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Nat Lipstadt Jan 2014
One evening with a few friends in a borrowed minivan, we got a flat tire.   Changing the tire was so complicated (like PhD. complicated), we finally had the owner of the van drive over to finish the job while three other men stood and watched.   This poem came out of that night.



I think you become
a grownup
the moment,
the very second,
you realize at
some very, very
early age,
you have
limitations.

Perhaps not quite
a total grownup,
mature like,
but some
irreversible threshold crossed on
a life long voyage,
a descent of no return,
a Checkpoint Charlie crossed.

You will never be all you
want to be.

Some will disagree.

the day of maturation,
they'll claim,
comes on that day,

when clouds
of different shapes
call out your name,
raining saturation
of responsibilities,
(feed your family, son).

you
initial your acceptance
by quenching thirst by
drinking 'free' raindrops.

ain't arguing,
the when exactly,
for this highway-journey has
so many rest stops.

But
when your body
cracks with disappointment,
harvests the bitter knowing
that
can't,
means there will be no defying this truth, now self-evident:

there are somethings
you ain't gonna ever be,
or never be able to do.

here's the rub awful.

the street called
Recognition Rue
is the longest road to
a dead end
you are forced to travel,

and the cruelest part
of this joke is
you rue the day
and the next day
and the very next day,
when, each time,
the Dead End sign
moves along all by itself,
another block or two,
with you following,
behind by a
block or two.

after awhile,
you cease to curse,
satisfied with the certainty of discontent
you and your
bag of tools,
cannot have every,
will always be lacking,
the precise instrument
to do
every job right.

half good is likely
your total best,
so sadly shuffle along
at the bequest of
the little voice insisting, whining,
have to, gotta go...

You
want to jack me up
on a cross of
protestations,
words like learning,
and
promises to teach,
no limitations,
words that overreach
and hint of
lesson recitation.

I can't change a tire
but don't give a ****.

this is not how
I measure my self worth.

the sadness that prevails,
that contaminates my brow,
ain't mastery of survival skills
likely I'll never need again
don't need your
complementation/approbation
of what I can,
or rants
why I can't.

For nothing will ere exceed
the exasperation,
chest ripping
agony of frustration,
that one single poem
worthy of saving
has ever,
nor will yet,
never, will
leave my fingertips.


It is
forever detained
in the prison of my limitations.

now that's worth
acknowledging,
now that's worth asking
now that's worth
answering -

why, why, then,
grown up you,
keeps on trying,
surely sure,
that looking back
regretfully,
is useless,

(and you have heard
the lock click thunderous clap of:
"sorry son,
your presence is...
not needed,
no worries, we won't
ask you to do
when better
surrounds us everywhere").

Answer is:
that it is worth trying,
writing,
a poem about why,
I can't change a tire
and it don't matter,
just so I can say
to myself,

*I'll never be all the way grown up.
clmathew Nov 2021
Why there are cicadas - a tinnitus story
written November 1st, 2021

One day there was a small child
who woke up in the night
to the sound of cicadas.
Her grownup comes in to check on her.
The small child doesn't talk very much.
She looks at the grownup and rubs her ears.

Her grownup asks, "Does the noise bother you?"
The small child nods yes.
The small child's eyes ask...
Why is it there?
What does it mean?
Why does it never stop?

Her grownup smiles and tells her...
Those are cicadas dear one
they knew that sometimes
you were lonely and afraid
so they came
hundreds of them
thousands of them
to keep you company
so you would never be alone.

If you wake up
and wonder if you are safe
just listen for the cicadas.
I know they are loud sometimes
they just want to be sure
you know they are there
so relax into the sound
float on it knowing
you are not alone
and go back to sleep dear one.
Tinnitus *****, but mine sounds like cicadas, which is a sound I have always loved. This story is a way to try to make the cicadas a positive thing.
Dead Rose One Mar 2018
nobody gets the cancer twice.  
(a blues guitar riff)

blood in the stool
ain’t nobody’s fool,
whent to high school
did not graduate,
but know it wasn’t no thing I ate

scale greets me friendly like,
long lost buddy from yesterday morn,
‘let get right down to it,
let’s see how much less of you borne
leftover alive from the prior day’

spirit spit blood from my gums,
got me a woman, she’s way over town,
woman said I’m brushing with
too hard a brush, alright, alright,
make no fuss, she’s good to me

nobody’s fool whent to school,
though I did not graduate,
a mean riff is better than a
slow moving woman blues cry,
got the strings to do my screaming

doctor is a fan, name is Jimmy,
played music like last time round,
Jimmy-jamming, dancing in the waiting room,
“that cancer got kick, it’s gonna get ya,
think I told ya that about hunner times before”

‘nobody gets the cancer twice,’
an old wives tale for unlucky po’ somofabitches,
do you some tests, tell ya the specifics,
right now, lay, lay down them new tracks,
no quitting time less the good lord comes a-calling’

blues guitar makes a man
cry shiver scream and shake,
progressions licks and tricks,
so you can’t tell what’s making
a grownup man cry and laugh louder

bring me my medicine
bring me my guitar
all I know is how it makes me feel,
oh baby once a night it’s true,
nobody gets the cancer twice
A Lopez Aug 2015
Me and the familia had a huge picnic today
Peanut butter and jelly
Spanish rice for dad
Mom had a jelly sandwich to
And the little ballerina, her dress again ripped from new
As mommy had to change her for the third time
In two day's.
She's a little messy, but who isn't? Even grownup's are
Nigel Morgan May 2014
She opened the door of the gallery and there it was, there it lay, before her, nearly perfect: her exhibition. The opening was an hour or so away and there were, naturally, a few adjustments to make, but in essence it was right, and as she walked to the middle of the rectangular space (to survey the full effect ) she felt held by the quiet wonder of it all; that she had made all this and with ‘the quality control of nature’s accidents’. He’d written those words some years previous when a solo show was but a dream she would enter between sleep and wakefulness, when she would think of the west coast of Scotland and the poetry of its seashore, the infinite variety in the seashore strand between sand and sea. It was such natural accidents of form and transformation by nature’s hand that had guided her imagination into rightness and towards this exhibition.

At breakfast that morning she had come to the table dressed to greet her audience, and for the first time as a featured artist in a festival of some repute. She had felt the quiet joy of choosing the right combination of clothes to be the public person she had now become. He had loved the new dress she had bought to clothe her gallery persona. She had been conscious of his eyes following the lines this frock so generously drew around her body’s shape and form, the way the material fell across her *******, lay smoothly on her thighs.  It was a very grownup frock and with the jacket and scarf made her look purposeful, confident. His looking made such confidence possible, his admiration and what she could tell was that coming together of love and passion that, her being dressed in this formal way, so often evoked.

In the gallery she had worried over the lighting, climbed up the metal ladder with the fluffy green glove thoughtfully provided to enable those small adjustments of direction to be made on a hot spotlight. There were four large pieces flanking a corner that had embossed lines running across their surfaces, lines that needed oblique light to reveal the shadowing of this effect of swirls and marks of a retreating tide on sand.  Two smaller pieces needed rearranging; she’d placed them, late the evening before, in the wrong sequence. Poster boards were to be filled with her poster and put outside on the pavement by the gallery entrance. She opened the main door, a very green door with its top and bottom bolts and black-painted handle ring. The street outside was a welcoming mix of 18th and 19th C buildings, hardly one the same, the sort of three storey buildings that had simple plaques prominently placed into the brickwork from a distant past when proud builders would describe a structure’s use or ownership with a title and date. By ten o'clock this one-way street was lined with parked cars, but now there was little traffic. It was a quiet sunny morning in a market town.

‘Don’t mind the dog, ‘ he said. ‘He’s used to coming in here.’ It was a long-haired verging on the side of scruffy sort of dog, used to keeping its own counsel, probably used to being taken to exhibitions. ‘Just popping in,’ he said, this man who, and she couldn’t help noticing this, seemed to hold much in common with his dog; the long, but retreating on the forehead, hair, slightly scruffy from the want of a comb or a good brush (like his dog), he had dressed without much thought (because who dressed thoughtfully to walk a dog?), and that’s what he was doing, walking the dog and, seeing the Gallery open, thought he ought to look in.

Giving him her brightest smile, she embarked on performing the artist’s music of conversation, that score holding gentle melodies and welcoming harmonies. Although she had become quite practised in talking to her audience there was always the challenging inquiry that would catch her off guard.

‘Well, are you finished with the seashore now?’ said the man with the look-alike dog. For a moment a half dozen possible answers seemed possible. ‘Could one ever finish with something so extraordinary and various as that hinterland between land and sea?’ No, that was seemed a mite critical and clever. ‘Oh, I’ve hardly started’ was tempting, but rather smug and too confident by half. ‘I just love the seaside’ would probably do, as no one else was listening. ‘Merleau-Ponty says the complexity of the seashore is a metaphor in the search for self-identity’. She did wonder what he’d make of that, but finally decided on ‘It’s such a rich source of ideas and images I’m sure there’s a lot more I want to do with the subject.’

”It’s all the same colour”. She’d had that one a few times. ‘When I’m on the beach I’m fascinated as much by the texture and shape of what I see  and feel than the colour. I like the subtlety of the colours in the sand. I think my pieces – and she waved her hand towards what she had titled her Sand Marks pieces – show so many of the different shades of colours you find on the seashore.’

Those Sand Marks, a collection of variously dyed and marked two metre plus linen-lengths, dominated one wall of the gallery. They floated a few centimetres from the white wall, and when people moved past them the slight shadows cast by the linen lengths seemed to ripple in the human-made breeze. She could never look at them without thinking how their very accidental making – binding a linen cloth with inner placed objects and using the natural dye of tea – could create such absorbing results. She would follow with her gaze one of the linen-lengths from bottom to top (or top to bottom) and find herself walking on the wet sand of a Scottish beach, overwhelmed by the clear light and space with only the sea sound surrounding. He would tell her, had told her often, how moved, how affected he had been when he first saw them hung. To him, these ‘marks’ carried an essence of this aesthetic she now owned and for which had become recognised.

Even on this, her first day, she had been visited by a small number of admirers and supporters, some travelling distances to see her work with the aura of the original, a truer view than that possible on the back-lit screen of their computer monitors. Ladies who loved textiles, the containment and privacy to sew and stitch secured in their busy lives. These friendly and smiley women (the comfortable side of sixty) understood something of what she was doing here, and perhaps imagined themselves as thirty-somethings walking Scottish beaches free from children and the relentless list-making of house and home and occupation, able to create imaginary worlds of marks and folds, pleats and textures. Full of enthusiasm for the medium, what they perhaps didn’t have was the skill of seeing, a skill she had grown up with, had always owned to some degree: found, fostered, honed, developed into a second-nature activity of always looking.

There would be the occasional brief lull when the gallery was empty or close to empty, as though needing the space to come up for breath after being occupied by people and their movement. She would then walk slowly around the long well-lit room viewing her pieces and her arrangements of pieces from different angles. She would look at his poems placed antiphonally between her work, commissioned for her catalogue, her book of images of the sea shore paired with, incorporating even, her made pieces. She’d chosen a favoured few she’d felt caught the essence of being in the sea’s company, in the sand and shore’s domain. Like everything he did it had been undertaken with the utmost intensity of purpose. She saw him now in her mind’s eye with his notebook sitting against rocks, paddling in the great shallow pools, walking head down along the tide line, those bright days on a Scottish island and before, before on that ellipse of beach by the fishing station.

He would tease out an idea formed from a little motif of words, perhaps like the very music that was his private territory: here, alone, apart we are marked by the tide’s turn. Yes, we are marked by being solitary in such unconfining space, the marks at our feet become the lines, the mounts, the fingers, those interruptions, breaks and blockages found in the tridents, chains and crosses of the art of palmistry. We read the seashore as a psychic oracle reads the hand, hoping, as Kathleen Jamie so rightly says, for the marvellous. And marvellous it so often is.

Standing in this gallery was like being gathered about by the seashore. It was a short jump in the imagination’s miracle to hear the soft breathing of the sea, the wind caressing the face, the warmth of the afternoon sun on the freckled cheek.

See how those we love are transformed
when the sea is their only boundary

a figure stands before a sand bar
in a crescent of water left by the tide
an affecting geometry of solitude
. . .


These words had always stopped her in her perambulating tracks. She thought of her son, far distant on the beach, at rest for once, still, motionless within the confluence of the elements of the beach, at the epicentre of her gaze, all things flowing to and from his tiny, far-away figure.
Eliza Bennett Jun 2013
When I'm a grownup,
I would like a home away from home.

A cabin, perhaps, isolated from the world,
where there would be a lake in my backyard.

Maybe I will also have a treehouse, or a hammock,
where I would read and watch my children play in the water.

Then we would roast marshmallows and make s'mores,
and catch fireflies in the bushes.

My husband would sing silly songs and play his guitar,
and make my children blush with fiery laughter.

When the kids would fall asleep in the bunks,
a cuddle would be awaiting in front of the fireplace.

Where we would watch sappy old movies,
and savor our salty popcorn and sweet milk chocolate.

Together, we would laugh and cry.
Together, we would have escaped the world.
Together, we would have been happy.
Nat Lipstadt Apr 2014
Prosecco cocktails, être pour la danse,
cassis pour moi avec limoncello,
madame, passion fruit, and blood oranges

très grownup, breakfast at Tiffany's,
she is all sunglasses and Audreyfied,
me and George P., struggling writers,
checking if i got enough cash
or have to exit smooth, just in case,
maybe we leave our
coats behind, as ransom?

lincoln center plaza cross-dressers,
past the opera,
the sun, a balmy thirty five degrees,
laughing at us teasingly,
cause tonight and tomorrow,
******* all the day,
winter kisses
in case we forgot,
early March
first belongs to the Ides of Winter

Afternoon of a Faun,
another ballet, origin,
a Mallarmé poem.
(you begin to comprehend)
yes quite so,
a perfect synopsis of the day,
Acheron imported from Scarlett Liam
who lives in the U.K.,
but comes to choreograph here,
for gloria Americana

sundown, soul cold back,
"lest we forget,"
but the dancers bid us adieu
with a rousing waltz, frenchified,
La Valse, une poème chorégraphique,
by Ravel, bien sûr!
aroused and heart gladdened,
return home for

for veal chop love

two hours of *** banging,
kitchen banishment, (Yay!)
chanterelles steeped in red wine,
coverlet for a non-vegan tasting,
English peas, red and purple potatoes,
and for desert,
a diet dream of verbal exchanged of detailed
I love you's

He: I love you,
She (happy), replies: I love you more.
(this repartee ballet, has been rehearsal danced before)
He: Why?
She: Because you are kind and generous, to street beggars, my single friends, good and smart, love art,
and never let me down, and love my cooking, leave space for others when you park, go thru life making waiters and ticket takers smile and laugh, sleep for hours your head on my hip, write me crazy love poems about veal chops
He: What's for desert tonight?
She: A ****
Just an afternoon in the city...whatever
just a girl Jul 2014
they say i'm strong but at the same time weak
i fight my things and i don't let it bring me down
but yet it hurts me and makes me sad

they say i'm pretty but still not good enough
i look good and do everything right
but i still fail in the end when they judge me

they say i'm mature but still so childish
i take responsibility like a grownup
but my childhood was stolen so i act like a child now

*(c.m.h)
Amber Blank Feb 2015
As a child the frustration and aggravation we caused our parents counting down the days until Christmas or our Birthday.

And those afternoons in elementary school trying not to doze off while counting the minutes until the dismissal bell would ring.

The older I got the more I've counted my life away.
Count the years until 16 to be able to drive and be free.
Count the years until 21 to be able to drink and feel like a grownup.

Counting the months then years of the length of each relationship
Waiting to be wed.

Then counting the negative pregnancy tests over and over becoming hopeless that I would ever be able to count little toes and fingers.

Counting the tears that I shed for my husband, as the fairy tale family I dreamed of turned into a nightmare.

Counting the nights left alone, scared and waiting for him to return home.

Counting the minutes between each contraction.
Counting the moments before my miracle would arrive.
Then counting the staples in my belly where she had to be taken from my body so that we would survive.
Finally counting ten piggies and ten little fingers

Counting the hours and days daddy left us alone and scared in the hospital for him to party and drink.

Counting the paragraphs on the separation papers
Counting the steps to the court house
Counting the people watching as my romance and love was flushed away

Counting the almost endless nights praying for me and my baby
Counting her smiles, counting her wishes
Counting her Birthday's

Counting the moments I am blessed to be her mom
Counting the hours of work to be able to return home to her.
I will spend my lifetime counting.
Nat Lipstadt Nov 2014
the child of the child of my woman,
cries in the night,
rooming next door,
down the hall
and
he is
all children that cry in the night,
but he is
more mine
by right of quantity

numerous are the kisses lavished,
this biannual visit upon,
his four year old
oversized head,
(so full of 'bains')
his undersized,
protuberanced belly body,
a combo making him
no longer baby,
nor a grownup,
both states,
he denies accurately,
maturely in a wobbly voice
of utter certainty,
but lacking the adjectives
of what lies between,
he debates his state thoughtfully,
until distracted by other
more pressing matters of state

he is boy, little but vociferous,
quiet, pensive, his head a weapon
of...confusion and certainty that
being four years old,
he must perforce be
permanently
in skeptical awe of the world

this is the best position ever,
he has ascertained,
to filter and behold anything,
whatever newness arrives,
which is constant,
streaming and unending
until new is
fully digested, analyzed, and classified,
as if he were
a zoologist in
a wild and untamed land

only certain of what he knows
with perfect certainty,
he consults with me still,
"you kidding?"

such a sophisticated analytic interrogatory,
wise in the ways of grownups,
who, prone to deceive gleefully
his very
suspecting mind,
so much so,
they must be challenged and
rebuffed all too frequently

he cries in the night,
normal tears of discomfort,
physical or mental,
I cannot tell,
for his father
his parental hearing
more practiced, refined,
has preceded me,
such,
as it should be,
and I am dispatched back
to my 3:00am bed,
left only to ink
contemplative ruminations
on the state and nation
of being four...
and sixty,
and still uncertain, even more
than the little boy
of wizened age of annualized four,
the child of the child of my woman,
on
what is real, what is kidding,
in a quest unending
to better ascertain,
the state of my own being

and the transitory nature of
everything

all of what is thought certain,
falls aside,
under the withering,
unwavering,
critique of
"you kidding?"
and in this we are
more kin
than if our blood was
physically shared
Nat Lipstadt
     Oct 14, 2013      

"You kidding?"

Lived a long time coming,
Picked up yesterday my three year old boy,
Third of a third of a third of a third
of a notional half of me,
Who I only see once or twice a year,
And we fall in love once again,
all over as is our style,
Annually, annuellement.

We belly kiss,
Fist bump,
High five, talk jive,
Tell each other grand stories
Of dragons in pizza parlors.

Each of us,
Trying the other out,
To ascertain just what
Stuff we are made off.

I love to put him to sleep,
My fingers, rhyme writing like Pradip,
To the turning tires of mom's Toyota van,
When the tired is a steady stream
Of word mumbles of which I understand
A word here and there, but an epic poem
He recites, a verbal dream, a slippage
To that place where three year old bones
And crying go when they pass the point of
Exhaustion.

Rub his cheek with circles of forefinger,
Stroke his head with full palm of my hand,
Close his eyelashes with gentle fingertip kisses,
Take the toys from his fists without any resistance,
Sure signal time for both of us to nap.

His surprises endless,
His cunning now legend,
Alternating disguises tween
I a big boy,
I a baby,
As the situation arises that will
Get him what he wants,
A masterful manipulator.

Which is funny cause I still do that too.

But when he stops me in my tracks,
It is when somehow the brain that has
Just crossed the thousand day alive marker
Says the profound, the uncanny, the
Philosophy of the world weary that is something
That I think just about every thirty seconds.

It is when after some particularly wild reverie
I compose, of seals that swim from his Frisco bay
Around the world to mine, on Long Island
Pacific to Atlantic, and after ten minutes of
Escapading with Batman and his mates,
He looks me and takes me down with this
Almost clears spoke sabered wisdom,
But in the juvenile voice soft sleepy, of a babe of three,

you kidding

Half statement of fact, half a soulful-questioning,
How does this three year old comprehend
The essential difference between dreams
And reality, that is separated, wheat, chaff,
Milk curd, cheese, the spider silk line that differentiates
All of life essentially.

Yes kid, I am kidding,
I tell that to myself every thirty seconds,
To keep me sane, straight, true,
But I whisper it to myself grownup style,

Who ya kidding?

So it appears that when they say
Out of the mouths of babes
They were talking about adults
Who are hoping they can still be three,
When wisdom and silly are just the
Same-thing.

You kidding(?/!)

Yes I am.
Just a kid,
Kidding you, kidding himself,
Pushing his very own stroller,
Writing crazy stories he calls
Poems, lovely little things,
As soft as your skin, stories of him,
That always end,
With belly kisses and a
you kidding.

Columbus Day
Oct. 14th 1492
When I "discovered" the Americas.
You kidding?
Maybe.
Marian Jan 2014
Childhood memories of yore
Drift through my head
As I watch that old tree swing
Many a Summer ago
I would swing there as a child
But now I am a grownup woman
But my children swing there now
Lovingly I watch
That old tree swing
And memories fond
Fill my mind
Like the rustling breeze
Making that tree swing
Rock back and forth

* * * * * * * * * * * *
My Mother is dead
And now as we fond children recall
How she loved to swing
Upon the tree swing
That is not there anymore
The tree was cut down yesterday
And the swing was destroyed
Vanishing with the swing
Are the happy golden memories
Of many happy days
Spent as children
Swinging upon the swing
That is now destroyed
Along with our Mother's
Childhood home

**~Marian~
Just a random poem that I wrote in my notebook and copied here!! (: ~~~<3
Also, this is inspired by my Mom's childhood home that had to be destroyed
a few months ago!!! ~~~<3
So, here's the inspired poem!!! (: ~~~<3
Please enjoy it!!! :) ~~~~<3
Nat Lipstadt Mar 2017
rose at the wee three hour,
to verify the factual, "they" have cancelled
this particular Tuesday in NYC due to celestial inclemency
named
ma Bella Stella

the guv and the mayor,
a creator's doctored note received
from the supreme being of their choosing,
** ** **, whaddya know, we city folk and grownup kids get a day off,
cause we got a special kind of cold, called a nor'easter

sho'nuff, an atmosphere perusal
shows a whiteout sensual ensual,
through a sleepy bedroom window,
visible the commencement of 18,
maybe 24, inches, can't be too sure

but it's all about safe over sorry which is why,
really good poets rewrite a new poem countless times

rose at the wee three hour,
a snowy add-on found to our raging winter,
a poem~note^ from you, patty girl,
about transition and juxtaposition
which leads me here, here being on the
writing couch roundabout the now wee hour of four

for the juxtaposition of the blizzard external
and your early-morning poetic missive
has transitioned to blizzard inferno internal,
visible the commencement of 18,
maybe 24, lines, with poetry, one can't be too sure

you can lead a horse to water but not make him drink,
you cannot lead a poet to certain words without making him think,
you phrased me a phrase, so consequential, guilty you are of
robbery in the first degree, stealing my mind in furtherance
no mas sleep

the providence words you provided shot off
so many alt-poem routed roots that I must now provide
a trigger warning to you dear reader, that I am near to
dangerously drowning in an internal blizzard of very
l e n g t h y poem possibilities

transition and juxtaposition

dumbstruck

are not our entire lives consistent of transitions
by the elemental random juxtaposition of
consequential accidental, just happen to happen happenings

to all my friends here,
how did our juxta-wooded paths happen to cross
we are citizen~strangers of the planet
Never Met
who exchange secrets and confidences as if we,
transitional, friends but, of one family born

dumbstruck

now past the five,
my torrential impulse powered thoughts
have slowed to tortoise speed
and someone has mercy on my soul
calls me back to the
snowed-in blissful bed

but this my parting pattyshot

if i ever get the shoulder tap,
"kid,would you like to update the
Five Books?"^^

I know instinctually intuit,
the first book, no more
Genesis

the first chapter of the
nattyman version
**Transitions and Juxtapositions
^" I decline
to align
my spirit or word
preferring instead
to tread
upon rules
CREATED
by
FOOLS

But the alignment of body and soul
defies
transition and juxtaposition,
as prayers unfold.
How beautiful is poetry
a raging rant or fervent plea,
expressed exquisitely.

hugs
patty m

^^the Five Books of Moses a/k/a the Old Testament
5:45am
march 14 2017
-------------
Storm Stella whips the US Northeast. The monster snowstorm, expected to bring winds of up to 60 mph and reduce visibility to zero, put 31 million people under a blizzard warning and has already resulted in the cancellation of over 7,000 flights and the Falcon 9 rocket. CNN predicts the heaviest snow between 6am and 9am ET.
Eileen Prunster Feb 2014
get out of those pj's
and into some jeans
altho i obey
i
dont know what that means
my life does unravel
undone at the seams
i prefer life by night
under moon beams
A poem about avoidance
Poetoftheway Aug 2017
"the ever shifting light of ourselves"
(a poem such as this)

For Jamadhi V.

<•>
8/28/17

at 11:09am,
the phrase arrests itself, then assertive,
ungently demanding fulfillment,
implanted, it cares not my whereabouts,
it is a child~phrase, inexact, mysterious,
wanting its breast milk feeding immediate
no matter where my presence visible

but to me, it stinks of familiarity,
for my shifts, my redrawn shapes,
exhausting, giving me cause to grieve,
write poems such as this,
which I regret both
before~after conception~completion,
written in a fevered misery of fervor,
hoping,
no one ever likes it and its witnessing

as light ever shifts,
it consumes, extinguishes, reignites,
poorly lit, revealing dregs and dustbins

better then to sit in the darkness
the one you call,
getting it over with...

6:00pm
<•>

~~~~~~~~

*the swelling and the spume


for Lucy:

who gave me the title, three poems, a compliment, and the X Factor {inspiration}
~~~
the spume, the sea foam concentrate,
a greener white
by the the salt and the souls of the
million dead organisms,
that are are the compost of its formation,
it, watches the poet, who watches the spume,
come ashore for its final act of
immolation by evaporation

which is why the random act of
an unseen ministering force,
fills my ears with humbling glory of
Samuel Barber's Agnus Dei,^
my fresh reminder that this swelling chest
in this temporary abode of mine,
by the sea, passage is prepaid for my
expiration by evaporation too,
all lambs march to the sea,
returning to spume
~
Lyrics to Agnus Dei:
^ Alleluia Alleluia
For our Lord God Almighty reigns
Alleluia Alleluia
For our Load God Almighty reigns
Alleluia
Holy Holy
Are You Lord God Almighty
Worthy is the Lamb
Worthy is the Lamb
You are Holy
Holy
Are You Lord God Almighty
Worthy is the Lamb
Worthy is the Lamb
Amen

~~~~~~

"may all my lost lovers haunt me"

for Vinnie Brown

even your kindergarten crushes?

what burdens you seek to retain,
the edgy border of delicious and pain is a raggedy cut line,
as lost lovings rhymes with duality

Once upon a time,
a middle aged man
left the woman he married,
the one who drained and cruel reigned
over the destruction of his-dreams
for one accidentally stumbled into,
the love who blurred his edges as well,
between forgotten happiness and
pain so bad when she grew tired
of his life's complications and the
valises of drama,
she left him,
weeping on the corner of Broadway and 83rd Street

was that 20, 30 years ago?
a memory
from no matters land
but
the physical ache that marred the hearth in the chest for months and months,
sent him to the doc who smiled sweetly
but gave him, had no, no relief for busted grownup hearts
that had normal  EKG's

and that remains a treasured affirmation to this day of
life's capacity to love that comes with an ingrown danger
of never forgetting

did you know the French outlawed the use of the term
Mademoiselle in '12 (Mlle.)?

I loved that salutation,
calling my one true lovers
with the soft feminism of that address

and still do

and you want to recall
kindergarten crushes?

Mister Vinnie
possesses a lovely contradiction,
holding onto
lost lover sickness
that lives on in good love poems

this my new found poet
is how that he, this aching heart,
fast approaching his shore line for one last return and final departure
repays a sweet compliment,
from one who complements
another man's lovely's insane desire to
never forget any of it

~~~~~~*

reading love poetry and listening to
Joni M.,
at 3:09AM
never wise,
but always full of hindsight
Brent Kincaid Dec 2016
I used to believe in Santa Claus
So jolly and red and so fat.
I was a big fan of Christmas
No holiday was as great as that.
Not Easter with those funny eggs
Not even Halloween with candy.
No, that thing about tons of presents
To me, that was fine and dandy.

And we even got two weeks off
Nobody had to go to school.
Then coming back with new clothes
That made me look so cool.
Nothing compared to Santa Claus
The flying reindeer, ** ** guy.
I used to try to stay awake
So I could see him flying by.

It was such a great reality
To know that dude was up there
In the frozen north pole air
Making stuff for kids everywhere.
That was the world I reveled in,
Where everyone celebrated.
I knew I was not the only one
Who sat by the tree and waited.

I don’t remember being confused
By the Santas in department stores.
Santa had lots of helpers, I knew,
And this guy was just one more.
I did have a problem with chimneys
And a bag that he could lift
That carried things for all us kids;
Every size and type of gift.

But kids have a way of helping folks
To maintain a pretty fantasy.
We just ignored things that didn’t fit.
We went about it very easily.
But one day, and I remember when
I got let in on the confidence game
And Santa Claus was quickly gone,
Never to come to our house again.

The sad thing is nothing can ever
Replace the joy I once felt.
Santa was not supposed to be
Like Frosty and too quickly melt.
So, I have to make do with having
The grownup toys I buy myself.
Oh, how I could use a flying sled
And the help of a brace of elf.
Thomas Harper Oct 2014
A writer writes.  
A writer writes when he wants to
and when he doesn't.  
A writer writes when he is inspired
and when he isn't.  
A writer writes when the words are flowing from his mind like moisture off of a waterfall
and when the words are as scarce as republicans in Boston.  
A writer writes because he is a writer,
not because there are people who will cheer him on when he is finished.  
Sure, most writers dream of the cheers,
but a writer who will be a writer tomorrow
is one who writes even when the fans don’t show up.  
A writer writes when everything looks hopeless
and when everything is falling into place.  
A writer writes as a baby coohs.  
A writer writes as a child plays.  
A writer writes as a teenager dreams.  
And a writer writes as a grownup worries.  
A writer isn't a writer because he was chosen.  
A writer writes because it is what he has chosen.  
What does a writer write when the words are scarce?  
Many scarce words.  
What does a writer write when the words are abundant?  
Words in abundance.  
A writer doesn't wait for inspiration to hit,
he writes until inspiration catches up with him.  
A writer doesn't write only when the muse is on duty,
he writes until the muse feels shamed and shows up.  
A writer does not seek fame,
though fame often seeks writers.  
A writer does not seek fortune,
though fortune too often seeks writers.  
A writer doesn't seek anything but the satisfaction of writing,
for fame and fortune are fickle and writing only for them leads to many a blank page.  
If I write something meaningful and it is not accepted,
is it no longer meaningful?  
If I write words never before combined,
will people rave over my originality,
or complain about my lack of skill?  
I am a writer and so it doesn't really matter.
Nat Lipstadt Jun 2013
The Breakfast Fairies (a humorous treatise)

Summoned for to break the fast
of sleep-and-dreams that can no longer last,
As the clock to noon draws nigh,
I happily paddle off to the cabinet
Where the cereals that I CHOSE,
Since I am now a grownup,
faithfully await, calm and in repose.

The refrigerator, in nearby proximity,
sources a Stony-field yogurt,,
A yogurt that I CHOSE,
light and sweet with processed fruit,
due to the miracle of Aspartame.

Distracted, back to the kitchen for
Some multi-grain slices to hail and toast,
Which I prefer dry (no butter)
and ready for anointing with oils of
Strawberry jelly.

To the table return ready to sound
The horn of plenty,
When I see the ****
Breakfast Fairies have struck yet again!

Cousins first to those that reside in nearby dishwasher*
The nefarious fairies guard my health
tho nobody asked them too!

My Crispix, with its malty sweetness,
And the ***** aftertaste of sprayed-on "enriched vitamins,"
has been smothered neath layers of
Granola, with cranberries and nuts,
Contaminated with a hint of cinnamon.

My processed yogurt,
vanished, without a trace,
replaced by their bacterial cousins from Thrace,
which is in Greece,
who, tho white, taste like plain yogurt sourpusses,
Even when littered with blueberries,
Nothing can replace the taste of my
Artificial Sweetener!

Dry toast has been sheeted and shined neath
A tribute of fattening butter,
rationalized by a commonality,
"Everything is better with butter..."

The last indignity is that my coffee,
Not the light brown I cherish
When kissed by whole milk,
Now muddled and muddied by skim milk, so named,
Cause they skim off all the taste.

Because they are fairies,
With fluttering wings,
Hasty retreat they beat,
But I know where they hide.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.
* see "Men Going Off To War (a/k/a Washing The Dishes)"
Nat Lipstadt Oct 2013
You kidding

Lived a long time coming,
Picked up yesterday my three year old boy,
Third of a third of a third of a third
Of a half of me,
Who I only see once a year,
And we fell in love once again,
all over as is our style,
Annually, annuellement.

We belly kiss,
Fist bump,
High five, talk jive,
Tell each other grand stories
Of dragons in pizza parlors.

Each of us,
Trying the other out,
To ascertain just what
Stuff we are made off.

I love to put him to sleep,
My fingers, rhyme writing like Pradip,
To the turning tires of mom's Toyota van,
When the tired is a steady stream
Of word mumbles of which I understand
A word here and there, but an epic poem
He recites, a verbal dream, a slippage
To that place where three year old bones
And crying go when they pass the point of
Exhaustion.

Rub his cheek with circles of forefinger,
Stroke his head with full palm of my hand,
Close his eyelashes with gentle fingertip kisses,
Take the toys from his fists without any resistance,
Sure signal time for both of us to nap.

His surprises endless,
His cunning now legend,
Alternating disguises tween
I a big boy,
I a baby,
As the situation arises that will
Get him what he wants,
A masterful manipulator.

Which is funny cause I still do that too.

But when he stops me in my tracks,
It is when somehow the brain that has
Just crossed the thousand day alive marker
Says the profound, the uncanny, the
Philosophy of the world weary that is something
That I think just about every thirty seconds.

It is when after some particularly wild reverie
I compose, of seals that swim from his Frisco bay
Around the world to mine, on Long Island
Pacific to Atlantic, and after ten minutes of
Escapading with Batman and his mates,
He looks me and takes me down with this
Almost clear-spoke sabered wisdom,
But in the juvenile voice soft sleepy, of a babe of three,

you kidding(?)

Half statement of fact, half a soulful-questioning,
How does this three year old comprehend
The essential difference between dreams
And reality, that is separated, wheat, chaff,
Milk curd, cheese, the spider silk line that differentiates
All of life essentially.

Yes kid, I am kidding,
I tell that to myself every thirty seconds,
To keep me sane, straight, true,
But I whisper it to myself grownup style,

Who ya kidding?

So it appears that when they say
Out of the mouths of babes
They were talking about adults
Who are hoping they can still be three,
When wisdom and silly are just the
Same-thing.

You kidding(?/!)

Yes I am.
Just a kid,
Kidding you, kidding himself,
Pushing his very own stroller,
Writing crazy stories he calls
Poems, lovely little things,
As soft as your skin, stories of him,
That always end,
With belly kisses and a
you kidding.
Columbus Day
Oct. 14th 1492
When I "discovered" the Americas.
You kidding?
Maybe.

According to
HP this be, my three hundred bad and seventy third poem.
If they really knew,
It would be asterisked,
As follows:
*who ya kidding?
Kate Lion Sep 2014
The world is a giant trashcan
And I'm a dumpster diver trying to discover anything beautiful and white
And it wouldn't surprise me if I've already found it,
Covered in gum and hair and crumbs in the backseat of a gutted minivan
But I'm so busy judging the books with no cover
That I lost track of my little paper hearts that I used to give with a chocolate taped to the back
And sometimes I stare into this rotted wilderness and ask myself if I've stopped existing
Because the rearview mirrors are so grimy that I can't see my own reflection
And when I can't see if there's lettuce stuck in my teeth, I refrain from smiling just in case
So people stamp me into the category of grumpy, grownup girl
But for all I know,
We are all lost pearls from the necklace of the gods
(but I can't go back looking like this)
Lawrence Hall Apr 20
Lawrence Hall, HSG
Mhall46184@aol.com

                                        A­ Bee Upon my Knee

                                  A Rhyme for Brave Children
                                     From a Whiny Grownup

A bee upon my knee
It hurt’ed me
It stung me with a sting
And died, poor thing
Ouch!
Brent Kincaid Jan 2016
I sleep in my cardboard cottage
That is my current job.
I keep it neat and clean as I can
I am not a slob.
I have my own place staked out
Everyone knows it’s mine.
It keeps the wind off as I doze.
It isn’t perfect but it’s fine.
Part of my job these days is easy;
I set out a cup and sing.
It doesn’t make me a million
But it is something.

When the weather warrants it
I sleep in the park
In the bright warm sunshine;
Stay awake in the dark.
It seems the citizens and cops
All leave me alone
Even though they still talk to me
With condescending tone,
Tsking at my laziness in general
Give the charity buck
Or maybe a quarter when they see
Since I’m down on my luck.

There’s this guy Hay Soose
But he spells it Jesus.
He could spell it that way
If he so pleases
But that don’t keep him dry
Whenever it rains
And it doesn’t stave most of the
Deep arthritic pains
From sleeping under cardboard
As his only roof.
Watch him shiver in winter if
You want some proof.

People have gotten to know me
As I’m here every day.
Some of the even come by with
Nice words to say.
And, I am used to the noise here;
The horns and the noise
Of the workaday world of these folks;
These grownup girls and boys.
Some tell me to go find some work,
I don’t get mad and shout.
I understand they have some hostilities
They have yet to work out.

Some of my neighbors here in cardboard
Dwell here because they
Can’t seem to work life out for themselves
In any other way.
People fire them from any employment
Because they act weird.
Some refuse to bathe or maybe it is
They refuse to cut their beard.
As for me I have had enough of it all;
The rattle and the hum.
I know society has a lot to offer but
I already had some.
there is no new, only renewal:
the space between brain and mind

the harder shell a skulking humanizing container,
the neuronic heart cells,
brain stem and heart bloodstream
scented/stented,
deny the newness of no new claim

the tower of ourselves built on the babble
of old images and read readings,
songs in seconds recognized by just the first two notes,
the point is this when do you become a grownup,
when new is but renewal, with a hint, a pinch,
of a new insight maybe recognized

now, how will you know me new when your eyes
search the iron bank cellar, where,
by voice deep, by fuzzy photographs, what tissues will connect
when the new sight knows me from too many old poems/songs?

!when the babies gather round for lifting up, sky scratching,
when the old man grand father, carries three upon his back,
a nonpareil horsey ride,
when the doorbell rings
I’m older than now, you’ll say,
read your wild mercury back pages,
taking the grays of our mutually curly
Medusa locks as a renewal gift offering
that will someday
match mine!
for any greek god or goddess you may happen to know
Nat Lipstadt Jun 2013
A Man In Search of His Style

It so happens to be June.
It so happens that the picture window,
Frames a contented, bay lit, full moon.

Searched for an answer lifelong,
A devolving, lilting song refrain:
Man what is your tune,
What's your style, finally?


Examined so many rooms,
Tried out different beds,
Jumbled now, assorted, some sordid,
Some long winded, florid,
Some cursive, cursory and accursed,
Some so bitter-filled I shared them not
Lest I infect you, a sin in F major...

Love poems galore, and yet to come,
Many more.

Some seriously desperate suicidal,
Some ditty, even a mite witty,
Some eurythmic, most freely versed,
Rhyming is where you start,
Free verse when you're all grownup,
But all this delay, begs the question,
What's your style, conclusively?

Con-cluded, cannot be all things,
Took the ships conn to dissolve the occluded,
Find the truest course of my abilities,
At Port Serenity,
I arrived.

I write what I see.

A head lifted from pillow,
A one-second-long act of inspiration~duration
Becomes in moments,
A fully formed poetic inclination~curation.

Literally my eyes see words awaiting, coordinating,
Poems flying by, needing plucking,
How a child eats his morning cereal,
His rituals, informing of the man yet to be,
How our bodies lay, hair unbrushed,
Naturally tying us into a conjoined knot.

T'is the mundane, the profane of every action,
Makes my lips move, personalized prayers framing.

Perhaps this is a condemnation of sorts,
Ordinary things might bake
ordinary poem cakes,
Residue of an ordinary man,
An ordinary poet makes.

So be it, tomorrow is a farther day, when
My vocabulary may be a word greater, lesser,
But knowing now that the
Spring's source so topical,
Fills a well so deep, so close nearby,
I rejoice, mineral mental springs,
waters of inspiration, plentiful.

No matter that plain words are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say, about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?


For this, if be,
my gift meager,
I, on blended knee,
freely embrace eager,
Promising you that the
best of our lives ordinar,
Together, we shall celebrate,
Fully, and most fair


June 15th, 2013
JKirin Mar 2021
Call my name,
see the ghost of the past I became.

Of this world, I am lost in the shadow
left to feed off the old war’s debris.
It’s too big for an innocent child
that is forced to grow up, don’t you see?

In the village, I walk unnoticed –
every grownup stares right through me.
On my tasks, I try to stay focused,
while the one thing I want is to scream.

Scream out loud at the people, the street
to be heard for a second, be seen.
In this world, do I even exist?
How, a child, would I even know this?

Call my name,
bring me back to the living, again.
about orphans
judy smith Feb 2016
Fashion rarely looks to the Brit awards for style inspiration but somehow fashion finds its way, in dribs and drabs, to its red carpet. These awards are the unwanted stepchild of the red carpet and generally, this means it’s a bric-a-brac of high-end and high street looks. For every Rihanna in couture you have a Little Mix in Asos.

Such is life, though, and there were legitimate trends, aside from the James Bay/Kylie double hatter. First, in the spirit of Angelina Jolie’s 2012 viral, there was a Right Leg – as flashed by model Lily Donaldson and singer Lana Del Rey. Nightwear came in a rather lavish Miss Havisham-esque form via Florence Welch (cream slip, eiderdown wrap, bed-hair) and Rihanna (a lilac slipdress covered with seashell patterns), and which unexpectedly preceded Alexander McQueen’s autumn/winter 2016 collection. Finally, there was a definite nod to The Wizard of Oz’s Emerald City via Jess Glynn’s sparkling green jacquard suit, Kylie’s backless heels and Jack Garratt’s toned down double-breasted suit.

There were the half-successes, too: Adele’s cascading liver-red dress and matching lipstick was grownup, but compared to her memorable 2013 Valentino hit at the Grammy’s, it felt par-cooked. Singer Charli XCX has been a frow regular at this year’s London fashion week, so she went predictably designer in pale green Vivienne Westwood. But she was let down with her slicked-back hair, a styling addendum that somehow overegged the overall effect. She also looked stiff and uneasy, probably because, at 23, she was too young to pull it off.

The menswear was far more experimental. To wit: Labrinth in a blue and pink orchid-print suit which, unaccessorised, had just enough humour to work (it looked like a box of Cadburys Roses). Mark Ronson did his usual trick of pepping a cleanly cut suit with the odd flourish. This time it was a monochrome dogstooth suit covered with a static print. Even JLS’s Marvin Humes, in a Yves Saint Laurent bomber jacket, epitomised the modern man. And what Carl Barât lacked in pizzazz he made up for by wearing a Hedi Slimane suit (although less said about the James Bay hat, the better).

The misses, of course, were plentiful. The mullet dress is the trend that refuses to die (see Cheryl Fernandez-Versini and half of Little Mix in various synthetic horrors). Alexa Chung rarely puts a brogue wrong, but here in a velvet bustier dress, was fairly forgettable (lesson: don’t step out of your style lane). Then, of course, there was Keith Lemon, who pillaged the misses of awards seasons gone (the Pharrell hat, the pseudo-Gucci blazer … everything really). What did you expect from Keith Lemon? The Brits then: a series of blind taste tests on the red carpet, none of which gets full marks.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/evening-dresses
The path strewn with hurdles and gravels
40 years is a long way to travel
Two souls sewn with love and peace
Two hearts dipped in bliss
Two minds not always in same strength
But determined within to walk the length.

40 years of building the nest
Patience and endurance put to hard test
Before one day the saplings become a tree
Heart upon heart two becomes three
Through fall and rise and sun downpour
Years flew as the three becomes four.

It's no easy work to raise a family
In all sadness live strong and happily
Blocks are thrown doubts are cast
Moments of life try to break the trust
But we didn't bow continued the thrive
A grownup family now, we number five.
40 years together
Laura Mankowski Apr 2014
Age,
Has tale tell signs that show up in the mirror
Reminding us of things we’ve done
When I look into the mirror I still see my childhood self
I sit across from you and wonder
How 8 year old me
Knows such a mature, intelligent grownup
Who knew that fleeting moments gather at the end?
I smile
A genuinely happy smile and chuckle
I have no words to explain
How absurd life is
How funny time is
How we’re still standing

And until this very moment
I was that kid
Who returned a shy whisper across the aisle
Without a thought of the future
So I smile
A genuinely happy smile and chuckle
Because everything has changed
And nothing has
At the same time
onlylovepoetry Oct 2017
3 hands


kidding hands,
an autocorrection title,
was supposed to be
kissing hands but either works

man overcome with an elixir of Sunday bed warming/charming/chilling, lukewarm "hot" coffee,
melodious love songs inducing
languorously hand-to-mouth,
five finger fore play love making

a potpourri of knuckle gnawing and gentling kisses
upon a hand borrowed from the a tablet holder,
while she reads the paper bemoaning the sorry state
of the world, the government permissions bad guys...
and weeps for the world we are leaving behind

a mood changer with 100% effectiveness

newspapers- a safe *** condiment

think I'll reheat my coffee

<•>

my hand

she cant sleep knows that I'm up at 2:08am composing.  
and showed her earlier today
the kidding hands poem
just as the lights were going down, downtown on
William's Measure For Measure

so at 2:09am her hand snakes over and wrap itself
around my thumb as if she was weaning an infant from
what infants like doing, or weaning grownup old men like me from doing at 2:09am, what they should be best leaving alone,
like writing poetry or it could just be the woman
pseudo-******* a poets thumb as a way of saying
can't sleep head buzzing and in between I love the
livening lying of living with your hands thumb in me

<•>
the facement of your hands*

dr. mandy is handy with a needling drink of boo boo bo-toxin
that auto corrects the face's reflecting times drawing upon it,
our bodies facement; an effacement I suppose, or maybe a
defacement.  

very little to be done to keep the *hands
couture covering
from revealing what devolutionary year it is for you: why I write of the facement of your hands and why I kiss them, your hands,
lovingly, hoping the natural  toxins on my lips can ****** their aging,
and if they can't, then it is a great way of saying
I love you

<•>
  2:53am
Mikaila Jan 2016
I want to pick out wallpaper with you.
I want to laugh
While we're in the grocery store
Deciding what to make for dinner.
I want to fall asleep ten minutes into the movie
Wrapped in your arms
No makeup, no clothes, no worries.
It seems
Such a grownup way to want someone,
Such a different way to love.
But
I have been searching my whole life
For a way to exist in this world.
This ordinary, mundane world
This place I've done much to escape from and to
Dream
My way out of.
I remember once I wrote a poem
About how big things don't **** you,
Small things do.
I said people turn to ash as life wears them away
And crumble into their morning cereal.
The mundanities of life
Seemed killers to me.
But you...
You bring joy to every ordinary moment.
I already know the beauties of this world well.
I stop and make myself see them.
It is the dullness I've neglected, the little boring things--
I've never gotten to treasure ordinariness.
I've always had to slip past moments of silence like a shadow, hoping not to linger long enough to feel lonely.
You have opened up
Half the world for me.
You have given me the freedom to look forward to
Every shopping trip
Every chore
Every lazy Sunday.
Things that let my demons out before
Now I can treasure them,
Now you've let the sun in on them
And I don't know if you'll understand how incredible that is when you read this poem
But I can assure you
...It's the best.
Brian Sarfati Jan 2013
always believe in Sunday
for Sunday believes in you.

though every dusty calendar
in the corners of your grownup mind
tell you
of the neverending flight of Otherday,
you know.

in your smallest smile
and in the smiles of others
lies this simple truth:

to your childheart,
it is ever Sunday.
Nat Lipstadt Mar 2015
The Marginal Difference
Tween Child And Adult**

awake Sunday stuff to do...
another unit of life decapsulated,
where one will compromise
with all those lofty
make believe dreamy would-be goals
that course thru the brain,
when sleepy morphs into
the to do list at the premier  of today's
wacky wakey consciousness movie

and a poem forms on lips
that have not yet been
coffee'd
into adult responsibility

the list purview'd,
and you purvey,
foresee, attending,
bend back that pointer finger
looking right at ya guiltily

one and enough,
believe getting that one done,
will be
satisfyingly crossed off that
grownup
groaning
tatooed list
of the unavoidable

one will make the
marginal difference....
tween child and adult
Sunday, Pi + 1, 2015
Yuki Jan 2019
You, creature of
heaven.
Object of my
desire.
Soft voice,
rose lips.
Body shaped like
ocean.
Your curves: the waves.
In you
the storm and
the quiet.
Sunrise and
sunset.
Sunshine and
rain.
Childish and
grownup.
And all in one word:

W o m a n
Ryan P Kinney May 2019
Assembled from works by Ryan P. Kinney
By Elandra Fritzsche with original content

There is a game I play
It is one I play all by myself
With a million other players
It is called Adulting
The game is simple
All you need to do is follow the rules
All you need to do is listen
All you need to do is
Grow up

Grow up
It is something people tell you to do all your life
Grow up and act your age
Even when you are supposed to still be a child
Grow up

At 14 I started playing the game
Partially convinced that growing up meant
Getting the hell away from my parents
And being absolutely certain that if I did not
One of us would be dead

For years I played the game
Earned my keep
Took a wife
Bought a house
A mortgage
An expanding weight line

I followed the rules
I played the game
I fixed my house
I worked hard
I did the things that married men should routinely do with their wives
I had grown up

But I wanted to be lost
The game was not as fun as I thought it would be
I wanted to remember what it was like to be found
But found within myself

They say that all rules are meant to be broken
And so breaking them is just what I did
Slowly
Quietly
Secretly
On weekends I smashed TV's
Torched Barbie dolls
I kept my toys in my closet
My comic books in heaps
I swept the remains of broken rules away
As to keep them hidden
For awhile

Then suddenly
I was gone
To find myself
Among the ashes
Of the rules I had broken
And burned to keep hidden
To find that the world covered in ashes
Was the world full of color that I knew before the game was played

I looked for a way out of the game
And so back to school I went
The toys came out of the closet
My comic books worn like bandanas
Hanging from my back pocket

But once again after the time had passed
They wanted me to play the game
To grow up
I had tried
It didn't work out very well

Give me my childhood
The freedom I had had before the game was played
Give me all the things that come with it
But please don't make me play

I do not follow the rules
I do not like them much
This is not a game I want to play
I lost the first round already
Do I have to play again?
Nat Lipstadt May 2014
I have never been published
or won a prize,
except, yeah, yeah,
the one in the
Crackerjack box

but from that cheap plastic surprise,
much was learned even as a young boy

cull the chaff of life
from amidst the wheat

plant it well and deep,
then forget all about it,
except where,
t'was seeded

when eyes yellowed,
hair turned a color Disney repackaged as
frozen
white,
normally a gift of a hairdresser,
called mother time,
and your pink skin scaled smooth
now kin and kith of the kitchen grater,

then time is in,
cull your plantings

go back into that yards,
pull out the weeds,
uncovering what only time
can provide -

poetry planted and born from
the summary addition of thousands
of days of life,
well felt,
well received,
well recorded,
drawn from earth and water,
well lived

sometimes my nyc sidewalks uneven,
cause a toe snagging tripping,
this loss of balance,
adrenalin hot flashing,
similar to tripping upon a new poet

every time I say no mas,
I must choose tween
left or right,
one can
read or one can write,
but not
both

a voice on I stumble,
making me ever so foolish,
ever so humble,
ever so confused

so at 12:31am
at it again,
reaping what others have sowed

this woman by her own confess,
Trouble with a capital everything
T.R.O.U.B.L.E

only a grownup chile
writs me a poem
re crackers in her vegetable soup,
a naval battle akin to that of Midway,
that makes me crackers with delight!

saucy, that poetess
you better love her well,
she tells you outright
or she'll sell you, the reader out,
for the next one cruising along,
hence this poem, her good graces sought!

but to get certain memories I want,
but can't recall for I never had them,
she, for me doth record:

Imaginary space within a dream
floats in a subconscious sea.
Our affection grows from
tremulous beginnings
its dramatic unfolding
vestige of the soul whispers
and lingers in twilight and ice

Shared breath,
in time our leisured rhythms
savored sweetly match kiss for kiss.

Words in parody drop,
one by one.
enmeshing me in rippling sorrow,
once again you've moved
just beyond my reach.


curse the teachers and the genes
and my plain vanilla simp vocabulary,
that don't let me write like this,
but to my backyard I go,
where I cull what other's have planted better,
and harvest the new fruits of
crackerjack superior poets
Read Patty M,
please yourself...
Nat Lipstadt Aug 2017
~for Vinnie Brown~


even your kindergarten crushes?

what burdens you seek to retain,
the edgy border of delicious and pain
is a raggedy cut line,
as lost lovings, rhymes with duality

Once upon a time,
a middle aged man
left the woman he married,
the one who drained and cruel reigned
over the destruction of his-dreams,
for one accidentally stumbled into,
the love who blurred his edges as well,
between forgotten happiness and
pain so awesome bad when she grew tired
of his life's complications,
she left him,
weeping on the corner of Broadway and 83rd Street

was that 20, 30 years ago?
a memory
from no matters land
but
the physical ache that marred the hearth in the chest for
months and months,
sent him to the doc who smiled sweetly
but gave him, had no, no relief for
busted grownup hearts
with normal EKG's

that remains a treasured affirmation to this day of
life's capacity to love that comes with
an ingrown danger
of never forgetting

did you know the French outlawed the use of the term
Mademoiselle in '12 (Mlle.)?

I loved that salutation,
calling my one true lovers
with the soft feminism of that address

and still do

and you want to recall
kindergarten crushes?

Mister Vinnie
possesses a lovely contradiction,
holding onto
lost lover sickness
that lives on in good love poems

this my new found poet,
is how that he, this aching heart,
fast approaching his shore line for one last return
and final departure
repays a sweet compliment,
from one who complements
anothe man's lovely's insane desire to
never forget any of it

~~~

reading Vinne Brown's poetry
https://hellopoetry.com/vinnie-brown/

and listening to Joni M.
at 3:09AM;
never wise,
but full of hindsight
Kailee Sometimes Dec 2013
You're merely seventeen, you aren't in love,
you don't even know what love means-
but then...
neither do I,
and you may think I’m being ignorant
but I'm really just bitter to the taste and rough at the core.

My blood runs black, but my tears are sapphire.
My eyes are as glaring as the air in March.
Don't tell me my mind is powerless.
My soul is dense.
And though my heart is tattered and covered in scabs,
the wounds are more wise than your attempts of being an adult.

You may slush wine in a glass-
as tipsy as the seesaw on the playground from your childhood,
but you will never be able to see.

You can sing and dance that you're in love because you ****** the first girl that said she loved you,
but you shouldn't be so naive,
because it’s easier to be hurt if you are.

So you can wear your six inch heels
and prance around in your chiffon mini skirt and Chanel handbag,
but you will never be a grownup.
Tony Scallo Aug 2013
Saying I love you, such a verbally pretentious myth
Three words that always please the one you’re with
Known as a phrase of truth, or just a fall back
Since finding someone real, is like a needle in a haystack

So how do you know, if someone is being true?
It's easy, just watch the things they do
For actions always speak louder than words
And helps you determine a person’s standards

When you hit an all time low, and need advice
Do they reach a hand out, or try to entice?
Offering you true feedback, and not just pity
To build your character from low, to gritty

Are they by your side, through the decisions you make?
Or do they give off vibes, as if they would forsake
Do they give you support, to help your character develop?
Through the best and the worst, even when you’ve grownup?

Do you feel you need to dress up every time you see them?
As if you didn’t, you would receive nothing but condemn?
Or do they see through looks, as if it’s a thing of the past
Making a low self-esteem, become nothing but an outcast?

Love is something expressed by more than words
It's peoples actions that reveal the honest and cowards
Any body with a brain can repeat a phrase they’ve heard
Until you understand the true meaning, this phrase should sound absurd

— The End —