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Johnnie Woods Aug 2018
There are five widely known senses.
Sight, hearing, touch, smell and taste.
We've got some minor ones as well, such as balance, temperature and many more.
However, people fail to realise that there's also the sixth major sense. Thoughts themselves.

   If we look closely, all these five senses have the same base. Specified cells in eye react to energy of light, cells of ear recieve energy in form of air's vibrations, skin cells pick up energy of mechanical changes, and so tasting and hearing depend on translation of certain substances' chemical energy.
   These cells in different organs differ in their structure and the way they appear, however, if we stop looking at them in such small scale, we can see that ALL of the cells or organs responsible for any sense translate the energy.
   So, a light enters the eye, certain wavelenght of certain energy stimulates the eye's rod or cone cells with a certain intensity. Then the energy of light is translated to energy of electrical impulse, which goes straight to the brain, creating the sensation of sight.
   If it comes to smell, a certain particle enters the nose, binds to a smell receptor cell, and the chemical energy of this particle is, again, translated to energy of electrical impulse, which goes straight to the brain, creating the sensation of smell.

   Now, let's move to the crucial part. The sense of thoughts.
   During the creation of thought, pathways in our brain that collect memories(and many more known or unknown pathways) connect. First, there's this spark of electricity, that moves all along the neuron and releases a dose of neurotransmitters(amount of different NTs is equiavlent to strength of this spark, basically resulting in "creating" various thoughts).
Then, chemical energy of NEUROTRANSMITTER is translated to energy of electrical impulse, which happens in the brain, creating the sensation of thought.
   Therefore the 'sense of thoughts' reacts to and is stimulated by neurotransmitters themselves, with receptors on neurons' membrane being receptors of the stimulus. So, kind of like smell, the stimulus is chemical, compared to sight, where it's electromagnetic wave; anyways the result in all of these is electric impulse in neurons (hence the idea of "thoughts" as a sense, due to the same basic layout; transfer of energy).
   The 'smell particle' connects to receptor and is translated to a certain amount of neurotransmitters/certain strenght of neuronal impulse. SO, again, we can see that when the first outer layer of this communication is cut off, we're left only with the neurotransmitters and impulses themselves. Anyway, the transduction of energy remains.

   If it comes to "sense of thoughts" the receptor lies within us, whereas in sight or smell or touch it's external. However, does it matter if it's on the surface of skin or under it if it all comes down to neurons of our brain?
   When you lie in a dark, silent room, without any external stimuli, you still retain your thoughts, colorful, vivid or complex. All the magic of the brain - still happens. So, how isn't it a separate, full-fledged sense?
Shofi Ahmed Jan 2020
(0)
Fly perfectly straight and high, and show the fly
out of the fly-bottle on your way.
Rise to victory, far above the blue sky,
and reap the reward: the opening of paradise!

The road ahead is clear and open this way,
with things small and big growing and disappearing up this way.
You will see sunrises and sunsets waxing and waning,
with mention of the moon and stars in the dark.
Be mindful as you sway, it's got to be laser-sharp.
There is no hard shoulder on this highway,
miss it by an inch and risk losing everything forever!

There is hope, there is light up high
pick up your paintbrush, just like the sun does
goodness knows how it sneaks in, right in the black
canvas of the night, painting the first light
lo, it shows up in heaven, the candle of the daylight.

As long as there is a man and a woman,
never give up, our canary bird can fly
rosy or not, the nest in every morn nets a sunrise!

(1)
A woman indeed plucks up the courage
she never had to look up to the stars
be it for the guide or the light in the night.
Fathima herself was the full Moon every night
is thanks to her Godsent innate light.

With it, she can bask in the full spread of the pi
on top of its short decimals mounting high
constantly as if countless stars in the sky.

The time and space under the sun
and that under Fathima's light
are far apart from each other
yet they coexist side by side.

As she points out,
"A circle is masculine
while pi is feminine."

Pi forms the circle with fine prints,
decimal dots continue to spring,
sprawling trillions of new digits,
the bandwagon is still increasing.
Connecting the dots is an untouched dream.

The full moon pi picture is veiled,
unseen at large, yet in short, 3.145 it can live!

(2)
Fathima flies her lock of hair
in the lurking air of the transcended pi
the primitive feminine does that,
no wonder she is God's secret feminine opus!
An immeasurable black hole lies in between
the short and transcended pi, running like a river,
dancing anew on every riverbank
in the many curls of Fathima's jet black hair.

She lent out a hair to the planet earth
and crossed over like a silhouette
without spilling out the colour
of the transcended end of the pi.
The earth takes it in the core in her heart
as if it would keepsake it forever.

Weaving the pi in Fathima embeds two hairs ties one
perfect circle at the back and one at the front of the universe.
Inside each hair the earth is finest fluid in the core
none is as deep as high as proportionate a perfect flow.
No time is as revealing no music is as sweet in this orb
no force is as mighty nor as prevailing a true giant
causing gravity and the heat at the earth's core.
Matter and spirit mix free in the play both wax lyrical
thanks to the pure resonance of 'Qun Be' the word of God!

(3)
The way to the earth's core is exposed to none other
save the Angel of Death the lucky one.

See both sides of the one lofty sky swathed in countless stars  
but the day and night render through still remains an unseen one  
Terra is shalet zeroed in Fathima is heaven on earth!  
Up in the sky-high bank turning the starry bowl upside down
Fathima took no star nor a pearl diving deep down the Arab water,
the brightest luminary came after Muhammad (PBUH),
in veil from the Night of Measures and into the flipside in the night
she's gone without lifting the veil but left her penetrating mark.

Few could find the shortcut contemplating on a blank canvas
the Moon looks down into the abyss down the sea eyes on far
for a mirror in the bottom on the as above so below matter
since Godsent Fathima touched on the all-inclusive primitive water.
The sun gets caught up in the very water dew she raised in the sky
the ancient fold of time still unfurls with the sun-kissed flowers
for the new hands yet the fingerprint on the sun remains only her!

Azrael heads to Fathima around the year 632 after death
touches down in Medina on his usual thin earth he steps.  
But this time a little mundane dust couldn't be thicker
he keeps descending deep down to the earth's centre
following from Medina but the angel locates her
inside the perfect circle a closed geometric figure.

(4)
Fathima is the female headline her secret is not all known
when she used to visit the Prophet Muhammad (PBUH)
he would stand up for her hold her hand and kiss it
and seat her on his seat, she would do the same to the prophet
when he would visit her like they did know each other
in and outside the spheres of heaven and earth!

She is the embodiment of the infinite feminine variations
the first spiritual woman created following God's word Qun.
Her is the mother tongue of the ever diversified feminine lingua
no one woman on her own can rhyme with her alone
she has no peer her rhetoric is unique like none other.
The galactic run from planet to planet up on the starry ladder
climbing high up the mountain heaven yet streams out like oval
off their rock bottom stone until that unleashes the final run
in perfect circle delving into the rhythm of the loop at the centre
made of Fathima's hair charged by 'Qun' God's uncreated word.  

Prophet David can sing on the bank of the river
and can see the fish are jumping to him out of the water.
The masculine is open form, eye on everywhere,
but not her the woman is in juxtaposition her
all-inclusive schema supplanting the details rest only on her.
She is the unseen world within the world at best imagine her!
Guess, through this inwardly open door who might disappear?
It's nature before the scientist on ultimate discovery of the matter!  

Aligning with her down the rainbow up high the land absorbs
the grooming sky looking on the running rivers within her.
Her words spread through like the smart cloud that flies far
over the lands and valleys but not even the wind none other
gets a sniff of the potion and melody it caries until that rain down
without a hurdle without a visual she moves on at the target
such a soul needs no after death lift from the angel of death.

Before Azrael Fathima loses an arc of the circle then and there
so not the earth but giant Azrael can take the pressure!
Marked by a fluid discharge since then she is cooling this fire
In Shaa Allah God willing when she ajars it, it will be elixir!  

(5)
Draw a straight line, but it won't be perfect
it keeps bending, fly straight touching the sky
the flight path won't look like a straight line
it would be like the crest of a crescent moon
like curve touched the sky, like climbing up
atop the pyramid is not going high straight on
it goes up from the widespread seked slopes.

Moves in golden ration 1.618 not the full two
and gets the designing formula flawlessly full
micro to macro all levels all the way to the true north!    

Fathima being the original feminine eyeing at her
she can tap in the knowhow of naturally feminine nature.
And discovers the immanent pattern - the world
is pre-designed and measured is never a coincidence.
The creatures' creativity, scientist's science
is to follow, discover working formulas like phi and pi.

Play along it works until an unknown hour strikes
comes with accurate knowledge dead on time
numerically correct never miss taking a life away
as if it was calculated beforehand before the birth.
A newborn is born for a limited time
already set but no one knows when it goes up  
is a deadlock clock but it isn't so shrouded
in the blueprint of the creatures' grand design
there the clock ticks safe and sounds it never dies!  

(6)
Fathima hailing from the other side of the pool
eyes on the ever live pre-design side of the creation!
Then its corporeal face was only a water drop,
the primitive one looks see-through it has dead zero
knowledge of its lively other side of the pool.
She comes closer and perfectly mirrors both sides
that shines through on her reflected face on the water.
An absolute new image that livens up the dead part
Bang - Big Bang! The corporeal world gets the spark
explodes out from the very first drop of the water!

Fathima's appearance was miraculously instrumental
God reveals nature the finite and infinite, 0 and 1,
future in the present and the death and life in play!
Nature follows suit it just saw the perfect role model
banged out but only to its corporeal set
it aspires to be with its infinite reality yet!

Fathima leaves the door open constructing a perfect circle,
hardly straight, took the mixed bag of countless variations
she zooms into the abyss irrational portion of the first matter,
the primitive water drop and aces the circle with her hair
that nothing can equate throughout the corporeal world.
Done the math discovering the zero starting point at the bottom.
The ocean of digit numbers, the DNA of all things material
banged out of it, still, the zero is numberless irrational!

(7)
All things, within oneself and in a set constantly vibrate,
strive to align with the enduring reality of itself.
The atom vibrates to reach out to its immortal portion
that doesn't die and is in the know of its lower base.
The planets are in a defined circular orbit, accurately measured
just the apex on top of their dynamic pyramid the pyramidon
is tucked away; they too have an irrational portion in the circle.

With the finest spin, they zoom in the spacious universe,
in part and like the sun outside the constellations round they go
never miss a target line yet to re-discover Fathima's perfect circle
the origin of their digital essences' breakthrough
the door to their transcended destination de jour.
Lo the matter turns the last stone pulsing across the cosmos
the mortal horizontal spread, the spirit returns home.

The earth has a line in its swansong it has a place in paradise
it's not here to stay for good neither to perish forever!

Matters form and break without losing the rope,
it's not to paint the shades of the eternal blue
but to ace an irrational portion in the circle
at the heart of the earth, as above, so below.  
The deep the high the perfect circle
up and down the centre of gravitation for all!

At even and at odd the vibration within the matter is fluid
somewhere is parched there the arch matter must make a splash.
Far away on that dark beach, the full-fledged sea of the matters
outpours its billowy potion with the Moon on the frontline
from deep within the physical world's most glowed up firefly!

(8)
The seven seas swell up smoothly into the moonlight-dip
oh, the waterless Moon at the core is still fasting.
Led by time the sweet swan punting along the waves
streams down the watery inner circle of the planets.
Until stuck in the Moon no water in the last waterfront
but paradise is on the other side of the pool!  

The sun dips away into the night
while the eve baths in the shades of pink and gold,
the dazzling hues soon turn to taupe.
Drawing down painting the picture in full colour
only to find the time is up on the halfway,
yet to print a colour copy of the night!
The other unseen half is passed down to the Moon
tiptoeing in slow motion in the depths of the night
barely keeping the head afloat in a fathomless ocean
of shades of black hails from where knows no one.  

The sun enkindles the moon half-lit keeping itself away
amid shadows as if comparing the shades now it knows
a Mehrem a veiled female is ahead not to look on or
compared to that the sun has no light or true are both.

Wrapped in the eternal night beneath its black mole
once the moon on the front approaching most close
directly down to the centre of the earth eyes on
over that inlaid string hairy black perfect circle
never did it turn back the same gaze is still on
orbiting around the earth in synchronous rotation.

(9)
The never-ending night is becoming a night indeed
it's coming to an end so soon in our time.
In Shaa Allah I will see it with my eyes before I die
in the Night of Measures in an odd night in Ramadan
Fathima from the transcendental end of irrational heart
will turn on top of the curve opening for the first time
a 9-degree angle in the circle at the centre of the earth.

Instantly the leading force, time will get the first sniff
of the other world, so peaceful heart-melting serene.
Rapturous time feeling an ounce of the enduring peace
for the first time cutting all the corners with ease
will be propelled into its yet uncharted golden mean.
Scurrying to the peaceful abode time will be on its wings
across the globe, people will be stunned seeing
how first the times pass from then on incredibly quick!

Fathima, the first spiritual woman on duty, will start
pulling her hair back off the circle at the centre
Juxtaposed in between the worlds of here and hereafter.
She will take back every inch of it, the heavenly bodies
will feel the pinch of her every little subtle pull
that too is a boon helping them perfect their circle.

(10)
Soon she opens it just 9-degree wide at first
the Moon will see a glimpse of the first drop of water.
Without it, it's living perched without the water of life
that's destined to rain down soon and the Moon
back into its original pond shall revive!
Mapping the pi's whole infinitesimals playground
finally, Fathima will turn the circle upside down
on the dot the stunned sun shall rise in the western sky!

By now under Fathima's hair's shaded closed circle
it must have sailed far over the blue sky in the other world.
Billowing with the breeze over the sea of uncharted water
and stacking to the brim with all that it could discover
humbly stood like a cloud in that corner of the sky.

The time is finally ticking fast to rain down with love
paradise's welcoming schema rendering in waterpaint drops
on the Moon over the sea of matters, that's most glowed up firefly
ah, finally can break the fast sipping in a drop of elixir!
It's their heavenly adopted, Miʿrāj performed, primitive water.
The Moon with the seven seas will leave off the corporeal shell
gliding gracefully with this stately water nymph as if it never dies
and will make a splash plopping into the pond of paradise!  

For the matter ultimately is water and its extent is sound
Fathima will fetch it the water of life and take it to the next life!
Oh, the matter shall do both die and revive with Israfil's sound
the cloud will fly out of the dead water on the ground,
like the earth with chorus songs of the rain revives.
When that a melodious nymph in the water makes waves
see paradise is here the Moon over the sea can't take off its eyes.

(11)
Hang on though they all set ready on their horizontal span  
to pull in such a fluid yet colourful descending like a rainbow swan.
First chaste Fathima will evaporate her hair's perfume away
that's yet lingering in the water warming it up to its premium
no crowd then can see where this heady, fragrant cloud will fly!
There are the momentum and delights where that will alight.

Israfil might then blow his trumpet swooning the world away
the secret will remain a secret exception is said in the Qur'an.
A strange sound will silence the chorus of the innate digits
collapsing the floating cosmos bubbling on their music.  
The corporeal circle will collapse as if there is no base no pi
the melody of the first word Qun means Be will still be loud
supercalifragilisticexpialidocious so how can we all expire?

Israfil too will play his reviving trumpet pure mellifluous
and In Shaa Allah numerically perfect Fathima will rise
amidst the resonant Qun as like she did in the beginning
when except prophet Muhammad (PBUH) there was nothing!
Now the earth once zeroed in beneath her hair will follow her
the stunned terra will discover Fathima took her hair away
only to shift the constellation up onto the upper world!

The old songs of the planets the chorus of the digits will revive
from the zero bases in the core the digital panache that dance
planet upon the planet as if they are always at the perfect hertz.

Indeed that is yet to come, the arts of the fine layers
opening from the irrational pi, the finest one is to flower
when Fathima will unloop her circled hair at the centre
piercing the very immanent irrational cut
that no creation can fathom only the loving creator Allah
will turn odd to even in between the here and hereafter
then the ocean stuck in deep salt shall turn to enduring potion!
The As-Sirat shall turn to be the bridge to paradise
the body shall revive with the enduring soul forever
and with ah Fathima couple shall enter paradise In Shaa Allah
with the rhapsody 'all praise is for Allah' Alhamdulillah!
palladia Jun 2013
adrenaline
****** thru my skeleton
i’m overheating
full head of steam
as i please

adrenaline
****** thru my skeleton
i’m overheating
full fledged me

i’ll spew – spew onus
explosive carcass
i can find danger on my own
rabid and hunting lots of erupting
i’ve been snaking in circles
since the word “go”

can you find it?
my 50 part is missing
i’m overheating
out of bounds
as i please

can you find it?
my 50 part is missing
i’m overheating
full fledged me

follow my exhaust trail
if you can zero in on it
à toute force, immediately:
blow this ejecta, out of me!
Yes I often feel like a steamroller—ready to flatten any opposition that blows my way.
Nat Lipstadt Jul 2013
Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
Nat Lipstadt Oct 2013
I am a man, grandfather to four.
Adherent to the same religion,
Poetry.

Breathing through mine eyes,
Exhaling carbon words,
That with time and pressure become
Poems, verbal musical notes upon life.

Each motion, from tiny to grand,
A capsule of expression,
That if examined under microscope,
Familial DNA, interconnected tissue,
Discovered, tho logic says,  
Time and distance render impossible.

But this is a diamond
This is a writ to be slipped
Upon the finger, the heart, the essence,
Of the only Banyan tree I have hugged.

This poem but a fig,
In the cracks of kindness,
The crevices of caring,
It has slow germinated.

You dear, Sally,
My host,
A building upon I can lean,
When wearied spirits uproot
My surficial composure.

Your seeds carried from east to west,
By a fig wasp, a bird unknown,
An ocean voyager, of indisputable vision, strength.

This seeded messenger, word carrier,
Supplanted in me, and your pupils,
Jose-Bolima-Remillan
Xavier-Paolo-Joshh-Mandrez
Whose very names breathe poems,
in others too, like me and Atu,
Seeds to become new roots, but you,
Our Host official and forever
Planter of trees of loving kindness.

You already know with love and affection,
I call you Grandma Sally,
And when you ask, beseech,
I cannot refuse.

Together we will will banish the sad,
Acknowledge we, that life's ocean,
A mixture of many, even sad, a necessity.

But I promise that will turn it into
Something simple, something good.
For you have asked and I answer you
Right here right now - your wish,
My objective, deep rooted like you,
Like an old banyan tree,
Your roots spread far, spread wide.

So some eve, when to the beach, to the sky
You glance, smile, no matter what, troubles dispersed,
For the reflection of you, seeds, full fledged trees now,
Bending skywards, in search of your rays of expression,
Your maternal wisdom rooted, spread so wide, globally,
All over this Earth, is visible from your
Beloved Philippines.


---------------------------------------
In her own words..

I am a widow,
with five remarkable granddaughters....
all beautiful, intelligent girls.
It is such a waste not to write....
each morning that unfolds is filled
with things to write about....
the people, the birds,
the trees, the wind,
the seas,
everything we set our eyes on,
they are all
poetry in motion.
Life itself is poetry,
I always have pen and paper within reach.
My past experiences are a
never-ending source
of ideas and words for my poems....
I shall write until time permits me,
"til there's breath within me."

-------------------------------------------------
A banyan (also banian) is a fig that starts its life as an epiphyte (a plant growing on another plant) when its seeds germinate in the cracks and crevices on a host tree (or on structures like buildings and bridges). "Banyan" often refers specifically to the Indian banyan or Ficus benghalensis, the national tree of India,[1] though the term has been generalized to include all figs that share a characteristic life cycle...
Like other fig species (which includes the common edible fig Ficus carica), banyans have unique fruit structures and are dependent on fig wasps for reproduction. The seeds of banyans are dispersed by fruit-eating birds. The seeds germinate and send down roots towards the ground.

The leaves of the banyan tree are large, leathery, glossy green and elliptical in shape. Like most fig-trees, the leaf bud is covered by two large scales. As the leaf develops the scales fall. Young leaves have an attractive reddish tinge.[6]

Older banyan trees are characterized by their aerial prop roots that grow into thick woody trunks which, with age, can become indistinguishable from the main trunk. The original support tree can sometimes die, so that the banyan becomes a "columnar tree" with a hollow central core. Old trees can spread out laterally using these prop roots to cover a wide area.
Over 1900+ reads as Nov. 10th.
Sally, That is a lot of friends and admirers you have!
Frost-locked all the winter,
Seeds, and roots, and stones of fruits,
What shall make their sap ascend
That they may put forth shoots?
Tips of tender green,
Leaf, or blade, or sheath;
Telling of the hidden life
That breaks forth underneath,
Life nursed in its grave by Death.

Blows the thaw-wind pleasantly,
Drips the soaking rain,
By fits looks down the waking sun:
Young grass springs on the plain;
Young leaves clothe early hedgerow trees;
Seeds, and roots, and stones of fruits,
Swollen with sap, put forth their shoots;
Curled-headed ferns sprout in the lane;
Birds sing and pair again.

There is no time like Spring,
When life's alive in everything,
Before new nestlings sing,
Before cleft swallows speed their journey back
Along the trackless track,--
God guides their wing,
He spreads their table that they nothing lack,--
Before the daisy grows a common flower,
Before the sun has power
To scorch the world up in his noontide hour.

There is no time like Spring,
Like Spring that passes by;
There is no life like Spring-life born to die,--
Piercing the sod,
Clothing the uncouth clod,
Hatched in the nest,
Fledged on the windy bough,
Strong on the wing:
There is no time like Spring that passes by,
Now newly born, and now
Hastening to die.
‘Oinos.’

Pardon, Agathos, the weakness of a spirit new-fledged with
immortality!

‘Agathos.’

You have spoken nothing, my Oinos, for which pardon is to be
demanded. Not even here is knowledge a thing of intuition.
For wisdom, ask of the angels freely, that it may be given!

‘Oinos.’

But in this existence I dreamed that I should be at once
cognizant of all things, and thus at once happy in being
cognizant of all.

‘Agathos.’

Ah, not in knowledge is happiness, but in the acquisition of
knowledge! In forever knowing, we are forever blessed; but
to know all, were the curse of a fiend.

‘Oinos.’

But does not The Most High know all?

‘Agathos’.

That (since he is The Most Happy) must be still the
one thing unknown even to HIM.

‘Oinos.’

But, since we grow hourly in knowledge, must not at last
all things be known?

‘Agathos.’

Look down into the abysmal distances!—attempt to force
the gaze down the multitudinous vistas of the stars, as we
sweep slowly through them thus—and thus—and
thus! Even the spiritual vision, is it not at all points
arrested by the continuous golden walls of the
universe?—the walls of the myriads of the shining
bodies that mere number has appeared to blend into unity?

‘Oinos’.

I clearly perceive that the infinity of matter is no dream.

‘Agathos’.

There are no dreams in Aidenn—but it is here whispered
that, of this infinity of matter, the sole purpose is
to afford infinite springs at which the soul may allay the
thirst to know which is forever unquenchable within
it—since to quench it would be to extinguish the
soul’s self. Question me then, my Oinos, freely and without
fear. Come! we will leave to the left the loud harmony of
the Pleiades, and swoop outward from the throne into the
starry meadows beyond Orion, where, for pansies and violets,
and heart’s-ease, are the beds of the triplicate and triple-
tinted suns.

‘Oinos’.

And now, Agathos, as we proceed, instruct me!—speak to
me in the earth’s familiar tones! I understand not what you
hinted to me just now of the modes or of the methods of what
during mortality, we were accustomed to call Creation. Do
you mean to say that the Creator is not God?

‘Agathos’.

I mean to say that the Deity does not create.

‘Oinos’.

Explain!

‘Agathos’.

In the beginning only, he created. The seeming creatures
which are now throughout the universe so perpetually
springing into being can only be considered as the mediate
or indirect, not as the direct or immediate results of the
Divine creative power.

‘Oinos.’

Among men, my Agathos, this idea would be considered
heretical in the extreme.

‘Agathos.’

Among the angels, my Oinos, it is seen to be simply true.

‘Oinos.’

I can comprehend you thus far—that certain operations
of what we term Nature, or the natural laws, will, under
certain conditions, give rise to that which has all the
appearance of creation. Shortly before the final
overthrow of the earth, there were, I well remember, many
very successful experiments in what some philosophers were
weak enough to denominate the creation of animalculae.

‘Agathos.’

The cases of which you speak were, in fact, instances of the
secondary creation, and of the only species of
creation which has ever been since the first word spoke into
existence the first law.

‘Oinos.’

Are not the starry worlds that, from the abyss of nonentity,
burst hourly forth into the heavens—are not these
stars, Agathos, the immediate handiwork of the King?

‘Agathos.’

Let me endeavor, my Oinos, to lead you, step by step, to the
conception I intend. You are well aware that, as no thought
can perish, so no act is without infinite result. We moved
our hands, for example, when we were dwellers on the earth,
and in so doing we gave vibration to the atmosphere which
engirdled it. This vibration was indefinitely extended till
it gave impulse to every particle of the earth’s air, which
thenceforward, and forever, was actuated by the one
movement of the hand. This fact the mathematicians of our
globe well knew. They made the special effects, indeed,
wrought in the fluid by special impulses, the subject of
exact calculation—so that it became easy to determine
in what precise period an impulse of given extent would
engirdle the orb, and impress (forever) every atom of the
atmosphere circumambient. Retrograding, they found no
difficulty; from a given effect, under given conditions, in
determining the value of the original impulse. Now the
mathematicians who saw that the results of any given impulse
were absolutely endless—and who saw that a portion of
these results were accurately traceable through the agency
of algebraic analysis—who saw, too, the facility of
the retrogradation—these men saw, at the same time,
that this species of analysis itself had within itself a
capacity for indefinite progress—that there were no
bounds conceivable to its advancement and applicability,
except within the intellect of him who advanced or applied
it. But at this point our mathematicians paused.

‘Oinos.’

And why, Agathos, should they have proceeded?

‘Agathos.’

Because there were some considerations of deep interest
beyond. It was deducible from what they knew, that to a
being of infinite understanding—one to whom the
perfection of the algebraic analysis lay unfolded—
there could be no difficulty in tracing every impulse given
the air—and the ether through the air—to the
remotest consequences at any even infinitely remote epoch of
time. It is indeed demonstrable that every such impulse
given the air, must in the end impress every
individual thing that exists within the
universe;—and the being of infinite
understanding—the being whom we have imagined—
might trace the remote undulations of the impulse—
trace them upward and onward in their influences upon all
particles of all matter—upward and onward forever in
their modifications of old forms—or, in other words,
in their creation of new—until he found them
reflected—unimpressive at last—back from
the throne of the Godhead. And not only could such a being
do this, but at any epoch, should a given result be afforded
him—should one of these numberless comets, for
example, be presented to his inspection—he could have
no difficulty in determining, by the analytic
retrogradation, to what original impulse it was due. This
power of retrogradation in its absolute fulness and
perfection—this faculty of referring at all
epochs, all effects to all causes—is of
course the prerogative of the Deity alone—but in every
variety of degree, short of the absolute perfection, is the
power itself exercised by the whole host of the Angelic
Intelligences.

‘Oinos’.

But you speak merely of impulses upon the air.

‘Agathos’.

In speaking of the air, I referred only to the earth: but
the general proposition has reference to impulses upon the
ether—which, since it pervades, and alone pervades all
space, is thus the great medium of creation.

‘Oinos’.

Then all motion, of whatever nature, creates?

‘Agathos’.

It must: but a true philosophy has long taught that the
source of all motion is thought—and the source of all
thought is—

‘Oinos’.

God.

‘Agathos’.

I have spoken to you, Oinos, as to a child, of the fair
Earth which lately perished—of impulses upon the
atmosphere of the earth.

‘Oinos’.

You did.

‘Agathos’.

And while I thus spoke, did there not cross your mind some
thought of the physical power of words? Is not every
word an impulse on the air?

‘Oinos’.

But why, Agathos, do you weep—and why, oh, why do your
wings droop as we hover above this fair star—which is
the greenest and yet most terrible of all we have
encountered in our flight? Its brilliant flowers look like a
fairy dream—but its fierce volcanoes like the passions
of a turbulent heart.

‘Agathos’.

They are!—they are!—This wild
star—it is now three centuries since, with clasped
hands, and with streaming eyes, at the feet of my
beloved—I spoke it—with a few passionate
sentences—into birth. Its brilliant flowers are
the dearest of all unfulfilled dreams, and its raging
volcanoes are the passions of the most turbulent and
unhallowed of hearts!
If you're OCD,
You're going to hate this poem.

Because it's not what you're used to
and it can be infuriating

I know where i'm going and i'm laughing in enjoyment.
I wish i could take some comedians out of sheer unemployment
And take damaged soldiers out of deployment
But you know that drill already
We're just trying to keep the Earth's rotation steady
But i'm up for going steady
If that's what you want

We're all about want
I'm all about yours
Trying to coordinate each constellation
Is like arguing with a woman
You won't  get the result you were looking for
It's beautiful in the tension
And it has it's suspension
But it's infinite
Meaning it will go on forever
So just try not to.

I never liked arguing
I know i won't later on
Your passion and support is all i need
That's what i look for the most
Someone who doesn't see me as some sort of ghost
Or lifeless party host
But someone that means the air they breathe
I get tired of my mistakes
But to know someone will try to help me prevent them

Is what i like
There has been a couple of people who tried
But i pushed them off the deep end
And i'm terribly sorry for that
Zero fault on you and all for me
I say that with a smile
Because it feels good to be honest with myself

You think it would be a brain-dead thing to master
But it only seems that way
I know from experience
Trust me, I've been there.

My trails go in multiple angles
Just like my nature
But if you're crazy enough to stick around
You'll get a warm welcome
You'll know how to feel special
If you never have before, i'll be the first to show you

I mean every word
With full fledged honesty
I wouldn't say useless, empty words
That's inept and not worth it.

If you're confident in yourself
Girl, you should work it
I heavily value strong traits such as that
You're going to turn all my bumps in my chest flat
And make me enamored just like that
The flick of the switch
No more wishing i would with other male persons.
To get a chance
That's why most men do a celebration dance

Consistently catching me in a trance
I got more lovely words than France
Okay, maybe not
But the ambition doesn't vanish
I'll still try
To keep you mine

Time is precious
So are you
If Time was a woman she would be in disgust
That it's not her in your shoes
You brought your sparkly ones?
Just making all the check marks, are you?

Champions aren't limited to sports
I can assure you.
samasati Sep 2012
we always want to re-invent ourselves when we feel
rejected, unwanted, left to the side.
we dye our hair or cut our hair or style our hair
so differently, so drastically, so unrecognizable.
we pack on make-up or strip our make-up
or pierce our faces, belly buttons, get tattoos, choose a permanent mark
to remind us of something solid;
something that represents
self-sufficiency or this too shall pass,
because we know we are gonna feel
rejected, unwanted, left to the side again
(and again, and again).
we buy new clothes, give away old ones to our friends,
new shoes, new bags, new look.
and we’re always picking up new vices, new habits, new addictions.
cigarettes, alcohol, razors,
all the late night reckless binges on wine, narcotics, food, cutting ourselves.
sometimes we pick up healthy ones too,
like running, swimming, dancing, yoga, meditating, resetting sleep patterns, taking vitamins, treating ourselves to the spa, eating regularly, getting out of the house to see friends.
we either avoid intimacy at all costs because we can’t fathom
the concept of trust anymore
or we dive into it with practically anyone, just to feel something real
because we are so ******* lonely,
but we never really feel anything real at all.
we make resolutions, goals, plans for our next relationships
so that they won’t follow the same patterns as our last crumbling ones
(they usually still do).
some of us change what we like, what we want, what we need
to impress people so that they
fall in love with us and will never leave us.
we begin disregarding ourselves for another person,
or disregarding everyone else for ourselves,
both because we don’t want to get hurt again.

and then somewhere, somehow after weeks, months, maybe even years of
the full fledged wavering of
destruction meeting recovering meeting ignorance meeting shyness meeting loneliness meeting accepting meeting fear,
we start to see the intricacies of the pattern much clearer -
we make all of these sudden changes because
we just want to feel better,
we just want to be better;
that’s all.
it’s taking charge, which is healthy.
it’s also making fact and point that we need to change to deserve love,
which is unhealthy.
all of it is like learning algebra for the first time,
some of us take a bit longer to understand it all; the formulas, the variables, the balance.
and once we understand the formula, the variables and the balance,
then we can welcome back the beautiful,
real version
of ourselves we’ve been trying to
cover up.
winter sakuras Feb 2017
Once I was a child who loved to dream
I wanted that happy ending for the little mermaid
and so I rid the damsel who stood in the way
and then I waited for the prince
to remember the mermaid and love her again,
but he never did,
and they both died sad and heartbroken.
Meanwhile, from my dungeon sprung the damsel
now transformed into a fully fledged witch
who howled with rage whenever love approached
always appearing as the ugly stepsisters
the evil stepmother, the evil queen
taunting me in my dreams every night
thanking me for spawning her into life.
just thinking like a young child again..
happy endings don't come true when you have to hurt someone else to make them happen
One must admit the soul searches
high and wide for others to see
as sorrow weeps, small happiness creeps
remorse is afloat, in our silk coat
emptiness appears, silence leers
fading shadow, is falling far below
Begging forgiveness, with lots of emptiness, it seems............

Cemented dreams, gone to extremes
Song of despair, not knowing who cares
Tears grabbing, hands jabbing
Wisps of cries, light up the sky....

Soul searches but disappearing
cries please help,
Holding lifeless, so breathless
Sobs of redemption, seize upon preemption
Full fledged devastation, marks no exemption
Temptress aching, no remaking......

Soul Searching Indeed!*

Debbie Brooks 2014
Nat Lipstadt Jan 2014
Let us not keep our secret,
secret any more!

Thousands have read your poem,
from your tributary, they have drunk.

So I am re posting once more
to remind grandmother,
so many
you,
adore.

I will not stop
till ten
thousand new admirers
have you paid homage.
then I will
              post it again.


~~~~~~
Oct 6, 2013
The Banyan Tree (A Tribute to Sally)
I am a man, grandfather to four.
Adherent to the same religion,
Poetry.

Breathing through mine eyes,
Exhaling carbon words,
That with time and pressure become
Poems, verbal musical notes upon life.

Each motion, from tiny to grand,
A capsule of expression,
That if examined under microscope,
Familial DNA, interconnected tissue,
Discovered, tho logic says,  
Time and distance render impossible.

But this is a diamond
This is a writ to be slipped
Upon the finger, the heart, the essence,
Of the only Banyan tree I have hugged.

This poem but a fig,
In the cracks of kindness,
The crevices of caring,
It has slow germinated.

You dear, Sally,
My host,
A building upon I can lean,
When wearied spirits uproot
My surficial composure.

Your seeds carried from east to west,
By a fig wasp, a bird unknown,
An ocean voyager, of indisputable vision, strength.

This seeded messenger, word carrier,
Supplanted in me, and your pupils,
Whose very names breathe poems,
In others too, like me and so many,
Seeds to become new roots, but you,
Our Host official and forever
Planter of trees of loving kindness.

You already know with love and affection,
I call you Grandma Sally,
And when you ask, beseech,
I cannot refuse.

Together we will will banish the sad,
Acknowledge we, that life's ocean,
A mixture of many, even sad, a necessity.

But I promise that will turn it into
Something simple, something good.
For you have asked and I answer you
Right here right now - your wish,
My objective, deep rooted like you,
Like an old banyan tree,
Your roots spread far, spread wide.

So some eve, when to the beach, to the sky
You glance, smile, no matter what, troubles dispersed,
For the reflection of you, seeds, full fledged trees now,
Bending skywards, in search of your rays of expression,
Your maternal wisdom rooted, spread so wide, globally,
All over this Earth, is visible from your
Beloved Philippines.


---------------------------------------
In her own words..

I am a widow,
with five remarkable granddaughters....
all beautiful, intelligent girls.
It is such a waste not to write....
each morning that unfolds is filled
with things to write about....
the people, the birds,
the trees, the wind,
the seas,
everything we set our eyes on,
they are all
poetry in motion.
Life itself is poetry,
I always have pen and paper within reach.
My past experiences are a
never-ending source
of ideas and words for my poems....
I shall write until time permits me,
"til there's breath within me."
-------------------------------------------------
A banyan (also banian) is a fig that starts its life as an epiphyte (a plant growing on another plant) when its seeds germinate in the cracks and crevices on a host tree (or on structures like buildings and bridges). "Banyan" often refers specifically to the Indian banyan or Ficus benghalensis, the national tree of India,[1] though the term has been generalized to include all figs that share a characteristic life cycle...
Like other fig species (which includes the common edible fig Ficus carica), banyans have unique fruit structures and are dependent on fig wasps for reproduction. The seeds of banyans are dispersed by fruit-eating birds. The seeds germinate and send down roots towards the ground.

The leaves of the banyan tree are large, leathery, glossy green and elliptical in shape. Like most fig-trees, the leaf bud is covered by two large scales. As the leaf develops the scales fall. Young leaves have an attractive reddish tinge.[6]

Older banyan trees are characterized by their aerial prop roots that grow into thick woody trunks which, with age, can become indistinguishable from the main trunk. The original support tree can sometimes die, so that the banyan becomes a "columnar tree" with a hollow central core. Old trees can spread out laterally using these prop roots to cover a wide area.
Elijah Feb 2015
I long for your touch
I want your scent to find
it’s way through my nostrils
I want your soul inside of me
I wanna be in sync with your thoughts
share memories with you
and leave love notes on every corner
of the house to remind you of my love for you

I long for your touch
for your words to comfort me
and renew my peace mentality
I want your hands engraved
fully inked with passion on my canvas
I want to converse with you
become intact with your dreams and emotions
become infactious of your fully-fledged spirit
that is allowing me to love you.
By: Elijah & Ofentse Tsie

#ILongForYou #Happiness #Love #Life #Soul #Spirit #Touch .
Baylee Sep 2015
Painkillers intended to numb the pain
But they numb the heart from beating.

Administered to the ill and injured
Resulting in worse illness or injury.

An injury to the heart beat
To the collapsing lungs,
The vital components of life.

Without the medications,
The symptoms return
Full-fledged.

But with them, the ability
To function normally
Is absent.

The question at hand is
Whether it is better to suffer
From pain or numbness.
Just off Highway 95

On the east side of the road

Sits a monolithic diner

Where the truckers all reload

The food's great and there's plenty

And the place is really clean

But the real reason they stop here

Is the Truck Stop Beauty Queen

She's a five foot 5 inch dynamo

A former Miss Biloxi Belle

She's a pepperpot of moxie

And a spirit you can't quell

Her hair's piled high upon her head

It's a blonde come from a bottle

Her attitude is bottle brewed

Her skin is slightly mottled

She holds court in the corner

At a little table in the back

She's telling stories to all who'll listen

And she's always talking smack

She talks about the drivers

All the people that she's seen

She's a former Miss Biloxi Belle

She's The Truckstop Beauty Queen

She used to wait the tables

Worked the till a little too

When a talent scout from Georgia

Took her back in fifty two

He sweet talked her like no one

That this girl had ever seen

He promised her the world that day

He'd put her on the silver screen

She left home in the dead of night

She left a note upon the car

You're better off without me here

And I'm better off by far

She was off to find her fortune

With her new man by her side

But by the time she reached Atlanta

She knew she'd been taken for a ride

She found out there was no future

He had no contacts, not a chance

There would be no movie stardom

She would not get to dance

She left but stayed in Georgia

She would build herself a life

She would make herself a winner

She would never be a wife

She took work in a small diner

And at night she hit the books

She was gonna help the others

Who'd be lied to for their looks

By sixty three she reached her goal

They called her to the bar

She was now  a full fledged lawyer

Could it be she'd come this far

She was adopted in Port Huron

Foster homes were all she knew

She made her mind up early

She would be one of the few

Who made it on her own accord

She would find a ticket out

Then one day in walked that stranger

That god ****** talent scout

She retired in the nineties

Though she will not say just when

And the day that she retired

She moved home to Michigan

She had no one there to meet her

When she came back home in June

She would keep her past a secret

She would sing a different tune

For she left to find her fortune

On the big old silver screen

She would come back home a winner

She would come back home a queen

She bought the little diner

On the side of ninety five

And by working there three days a week

She somehow came alive

She created little stories

Of a past she'd never had

She talked of her dear mother

And her tall,distinguished dad

The drivers loved to hear her

Tell her tales when they were by

And not one of then discovered

That her stories were all lies

She wouldn't ever mention

How she lived her life before

She would tell them just a litte

And she wouldn't say much more

She told tales of things of wonder

And of places that she'd been

And at one point she told how

She was a one time beauty queen

Now, we know that never happened

It was something in her mind

It was the reason that she left here

It was the dream she wouldn't find

But the drivers never questioned

And the diners loved the place

They came in all the time

To hear the stories, see her face

The diner was a gigantic

And three days a week t'was full

As they came to hear her stories

That they never knew were bull

The one they loved to hear

And the one she loved to tell

Was how that one day back in Georgia

She was the Miss Biloxi Belle

No one knew that she was lying

She was the best that had never been

But to all those at the diner

She was the Truckstop Beauty Queen

It's a life that never happened

Except for a few bits in between

It's the tale of Dinah Mussberg

The Truckstop Beauty Queen
[Dedicated to K.M.Ward]


"I will arise and go unto my father"

MALKUTH

Dark, dark all dark! I cower, I cringe.
Only ablove me is a citron tinge
As if some echo of red, gold and lue
Chimed on the night and let its shadow through.
Yet I who am thus prisoned and exiled
Am the right heir of glory, the crowned child.

I match my might against my Fate's
I gird myself to reach the ultimate shores,
I arm myself the war to win:-
Lift up your heads, O mighty gates!
Be ye lift up, ye everlasting doors!
The King of Glory shall come in.

TAU

I pass from the citrine:deep indigo
Is this tall column. Snakes and vultures bend
Their hooted hate on him that would ascend.
O may the Four avail me ! Ageless woe,
Fear, torture, throng the treshold. LO1 The end
Of Matter ! The immensity of things

Let loose -new laws, new beings, new conditions;-
Dire chaos; see ! these new-fledged wings
Fail in its vagueness and initiations.
Only my circle saves me from the hate
Of all these monsters dead yet animate.

I match, &c.;

YESOD

Hail, thou full moon, O flame of Amethyst !
Stupendous mountain on whose shoulders rest
The Eight Above. More stable is my crest
Than thine -and now I pierce thee, veil of mist!
Even as an arrow from the war-bow springs
I leap -my life is set with loftier things.

I match, & c.

SAMECH ( and the crossing of the Path of Pe)

Now swift, thou azure shaft of fading fire,
Pierce through the rainbow! Swift, O swift! how streams
The world by! Let Sandalphon and his quire
Of Angels ward me!
**! what
Nat Lipstadt Mar 2019
-for Zukiswa Mvunguse~
and for
~ Jul,
who once again,
loved each line best~


having already deduced that:

“the unplanned is his plan,
it’s his faceted flaws
that refract his coloratura”^

the titled alliteration teases him into thinking
there, is more to be said,
more to be prayed,
the unplanned lesser lesson is as-of-the-yet unlearned,
and the sunburst of a full fledged
lying-in-bed born from a static spark of kinetic energy,
awaking in an unfamiliar bed
or a too familiar state of mind,
begs for birth and vainglorious death-by-anon/amity
of another poem  

I have written poems commissioned,
“write about suicide,” asked a friend,
“take this word and artfully knead it,” once, was once an oft request,
twisty manipulate your scheming resources into
finely assaying a field rock raw,
laboratory mind-mine it into an essay that delve dives
where you fear to treacherous tread,
resultant, an awkward prayer, now, a valued mineral

no poem is truly planned and no prayer ever truly answered,
but as you compose, pushing the last, next word
ever farther to the right,
you self-confess, expecting no absolution, that the poem,
this one as well,
and the next, and the next, and the next

has always been planned since your inception,
always a prayer asked, and in creation conception,
answered even if not directly answered,
for
in the bare minimum asking,
is the answering,
is the planning,
is the poem and the prayer,
is his owned
alliteration
spontaneously born at 7:57am on
Sunday, March 24, 2019
^ https://hellopoetry.com/poem/3021583/being-a-poet-is-not-planned/

read her poems. https://hellopoetry.com/Zig1/
Kai Mar 2021
vices binding my soul; ever complying
perfect obedience; never denying
i'm silent no matter how terrifying
i'm on the verge of tears but never crying
my lungs only produce a quiet sighing
i'm screaming final breaths but never dying
and all the while my pain's intensifying
my wings fledged and outstretched but never flying
i try to speak but there's no point replying
i'm done with all your endless justifying

you could've changed, but you're just never trying
the 11 syllables thing is part of the poem. you get lured into thinking it will flow nicely like an iambic pentameter, but then you reach the end of the line and you feel like you have to interrupt yourself to maintain the rhythm. that's because you do. that's how it's meant to be read. the interruption is part of the poem.

you can read this in multiple ways. either one person struggling against another, or two people arguing.
Trevon Haywood Apr 2016
The April rain, the April rain,
Comes slanting down in fitful showers,
Then from the furrow shoots the grain,
And banks are fledged with nestling flowers;
And in grey shawl and woodland bowers
The cuckoo through the April rain
Calls once again."

Mathilde Blind. 4/7/2016. ☔
I love April showers.
Merrill Zündell May 2015
I never had many friends
I was always late to school
Ate lunch alone
Maintained grades pretty well
Graduated

Lived at the same place
Moved schools to a 3 year middle time
Became captain on a basketball team
Maintained grades pretty well
Heart Broken

They took my dreams
They threw them down
Past my knees and below my feet
No school no school no school
Good grades and school dreams shot down

From there even after some injuries
I went downhill
Like I did when I gained a concussion
I fell and smacked the floor
Point blank like a gun at a shooting range

High school in black and white
No friends and only anxiety attacks
No more sports teams or good grades
Skipping class my attendance was doomed
Moving along as if hurdles were in my way

Hospitalized twice and almost once before
Scarred waist and black decay
Tear stains throughout the night
When I could only lay awake
Words trapped inside, my mouth a cage

Summer smoking gone by now in 10th grade
Two attempts
Sleeping day and night
No attendance period throughout the day
Grades and mind slain

Semesters slipping away like life
Passed one regents of which previously I failed
Grades go in I start trying again
I attend full fledged new meds
Passing grades like a miracle

Slowly falling behind
Broken thoughts along the night
Slipping away like the shadows in the light
Stopped going to school again
But why? I feel no pain

No grades nor attendance
No improvement no getting out of bed
The meds aren't helping
I only feel, there are no thoughts in my head
Ruining my future must repeat 10th grade

Getting worse no emotions
Going back to the way I was before
No friends no trust
Regret fills my veins people are going away
They must know that I'm not immune to all pain
Samuel May 2011
The storms randomly appearing outside my window
I thought it was an angry neighbor, rolling their garbage can around in rage
To an intrusive fence or overly vocal dog
But no
It is a full-fledged raindrop fest
That affixes itself to my ears in memory and
As an old friend, this rain

But I am a bit tired
Unused in my 6 months of laziness to any expenditure of
Energy whatsoever
And I ran in your name today
Red-faced and puffing, mostly nearing the end
I ran in your name

It felt good.
The cuckoo-throb, the heartbeat of the Spring;
The rosebud’s blush that leaves it as it grows
Into the full-eyed fair unblushing rose;
The summer clouds that visit every wing
With fires of sunrise and of sunsetting;
The furtive flickering streams to light re-born
’Mid airs new-fledged and valorous lusts of morn,
While all the daughters of the daybreak sing:—

These ardour loves, and memory: and when flown
All joys, and through dark forest-boughs in flight
The wind swoops onward brandishing the light,
Even yet the rose-tree’s verdure left alone
Will flush all ruddy though the rose be gone;
With ditties and with dirges infinite.
Malintha Perera Dec 2014
A full moon morning
not yet awake
the fully fledged stars
were down to pay homage
seated on the vines
marinated in white robes
without the usual yellow makeup.
Only the breeze was allowed to touch them
to carry away the scent on their tongues
licking the moisture from the white skins
blowing gentle puffs
into the wide mouth of the gaping wind.
The wind circled around me whispering to be gentle
as I lifted each flower one to my small tray
and laid them around and around like a milky way
not breaking their prayer with the looming moon ahead.
Too late the white disc pinned me with its glare
continued to look down gently
from a balcony of cloud sprays
I heard every word that had gone on between them
and my eyes misted
with what they said.

©Malintha Perera 2014
Coop Lee Oct 2014
the skull and spine of seventy seven men, extracted.
retribution far past putrefaction.
a pile of bones in the center of town, at the corner of washington
& rochambeau.
gather around.

           do you believe in the boogeyman?

a glitch in the darkness.
an echo of rage, high chroma bacteriophage.
every faithless father,
every sister spared,
every ritual sung just right, a brief blackout,
reconfigured pixels of outer night.

                     [bobby’s sega genesis awakens on its own]

thirty three years to the day, he
died on that suncrest boulevard, returned today just to say “hey.”

graveyard family tree and the moon.
first as a manifestation of electromagnetic phenomena
            in a videogame’s cpu. 1993.
second as a fully-fledged entity materialized via videocassette,
            hungry for pizza and pure vengeance. 2001.
third from beneath bedrock, the quarry belly baste,
            a body buried thrice, undead toxic tumescence,    
            a walking corpse heaving black plasma. 2020.

the sequel.
the son.
the spectral chosen one, he
rips out a throat or two, quite fashionably so,
a man about town throttled and disemboweled,
as friends and neighbors stumble and sprint to escape with their own godforsaken skin.
let the bone collection begin.
emerged in afterschool hallways to **** old classmates turned teachers.
emerged in afterhours offices to devour old buddies turned bankers.
emerged in the quiet dark homes of neighborhood flesh and folk.
blood soaked socks.

why? you ask, must all these people die?
vengeance?    no.
that was a lie.
he killed those people for a laugh
& that’s that.
Nat Lipstadt May 2023
<6:30 AM.  Sun May 28 2023>

An internal clock stirs within,
a full fledged conscious conscience rings in,
like a silent alarm at a bank being robbed.

Various devices inform, each with a
different measurement cup/stick, that I,
have slept exactly seven hours which,
pleases, as I am queried,

How do you feel?

Fully refreshed!

my choice today,
most apropos,
for now awake, I begin to:

compose myself.

In the ordinary, is the where that
I have oft found poetry,
not to mention love and other good things,
walk the house, north to south, east to west,
under weakish, not really high in the sky,
sun rays break thru the tree cover and create
a checkerboard of light and dark patches
for children to play upon, if any were/where here.

All seemingly is well.
The rabbits beneath us,
are sleeping in,
because after all,
it is Sunday.

But I digress; composition implies order, form,
even malice aforethought, so as an artist,
knowing the world is yet extant,
and I, yet am in one piece(s),
make coffee for two,
humming an old tune of similar ilk,
re tea

But every human has some master,
and mine the machine!

Want coffee? Hah!
Empty the grounds!
Not enough.
Now, Refill the Tank!
What! More?
Fill the beans!

Suffice! Relent!
I am human, you machine, and I demand coffee.

At last, the impolite machine, that knows not ‘please’ nor
‘thank you,’ nary its native ‘your welcome’ in its native Swissie Deutsche (Keine Ursache!).  All very Swiss, and businesslike,
doth relent, making a very fine cup of coffee.

I shall not trouble you with various side trips,
that though common to all humankind, but
provoke two sister thoughts in quick succession.

A modified abbreviated prayer:

Dear Lord, Yo! You have brought me to
the beginning of a new day,. Thanks a lot!

I skip over this remainder part, my excuse?

Too many words!

(“As the world is renewed fresh and clean, so I ask You to renew my heart with Your strength and purpose. Forgive me the errors of yesterday and bless me to walk closer in Your way today.”)

The other thought, a reciprocal to my gratitude.

Why in hell do our bodies age, ache, snap & crackle, Buddy?
perhaps a revision of this policy is in order, Would it upset
some vast eternal plan if my body never tolled my years
in lines of degeneration, waves of visible and invisible erosion,
or at least make coffee a magical, healing restorative elixir?


Nope.  

The usual sneering silence of just be happy you’re alive
etc., etc., etc. and etc.

Don’t think I am asking for too much. just a little tinkering…

More to write, but I chastise myself with:

Too many words!

Leave off here, though my misadventures
and adventures too, yield up inspirational
hymns galore, and batches of familiar plaints,
that is my inalienable human right to express
to nobody else, in particular,

But you.

For in so many ways, we journey together
though our paths, locales, and courses are
so vastly different, in my mind, we are together,
in the here and now, and in the forever future,
we must continue to share and share alike,
our words….
a S. I. writ
Skaidrum Oct 2015
...
Ͽ
I'm witnessing the night erupt in celestial warfare;
Galaxies upon the fleeting edge of collapse.
Constellations rise as warriors
Planets fall as if they were empires
Shooting stars committing suicide
Eclipses; full-fledged victims of ******
Toxic comets threaten disaster
Supernovas; spells of death
Starlight diminished by the savages;
Nebula messages slaughter hope.
This is a massacre of our milky way~
Our universe;
a brilliant display of
a civil war.

Ͼ
Goodnight.
...
Sweet dreams.

© Copywrite Skaidrum
This valley wood is pledged
To the set shape of things,
And reasonably hedged:
Here are no harpies fledged,
No rocs may clap their wings,
Nor gryphons wave their stings.
Here, poised in quietude,
Calm elementals brood
On the set shape of things:
They fend away alarms
From this green wood.
Here nothing is that harms -
No bulls with lungs of brass,
No toothed or spiny grass,
No tree whose clutching arms
Drink blood when travellers pass,
No mount of glass;
No bardic tongues unfold
Satires or charms.
Only, the lawns are soft,
The tree-stems, grave and old;
Slow branches sway aloft,
The evening air comes cold,
The sunset scatters gold.
Small grasses toss and bend,
Small pathways idly tend
Towards no fearful end.
Hannah Clifford Feb 2018
Dear *******,
Stop playing with me. I don't know if you do it for amusement or just to be an ******* but I am done playing your game. Makeup you ******* mind because lord knows that I have.
You need to stop it. Stop sending me smile and kissy emojis one day, then ignore me the next.
Or tell me that I’m pretty today… then state I look like trash tomorrow.
I don’t know what your deal is. Maybe it’s that as people we are miles apart.
You are attractive, i’m not.
The video games we play are far from similar.
Maybe it’s because the music we like is so drastically different. And yes, sometimes I get mad at you suicide jokes, but I know that you are a good person.
What really gets me mad though is this back and forth. One day you want to have a full fledged conversation and some days, you can’t even look me in the eye.
I know that I’m weird compared to you. I think puns are a gift from god and you think that my double chin selfies are disgusting, but I thought you could overlook my awkwardness… but I don’t want you to overlook it anymore… i want you to embrace it.
Maybe I’m just overreacting? Maybe to you I’m just a friend, and that’s okay with me, but you have to tell me. Believe it or not, I am not a psychic.
If I am just a friend, then tell me that i am just a friend
If you like me, but you’re also talking to other people then tell me so that I don’t have to shut others out because I’m confused if something is going on between us.
And finally, in the rare case that you actually like me, then for the love of god TELL ME
And if you want nothing to do with me… then tell me. And if you think I can’t handle that… then ***** you.
This is a spoken word I wrote last year.
My soul yearns to know what it is like to soar, with full-fledged living. But I am yet a gosling, so small and helpless.

Opened, outstretched downy wings. Tip to tip I learn each motion. Muscles, smooth and lithe, lie in wait for when they will become. Freedom.

Pulsing and pumping they will pull my body from this broken land and ****** it into the unknown.

Higher and higher I will climb into the war-torn sky. The scared and brittle earth of my first home will become nothing but the fleeting past. Broken bits and pieces of a life once had cast into the memory of nothingness. Forgotten. Left to decay in the world I have just left behind. As if it never was.

So easy it is. To be free. To live this life and breathe each breath without doubt or shadow. Becoming my own and cherish each moment as a lifelong joy. No end, no finish, no land in sight. Just open sky and cool air beneath my wings. No destination. No regrets. No history. No memory of gosling down.

Full-fledged ivory wings.



*January 13, 2013
Meanwhile Ulysses and the swineherd had lit a fire in the hut and
were were getting breakfast ready at daybreak for they had sent the
men out with the pigs. When Telemachus came up, the dogs did not bark,
but fawned upon him, so Ulysses, hearing the sound of feet and
noticing that the dogs did not bark, said to Eumaeus:
  “Eumaeus, I hear footsteps; I suppose one of your men or some one of
your acquaintance is coming here, for the dogs are fawning urn him and
not barking.”
  The words were hardly out of his mouth before his son stood at the
door. Eumaeus sprang to his feet, and the bowls in which he was mixing
wine fell from his hands, as he made towards his master. He kissed his
head and both his beautiful eyes, and wept for joy. A father could not
be more delighted at the return of an only son, the child of his old
age, after ten years’ absence in a foreign country and after having
gone through much hardship. He embraced him, kissed him all over as
though he had come back from the dead, and spoke fondly to him saying:
  “So you are come, Telemachus, light of my eyes that you are. When
I heard you had gone to Pylos I made sure I was never going to see you
any more. Come in, my dear child, and sit down, that I may have a good
look at you now you are home again; it is not very often you come into
the country to see us herdsmen; you stick pretty close to the town
generally. I suppose you think it better to keep an eye on what the
suitors are doing.”
  “So be it, old friend,” answered Telemachus, “but I am come now
because I want to see you, and to learn whether my mother is still
at her old home or whether some one else has married her, so that
the bed of Ulysses is without bedding and covered with cobwebs.”
  “She is still at the house,” replied Eumaeus, “grieving and breaking
her heart, and doing nothing but weep, both night and day
continually.”
  As spoke he took Telemachus’ spear, whereon he crossed the stone
threshold and came inside. Ulysses rose from his seat to give him
place as he entered, but Telemachus checked him; “Sit down, stranger.”
said he, “I can easily find another seat, and there is one here who
will lay it for me.”
  Ulysses went back to his own place, and Eumaeus strewed some green
brushwood on the floor and threw a sheepskin on top of it for
Telemachus to sit upon. Then the swineherd brought them platters of
cold meat, the remains from what they had eaten the day before, and he
filled the bread baskets with bread as fast as he could. He mixed wine
also in bowls of ivy-wood, and took his seat facing Ulysses. Then they
laid their hands on the good things that were before them, and as soon
as they had had enough to eat and drink Telemachus said to Eumaeus,
“Old friend, where does this stranger come from? How did his crew
bring him to Ithaca, and who were they?-for assuredly he did not
come here by land”‘
  To this you answered, O swineherd Eumaeus, “My son, I will tell
you the real truth. He says he is a Cretan, and that he has been a
great traveller. At this moment he is running away from a
Thesprotian ship, and has refuge at my station, so I will put him into
your hands. Do whatever you like with him, only remember that he is
your suppliant.”
  “I am very much distressed,” said Telemachus, “by what you have just
told me. How can I take this stranger into my house? I am as yet
young, and am not strong enough to hold my own if any man attacks
me. My mother cannot make up her mind whether to stay where she is and
look after the house out of respect for public opinion and the
memory of her husband, or whether the time is now come for her to take
the best man of those who are wooing her, and the one who will make
her the most advantageous offer; still, as the stranger has come to
your station I will find him a cloak and shirt of good wear, with a
sword and sandals, and will send him wherever he wants to go. Or if
you like you can keep him here at the station, and I will send him
clothes and food that he may be no burden on you and on your men;
but I will not have him go near the suitors, for they are very
insolent, and are sure to ill-treat him in a way that would greatly
grieve me; no matter how valiant a man may be he can do nothing
against numbers, for they will be too strong for him.”
  Then Ulysses said, “Sir, it is right that I should say something
myself. I am much shocked about what you have said about the
insolent way in which the suitors are behaving in despite of such a
man as you are. Tell me, do you submit to such treatment tamely, or
has some god set your people against you? May you not complain of your
brothers—for it is to these that a man may look for support,
however great his quarrel may be? I wish I were as young as you are
and in my present mind; if I were son to Ulysses, or, indeed,
Ulysses himself, I would rather some one came and cut my head off, but
I would go to the house and be the bane of every one of these men.
If they were too many for me—I being single-handed—I would rather
die fighting in my own house than see such disgraceful sights day
after day, strangers grossly maltreated, and men dragging the women
servants about the house in an unseemly way, wine drawn recklessly,
and bread wasted all to no purpose for an end that shall never be
accomplished.”
  And Telemachus answered, “I will tell you truly everything. There is
no emnity between me and my people, nor can I complain of brothers, to
whom a man may look for support however great his quarrel may be. Jove
has made us a race of only sons. Laertes was the only son of
Arceisius, and Ulysses only son of Laertes. I am myself the only son
of Ulysses who left me behind him when he went away, so that I have
never been of any use to him. Hence it comes that my house is in the
hands of numberless marauders; for the chiefs from all the
neighbouring islands, Dulichium, Same, Zacynthus, as also all the
principal men of Ithaca itself, are eating up my house under the
pretext of paying court to my mother, who will neither say point blank
that she will not marry, nor yet bring matters to an end, so they
are making havoc of my estate, and before long will do so with
myself into the bargain. The issue, however, rests with heaven. But do
you, old friend Eumaeus, go at once and tell Penelope that I am safe
and have returned from Pylos. Tell it to herself alone, and then
come back here without letting any one else know, for there are many
who are plotting mischief against me.”
  “I understand and heed you,” replied Eumaeus; “you need instruct
me no further, only I am going that way say whether I had not better
let poor Laertes know that you are returned. He used to superintend
the work on his farm in spite of his bitter sorrow about Ulysses,
and he would eat and drink at will along with his servants; but they
tell me that from the day on which you set out for Pylos he has
neither eaten nor drunk as he ought to do, nor does he look after
his farm, but sits weeping and wasting the flesh from off his bones.”
  “More’s the pity,” answered Telemachus, “I am sorry for him, but
we must leave him to himself just now. If people could have everything
their own way, the first thing I should choose would be the return
of my father; but go, and give your message; then make haste back
again, and do not turn out of your way to tell Laertes. Tell my mother
to send one of her women secretly with the news at once, and let him
hear it from her.”
  Thus did he urge the swineherd; Eumaeus, therefore, took his
sandals, bound them to his feet, and started for the town. Minerva
watched him well off the station, and then came up to it in the form
of a woman—fair, stately, and wise. She stood against the side of the
entry, and revealed herself to Ulysses, but Telemachus could not see
her, and knew not that she was there, for the gods do not let
themselves be seen by everybody. Ulysses saw her, and so did the dogs,
for they did not bark, but went scared and whining off to the other
side of the yards. She nodded her head and motioned to Ulysses with
her eyebrows; whereon he left the hut and stood before her outside the
main wall of the yards. Then she said to him:
  “Ulysses, noble son of Laertes, it is now time for you to tell
your son: do not keep him in the dark any longer, but lay your plans
for the destruction of the suitors, and then make for the town. I will
not be long in joining you, for I too am eager for the fray.”
  As she spoke she touched him with her golden wand. First she threw a
fair clean shirt and cloak about his shoulders; then she made him
younger and of more imposing presence; she gave him back his colour,
filled out his cheeks, and let his beard become dark again. Then she
went away and Ulysses came back inside the hut. His son was
astounded when he saw him, and turned his eyes away for fear he
might be looking upon a god.
  “Stranger,” said he, “how suddenly you have changed from what you
were a moment or two ago. You are dressed differently and your
colour is not the same. Are you some one or other of the gods that
live in heaven? If so, be propitious to me till I can make you due
sacrifice and offerings of wrought gold. Have mercy upon me.”
  And Ulysses said, “I am no god, why should you take me for one? I am
your father, on whose account you grieve and suffer so much at the
hands of lawless men.”
  As he spoke he kissed his son, and a tear fell from his cheek on
to the ground, for he had restrained all tears till now. but
Telemachus could not yet believe that it was his father, and said:
  “You are not my father, but some god is flattering me with vain
hopes that I may grieve the more hereafter; no mortal man could of
himself contrive to do as you have been doing, and make yourself old
and young at a moment’s notice, unless a god were with him. A second
ago you were old and all in rags, and now you are like some god come
down from heaven.”
  Ulysses answered, “Telemachus, you ought not to be so immeasurably
astonished at my being really here. There is no other Ulysses who will
come hereafter. Such as I am, it is I, who after long wandering and
much hardship have got home in the twentieth year to my own country.
What you wonder at is the work of the redoubtable goddess Minerva, who
does with me whatever she will, for she can do what she pleases. At
one moment she makes me like a beggar, and the next I am a young man
with good clothes on my back; it is an easy matter for the gods who
live in heaven to make any man look either rich or poor.”
  As he spoke he sat down, and Telemachus threw his arms about his
father and wept. They were both so much moved that they cried aloud
like eagles or vultures with crooked talons that have been robbed of
their half fledged young by peasants. Thus piteously did they weep,
and the sun would have gone down upon their mourning if Telemachus had
not suddenly said, “In what ship, my dear father, did your crew
bring you to Ithaca? Of what nation did they declare themselves to be-
for you cannot have come by land?”
  “I will tell you the truth, my son,” replied Ulysses. “It was the
Phaeacians who brought me here. They are great sailors, and are in the
habit of giving escorts to any one who reaches their coasts. They took
me over the sea while I was fast asleep, and landed me in Ithaca,
after giving me many presents in bronze, gold, and raiment. These
things by heaven’s mercy are lying concealed in a cave, and I am now
come here on the suggestion of Minerva that we may consult about
killing our enemies. First, therefore, give me a list of the
suitors, with their number, that I may learn who, and how many, they
are. I can then turn the matter over in my mind, and see whether we
two can fight the whole body of them ourselves, or whether we must
find others to help us.”
  To this Telemachus answered, “Father, I have always heard of your
renown both in the field and in council, but the task you talk of is a
very great one: I am awed at the mere thought of it; two men cannot
stand against many and brave ones. There are not ten suitors only, nor
twice ten, but ten many times over; you shall learn their number at
once. There are fifty-two chosen youths from Dulichium, and they
have six servants; from Same there are twenty-four; twenty young
Achaeans from Zacynthus, and twelve from Ithaca itself, all of them
well born. They have with them a servant Medon, a bard, and two men
who can carve at table. If we face such numbers as this, you may
have bitter cause to rue your coming, and your revenge. See whether
you cannot think of some one who would be willing to come and help
us.”
  “Listen to me,” replied Ulysses, “and think whether Minerva and
her father Jove may seem sufficient, or whether I am to try and find
some one else as well.”
  “Those whom you have named,” answered Telemachus, “are a couple of
good allies, for though they dwell high up among the clouds they
have power over both gods and men.”
  “These two,” continued Ulysses, “will not keep long out of the fray,
when the suitors and we join fight in my house. Now, therefore, return
home early to-morrow morning, and go about among the suitors as
before. Later on the swineherd will bring me to the city disguised
as a miserable old beggar. If you see them ill-treating me, steel your
heart against my sufferings; even though they drag me feet foremost
out of the house, or throw things at me, look on and do nothing beyond
gently trying to make them behave more reasonably; but they will not
listen to you, for the day of their reckoning is at hand.
Furthermore I say, and lay my saying to your heart, when Minerva shall
put it in my mind, I will nod my head to you, and on seeing me do this
you must collect all the armour that is in the house and hide it in
the strong store room. Make some excuse when the suitors ask you why
you are removing it; say that you have taken it to be out of the way
of the smoke, inasmuch as it is no longer what it was when Ulysses
went away, but has become soiled and begrimed with soot. Add to this
more particularly that you are afraid Jove may set them on to
quarrel over their wine, and that they may do each other some harm
which may disgrace both banquet and wooing, for the sight of arms
sometimes tempts people to use them. But leave a sword and a spear
apiece for yourself and me, and a couple oxhide shields so that we can
****** them up at any moment; Jove and Minerva will then soon quiet
these people. There is also another matter; if you are indeed my son
and my blood runs in your veins, let no one know that Ulysses is
within the house—neither Laertes, nor yet the swineherd, nor any of
the servants, nor even Penelope herself. Let you and me exploit the
women alone, and let us also make trial of some other of the men
servants, to see who is on our side and whose hand is against us.”
  “Father,” replied Telemachus, “you will come to know me by and by,
and when you do you will find that I can keep your counsel. I do not
think, however, the plan you propose will turn out well for either
of us. Think it over. It will take us a long time to go the round of
the farms and exploit the men, and all the time the suitors will be
wasting your estate with impunity and without compunction. Prove the
women by all means, to see who are disloyal and who guiltless, but I
am not in favour of going round and trying the men. We can attend to
that later on, if you really have some sign from Jove that he will
support you.”
  Thus did they converse, and meanwhile the ship which had brought
Telemachus and his crew from Pylos had reached the town of Ithaca.
When they had come inside the harbour they drew the ship on to the
land; their servants came and took their armour from them, and they
left all the presents at the house of Clytius. Then they sent a
servant to tell Penelope that Telemachus had gone into the country,
but had sent the ship to the town to prevent her from being alarmed
and made unhappy. This servant and Eumaeus happened to meet when
they were both on the same errand of going to tell Penelope. When they
reached the House
Fernando Pessoa Oct 2013
There are metaphors more real than the people who walk in the street. There are images tucked away in books that live more vividly than many men and women. There are phrases from literary works that have a positively human personality. There are passages from my own writing that chill me with fright, so distinctly do I feel them as people, so sharply outlined do they appear against the walls of my room, at night, in shadows….. I've written sentences whose sound, read out loud or silently (impossible to hide their sound), can only be of something that acquired absolute exteriority and a full-fledged soul
John F McCullagh Aug 2012
Our house this night is full of life,
both kids up in their rooms.
We're safe and warm from the harrowing storm
with its lightening streaks and booms.
Yet soon I know, both have to go,
to school, to work, to life.
Then this will be an empty nest
with just me and my wife.


How do birds feel, when, freshly fledged,
their young depart forever.
Do they sing more somberly
when the chicks are not together?
We're creatures of habit, like those birds
I see when we're in the park.
I'll catch myself gazing up the stairs
when both their rooms are dark.
Nat Lipstadt Mar 2014
Touch

You cannot lift or load it,
over your shoulder, throw it,
to best assay its weight -
is it ponderous, full of big *** gravitas
or a snack, a parfait desert,
a haiku delight?

You cannot touch it,
but it can touch you,
It can grasp both your shoulders,
shake you from complacency,
put its hands upon thy throat,
gasp emit, a scream demanded,
paint whimsy lines on thy face,
from ear to ear.

See

With yours eyes, by a mere glance,
true reveal its length,
stanzas multiple or an itty bitty ditty,
but this gives no value clue,  
Ogden Nash vs. Tennyson,
in two minutes make you laugh,
in twenty, make you beg, mercy!

Smell

Some Poe poems do stink,
befouled mushrooms in
a dank place, some require nerve to read,
but your olfactory be ill suited for
poetic deconstruction and criticism.

Hear

Wake you with kisses upon thy face,
inject love poems into thy ears,
straight to the brain verbal crack *******
yet even the hearing the whisper
of words from my lips,
is an insufficient,
sensorily speaking methodology,
of how a poem, to best comprehend

How then?

If touch, vision, smell and cursory hearing alone
can't essence capture, what then, weary reader,
is the supposed Laureate's approved analytical tool?

Taste

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member
in a tasting menu,
Perfect only in conjunction
with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

Feel the light pressure of the tongues tip
upon the roof of your mouth
and the exalted exhalations of
air rushing past thy cheeks
as you messenger breath from
your chest to be shared with the world,
over the poem's interpreter, your tasting lips.

As I lay each word down,
a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move
as you savor my words,
my taste you share,
and we are closer for it.


*
Deaf, dumb and blind,
all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
an old favorite of mine reposted.
john oconnell Jul 2010
The placenta of poetry.

At 25
still young and arrogant
but with some modesty creeping in

more fully fledged
in the void's vale
of dropping foundation blocks
into pools of quicksand

tenements are always prey
to vulnerabilities of one kind
or other

if someone sneeze
I am uncomfortably cold

one sleeve of my pullover
is rolled up above the elbow -
it is threadbare!
almat011 Aug 2019
A *** girl is completely beautiful, she is endowed with the full-fledged beauty of mind and body, her forms are full of beauty and a tidbit, in my eyes you will always be perfect. So hot and sweet, well, just tin, I have a severe burn from excitement of ***** and love. You are attractive from any side in any form. Your body seems to order me to love you again and again. Your yummy appearance to enter deep *** hypnosis of love is so beautiful well just to the loss of pulse, delicate as pink rose skin, pink tint on your skin like delicate pink opal, you are the personification of the true form of femininity, in my mind I see only you since I'm in love with your soul and body, my soul, heart and mind are saturated with the powerful force of love for you, true love for you and excitement boils in me and boils, you stand out with its outstanding beauty from the crowd of girls and women, as if several thousand illuminate you ajor floodlights accompanied with your favorite music. I gently kiss your skin and it’s just the divine taste of love and passion, I look at you and don’t notice how long I look at you, your great beauty is always fashionable in my heart, for me you are the highest top model of true beauty, I comprehend your bowels of amazing beauty, you expose your soul during unforgettable ***, so it is your image is like unforgettable ***, you expose your sensual tender soul filled with burning passion like a fashionable jacket, you ****** me with its beauty with style and special chic. My whole mind is filled with you, every neuron is filled with you, now my brain is so arranged, when you undress with deep delight it becomes difficult to breathe right up to the shock of admiration, to what extent it is a wonderful sight that I just sweat and stutter with excitement. Than more often I see you, the happier I become like a child, as if every time I fall in love, looking at you for the first time every day, I see that you are the highest happiness and love in the universe. I am in love with your ideal divine forms of the body, they are just perfect and perfect. I feel you and love and excitement by the whole nervous system I feel only you alone and it goes into the soul into the subconscious, into dreams, and the whole nervous system receives a powerful ****** of romance from love for you, like a great volcano or a great tsunami, it carries me into the world dreams where everywhere you are just like a storm and swirling like a huge tornado, the element of my love is able to crush this world. You are my most cherished desire that I made every day. When you look at me, the violin symphony gently sounds, when you peer at me the piano keys, from deep sensual eye contact, in your eyes I see infinite beauty.
Author: Musin Almat Zhumabekovich
I drew a circle in the sky,
traced the way between
knowingness and truth,
visited uncertainty and full fledged fear,
and somewhere along that way
I found you.
I stopped and stared as I'm prone to do,
and we held hands for mere minutes
until our fingers lost grip
and I lost a bet with Cupid.

I drew a circle on my chest
and I let all the world come near to see.
Once the Emperor Charles of Spain,
  With his swarthy, grave commanders,
I forget in what campaign,
Long besieged, in mud and rain,
  Some old frontier town of Flanders.

Up and down the dreary camp,
  In great boots of Spanish leather,
Striding with a measured *****,
These Hidalgos, dull and damp,
  Cursed the Frenchmen, cursed the weather.

Thus as to and fro they went,
  Over upland and through hollow,
Giving their impatience vent,
Perched upon the Emperor’s tent,
  In her nest, they spied a swallow.

Yes, it was a swallow’s nest,
  Built of clay and hair of horses,
Mane, or tail, or dragoon’s crest,
Found on hedge-rows east and west,
  After skirmish of the forces.

Then an old Hidalgo said,
  As he twirled his gray mustachio,
“Sure this swallow overhead
Thinks the Emperor’s tent a shed,
  And the Emperor but a Macho!”

Hearing his imperial name
  Coupled with those words of malice,
Half in anger, half in shame,
Forth the great campaigner came
  Slowly from his canvas palace.

“Let no hand the bird ******,”
  Said he solemnly, “nor hurt her!”
Adding then, by way of jest,
“Golondrina is my guest,
  ’Tis the wife of some deserter!”

Swift as bowstring speeds a shaft,
  Through the camp was spread the rumor,
And the soldiers, as they quaffed
Flemish beer at dinner, laughed
  At the Emperor’s pleasant humor.

So unharmed and unafraid
  Sat the swallow still and brooded,
Till the constant cannonade
Through the walls a breach had made
  And the siege was thus concluded.

Then the army, elsewhere bent,
  Struck its tents as if disbanding,
Only not the Emperor’s tent,
For he ordered, ere he went,
  Very curtly, “Leave it standing!”

So it stood there all alone,
  Loosely flapping, torn and tattered,
Till the brood was fledged and flown,
Singing o’er those walls of stone
  Which the cannon-shot had shattered.
Robert C Howard Sep 2013
The sun boils off its heat-light flares
        over 93,000,000 miles away
                yet as close to us as sunburn -
    drafting the circles of our years.

Our ancestors fill our boots
        with us and our descendants
                (one pair - so many feet)
    stepping out to where we've been.

Along the corridors of time,
        our mind screens play what passed
                before we fledged and fled our nests:
    There is here and then is now.

Whether we tilt the earth to shake out
        wisdom, fame or empathy
                or let chaos light our paths,
    our curiosity is a sturdy ladder raised

to scale the walls of space and time.
        Who cares that life presages death and
                decay calls breath from dust?
    Our earthly sojourns - our souls' domain.

*January, 2007

— The End —