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"figurines" poems
I was never looking into you I was only pouring an image of myself onto your canvas Of course I didn’t know it was me looking into me this was the mirage of my desire always in the shape of a question mark and you a sweeping mystery oozing something toeing the peculiar line between *** and titanium (cold, edgy, sharp - trembling between pain and principle like blazer and tie or more like halfway-unbuttoned-shirt-and-slacks on-with-no-tie (it was like you were making an effort!)) It was *** but it also wasn’t *** (I am empty I am full) I keep building up and up and up all these images in my Mind (which never shuts up) (a never-ending narrative She spins and spins and succumbs only in those rare and passing circumstances) constructing people like buildings only the scaffolding is imaginary and when the architecture folds in on itself soulless and my beloved figurines come toppling down on me why do I still get so surprised so stung so lonely in that hollow and distant way (like your Mind is echoing in on Itself)? My Mind is like quicksand devouring streams of memory with ease forever unsatisfied and craving more of the same sharp edges and all praying for a satiation in some distant future She knows will never come Only here in this tiny universe can I spell out anything resembling rationality from the mess and junk and tangled tendrils of my Mind Only here can I extract bits and pieces of thoughts and try to puzzle them together until they make sense until I can separate “Me” from “Reality" And what doesn’t make sense what I need to understand is why I feel so beset with this heavy magnetism that overpowers me to the point of paralysis (with little to no room for breathing) and why it was you who pushed me into this feeling and you who is still pulling me along far past the threshold of my resistance and I am done and it stings
0
Sep 13, 2018
Sep 13, 2018 at 12:51 PM UTC
If I Figure Out The Source Of Your Power, Can I Unravel It?
I was never looking into you I was only pouring an image of myself onto your canvas Of course I didn’t know it was me looking into me this was the mirage of my desire always in the shape of a question mark and you a sweeping mystery oozing something toeing the peculiar line between *** and titanium (cold, edgy, sharp - trembling between pain and principle like blazer and tie or more like halfway-unbuttoned-shirt-and-slacks on-with-no-tie (it was like you were making an effort!)) It was *** but it also wasn’t *** (I am empty I am full) I keep building up and up and up all these images in my Mind (which never shuts up) (a never-ending narrative She spins and spins and succumbs only in those rare and passing circumstances) constructing people like buildings only the scaffolding is imaginary and when the architecture folds in on itself soulless and my beloved figurines come toppling down on me why do I still get so surprised so stung so lonely in that hollow and distant way (like your Mind is echoing in on Itself)? My Mind is like quicksand devouring streams of memory with ease forever unsatisfied and craving more of the same sharp edges and all praying for a satiation in some distant future She knows will never come Only here in this tiny universe can I spell out anything resembling rationality from the mess and junk and tangled tendrils of my Mind Only here can I extract bits and pieces of thoughts and try to puzzle them together until they make sense until I can separate “Me” from “Reality" And what doesn’t make sense what I need to understand is why I feel so beset with this heavy magnetism that overpowers me to the point of paralysis (with little to no room for breathing) and why it was you who pushed me into this feeling and you who is still pulling me along far past the threshold of my resistance and I am done and it stings
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64
Once, long ago, An old man took me into his shop And showed me his snowglobe collection. Every one, spotless, No trace of dust lining the rims. I paused to gaze, No, Marvel, At each scene: Two children ice skating, A milkman driving his truck, Ladies reading magazines while having their hair styled. Every one, spotless, Until I lightly shook one, Just enough so the snow sprinkled The ice skating children, The driving milkman, The reading ladies. But each scene was still, frozen in time, Still, perfect. I slumped to the floor, Heartbroken and tears trailing down my cheeks. I wanted their life so bad, But all I could do was marvel, No, Gaze, And lightly sprinkle the tiny figurines.
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Apr 3, 2013
Apr 3, 2013 at 11:56 AM UTC
Perfect Snow
Leafy ferns and little frogs Toads live in the garden Weeds and grass and daffodils And poop...I beg your pardon Yes **** is in there from the cat That roams around the houses Just pick it out or grind it in It should be full of mouses (meeces or mice) There's ceramic figurines in there Little deers and little dogs To go along with little stones And plastic little logs But, beware the garden gnome A treacherous beast is he With evil eyes and long white beard He is plotting after thee The garden gnome looks daffy In his jacket and his hat But, look deep in the gnomey eyes And you'll see just where he's at There's ******* blown from up the road Candy wrappers and old tins The neighbor kids are lazy so, They never throw it in the bins The cat lies sunning lazily Beneath a summer sun of gold With it's job of chasing meeces down For a while, put on hold There's ivy, climbing everywhere And things you can not tell They got there from the squirrels But you keep them for the smell But, beware the garden gnome A treacherous beast is he With evil eyes and long white beard He is plotting after thee The garden gnome looks daffy In his jacket and his hat But, look deep in the gnomey eyes And you'll see just where he's at You tend the garden lovingly Moving figures in and out You never move the gnomes too much Too much trouble, I won't doubt You transplant flowers, move some trees Cut the weeds back, till the soil You head inside, the whistle blows The kettles on the boil While you are gone, something goes on The gnomes attack the cat You come back out, and wonder why The gnome has lost his hat yes, beware the garden gnome A treacherous beast is he With evil eyes and long white beard He is plotting after thee The garden gnome looks daffy In his jacket and his hat But, look deep in the gnomey eyes And you'll see he's looking at the cat!!
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Apr 7, 2013
Apr 7, 2013 at 5:09 PM UTC
The Garden Gnomes
Leafy ferns and little frogs Toads live in the garden Weeds and grass and daffodils And poop...I beg your pardon Yes **** is in there from the cat That roams around the houses Just pick it out or grind it in It should be full of mouses (meeces or mice) There's ceramic figurines in there Little deers and little dogs To go along with little stones And plastic little logs But, beware the garden gnome A treacherous beast is he With evil eyes and long white beard He is plotting after thee The garden gnome looks daffy In his jacket and his hat But, look deep in the gnomey eyes And you'll see just where he's at There's ******* blown from up the road Candy wrappers and old tins The neighbor kids are lazy so, They never throw it in the bins The cat lies sunning lazily Beneath a summer sun of gold With it's job of chasing meeces down For a while, put on hold There's ivy, climbing everywhere And things you can not tell They got there from the squirrels But you keep them for the smell But, beware the garden gnome A treacherous beast is he With evil eyes and long white beard He is plotting after thee The garden gnome looks daffy In his jacket and his hat But, look deep in the gnomey eyes And you'll see just where he's at You tend the garden lovingly Moving figures in and out You never move the gnomes too much Too much trouble, I won't doubt You transplant flowers, move some trees Cut the weeds back, till the soil You head inside, the whistle blows The kettles on the boil While you are gone, something goes on The gnomes attack the cat You come back out, and wonder why The gnome has lost his hat yes, beware the garden gnome A treacherous beast is he With evil eyes and long white beard He is plotting after thee The garden gnome looks daffy In his jacket and his hat But, look deep in the gnomey eyes And you'll see he's looking at the cat!!
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60
One each end of a shelf Victorian figurines A boy and girl Like crystalline With stiff edged lace. Never fell in love But still precious Bought by a Godmother Who did not have children. Then the plaster dancers Spied in a box of my father’s Given by a poor grandmother Loved these two With their net “tutus” Such graceful arms Long pointed legs Felt their life twirling. The difference between Two worlds The rich and stiff Poor but beautiful. My bedroom shelf, With a poster of **** Jagger, in the middle, smiling. Love Mary x
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Jul 9, 2018
Jul 9, 2018 at 2:21 PM UTC
**** Jagger.
so what do we do when all is left are figurines gifted in the unholiest of manners and the crusties in my eye when i awake are no longer their since sleep is a distant memory and all the tides of highs and lows simmer to a stagnant plateau because days no longer carry weight surmounting to popcorn on a string --one just like the last-- suddenly a day --popcorn with extra butter and just a pinch of salt-- comes and shakes the bland you into something recognizable a sparkly-eyed realist with an unusually magnetic personality drawn from absolutely nothing but the reality that life goes on and we just have to be aware of peoples polarity s.q.
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Oct 21, 2014
Oct 21, 2014 at 5:47 PM UTC
popcorn
vexed by the solidity of the granular surface of this rough and tumble dream i awaken to a forest of sunlight's in a dark world to my sleep numbed mind it resembles the artwork of french revolt era royal court damsel in distress figurines dancing with dark-ages statues of plagues death the starving meet the fed and they struggle for who leads this dancehall of the marcarbe burning the ashes of the old worlds dead flames i look away to find her face near mine cut into shadowy sections i hear within her spoken thoughts the contortions her life has suffered at the hands of grey faced strangers known intimately by her i wish with heart and soul to reach out and comfort to remove the burden the shadows of her face are reflections of the world as she sees it she is mesmerized by its ugliness and she cannot close the door to her past it lay like her childhoods bedroom filled with broken teddy bears and soiled sheets if i could heal you if i could even ease your moment i would trade my living soul to have your smile you are loved you are so loved a lame beggar in the rags of a monk limps slowly from the effigy of a old world as it burns with unspoken rages white smoke from the roof another chapter of history closed with too many secrets too many but the beggar takes consolation that she was given a second chance a dove birthed from flames here in the dust of the old world you are loved you are so loved
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Jan 3, 2014
Jan 3, 2014 at 3:30 PM UTC
sharp edge of cloud
If I ruled the world things would be this way: The Hunger Games would be watched every single day, Tomorrow When The War Began would be listened to and read, While others choose to have the figurines next to thier beds, John Marsden and Suzanne Collins would be the best known authors, And mothers would go out to dinner once a month with just their daughters. I would be a rich and famous actor and a poet, Ellie, Julia and Taylor have talent and I know it, I just need to figure out the best way for them to show it, Maybe in acting, writing or singing, I have no ideas for my bell they are not ringing. I would stop all war and poverty, And everyone would have the same amount of property, I would even out the money for every country, And have all my fruit and veg hard and crunchy, Our world would be a multi-cultural, accepting all religions, One day I would get rid of all televisions. Swimming would be a sport at school as well as cheerleading and diving, But everyone would have to take lessons in surviving, And every day my hair would be curled, All of this would happen if I ruled the world. written by maegan cattermull
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Sep 21, 2012
Sep 21, 2012 at 9:56 PM UTC
If I Ruled The World
~ *Ragged mist of stalled horizon, from dry dock to disadvantage point second hand shops of sackcloth and ash, they contain multitudes treading the outside edge of perception, rehearsing disaster in fistfuls of earth, and the immaterial: the stuff of pure shadow a bevy of dead buildings resemble a fallen actress in the throes of dance, with emaciated figurines leaning forward in the temple, listening for clues too far to whisper work will never resume on the tower, and it will remain painfully scanty, a place to bury strangers or raise up cholera the third world summer sun on sacred walls, red before orange, let the rays burn away our sins, we contain multitudes but one step inside doesn't mean we understand anything* ~
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Mar 22, 2023
Mar 22, 2023 at 5:29 PM UTC
Tiny Cities Made of Ashes
The people in this place —what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscrutible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they do- ing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the in- scrutible hero. Is that him, that thin pale figure who just now is fleeing the in- quisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not tru- ly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly rein- gested, merged into that far- off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in.
0
Mar 14, 2012
Mar 14, 2012 at 5:42 PM UTC
ambigram xii
The people in this place —what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscrutible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they do- ing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the in- scrutible hero. Is that him, that thin pale figure who just now is fleeing the in- quisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not tru- ly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly rein- gested, merged into that far- off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in.
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55
Can't see the forest for the trees Blinded by specificity Laser sight for **** I don't need Lending from my sanity On cranium spending sprees For all things that should not be Store them all so perfectly Like they're treasured figurines A preserved psyche crazy hard to free Carbonite Han Solo in deep freeze No Leia to barter for release Huttese wont work, no trip to Tatooine Vader breathing disturbs my sleep Palpatine "do it" on repeat My Empire Strikes Back with relative ease To quash anything that provides relief Cos I'm not okay, but I am Film flam tryna find who I am Hell in a disenchanted dance All my chemicals romance Distorting where I began Never quit, my only plan Exhausted but here I stand Hoping soon I'll understand Why I feel so ****** repeatedly 'Cause red is the new black speaks to me A funeral for a friend harming me Bring a celebrant for my old psyche Now bend my arms to look like wings So I can fly free from that part of me 'Cause I buried it deep so purposely It can stay stuck there for eternity
0
Jul 4, 2023
Jul 4, 2023 at 5:05 AM UTC
Blind(ed) Perspective
The people in this place —what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscrutible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they do- ing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the in- scrutible hero. Is that him, that thin pale figure who just now is fleeing the in- quisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not tru- ly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly rein- gested, merged into that far- off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in.
0
Mar 14, 2012
Mar 14, 2012 at 5:42 PM UTC
ambigram xii
The people in this place —what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscrutible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they do- ing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the in- scrutible hero. Is that him, that thin pale figure who just now is fleeing the in- quisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not tru- ly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly rein- gested, merged into that far- off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in.
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55
The people in this place —what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscrutible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they do- ing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the in- scrutible hero. Is that him, that thin pale figure who just now is fleeing the in- quisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not tru- ly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly rein- gested, merged into that far- off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in.
0
Mar 14, 2012
Mar 14, 2012 at 5:42 PM UTC
ambigram xii
The people in this place —what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscrutible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they do- ing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the in- scrutible hero. Is that him, that thin pale figure who just now is fleeing the in- quisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not tru- ly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly rein- gested, merged into that far- off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in.
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55
they were undeveloped. fetal figurines in preservation still and detached from the placenta of a better time tiny knucklebones grew miniature orchards half in bloom out of season, tracing palm lines. (deciduous wrists) forever in the interim, encapsulated while clock-hands melted through ceramic face and dripped over cream lids sealing their last breath like hurricanes in a time capsule
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Mar 27, 2013
Mar 27, 2013 at 1:39 PM UTC
Formaldehyde
Trinkets little collected emblems voodoo figurines gypsy gold Blankets small symbolic weapons ancient memories stories untold Gather find myself naked caressing unforgiving ground but the moonlight warms me even in the rain as I lay Imperfect center to my holy ring my treasures guarding but passive Crawling crooked radius Finger space my soldiers to align with the stars now gone from your forest green jewels Zodiac calendar Perception overruled outcome The wind blows I start again
0
Jul 9, 2013
Jul 9, 2013 at 5:54 PM UTC
Chop Stick Defenses
Is life a story, is life magick dreaming to love? I gazed up. “Standing below the elephantine magnolia, the ground still bore Tuscany ochre from autumns last kiss.” My eyes solivagant orbs fed on spring’s dews in mourning ──jewellery clinging opulently to her naked form. Dawn chilled the breeze caressing her body as abscission demanded she undressed her emerald gown of leaves. Magenta and cream blooms sprang “loudly” seducing ─ blushing mauve crowned centres, a population of endless figurines perched motionless on aching naked branches. Solomon’s seal burned white within me drunk impending suns arrows, opulent words of silver Verbus diablio kissed in a cauldron of Magnolia words, a banquet for mortals that seek loves gold. A lone spider echoed silence bearing the sigil of Jupiter’s vermillion and white spun striations luffing on the breeze warming. “Magnolia dressed the day ardent in perfumed ── glorious plumes that each set sail across waking skies.” Ablaze I am luscious dreams wrapped in sweet nectar, travelling limbic memories breathing deeply, held captive, wanton within her labyrinths of silk caresses, petals whispering, sweet love as she engulfs my last resolve. In raptures white velvet gown my hem sweeps over gold russet and brittle autumns words forged in winters need for warmth──mind leaves crunching beneath life’s changing seasons, stitched I cling enamoured to mortal honeymoon summered fields. I am the female of sapphire tears twisting, glittering melting ice shards, bequeathed of pained black stars travelled on passionate magick fires, breathed on melodious Roma nights. Rested among the branches a mantel crucified- drunk once more, a bloom held silent in time weeping, exploding fragrant in a coloured soul, a luffing flower creature to life──crowned ──to sun hope thorns. ©ASPAR (A Sol Poet Arnay Rumens)
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Dec 9, 2018
Dec 9, 2018 at 6:17 AM UTC
Magnolia Ice
Is life a story, is life magick dreaming to love? I gazed up. “Standing below the elephantine magnolia, the ground still bore Tuscany ochre from autumns last kiss.” My eyes solivagant orbs fed on spring’s dews in mourning ──jewellery clinging opulently to her naked form. Dawn chilled the breeze caressing her body as abscission demanded she undressed her emerald gown of leaves. Magenta and cream blooms sprang “loudly” seducing ─ blushing mauve crowned centres, a population of endless figurines perched motionless on aching naked branches. Solomon’s seal burned white within me drunk impending suns arrows, opulent words of silver Verbus diablio kissed in a cauldron of Magnolia words, a banquet for mortals that seek loves gold. A lone spider echoed silence bearing the sigil of Jupiter’s vermillion and white spun striations luffing on the breeze warming. “Magnolia dressed the day ardent in perfumed ── glorious plumes that each set sail across waking skies.” Ablaze I am luscious dreams wrapped in sweet nectar, travelling limbic memories breathing deeply, held captive, wanton within her labyrinths of silk caresses, petals whispering, sweet love as she engulfs my last resolve. In raptures white velvet gown my hem sweeps over gold russet and brittle autumns words forged in winters need for warmth──mind leaves crunching beneath life’s changing seasons, stitched I cling enamoured to mortal honeymoon summered fields. I am the female of sapphire tears twisting, glittering melting ice shards, bequeathed of pained black stars travelled on passionate magick fires, breathed on melodious Roma nights. Rested among the branches a mantel crucified- drunk once more, a bloom held silent in time weeping, exploding fragrant in a coloured soul, a luffing flower creature to life──crowned ──to sun hope thorns. ©ASPAR (A Sol Poet Arnay Rumens)
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29
Alice is being put back into the basket The last thing she saw were pelican wings She’s being shipped off to Africa, Alaska, Antarctica Where all her ideas won’t mean a thing Barrel of monkeys, household deities Ballerina idol figurines Empty harvest, ashen dreams Scapegoat of all mystery Send her to Babylon, Venus, New York Build her a temple for the deported Cause she’ll never be destroyed Just atrociously unemployed While everyone back home On their counterfeit thrones Saturate the seventh day Plagiarizing her decay So keep the lid on tight Say your prayers as you fight Off chaotic thoughts And warnings made in tears As Alice is being put back into the basket We continue bobbing for apples
0
Nov 27, 2011
Nov 27, 2011 at 8:52 PM UTC
The Ephah
The people in this place —what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscrutible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they do- ing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the in- scrutible hero. Is that him, that thin pale figure who just now is fleeing the in- quisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not tru- ly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly rein- gested, merged into that far- off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in.
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Mar 14, 2012
Mar 14, 2012 at 5:42 PM UTC
ambigram xii
The people in this place —what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscrutible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they do- ing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the in- scrutible hero. Is that him, that thin pale figure who just now is fleeing the in- quisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not tru- ly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly rein- gested, merged into that far- off world we can no longer be in. The people in this place—what are they doing here? They come and go like actors in a play whose star will very soon begin to show himself, although we have no clue which one he is, for they‘re all so like tin apostle spoons, not truly separate beings but figurines, a passive foil to the inscru- tible hero. Is that him, that thin pale figure who just now is fleeing the inquisitive crowd? But in a while he too is slowly reingested, merged into that far-off world we can no longer be in.
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55
a cyclist avoids a dog but takes out a table of garage sale figurines as a drought pamphleteer reprimands a child for ******* on a hose. I haunt my faith. according to my father my father isn’t alive my father eavesdrops. except for talking he’s been silent until in pictures of her as a young woman his mother is dead.
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Sep 17, 2013
Sep 17, 2013 at 1:29 PM UTC
exoteric
Oh look! A tree! It's beautiful! Nature! Green! The breeze blows! Look at those leaves! Look at the beauty of God's work! The magnificence! The wood! The fruit! The flower! The knothole! The...gum? There's gum in the knothole? There IS gum in the knothole! Doublemint! Pennies and figurines too! Who would do such a nice act? Oh... Right... Him... The one hidden within. He must really be misunderstood. I wish we could meet him So we would know the real him.
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Feb 18, 2016
Feb 18, 2016 at 12:51 AM UTC
Tree
Grandpa loved angels Kept them scattered throughout his room, his house, his life On everything from pictures, to figurines, to trinkets Alissa found a penny with an imprint of wings with the year of her birth on it shortly after he died How strange, we all thought Grandpa had a lot of things, Luck charms, knick-knacks, practical jokes he carried just in case He kept his humor in his back pocket I visit my grandmother in her home that used to be theirs She is now as vacant as the Detroit winters are cold; the ten years without him have stripped her of any warmth I think a part of her left when he did I enter his study and look through every drawer, discovering a part I neglected to understand when it was present I never showed much interest in anything he told me when he was still around I only really knew of the things he kept in drawers, cabinets, on shelves Everything he owned is as constant as it ever was His belongings remain untouched as if he hasn’t been gone for over a decade I feel too much alive in this office of a dead man I run curious fingers over the bindings of books, stopping to pull at Dickinson, a faded collection of poetry inked with flowers on the front cover I remember the dictionary the size of my six-year-old palm that intrigued me so greatly; the ability to fit so many words into such a small area was nothing short of fascinating It is the one physical memory I took home with me after the funeral I had wanted it always I now picture it hiding in the back of my drawer in my childhood bedroom where I know it still is On his desk there are so many key chains, bills from another generation, maps, postcards, watches So many things I am not sure what to call them I am not sure about a lot but Grandpa loved angels Angels and ***** jokes One to keep you safe and the other to make you laugh I keep both with me always, Just in case.
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Feb 18, 2015
Feb 18, 2015 at 4:32 PM UTC
Angels
Grandpa loved angels Kept them scattered throughout his room, his house, his life On everything from pictures, to figurines, to trinkets Alissa found a penny with an imprint of wings with the year of her birth on it shortly after he died How strange, we all thought Grandpa had a lot of things, Luck charms, knick-knacks, practical jokes he carried just in case He kept his humor in his back pocket I visit my grandmother in her home that used to be theirs She is now as vacant as the Detroit winters are cold; the ten years without him have stripped her of any warmth I think a part of her left when he did I enter his study and look through every drawer, discovering a part I neglected to understand when it was present I never showed much interest in anything he told me when he was still around I only really knew of the things he kept in drawers, cabinets, on shelves Everything he owned is as constant as it ever was His belongings remain untouched as if he hasn’t been gone for over a decade I feel too much alive in this office of a dead man I run curious fingers over the bindings of books, stopping to pull at Dickinson, a faded collection of poetry inked with flowers on the front cover I remember the dictionary the size of my six-year-old palm that intrigued me so greatly; the ability to fit so many words into such a small area was nothing short of fascinating It is the one physical memory I took home with me after the funeral I had wanted it always I now picture it hiding in the back of my drawer in my childhood bedroom where I know it still is On his desk there are so many key chains, bills from another generation, maps, postcards, watches So many things I am not sure what to call them I am not sure about a lot but Grandpa loved angels Angels and ***** jokes One to keep you safe and the other to make you laugh I keep both with me always, Just in case.
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30
She is a fallen woman from the Holy Sea, a broken sample from the Fairlight, dressed in whispers and vines. The wretched wind says many things to her: "lament no more over your emptied ****** follow the glum west end sky to the treasures of America." Her intangible items go first: two figurines, two tin daughters travelling with the wild dogs, asleep in the backseat, kept as contraband until she pays with coral, jade and pearls. But heroin's in her veins, telling her the kids will keep, as she slips beyond the black rainbow and into 'paradise'.
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Dec 12, 2021
Dec 12, 2021 at 8:19 AM UTC
Beyond the Black Rainbow
Monkeys staring at the eyeballs in our heads The forced rope ties tighter and pops out the vein The process takes a moment but no more than a feather being blown Sun beams now highlight the velvet hour. Sand castles keep the sand man guarded and safe In return, we have another day swallowed by the unaccomplished. Spirited with a medical remedy Lovers say a happy goodnight to the days ahead. String haired figurines on the walls form the decor in this doll house The rooms sit back to back but remain mostly vacant. She dances around the room and tries on the attire Forming the platform for our intimate silent exchange. The chair pulls down and gravity makes its move Maps form plans to be affiliated with a higher member But with refusal, we can sit and add wood to an internal stove Write stories noticed by no-one living in elegant designed routine. They say its madness that gets you in the end. I dont think I agree!
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Aug 13, 2015
Aug 13, 2015 at 10:14 AM UTC
The Velvet Hour
the house was painted a soft hue. an old tobacco trap; discolored white where pictures once hung. in the kitchen, grease stains, faded bluebird wallpaper — long since ceased it's song, and one cast-iron skillet off to the side. pale and forgotten, the fine china shrieks! my barefoot innocence is lost as the cold-colored porcelain eats at the floor. sometimes when I lay there covered in turpentine, stars usually topple out of the cabinet, and my gas stove aspirations are botched. the sink drain moans with the silent invectives of an impure saint… her rosary still atop the mantle. just outside, a stone angel that smells of lilies, — savagely eats rosebuds over an autumn bonfire. from time to time her face is one of lament… it follows me from room to room, and my hands shake for hours while holding little antique figurines in a basket full of milkweed… they’d tuck at the curtain, their little music box voices complain about her eyes... they'd scurry up the ivy on the side of the house to avoid her disappointed glance… there was a sad wingbeat as I stepped out on the balcony to collect them one last time.
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Jul 11, 2015
Jul 11, 2015 at 8:51 AM UTC
There's a Broken God in my Head