.  A subtle legacy of lunchtime fish and chips still lingered in the air, Jack's stomach rumbled, there was little chance of a fish supper for Beamish tonight, it protested again... louder.

     From beneath the eaves of the building opposite several pigeons broke cover, startled by the rattle as a shopkeeper struggled to close the canvas awning above his shop window.  Narrowly missing Beamish they flew anxiously over the rooftops, memories of the blitz sprang to mind as Jack stepped smartly to one side, he stamped his feet... it dashed a little of the weather from his raincoat, just as the rain dashed a little of the pigeons' anxiety from the pavement... the day couldn't get much worse if it tried.  Shielding his face, Jack struck the Ronson one more time and cupped the freshly lit cigarette between his hands, it was the only source of heat to be had that day... and still it rained.

     'By Appointment to Certain Personages...' the letter heading rang out loudly... 'Jack Beamish ~ Private Investigator...' a throat choking mouthful by any stretch of the imagination, thought Jack and shot every vestige of credulity plummeting straight through the office window and amidst a fanfare of trumpet voluntary, nominate itself for a prodigious award in the New Year Honours list.   Having formally served in a professional capacity for a well known purveyor of pickled condiments, who  incidentally, brandished the same patronage emblazoned upon their extensive range of relish as the one Jack had more recently purloined from them... a paid commission no less, which by Jack's certain understanding had made him, albeit fleeting in nature, a professional consultant of said company... and consequently, if they could flaunt the auspicious emblem, then according to Jack's infallible logic, so could Jack.  

     The recently appropriated letterhead possessed certain distinction... in much the same way, Jack reasoned, that a blank piece of paper did not... and whereas correspondence bearing the heading 'By Appointment' may not exactly strike terror into the hearts of man... unlike a really strong pickled onion, it nevertheless made people think twice before playing him for the fool, which sadly, Jack had to concede, they still invariably did... and he would often catch them wagging an accusing finger or two in his direction with such platitudes as... "watch where you put your foot", they'd whisper, "that Jack's a right Shamus...", and when you'd misplaced your footing as many times as Jack had, then he reasoned, that by default the celebrated Shamus must have landed himself in more piles of indiscretion than he would readily care to admit, but that wouldn't be quite accurate either, in Jack's line of work it was the malefactor that actually dropped him in them more often than not.

     A cold shiver suddenly ran down his spine, another quickly followed as a spurt of icy water from a broken rain spout spattered across the back of his neck, he grimaced... Jack's expression spoke volumes as he took one final pull from his half soaked cigarette and flicked it, amid an eruption of sparks against the adjacent brick wall.  Sinking further into the shadow he tipped his fedora against the oncoming rain, then, digging both hands deep within his pockets, he huddled behind the upturned collar of his gabardine... watching.

     It was times such as these when Jack's mind would slip back, in much the same way you might slip back on a discarded banana peel, when a matter of some consequence, or in particular this case the pavement, would suddenly leap up from behind and give the back of Jack's head a resoundingly good slapping and tell him to "stop loafing around in office hours... or else", then drag him, albeit kicking and screaming back into the 20th century.  This intellectual assault and battery re-focused Jack's mind wonderfully as he whiled away the long weary hours until his next cigarette; cup of tea, or the last bus home, his capacity to endure such mind boggling tedium called for nothing less than sheer ******-mindedness and very little else... Beamish had long suspected that he possessed all the necessary qualifications.  

     Jack had come a long way since the early days, it had been a long haul but he'd finally arrived there in the end... and managed to pick up quite a few ***** looks along the way.  Whilst he was with the Police Constabulary... and it was only fair to stress the word 'with', as opposed to the word 'in'... although the more Jack considered, he had been 'with' the arresting officer, held 'in' the local Bridewell... detained at Her Majesties pleasure while assisting the boys in blue with their enquiries over a minor infringement of some local by-law that currently had quite slipped his mind at that moment.  Throughout this enforced leisure period he'd managed to read the entire abridged editions of Kilroy and other expansive works of graffiti exhibited in what passed locally as the next best thing to the Tate Gallery, whereupon it hadn't taken Jack very long to realise that it was always a good place to start if you wanted free breakfast, in fact the weeks bill of fare was tastefully displayed in vivid, polychromatic colour on the wall opposite... you just had to be au-fait with braille.
                            
     No matter how industrious Beamish laboured to rake the dirt there always appeared to be a dire shortage of gullible clients for Jack to squeeze, what would roughly translate as an honest crust out of, and although his financial retainer was highly competitive he understood that potential clients found it bewildering when grappling with the unplumbed depths of his monthly expense account, which would tend to fluctuate with the same unpredictability as the British weather, the rest of Jack's agenda revolved around a little shady moonlighting... in fact he'd happily consider anything to offset the remotest possibility of financial delinquency... short of extortion... which by the strangest twist was the very word prospective clients would cry while Jack beavered around the office with dust-pan and brush sweeping any concerns they may have had frantically under the carpet regarding all culpability of his extra-curricular monthly stipend... and they should remain assured at all times... as they dug deep and fished for their cheque books, and simply look upon it as kneading dough, which eerily enough was exactly the thick wedge of buttered granary that Jack had every intention of carving.

     Were there ever the slightest possibility that a day could be so utterly wretched, then today was that day, Jack felt a certain empathy as he merged with his surroundings... at one with nature as it were.  The rain, a timpani on the metal dustbin lids, by the side of which Beamish had taken up vigil, also taking up vigil and in search of a morsel was the stray mongrel, this was the third time now that he'd returned, the same apprehensive wag, yet still the same hopeful look of expectation in his eyes, a brief but friendly companion who paid more attention to Jack's left trouser leg than anything that could be had from nosing around the dustbins that day... some days you're the dog, scowled Beamish as he shook his trouser leg... and some days the lamppost, Jack's foot swung out playfully, keeping his new friend's incontinence at a safe distance, feigning indignance  the scruffy mongrel shook himself defiantly from nose to tail, a distinct odour of wet dog filled the air as an abundance of spent rainwater flew in all directions.   Pricking one ear he looked accusingly at Jack before turning and snuffled off, his nose resolutely to the pavement and diligently, picking out the few diluted scents still remaining, the poor little stalwart renewed its search for scraps, or making his way perhaps to some dry seclusion known only to itself.
  
     Two hours later and... SPLOSH, a puddle poured itself through the front door of the nearest Public House... SPLOSH, the puddle squelched over to the payphone... SPLOSH, then, fumbling for small change dialled and pressed button 'A'..., then button 'B'... then started all over again amid a flurry of precipitation... SPLASH.  The puddle floundered to the bar and ordered itself a drink, then ebbed back to the payphone again... the local taxi company doggedly refused to answer... finally, wallowing over to the window the puddle drifted up against a warm radiator amidst a cloud of humidity and came to rest... flotsam, cast upon the shore of contentment, the puddle sighed contentedly... the Landlady watched this anomaly... suspiciously.

     The puddle's finely tuned perception soon got to grips with the unhurried banter and muffled gossip drifting along the bar, having little else to loose, other than what could still be wrung from his clothing... Beamish, working on the principle that a little eavesdropping was his stock-in-trade engaged instinct into overdrive and casually rippled in their general direction...  They were clearly regulars by the way one of them belched in a well rehearsed, taken-a-back sort of way as Jack took stock of the situation and was now at some pains to ingratiate himself into their exclusive midst and attempt several friendly, yet relevant questions pertinent to his enquiries... all of which were skillfully deflected with more than friendly, yet totally irrelevant answers pertinent to theirs'... and would Jack care for a game of dominoes', they enquired... if so, would he be good enough to pay the refundable deposit, as by common consent it just so happened to be his turn...  Jack graciously declined this generous offer, as the obliging Landlady, just as graciously, cancelled the one shilling returnable deposit from the cash register, such was the flow of light conversation that evening... they didn't call him Lucky Jack for nothing... discouraged, Beamish turned back to the bar and reached for his glass... to which one of his recent companions, and yet again just as graciously, had taken the trouble to drink for him... the Landlady gave Jack a knowing look, Beamish returned the heartfelt sentiment and ordered one more pint.

     From the licenced premises opposite, a myriad of jostling customers plied through the door, business was picking up... the sudden influx of punters rapidly persuaded Beamish to retire from the bar and find a vacant table.  Sitting, he removed several discarded crisp packets from the centre of the table only to discover a freshly vacated ashtray below... by sleight of hand Jack's Ronson appeared... as he lit the cigarette the fragile smoke curled blue as it rose... influenced by subtle caprice, it joined others and formed a horizontal curtain dividing the room, a delicate, undulating layer held between two conflicting forces.

     The possibility of a free drink soon attracted the attention of a local bar fly, who, hovering in the near vicinity promptly landed in Jack's beer, Beamish declined this generous offer as being far too nutritious and with the corner of yesterdays beer mat, flipped the offending organism from the top of his glass, carefully inspecting his drink for debris as he did so.

     A sudden draught and clip of stiletto heels as the side door opened caused Beamish to turn as a double shadow slipped discreetly into the friendly Snug... a little adulterous intimacy on an otherwise cheerless evening.  The faceless man, concealed beneath a fedora and the upturned collar of his overcoat, the surreptitious lady friend, decked out in damp cony, cheap perfume and a surfeit of bling proclaimed a not too infrequent assignation, he'd seen it all before... the over attentive manner and the band of white, Sun-starved skin recently hidden behind a now absent wedding token, ordinarily it was the sort of assignment Jack didn't much care for... the discreet tail, the candid snapshot through half drawn curtains... and the all too familiar steak tartare... for the all too familiar black eye.

     To the untrained eye, the prospect of Jack's long anticipated supper was rapidly dwindling, when it suddenly focused with renewed vigour upon the contents of a pickled egg jar he'd observed earlier that evening, lurking on the back counter, his enthusiasm swiftly diminished however as the belching customer procured the final two specimens from the jar and proceeded to demolish them.  Who, Jack reflected, after being stood out in the rain all day, had egg all over his face now... and who, he reflected deeper, still had an empty stomach.  Disillusioned, Jack tipped back his glass and considered a further sortie with the taxicab company.

     "FIVE-BOB"!!! Jack screamed... you could have shredded the air with a cheese grater... hurtling into the kerb like a fairground attraction came flying past the chequered flag at a record breaking 99 in Jack's top 100 most not wanted list of things to do that day... and that the cabby should think himself fortunate they weren't both stretched flat on a marble slab, "exploding tyres" Jack spluttered, dribbling down his chin, were enough to give anyone a coronary... further broadsides of neurotic ambiance filled the cab as the driver, miffed at the prospect of missing snooker night out with the lads, considered charging extra for the additional space Jack's profanity was taking...

     And what part of 'Drive-Carefully', fumed Beamish, did the cabby simply not understand, that pavements were there to be bypassed, 'Nay Circumvented', preferably on the left... and not veered into, wildly on the front axle... an eerie premonition of 'jemais-vu' perched and ready to strike like a disembodied Jiminy Cricket on Jack's left shoulder, looking to stick its own two-penny worth in at the 'Standing-Room-Only' arrangements in the overcrowded cab... and at what further point, Jack shrieked, eyes leaping from his head as he lurched forward, shaking his fist through the sliding glass partition, had the cabbie failed to grasp the importance of the word 'Steering-Wheel...' someone wanted horse whipping, and as far as Beamish was concerned the sole contender was the cab driver...

     In having a somewhat sedate and unruffled disposition it had fallen to Beamish... as befalls all great leaders in times of adversity, to single handedly take the bull by the horns, so to speak and at great personal cost, alert the unwary passing motorist...  Waving his arms about like a man possessed whilst performing acrobatic evolutions in the centre of the road as the cabby changed the wheel came whizzing around the corner at a back breaking 98 on Jack's ever growing list... and why, Jack puzzled, why had they all lowered their side windows and gestured back at him in semaphore..?  Rallying to its aid, Jack's head and shoulders now joined his shaking fist through the sliding glass partition and into the cabby's face, "Who" Beamish screeched with renewed vigour ,"Who Was The Man", Jack wanted to know... *"a
Mitchell Nov 2013
It was 98'.
No, it was 99'.
That was the year.
Yeah, that was the year.

I had just landed abroad and knew no one.
Well, I was there with my girlfriend, Page.

I knew her.

We had to get out of the states.
There was nothing for us there.
We were drowning in that nothingness - that lacking future.

Cookie cutters everywhere.

Everything I saw was like an outline of something that had already happened.
I couldn't sleep.
I couldn't ****.
I could barely call my parents to let them know what I was doing.

Nothing really.

Floating downward like a leaf broken from its stem.
I was scared.
I'll admit it.
I was terrified of the next four years.
Twenty-five seemed so far away and so close, all at the same time.

We had a found an apartment to live in while in the U.S.
We were lucky because people we met later on said it was hell trying to find a place after arriving.
I was never too good at that stuff anyway.
I always felt like people were trying to cheat me or something.

It was small.
You would have said you loved it, but secretly hated it.
One could barely stand in the shower.
Want to spread your arms wide?

Forget about it.

There was a balcony though and you could watch the street traffic from above.
People look so small when your high up.
Down the street, there was a large theatre where they filmed movies.
I rarely saw them shooting, but I could tell it was a good place to.
It was beautiful at night when the lampposts would flicker on, orange spilling on the street.
Everything was damp in the Fall when we first arrived.

"What do you want to do today?" I asked her. She was laying face down on the bed.
Whenever she was hungover, she would do that.
All the covers and pillows over her face, blocking out the world and its light.
I did the same thing, so I couldn't really say much.
We were hungover a lot those first couple months.
Then came the jobs and everything changed...mostly.

She moaned something that I couldn't understand.
I was standing by the window, staring at the pigeons and crows perched on the roof across from us.
They had made a little nest under one of the shingles.
Clever little ******'s.

"Look at those things," I said.
The coffee I was drinking was bitter and made from crystals.
It gave me a headache, but it was cheap and we were broke.
I stepped back to get a better look at their nest and knocked an empty beer bottle around.

She moaned again and rose up from bed, kind of like a stretching kitten or a cat.
Her back was arched like a crescent moon and she stunk of ***** and Sprite.
The blankets were twisted and crumpled and she was tangled in them like a fly in a spiders web.
I went into the kitchen and poured out my coffee, thinking of what to do with the day.

"Breakfast?" she asked me from bed.
My back was to her, but I knew she wanted me to make it.
I put the electric stove on and opened the refrigerator.

"No eggs," I said back to her, "I'll be right back."

She moaned and slithered back into bed.
I threw my jacket and slippers on and made my way downstairs.

"Dobry den," I said to the cashier.
He was a tiny vietnamese man with a extremely high pitched voice.
I struggled to stifle a laugh every time I came in.

"Dobry den," he said back, sounding like air escaping from a balloon.

"Dear God," I thought, "How does his voice box do it?"

I went straight to the eggs, pretending to cough.
All around me were packaged sweets and rotten vegetables and fruit.
There were half loaves of brown, stale bread wrapped lazily in thin plastic.
Canned beans, noodle packets, and cardboard infused orange juice lined the shelves.
Where were the ******* eggs?
We needed milk too.
Trying to drink that crystalized coffee without it was torture.
I don't even know how I did it earlier.
"I must be getting used to the taste..." I thought.

I opened the single refrigerator they had in the place.
It was stocked with loosely packaged cheese, milk, beer, and soda.
There they were, those ******* eggs, right next to the yogurt.
I looked at the expiration date of a small carton of chocolate milk and winced.
"Someone could die here if they weren't careful," I whispered to myself.

"Everyding O.K.?" I heard the cashier squeak behind me.
I turned and nodded and showed him the eggs.
He was suspicious I was stealing something.
It was ironic.
I put the eggs on the counter and handed over what the cash register told me.

"There you go," I said and handed him the 58 crown in exact change.

"Děkuji," he peeped.

His voice sounded like a stuffed animal.
I nodded, smiled, and quickly got the hell out of there.

"You know the guy that works at the shop across the street?" I asked the body still in bed.
Well, she was up now, back up against the wall with her laptop on her lap.
"You mean the guy that has the voice of a little girl?"
"Exactly. I was just in there - getting these eggs - and I nearly laughed in his face."
"That's mean," she frowned, staring at her laptop.
Many of our conversations were with some kind of electronic device in between us.
We needed to work on that.
"I didn't laugh at him directly."
She smiled and nodded and moved down the bed a little more.
Only her head was resting on the pillow.
I cracked two eggs and let them sizzle there in the butter and the salt.

"So, what do you want to do today?" I asked Page, "It's not too cold out. We could go on a walk."
"Where?"
"I don't know. Over the bridge and maybe down by the water."
"It's going to be so cold," she shivered.
"I was just out there in slippers and a t-shirt and I was fine."
"That's because you're so big. I'm tiny. I don't get as much blood flow."

I flipped the two eggs and looked down at them.
Golden and burnt slightly around the edges.
******* perfect.
Now, just gotta wait a little on the other side and make sure to not let the yolk harden.
I hated that more than anything in the world.
Well, that and hearing **** poor excuses like it being too cold.
It was nice out.
She'd be fine.

"Come on," I sighed. I did that a lot. "It'll be fun."
She looked up at me from her computer with a dead look in her eye.
"What?" I asked her.
"You're such a...nerd," she said.
"No I'm not."
"You're so weird. Some of the things you say sometimes..."
"Like what?"
"Let's go on a walk."
She exaggerated the word walk.
I laughed and knew I was being a little too excited about a walk.
"Yeah. So? What are you doing? You're just laying there doing nothing."
"It's my day off," she scoffed, jokingly.

We were unemployed.
Everyday was a day off.
This was not something to bring up.
It was touchy subject.
One had to go about it...delicately.

"We need to find jobs," I stated, "And we can probably ask around or look for signs in windows."

"Oh JESUS," she gagged, coughing and diving back under the covers.

"I'm just thinking ahead so we can stay here. There's got to be something out there we can do."

"Like what?" she asked, her voice muffled by blankets.

"I don't know...something," I mumbled, trailing off as I flipped one of the eggs, "Perfect."

After breakfast, Page finally got out of bed and took a shower.
I tried to sneak in there with her, but, like I said before, one could barely fit themselves in there.
We compromised to have *** on the bed, though I did miss doing it in the shower.
As Page got dressed, I watched her slip those thin black stockings on, half reading a magazine.
I had gotten a subscription to The Review because I was trying to become a writer.
I thought, maybe if I read the stuff getting published - even the bad **** - it'll help.
Later, I realized, this was a terrible idea, but I enjoyed the magazine all the same.
Page finished getting dressed.
I jumped into whatever clothes were on the floor and didn't stink.
Then, we were out the door on Anna Letenske street, looking at the tram, downhill.


"I can see my breath," Page said, "It's cold..."

"Alright," I said as both of us ran across the street, "It's a little cold."

"But it's ok because I'm glad were out of the house."

"If we would have festered there any longer, we would have stayed in there all day."

"And missed this beautiful day," she said mocking me, putting both of her arms in the air.

The sky was gray and overcast and a single black crow flew over us, roof to roof.
No one was out, really.
It was Sunday and no one ever really came out on Sundays.
From the few czech friends I had, they explained to me this was the day to get drunk and cook.

"Far different then what people think in the States to do," I remember telling him.
"What do you do, my friend?" he had asked. He always called me my friend.
It was a nice thing to do since we had only known each other a couple weeks.
"Well," I explained to him, "Some people go to church to pray to God."
He laughed when I said this and said, "HA! God? How many people believe in God there?"
I had heard through the news and some Wikipedia research Prague was mostly atheist.
"A good amount, I'm pretty sure."
"That's silly," he scoffed, "Silly is word, right?"
"Yep. A word as any other."
"I like that word. What else do they do on Sunday?"
"A lot of people watch football. Not like soccer but with..."
"I know what you talk about," he said, cutting me off, "With the ball shaped like egg?"
I nodded, "Yes, the one with the egg shaped ball. It's popular in the Fall on Sundays."
"And what is Fall?" he asked.
You can see our relationship was really based on questions and answers.
He was a good guy, though I could never pronounce his name right.
There was a specific z in there somewhere where one had to dig their tongue under their teeth.
Lots of breath and vibration that Americans were never asked or trained to do.
Every czech I met said our language was a high contradiction.
Extremely complex in grammar and spelling, but spoken with such sloth.
I don't know if they used the word sloth.
I just like the word.

As we waited for the tram, I noticed the burnt orange and red blood leaves on the ground.
"Where had they come from?" I wondered. There were no trees on the street.
Must be from the park down the block, the one with the big church and the square.
There were lines of trees there used as leaning posts for the bums and junkies as they waited.
What they were waiting for, I never knew.
They just looked to be waiting for something.
I kicked a leaf into the street from the small island platform for the tram.
It swept up into the air a couple inches, and then instantly, was swept away by a passing car.
I watched as it wavered in the air, settling down the block in the middle of the road.

"Where's this trammm," Page complained.
Whenever it was cold out, her complaining level multiplied by a million.
"Should be coming soon. Check the schedule."
"Too cold," she said, "Need to keep my hands in my pockets."
I shook my head and looked at the schedule. It said it would be there at 11:35.
"11:35," I told her, still looking at the schedule. There was a strange cross over the day of Sunday.
"You mad?"
"No," I said turning to her, "I just want to have a nice day and its hard when you're upset."
"I'm not upset," she said, her teeth chattering behind her lips.
"Complaining I mean. We can go back home if it's really too cold. It's right there."
"No," she looked down, "Let's go out for a bit. I just don't know how long I'll last."
"Ok," I shrugged.
I looked up the street and saw our tram coming; number 11.
"There it is," I said.
"Thank God," Page exhaled, "I feel like I'm about to die."

Even the tram was sparse with people.
An empty handle of cheap liquor rattled in the back somewhere.
I heard it rock back and forth against the legs of a metal seat.
"Someone had a night last night," I thought, "Hope that's not mine."
We had gone to some dark bar with a lot of stairs going down - all I really recall.
Beer was so **** cheap there and there was always so much of it, one got very drunk easily.
I couldn't even really remember who we met or why we went there.
When everything's a blur in the morning you have two choices:
Feel guilty about how much you drank, lie around, and do nothing or,
Leave it be, try not to think about it, and try and find your passport and cell phone.

We made our transfer at the 22 and rode downhill.
Page looked like she was going to be sick.
Her sunglasses were solid black and I couldn't see her eyes, but her face was flushed and green.
"You alright?" I asked her.
"I'm fine," she said, "Just need to get off of this tram. Feel like I'm going to be sick."
"You look it."
"Really?" she asked.
"Yeah, a little bit."
"Let's get off at the park with the fountain. I don't want to puke here."
"Ok," I said, smiling, "We'll get off after this stop."

We sat down on one of the benches that circled around the fountain.
It was empty and Page was confused why.
"Maybe to save money?" I suggested.
"What? It's just water."
"Well, you gotta' pump the water up there and then filter it back out. Costs money."
"Costs crown," she corrected me.
"Same thing," I said, putting my arm around her, "There's no one here today."
"I know why," she stated, flatly.
"Why?"
"Because it's collllllllld and it's Sunday and only foreigner's would go out on a day like this."
I scanned the park and noticed that most of the faces there were probably not Czech.
"****," I muttered, "You may be right."
"I know I am," she said, wiggling her chin down into her jacket, "We're...crzzzy."
"We're what?" I asked. I couldn't hear her through her jacket.
She just shook her head back and forth and looked forward, not wanting to move from the warmth.
Dogs were scattered around the brown green grass with their owners.
Some were playing catch with sticks or *****, but others were just following behind their owner's.
I watched as one took a crap in the center of the walkway near the street.
Its owner was typing something on their phone, ignoring what was happening in front of him.
After the dog finished, the owner looked down at the crap, looked around, then slunk off.

"Did you see that?" I asked Page, pointing to where the owner had left the mess.
"Yeah," she nodded, "So gross. That would never fly in the states."
"You'd get shoulder tackled by some park security guard and thrown in jail."
"And be given a fat ticket," she said, coughing a little, "Let's get out of here."
"Yeah," I agreed, "And watch for any **** on the way out of here."

We made our way out of the park and down the street where the 22 continues on to the center.
"Let's not go into the center. Let's walk along the water's edge and maybe up to the bridge."
"Ok," I said, "That's a good idea." I didn't want to get stuck in that mass of tourists.
I could tell Page didn't either. I think she was afraid she might puke on a huddle of them.
We turned down a side street before the large grocery store and avoided a herd of people.
The cobble stones were wet and slick, glistening from a small sliver of sunlight through the clouds.
Page walked ahead.
Sometimes, when we walked downtown in the older parts of Prague, we would walk alone.
Not because we were fighting or anything like that; it was all very natural.
I would walk ahead because I saw something and she would either come with or not.
She would do the same and we both knew that we wouldn't go too far without the other.
I think we both knew that we would be back after seeing what we had wanted to see.
One could call it trust - one could call it a lot of things - but this was not really spoken about.
We knew we would be back after some time and had seen what we had wanted to.
Thinking about this, I watched her look up at the peeling paint of the old buildings.
Her thick black hair waved back and forth behind her plum colored pea coat.
Page would usually bring a camera and take pictures of these things, but she had forgotten it.
I wished she hadn't.
It was turning out to be such a beautiful day.

We made it to the Vlatva river and leaned over the railing, looking down at the water.
Floating there were empty beer bottles and plastic soda jugs.
The water was brown, murky, and looked like someone had dumped a large bag of dirt in there.
There was nothing very romantic about it, which one would think if you saw it in a picture.
"The water looks disgusting," Page said.
"That it does, but look at the bridge. It looks pretty good right
I was once a boy who believed in words dipped in magic
Carefully coated with sugar
From a distance, they shimmered
whispered fog in its wake
surgically dipped into your heart at hummingbird speed
these sweet tender words were easy to swallow
however leaves a burning hole in your chest once it finds shelter in your body.
Even though your lips produced sweet words
I could never get the sour taste out of my mouth
The most you could have done was give me something to wash it down with:
the leftover tears in Samantha Thompson’s eyes
above Wedgefield’s polluted night sky
somewhere in the middle of an empty field inside his pickup truck
between the words I’m and Sorry
the cleanest and most deceitful of them all
I doubted every word.
I never cared much for the empty spaces between the lines of college-ruled paper
They are only meant to be filled with even emptier phrases
If I could, I wouldn’t fill in any spaces in the time we were together
It would only make our story much more incredulous
Adding more would make us less real.
Two hearts in love need no words
but in reality, you did most of the talking
The ***** blanket of faith
is a cocoon of words shared only between you and him.
We, however, were alien to this Earth
We dissolved amongst the shadows of light
produced from lampposts, only to be thrown back into the light
whether or not you wanted to show me who you really were
You always fancied yourself in artificial lighting compared to natural lighting
Fearing the natural light would show the colors you only kept to yourself.
Lovebug ran to each light as quickly as he could
for these lampposts can only cover so much of the unknown
We’ll be together forever
He ran to each one until he was alone
Until he couldn’t find himself
Each shadow that was passed before can be seen, traced
however his new reflection is indiscernible
You can try your hardest to look into dry puddles
only to find something that is not so concrete.
The only words worth believing in are the ones that are burnt slowly afterward
Entre deux coeurs qui s’aiment, nul besoin de paroles.
But no matter how much the lampposts grow taller,
or how the spaces between ruled-paper continue to dance, the word
love will always be the easiest word to swallow
but the hardest to digest once it rots in the thick of your stomach.
Alright, so for this poem my professor handed us a numbered outline that described what each sort of verse or couplet should contain. It looked a bit like:

1. Must contain a metaphor

2. Write a line that seems impossible

3. Write a line for each of the five senses

and so on, and so forth.

This poem handles with the way we swallow/hear words and how people and time seem to change it. It stems a lot from my other piece The Definition of Us, but this piece is much more… bitter.

I wish I could have gotten the complete listing of the poem structure, but these poems are called “Just Let It Go” poems, where it’s not so much the content is theme, but just letting go and just writing something off the top of your head is the main reason why as to why these poems are written the way they are.
I met Neal Cassady last night in a waking dream sitting across from me with his back turned to the noise; the bar was loud. He repeatedly leaned forward and asking if I wanted a smoke.
        He looked just like Neal, talked like him. I hated and admired him just like I would the real Neal Cassady. His mind was incredible; beyond the worries of mortality, no thoughts or pains of hubris. He had the candor that I lacked only because I hadn't the nerve to jump first. When I asked him if he truly was the great Cassady, he stared at me from across the table with a wry smile; patted his breast pocket down, leaned back and said as he turned with precision out of his chair,
        "Let's go for a smoke".
        Such practiced determination, he was already outside before I had put on my coat. Of course I had no cigarettes of my own, he had expected me to bring one for the both of us. But I for one expected him to procure an entire carton by the time I was outside; one bent cigarette from every Saintly being at the bar.
        And what a bar! Great young gone gals; dressed in short skirts and long autumn coats; wool scarves around their necks and under chins beneath cold steel eyes. Ahh, forever young the white dresses and mistresses of the college bar.
        By the time I had opened the door and exhaled my first breath of the crisp night air, Neal was playing the part of locomotive engine with a German couple who were smoking and pretending to be Parisian. The three of them were standing in formation of a triangle on the edge of a stone staircase with a railing leading down into a steep lawn with Neal’s back facing the moon. It was all arranged in a perfect geometric mandala of overlapping Platonic solids.
        As I approached the cloud, Neal was recounting the tale of a nurse he had lain in the backseat of her father's station wagon in Nebraska in the heat of the afternoon sun. The German man was stocky and ill-dressed for the weather. He told me later that his name was Heinrich, but I did not believe him even though I knew he had nothing to hide. The woman whom I believed to be only his girlfriend told me, with a thick German accent, that her name was Deline. I believed her. She was well-dressed for the weather and smoking heavily; style is everything.
        "They've graciously offered to roll us a dozen", Neal expelled between great gusts of smoke, a boyish grin smeared on his face by the thousand red lips and wet ***** of passed consequence. Even in the light of a single lamppost coming through the haze that billowed forth from the three talking chimneys, I could still see a sheen in Neal's eye. The sort of sheen that implied hooliganisms. The sort of sheen you see before a person flies off the handle. The exact sheen you see before you wake up tomorrow in the late light of the afternoon, wondering who the Hell took your hand last night and jumped into total darkness with you. That is, if there was somebody around to take your hand.
        I liked Neal.
                He had a style about him that reminded me of a dark velvet curtain. Once you had passed through that curtain in your business casual attire, you witnessed the burgundy coloured stain of truth. There was no backpedaling after that; your chains would knot up and you would fall off the ride if you tried.
        The German couple looked around at their surroundings and the both of us with a degree of boredom. I had seen them earlier in the bar, they looked bored then too. Neither had spoken to the other once and I was beginning to feel like we were exasperating them.
        “Who cares? They offered to roll us a dozen” I thought. What did it matter how Neal got them to do it, they've offered twelve cigarettes and now they belong to us.
        Deline handed Neal and I six cigarettes each; they were magnificently rolled.
        “Goodbye, then! Thank you for your business”, Neal said and slid down the railing to the lawn below, lighting his cigarette mid-slide. I had just lit mine and started after him down the staircase. I turned around and spoke clumsily with a cigarette bobbing at the corner of my mouth,                      
        “Yes… thanks”, and left without another word.

        Neal walked with sporadic intensity; arms often stabbing out into the blanket of night; legs that would walk straight and stiff but then bent and fast with sudden changes as if he was preparing to spring off into the evening of speckled lampposts and smoke. His head bobbed West to East, North to South, and all Axis’ between X, Y and Z. The more I stared at this character whom I called Neal the more I thought of him as an illusion of my own delusions. When I had finished that thought, Neal had spun around and laughed a good hearty and honest laugh; he seemed to have read my mind and proceeded to flick the space between by eyebrows with his thumb and *******. The pain was real enough. This Neal must be real, unless I had gone full mad with lunacy. We blasted off down the avenue which connected the college bar to the dormitories and the library after that.
        Beyond the avenue laid the cozy valley of goodnight downtown with all it’s lights of sodium pearls below and us upon the hill top looking down with eager intensity. Neal gave another rounded laugh and stared with mad eyes above my head and pointed straight up into the sky at Sirius.
        “Tonight, yes yes, we go out. Not just out, my dear friend, but up. Yes yes, to the great up-and-over. Beyond the next stop we absolutely must climb.”

         I don’t know what mad beast had possessed me that evening but I followed this ghost; this great memory of romantic America into the heart of the infinite night.
        “Good gal Deline”, said Neal

        “Who?” I replied
        “Nimble fingers, strong hands for the German working class” he said, “Great gone gal. Good gal. Fine gal by all standards of beauty and sleek german ingenuity”
        “Hmm”, I responded inhaling my cigarette deeply. The Germans were just fine at rolling, but the tobacco was all American. It was harder and harder for me to physically keep up with Neal. He kept speeding off sporadically twenty feet in front of me, sometimes stopping and spouting at young folks asking for cigarettes. 

        “But you’ve already got one” They would say

        “Yes yes, but it’s for when I’m not smoking one is why I want one”, Neal would answer as he trailed off further and further down the road. They thought he was mad, but they all smiled nonetheless.

        My curiosity was brimming. Who was this mad man? Who was this loon impersonator of the American night? I could not stand by my idle silence and unquestioning.
        “What’s the plan tonight?”, I asked

        “What plan? No good plan. Only great plan and great plain rising higher and higher and we will be up all night but on top of the world for we must climb up and up forever until we can climb no more, and then after we can climb no more then we must climb a little further for life itself is nothing more than an infinite climb ever higher and why not get there faster than all the rest?”

        I had stopped walking and Neal’s voice echoed and vibrated the walls of the stairs between the library and the meal hall. His voice was like that of mountain that had slid beneath the ground reborn into an endless peak above.
“Jailbird Cassidy. Great bellowing Cassidy all energy and no direction, but getting there in no time just the same Cassidy”, I thought to myself.
“I trust you Neal”, I had said out loud.
“Not yet! First great big night time breakfast for you and me, for one can not climb without a good energy and good rounded stomach digested of food and stories.”
Terry O'Leary Feb 2015
The Rulers wield their silver shields,
             wear golden coronets
while warders guard the prison yard,
             boast brazen bayonets
and unicorns flaunt ivory horns
             defending martinets.

While Bankers beam Their self-esteem
             (bailed out of broker's debts),
and Bureaucrats grow rich and fat
             in six-star luncheonettes,
the deep, devout and down and out
             survive as silhouettes.

The Press take pains to wash our brains,
             Their words have mesmerized.
So, mild and meek, we fear to speak
             in worlds They’ve polarized,
and rush to war, through Satan's door,
             watch cities vaporized.

The Lord of Lore tells tales of war,
             of victories far away,
where eyes stare stark within the dark
             and death is painted gray
on faces cold, some young, some old,
             in spectral disarray.

We're taught at school the Golden Rule
             for all to live in bliss,
but in the wars on foreign shores
             the only rule is this:
“Yo! You and I must fight and die
             inside the black abyss!”

But well alive, the Merchants thrive
            on sales of armaments
that Barons built (with pride, not guilt)
            to quell the dissidents,
while Partisans are posing plans
             to conquer continents.

And back at home, the rumors roam
             “Good times are soon to come,
despite the breeze on frozen seas
             in weathers wet and numb.”
When we’re in need, They’ll intercede
             with prayers if we succumb.

A Tabloid screams of phantom dreams
             to keep our minds at sea
and TV skews the evening news,
             ensures we all agree:
“With dynamite we fight for right
             and not for tyranny.”

The brain aborts when drugged with sports
               and fashions of the day,
and sevenfold, men think as told
              and so are led astray;
and like some sheep (unless asleep)
             they baa when they obey.  

In search of sense in sounds intense
             of droning drum tattoos
(the beat sustains the endless reigns
             which swamp the avenues)
souls, thin and worn, traipse by, forlorn,
             delayed by shackled shoes.

Ten thousand eyes belong to Spies
            who watch us day and night
to track our trails and read our mails
             and say They have the right
to know our thoughts and thwart our plots
             to cease Their oversight.

Behind the scenes, behind the screens,
             the rules are fixed, arranged
(contorted smiles conceal Their wiles -
             Their goals have never changed).
When upside-down, a grin is frown
             and common sense deranged.

Along the roads, the future bodes
             in legends made of dust,
and ashes gray the alleyway
             'neath lampposts scaled with rust.
While Divas dine with cakes and wine
             pale orphans share a crust.

Dead colonies of humble bees,
             a ravaged hornets' hive,
rain forests, dales and minke whales
             soon nothing left alive…        
a world laid waste is to Their taste,
             as long as They survive.

As sunlight wanes in winter rains
             and sullen shadows crawl,
the evening ebbs, and spider's webs
             seem tattooed on the wall.
Upon the night the Masters write
             The Final Protocol.
Kristo Frost Mar 2013
Turn, camera, follow the sound of footsteps, nervous in the dark, echoing away down the fogsoaked street. The night begins to cool and it starts to rain beneath the lampposts. Glance, only briefly, at the clerk who pulled the graveyard shift, curled on the floor under the register, clutching at the bullet in his belly. There is a gentle kindness in seeing the world how you want to. Show me the money. You watch the fog.
remington carter Oct 2016
morphine. i found ashes in the pages of the photo albums under
my bed yesterday, leaves turned red pages to the colder chapters
and i thought you could still grow a rose this time of year but then i
remembered when we used to make flower crowns in sixth grade so
i took some morphine;
it helped with the pain

the night is younger than ourselves and we run through breakspears road shattering the lampposts with our bare hands, yes we are the new generation! everybody knows we aren’t scared of losing the pieces in our own, we just want to see the skin pulled off the tips of our fingers! (when you’ve been feeling the blunt edges of scalpels and needles all your life walking on glass starts to feel like heaven)

codeine— hell is getting hotter! she took to the clouds and the glass
shards wrote crimson sonnets on the bottoms of her feet, marietta i
trusted you i really did, i made you promise
that you’d stay; not with me, of course
(some things are more important in the end)
i wanted you to stay here.
but you wanted to see the stars so
i choke down the cough syrup;
one ache distracts me from the other

dear marietta,
the light distorts so strangely here in the water.
this is how i want to leave this place
sorry i use way too many parentheses whOOPS
Ariel Taverner Jul 2015
It's acold misty morning
The large grey cobblestones creating valleys by themselves
The old black lampposts casting the imaginings of light
The buildings shuffle between dark grey and black as if they were a depressed Chameleon
A man walks along this pathway
His dark black Brioni suit covered by the enveloping arms of his coat
The buttons undone as the coat ***** dramatically in the wind that isn't there
The outfit is completed with a black fedora which he wears upon his head
He walks down the pathway and passes a small man
With ragged clothes and a baggy hat
He barely notices the painter as he Iis consumed with his Own demons
The painter holds a brush in his right hand
An old thing with paint and chips on the wooden handle
The bristles are long
Not imacculate
But well used
In his left hand he holds his pallette
It has every colour imaginable
But only a small splotch of it
The painter walks behind the man with the fedora
And he painted
He painted galaxies on the cobblestones and valleys separating them
He painted patterns into the sidewalk and stories into the bricks
His style a rough painterly style
Jagged geometric lines creating organic spirals and waves
A Van Gogh style
Painfully wild strokes
That seem to contain the souls of suffering and pain
His flat yellows contrast to his vivid reds
Powerful imagery created by nothing but contrast
Emotions toyed with by jagged currants and swirls
The painter painted
Trying to catch up to the man with the fedora
Painting eruptions of beauty from the lampposts
And birds and flowers floating upon the air
As the fedora man's heels lifted paint was laid down in insane yellow
Driven insane by trying to catch up to this man
Driven insane by trying to show the man beauty
The painter ran out of paint
A masterpiece a mile long
Seen and admired by all who walked behind
But the artist had failed
His face Contorted as his emotional suffering manifested physically
His heart broke again as he realized that this man with the fedora wouldn't stop
He would live his whole life
Without seeing beauty
The painter was put in a nice jacket and a white padded room to live the rest of hus days
Forced to live in his misey....
His  emotion....
His failure...
The finale that rose up from 'Sad' and 'smiles'
kirk Nov 2018
I knew they'd be more sightings, it looks like I was right
The day has arrived once again, where things have come to light
Shinning armour is absent, and there is no gallant knight
Oh Annette, there's only Den, and your chastity's not tight

It seems Miss Tidy has returned, she's covered a long span
**** escapades displayed again, written by a big **** fan
***** heifers filled Cow Pies, diving in like Desperate Dan
I wouldn't mind a go myself, because I am a man

Bus stops and phone boxes, seem to be your mainstream media
Your depicted as a ****, and your appetite gets greedier
Every time that you appear, your antics are more seedier
Be careful of your infamy, you'll end up on Wikipedia

What the hell is going on, you've resurfaced once again
There's no accounting for good taste, with ******* different men
I don't know if it's better ***, than your getting from old Den
Oh Annette if you get judged, it'll be a Ten from ***

Bus shelters are the place, to read about your ***
Showing intimate parts of your life, like the local multiplex
Written words like **** and ****, are nothing to perplex
It's obvious what's going on, its hardly that complex

If **** *** is preferable, if it's not just a passing whim
You can lick my exposed ****, and I'll give yours a rim
A tight *** is just as good, as a nice warm ****
Oh Annette untidy your legs, and we'll go out on a limb

**** *** excites me, but there's just one small detail
Is your *** completely free, or is your **** for sale
If you use lubrication, then it never will get stale
Naked flesh I really like, that's probably cos I'm male

If telephone boxes we're obsolete, if bus stops did not exist
Where would Annette's news be then, from the *** obsessed artist
Would he try a public lavatory, would he have a different twist
Oh Annette If writings ceased, *** stories would be missed

George Formby leaned on lampposts, but I'm not sure I'm a strummer
Unless you count a *******, and you are a heavy ******
I'll wait until you come by, for one hell of a good ******
Outside in the night light, so much better in the summer

Could you be a lovely girl, or are you an ugly *****
**** ***** and ***** *****, are just the local lingo
Oh Annette if you want ***, don't wait too long in limbo
I can do it on all fours, as well as legs akimbo

Softer holes are better wet, **** positions don't much matter
Whether it is *******, or laying a bit flatter
Certain parties can be fun, if your naked on a platter
A very happy unbirthday treat, I'd share with the Mad Hatter

Do you bite as well as ****, be rough and rarely gentle
let passion take control of you, cos I'm not temperamental
You seem to be the kind of girl, to be experimental
It makes no difference if your a ****, it isn't accidental

There's nothing wrong with ***** *****, if they are never shut
Open all hours is quite fun, when you're an **** ****
I hope you have "**** Handles", that are looming round your ****
So Annette relight my fire, I don't want my long wick cut

Come on now be daring, because you seem like an old friend
I hope your ****** preferences, are not just a passing trend
So much is known about you, with all that has been penned
If your into *** ***, then give your **** a lend

Just how many blokes you've had, well I don't have a clue
There's Den of course but now and then, you try someone new
It doesn't really bother me, if you've had quite a few
You could be in fetish films, if your backdoor is blue

Perhaps I have misjudged you, and you are a teachers pet
And everything that has been said, is something you regret
But If the rumours are all true, then I would not forget
To stuff my ***** up your ****, and I'd say oh Annette !
What can I say about Annette Tidy, as you may or may not know, I discovered writings concerning Miss Tidy's shall we say carnal activities in February 2016, there we're further details of her misdemeanours 2 years later. Both sightings inspired me to write a poem the first of which is titled " Oh Annette Tidy" .
After the second sighting I then wrote " Oh Annette Tidy's Back Again " I thought I was done with our Annette until I began writing this new poem, so you might say the Annette Tidy saga has now become a trilogy of **** escapades, I hope you enjoy it and I wonder if this will be the last we will hear from Annette Tidy ?
Peter Simon Jun 2015
There is a city inside my body
With cars making their way through my veins
People are on rush like they’re insane

My organs make up the industries
And the people are the workers
They work twenty-four/seven, tirelessly

Waiting for the food
Which they make into goods
And supply to all the smaller towns

But in my body,
The day never comes
So they’re accustomed to night-time

And all the routes and all the buildings,
And all the cars with their honking
Even lampposts and payphones

All the houses’ windows
Maybe even TVs and radios
Together, they make their own city lights
Livi M Pearson Nov 2015
Walking into my room
I see a lonely primrose
Looking to the sun
Dying while it goes...
Slowly

Tears fall gently down its petals
It glistens in the sunshine
It does this constantly
Time after time

I have watched her for hours
As she wept away the day
I fell into my dreams
Every time the moon came my way

But tonight I will see this primrose
When the moon rests in the clouds
When lampposts become the sun
When the cities lose their crowds

Oh I will see whats behind my vail of dreams
I will see why I don't hear her weep
I will witness that precious moment
When the primrose and the moon will meet

Time passes me
My eyes can feel it go by
Dropping into my dreams
Reality is saying goodbye

But then
As the moon gently arrives
The primrose looks up
Her quiet sobs slowly subside

I have seen the beauty of golden rivers
The sunshine over the mountain top
Snow on the green pine trees
I have seen the orange in the sun rise pop

But I have never
Or I ever
Seen this divine beauty
That will live with me forever

This primrose bloomed
In my once room of gloom
In the silver bright light
Of the wide eyed moon

It was quiet at that moment
Silence was its gorgeous view
The primrose looked at its only love
And said...
"I cannot live without you"
krista Oct 2013
i.*   i've always loved the way the earth looks from an airplane window, small enough that i can filter through an entire city with my fingers and never encounter a single face that inhabits it. but this time, i looked out and could see nothing but green for miles. it was as if god himself could put his infinite hands together and they would still fill with trees and branches and coffee-stained rivers instead of people. i didn't know it was possible to drown in so much color.

ii.   a man who spoke in splintered english and carried a machete told me that he could survive in the rainforest for a month without supplies, that the jungle ran through his bloodstream as he imagined gasoline and city lights flickered through mine. the day he took us hiking on the trails, he glided through the understory barefoot, pausing just long enough each time to see if we were keeping up.

iii.   some mornings, i lay in bed still wishing i could turn the chorus of car horns outside my window into the songs of howler monkeys echoing across the treetops and into my dreams.

iv.   at night, we walked down a beach, dragging sand and weariness in our socks and watching the waves crest along the shore. i looked to my right and the stars leaned so close into the forest that they simply became twinkling electric lights atop palm tree lampposts. my feet even tasted the stars beneath them; when i kicked up sand, tiny constellations startled scurrying ***** into the tide.

v.   you will always be the first country that trusted me with a bottle in my hand, as i stole through the midnight streets of san pedro with the taste of *** mixing in with the laughter i felt hidden under my tongue. and in the morning, i awoke to a faint dizziness and the memory of boys who bought me drinks and asked for nothing more than a dance and a handful of stories in return.

vi.   *muy exótica
, they murmured as i walked down the road, my heartbeat syncing with the wheels of my suitcase as they rolled over the uneven dirt. a pair of enamored scarlet macaws held no magic for them now; the real exotic specimen was the girl whose almond eyes were filled with desert sand, whose skin only became mocha when the sun stared at it too long. they couldn't turn away.

vii.   i still have countless bug bites that dance across the backs of my legs in tingling trails. i hope the scars stay long enough for me to trace them back to the place where they were choreographed.

viii.   only one of a thousand sea turtle hatchlings will reach adulthood, yet i watched one of eight make its way from my hand to the ocean until it caught the sunrise and disappeared. i kept my palm open as i waved goodbye, hoping he would someday be able to read his way back home.

ix.   the last night, we danced under a shower of stars and you told me about a time that you smoked until twilight and saw sea turtles dancing on the beach to bob marley. while we were sitting there wishing the storm would swallow up time, i imagined piro beach was littered with the shells of sea turtles using the moonlight as it pulsed off the waves to teach each other how to salsa too.

x.   i've never written a love song, but i spent my days in a hammock wishing i knew enough words in spanish to weave together one for costa rica. i wonder if i will spend my life falling in love with places and scattering pieces of my heart across the continents like turtle eggs without ever finding the one location i'd like to bury them deep into the sand and wait for life to dig its way back out.
// for costa rica, te amo
Leah Rae Feb 2012
Fall In Love Or Fall In Lust.
Make Plans, Or Make Cookies.
There Is Living To Do Here.
There Are Books To Read, And Movies To Watch.
There Are Art Museums Meant To Wonder Through, And  Ocean Waters To Taste.
There Are Plays That Deserve Standing Ovations, And Musicals With Words That Need To Be Sung, There Are Girls That Need To Be Kissed, There Are Boys That Need To Know What It Feels Like To Have Their Hands Held.
There Are Poems That Need To Be Screamed At The Tops Of Someone's Lungs. There Are History Books With Frayed Edges, And Broken Tea Pots That Died Before Their First Breath.
There Are Heart Throbs Waiting To Make Teenage Girls Swoon.
There Are Jeans, With Knees That Are Begging To Be Ripped Open.
There Are Sunflowers That Have Never Been Told “You Are My Sunshine”.
There Are Grandfathers With Empty Laps, And Mothers With Empty Wallets.
There Are Law Students, With Hearts Ready For Humanity, There Are Babies With Broken Families.
There Are Fortune Cookies With Untold Wisdom, And Grandmothers With The Best Rhubarb Crisp Recipe You Have Ever Tasted.
There Are Undiscovered Passions, And Ancient Ruins.
There Are Empty Canvases And Blank White Walls.
There Are Silences, Recorded And Played Back For The Ears Of The Empty. There Are Places On This Earth Where The Sky Is The Color Of Bleeding Tissue Paper. There Are Places On This Earth, Where Dry Lightening Storms, Are As If God Himself Is Snapping Photos.
There Are Lost Valentines, And Flickering Lampposts. There Are Forgotten Dates And Remember Birthdays.
There Are Lost Puppies And One Man Bands.
There Are Butterflies With Missing Wings, And Eagles That Mate For Life.
There Are Places We Put Our Insane, And Others We Place Our Sick.
We Have Tattooed Our Mistakes On Skin, And Branded Cattle To The Same Tune.
There Are Times We Fall Together, And Others In Witch We Fall Apart.
There Are Moments When We Gage Our Existence In The Breaths We Take, And Moments When We Gage It In The Moments That Take Our Breath Away.
There Are Times We Take Chances And Times We Take Pills.
There Are Moments When We Bruise Our Knees While Praying, And Others Where  We Break Kneecaps For Dollar Bills.

There Is Living To Be Done Here.

There Are Words To Be Spoken, And Even More To Be Written.
keneth Feb 1
do you remember when
all that mattered was
holding his hand

and smelling the sun
on his sunburnt skin
laid on sun-set sand

do you remember when
the only song you knew
was his second name

and now the only dance
your feet understand
is a stance with his toes

can you take me back
the night i cried
like how lampposts died

asking myself why
your moon only shines
when you speak of his smiles

could you take me back to sun-screened streets
where all that mattered were
our touching feet
Onoma Oct 2013
There's the mosh...sordid details that thing...
creeping of sort...retelling...to stay in focus.
A silent film whose black borders encapsulate
a  slab of skyward white.
Visages...opening...opened...to interpretation.
"The apparition of these faces in a crowd;
Petals on a wet, black bough."....ashen...
daguerreotype of a Zen Garden.

All of nature's pretties cast in an occult brew...
stirred, and stirring...composite sketches posted
and burned upon lampposts.
At large...ritualistic making-of-face...illusion
trafficking the ever present primes of lives...
"the center of which is everywhere, the
circumference nowhere."...attestation o' mugs.

Visages...plucked from a year of our lord,
to be...rendezous of all light's putting to...
years thereof.
Alien unto thyself...oogly boogly, yet mirror-imaging...
behold/beheld/beholden.
By sleight of Hand...visages, who'd otherwise
be as soon pruned and leathery, inanimate under the
sun.
JR Rhine Dec 2016
Vast, empty, midnight hour,
hunchbacked lampposts glaring over parasitic black earth
choking its host.

A parking lot,
an ecosystem’s blemish—
hot tar seeping into the pores of the earth
like a stubborn blackhead in a lip line.

When no cars burrow into the blackened hide
like lice
the great absence of life
is an atrocity.

I imagine myself skateboarding across the tier
as the small town cops
watch languidly with vague interest—

A skateboarder’s paradise
where wheels and accomplice minds roll across celestial barriers
blasting infinite pulses
into the microcosm.

What greasy punks have their mother’s van parked here,
huddling by the heat vents
and jerking off into a Pringle’s can?

Empty parking lot
looks like a cemetery
filled to the brim
where headstones meld
over a mass grave—

delineated by white lines,
the apparitions of vehicles and their hosts
haunt the frozen space.

Another horrible excuse
to waste land,
a wasteland in and of itself
where Tom Eliot saunters aimlessly
and buries the dead.

The saddest sight to behold,
this vacuous parking lot
littered with stray shopping carts,
phantasmal plastic bags,
gum splotches,
***** stains,
candy wrappers,
cigarette butts,
used condoms,
lonely cops
and patient drug dealers,
ambulant skaters,
tired punks,
bored teenagers,
somnambulists,
stumbling drunks,
hunchbacked ***** lights
prying for life beneath its sallow gaze—

The air encapsulated within the perdition
stifling,
the pavement below stifling,
a constriction only visible
when emptied of its contents.

A cop wakes from their choking nightmare gasping
to find themselves trapped,
****** in this parking lot
where the walkie-talkie buzzes
with the weeping and gnashing of teeth.

The warehouse store
looming above the waiting room
lifeless, silent, dark countenance—
Big Brother sees all in the gaping maw.

Cascading before me,
stretching towards the highway passing by,
waiting for the panorama to finish scrolling,
the treadmill to cease its cycle—
all the while lamenting life’s absence
and reveling in the potentiality it possesses.
Oskar Erikson Jun 2019
ive been taking Tarot classes again
like card counting can provide some clarity.
number XII: hanged man: left me dangling
free as can be.
climbing up lampposts to look down at the light for once
for once like the fool, number I.
the kitchen has been turned into a hell hole there's Cups and knives sharp as Swords.
the garden ravished for sticks to turn into Wands,
broken and jagged twine tied together for Pentacles- I through X.
Kings and Queens and Knights and Pages.
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii

like the fool
i am.
with what sense does
this sea of read
pirouette on?

the soot leaving black
blotches on the ****** sheets,
lampposts do not complain
of sudden twitches
as cacophonously, a line
of machines with their ravenous
machinisms create a seam of
crimson to a slender
rose's architecture.

i leave my engine on
so as to hand this road
my readiness,
Ely Buendia on the tattered radio
leaks outside the ajar windows,
chasing the dream of rearing
movements
as my flesh remains dreamless,
stationary.

there is a sequined gathering here.
erratic simulations of
naked eyes pierce the musk
of the austere air's gravity
of existence.

all of us
occupying space
and our attendance is our
sigh of dismay as our homes
decompose in waiting,
as our beds remind us
of our body's aging clamor,
as our ineluctable senescence
opens the dungeons of our frailties
with its trembling, wrinkled hands.

we are our waiting's consummation
as we are left here,
wary of our precise proprioception,
left in
the tongue-tied dark.
Traffic in Manila, Philippines in absolute worst.
DrAbhijit G Jan 2021
Two Lampposts ..
Look calm and steady
In those Winter days ..
Whisper each other
Warming  some  cold waves ..!
Singing the  night songs
Rhyming with 'Nightingale'..
Did you ever hear...
One lovely 'Fairytale' !!
#winterlove
Waverly Feb 2012
Cotton is everywhere,
it's on the ground;
in the ditches,
all brown and soggy like
wet hairballs; in the wheel wells,
the rotor tiller;
the SNAPPER'
the squash;
your wife's *******,
tingling her constantly;
the speedometer,
the pulled pork,
collards,
mashed potatoes
and most definitely
the gravy;
it's in the eyes,
makes them red
and explosive,
it's in the dark loam
and gloam; the unwashed streetlights,
the blue dark
and even bluer
lampposts in the middle
of fields black as oil;
the pink sun,
white clapboards
and redwood siding
of that burned-out homestead;
the cotton is everywhere;
thrown up by the slaves;
a ceiling made just for
February lovelessness
as I pull on my Marlboro
and crook my arm
like the cornices of a power station.
philosober Dec 2013
it's the twenty-fourth and every one's out
the streets are dead like the laughter that died out
lampposts light blotches of the road
and Christmas this year feels like a fraud
we hung out at the old bar on the curb
and we drank til the night was nothing but a blur
cruelly reminisced the days with bittersweet smiles
can you be jealous of your own past, you the child?
cheating husbands and bachelor loons
they're all wasted and it's all too soon
for a family to split and spend  Christmas eve
with a friend for a while before they get up and leave
and it's such a shame that a time has come
when you can only hear the roars of a gun
hell, do you want to hear what's worse?
tonight a couple million drunks will break down and curse
when their hangover sets before the northern star
and the ***** of words that follow isn't that far
for all we know we are slaves of a tradition
that seems so far from its own meaning in religion
but can you do anything, and hear over the masses
chanting rebellion against every traitor that passes?
can you really hear the chiming of church bells
when the world of humans is nothing but a living hell?
it's the twenty-fourth and everyone's out
to feast on a Christmas of pain and doubt
                                                                ­             *p.t.
Nat Lipstadt Jan 2018
The bedrock underlying much of Manhattan is a mica schist known as Manhattan schist.  Schist is foliated or layered in appearance. Quartz sparkles, micas, and amphiboles are primary minerals in schist. A melted rock, just like the city resting above, it too, a famous melting *** of humanity.

This one poem too, composed from pieces of other poems,
folded in layers of many others that melted together,
in harmonious discordancy

<~>

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee, I am composed

the city I love,
where I was born,
schooled and fooled in,
by many a woman

the city where I named
and raised my children

will probably die in
this city, and when
I am long forgot,
my name never uttered,
    who, will think of me?
Perhaps,
whenever someone says,
"he was such a rascal"

these tales I took,
some or all,
from beneath my skin,
where city streets grit,
was injected beneath my skin
and came with the title,
City Boy

so today, on a reborn street,
near tall towers no more,
I rest upon reconstituted speckled curbstone,
the city's lowered down ledges,
the city's lowered down-town boundaries,
constantly redrawn,  
but nonetheless, always rebuilt from their own
regenerated stony compost,
and the typical NY passersby doesn't even notice
a man, head in hands,
unsilently weeping, thinking that:

We lose or throw away so much we should have kept,
We keep so much we should have thrown away

street prowler, heart growler,
Art Deco lampposts,
the mountain range of east seventy second street,
begs the bagger's question,
each post
begging each other,
"from whence will come my inspiration?"

licked the stubbled sidewalks,
fell down into their living caverned cracks,
light needed, needy softly heated,
orange and green pizza neon signs,
saying here,
if you see upon what be,
these are your city's homeland colors of veracity

perhaps
NYC was model precursor
for our internet presumed-to-be-alive-but-who-can-say-for-sure
model for the world today,
where I know not my apartment's neighbors name,
yet carry his second child
in my arms,
when the fire alarm
summons us all to flee
to street safety...
and still only
"know" his child's first name,
and his father,
as Apt. #16D

all this exponential signage
of this NYC boy grousing,
are his defrocked muses him annoying,
with a serenading blizzard
of one trick pony repetitions,
their coronets trumpeting his unmasking,
*making this essay, his revelations,
a product of their harmonious discordancy
See the photo (https://upload.wikimedia.org/wikipedia/commons/thumb/9/9b/NY-Central-Park-Rock-7333.jpg/300px-NY-Central-Park-Rock-7333.jpg). 
this was the climbing mountain of my early childhood.
Nat Lipstadt Apr 2016
artist working by candle light,
neon lights, coffee shop lights...

~~~

to, for & from SJR
~

this force,  
burnt soul kindling,
rampant urges that bow a man's
spine

write write rite right

consumption of the soul
straighten up, flex,
flex to the curvature of the Earths
invitation to

write write rite right

cast my eyes to the mountains,
from whence will come my help?

street prowler, heart growler,
Art Deco lampposts,
the mountain range of east seventy second street,
begs the baggers question,
each a post
begging each other,
from whence will come my inspiration?

lick the stubbled sidewalks,
fall down living in their caverned cracks,
light needed needy soft heated
orange and green pizza neons
say here,
if you see upon what be,
your homelands colors of veracity

from
candle light,
neon lights,
coffee shop lights.

all queries so queer,
so cheerfully answered
in the ***** air,
in warped woof of
city write lights

he goes home
in the dark of a green moon,
and its delighting inviting
moonlight,
he composes
what is his eyes have
decomposed into a single memory,

and is satisfied
unto sleep

praising the eyes,
light lidded, but eager closing,
that
had wisdom given
to observe
light various by which to

write write rite right




4/16/16
10:30am
nyc
artist working by candle light,
neon lights, coffee shop lights...

from a comment to me from
SJR

months ago, a title
  that lay fallow
until
I tilled
my city streets
Noandy Mar 2015
My vessels
My veins
My vessels
My fiend

My pen I never strayed
My lungs I do disdained
My legs not rightly placed
My hands, beyond tangled

This is just some words about
The ethereal wandering spine:
Made of hard candled wood
To be laid cold on the lane

The ghost of it, I dare say, wandered around
Spoken of shame and of the nomads
And in silence, it sew the raging sea
Into yarns of distraught constellation
All in this ill world, not above

The spine was of rage and of distress
Wished forever to stop standing still
And forever more, laid to rest
As broken bones, as thousand glasses
To be unnoticed and blend as well

Fifteen years of shame
Haven’t eaten
Fifteen years of shame
Haven’t beaten
But bathe in dirt

To blend means to fade away
And to fade means to accept
Annihilation and memories that may
Dangle from the tip of your bones

Why would you
Or the spine
Take it for granted,
wish it to be true?

Truth be told;
a spine helps you to stand still
Aside from your legs and your partial heart

Imagine;
if it wander aimlessly
Where would you belong,
and where would you stand?

But still the spine wanders around
To reign upright on its own
Then decorate beauty of its own
Oh, and perhaps, again
Blend in as well as to fade away

Away
Away
Away
From you

From:

Fifteen years of shame
Haven’t eaten
Fifteen years of shame
Haven’t beaten
But bathe in dirt—
And could not stay

Look at your spine
Which you can’t see,
why are you so sure
That it is there?

Look at the spines
On your surrounding:
Lampposts
Broomsticks
Electric poles
Candles
Pillars

Look at the spines
That stand on their own
Just a single stick
And nothing more.

Believed to be incapable
Wished to be broken shards
Ended up standing still
For eternity, for darkness beyond

And what are you
Without them?
Just a lump of flesh
A fabricated skin
An empty will
And nothing more

Living in
Fifteen years of shame
Haven’t eaten,
haven’t beaten
But bathe in dirt.

And what are we,
without them?
Just dark vessels
And distraught veins.

My vessels
My veins
My vessels
My fiend.
NDevlin Mar 2012
There is a city in the world with a torn out street,
Where the people are torn between their lips and teeth,
In broken homes, on salted shoulders,
With rasping tongues and crackling lips

Ouroboros Ouroboros
Soroboruo Soroboruo

Sulphurous distaste of the mind,
Degenerate, disintegrated air,
Vile of thought and thistles,
Effervescent on streets of doubt

Like lampposts at twilight
Held warm at winter’s heart;
Luminations blind to noise
Of pearls and furs in perfect poise

Weep Salamander, Weep Salamander
Weep, Weep, Weep for
Alexander

I who sat upon the throne of Kings,
I who spat at the Wise Man’s speakings,
I am king no longer but of the ground,
And nobody kneels for me.

Zosimus
Swept the desert sands,
In hopes to find the garnet stone,
He found nothing but a lump of coal
And on the sands he kept on searching
Till he found his heart at the bottom of a snake pit
At the bottom of the snake pit
Prying love with solemn hands, he could not differ
What writhes and pulses in the stirring dark?
He breathed the song of ash and crept into the fallow wind.
Heartless and filled with venom spit,
He lost his Pride at the bottom of the snake pit.

On the rocks where Jonah stood,
Clay feet and hands of glass;
Let the waves break against him,
In hope that they might chastise him

Pleading,
O Mother O, do not forsake me
Please Mother Please, let the water take me.

In the bell jar,
The Nightingale discords,
Hallow, softly broken men
The man of Crete leads with a heavy heart
Yet cannot still raise his arms
Rome was not built on Martyrdom

So swear sinister, by the left hand
Stain your feet with the hearts of men
Lay your fingers bare,
So that they may come again

Dance on marble floors
Where the censers used to bow as they did before
Time stood vexed in amber jars
And watched the silent skies pour unto silken crowns
Their tranquilla doves and emeralds sparse
Lay decadent on marble floors
Where they never danced, they never poured
They never sang a single chord
Melancholy nature is,
The truth behind
What is left unwound
The rest is all a lie.

It is no fault in time
My Masonic Mind
Chose to purge the world from the inside
Of a child’s heart
Checkers, Checkers
A Chequered floor and Chequered Sky
Drowned Jonah’s world in Red and White
Cleansed the bell that sounds at dawn,
Eyes as wide as shadows long
And with the spectral dust come tears.

In the end,
What will be left at all?
But Blood upon Vermillion.
nissa Jul 2014
at the time a polaroid was a mark of friendship
so we decided to go raid a photobooth
but the pictures never captured
they didn't get the time to

because across the street was a fancy new camera shop
with a fancy new cashier
who had pretty, pretty hair
and could actually fit into a polaroid with you

and i was surrounded by the walls of a madhouse
from inside the photobooth
because you entangled the curtain entrance
so i was locked in

i wanted to see nothing
so i stared directly into the camera lenses
hoping the flash would blind me
because apparently you're blinded and happy

but i hit the wrong button
and the flash never came
but there were pictures printed
just of your hands around her waist

i took about 50 copies
and taped them to the lampposts lining abandoned cemeteries
i tossed the receipt into the lake,
i scattered the letters of your name into the rain
it seems i am the only person who does not have a polaroid in my wallet

forgive me for this whole day i have been trying to get rid of this suffocating heartache and it's not working out AT ALL

does anyone have any less violent ways
Omnya0 Oct 2018
Before I sleep or when everyone around me is asleep,

I go to an empty street. I wear a coat to protect myself from the cold.

It's a nice cold.

The type that kisses your cheek makes you shiver a little and fills you with giddy.

In the middle of this street is a lamp post; I like to weave words and art from this lamp post.

But I need to go back to slumber

But I need to  go back and play with numbers

And when I don't have these things to worry about

The light goes out

I wait for it to turn back on

Most of the time, it doesn't

I play with the wires

Or maybe perhaps I should go looking for other lampposts and fires

I try to call friends

But it all leads to dead ends

The light of the lamppost will not come back

So I try to make in the dark

And it is excruciatingly hard

All that comes out is a horrible chord

Outside the street, everyone tells me the song is beautiful

But I what I still hear is bad and inexcusable

I'd wish that what happens on that street

Stays on that street

Because the darkness of that lamppost seems to follow me wherever I walk

So, I decided to pause and stop on the sidewalk

Maybe the solution to this darkness is simply changing a wire

Or moving on to find another flare of light
Ronald D Lanor Aug 2014
In the dark of the night
a stranger appears from the shadows,
in his hand
a golden chalice.

The stranger approaches.
I sit alone
under the only lamppost in the park.

I gather my wits.
The stranger draws nearer,
cold breath smoking from his black hood.
He stops in front of me.

I tremble.

The stranger reaches out his bony hand
grasping the golden chalice
and whispers,
"Choose the chalice for life.
Choose not and wish you had."

My mind becomes chaotic.
Thoughts of triumph and regret
flood my consciousness.
My legs are numb.
My feet seem to mold to the ground.
I feel my very existence
begin to slowly fade.

The stranger,
who is he?
From whence does he come?
Why does he choose me?

The lamppost above me begins to flicker.
It casts a shadow over the silhouette of his face.
His face?
My face?
Can it be?

I lift my arm
to reach for the chalice.
My arm is heavy,
my breath short.

The lamppost flickers faster.
The wind howls.
The temperature drops.
My heart races.

My fingertips are just to touch the chalice when
the light stops flickering.

My breath becomes long
and deep.
The breeze,
soft and subtle.
The stranger,
gone.

I sit there
attempting to rationalize.

An old man comes strolling by
humming a jaunty tune.
As he passes,
he stops.
He looks into my eyes.
I feel again unable to move.

The lampposts flickers twice
then goes out.
I jolt up,
fear looming.

Then a flash in front of me.
I look up.
There is the old man
holding a flame atop his lighter.

"The light will always show the way,"
he says.

I stood there
dumbfounded.

And the old man continued to walk down the path
humming the same cheery tune
and holding the lit lighter over his right shoulder
all the way
until he disappeared from sight.
Macy Opsima Apr 2017
the smell of this place
will soon fade at the back of our minds
each thought & memory
will soon be broken into uncompleted lines

one day we will find our feet back
walking the ground where you first fell in love
touching the halls that are now a different hue
to see if they've forgotten you

tales of fairy & lore
will soon be covered with dust
your firsts and lasts
will soon all be eaten by rust

the place of our childhood
though many years have grown
its ceilings may decay
but it will always love to be your home

the trees may bend and left forgotten
hidden behind tall buildings & lampposts
most of what you left behind
will soon all be ghosts

familiar faces with unfamiliar scents
they wont expect you to stay same
tight bonds will melt into loose ends
and they will forget your name

my name isn't carved into something historical
all of this will be washed by the rain
how bittersweet it is
to travel down memory lane
howard brace Apr 2011
Rows of stone houses, all back-to-back
lined by the side of streets cobble set
housewives with shopping, segs in their heels
clopping down ginnels with ringing footsteps.

Cast iron lampposts, corporation green
daily were reset by clockwork it seemed
casting more shadow than light which to see
brimstone edged steps, scrubbed 'elbow' clean.

Sweeps on their rounds, in Summer would rush
cleaning the flues with rods and brush
kids in the street, staring in wonder
at soot snowing flurries, from porcupine pots.

Nutty slack in the grate, drawn by the pan
coal smoking stacks, pouring out grime
creels of damp washing, stealing the flame
when years end smog, jaundiced the sky.

A trip to the 'flicks', Saturday morning
'thrupence' for best seats, 'top-a-the-stalls'
rounds of cheers as good-un's were chasing
the bad-un's were boo'd, soon to be caught.

In 'wellies an scruff,' we went to the 'flea-pit'
with 'ha-peth o' cheap spice', soothing the throat
food for thought, all week long
and played them all, the films we saw.

Cowboys and Indians, cap guns held high
annoying the neighbours, 'bye it were grand'
riding the range on imaginary horses
best we ride on, with slap of the hand.

'Play in yer own street', my recallection
and 'geer off mi steps, they've jus-bin-swilled'
yet still we 'mucked out' with die-cast toys
against the 'midden', and on the walls.

No more adventure, making own fun
young-un's today don't know how it's done
cartoon and serial, games of war
we'd launch to the moon, upon the see-saw.**

...   ...   ...
-D Oct 2012
--jonah’s Lot
gravel-stricken streets & gaslit lampposts;
I close my eyes to take it all in—
this new solitude I’ve found to host.

a sacred sort of song I sing--
[oh, how does it feel to be alone?]--
though still wrapped in Love to ward off the sting.

& though I feel strong in my shield of Stone,
I cannot help but turn back in slight,
& a saltiness creeps up from my anklebones.

--at the dock of the bay.
in the distance you shine with your Father’s glow,
a smile&touch; I have longed for since that June long ago,
& the knot in my stomach continues to grow.

greatness I see as your eyes blink to me
when the smoke billows between our twin heartstrings,
though Ben strikes that it’s time to be free.

so though my travels lead me in opposition to hellos,
you are loved, Eternally Loved,
is what I have always said & have always wanted you to know.

--a fisherman’s courage
His mast is rising & His sails are billowing &
I step out on the dock, reluctant,
then the sunset pours through the Captain’s hand.

“child, you know what you truly seek,
among the waves you’ve yearned&desired; a storm detour,
when I was the one in control of this Sea.”

He reaches out to pull me in,
“you’ve always been free to walk on water,”
& that first step resonates like an eternal din.

--resolve&glory;
*I depart in peace & with all the contentment I have discovered
[that I have found, that I have found],
& all I ever had to do was cling to the Anchor.
inspired by the grappling journeys of Peter & the reluctant obedience of Jonah.
Ariel Taverner Jun 2015
Sad
I'll tell you a story
Of Two men
Who were best friends
One who had a predisposition to feeling nothing
The other who had a predisposition to sadness, suffering, and helping the people whom he loved
Their names were pity and melancholy
Respectively
One day pity said:"I want to be sad Mel. I want to feel sad. I wonder what being sad feels like?"
"Rather terrible I'd assume Pit." replied Melancholy
"Well I guess I'll never know." Said Pity and with that the two friends went their seperate ways
Melancholy was conflicted because he wanted to give Pity everything. Including sadness.
So he sat down and started planning. He thought of sadness and raindrops and death and tears and scars and pain and cruelty and anger and many sad things about the human race.
He drew things. Things that created tears in his eyes. Things that caused the void in his chest to deepen.
Then he was ready
He gathered all of his pencils and pictures and paints and brushes and palettes
And he set out to paint the streets with sorrow
He painted raindrops on the walls
And death on the floor
And cruelty on the lampposts
And suffering on the windows
He painted and painted
He painted a man's tears raining down from the walls
To drown the men on the floor
As the demons sniggered in delight from their lampposts
And their victims of torture hung fromm the windows
Melancholy painted.
He turned the river of tears into a river of blood
And when he ran out of red paint
He slit his wrists and used his own blood
Pouring his life into his sadness
Pouring his life into his river
And then it was finished
His masterpiece of sadness was complete
"Maybe Pit will feel sadness." he thought as he lay in the wet paint and blood with a small smile on his face
Pity walked around the corner and saw the tears and the demons and the corpses and he was scared
He followed the ominous river and at the end he found an extremely well painted corpse
It looked just like his friend Melancholy
He picked up the painting and as he watched the life abandon his sad friend's eyes he felt it
The pit
The void growing in his chest
Painful as if it were an acid that burnt up into his throat
As he watched the life abandon melancholy's life he cried
Because his friend was dead
And he was sad
Something in trying
Dominique Apr 2019
Flesh hooked on lampposts (ribbon-like)
Railings, bus stops, fences too
Unlooping miles and miles of eager skin
Colouring the pavement with vivid

Bone strung like windchimes (hoisted high)
In all the brightest places
Mainly on rooftops, we have an affinity
The sun splatters them pastel each day

Muscle- candyfloss on benches
Warm, thick (seeps into their mouths)
Chunks of wriggling bliss in the tighest corners
Embossed with sweet disaster sprinkles

Me me me; the essence of Me
My pulse spread out across the city
My veins in the underground
My heart cut up onto various plates
The pieces will take years to be found
And they're not all mine anymore.

But under the ivory moon
When I'm sighing, "I'm lost" to each night
My city rocks me straight to sleep
And walks me through the dying light
So while I'm here, my soul's all right.
free verse literally gives me anxiety ****
incogitable is the question
you've asked yourself
since you could form
thoughts dense enough to grasp
quandaries these daily citizens
are encouraged
"not to be contemplated"

unthinkably aware of your surroundings
that you tend to notice cracks
in the side-stomped concrete
three-point-five seconds before
my ankle ever twists

and yet, your eyebrows carved canyons
in sweaty, porous sediment
caked onto the blood-fed silkscreen
stretched below your hair

you didn't believe me when i told you
cameras will litter the city streets
innumerable greater than the lampposts
illuminating your view of my sprained ankle
(you missed that one, by the way)

you honestly believed that everyone
thinks about everyone else
because that's what you do

but boy, I gotta tell ya,
you are not like anyone else
you're the high-flyin pilot
star visible to the naked eye
caught behind the crescent of the moon
yet still shining through
and some may even come close enough
to brush heat waves you emanate from that hot heart

unfortunately, your perennial denizens
rely on waxen wings
crashing anxiously homeward
to moss-laden paradises
they make up
twisting neural networks into bundles

here i recline
pierced through the retina
held fast iron-gripped heart
legs tight and fingers licked
incogitably cognizant
of each
and every
answer
           || Restricted Access Memory ||
will not permit to ponder

ponder for longer than
a second anyway
but a second is all you
need to receive
seventeen-thousand-four-hundred-and-forty-two
percent of your daily value
of vitamin E




(that stands for Enlightenment, people)
feel a slight need to re-arrange the order of the stanzas
pm Jun 2016
but I'd love you if you let me.

Flashback to the night when I have never loved anything more than thunderstorms, heavy rain, ***** white sneakers and stolen kisses in the warm month of June.

You got me thinking— maybe I was made to feel invincible when you're around. That lampposts weren't supposed to be much needed on dim streets when it's 7 pm. And that the world isn't so scary as it seems as long as I have you and the only thing that scares me is when I've realized I was caught off guard by your kind heart and fearless soul yet in the first place, I was never meant to keep the beautiful and ugly parts of you.

You got me wishing that some nights could last longer because I can never figure out if I will still get to witness downpour with you, if that was our last grasp of good-bye that the tip of our fingers never wanted to let go but we had to or we'll just keep on pretending that I was made to kiss you with art and passion everytime I have to leave and everytime I would come back.

No, you are not mine in the first place.

But for the meantime, please,
I'd love you if you let me.
R Saba Oct 2013
I already miss it,
the lazy crawl of time,
hurried waves across the water,
fast cars glinting under the yellow sun.
I miss the easiness of good-byes,
with the knowledge of their flimsiness
in this drawn-out frame of time,
long days
and warm nights,
the flight of feet across pebbles and sand.
I’d live there forever,
memories replaying,
never growing tired of those colours,
only tired from the day;
and yet
two or three hours will do it,
curled up with the imprint
that a warm body makes next to mine,
and if they’re there,
really there,
that’s fine.
But summer is when I don’t mind
being alone at night,
because I’d rather be perched on those rocking slats
of old wood,
water lapping at my heels
as they tease the water.
You could plant me here,
roots digging down through the cracks
and around the ancient tires
that keep this dock afloat;
you could plant me here
and I would grow.
I have grown
in these months,
as I always do,
mind, body and soul
drinking in the new words I learn
and the songs that repeat endlessly on the radio
and the lyrics I find in my head,
only to dig up later,
much later,
and put to wistful chords.
Bare toes,
freckles emerging,
hands seeking refuge in each other,
tinted glass peeling
to reveal more of the interior;
the leather seats
and empty bottles
and eyes lined with smiles
that show through those perpetual frames.
I’ll sit and wait
for as long as it takes,
until that shimmering sun takes its leave
and the only light comes from the old lampposts
that stick out of the water like totem poles,
protecting their darkness.
And when it’s over,
I’ll sigh,
summer escaping from my reddened lips,
you
escaping from my carefree arms,
sand washing from the creases in my old denim shorts
and trickling down the drain,
and I’ll move on.
I always do.
it wasn't poetry when I was living it, it was life, summer, all that

— The End —