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"falsetto" poems
Your music is sensual, dark and languid Mysterious and **** hypnotic and sultry The slow tempo and rumbling bass drums are a heavenly mix I close my eyes and let the forlorn echoes immerse me In a sea of falsetto vocals and stuttering percussions Your music is enigmatic, puzzling and seductive Pacifying and troubling, calming and cinematic Your champagne crooning is a movie in itself Telling me the tales of a gloomy sex-infused hangover life And it connects to the depths of my soul Even though I've never experienced it Narcotized slow jams filled with samples of punk and rock Transports me to an actual dream world Your subtly crafted harmonies and beats are celestial And your lyrics a painkiller That numbs the wounds in my soul and takes me higher... Your voice is R&B; but your lyrics are ***** rap You take such vile words and turn them into something beautiful and I adore that.
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Feb 24, 2014
Feb 24, 2014 at 4:02 PM UTC
Ode to The Weeknd
the world is too bright. i am blinded by false smiles and laughs strained to reach that falsetto note. that preconceived notion that paradise of the land brings paradise of the mind. sand is still sand, and water is still water, less we quantify their quality by purity and color. sand is still sand and water is still water, and i am still me. the world is too bright, so i filter it into sepia tones gentler to the mind's eye and swim to where the water meets the clouds. i am drowning, but not from the ocean's relentless caresses, but from the world's relentless stresses: beauty that is measured and calculated, saturated with standards that burn like the sun and are as intangible as its rays, a paradise built on sand as quick as it is to judge.     so i swim to where the water meets the clouds. where the water is still water, and i am still me.
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Apr 21, 2014
Apr 21, 2014 at 11:56 PM UTC
Paradise
You have inner-city-Chinese-restaurant-koi-pond eyes; infiltrated pupils that sit behind and spy on the others sitting around, all whilst remaining dark: a hallmark I admire. There's a maternity queen wrapped tight in a dress, blue and white, who sits at the front and speaks and you write down what leaks and you make it stick with a biro you bought with a virgin-first pay check envelope- ripped open with an eager thumb I'd like to hold when winter rolls up and in. Lighthouses look across bigger ponds to warn of storms that are yet to come. From afar they see and decide, weigh up and divide choice into digestible chunks of we can save them, or if not, we'll guide them whilst they swim: you make me do this endlessly, almost every day and this poem is to stop me from thinking your falsetto hums, that pause in mid air, free, are for me- you've another bow in brown hair and our corridor conversations lead nowhere- I'm gracelessly in love and I just said love and it's a kind-of cliché, a boring over used word that we all use when we're excited; when we run laps around a track that we cannot navigate, when we're hungover and don't want to work with another desk clerk bore who sits and talks and works as if an unpaid chore, but it is true and I wish you'd notice me.
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Oct 29, 2013
Oct 29, 2013 at 1:16 PM UTC
Koi Ponds: A Love Poem
In the sordid caste of flowers, the wild rise on their stems for a name, and rupture into light through the copse of partridge berry distances tumble over the wet colours, like mauve tongues along the thighs of an eventual sunrise, that comes moaning free of the unforgiving dark, in the wet jazz soliloquies of light and suddenly, through the lips of Septembers lovely grind, to bind the Summers cunning wounds, your hands reach far into the blue hordes of wildflower, and redolent fevers, kindled by some hummingbirds blurred and exquisite agitation, you are the body of my confession and South marks the same unfathomable distance home, over the prairie that tonight grants calm, in the balm of C minor, a mute, sibilant liquid dream of rain soothes, my voice grows hoarse and stills, though from the hush of willows, rasps the vast reservoir of wind, as the jay, a blue throb in the holly, casts my hue in lush cascades of desperate, abandoned braids lift the fevers muslin depths and these unaccompanied words, sing a sonata proverbs in petty sounds spill from a cracked jaw and a parched throat, in the Sabbath of the heart heaven never thought to map this distance and its jubilee over wildflowers, I bear your name to stay the mauve hour of devout crickets, crouched in the rain, dying in the thick falsetto of mist and the sordid hum of birds, dim in their hollow cote, and sudden blue, sudden blue, how I adore you....
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Jan 15, 2013
Jan 15, 2013 at 1:03 PM UTC
The Mauve Hour:
Taking place where you calumniate with hidden mask behind interface An embolism hidden behind your lines Where a falsetto lies your charm How you create isobaric pressure degradation between your monodical screaming mee-mee's Creator of sheol , abode of the dead poets So supine in way and thought Where will your Valhalla be You valetudinarian _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Caluminate - to utter maliciously false statements . Interface - a shared boundary across embolism - a swelling of a blood vessel due to blockage isobaric pressure degradation - lines drawn on a weather map marking increasing or decreasing air pressure Sheol - the place of the dead supine - failure to act due to moral weakness Valhalla - Norse hall of God's where slain hero's are received valetudinarian - one who shows unduly concern for their health
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Apr 13, 2015
Apr 13, 2015 at 10:17 PM UTC
My mocking bird of rage
His heart was kept in a babooshka-doll that released memory smells with every layer that eroded. The wooden fences faded to damp brick in the corner of his head reserved for the harmonica that played through the microphone in his neck till the sound got lodged in his maudlin march that had him running like he was angry at the road. His Echostep vibrating in the kremlin skin and marrionette heart strings that kept him.... him. Despite broken wings he made the air around him dance with the resonance of each broken crystal ball shard used to predict the past. Each chime raised a mountain, folding back on itself hoping the hallucination would end, till tired hands batted away golden hawks. With rocks for claws. It was all the fights with the wind that had the clouds leaving the moon's Picaso skies, and sailing towards him on warships of rain and frozen effigies. They arrived, astronauts from outer space burning from the lips outwards revealing grey intent and red mists. He fought back with false start epiphanies and the falsetto prophecies that stung the air with pitch raining down. Leaving bare branches where once green hands applauded everything but empty air, like listless typewriters furiously trying to find their voices. Feirce winds and fake faces left blinking with closed eyes in the vastness of battlefield. Turning stomaches and blank canvas whirlpools, storms of anti-peace scarring the last conquests of the flightless ape lizard, and all his gorilla warfare.
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Aug 22, 2013
Aug 22, 2013 at 4:23 PM UTC
Attack of the Flightless Ape-lizard
His heart was kept in a babooshka-doll that released memory smells with every layer that eroded. The wooden fences faded to damp brick in the corner of his head reserved for the harmonica that played through the microphone in his neck till the sound got lodged in his maudlin march that had him running like he was angry at the road. His Echostep vibrating in the kremlin skin and marrionette heart strings that kept him.... him. Despite broken wings he made the air around him dance with the resonance of each broken crystal ball shard used to predict the past. Each chime raised a mountain, folding back on itself hoping the hallucination would end, till tired hands batted away golden hawks. With rocks for claws. It was all the fights with the wind that had the clouds leaving the moon's Picaso skies, and sailing towards him on warships of rain and frozen effigies. They arrived, astronauts from outer space burning from the lips outwards revealing grey intent and red mists. He fought back with false start epiphanies and the falsetto prophecies that stung the air with pitch raining down. Leaving bare branches where once green hands applauded everything but empty air, like listless typewriters furiously trying to find their voices. Feirce winds and fake faces left blinking with closed eyes in the vastness of battlefield. Turning stomaches and blank canvas whirlpools, storms of anti-peace scarring the last conquests of the flightless ape lizard, and all his gorilla warfare.
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55
Gene Wilder's ***** Wonka* once asked me to step into a world of pure imagination and I danced to his voice of sugary imperfections. The swelling strings drizzled on top falsetto inflections captured me childishly with candy-coated attentions But even the finest chocolate melts, and I learned to let purity be pushed by treacly lyrics or stern midgets secure in their fudge-topped zealotry. It sifts too pretty for me, powdering my grown-up infatuations with petty wants, getting a little messy What I crave instead's stained-glass contraptions to propel me past the stretches of biblical proportion where light and dark don't mix. I'm no Idiot, good-hearted in the veins of Fyodor or Akira, and I can't see beyond the pure tedium of a blurredly driven snow I like my mental drifts grime-choked and splotched with some savory do dropped in to dissolve flossy confections to a salted soup of imagined impurity.
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May 20, 2010
May 20, 2010 at 6:08 PM UTC
Impure Imagination
You are intricate. Tracing neurotransmissions down your spinal column, from freckle to L4, turning slow motor momentum. It's my weighted moment, my wordplay peachfuzz. Silence, silencio, silent night, simple sectors seething softly, like a whistling tea kettle with mutational falsetto (puberphonia). Words are flowing, just tripping their way around my e lin- sheath. If I had to guess, I would assume that neurochemical firings occur to the beat of softspoken dubstep.
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Oct 20, 2011
Oct 20, 2011 at 10:58 PM UTC
Enjoy Your Ride
the falsetto letters
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Oct 22, 2015
Oct 22, 2015 at 11:28 PM UTC
Wrap Me Up In Your Evils
DIMASH THE SHEPHERD (Story of One Sky Conclusion) I am Shepherd Cloaking myself In God’s soft simplicity My tasks complete Songs sung Light shone Souls ignited Each day seven wheels Revolved their full degrees Now the Awakening know that Love is the Strike of Light on the sleep of a hundred thousand years of wrenching knots I return to You to dissolve again in your gentle Ecstasy of knowing Yourself as Voice Each of Your atoms in a chant or falsetto resonated in freedom’s True radiant White How you ached to know if You could go further than planets not yet discovered You did through each of my Harmonic breathes Now I’m done to cuddle frolicking lambs and hold my staff as heaven’s drumstick It will beat the silent space between Resonating genes You are well pleased Our art of evolution continues to vibrate in every fingertip each sea-sponge and Sand grain Refreshed I will descend then ascend again as You instruct to expose muted layers My F-sharps alchemising wolves with nightingales I bow to You As I hood ! ©GhairoDanielsPoetry2022
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Sep 14, 2025
Sep 14, 2025 at 4:52 AM UTC
Dimash, the Shepherd
my friends don't understand why i'm so preoccupied with this boy that is always so quiet, so negative, so lonely. i've never told them before but i think i relate to that feeling of loneliness. i know how it feels to cement heavy walls of silence around your exterior so no one bothers to come inside, and say nothing when words jump into your throat, and feel everything but then feel nothing at all. it doesn't make much sense but i fell for you because you have eyes that always ask me questions, eyes that take my anxieties and pull them into the calm ocean in between your lungs and hide them there for me. “don’t worry,” you say. you always say that. i worry. “don’t worry.” i try to stop, for you. but then i start worrying about you, and it's an endless cycle. i claim you as my cure, the mellow remedy to melt in my bones as i walk down the hallways. i don’t want to throw myself down flights of stairs anymore. i don’t want to melt into the sidewalks with the rain. i don’t want some distant boy to fly to me and carry me away and i don’t want some boy who doesn’t know my name to turn his eyes in my direction. i just want you, and you’re here. i just want you, and you can see me. the truth is i always write about your eyes because they are the only thing that makes me feel cared for anymore. they are the only thing that deserves my writing at all and you are the only thing i ever seem to want to write about anymore. i don't want some glazed-over faux-shine of love. i don't want to want you one day and be forced to forget you the next. i just want to tuck any of your nightmares in my pockets, knowing that you are my own dreamcatcher that hangs along my heart. i just want lazy conversations like the humid summer air that suffocates my soul every july. i just want effortless, and that's exactly what we are. i like to sing and you don’t understand it, but i wonder what you would say if i told you that i can hear you singing. the melodies of your fingers and the falsetto chill of your skin and the harmonizing of your laughter with my own and the waltzing scent i sometimes notice. it sings to me, you sing to me, you are my silent musical that shakes me down to my very bones. and someone asked me the other day how i love a boy that doesn’t know how to love, and i just shook my head simply because you taught me everything i know.
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Apr 29, 2012
Apr 29, 2012 at 2:16 AM UTC
what if you could see my heart?
my friends don't understand why i'm so preoccupied with this boy that is always so quiet, so negative, so lonely. i've never told them before but i think i relate to that feeling of loneliness. i know how it feels to cement heavy walls of silence around your exterior so no one bothers to come inside, and say nothing when words jump into your throat, and feel everything but then feel nothing at all. it doesn't make much sense but i fell for you because you have eyes that always ask me questions, eyes that take my anxieties and pull them into the calm ocean in between your lungs and hide them there for me. “don’t worry,” you say. you always say that. i worry. “don’t worry.” i try to stop, for you. but then i start worrying about you, and it's an endless cycle. i claim you as my cure, the mellow remedy to melt in my bones as i walk down the hallways. i don’t want to throw myself down flights of stairs anymore. i don’t want to melt into the sidewalks with the rain. i don’t want some distant boy to fly to me and carry me away and i don’t want some boy who doesn’t know my name to turn his eyes in my direction. i just want you, and you’re here. i just want you, and you can see me. the truth is i always write about your eyes because they are the only thing that makes me feel cared for anymore. they are the only thing that deserves my writing at all and you are the only thing i ever seem to want to write about anymore. i don't want some glazed-over faux-shine of love. i don't want to want you one day and be forced to forget you the next. i just want to tuck any of your nightmares in my pockets, knowing that you are my own dreamcatcher that hangs along my heart. i just want lazy conversations like the humid summer air that suffocates my soul every july. i just want effortless, and that's exactly what we are. i like to sing and you don’t understand it, but i wonder what you would say if i told you that i can hear you singing. the melodies of your fingers and the falsetto chill of your skin and the harmonizing of your laughter with my own and the waltzing scent i sometimes notice. it sings to me, you sing to me, you are my silent musical that shakes me down to my very bones. and someone asked me the other day how i love a boy that doesn’t know how to love, and i just shook my head simply because you taught me everything i know.
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6
And the show is never over! I don't even remember purchasing the tickets. Welcome to a runny nose, and welcome to a style of up and down. Because that's all up and down are; styles for the miles of crowded planet. Drink your tired music like a bowl of wonton soup Chunks will surprise you. Swipe your debit, credit, hallmark card to purchase them All of them. Every inch of their REM. I woke up to the winter concealed in valleys Filled with fortune and ethernet cables. What's your wifi password? "Thanks, love." Alright, thanks, love. What a beautiful way to say "careful." Carefree. Curvature of some invisible decimal point. I love you.
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Dec 25, 2012
Dec 25, 2012 at 2:02 AM UTC
Your ears ring like a falsetto choir within the great chamber auditorium of your head
She’s the type to eat a bowl of ice cream, shoot a gun, and be fine. I’ve never seen so many pieces under someone’s rug before, but she keeps herself in cookie jars, in ink cartridges, in book binds, anything she can find. I’m surprised she even looks in the mirror anymore. It’s not possible that she’s herself whole. But she braids her hair back when she rides her horse, she channels old Miranda Lambert and pumps that kerosene melody through her veins like it wont’ catch fire. I’ve seen her poke her head through old sweaters like she thinks it’ll be something new this time. I’ve seen her paint her skin in expensive body washes, the washcloth like sandpaper as she tries and tries to smooth all of the uneven edges she’s collected. I bet you could watch her memories in a wishing pool, like in a mini mall, with all the pennies heads down. They would spin themselves around the surface, suffocating one another so that only the good ones would shine, but she dare not pour herself into something that reflective. It would only reveal what she ties into the waistband of her old American Eagle jeans every morning, and that would just be too **** hard. It’s easier to venture ******** with a crummy perspective and a realistic approach than it would be to even consider that maybe this time it wasn’t her fault for expecting to much, and that maybe people just ***** up. That maybe, for once she wouldn't blame it on it getting her hopes up that made her fall, but that no one was there to catch her. I’d rather watch her cry herself to sleep for months than to pretend I admire the harsh falsetto she bites back in all of her lullabies. But she’s the type to burn old pictures for fun, to delete contact names, to swallow all her sadness and paint her bedroom a new color than watch herself come undone.
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May 7, 2015
May 7, 2015 at 12:05 AM UTC
Charlie
She’s the type to eat a bowl of ice cream, shoot a gun, and be fine. I’ve never seen so many pieces under someone’s rug before, but she keeps herself in cookie jars, in ink cartridges, in book binds, anything she can find. I’m surprised she even looks in the mirror anymore. It’s not possible that she’s herself whole. But she braids her hair back when she rides her horse, she channels old Miranda Lambert and pumps that kerosene melody through her veins like it wont’ catch fire. I’ve seen her poke her head through old sweaters like she thinks it’ll be something new this time. I’ve seen her paint her skin in expensive body washes, the washcloth like sandpaper as she tries and tries to smooth all of the uneven edges she’s collected. I bet you could watch her memories in a wishing pool, like in a mini mall, with all the pennies heads down. They would spin themselves around the surface, suffocating one another so that only the good ones would shine, but she dare not pour herself into something that reflective. It would only reveal what she ties into the waistband of her old American Eagle jeans every morning, and that would just be too **** hard. It’s easier to venture ******** with a crummy perspective and a realistic approach than it would be to even consider that maybe this time it wasn’t her fault for expecting to much, and that maybe people just ***** up. That maybe, for once she wouldn't blame it on it getting her hopes up that made her fall, but that no one was there to catch her. I’d rather watch her cry herself to sleep for months than to pretend I admire the harsh falsetto she bites back in all of her lullabies. But she’s the type to burn old pictures for fun, to delete contact names, to swallow all her sadness and paint her bedroom a new color than watch herself come undone.
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35
men would always tell me about the arcs of screaming air splitting through gaia’s hair, the heads of wheat falling, light shredding, and the sun bowing before Leah and her scythe this woman spent all her twenty one years in the fires of idaho working for her father preparing food for her brothers before their schooling. she was made to stay at home, and there she worked and washed and read and cut and crystallized business men in windup cars would see her off the highway her muscles swaying with the wind, treetop hair flogging the setting sun singing folk songs to herself in a falsetto that sounded like a rocking chair. these men would stop to chat, but soon realize that this Leah was burning too much for them. her heart was different from city folk and most country folk for that matter. her ventricles were connected through a series of crimson twigs and gnarled vines. it pumped like any other heart, but it would crack and wheeze anytime she left that farm. those businessmen expected that she would be enthralledby anything out of town. but it was the opposite; fancy gadgets bore her and snazzy suits and autos seemed like pointless little ornaments. she’d be more impressed by a man who could cut wheat like she could a man who could shoot life out of the iron earth and feed his kin with the pickings of his heart. but she never quite found a man like that. she stayed there, and let herself bleed into those idaho hills. the roots of the grain wrapped around her veins and her lungs breathed for the farm just as its rainfall pumped her brown blood. she never grew old that Leah, because she kept her crop so fresh. every morning she watered and plowed and every while, with scorching eyes and whipping locks she’d swing her scythe, and smell the breaking spines of wheat, and would quietly sing, like a rocking chair. Posted by David Clifford Turner at
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Jul 12, 2010
Jul 12, 2010 at 11:19 PM UTC
Leah and her scythe
men would always tell me about the arcs of screaming air splitting through gaia’s hair, the heads of wheat falling, light shredding, and the sun bowing before Leah and her scythe this woman spent all her twenty one years in the fires of idaho working for her father preparing food for her brothers before their schooling. she was made to stay at home, and there she worked and washed and read and cut and crystallized business men in windup cars would see her off the highway her muscles swaying with the wind, treetop hair flogging the setting sun singing folk songs to herself in a falsetto that sounded like a rocking chair. these men would stop to chat, but soon realize that this Leah was burning too much for them. her heart was different from city folk and most country folk for that matter. her ventricles were connected through a series of crimson twigs and gnarled vines. it pumped like any other heart, but it would crack and wheeze anytime she left that farm. those businessmen expected that she would be enthralledby anything out of town. but it was the opposite; fancy gadgets bore her and snazzy suits and autos seemed like pointless little ornaments. she’d be more impressed by a man who could cut wheat like she could a man who could shoot life out of the iron earth and feed his kin with the pickings of his heart. but she never quite found a man like that. she stayed there, and let herself bleed into those idaho hills. the roots of the grain wrapped around her veins and her lungs breathed for the farm just as its rainfall pumped her brown blood. she never grew old that Leah, because she kept her crop so fresh. every morning she watered and plowed and every while, with scorching eyes and whipping locks she’d swing her scythe, and smell the breaking spines of wheat, and would quietly sing, like a rocking chair. Posted by David Clifford Turner at
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38
when the sun fears enough to cower over the moon with its knees and is kissing the tender glass of the mirror that reflects one side, neptune weeps like a baby birthed from a place unknown yet needy all the same. with that, my eyes are forced open my hands to take its waist, its apple that was once part of a tree. heat sears me like stigma yet this is different: a paradox that speaks not in tongues of abuse or nationalism of one's mind. instead, this new sensation is accompanied by a high-pitched falsetto as if feeling every paper cut **** into his mind, his flesh of lost innocence. then, when reaching out to touch this "him", this hymn i've found, his skeletal oblivion makes itself known. - eozyoh. 8.12.2017. 12:42 am
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Dec 9, 2017
Dec 9, 2017 at 12:26 PM UTC
Lechery Just For You, My Babyboy Neptune
Goodbye Disgusting excuse of a friend A confidant I used to hold such confidence in, Now a sickly Pseudo relationship. You and I A Despicable desert dry Duo I can't spend another second At this pathetic pretending That you can offer anything to anyone But a narcissistic notion And a nerve-racking neuroses of the mind The universe is out to get you I curse my oblivious self I had forgotten you are the single Cohabiter on Earth Ah, yes You are undefeated At the blame game I've tried to hold honor in defeat But, I don't have an ounce of energy left For your egotistical world You unhinged Dark gate You let your steed of self-obsession Out to stampede the sincerest hearts You don't even see the ***** Destruction You deal out From your deprived reciprocity Alcohol, your only ailment Your **** filled words Tossed out lament and futile This is where we go our divided way I will not claim even a freckle on your face As a friend I will not look back Nostalgia is not necessary I will detach myself from your Leach like misery And I'll slowly build strength back A blood flow of enraged fierceness Has circulated through my core And it will be as if I never had any bit Of me Belonging to you Friend, now foe Farewell
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Mar 6, 2013
Mar 6, 2013 at 12:31 AM UTC
Falsetto Friend
Well hello, all, I’m your maestro ceremonious they call me Lokonious, purveyor of the odious so sit back, relax, and celebrate the… atonalness? A: Andante con fuoco We’re goin’ a cappella so let me say first your style’s ba-roke, now let’s get on with the verse you’re all up in the scale with a falsetto pitch hittin’ soprano like a castrato ***** my mind is sharp, while you’re stuck outta key my rhythm’s all natural, you can’t find a beat you need some help ’cause you’re out on your own find that ****** on a subway, the metro-nome B: Allegro con brio throw down the fermata and hold up a minute your ***** a cacophony, no way to spin it and son, i ain’t broke, my style’s all classical you just can’t register that my words are magical I spit rhymes in fantasy, can’t you see that you’re beat? And they thought an allegro was unfit for elegy A: Moderato col legno well as for your girl, it may sound corny the ***** loves my brass ’cause she’s: oh so ***** dispel your illusion, i got one more your girl’s like a crime show… easy to score B: Allegretto grazioso your intellect is minor and your insults are bassless your composition’s hardly a harmony: graceless your cymbalism’s trite, and your motif’s unknown an unfocused opus full of dissonant drones A: Affrettando agitato get out my face with your unnatural rap you spit cold air and your lyrics are flat you’ve got no harm while my canon’s a gat so work on your refrain, ‘fore I bust da cap-OOOHHHHH B: Coda pull your weak crap, ’cause you’re outta your mode such imperfect rhymes that we’re calling a cod-a no time for the fanfare, you’re trying my patience an end to your requiem, bring out the cadence So that’s their story, best not get involved their fight’s an augmented fourth: difficult to resolve
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Jun 13, 2012
Jun 13, 2012 at 5:47 PM UTC
La Battaglia
Well hello, all, I’m your maestro ceremonious they call me Lokonious, purveyor of the odious so sit back, relax, and celebrate the… atonalness? A: Andante con fuoco We’re goin’ a cappella so let me say first your style’s ba-roke, now let’s get on with the verse you’re all up in the scale with a falsetto pitch hittin’ soprano like a castrato ***** my mind is sharp, while you’re stuck outta key my rhythm’s all natural, you can’t find a beat you need some help ’cause you’re out on your own find that ****** on a subway, the metro-nome B: Allegro con brio throw down the fermata and hold up a minute your ***** a cacophony, no way to spin it and son, i ain’t broke, my style’s all classical you just can’t register that my words are magical I spit rhymes in fantasy, can’t you see that you’re beat? And they thought an allegro was unfit for elegy A: Moderato col legno well as for your girl, it may sound corny the ***** loves my brass ’cause she’s: oh so ***** dispel your illusion, i got one more your girl’s like a crime show… easy to score B: Allegretto grazioso your intellect is minor and your insults are bassless your composition’s hardly a harmony: graceless your cymbalism’s trite, and your motif’s unknown an unfocused opus full of dissonant drones A: Affrettando agitato get out my face with your unnatural rap you spit cold air and your lyrics are flat you’ve got no harm while my canon’s a gat so work on your refrain, ‘fore I bust da cap-OOOHHHHH B: Coda pull your weak crap, ’cause you’re outta your mode such imperfect rhymes that we’re calling a cod-a no time for the fanfare, you’re trying my patience an end to your requiem, bring out the cadence So that’s their story, best not get involved their fight’s an augmented fourth: difficult to resolve
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41
Alfonso is a handsome bronze-hued lad Of subtly-changing and surprising parts; His moods are storms that frighten and make glad, His eyes were made to capture women's hearts. Down in the glory-hole Alfonso sings An olden song of wine and clinking glasses And riotous rakes; magnificently flings Gay kisses to imaginary lasses. Alfonso's voice of mellow music thrills Our swaying forms and steals our hearts with joy; And when he soars, his fine falsetto trills Are rarest notes of gold without alloy. But, O Alfonso! wherefore do you sing Dream-songs of carefree men and ancient places? Soon we shall be beset by clamouring Of hungry and importunate palefaces.
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1.5k
Alfonso, Dressing to Wait at Table
Night is singing blues with wrong falsetto, In my fingers dies a cigarette, You’re the one But why so much directions? Where are you? No answer--dead objections. Earrings and bracelets are my fetters. You are gone.. But you still breathe in letters. Here your voice It’s touching lids of blindness Here the choice İmpartial, regardless. Sew my veins I need them for tomorrow, Zip my soul But don’t unveil the sorrow.
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May 14, 2013
May 14, 2013 at 12:59 PM UTC
Night blues
It's me you're looking for according to Lionel not quite falsetto but at least smooth alto unpunctuated to give your wonder freedom to wander and wonder who each of us is - poems demand so much of us for sure hesitant English speakers add frequently,
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Apr 16, 2014
Apr 16, 2014 at 9:52 AM UTC
Hello, It's Me...
Rubber faces. Foreheads sweat, stream clown makeup when cheeks meet. Sweet blood: corn syrup, water, starch. Lick then smell. Vampires pick jolly rancher debris from teeth. Blue fangs. A skeleton in the closet undresses a nun. Open door open window sit three cats. Watch the sun set. Crows murdered around oak trees. Darkness. Lights, music, karaoke, Elvis sings Franki Valli. Richard Nixon gropes a slutty nurse. Left hand, right breast. Alcohol permeates air. Skin, sweat. Touch. Marilyn Monroe hoards candy corn souped with beer broth in her stomach. Passes out. Steve Irwin wears a sting ray through his chest, ***** tail through his shirt, surrounded in blood. First place in the costume contest. Alter egos. Fred Flintstone feels snubbed. So does a saran wrapped girl. Nipples hidden with black fabric circles. Black balloons. Orange ones. Red balloons. Popped. Silent girl in white stands in the corner. Caresses a small bottle of cyanide in her fingers. Thumb, middle, pointer, pointed at Marilyn. She knows she will not wake up. They’ll call it suicide. Elvis finishes his song in a falsetto, Oh, what a night.
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Oct 5, 2010
Oct 5, 2010 at 10:46 AM UTC
The Night Before the Day of the Dead
Roddy's Rooster, man! you couldn't   oust her Standing up there on his dunghill fair Announcing to the whole world, to All   everywhere My **** He's the greatest doodle doer O! that Roddy's Rooster. He don't need no booster, does   Roddy's Rooster He'd even go after the goose sir Don't you fouster with this Rooster You'd only lose sir Now vamoose sir. Very dapper and quite the scrapper Patrolling his perimeter Strutting around the farmyard pound Invariably, henhouse bound If you were to meet him It'd be "Put up your dukes sir Me! I'm Roddy's Rooster". With his tail feathers all fluffed up Like a feather duster And his chest all puffed out Quite the Dandy and always randy What a Suitor that Roddy's Rooster And O! what a Wooer, that wooey   doodler.                          I I He came a cropper though one day When he fell in the Hopper Now he's a good deal shorter And not half as cocky as before, Now he sits on his wall lamenting his   fall Thinking of the days when he used to   have a ball Has Lady Luck that Grand Old Duck   deserted him I wonder. Sad to see, now he's a bit gammy More Bandy than Dandy He still South's in the Summer But has doubts in the Winter, Now he likes to crow his woes and   lows away Climbing up onto his dunghill, he    greets the day But now in a high shrill falsetto   voice He sings  in a whole different way " I've been round the Ringer but I'm   still quite a Dinger **** a Doodley Doo" Now... now he's a ****** Blues singer! O! that Roddy's Rooster. Roddy's Rooster Yeeaahh!
0
Mar 17, 2020
Mar 17, 2020 at 10:29 AM UTC
Roddy's Rooster
Roddy's Rooster, man! you couldn't   oust her Standing up there on his dunghill fair Announcing to the whole world, to All   everywhere My **** He's the greatest doodle doer O! that Roddy's Rooster. He don't need no booster, does   Roddy's Rooster He'd even go after the goose sir Don't you fouster with this Rooster You'd only lose sir Now vamoose sir. Very dapper and quite the scrapper Patrolling his perimeter Strutting around the farmyard pound Invariably, henhouse bound If you were to meet him It'd be "Put up your dukes sir Me! I'm Roddy's Rooster". With his tail feathers all fluffed up Like a feather duster And his chest all puffed out Quite the Dandy and always randy What a Suitor that Roddy's Rooster And O! what a Wooer, that wooey   doodler.                          I I He came a cropper though one day When he fell in the Hopper Now he's a good deal shorter And not half as cocky as before, Now he sits on his wall lamenting his   fall Thinking of the days when he used to   have a ball Has Lady Luck that Grand Old Duck   deserted him I wonder. Sad to see, now he's a bit gammy More Bandy than Dandy He still South's in the Summer But has doubts in the Winter, Now he likes to crow his woes and   lows away Climbing up onto his dunghill, he    greets the day But now in a high shrill falsetto   voice He sings  in a whole different way " I've been round the Ringer but I'm   still quite a Dinger **** a Doodley Doo" Now... now he's a ****** Blues singer! O! that Roddy's Rooster. Roddy's Rooster Yeeaahh!
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I loved you before the alcohol, Hourglass to the soul, hour pass, days maybe... in between the formulation of golden nuggets in the mountains silver sands. You held my hand and through velvet touch, Electricity meander through my arms, before the storm calm, the start of a heart attack - then the pack of house of cards collapsed. In a deserts smile, you flatlined through our favourite past times. The pastures rich with buttercups and dandelions like the last time. When we walked over the train tracks harvest. Last summer and last spring. Somethings are everlasting, and some pass like storm clouds without one droplet of rain, in casting, our love grew like tulips, Yellow, red and blue, bruises, but soon come the rain, our muses loses, & rendered useles; I went away and It's too soon to explain myself, For that. Back, with cap in hand. Lost in hearts melted by false starts, and feathered cap, Falsetto moods sharp stilettos, slap back. I couldn't let go when the sun came through, and a calming parting of the clouds where the rain came blue. I thought I could live without you, but I bottled it, again. Now I've nothing left to give, but my gift to you. sinking, sleeping in the land dunes trying to understand you.
0
Mar 19, 2016
Mar 19, 2016 at 10:56 AM UTC
gold fields