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judy smith May 2016
Don’t take them at face value. Several leading actresses in Mollywood have shown themselves to be keen businesswomen too. So, if Poornima Indrajith, a fashionista in her own right and designer-in-chief of fashion store Pranaah, was the lone name in the list till recently, Kavya Madhavan, Lena, Kaniha, Shwetha Menon, Rima Kallingal and the like too have joined the fray to establish their credentials as entrepreneurs.

While Kavya owns Laksyah, an online fashion store, Rima runs Mamangam, a dance school in Kochi. Lena is busy with Aakruti, her weight-loss centre. Kaniha’s focus is on health care, as a franchise partner of Medall Diagnostics in Chennai. Shwetha, meanwhile, has opened a restaurant, Shwe’s Delight, in Dubai. Mallika Sukumaran owns Spice Boat, a restaurant in Doha, Qatar… The actresses talk at length to MetroPlus about why and how they went about it, the lessons they learnt and what lies ahead.

For Kavya it was the realisation of a long-cherished dream; of starting a business venture while she is at the peak of her career. “I zeroed in on a fashion boutique from several other options, such as dance school, beauty parlour, restaurant…,” says Kavya. “It was the safest and best choice because my father had been in the textile business back home in Neeleeswaram for nearly four decades. My brother, Midhun is a graduate in fashion technology and my mother and my sister-in-law too share the same passion. Laksyah is really a family-run enterprise,” she adds. Laksyah, which sells a range of one-off designer saris and daily wear and based out of Kochi, will be celebrating its first anniversary next month.

It was a photoshoot that lead Lena to open Aakruti. She had to lose a few kilos to get in shape for the shoot and her childhood friend, Louisa David, a physiotherapist, helped her achieve that goal. “I was happy with my weight loss and so we decided to launch a physiotherapy-based slimming centre. Louisa has been running her centre at Thrissur for five years and she helped me start Aakruti, in Chevayur, Kozhikode, in September last year,” Lena says.

Kaniha, always a multi-tasker, has a solid reason for taking the health care route too. It was the closest she could get to her childhood ambition to pursue medicine! “After coming back to India from the United States, my husband, Shyam Radhakrishnan and I wanted to start something. Since I couldn’t fulfil my dream of becoming a doctor and had to study engineering instead, I thought I should do something related to healthcare and that’s how Medall happened,” says the actress.

In Shwetha’s case, her restaurant was a venture waiting to happen. “In fact, those who know me for long are not surprised with my decision to open a restaurant. I am an absolute foodie. I am so very careful about what I eat that my cook always travels with me on my shoots. I also love hosting family and friends and often hold pyjama parties at home. That’s why a restaurant was the obvious choice when I thought about starting a venture,” says Shwetha. Shwe’s Delight [“I was called Shwe by my friends in modelling circuit”], which opened its doors last month, is a North Indian fine dining restaurant. “I wanted to give expatriate Malayalis in Dubai a different taste from the usual fare. We dish up a bit of Chinese food too,” she adds.

Being a celebrity helps, most of the time, especially to get publicity, say the leading ladies. For instance, Kaniha says she could bank upon her celebrity status to get corporate tie-ups. They also talk of brand value going up when a known face opens a venture. “There is a certain level of trust with potential customers because you are a known face,” explain Shwetha and Lena. “On the flipside, you are always under scrutiny. At times, I feel acting is much easier,” adds Shwetha. Kavya says it is not easy being the face of Laksyah. “I can’t go wrong with what I wear!” she adds, with a laugh.

Celeb status and a pretty face, though, is no guarantee for a successful business. All the actresses say that they put in a lot of hard work to get their businesses up and running. “The execution part was not easy, be it finding the right location, getting the interiors done, purchasing the machinery, appointing qualified staff, training them and even finalising the colour of the uniform. But I have become more confident now that we are opening a new branch in Kochi,” explains Lena. Kaniha, meanwhile, admits that she has learnt to be “more patient and be diplomatic.” Well played.Read more at:www.marieaustralia.com/cheap-formal-dresses | www.marieaustralia.com/****-formal-dresses
judy smith Aug 2016
A Penn Hills man will have items from his clothing line featured in a fashion show in Pittsburgh on Saturday.

Cary Heard, owner of CDH LABEL Clothing Co., has teamed up with The Ladies of Distinction — a recently-formed group of women in Pittsburgh and surrounding areas who are focused on community outreach, fundraisers and programming that benefits the educational growth of underprivileged youth — to headline his first fashion show as they present, “Make Me Over,” an extravaganza with a vision to “spread self-love awareness in the community and embody the greatness that exists in all of us.”

Heard, 22, said the show's goals were relatable to him as he relied on support from family and friends to pursue his ambition to become a fashion designer.

“I was always encouraged because I was good at (designing clothes). It was a talent and people wanted to see it grow,” said Heard, who has been featured three times in Pittsburgh's Fashion Week.

He said his friend's mother bought him a new sewing machine when he was 14 under the condition that he practiced sewing daily.

Heard said receiving the gift turned out to be a “pivotal point” to change his hobby into something he could make into a career.

Kim Heard, his mother, said Cary was “full-blast” with designing after that.

“He wanted to make things for himself, and his style changed. He was passionate about looking good in his clothing and making things he could wear. His peers asked him to make things and that snowballed into making vests for guys, and he made dresses for his dates to semi-formals, and then prom gowns,” Kim Heard said.

Fellow designer Starr Thomas has worked with Heard for more than five years, a time in which she said the duo has both collaborated and given one another input on designs.

“Our bond is just motivating one another and giving each other confidence to keep going,” she said.

Thomas said that since she's known Heard, his attitude toward others has always been “be confident in yourself,” and that he lives his own life that way.

“He's so passionate about (designing clothes). That's part of what makes him special. That, and his talent,” she said.

Heard's passion, talent and demeanor toward life has propelled him into headlining fashion shows.

Saturday's show will provide an opportunity for others to have confidence.

“Make Me Over” creators hosted an open online contest, where 40 contestants submitted photos and essays describing why they thought they deserved a makeover.

Two winners were selected, and on Saturday they will have a complete makeover and get a chance to walk the runway sporting a new look which includes hair, makeup and wardrobe.

Heard described one of the winners as a single mother who devotes the majority of her time to her daughter and hasn't had “much time for maintenance on herself.”

The second winner was nominated by her friend. Heard said she is “very involved” with community outreach, and is a “mother figure to many young people in the community.”

The person who nominated her wrote that she was deserving of the makeover due to her “strong cultural presence.”

Heard said all of the submissions received were “heartfelt,” and that he's glad to headline a show encouraging self-confidence, and gives fellow-designers chance for exposure.

“I'm hoping to make (the show) an annual thing. I hope it will bring a crowd that will create networks for myself and our other designers,” he said.Read more at:www.marieaustralia.com/****-formal-dresses | http://www.marieaustralia.com/cheap-formal-dresses
Ryan P Kinney Apr 2015
Who Am I?

I am a boy and a man.
I am a son, a brother, a cousin, a nephew, and a grand child.
I was a boyfriend, a fiancé, a husband, and an in-law.
I am a bachelor.
I am surrounded and abandoned.
I am a family man and a loner.

I am a homemaker and a handyman.
I wear the apron and the tool belt.
I am a neat freak and a slob.
I am an amateur contractor and a contracted amateur.
I am a dumpster diver, a recycler, and a decadent waste.
I am a glutton, a scavenger, and a scrapper.

I am a friend and an enemy.
I am fun and an annoyance.
I am a lover and a hater.
I am creepy, cruel, and harsh.
I am tender, loving, and inviting.
I have a foul mouth and tender lips,
Drenched in jagged, soft-serve words.

I am a painter, sculptor, draftsman, sketcher, character designer, photographer, graphic designer, fashion designer, kitbasher, customizer, and crafter.
I am a reader, a writer, and a poet.
I am the Jail Baby, Ryan & Lisa, The Phoenix, The AntiFather, and The HEYMAN!
I compose symphonies of visual and intangible imagery.
I bring form to thought.
I destroy,
I create.
I am an artist.

I am a geek, nerd, freak, and otaku.
I have been punk, goth, prep, white trash, and metrosexual.
I wear glasses,
But only as a sick joke.
I am beautiful and ugly,
Clean and *****.
I am unique.
I am predictable.
I have changed, but am still the same.

I am a techie,
An electronic ******.
I am cutting edge and old school.
Digitally signed and sealed.
I am analog and obsolete.

I am an adrenaline addict.
I can chill, maybe slow,
But never relax.

I am blue collar, tradesman, and service industry.
I am peon and ****** on.
Oh, but I have done the ******* too!
I have been hired and fired,
Bought and sold.
I have worn the uniform,
I have said, “**** the man!”
I am the proletariat,
I am in charge.

I am a student, dropout, and teacher.
I am class clown and teacher’s pet.
I have learned, forgotten, and taught,
But never learned my lesson.
I don’t listen to what I’m told,
But always do what I tell.

I am a genius,
I am an idiot.
I have intelligence, but often lack the intel.
I am naïve, but wise.
I am right and wrong.

I have philosophies and ideas,
But no religion.
I have desecrated and blasphemed,
Prayed and praised.
I have lusted, envied, and coveted.
I am guilty and innocent,
Pure and soiled,
Good and bad.

I am a driver and a passenger.
I am an explorer and a shut-in.
I am wild and free,
Caged and stifled.
I was warmly wrapped in my blanket,
But burned through it.

I have rode, climbed, and conquered.
I  stood still.
I jumped in.
I have fallen and been defeated.

I have been abroad,
I have been nowhere.
I have drifted.
I have settled.
I have led and been led.
I have been in and out,
Here and there,
Around and AWOL,
On the run and trapped.
But, not everywhere.

I have applied,
I have procrastinated.
I have worked my fingers to the bone,
I have slept it off.

I have fought and fled.
I have quit.
I have endured.
I am a winner and a loser,
A champ and a chump.

I am fake,
I am real.
I have lied, cheated, and stole.
I have been honest, fair, and generous.

I am selfish and selfless.
I am a gift giver, gift wrapper, and gift taker.
I am a thief and a philanthropist.

I am insecure and confident,
Confused and absolutely sure.
I am proud and ashamed.
I am complicated and convoluted,
But simple to please.

I have blind faith and guarded suspicion
I have secrets,
But lie rarely.
I accept everyone,
I trust nothing.

I have pointed the finger,
Only to turn it on myself.
I have held grudges and forgiven.
I have trusted and misguided.
I have been Judas and Jesus.

I am a maniac,
I am sane.
I have been strong and weak.
I can keep it together,
But prefer to break it apart.

I have bled.
I have healed.
I have been abused and neglected,
Coddled and protected.

I have been kissed and punched;
Hunted, wanted, and arrested,
Ignored, overlooked, and invisible.

I have loved and lost,
Lived and learned.
I am a soldier of misfortune and opportunity.

I have blended in.
I have stood out.
I have stood up.
I have backed down.
I have been backed into a corner.
I have all the space in the world.

I have seen, interpreted, and perceived,
I have ignored, dismissed, and been blind.
I hunger, want, and need…
I am satiated and content,
But never at peace.

I have been misunderstood and underestimated.
I have been put down, put up, pushed away, and let in.
I have been known,
But never entirely.

I have raged, cried, smiled, trembled, and laughed.
I have been depressed.
I have been happy.
I have been suicidal. I have felt death.
I have been lost and found.
I have been broken, then fixed,
Stitched, yet glitched,
Scarred, but whole.
I am alive.


I took the chance,
I let the moment slip.
I walked the straight and narrow,
I ran down the road not taken.
I dream; some whole, some shattered.
I go with the flow, but don’t let the waves take me.

I am shards and reflections,
Machinations and reactions.
I am translucent pieces and parts,
Assembled and disheveled.
I am the big picture still focused on the details.

I am the sum total of heredity and experience.
I am not,
I am more.
I am everything and nothing.
I am a walking contradiction.
I am human.

I tried to be you,
But didn’t know what that meant.
I am me,
It’s all I know.

Who are you?
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Anonymous Jul 2017
Designer frames and Advil
Overly expensive heels
Long trench coats
Still can't hide what I feel
Overly done makeup
Exspensive weaves
Telling my self if I feel
Pretty maybe
I'll believe
But yet when I'm standing in the mirror
I'm naked
Looking at my self I hate my reflection
Less thinking more heavy drinking

So I'm sending blank texts hoping they could hear my silence
I'm broken but I'm drowning in high end designer
Room full of labels
That can't fix
My problems

Signed That Black woman addicted
To retail
No therapy just me and retail
judy smith Feb 2017
In this age of global uncertainty, clothes have become a kind of panacea for a growing number of consumers. Designers are responding to the political upheavals of the past year by injecting some much-needed humour into women’s wardrobes. Browns CEO Holli Rogers is already predicting that spring’s sartorial hit will be Rosie Assoulin’s smiley-face T-shirt. This cheery number, which reads "Thank you! Have a Nice Day!’" neatly sums up the jubilant mood of the coming season.

The logic goes that turning up the dial on the fun, the colourful and the crazy is the sartorial equivalent of Michelle Obama’s "when they go low, we go high" mantra. We may not be able to control the chaos of world events, but we still rule our own style.

It’s no coincidence that a cartoonish aesthetic, of the sort you’d find if you rifled through an eccentric child’s dressing-up box, was in plentiful supply on the spring/summer 2017 runways. Alessandro Michele’s army of Gucci geeks displayed growing swagger in garish get-ups that ran from fuzzy crayon-coloured furs featuring zebras to tiered, tinsel-y coats that rivalled Grandma’s Christmas tree.

It was a similar story at Dolce & Gabbana, where sumptuous eveningwear was loaded with pasta and pizza motifs, and drums became bags, while Marc Jacobs tore a page from a psychedelic colouring book, covering clothes with the childlike scrawl of the London illustrator Julie Verhoeven. Even ardent minimalists would have to admit that these playful looks have potent pick-me-up power.

For Anya Hindmarch – whose empire is built on feel-good fashion – all this frivolity is nothing new. "An ironic, lighter and more irreverent approach has always been my thing. People love beautiful objects and increasingly, they want to show their character – that’s the point of fashion," she says. "Customers today are more confident with their style. There aren’t so many rules. It’s about putting a sticker on a beautiful handbag and not being too precious about it."

What’s surprising is who is consuming this cartoonish style. Though there’s no real rhyme or reason, says Hindmarch, often it’s older clients who are investing in the maddest pieces – like her cuddly, googly-eyed Ghost backpack that has also been spotted on Gigi Hadid and Kendall Jenner.

The same is true of the customer for the Lebanese designer Mira Mikati’s emoji-embellished styles. Though her fans run from twenty to fiftysomethings, at a recent London pop-up one of Mikati’s most ardent buyers was an 87-year-old. "She tells me that whenever she wears my clothes people stop her on the street. They smile. They start conversations. She literally makes friends through what she wears."

Mikati began her career as a buyer, co-founding the upscale Beirut boutique Plum, before launching her own line some four seasons ago – largely out of frustration at the sameness of the mainstream collections. "I wanted to create something fun and colourful but easy to wear – that you can add to jeans and a white T-shirt, but that’s also a conversation point."

Her clothes, worn by Beyoncé and Rihanna, are certainly that: pink parrot-appliquéd trench coats, scribble-print hooded tops and dresses clad with a family of monsters who spell out her Peter Pan ethos in scrawled speech bubbles that read "Never Grow Up’" The antithesis of normcore, these designs take their cue from her children’s toy trunk and the Japanese pop art of Takashi Murakami – who returned the compliment by donning one of her patched bombers.

Mikati is clearly onto something. According to Roberta Benteler, who founded online fashion emporium Avenue 32 in 2011, it’s the cartoon aesthetic that’s really piquing women’s desire right now.

"Anything that looks like a child’s drawing or a toy sells incredibly well," she says. "Brands like Mira Mikati, Vivetta and Les Petits Joueurs inspire the impulse to buy because they’re so eye-catching. You have to have it now because there’s a sense you won’t find it anywhere else."

The exponential rise of street-style stars and the social-media machine that now propels the fashion industry also plays a part in the popularity of these playful looks.

"Designers are creating for the online world and customer," continues Benteler, who cites the Middle Eastern consumer as a big investor in these niche eccentric designs. "People find escapism in fashion and more than ever they need something to cheer them up. These are clothes that stand out on Instagram, and for designers that translates into sales."

In practical terms, in an effort to beat the warp speed of high-street copying, designers are differentiating themselves with increasingly intricate and artisanal styles that are harder to mimic. Just because these pieces have a childlike sensibility doesn’t mean they’re not beautifully crafted.

"My aim is create a handbag that you can keep as a design piece," explains the accessories designer Paula Cademartori. One of her most successful designs – the Petite Faye bag, which comes in a whole rainbow of configurations – takes more than 32 hours to create at her Italian studio. "Even if the styles are colourful and speak loudly, they’re still sophisticated," says Cademartori, whose brand was recently snapped up by the luxury goods group OTB. It can pay to be playful.

One man with a unique insight into the feel-good phenomenon is Marco de Vincenzo, who combines his longstanding role as leather goods head designer at Fendi with creating his own collection. "When we first created the Fendi monster accessories for bags we were simply playing around," he says of the charms that still loom large some three years on. "The most successful designs are created without pressure, through play."

His own-line debut bag features an animalistic paw. ‘It’s about creating something new and different for women to discover,’ he explains. "You buy something because you love it, not because you need it. Fashion is like a game – it has to excite."

When it comes to distilling this childlike abandon into your wardrobe, take cues from super style blogger Leandra Medine, who balances madcap pieces, such as her first collection of colourful footwear under her MR By Man Repeller label, with plainer, simpler ones. "It’s all about wearing your clothes with joy, and having fun, but not looking ridiculous," says Cademartori. "You don’t want to look like an actual cartoon."

It’s advice that chimes with that of Anya Hindmarch. "I love the idea of wearing a super-simple Comme des Garçons jacket and a white shirt with a really fun bag to mess it all up a bit." It’s a failsafe formula for dressing your way to happiness.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Robert Ronnow Aug 2015
Madison's defense of the establishment clause to the Virginia
      legislature:
Religion both existed and flourished, not only without the support of human laws, but in spite of every opposition from them, and not only during the period of miraculous aid but long after it had been left to its own evidence and the ordinary care of Providence.

                                          May I say
electromagnetic waves. Radiant energy.
Light travels in waves
                                      Waves of what?
Electromagnetic waves consist of electric and magnetic fields
oscillating at right angles to each other
and to the direction of motion of the wave.
                                                           ­             All waves can be described
in terms of amplitude, wavelength, frequency and speed.

Waves of what?
                            Think of a hand waving. The wave itself
is virtual, ideal. The hand and eyes are waves. The wave's
a quantum guess.
                           Religion and electromagnetic waves - visible, audible, ideal
causing real reactions in earth-time (real as it gets). Madison's
ordinary
               care of Providence
                                               impossible to handle.

Needed is a medium: antenna, cathode ray, page,
body
          hairy, sweaty
                                 diurnal
with the capacity to say Providence electromagnetic visible light
element god.
                       Alone in your life and body. Say
the heavy word
weighty word
isotope
             charged word (ion god)
the particle physicist and political philosopher have it over the poet
who is sharing ignorance
                                           pretty much all he doesn't know.

Or who stays within a dimension she knows she knows, extrapolating
her hand in a child's hand or husband's hold or nest in a tree hole
limited government
                                  separation of powers
                                                          ­            daily low intensity warfare
light, radio and gamma waves
                                                     Waves of what?
Matter can be treated by both wave and particle theories (the duality of matter) since its convertible counterpart - light - has long been treated successfully by both theories.
convertible counterpart
                                         light matter light

Solutions to the equations are called wave functions, or orbitals.
Religion or the duty which we owe our Creator and the manner of discharging it can be directed only by reason and conviction, not by force or violence. It is proper to take alarm at the first experiment on our liberties. We hold this prudent jealousy to be the first duty of Citizens, and one of the noblest characteristics of the late Revolution. The free men of America did not wait till usurped power had strengthened itself by exercise and entangled the question in precedents. They saw all the consequences in the principle and they avoided the consequences by denying the principle. We revere this lesson too much to soon forget it.

Last night's movie She's No Angel on the Christian channel
begged many essential questions (and had bad music)
                                                          ­                                  why
the loving liberal successful couple should
keep a shotgun in the home (later used per Shakespeare)
                                                    ­                                           what
the community's (authority's) reaction to the violence
and precipitating dissembling might have been (per The Crucible)
                                                       ­                                             whether
the golden spiritual couple would subsequently dissemble lobby or
      defend
themselves and the loved one legally and lengthily (per Dostoyevsky)
                                                    ­                                                   where
unclean tragic outcomes end in Death's cleanliness
ravens eat the fur and guts of bad guesses off the roads (per A
      Designer of Systems)

but not I think missing
the deeper lesson

that she is neither her past
nor her wings

but a pure goodness
                                   bone stillness
                                                       ­   potential energy

a light wave
and a particle.
--Madison, James, "Memorial and Remonstrance Against Religious Assessments"
--LeMay, Beall, Robblee & Brower, Chemistry: Connections to Our Changing World, Prentice Hall, 2000

www.ronnowpoetry.com
judy smith Jul 2016
The 9.6 million followers who tune in to watch Miranda Kerr having her hair done on Instagram — for this is how models spend most of their time — were treated to a rather more interesting sight last Thursday: a black and white photograph of a whacking great diamond ring.

Across it was the caption “Marry me!” and a twee animation of the tech mogul Evan Spiegel on bended knee. Underneath Kerr had typed “I said yes!!!” and an explosion of heart emojis.

A spokesman for Spiegel, founder of the Snapchat mobile app, who is 26 to Kerr’s 33 and worth $US 2.1 billion to her $US 42.5 million , revealed “they are very happy”.

At first, the marriage seems an unlikely combination: a man so bright he founded Snapchat while still at Stanford University, becoming one of the world’s youngest self-made billionaires by 22, and a Victoria’s Secret model who was previously married to the Pirates of the Caribbean star Orlando Bloom (she allegedly had a fling with pop brat Justin Bieber, leading Bloom to punch Beebs in a posh Ibiza restaurant).

Perhaps the union indicates that there is more to Kerr than we thought. More likely, it reveals something about Spiegel — and the way the social status of “geeks” has changed.

Since Steve Jobs made computers cool and Millennials started living online, nerds are king. Even coding is **** enough for the model Karlie Kloss, singer will.i.am and actor Ashton Kutcher to learn it. Silicon Valley has become the new Hollywood, as moguls and social media barons take over from film stars and sportsmen not just on rich lists, but as alpha men.

Being a co-founder of a company is this decade’s equivalent to being a rock star or a chef. And, if their attractiveness to models and actresses proves anything, then being a Twag — tech wife or girlfriend — is a “thing”. Sources tell me Twags are also known as “founder-hounders” because they like to date the creators of start-up companies.

Actress Talulah Riley was an early adopter. She started dating the PayPal founder Elon Musk in 2008. Riley, then fresh from starring in the St Trinian’s film, met Musk in London’s Whisky Mist nightclub after he had delivered a lecture at the Royal Aeronautical Society. I interviewed her shortly afterwards and she told me they had spent the evening talking about “quantum physics”. A month later they were engaged. Their on-again-off-again marriage lasted six years before she filed for divorce again in March. Currently Musk, worth an estimated $US 12.7 billion and focused on Tesla cars, is said to be “spending a lot of time” with Johnny Depp’s estranged wife, Amber Heard.

Model Lily Cole dated the Twitter founder Jack Dorsey in 2013. Later she had a son with Kwame Ferreira, founder of the digital innovation agency Kwamecorp. Actress Emma Watson is going out with William Knight, an “adventurer” who has an incredibly boringly sounding job as a senior manager at Medallia, a software company. Allison Williams, Marnie in the HBO television show Girls, is married to Ricky Van Veen, co-founder of College Humor website.

Could it be that these women are onto something? Dating a bro certainly has its appeal. They are innovative: how else would they invent apps that deliver cheese toasties or match singles based on their haircuts? They are risk-takers who must be charismatic enough to inspire investors and attract crowd-funding. They may not be gym-fit, but they are mathletes who can do your tax bill. They are animal lovers: every start-up is dog friendly. And they are fun: who would not want to date somebody with a ball pool in their office?

There is a saying about dating in Silicon Valley: the odds are good but the goods are odd. Nerds are notorious for peculiar chat-up lines and normcore clothes. Still, if geeks can be awkward, that is part of their charm. Keira Knightley, complaining that Silicon Valley was all men in hoodies and Crocs, described how one gave her his card, saying she should get in touch if she wanted to see a spaceship.

One Vogue writer recalled a Silicon Valley man messaging her via a dating app, in which he noted: “In 50 per cent of your photos you’re holding an iPhone. It may interest you to find out that I invented the iPhone. More accurately I was an engineer on the original iPhone . . .”

Most promisingly, some guys are astoundingly rich. It is suggested Kerr’s engagement ring is a 2.5-carat diamond worth around dollars 55,000. She has already moved into Spiegel’s dollars 12m LA pad. Between his money and her Victoria’s Secrets bridesmaids, no wonder sources claim they are planning an “extravagant wedding”.

It might rival even the Napster founder Sean Parker’s $US10m performance-art bash. He married songwriter Alexandra Lenas in a canopy among Big Sur’s redwoods decorated to look like an enchanted forest. Some 350 guests wore Tolkienesque costumes created by The Lord of the Rings costume designer Ngila Dickson. They sat on white fur rugs and were given bunnies to pet. Presumably rabbit babysitters were on hand when the disco started.

If such fantasies inspire you to become a Twag, the great news is you do not have to be a supermodel to be in with a chance. Such is the dearth of single women in Silicon Valley that one dating site, Dating Ring, crowdfunded a plane to fly single women to Palo Alto from New York.

Be warned, though: guys are single because they are married to the job.

No wonder most meet their partners at college or work — the Facebook chief executive Mark Zuckerberg met his wife, Priscilla Chan, at Harvard.

The Instagram co-founder Kevin Systrom met girlfriend Nicole Schuetz at Stanford. Melinda met Bill Gates when, in 1987, they sat next to each other at an Expo trade-fair dinner. “He was funnier than I expected him to be,” she said.

Kerr began dating Spiegel in 2014 after meeting him at a Louis Vuitton dinner in New York. You can bet he was networking. Shortly after Louis Vuitton showcased their cruise collection in a Snapchat story. Last season Snapchat went on to become the biggest new name at NY fashion week.

If you want to meet tech guys, you might catch them at Silicon Valley parties, which is how the Uber chief executive Travis Kalanick met his partner, Gabi Holzwarth, a violinist hired to play. Or they might be schmoozing clients downtown in a swanky Noe Valley club in San Francisco or a boring Union Square hotel in New York. In London you find them around Old Street, aka Silicon Roundabout, in bars, at hackathons, or start-up meet-ups. In the day they are coding at Google Campus or practising their pitching in a co-working space.

Some tech boys date the old-fashioned way: on Tinder. Airbnb founder Brian Chesky met his girlfriend of three years, Elissa Patel, through the app. When I interviewed Instagram co-founder Systrom he admitted that when he had been single he had signed up.

Dating agency Linx — presumably a play on operating system Linux — is dedicated to making Silicon Valley matches. Amy Andersen set it up in 2003 after moving to Palo Alto and being “flabbergasted” by the number of eligible men. She claims her clients are “extremely dynamic and successful individuals’’: tech founders, tech chief executives, financier founding partners of large institutions and “tons of entrepreneurs”.

Andersen says tech guys make “fabulous partners”. Romantic and chivalrous, they write love letters, plan dates, “even proposing on Snapchat!” If you want to marry a tech billionaire, she says, “you need to bring your A game.” Her clients look “for women who are equally, if not more, dynamic and interesting than he is!”

There are drawbacks to dating tech guys. Before Google buys your amore’s business, he will be living on *** Noodles waiting for the next round of funding — and workaholics are dull.

Kerr says Spiegel is “25, but he acts like he’s 50. He’s not out partying. He goes to work in Venice [Beach], he comes home. We don’t go out. We’d rather be at home and have dinner, go to bed early.” Which might suit Kerr, but is not my idea of a fun.

You had also better be prepared to share your life. When Priscilla Chan miscarried three times, Mark Zuckerberg wrote about it on Facebook, while Chesky used a romantic trip with his girlfriend to promote Airbnb - uploading a picture of her in bed, with a note saying “f* hotels”. Besides all of which is the notorious issue of Silicon Valley sexism.

It has a chief exec-bro culture that puts pick-up artist/comedian Dapper Laughs to shame. Ninety per cent of women working in the Valley say they have witnessed sexist behaviour, 60 per cent have experienced unwanted ****** advances at work, two thirds of them from their boss. Whitney Wolfe, a co-founder of Tinder, took Justin Mateen to court for ****** harassment. Her lawsuit against the company alleged that Mateen, her former partner, sent text messages calling her a “*****”.

Spiegel has tech bro form. He apologised after emails from his days at Stanford emerged: missives about stripper poles, getting black-out drunk, shooting lasers at “fat chicks”, and promising to “roll a blunt for whoever sees the most **** tonight (Sunday)”. After one fraternity Hawaiian luau party, he signed off emails “f*
bitchesgetleid”.

No wonder some women are not inspired to become Twags. Especially when you could be a tech billionaire yourself. Would you not rather be Sheryl Sandberg, chief operating officer of Facebook, than married to the boss?Read more at:http://www.marieaustralia.com/evening-dresses | www.marieaustralia.com/black-formal-dresses
Bunhead17 Nov 2013
[Intro: Big Sean]
I look up
Yeah and I take my time, *****
I'mma take my time, whoa
Power moves only, *****

[Verse 1: Big Sean]
Boy I'm 'bout my business on business, I drink liquor on liquor
I had women on women, yeah that's bunk bed *******
I've done lived more than an eighty year old man still kickin'
Cause they live for some moments, and I live for a livin'
But this for the girls who barely let me get to first base
On some ground ball ****
Cause now I run my city on some town hall ****
They prayin' on my *******' downfall *****, like a drought, but
You gon' get this rain like it's May weather
G.O.O.D. Music, Ye weather
Champagne just tastes better
They told me I never boy, never say never
Swear flow special like an infant's first steps
I got paid then reversed debts
Then I finally found a girl that reverse stress
So now I'm talkin' to the reaper to reverse death
Yep, so I can kick it with my granddad, take him for a ride
Show him I made somethin' out myself and not just tried
Show him the house I bought the fam, let him tour inside
No matter how far ahead I get, I always feel behind
In my mind, but **** tryin' and not doin'
Cause not doin' is somethin' a ***** not doin'
I said **** tryin' and not doin'
Cause not doin' is somethin' a ***** not doin'
I grew up to Em, B.I.G. and Pac *****, and got ruined
So until I got the same crib B.I.G. had in that Juicy vid
*****, I can't *******' stop movin'
Go against me, you won't stop losin'
From the city where every month is May-Day at home, spray your dome
****** get sprayed up like AK was cologne for a paycheck or loan
Yeah I know that **** ain't fair
They say Detroit ain't got a chance, we ain't even got a mayor
You write your name with a Sharpie, I write mine in stone
I knew the world was for the taking and wouldn't take long
We on, tryna be better than everybody that's better than everybody
Rep Detroit, everybody, Detroit versus everybody
I'm so ******' first class, I could spit up on every pilot
The city's my Metropolis, feel it, it's metabolic
And I'm over ****** sayin' they're the hottest ******
Then run to the hottest ****** just to stay hot
I'm one of the hottest because I flame drop
Drop fire, and not because I'm name dropping, Hall of Fame droppin'
And I ain't takin' **** from nobody unless they're OG's
Cause that ain't the way of a OG
So I G-O collect more G's, every dollar
Never changed though, I'm just the new version of old me
Forever hot headed but never got cold feet
Got up in the game won't look back at my old seats
Clique so deep we take up the whole street
I need a ***** so bad that she take up my whole week, Sean Don

[Bridge: Kendrick Lamar]
Miscellaneous minds are never explainin' their minds
Devilish grin for my alias aliens to respond
Peddlin' sin, thinkin' maybe when you get old you realize
I'm not gonna fold or demise
(I don't smoke crack, ******* I sell it!)
*****, everything I rap is a quarter piece to your melon
So if you have a relapse, just relax and pop in my disc
Don't you pop me no ******* pill, I'mma a pop you and give you this

[Verse 2: Kendrick Lamar]
Tell Flex to drop a bomb on this ****
So many bombs, ring the alarm like Vietnam on this ****
So many bombs, make Farrakhan think that Saddam in this *****
One at a time, I line them up
And bomb on they mom while she watching the kids
I'm in a destruction mode if the gold exists
I'm important like the Pope, I'm a Muslim on pork
I'm Makaveli's offspring, I'm the king of New York
King of the Coast, one hand, I juggle them both
The juggernaut's all in your jugular, you take me for jokes
Live in the basement, church pews and funeral faces
Cartier bracelets for my women friends, I'm in Vegas
Who the **** y'all thought it's supposed to be?
If Phil Jackson came back, still no coachin' me
I'm uncoachable, I'm unsociable, **** y'all clubs
**** y'all pictures, your Instagram can gobble these nuts
Gobble **** up til you hiccup, my big homie Kurupt
This the same flow that put the rap game on a crutch (West x6)
I've seen ****** transform like villain Decepticons
Mollies'll prolly turn these ****** to ******* Lindsay Lohan
A bunch of rich *** white girls looking for parties
Playing with Barbies, wreck the Porsche before you give them the car key
Judgment to the monarchy, blessings to Paul McCartney
You called me a black Beatle, I'm either that or a Marley
(I don't smoke crack, *******, I sell it)
I'm dressed in all black, this is not for the fan of Elvis
I'm aiming straight for your pelvis, you can't stomach me
You plan on stumpin' me? ***** I’ve been jumped before you put a gun on me
***** I put one on yours, I'm Sean Connery
James Bonding with none of you ******, climbing 100 mil in front of me
And I'm gonna get it even if you're in the way
And if you're in it, better run for Pete's sake
I heard the barbershops be in great debates all the time
Bout who's the best MC? Kendrick, Jigga and Nas
Eminem, Andre 3000, the rest of y'all
New ****** just new ******, don't get involved
And I ain't rocking no more designer ****
White T’s and Nike Cortez, this red Corvettes anonymous
I'm usually homeboys with the same ****** I'm rhymin' with
But this is hip-hop and them ****** should know what time it is
And that goes for Jermaine Cole, Big KRIT, Wale
Pusha T, Meek Millz, A$AP Rocky, Drake
Big Sean, Jay Electron', Tyler, Mac Miller
I got love for you all but I'm tryna ****** you ******
Trying to make sure your core fans never heard of you ******
They don't wanna hear not one more noun or verb from you ******
What is competition? I'm trying to raise the bar high
Who tryna jump and get it? You're better off trying to skydive
Out the exit window of 5 G5’s with 5 grand
With your granddad as the pilot he drunk as **** trying land
With the hand full of arthritis and popping prosthetic leg
Bumpin Pac in the cockpit so the **** that pops in his head
Is an option of violence, someone heard the stewardess said
That your parachute is a latex ****** hooked to a dread
West Coast

[Verse 3: Jay Electronica]
You could check my name on the books
I Earth, Wind, and Fire’d the verse, then rained on the hook
The legend of Dorothy Flowers proclaimed from the roof
The tale of a magnificent king who came from the nooks
Of the wild magnolia, mother of many soldiers
We live by every single word she ever told us
Watch over your shoulders
And keep a tin of beans for when the weather turns the coldest
The Lord is our shepherd, so our cup runneth over
Put your trust in the Lord but tether your Chevy Nova
I’m spittin' this **** for closure
And God is my witness, so you could get it from Hova
To all you magicians that’s fidgeting with the cobra
I’m silent as a rock, ‘cause I came from a rock
That’s why I came with the rock, then signed my name on the Roc
Draw a line around some Earth, then put my name on the plot
Cause I endured a lot of pain for everything that I got
The eyelashes like umbrellas when it rains from the heart
And the tissue is like an angel kissin you in the dark
You go from blind sight to hindsight, passion of the Christ
Right, to baskin' in the limelight, it take time to get your mind right
Jay Electricity, PBS mysteries
In a lofty place, tangling with Satan over history
You can’t say **** to me - Alhamdulillah
It’s strictly by faith that we made it this far
This is the lyrics to "Control" by Kendrick Lamar ft. Big Sean ft. Jay Electronica, ****. No I.D ...
I so mad that he dissed half of my favorite rappers and how is it that he dissed Big Sean and Jay Electronica and they're rapping in this song....I don't understand. But i kinda like this song.
Robin Carretti Aug 2018
Hearts another beat a second
A+ made the grade rare meat
Why is everything told to
us in a heartbeat
This is getting way too sweet
"Lips took Beeswax" bittersweet

Someone got stung B-
Strong sound muffler
Joyride Owl Hoot clever
Sweet and sourpuss
honey babe

Her mustard lips of custard
Hot temperature rising
The spicy lady opening
up new horizon gate

Too many sad rides
empty plates last joyride
Gas empty blame the county
Why did we call this joyride
without knowing
your fate

The others are more noticed
Fashionably they came late
Dine and the Wine joyride
romanced money upfront
advanced

Lips like jewels left their stale
You were the chosen one taken
for a ride from
a crooked male

Like bushel big loot basket
Rock the Kasbah rocket
Golden joyride ticket the
pickpocket
Getting away with ******
****** lips in the gasket

The joyride so beat looked
disheveled new love
unraveled
So messy but **** neat
looking, Lexus,
She looks mighty fine like
Venus, I beg you to zoom

And the love after all the treats
Sherlocked in his room
The devil made me do it
All flushed and deep red
Hearing his joyride of beats
What was really going
through her head
Hard rock ambient
painter deviant

The holiday like racing hot rod
Harvest Halloween of a joyride
Two peas in dark maze pod
Igniting a hot fire
Her lips need to decide
Who was underneath the
fumes of his fire

The coffee taste accelerating
Do we feel the pulsing beat
What a high anxiety peak
High intense flavor
You waiting for his joyride
Christmas and Hannukah
Tree to decide that's easier
But wait for true love above all
the gifts to deliver
Like bedrock meeting
Monster ride plant-eating Bug
More slugs my chinch
Inchworm of books at Joyride
College Dorm horn alarm
Manifestation enjoying
her joyride
What a conniver
Greece with my niece
vacation
Basil New rival tea
Pomegranate Cherry-bomb
Blonde Bombshell
Culture novelty joyride
Ring my servant bell
Met their sanity tomb

Her hand's dainty they shine
and sparkle
Her lips know how to jingle
Arace for hearts of stories
and memories
Always the death hand takes
a ride to the winding road of
the cemeteries
Just stay for the moment
think about the
Joyride forth of July
Our firecrackers went off at
the same time
Brie cheese favorite time
English tea and crackers
Like two lips sublime read
her diaries in his designer dockers

Going to the end of the earth lips
light up New York City galleries

Needing the fresh corner
Sunset taking lowrider Boulevard
Hollywood Oh! No world
Wildly satanic or the carefree type
Her joy smile he's sold on skype
Benevolent triad remembering
The mad magazine
MLM Maserati longevity Master
Of the joyride gun blaster
"Lips build like a Pyramid"
Becoming irresistible
Not to humble

Lips race Joyride to gamble
Nothing weakens to crumble
Baking a crumb cake its
doable stays together but
things unnamed not like
a marriage

We get blamed joyride
got damaged
We become gullible
What becomes of the broken heart
someone isn't reliable
Lips are not responsible
Leadership has you cornered  
To stumble upon her lips
Rendered steamboat surrender
How he tumbles
Mr. Grey Poupon Mustard seed
He plants her like his
only joyride
In need
We are all Jupiter the moon
joy to the world
All the boys and girls being
taken for joyrides

The Beach boy's video games
Spy lips whose to blame
Phillip screwdriver
But they take a ride
All you could pick a hot buffet
feasting she is still wearing
hot lipstick
Men have their choice of
they're next
Joyride Bride about the money
Wall-Street cars of hobbies
investing
Yeah right?
Lips take a joyride can we all please take a moment lets decide what we will do.
Is it really up to you for the road always him light that fire trim lips glow joyride fires out you tell the world what it is all about?
judy smith Apr 2016
From fairytale princess gowns to feathery mini-dresses, bold skinny trouser looks and showgirl sequins, Bridal Fashion Week had something for brides of every size, shape and style inclination.

White reigned, as did classic silhouettes to please the most traditional bride. For everybody else, there were splashes of color, plenty of fluttery floral applique and sparkle, sparkle, sparkle.

Highlights from the Spring 2017 collections:

CHRISTIAN SIRIANO FOR KLEINFELD

After a smaller, capsule collection for the famed bridal shop, Siriano teamed with Kleinfeld again on a broader range.

His show stopper was a pricey pink ombre ball gown with a sweetheart neckline and skinny straps. As an evening wear designer, Siriano said bridal was a natural fit. He created in a range of sizes up to 24 or 26 — and a range of price points from about $3,500 to about $19,000.

Noting most dresses can be modified, he showed a lot of sleeves. There were long lacy ones on a column gown and a structured, off-the-shoulder pair in satin, embellished with tulle and strings of pearl.

One of his mermaid gowns included cascading ruffles. He used four tiers of ruffle at the bottom of a white, tailored suit jacket with matching boot-cut trousers.

Siriano also offered a range of hem lengths, from well above the knee in an appliqued mini to a fitted tea length with an ornate high neck and dramatic train.

In a backstage interview, Siriano said he's enjoying his first full push into bridal with the 27 pieces for Kleinfeld after focusing most of the time on evening.

"But the customer is so different," he said. "There's not as many rules. You can get away with trying new things, doing new things. It's a little fantasy dream world."

And what will Siriano wear when he weds his longtime boyfriend, Brad Walsh, at their Connecticut house this summer?

"I don't know. Literally we've got nothing," Siriano laughed.

INES DI SANTO

This was a **** runway dominated by sheers holding lots of floral creations in place. Romance meets sensuality is how the Toronto-based designer likes it.

While many of her looks were fit for royalty, complete with extra-long trains, she also ventured into over-the-top. An ultra-short hem with just one long lace sleeve had tulle skirting that skimmed the floor in back and leggings mismatched with floral embellishment, offering the appearance of one bare and one covered.

Spring itself was her inspiration this time around.

"The flowers, the garden, the beautiful trees, the sky, the sun," Di Santo said in an interview.

There were other vibes, in a sleeveless illusion Palazzo romper, for instance, with an encrusted bodice and dramatic detachable bell sleeves.

"I went very soft, romantic. You can see through the layers of the lace, the legs, the tulle," she said.

Like other designers, Di Santo included fit-and-flare looks along with sheaths, A-line silhouettes, halter necks and princess ball gowns.

Her backs and necklines were often illusion style, offering a barely there appearance. She included open bolero jackets for brides looking for a little cover, along with detachable skirt options for those who want to change up the outfit for the reception.

At the core of any bridal collection, Di Santo said, is how the dress speaks to budding love in marriage.

"It's so important," she said. "You can live without many things but you cannot live without love."



OSCAR DE LA RENTA

Designer Peter Copping is making his mark gradually at the storied Oscar de la Renta label, with a mind toward both preserving his predecessor's legacy and modernizing the label in his own way. In his bridal collection, Copping included some looser shapes — not everything was cinched tightly at the waist, princess-style — and even some short bridal gowns.

"I was thinking of the different women who are brides and the different ways women can get married," Copping said in a post-show interview, "because it's not always the same rules or traditions that people are looking for. So I think it's important within the collection to have a good cross-section of dresses, some short, some big columns, a real mix of fabrics."

Indeed, some of the gowns featured the sumptuous, extravagant embroidery for which the house is justly famous, and others featured much subtler embroidery for a more modern look.

"I think it was really just having a complete range of dresses," Copping said. The most striking were two short numbers, a nod to the popularity (and danceability) of shorter lengths, even if you can afford the big princess gown. "Yes I think it's popular," Copping said of the shorter length, "and I also think it's very relevant for rehearsal dinners, where a woman can still feel bridal the night before."

A highlight of the de la Renta bridal show is always the impeccably attired little children modeling flower-girl designs. "Having children here reflects what a real wedding is," said Copping.

And then there was Barbie.

Guests were sent home with the de la Renta Barbie doll, wearing a strapless white lacy column gown with a light blue tulle overskirt — something blue, of course. And in case you were wondering, under the skirt were some teetering white heels. No flats for this miniature bride.



REEM ACRA

For a bride looking to be just a bit daring, visible boning in corseting lent a uniqueness to some of Acra's fitted bodices.

There was an abundance of drama in ultra-long trains and encrusted sheer overlays. And Acra, too, offered a variety of sleeve options, including a web design on a snug pair that ended just above the elbow. The design, almost twig-like, was carried through to the rest of the full-skirted look.

Many of her dress tops were molded at the chest, bustier style, while she played with the lower halves. And some of her silhouettes fit tightly across the rear, sprouting trains where some brides may not feel entirely comfortable sporting one.

Acra put a twist on other trains, creating them to detach and also be used as veils. And she went for laced-up backs, both high and plunging, on some dresses.

In an interview, she called the collection "very airy, very light." Indeed, the stage lights during her show shone right through some of her dresses.

For the edgier bride, one who might appreciate the James Bond music Acra used for her show, she offered an unusual embroidered illusion gown adorned with pearls, white jewel stones and metal grommets.

Today's brides, she said, "have to have fun," adding: "She can't stress out about her wedding. Enjoy the ride and be the bride!"



MONIQUE LHUILLIER

There were lingerie-inspired elements here, too, with a touch of color in rose, pistachio, antique ivory and caramel. There were pops of fuchsia in bloom applique fitting for the outdoor garden where she staged her show.

Lhuillier decorated some organza gowns with hand-painted floral designs in asymmetrical layered tulle and silk organza. Deep necklines were prominent, with simple slip dresses offered along with bohemian gowns of lace and sheer skirts. Lhuillier also used corset bodices paired with cascading tulle skirts.

The collection felt like a chic romp, complete with high slits for a run through nature.

"My woman this season is in love and care free," Lhuillier said in an interview. "A little bohemian but just carefree."

The only clear trend in bridal these days, she said, is the need for designers to present more options.

"My core bride is somebody who loves femininity, she loves tradition but with a modern twist. And she wants something interesting with a lot of details," Lhuillier said.

There's definitely more fashion involved than when she began in bridal 20 years ago.

"One of the main reasons I got into the bridal business was when I was a bride in 1994, looking for a gown, I thought the options were so limited, and there was not a lot of fashion ideas," Lhuillier said.

Her bride doesn't want to be weighed down, however.

"She wants to look effortless," Lhuillier said. "But she wants to feel **** on her wedding day."

Are we all romantics on our wedding day?

"For me it's a really happy business," Lhuillier said. "We all are romantics deep down inside."



Associated Press writer Jocelyn Noveck contributed to this report.Read more at:www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-perth
judy smith May 2016
ALMOST 500 aspiring fashion designers competed to represent Malaysia in the grand finale of this year’s AirAsia Runway Designer Search 2016.

The online submissions were narrowed down to 25 contestants, where a panel of judges chose their top 10 from that pool.

These top 10 contestants aged between 18 and 28 years old were judged based on their creativity, originality, theme and presentation.

From there, the top three lucky ones will represent Malaysia in the grand finale, which will also see contestants from five other Asian countries including Singapore, Indonesia and the Philippines.

“We have so many potential designers this year and it is very exciting to see their designs come to life on the runway,” said Kuala Lumpur Fashion Week Ready to Wear (KLFW RTW) founder Andrew Tan.

He said there was no one winner when it came to fashion as everyone had their own kind of creativity, which is why he is happy to send three finalists from Malaysia to compete in the grand finale.

“We are proud to have three designers representing our country.

“This year’s theme of Asean inspiration is where they can draw their inspiration from any Asean country, not just Malaysia,” he said.

He advised aspiring designers to not miss this opportunity to shine at one of the country’s biggest fashion events.

This can also be their platform to make their dreams come true as their designs will be showcased at the Kuala Lumpur Fashion Week and sold on Fashion Valet.

Joining Tan on the judging panel was AirAsia Berhad chief executive officer Aireen Omar who sees this as an event to capture Malaysia’s best talent in the fashion industry.

“We decided to make this contest a regional one to not only create more excitement but elevate the contest to a higher level,” she said.

Last year, the runway designer search was limited to Malaysian contestants.

She said making the contest regional was in line with AirAsia, which was all about networks and connectivity.

“It is also in sync with our Asean theme, where contestants draw inspiration from their travels to other countries,” she said.

In August, the top three contestants from each country will compete at the grand finale in Kuala Lumpur.

The winner will walk away with the title “Air Asia’s Most Promising Young Designer 2016” and prizes worth at least RM350,000 including a confirmed show segment to showcase the full collection on (KLFW RTW).

In addition, the winner will be mentored by the KLFW RTW team, RM25,000 to produce a capsule collection on Fashion Valet and RM150,000 AirAsia BIG Points to fly.Read more at:http://www.marieaustralia.com/formal-dresses-adelaide | www.marieaustralia.com/formal-dresses-perth
judy smith Jul 2016
Veteran fashion designer Tarun Tahiliani believes that the Indian fashion industry has become more organised and a little more professional.

Best known for his ability to infuse Indian craftsmanship and textile heritage with European tailored silhouette, Tahiliani believes that the Indian fashion industry has become more strategised and cemented over the last 20 years.

"India's propensity to consume is gaining an international audience and this is changing the competitive landscape," Tahiliani told IANS in an email interview.

"It has certainly become more organised and a little more professional, and obviously the market has exploded, but I think that we still have a long way to go in terms of being more business oriented and there's still room to get more organised and professional," the designer added.

Eulogizing the new and younger crop of designers, Tahiliani, who has over two decades of experience in the industry, believes that they are doing well in terms of the handloom and textile industry.

"What's really heartening to see is that there are so many younger designers who are going places and are doing so well in terms of the handloom and textile industry... it has become more organised. I think handloom was very localised in terms of weavers with a certain look from a certain area sold through certain channels," said the Co-Founder of Ensemble -- a multi-designer boutique.

"There has been a lot more creative freedom and other regions are experimenting with textile alien to their region, especially if they are more lucrative. As long as people appreciate traditional craftsmanship and embroideries, machine work will never replace the richness of hand embroidery," he added.

Asked if the plus-size models are yet to move into the mainstream industry in India?

"Well, they should have moved into the mainstream long back. But are not normally associated with very expensive high fashion and couture," Tahiliani said.

Having draped most of the leading ladies of Bollywood like Priyanka Chopra, Aishwarya Rai Bachchan and Madhuri Dixit-Nene in his creations, Tahiliani says that fashion is his muse, not a Bollywood star.

"Art, architecture, interiors, history, travel and maharajas... My inspiration comes from many things. Sometimes it's from beautiful inlay work that I've seen in a fabulous monument; other times my inspiration can be something as simple as a beautiful kanjeevaram weave," he said.

"Ultimately, however, my inspiration comes from India's rich traditions of craftsmanship, particularly when it comes to things like embroideries that we have in India. Nothing is more amazing than beautifully executed, intricate and fine technique. I don't design clothes keeping a Bollywood star in mind, but rather for the new age contemporary woman," he added.

Tahiliani is all geared up to showcase his collection The Last Dance of the Courtesan at the FDCI India Couture Week 2016 on Thursday here. He has artistically blended fabrics like cotton jacquards, cotton silks, crepes and cutwork jamdanis with Swarovski crystals for the range.

That's not all. He will next participate in the Vogue Wedding Show and then the prestigious Lakme Fashion Week, to be held in Mumbai in August.

"I will present my Ready to Wear Autumn Winter 16-17 collection at Lakme Fashion Week. It has been inspired by the works of Mrinalini Mukherjee (late sculptor) and the journey only gets bigger and better from here," he said.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/pink-formal-dresses
Michaela Tripp Mar 2013
We live in a world filled with stereotypes.
Stereotypes that make us ashamed of who we are.
There’s a woman in my neighborhood who wears tight clothing and high heel shoes but that doesn’t mean she’s a ******.
There’s a boy in my class who listens to rap music and wears baggy clothes, but that doesn’t mean he’s out on the street selling dope.
There’s a girl in my class who rarely says to words and get’s straight A’s, but that doesn’t mean she’s a goody goody.

People ask us all the time of who we think we are,
but it doesn’t matter to them because before we can even digest the question and regurgitate the answer they have already made their mind up of who they think we are.

Some people are considered a brain.
Some a trouble maker
or a ****.
A princess
or a ******
But the truth is we are all smart, just in different ways.
Everyone of us has some athleticism in us.
Everyone one has gotten into some trouble.
We have all had are princess or prince moments.
And everyone of us is weird,
some people are just better at hiding in it.

You remember my neighbor I told you about?
She dresses like that, not because she is trying to sell herself
but because when she was younger she got bullied and no one ever noticed her because she never had designer clothes because her mother had no job and her father left when she was 4. And ever since then she made herself a promise that she would make sure people noticed her.
And that boy with the baggy clothes?
He wears those baggy clothes to cover up the cuts and bruises his father comes home from the and had one to many drinks.
And the girl who get’s straight A’s and doesn’t say much?
She get’s those straight A’s because if she doesn’t she gets a straight hand across the face and she doesn’t talk because she has sever anxiety.

So the next time you point and laugh at someone remember that they’re 3 fingers pointing back at you.
And the next time you assume something about something remember that when yo assume yo make an *** out of U and ME.
Moon Humor Apr 2015
~Many people rely on the convenient, easy ways of living in this age of fast food, plastic packaging and rapid development. Most people do not care to see why they live the way they do or what it takes to live in such a way. Toxic pollutants leaching into our earth and water should not be worth the convenience! Third world women working in dusty, cramped factories to make designer purses for fifteen year old girls. Garbage is America’s biggest export and it ends up in China, on the coast of Somalia... anywhere that American citizens won’t be bothered to see it.

~What does it mean to buy a pack of plastic razors? Some metal, some chemicals, some plastic, more plastic for packaging. Use a razor a few times and toss it in the garbage. Somewhere, maybe at La Chureca, someone will pull the rusted metal and plastic from the landfill. They might make one US dollar per day collecting scraps of aluminum, glass, plastic and other scrap metals. What does it mean to wear deodorant? The plastic stick isn’t reusable. The ingredients are highly toxic. Aluminum-based antiperspirants have been linked to Alzheimer's and cancer. Soap comes in plastic bottles, coffee makers made of plastic, water bottles made of plastic… hell, my plastic shower curtain came wrapped in plastic packaging.

~Americans are lucky. Indoor plumbing with quality water. Green lawns and exotic flower beds. Buy and use, throw away and repeat. Big corporations pay off politicians to pollute. Industrial waste, land erosion, low air quality, pesticides. Why are we so quick to trust an artificial sweetener being promoted by a company that makes poison? They call you a hippy, a conspiracy theorist. They tell you that you only live once and to stop being so worried about it all. I ask them, how can you look away? Deforestation and destruction are all around. Those that profit are not concerned with what happens to the land after the loggers and miners have left the ground scarred and desolate.

~Modern living is a hoax. Yeah, you get around quick in your car but at what cost? Carbon dioxide, greenhouse gasses choking us and everything alive that lives with us and cannot speak. Can’t you walk to the corner store? Can’t you grow a few things in the garden or in the windowsill? When was the last time you saw a sunset and didn’t take a picture of it? Dairy cows packed together so tight they can’t turn around for your glass of milk. The disconnect is everywhere. Overpopulation. Overconsumption. People don’t care.

~They can choose. They can choose paper over plastic. They can buy a water filter instead of 20 plastic bottles. They can bike to work. Anyone can lessen their impact, anyone can think more deeply and live more sustainably. But we’ve made it so easy to be lazy. We’ve become so dependent that we’re forgetting to use technological gains to make the way we do things better. We’ve come so far that we’re forgetting what brought us here.

~

‘We are slaves in the sense that we depend for our daily survival upon an expand-or-expire agro-industrial empire – a crackpot machine – that the specialists cannot comprehend and the managers cannot manage. Which is, furthermore, devouring world resources at an exponential rate.’ Edward Abbey

‘In the developing world, the problem of population is seen less as a matter of human numbers than of western overconsumption. Yet within the development community, the only solution to the problems of the developing world is to export the same unsustainable economic model fuelling the overconsumption of the West.’ Kavita Ramdas

‘Water and air, the two essential fluids on which all life depends, have become global garbage cans.’ Jacques-Yves Cousteau

‘Globalisation, which attempts to amalgamate every local, regional, and national economy into a single world system, requires homogenising locally adapted forms of agriculture, replacing them with an industrial system – centrally managed, pesticide-intensive, one-crop production for export – designed to deliver a narrow range of transportable foods to the world market.’Helena Norberg-Hodge

‘Throughout history human exploitation of the earth has produced this progression: colonise-destroy-move on.’ Garrett Hardin
Quotes from: theguardian.com
Sammie wells Feb 2013
When I was a little girl I wanted to be a princess, parade around my castle all day in pretty clothes and tiaras on my head.

When I was a teenager I wanted to be a mummy, my very own tiny baby that would sleep all night and be kitted out in only designer gear, we'd  have everything.

When I was becoming a adult I wanted the big white wedding, the fancy ring and husband who would stand by me through anything.

Now I'm a woman the wanting has left my head, life is not a fairy tale and designer clothes ha! Only if you're rich, beware of the husbands you choose two for they can turn out to be just pigs.

Now older and wiser still I really must say, the only thing you should be wanting is happiness and peace for each and everyone.

(SW)
Thought I would try something other than glum
John Ryles Mar 2012
With one old roller skate
I'd be out to play
The local boys
Would stay all day

Remove the straps
You’re left with a chassis
Then an old Beano book
It looked real classy

Now to the longest bank
Only one car a day
Place the book on top
We’re on our way

Sitting low legs outstretched
Leaning back the race begins
Round the corner leaning to the side
Riding our skateboards with pride

No designer logo
Or high speed wheels
To come to a stop
We used our heels

Those summer days we were young
Happy children having fun
It cost not a penny to improvise
One old skate with a book the right size

It's quite sad to see
All the waste today
Expensive toys
Just thrown away
ghost queen Nov 2019
You ask why I am anxious, why i am depressed, let me list for you the reasons why:

Global warming
Melting glaciers
Heatwaves
Polar vertices
Category 6 hurricanes
F5 Tornadoes
Droughts
Desertification
Floods
Wild fires
Snowless winters
Ice free arctic
Antarctic ice shelf collapse
Greenland glacier melting
Perma forst thawing

Ocean warming
Ocean acidification
Coral bleaching
Sea level rising
Coastal erosion
Over fishing
Fisheries collapse
Plankton extinction
Fertilizer run offs
Chemical pollution
Raw sewage dumping
Red algae blooms
Vibrio explosions

Ozone layer depletion
Lack of fresh potable water
Acid rain
Top soil depletion
Dead soil
Deforestation
Banana palm tree cultivation
Evasive species
Overpopulation
Urban sprawl
Insect apocalypse
Animal extinction
Lower biodiversity
Bird apocalypse
Bee apocalypse
Bat apocalypse
Amphibian apocalypse

Aging nuclear power plants
Superfund sites
Radioactive contamination
Three mile island, Chernobyl, Fukushima
Endocrine disrupters
PBAs
Autism
***** count collapse
Effeminization of men

Noise pollution
Light pollution
Chronic stress
Diabetes
Metabolic diseases
Over eating
Obesity

Drug resistances
New and emerging diseases
Epidemics pandemics
Swine and bird flu
Genetic modification
Biotech tech
nano tech
Crispr
DNA
genetic testing
Designer babies
Aging population
Health care rising
Unaffordable medications
Uninsured
Medicare of all
Medical bankruptcy
Social security bankruptcy

Rise of terrorism
Rise of extremism
Far right
Alt right
Lack of education
Masculine identity crisis
Emasculation of men
Decline of boys
Rise of girls

Increasing depression and anxiety
Increase anxiety depression among young girls
Lack of human connection
Social isolation
Social awkwardness
Snowflake generation
Disintegration of the family
Suicides
Social media addiction
**** addiction
Drug addiction
Alcohol addiction

Lack of equality
Political corruption
Kleptocracy
Corporatocracy
Plutocracy
Oligarchy
New American aristocracy
Too big to fail
Privatize profits, socialize losses
Decline of democracy
Fascism
Terrorism
Religious extremism
Religious tension
Political divisiveness
National unity
Second American civil war
Helplessness of the common man

Big data
Data protection
Algorithms
Internet tracking
Lost of privacy
Artificial intelligence
Singularity
AI white collar job lost
AI automation
AI back office
Autonomous AI
5G supremacy
Quantum computer supremacy
Virtual reality
Augmented reality
Cybernetics
Chronophobia
Outsourcing
Off shoring
On shoring

Over education
Under employment
Skills gap
3rd world immigration
La reconquista
Cultural dilution
Status quo
Declining economies
Housing crisis
Housing cost
Homelessness
Illiteracy
Hunger
Unemployment
Full employment
Racism
Intolerance
Race relationships
Increasing crime
Student loans
Credit card debt
High mortgages
7 year car loans
Inverse yield curve
52 week high

Wars
Military interventions
Social uprisings
Dwindling resources
Resources conflicts
Rare earth metals
Depletion of helium
Peak oil
Fracking
Water wars
Climate refugees
A list of worries people face today that is causing anxiety and depression
judy smith Feb 2017
It is the only platform for designers of men’s clothes on the continent that does not have to share the spotlight with the more traditional women’s fashion scene, organizers of the South Africa Menswear Week (SAMW) say.

In its 5th edition this year, SAMW showed African designers challenging the imagination of menswear style and standing up to be counted alongside some of the world’s top fashion creators.

Mzuksi Mbane – an accounting graduate with no formal design training, used his brand ‘Imprint’ to stay true to African influences, with a range of distinct prints on soft but structured pieces and inspired by style beyond the designer’s home base, South Africa.

“For me I always play around with the story of a traveler, so it’s not just a person focused in SA, it’s an African man from all over Africa because if you look at my collection that I did for Winter, it was focused a lot from Morocco so it was Africa from South Africa, it carried stories from Morocco and then I had pieces there that I took from Ghana, so there is always that mix because it is supposed to unify a, it is supposed to focus on roots that we share as Africans. So yes I take a lot from Africa as a whole,” said the designer.

“Imprint’s style is quite contemporary and the details, oh my gosh! It’s fantastic and the mixture of the colours, it’s not every day you see a designer that can combine such kind of basic colours together and come up with such details,” said Evans Johns, a guest at the show.

UK-born Nigerian designer, Tokyo James’ urban street-wear chic went beyond the African print staple for looks he said are meant to cater to the tastes of men anywhere in the world.

“I draw inspiration from Nigeria but I design for a global audience. I strongly believe Africa is part of the world so I tend not to like to just limit myself to just to the Africa aesthetic. Africa is part of the world so when I am designing I am designing for the man in general, so it could be a European man, it could be the Asian man, it could be the African man. I am designing for the man, basically just as long as you are a man you can wear Tokyo James,” he said.

Sponsored by carmaker Lexus, the event was held at The Palms in Woodstock, Cape Town – an airy space that organizers said was classy yet simple enough not to compete with the spirit of SAMW, which aims to take men’s fashion more seriously.

“There are hundreds of fashion weeks on the continent, the problem is they are mostly driven by entertainment or other effects. What we have done to separate ourselves from everybody else is to focus on the clothes. We have only the best designers that get curated and the whole process to curate, to get the best clothing on to our runway and that is why everyone comes here to look at this point where the clothes is, because if they wont to see what are the new trends, what is happening in African fashion, this is where they come to find it because we have got the best people on our platform on our ramp,” said Ryan Beswick, executive director of SAMW.

SAMW takes place twice a year and is modeled around the London Fashion Week Men’s.

It also provides opportunities for African designers to eventually show their work in London – one of the world’s top fashion capitals.

This year, some critics challenged African designers to take it to the next level and make a bigger mark on the global scene by setting a new standard of quality.

“We take the style as it is and we know how to interpret the African traditions and the style and you know… the ethnicity and what happens is that the rest of the world takes that style and adapts it and kind of, sometimes improves on it, so we need to learn to refine our own style ourselves and make it top notch that when the world sees it they are like wow! You know? And they stand back and they look and they think, there is nothing you can actually improve on,” said Boitumelo Pooe, from the South Africa Fashion Council.

South Africa has one of the continent’s most successful fashion industries and was worth more than 200 billion rand ($15 billion) at the end of 2014.

Other designers who took part in the event were Nao Serati, Nguni Shades Kidd Hunta and Craig Jacobs as well as Jenevieve Lyons and Kim Gush.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/black-formal-dresses
Shofi Ahmed Jun 2017
Picture yours, put it out
to your kaleidoscope.
Like the day at the full-blown noon
or the night on the cheek of the moon
a flame burning on the underlying dark
a dawn switches on the first light
a sun comes out of the night.
Visualise your latent one
put it on before your mirror!

Princely give the eyeballs a designer treat.
Paint your masterpiece at the day’s peep.
Hook the browsers at their first click.
JoSmith Oct 2016
Me,

Right now, you're in high school. Everything about it *****. You're not sure who your real friends are. You're so self-conscious. You've decided that no one could ever love you. You're afraid of being judged. You can't stand your parents. Well, let me tell you, it gets better.

Remember all those "friends" you thought you had? Well, they aren't your friends now. But that's okay, because you decided who was really important in your life. Now, you have your best friends. People who actually care for you and want to be in your life forever.

I bet Whats-His-Bucket reminds you how fat you are everyday, right? Well, that's okay. You'll come to realize, that you're not fat. You're thick. Now, you shouldn't use that as an excuse to not eat right or exercise. But it's in your genetic makeup, you'll never have a thigh gap. You'll always have a big *****. You're stomach will never be flat. You won't fit into designer jeans, but that's okay. It's okay because you are BEAUTIFUL. You have your mothers face, and she was gorgeous. You have a wonderful sense of humour, and it's attractive. You're smart, passionate, witty, spunky, weird. You are beautiful.

Love? You'll never find it in that town. All those boys you wanted to date in high school, married. Your first boyfriend, ******. But that's okay. It took some time, and some heart break, but you found the love of your life. He is someone who makes you feel special. He makes you feel worth it. When you have felt dead inside for so many years, he has brought you to life. He loves you, and you love him. Don't worry, he's not going anywhere. You're getting married to him.

You're so afraid of what people think of you. Maybe they'll think you're weird. Maybe they'll think you're too religious. Maybe they'll think you're a freak. Maybe they'll think you're too tall. Maybe they'll think you're dumb. But that's okay. You'll leave your hometown, you'll go to college, and you'll realize that no one cares. And if they do care, they aren't worth caring for. It's part of weeding out the fake people, and truly accepting your self. ***** them! You're you, and they won't change that.

Parents. Now, this one is tricky. You can't stand your father or your stepmother. You wish they would disappear. You just want them to leave you alone, and stay out of your life. Like, I said this one is tricky, but that's okay. You see, you moved out and your relationship with your dad got better. You respect your father, and you love him. But with your stepmother... you've learned to respect her as a person. You have yet to respect her as a mother figure. But, you've learned to compromise. Things have gotten better.

Sweetheart, it gets better. Life seems so tough right now. It seems so hard. At times, it's just too much to bear alone. But kid, know that you are never alone. You have angels watching over you. You have real friends who will pick you up when you fall. You have a God who will never let you go at something alone. I wish someone would've told me all this sooner, but I'm glad I had the experience. I'm glad that I could learn and grow. Now, since you're not in high school anymore; when you get down on yourself, read this letter. This letter will assure you that everything will get better. Life can get tough but that's okay.

Love,
Me

{Jo(e)}
High school was a particularly rough spot in my life, and I wish I could've had this guidance, or assurance, that life would be okay. But, now that's it's written, I can remind myself that life gets better.
judy smith Jul 2016
For some designers, fabric is the starting point of their collections. For others, it’s their initial sketches. But for Edda Gimnes, it’s neither. Or actually both.

The Norwegian born, London College of Fashion graduate begins by creating graphic drawings executed with her left hand though she is right-handed, and which possibly adds to their naïve charm. Blown up across canvas or reworked in fur, these drawings, inspired by an eclectic collection of found vintage photographs and objects, animate her living fashion cutouts. While this approach earned her more trouble than praise as a student, it has now paid off, earning her the 2016 Designer for Tomorrow title, sponsored by German specialty store chain Peek & Cloppenburg and its online shop Fashion ID, and this year under the patronship of Alber Elbaz.

Although Elbaz, who is recuperating from pneumonia, was not allowed by his doctors to fly to Berlin for the June 30 DFT show held during Mercedes-Benz Fashion Week Berlin, he was nonetheless most perceptibly present. Jury members all remarked how his hand — and his eye — could be felt in the cull of the first 15 finalists. Filmed the night before the show in Paris, his video welcome to the five finalists and the audience couldn’t have been more personal.

Watching the live-stream of the show, and together with the eight member jury board choosing the winner, Elbaz said he saw a lot of potential in Gimnes. “She captured my imagination and I’m keen to find out how her talent will evolve,” he said. The young creative will soon be meeting Elbaz in person, a trip to Paris to meet the designer the next step in the one-year sponsorship program.

Design competitions, like wine, have their good years and bad years, and this year’s DFT crop was especially strong. The other finalists included David Kälble, whose cross-cultural South African-inspired collection mixed fur trims and cable tie fringes; Elisa Kley’s ultra linear compositions; Marc Morris Mok’s geometry in motion (and Sponge Bob footwear) ideas, and Ancuta Sarca’s plasticized fashion wardrobe.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Andrew Parker Mar 2017
3-2-2017 (unknown date of origin)

Something's wrong... you don't belong here.
I said, looking down at the pineapple on my pizza.
I said, looking down at the ketchup on my macaroni.
I said, looking down at the cream of mushroom soup on my meatloaf.
He said, looking down at me and my boyfriend, holding hands in public.

Like I'm a creep.  I'm a ******.
What the hell am I doing here? I don't belong here.

You see there's these things that we learn at the dinner table.
When we're kids we have certain items served to us on our plates.
Whatever doesn't end up there, isn't a part of the discussion.
After all, they say if you don't have a seat at the table, you are likely to be on the menu.

So, when ****** orientation and gender identity aren't seated at the table of childhood, they get served for the first time in unexpected places.  

Like an avante garde celebrity chef's designer meal, prepared for critiques by the food bloggers.  

They get served in college classroom debates or in dorm rooms with freshman roommates.  

They're on the menu in in some movies but served with a side of stereotypes and silly trope toppings.  

They get grinded into glitter dust sprinkled on the annual PRIDE Parades like an overly salty seasoning mix.  

They're on the menu in workplace diversity trainings, but too little too late - they get lost in the marginalized buffet.  

They get served at the oppression Olympics, or actually at the Olympics unwillingly by a journalist who only pretends to eat a well-balanced diet, but really has LGBT food allergies,  if you know what I mean.


In reality, these should be staple dishes consumed by commoners, consumed by you and me, consumed by children along with their healthy daily dose of broccoli and cauliflower, squash and zucchini, even eggplant.  

They should be in every ******* cookbook with pictures and all different kinds of recipes!


I want every child to have gay on their dinner plate, lesbian lunch, gender nonconforming on the brunch menu, and bisexual breakfast.  

And everything in between in the queer spectrum served during snack breaks.  


I want every child to look down at their plate and see pineapple pizza and say, gee that looks great!  

I love all of the pizza toppings, no matter whether gay or nay.
... except for anchovies, of course.
judy smith Sep 2015
He's a high-end fashion designer with a celebrity following, but when it comes to the perfect wedding dress, Henry Holland has admitted you don't need to spend a fortune.

The designer from Greater Manchester, who has his own fashion house, said there are plenty of options for brides on a budget on the High Street.

'Being a fashion expert, I have something to say on the subject of wedding dresses, and I think you can look amazing without blowing your budget,' he said.

'Everyone knows that wedding dresses can cost an absolute fortune. You can spend anything from £8,000 - to £50,000 if you're J Lo. But there are so many amazing different styles and options on the High Street.'

Holland reveals his top picks, which can all be bought off-the-peg for less than £1,000, in his new Channel 4 show, The Changing Room.

He's impressed by the array of bridal gowns offered by Phase Eight, earmarking one Fifties-inspired design called the Sally Tulle wedding dress, which costs just £250.

He said of the dress: 'It's a cute Fifties-style prom shape with nice tulle and it doesn't look cheap, which is important. The fit and flare style flatters so many different body shapes and the length means you can show off your shoes.'

He also loved a cowl neck, full-length ivory gown from Ghost for £395, and a lacy £450 vintage-inspired wedding dress from Damsel in a Dress.

When choosing the perfect gown to walk down the aisle in, Holland recommends brides consider what they will look like from all angles.

He explained: 'Remember how important the back is. During the ceremony you will have your back to the congregation or your assembled group of friends.

'So for one of the only times in your life, think about how you look from behind.'

He advises looking for dresses with beads and sequin detailing all the way round - and again said this doesn't have to mean spending a fortune.

Showing a dress from Clifton Brides with a price tag of £995, he said: 'You can see the work that has been put into it; the beads and sequins have been sewn by hand by a skilled artisan.'

In his other style tips for brides he recommends glittery or lacy T-bar shoes and said 'always wear a veil'.

He said brides should not feel embarrassed about buying their dress from a High Street store. He added they should also banish worries about a guest turning up in the same gown with a stark warning for those planning their outfits for a friend or relative's big day.

'Buying off-the-peg is absolutely fine. You don't need to worry about anyone else turning up in the same dress as if any of your guests turns up wearing a white dress they need to be told to leave or escorted off the premises,' he joked.

One bride who took his style advice is Alex, who will tie the knot next June in Corfu.

She features in Holland's fly-on-the-wall series, The Changing Room, where cameras are installed in fitting rooms of House of Fraser, New Look, H&M;, Monsoon and River Island stores across the country.

In the first episode, which airs this evening, Alex is filmed trying on a wedding dress from Monsoon as well as picking her bridesmaids' gowns from the Oxford Street store in London.

She was impressed with the design and price of the £499 'Elise' gown, which is embellished on the front and has a mesh cut-away back covered in gems and beads.

'I love it, I don't think I want to try anything else on,' she said.

read more:www.marieaustralia.com/formal-dresses-sydney

www.marieaustralia.com/formal-dresses-melbourne
Lexander J Sep 2016
Roll up, there's another piece on sale
of rotted trendyness, in absence it prevails
sitting atop the throne of a plucky survivor
my mind useless, my body designer

I'm not a hero, I'm not a ***** - probably both
changing skin like fashion, both corrupt and gross -
oh do you like my hair, my bulging ****** excess?
I moisturised my face today with feaces and ground insects

eyes diamonds swamped in a pool of lies
followed by a scent of longing whilst inside swarms flies
thinking we know beauty, we ****** for fear others will take
but on the outside its easy to fabricate, to fake

I smell of roses today, oh yes I'm soo exquisite
killing in the name of love, juvenile and disgustingly delinquent
destroying myself to create a new persona I can own
but how can you have something that's already gone

one thousand suits I have with no happiness to show
I'll sell you a million, it's in desperation greed grows,
smiling sweetly as I descend into the land of sensual dreams
whilst inside my morality fits and screams

there's another piece on sale
no longer fashionable but frail
dragged from the tears of an unlucky survivor,
my mind's useless, my body bedazzling

*oh I'm designer!
Mateuš Conrad Jun 2021
bypassing the 502 error: title - whiplash...
body... cream...

original intent:

they're doing road works on a stretch of road
where the brothel sits:
house of the rising sun or whatever you want
to call it... i'm not ready for the thrist:
for the plunge that will extend into half a decade's
worth of not *******...
i'll give it a week or so... before i take the plunge:
proper... mind you... i've already found
the perfect formula for drinking...
the cheapest bottle of australian wine...
at 14%... mixed into the glorious Mayan drink
of the gods' that's kalimotxo...
and if i'm still not "feeling it": i'll top myself
off with some slender-man's whiskey glug-glug...
it worked so well for 4 years without
touching a woman's body...
what the hell prompted me?
to wake up from this slumber?
oh... right... i own two maine **** cats
and when i was grooming the female...
she stuck up her brunt right into my hands...
it felt like: trans-species ******* for a while...
a cog in my brain went loose...
for days i cycled in the night into central London
looking at the flesh market:
of the free peoples of the western world...
what prompted me...
i was grooming my maine **** cat and she
was tempting me with a: ******* hairy apple...
no... wrong... just plain wrong...
perhaps i swing around beard envy & ha...
***** envy (well... imagine a rabbit ******* an elephant...
big **** genre of: and how deep is that...
ahem... hole? standard kama sutra...
not one size fits all)
but when your cat starts to imitate getting it...
**** me... the night... cycling... sweating it off...
until you have to touch the antonym...
but suppose you come across a timid girl
and you get a case of erectile dysfunction...
while you end up caressing her: timidly kissing
her because she's timid...
pointing at her eyebrows... nose... eyes...
ears... pimples... freckles and moles...
the mirror... fingers... elbow... knees...
and asking her to say the Romanian words for them...
sure... a momentary lapse in sanity:
the reason(s) was already self-evident...
take a woman like Ava Lauren...
now... my god... by god... that's a ****-machine...
an *** like a Lamborghini and a body
like a leather armchair...
and she stuck through it... a mandible body
of the extension of the jaw...
some people are born to be boxers...
she was built to be ****** in the confines of
orthodoxy...
dead pornstars though... i.e. Shyla Stylez...
it's really a joke if i ask: would it be necrophilia
if i'm doing it to images of a dead pornstar?
"doing it": best on the toilet...
no... no scented candles... no eager kangaroo *****
no webcam... no thrill...
3 birds:  1 stone: on throne of thrones...
no better way and all the best excuses to later
jump under the shower and get on with the dead...
sorry.. day...
4 years i did... grooming a cat awoke in my a thirst
i thought i had long forgotten...
- kinks: mostly foreplay...
       kissing after all that 2nd base foreplay
while she's on top of you veiling you with her
Turkic raven hair...
immediately after the act: all that virility...
now... dilution...
            kinks: i still tend to rub my hands against
a brick wall before i enter their abode...
i rub my hands against bricks
to demand more from when i'm touching
flesh... nothing can come close when standing
at the altar of a woman's naked body
in dim lighting... with at least 2 mirrors on the wall...
reassurances of cleanliness are highly
welcome... even though by a tonne load of surprises
she would perform ******* with the rubber
commoner of promiscuity...
- kinks: any body attired in latex...
  that's the height: ms. gimp...
                          well... there's that or me endowed
with a cockerel sized endowment about
to **** a maine **** cat during grooming...
as "sick" as finding out you've been doing
the nos. 1, 2 & 3 on the throne of thrones
to a dead pornstar like Shyla Stylez...
in third person: lover-boy all smooches
and octopus tentacles reading the geography
like he might pick up the braille of all the grooves
and hinges...
interruption: i'm no pornographer!
although there's this one allusion:
    Venus in Furs... ol' Leo von Sacher-Masoch...
on the tip of my tongue:
at the tip of my fingers...
to turn stone in skin...
   - i remember being in a strip-club once...
i had to fly to Athens for that one...
i walked into a market sq. and met up with
some random... Greeks... Algerians...
Medi- olive skinned folk...
complete strangers... we drifted around the nightclubs
and watched the girls coming out...
how's that scale of nought through to ten?
below average... and highly demanding...
the four of us decided: **** it...
we climbed into a car and drove to the outskirts
of Athens to a strip-club...
unlike a dog that's chasing cars
i couldn't just... look... a few drinks down
and still eyeing the prize
i had two women around my arms
and my face buried in one's *****:
while some demon-she look on from
the other side of the platform of lost clothing...
another put a green peg on the table
informing me i could have more...
by then i was out of debit... my card was
returned... a bouncer escorted me to the nearest
cash machine in a hotel... started talking
to the receptionist while i was pretending to
withdraw money i didn't have...
right there and then i became a child:
******* my clothes... excitement, fear... both...
dunno... drunks have this build in GPS...
Athens... a city i only just arrived in...
blind drunk mad with love...
i managed to find my way back to the hostel...
**** the guiding beacons into my dreams...
eh... a ******* is never going to be a brothel...

i don't like the argument of:
look... but don't touch... touch... but don't taste...
taste but don't... what comes after taste?
if ever i catch myself watching pornogrpahy
it has to be classic Italian flicks...
on silent...
i can never be fully absorbed:
i'll wait for a real experience to come
with the flood of the senses...
i can't give myself to simulation with all
the sense...
after all... i was probably one of the last
boys who bought a ***** mag in a shop
with... actual expedience of trade...
it was still in the open...
i might have died of shame but at least
i didn't hide it...

                  no shame in Belgium though...
we were visiting world war I graveyards
and the trenches... but at the same time
we were looking for the best brothel in Ypres
while i was the only boy buying a ***** mag...
all ****... shaved... unshaved...
no *******: because a man's imagination
was still fertile... you had a woman's body
impose itself on your psyche like
an x-ray... and you had all that imagination
to subsequently have to swallow...
third party ***** weren't involved:
you never felt like a cul de sac ******...
oddly enough... limp **** hey presto:
can't perform when asked...

ooh... ol' Turkic raven hair:
all her talents in the foreplay...
and all the smooching during *******...
thank god i could never marry...
father children...

4 years it has taken me to wake up to this...
"repressed" reality...
repressed or... even the Teutonic Order
had a brothel in their capital-citadel of Malbork...
Marienburg...
for the love of women who also love:
cleanliness... and the aesthetics of arousal...
for all that's love and all that's not love...
for all that beside love: intimacy without question:
but all the answers...
for two bodies imitating slugs or serpents
where no words are exchanged or given
toward *******: autonomous bodies reaching
for braille with eyes wide open...

- the road to the brothel was closed...
the guys doing the road works cut it off...
not tonight... tonight i'm going to bemoan how:
well... when you start writing...
don't expect to have the same sort of privacy rules
implicit of... whatever the hell you do besides...
why wouldn't a plumber raise these words
from the domain of thought that's probably
his most cherished freedom?
people can still pretend to hide in anonymity
on the internet...
but... why would you... write bogus comments
and troll...
before words become carbon on paper: pencil...
the circus of thinking ought to be enough...
unless: like me... you're going at it like a bull...
i don't think i can have "privacy" anymore...
not that that bothers me...
i'll wear a mask when i put my face on...
but literacy so squandered for the upper-hand
in slighting someone anonymously...

                    ha!           someone would have
written a confession: Anne Sexton brush-up on:
what's important... Anne Sexton... now there was
a ***** that if she was willing could make you
dream all day and night...

why are so many pornstars so... ******* attractive
that you'd wish to push them
into bird-cages with the parrots
or adorn them with white linen niqabs?
as much as i want:
my words are not sacrosanct:
but they're also no Mammon slot-machine
golden-goose mine: perhaps when i'm dead:
something might trickle down into the coffers...
but i doubt that...
words never become shapes or colours
or therefore paintings...
words burn... words and all that becomes
collateral as they dig and drown into
the unconscious: of course... no motive...
just a motif...
    
brother Balaam: fellow diviner of the god
of the Hebrews...
brother Balaam... give me the strength of purpose
to chase more shadows: more more more!
speak to me from under the depths
of the sea of death...
they have left these northern lands...
and as they now stand: proud in their multitude:
and still persist in their clinging to the diaspora:
for i will not glutton myself over
the accomplishments of but one Hebrew:
when i can glorify their deity!

literacy has been squandered:
best strip these people of their "knowledge"
of letters: letter by letter:
let them return to smearing **** on cavern ceilings!
hostile barbarians: paradoxically:
the Vikings were renowned in their celebration
of "effeminate" males: poets...
i could warn a dog or two to bark as i thus:
howl...
               little creatures of dispute...
little belittling lords of shovel ****!
hey! prompt! all verb no noun...
something these leeches might understand... "might"...

all this lubricated tongue has made me think
of something else that happened today...
beside me revisiting the cinema of memory...
grandfather and i: the hyenas of the graveyard:
although even he pronounced that
he was unable to laugh: i guess i started to laugh
for the both of us... eagerly, proper:
with the vowel catcher of the first
arm of the tetragrammaton: HA HA...
while the "other" vowel catcher would
smother the vowels in sighs: AH AH!
exasperated... almost...

       call it PR or whatever you want to call it:
i'd rather stack shelves in a supermarket
than work at a call-centre...
the deceit and the Peter Pan *******
i said: it's not the Shetland Islands...
it's the South East...
i was rummaging on an internet speed
of... 0.1Mbps (megabytes per second)
for a while... i reached a zenith of 0.6 - 0.8(Mbps)...

for a year... if not longer...
and there she was: she came...
this bleached-blonde pchła of a... she did put on just
enough mascara...
obviously taken...
i don't think *** entered my thoughts
when... she... didn't... parade her keychain
that involved a picture of her and her child...
pchła: an endearing term for a girl
of timid build... a body my shadow at noon
could break like a walnut...
i called her an engineer...
she wasn't going to construct a bridge...
she was going to fiddle with my router...
my internet connection...
a woman who had desire for fiddling with:
"dead" things: shadows...
arteries... veins... a concept of a heartbeat...

i just admired her hair...
obviously not natural... bleached...
     she was a body occupying a space...
a welcome intrusion nonetheless...
i sort of enjoyed the silence i surrounded her with...
"sort of": i clearly did...
best be on your way...
a female engineer...
well... from 0.1Mbps... coming up for air
now standing at... 5.6Mbps...
she asked: how did "we" manage?
we just watched a lot of the show live...
but... there were more important things to mind...

the bothersome truth is that:
you can't exactly dig into: pristine good...
this girl who became a "cable guy" engineer...
engineer: "engineer": "tech. support":
i'm not trying to demean her purpose:
i'm the one doodling words on a makeshift
canvas...
i'm no painter or mind having
enough nepotistic authority of: father painter
so i become a fashion designer... etc.

i pin-pointed the proper term though: no?
nepotism?
you just can't objectify certain women...
both of us beguiled having internet providers:
so... shouldn't they penalize the companies
that are all software and bar users?
will the software providers turn off my...
electricity?
the PR Peter Pan stunts... as i told her:
you being the engineer and me being the customer...
we can talk... face to face...
but over the phone?
put me in a confessional booth
with a woman from Mecca and her... double take
on what's to be seen: what's to be heard...
what's to be ******... what's not to be seen / heard...
eaten...

an eager *****: if a ***** is going to give...
but if... she's... this occupied presence...
it's impossible to penetrate her with words...
all i have is:
bleached blonde hair...
heavy mascara... something insinuating combating
nervousness: i am what i am: sorting out cables:
i reassured her: the aesthetics will be dealt with...
a drowning man will cling to a razor's edge to save
himself...
why do i feel so hardly alone
around people who invest so much
in... having children?
it's not like i'm expecting 3rd party sources
to come and salvage me: when completely decrepit...

a woman completely devoid of any ****** advances:
perhaps performing the role of a dentist:
a surgeon: it's already exploited by me
when it comes to: seeing her most ******
parts: her hands... at the grace of a supermarket cashier...
let her be... she's already averting her eyes:
i might insinuate a receding question:
there's the moon... the forest...
come autumn...
maybe i'm focusing on exaggerating myself...
i am: exaggerating myself...

toward a focus of timidity...
as best i can...
    i am a dead end joy-**** at best...
an underperformer at least...
              my own very self worn down
skipping barefoot in memory
right now probably better adorned by a straightjacket...
but who's fooling who...
the readied ***** or this girl working out
cables?

i can respect this one without a need
to pressurise her with a... ******* niqab...
until she might bloat over:
over-suckled... fat... nothing more than
a speed machine for *****-count...
something that doesn't deserve limbs:
is all torso and belongs
to the cult of the bone tomahawk cannibals...

that one motto cited by all Arabs
and pseudo-Arabs: there no water in the desert...
spoken in dearest of the dear that's England:
this green and pleasant land...
where's the ******* desert?!
shovel! both a verb and a noun...
how rare.... perhaps not so much...
        proverbs from the Middle East...
******* to the Middle East and let me
riddle my own: better a sparrow in your
hand than a dove on your roof...
how's that?

better joy in the immediacy of your own:
than peace among your closely associated.
******* H'arab...
you're no Jew... esp. when sitting
on Dino-Lamborghini juice...

castles in the sky: so the psychiatrists says...
or cities built on sand...
every Pakistani / Bangladeshi knows this
proverb...
the times of appeasing the "forever" sober
Arab and his sober-Arab libido...
i'll wait... are now... like i once said:
the horrible has already ah-happened...

and if it hasn't: then i'm still... pretty much
taking a proper role in being the only watchman
on a sly of a kipper...
n'est ce pas?

irritation culminates with:
when you make your own wine...
but don't have the filter equipment...
all that excess "fibre" probably gets your more
drunk than expected...

i haven't had enough to my liking to
somehow dissolve the pledge
to keep at least 72 ****** on a leash...
all that's eternity: given all that's
available and will be:
within the confines of un-chartered space...
send me a postcard from the eye of Jupiter...
i'm more than asking:
imploring: i'm... sort of making:
chain you to me: demands...

tomorrow's a sober head:
tonight... i'll be drunk with both wine
of my own making and...
the memory of a naked body of a woman...
exactly: if she's an engineer: "engineer"
fiddling with my phone socket...
she has a photograph of her and her child
on her keychain...
i wouldn't even dream of...
usurping her... status...

            looking at her felt like eating...
oats... something wholesome...
i met up with you... herr grey...
i did't find any child-fiddling bits...
what... were... you... hiding?!
i will laugh: if you tell me: a heart...
melt my stony enclave...
burn the whole world while you're at it!
there was never going to be any sacrifice
in the crucifix pose:
only purpose for focus: for... submission...
as someone devoid of wanting to continue....
he didn't die for "our" sins...
he died in order to be worshipped...
**** him... let him hang on... father of proselytes...

- point of closure...
for now... i never rose high enough
to suddenly turn cold-turkey: goosebumps
on the *******... still... dead...
i wasn't born into a Buddhist harem...
therefore i sometimes relapse into
the gimmick of the tease...
periodically... every half a decade....
i drink unfiltered self-made wine
and talk about hardly the ******
"exploits":
i come across magnets equivalent to
timid schoolgirls...

some supposed ****** revolution happned:
lob-sided...
given how the girls took the strap-on off
and shoved the **** down
the ******* brains of their bank account
squadron...
     the ******: "******" revolution came out
***-****-side first: thirst:
lopsided: the girls have all their fun...
we die... they come close to old age:
it continues: men tend to think throughout:
that period of concern: supposedly-deemed:
life...

the feminine agony of old age...
grandma's apple pie: **** grandma's apple pie!
i want to drink my wine
with... blisters and...
dis-ingestion...
              
         sucker punch:
            suckle toward a knuckle that might just...
make creases with caresses.
Paolo C Perez Oct 2012
His Funeral was today.  Well, his wake rather.  It was in his old colonial home on Elm Street, a bought of irony that Paolo would never get.  Anyway, it was an odd set up at his house. Family and friends downstairs in the living room, acquaintances and honorable mentions meandering through the hallways clearly more interested in the intricate little floral patterns that adorned the wallpaper than how his family was holding up.  The company of the house was split, everyone either legitimately full of sorrow, or completely full of ****.  In everyone’s grasp either handkerchiefs or hand grenades it was as if the invitation read “Come see it to believe it!” In the study across the hall a small memorial was set up.  Big cards, tons of photos, some flowers, anyone who actually cared stayed there and stared at his once happy face, who knew what it looks like now.  
He had died of some sort of overdose, one that destroyed his heart, so he would have looked fine in an open casket.  The doctors say it was *******.  I don’t believe them.  Paolo had his fun in college, ***, *****, sure, but coke?  There’s no way.    The services weren’t to take place for another two hours, so his family rolled him onto the second floor balcony.  It was actually his dad’s decision, something about a “disgrace” and not wanting to look at his face.
Apparently his mom had felt bad letting her dead son chill on the porch for a few hours, so she rolled him across the hallway to his own room him and kind of laid him out on the bed, as if letting her baby boy take his eternal sleep where he’d have had most of his shorter ones.  
Picturing him lying up there was the first negative connotation I ever had with the image of him on that bed.  He had that kind of headboard that when we started getting at it the bed would hit the wall with each rhythmic movement.  Steady and almost tribal as our bodies danced to the ever increasing beat of a talking drum.  Our clothes off and our skin glazed with sweat it was like my own personal method for getting high. Now don’t get the impression that our relationship was based purely on a physical connection, we’d been dating for three and a half years, the love was there all right.  
We had met in the strangest of ways, through a mutual friend that I was kind of, almost, sort of, but not really having a “thing” with, you know?  Cisco was his name.  So we were together one day and he, being the adorable spaz that he was, had forgotten that his own birthday party was that same night.  He asked if I didn’t mind tagging along, it was a celebration for him and two friends whose birthdays followed his in sequence.  
This had been going on for several weeks, and I know we weren’t dating but I still had a feigning interest in the guy.  So we arrive to this girl, Cristina’s, house and I noticed this other boy almost immediately.  In a backwards cap and pair of boot cut jeans he was jumping around, tossing his arms, right in the middle of reciting some hilarious anecdote to any of his friends who hadn’t heard it yet; even those who had seemed riveted.  He was so full of charisma and with such assurance.  Besides that he was kind of cute so, though pathetically, I tried flirting with him for the rest of the night; he didn’t really catch on.  We left that night without having exchanged more than ten words between each other, I thought I’d never see him again, turns out I was wrong.  
“Broadway CAREols.  Show others that you care by enjoying a night of with your favorite blend of Christmas ditties and Broadway biddies” And before you ask, Yes, I did come up with that title, I think it was great and it was at the top of each flyer in big red and green letters and if you asked me “If you could do it again…” I would do it the same each and every time don’t judge me.
It was a show I had to direct for a community service project and of all people he played the piano for my show.  Only me and several other girls made up the cast, and I knew how easy it was to mistake a positive attitude for flirtation when it comes from a handsome young man.  He ran the music over three or four times individually with each cast member before the night of the show, but when Paolo and I worked that night he stopped me and just sang. For me.  
Each night after rehearsal I had to give him a ride home, I was a year older and thus had my license a year sooner.  I’d never mind allowing myself more time to bask in the glow of his perfectly understated confidence, so I was happy to oblige.  Technically Connecticut state imposed a law forbidding new drivers under the age of 18 to be on the roads past 11 at night.  My mom, being a government employee, really stressed this one.  His house was a solid ten minutes drive from our rehearsal spot, and my mom often warned me to allow myself enough time to get back home before 11.  What started as me beginning to drive faster and faster during the trip home ended as a routine each night, where I would finally allow him to step out of my car just as the clock read 11:00 PM.  
Our first kiss was in that car, my first uncontrollable breakdown was in the car, hell the first time he told me he loved me was in that car…right at the lip of the driveway.  I learned to ride my brakes perfectly to the point where I could park just beyond the edge of the sidewalk yet just before the point where the porch light would flash on, reminding his mother that his son is out past ten on a school night.  It was so warm.  I’ll never forget the cadence of his laughter as it trailed off, seamlessly merging with that next statement “Anna, I love you”.  I could have sworn the porch light went on.  

Now I know it may seem like I don’t care for his being dead right now, but the thing is, I did something.  I did something really bad.

You see, I had mentioned that he was up in his room, right?  Still, stiff, simply waiting to be brought down in a few hours as the catalyst to another round of tears.  Now don’t get me wrong, I did my share of crying the night before.  He’d been in the hospital for only a few days and when they told us he was dead…God, he was just so young, two years into college, the friend you have who was chasing his dreams down with a brand new pair of sneakers.  That kid the whole town knew because of the multitude of silly town functions he attended.  He would always insist.  Every other weekend was one silly thing or another “Oh you’re gonna love this.  Two words – ‘Poetry showdown’.  If you can’t take the heat, don’t stay in the kitchen”
The day of the funeral I just had to see him.  I snuck up the two floors to his room on the third floor.  As I neared his door at the top of that final flight of stairs each creak of the floorboard seemed to resonate through the house, followed by the hollow silence of my stillness.  I paused with each step as if stepping in larger spans of time would make what I was doing seem less suspicious, should someone hear me.  Upon touching his doorknob I felt an immediate chill. I couldn’t tell whether it was some ghostly feeling of being in the presence of a dead person, or the fact that the thermostat had been turned down to keep his body prime for viewing.
I held my breath as I opened the door, and blinked a couple times when I saw him.  He was wearing what everyone else was in downstairs, black tuxedo and a dark tie.  I know he would have scowled had he known he was going to be buried in a constricting penguin suit.  We had a conversation about it, you know?  Out on Academy Hill, right in the middle of a picnic. We were in enough shade that his transition lenses were only half tinted, and when he sat up, it was abruptly.  Pushing my head off his chest he kind of leaned in to the cemetery in the distance and pointed out how sad it is that no one really ever gets the chance to choose how they want to spend the rest of eternity dressed in.  He would have preferred his puma sneakers, still white after seven months, his striped green and blue socks, his only pair of ripped designer jeans and that express shirt he loved so much because it showed off his natural physique.  
I moved closer, inching toward him at first, then quicker as I broke through a place where I just relaxed, and for a moment he wasn’t dead.  For a moment he was just sleeping, all ready in his fancy get up simply waiting for me to wake him up.  I found myself sitting next to him, my eyes cast downward, half expecting his gaze to meet mine, and while stroking his hair I got an idea.  It happened quickly, and I kind of have a problem with acting upon my impulses, it’s something he used to criticize me on that and I never really improved.  Without thinking I threw open his drawer and pulled out what I knew he’d have wanted to be dressed in, should he have gotten the chance to create a will concerning his death-wear.  As I pulled of his starchy shirt my hand brushed against his chest, chilled as the room was, eerie as nothing else.  I finally got him down past his pants and saw, of all abominations, that he was outfitted in a fresh pair of tighty whities.  God, it’s as if the funeral home was asking to be haunted by his tormented soul.  I found his single pair of silk boxers and reassembled him in the way I knew he’d have wanted to be.
So great, now everyone will think I’m a loon for having desecrated his body.  Well what do they know; I’m the only one who ever really knew him! But how the hell would I explain it to his parents when the pallbearers march in and there he is, laying face up in his street clothes?  
This wasn’t right.  He didn’t belong here, he needed to be somewhere comfortable, someplace he enjoyed, not sitting upstairs in a suit with the lights off and the air blasting.  He hated the cold!  Certainly he would have hated a hundred people staring at his dead and lifeless shell, and he would, without a doubt, hate being six feet under, pushing daises at the Nichols Road cemetery.
I wrapped my arms around him, and as the building adrenaline made my breaths deepen I inhaled several moments of ecstasy off his clothes that still clung to his musty scent.  I lowered him gently to the floor and took care as I dragged him across the carpet to his door.  After fumbling, for what felt like several minutes, on his door handle I got him onto the awning introducing the stairs.  I even made it down the first flight of stairs without freezing up at the tiniest creak when I heard someone coming my way.  ******, they must need to use the bathroom, why couldn’t they just use the one downstairs like any normal person?  Without hesitation I throw open up the window near bottom of the stairs, heaving myself and him, sending us tumbling onto the garage roof.  Ignoring my probable bruises I spring up and slam the window behind me while taking special care to hide us both as far away from the bathroom window as possible.
Sitting up there, my heart racing, I felt his hand in mine and it was probably because my palms had gone clammy but I swear for a span of time he was alive again.  I closed my eyes and felt the breeze in my hair and was transported to a place where I spent a single moment in each day we ever shared.  Each beach side sandcastle, each afternoon spent cloud gazing, those same afternoons turning into evenings of star gazing, each and every night spent utterly and irrevocably lost with this silly boy that chose to love me.  
I was torn from my oasis as I heard the bathroom’s occupant exit and continue downstairs.   Knowing that my van was parked on the other side of the street I pushed his body as close to the edge of the roof as I could without his falling off and let him be. I hopped back inside and ran downstairs, but not before flying through the doors of the memorial and interrupting his mothers eulogy.  In an act of sheer brilliance I mustered a few tears and tore out the back door.  Everyone figured I was just so taken away by his death that I couldn’t stand to be there anymore.  Who knew anxiety could be mistook for remorse so easily?
I ran down the driveway, losing the grace I had composed in my dress in high heels the moment I slammed that door.  I jumped into Emmet, my van, because only crazy people drive around in un-named vehicles.  
I pulled out of my spot, nearly ruining the paint job on both my and his Uncle Ed’s car.  I flew my trunk door open and set the third row down, the general idea being his landing securely in my back seat.  I reversed up the driveway with the precision of a surgeon and the speed of a leopard right back to the edge of the garage where I had tossed his body.  I jumped out of my car nearly forgetting to put it into park before I shut off the engine.  I barely got halfway around my car before becoming transfixed on his hand, hanging off the gutter as if reaching for mine to grab hold and pull him to sweet salvation.  I jumped up a few times, unsuccessfully before I took off my shoes and got a good running start.  I flew up, grabbed his arm and ****** towards the car in a sideways downward motion.  He nearly cracked his head on the pavement coming down, he would have too if it wasn’t for my body breaking his fall.  I got up, too distracted by the sheer volume of my own heart to realize the pain I felt.  I shoved him into my back seat, slammed the trunk, stumbled into the car, stuck it in reverse and stepped on gas without even putting my shoes back on.

I told you I had done something bad.
This is a first draft, please, I welcome your critiques.
judy smith Jul 2016
According to Indian designer Anita Dongre, the bridal look is not about going over the top anymore. She shared that nowadays women prefer to wear traditional outfits with a casual edge to them.

“Today, young Indian girls like to wear traditional outfits with a casual edge. We do a lot of printed lehengas with pockets,” Dongre said in an email interview. “Even if you are all decked up as a bride, your personal style should always shine through. It’s not about doing an over-the-top look anymore.”

The designer, who is not only a celebrated name in the Indian fashion industry but also a successful entrepreneur, believes that a bride must look like herself on her big day. “She should look like herself, but just more beautiful on her special day. She should feel like a princess, light on her feet, who dances at her own wedding”.

As a prelude to the Vogue Wedding Show 2016, which will be held in Delhi next month, Dongre will be showcasing her bridal collection at the event titled ‘Vogue Bridal Studio with Anita Dongre’ at the Kemp’s corner in Mumbai next week. Bollywood actor Yami Gautam will be walking the ramp as the showstopper for the event. The three-day long Vogue Wedding Show will start from August 5 at the Taj Palace Hotel.

Talking about the Vogue Wedding Show 2016, Dongre said, “The Vogue Wedding Show is on our annual calendar to start the wedding season. It is the only time that prospective brides can personally meet me. I look forward to interacting with them.” According to her, in India, couture is basically bridal couture. Dongre feels lehengas and saris are here to stay, as designers keep reinventing them. “Designers are getting more lavish with Indian craftsmanship; the traditional weaves, gota patti, zardozi and heirloom crafts,” she said.

While there is a perception that when it comes to grooms, there is not much one can experiment with, Dongre has a different opinion. She feels Indian men are a lot more open to experimenting with their looks today.

“Comfort and casualness still remain a priority though. Stitched dhotis paired with long kurtas, bandhgalas, shirts and bandis … Each silhouette can be a part of the groom’s wardrobe,” stated Dongre. “When styled well, they look modern yet very Indian.”

Having recently roped in Kareena Kapoor-Khan as a muse for her brand, the ace fashion designer believes celebrities add star power to the clothing line, but fashion does not necessarily need a Bollywood face to work.

“Celebrities are a vehicle to communicate the brand message. We are mindful of the celebrities we collaborate with, mindful of their reach, aura and the value that they will add to the brand. Having said that, I don’t think that fashion cannot work without a Bollywood face,” Dongre concluded.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/vintage-formal-dresses
Mary McCray Apr 2019
(NaPoWriMo Challenge: April 3, 2019)

“Not all those who wander are lost.” -- J. R. R. Tolkien

I was an office temp for many years when I was young. All the companies: Kelly girls, Manpower, Adecco. I took innumerable tests in typing, word processing, spreadsheets.

The worst job was at a sales office for home siding. I logged complaints all day on the phone about faulty siding.

I worked at a construction site in Los Angeles, a new middle-class ghetto they were building on the Howard Hughes air strip. I worked in a trailer and had to wait until lunch break to walk a block to the bathroom in the new library.

There was one warehouse I worked in that had mice so employed a full-time cat to work alongside us. The cat left dead mice everywhere. I was always cold there.

A lot of places I was replacing someone on vacation, someone the office assumed was indispensable but there was never anything for me to do there but read. I wrote a lot of letters to pen pals and friends. Email hadn’t been invented yet. Sometimes I’d walk memos around the office. Nobody ever invited me to meetings. Be careful what you wish for. Sometimes it comes true and you end up sitting in endless meetings.

In one swanky office I prepared orders in triplicate on a typewriter. I kept messing up and having to start over. Eventually I started to enjoy this. It was a medical lab and was convinced they were doing animal testing so I left after a week.

One of my early jobs was as a receptionist in a war machine company. My contact there asked me to do “computer work” (as it was called then) but I didn’t know how to use a mac or a mouse. My contact called my agency to complain about sending out “girls without basic skills.” My agency told me not to worry about it, the war company was just trying to scam us all by paying for a receptionist to do “computer work.” So they stuck me at the switchboard up front where I found bomb-threat instructions taped under the desk.

I worked at a design store and learned a program called Word Perfect. I started typing and printing the letters to my friends. The St. Louis owner was trying to sell the company to a rich Los Angeles couple. Once, a young gay designer I admired called and referred to me as “the girl up front with the glasses.” I immediately went out and got contact lenses. Before I left, I bought a desk and a chair they were selling. Years later, I sold the desk to an Amish couple in Lititz, PA, but I still have the chair.

I once worked for a cheap couple running a plastic mold factory. The man was paranoid, cheap and houvering and I said I wouldn’t stay past two weeks. They asked me to train a new temp and I said okay. The new temp also found the owner to be paranoid, cheap and houvering and so declared to me she wouldn’t stay past the week either. She confided in me she had gotten drunk and slept with someone and was worried she was pregnant. She was freaking out because she was going through a divorce and already had two kids. I told her about the day-after-pill which she had never heard of. I don’t know if it worked because I never used it myself and I never saw her again after that to follow up.

At another office I did nothing at the front desk for three weeks, bored and reading all the Thomas Covenant novels. I would take my lunch break under a big tree to continue reading the Thomas Covenant novels.

I worked for months at a credit card company reading books and letting in visitors through the locked glass door. Week after week, the receptionist would call in sick. One young blonde woman would give me filing work. She was telling me all about her wedding she was planning which sounded pretty fun and it made me want to plan a wedding too. After a few weeks she asked me what my father did. I said he was a computer programmer. She replied that my dad sounded like somebody her dad would beat up. I was too shocked by the rudeness to say dismissively, “I seriously doubt that.” (For one, my dad wasn’t always a computer programmer.) When it became clear the woman I was replacing had abandoned her job, they asked me if I wanted to stay on. I said no, that I was moving to New York City. I wasn’t  (but I did eventually).

Some places “kept me on” like the mortgage underwriters in St. Louis. That office had permanent wood partitions between the desks, waist-high and a pretty, slight woman training to join the FBI. She fainted one day by the copier. It was there that I told my first successful joke ever. Our boss was a part-time Baptist minister and we loved him because he was able to inspire us during times of low morale. One day we saw a bug buzzing above us in a light fixture.  Before I even thought about it I said, “I guess you could say he finally saw the light.” Everybody laughed a lot and I turned bright red. I wrote my essay to Sarah Lawrence College there after hours at the one desk with a typewriter. My boss and I got laid off the same day. He helped me carry my things out to my car.

I worked at a large food company in White Plains, NY. I often came home with boxes of giveaway Capri Sun in damaged boxes. I helped a blind woman fill out her checks. She was really grouchy and I wasn’t allowed to pet her service dog. She had dusty junk all over her desk but she couldn’t see it to make it tidy. I realized then that she would never be able to use a stack of desk junk as a to-do list...because she couldn’t see it. You can’t to-do what you can’t see and how we all probably take this fact for granted with our piles of desk junk. Years later I had the same thought about to-do lists burned in phones or computer files.

They also “kept me on” at the Yonkers construction company. I was there for years. The British woman next to me was not my boss but she ordered me around a lot. She told me I looked like an old 1940s actress I had never heard of who always wore her hair in her face. I was annoyed by this compliment because when I looked the actress up on the Internet I could see it wasn’t true. At the time, everyone was just getting on the Internet and I was already addicted to eBay. I would leave meetings in the middle for three minute at a time to ****** items with my competitive late-second bids. It was my first job with email too, and I emailed many letters to all my friends all day long. One elderly man there thought it was funny to give me cigars (which I smoked socially at the time) and told me unsavory ****** facts to shock me. I thought he was harmless and funny and his attempts to unsettle me misguided because I had already grown up with two older brothers who were smelly and hellbent on unsettling me. Later the man started dating and seemed happier and I met his very nice older girlfriend at one of the laborious, day-long Christmas parties our Italian owners threw every year. Months later his girlfriend was murdered in her garage by her estranged husband. Most of the office left to go to her funeral and I felt very bad for him.

And they kept me on at the Indian arts school in Santa Fe. I loved every day I spent there, walking the halls looking at student art. I had never seen so many beautiful faces in one place. One teacher there confided in me about her troubles and I tried to be Oprah. She ended up having to take out a restraining order against a man she met online. At the trial, the man tried to attack the female judge and she awarded the teacher the longest restraining order ever awarded in Santa Fe: 100 years. He broke the restraining order one day on campus and we were all scared about where he was and if he had a gun. All around the school were rolling hills and yellow blooming chamisa and we found tarantulas in the parking lot. I was there almost a full school year until I moved away.

I was once a temp in a nursing temp office that had large oak desks and big leather chairs. The office was empty except for one other woman. The boss was on vacation and she spent all our time complaining about what an *** he was and how mistreated the nurses were. I remember feeling uncomfortable in the leather chair. The boss, who I never met, called me one day to tell me he had fired her and that I should know she was threatening to come back with a gun. When I called the agency they laughed it off. I told them I wouldn’t go back.

My favorite temp job was at a firefighting academy in rural Massachusetts. I edited training manuals along with two other temps. It was very interesting work. The academy was in the middle of the woods, down beautiful winding roads with old rock walls. Driving to work I would listen to TLC and Luther Vandross. And whenever I hear Vandross sing I still think of the Massachusetts woods. When I left, they let me have a t-shirt and I wore it for years. One of the trainers had a son who was a firefighter who asked me out on a date. I said I was moving to New York City (this time it was true) and not interested in a relationship. He insisted the date would be just as friends. He took me to Boston’s North End and we ate gnocchi while he told me how he didn’t believe it was right to hit women. This comment alarmed me. He then took me to a highrise, skyview bar downtown where he proceeded to **** my fingers. I thought about Gregg Allman and Cher’s first date where Gregg Allman ****** Cher’s fingers and how now Cher and I had something in common: the disappointment of having one’s fingers ******. My scary date didn’t want to take me home and I was living with my brother at the time, so I told him my brother was crazy and if I didn’t get back by ten o’clock my brother would freak out like a motherf&#$er. That part wasn’t true...but it worked. I made it home.

I used to be deathly afraid of talking to strangers on the phone. I used to be bored out of my mind watching the clock. I used to wish I were friends with many of the interesting people walking past my desk.

When I look back on all this and where I’ve been, it seems so random, meandering through offices in so many different cities. But it wasn’t entropy or arbitrary. I was always working on the same thing.

I was a writer.
Prompt:Write a meandering poem that takes its time to get to its point.
Aaron LaLux Oct 2017
Mumok Museum

What am I doing in Vienna,
staring at art as the world burns,
in city I never wanted to go to,
doing things that seem rather uninspiring,

where’s the inspiration gone,
why does everything seem so tiring,
it seems we’re on the verge of a collective mental breakdown,
the system’s short circuiting and could do with some rewiring.

Why does every rags to riches story I know,
end in an overpriced designer outfit all alone?

Why is Consumerism followed like a religion,

we don’t worship Jesus we worship Visa,
good credit better than good morals,
we don’t praise Muhammed in a daze with TV Dramas,
no Buddha just computers no real friends just PayPals,

and maybe that’s why we’d rather be blind than see,
maybe that’s why we hide in museums behind sunglasses,
but would you rather have expense tastes than be free,
because when you’re behind any type of four walls you’re trapped,

where in a Federal Pen with Madoff or a Penthouse with Paris in Paris,
either way we’re victims of our own restrictions trying to buy some more time to be,
but we’re running out of credit the banks are collapsing the recession is relapsing,
so why even try to by when we know not so secretly that only Love will truly set us free,

see,

the best things in life still are free,
and yeah liberation is expensive and self renovations are extensive,
but freedom is priceless,
and it seems that the Love Pyramid is the only pyramid that’s not a ponzi scheme,

because we are all equal even if we’re not all treated equally,
that’s why some have no clothes while others wear designer denim jeans,
but these Diesels are too tight on my thighs and this macabre carnival has no prize,
and I can do anything I want with my life but sometimes all I want to do is breather,

breathe,
breathe because this lifestyle is expensive,
but freedom is priceless,
even though they market it and try to price it,

I just,
want to find a place to relax and release,
all of this,
fck their politics,

fck their programs fck their projects,
fck their agendas dressed in artificial splendor,
fck their treating human beings as objects,
fck their consumerism culture of capitalists,

I just,
don’t know what else to say,
I don’t know why I’m at this museum in Vienna,
hiding on the top floor on a Sunday,

on the 5th floor I just want to give more,
just want to gift these words then make my escape,

just want to be alone,
but also want these words to be known,
but where do you go when you’re tired and over it all,
and you just want to rest but don’t have nor ever had a home,

hello,
could you please pick up the phone,
I’m calling because I still love you,
and I want to come back even though I’m already gone,

on the top floor of the Mumok museum in Vienna,
on the 5th floor to be exact,
and yeah it’s true that I don’t know where I’m going,
but what I do know is I don’t think I’m coming back,

online and off track,
writing more words that rhyme,
then any other living writer,
and that is an actual fact,

and yeah that’s a fact,
but I’m going to follow that with a question,
before I forget,
let me just ask what I am doing in Vienna,

what am I doing in Vienna,
staring at art as the world burns,
in city I never wanted to go to,
doing things that seem rather uninspiring,

where’s the inspiration gone,
why does everything seem so tiring,
it seems we’re on the verge of a collective mental breakdown,
the system’s short circuiting and could do with some rewiring.

Why does every rags to riches story I know,
end in an overpriced designer outfit all alone?

∆ Aaron LA Lux ∆
Nigel Morgan Mar 2013
January Colours

In the winter garden
of the Villa del Parma
by the artist’s studio
green
grass turns vert de terre
and the stone walls
a wet mouse’s back
grounding neutral – but calm,
soothing like calamine
in today’s mizzle,
a permanent dimpsey,
fine drenching drizzle,
almost invisible, yet
saturating skylights
with evidence of rain.

February Colours

In the kitchen’s borrowed light,
dear Grace makes bread  
on the mahogany table,
her palma gray dress
bringing the outside in.

Whilst next door, inside
Vanessa’s garden room
the French windows
firmly shut out this
season’s bitter weather.

There, in the stone jar
beside her desk,
branches of heather;
Erica for winter’s retreat,
Calluna for spring’s expectation.

Tea awaits in Duncan’s domain.
Set amongst the books and murals,
Spode’s best bone china  
turning a porcelain pink
as the hearth’s fire burns bright..

Today
in this house
a very Bloomsbury tone,
a truly Charleston Gray.

March Colours

Not quite daffodil
Not yet spring
Lancaster Yellow
Was Nancy’s shade

For the drawing room
Walls of Kelmarsh Hall
And its high plastered ceiling
Of blue ground blue.

Playing cat’s paw
Like the monkey she was
Two drab husbands paid
For the gardens she made,
For haphazard luxuriance.

Society decorator, partner
In paper and paint,
She’d walk the grounds
Of her Palladian gem
Conjuring for the catalogue
Such ingenious labels:

Brassica and Cooking Apple
Green
to be seen
In gardens and orchards
Grown to be greens.

April Colours

It would be churlish
to expect, a folly to believe,
that green leaves would  
cover the trees just yet.

But blossom will:
clusters of flowers,
Damson white,
Cherry red,
Middleton pink,

And at the fields’ edge
Primroses dayroom yellow,
a convalescent colour
healing the hedgerows
of winter’s afflictions.

Clouds storm Salisbury Plain,
and as a skimming stone
on water, touch, rise, touch
and fall behind horizon’s rim.
Where it goes - no one knows.

Far (far) from the Madding Crowd
Hardy’s concordant cove at Lulworth
blue
by the cold sea, clear in the crystal air,
still taut with spring.

May Colours

A spring day
In Suffield Green,
The sky is cook’s blue,
The clouds pointing white.

In this village near Norwich
Lives Marcel Manouna
Thawbed and babouched
With lemurs and llamas,
Leopards and duck,
And more . . .

This small menagerie
Is Marcel’s only luxury
A curious curiosity
In a Norfolk village
Near to Norwich.

So, on this
Blossoming
Spring day
Marcel’s blue grey
Parrot James
Perched on a gate
Squawks the refrain

Sumer is icumen in
Lhude sing cuccu!
Groweþ sed and bloweþ med
And springþ þe wde nu,
Sing cuccu!

June

Thrownware
earth red
thrown off the ****
the Japanese way.
Inside hand does the work,
keeps it alive.
Outside hand holds the clay
and critically tweaks.
Touch, press, hold, release
Scooting, patting, spin!
Centering: the act
precedes all others
on the potter’s wheel.
Centering: the day
the sun climbs highest
in our hemisphere.
And then affix the glaze
in colours of summer:
Stone blue
Cabbage white
Print-room yellow
Saxon green
Rectory red

And fire!

July Colours

I see you
by the dix blue
asters in the Grey Walk
via the Pear Pond,
a circuit of surprises
past the Witches House,
the Radicchio View,
to the beautifully manicured
Orangery lawns, then the
East and West Rills of
Gertrude’s Great Plat.

And under that pea green hat
you wear, my mistress dear,
though your face may be April
there’s July in your eyes of such grace.

I see you wander at will
down the cinder rose path
‘neath the drawing-room blue sky.

August Colours

Out on the wet sand
Mark and Sarah
take their morning stroll.
He, barefoot in a blazer,
She, linen-light in a wide-brimmed straw,
Together they survey
their (very) elegant home,
Colonial British,
Classic traditional,
a retreat in Olive County, Florida:
white sandy beaches,
playful porpoises,
gentle manatees.

It’s an everfine August day
humid and hot
in the hurricane season.
But later they’ll picnic on
Brinjal Baigan Bharta
in the Chinese Blue sea-view
dining room fashioned
by doyen designer
Leta Austin Foster
who ‘loves to bring the ocean inside.
I adore the colour blue,’ she says,
‘though gray is my favourite.’

September

A perfect day
at the Castle of Mey
beckons.
Watching the rising sun
disperse the morning mists,
the Duchess sits
by the window
in the Breakfast Room.
Green
leaves have yet to give way
to autumn colours but the air
is seasonably cool, September fresh.

William is fishing the Warriner’s Pool,
curling casts with a Highlander fly.
She waits; dressed in Power Blue
silk, Citron tights,
a shawl of India Yellow
draped over her shoulders.
But there he is, crossing the home beat,
Lucy, her pale hound at his heels,
a dead salmon in his bag.

October Colours

At Berrington
blue
, clear skies,
chill mornings
before the first frosts
and the apples ripe for picking
(place a cupped hand under the fruit
and gently ‘clunch’).

Henry Holland’s hall -
just ‘the perfect place to live’.
From the Picture Gallery
red
olent in portraits
and naval scenes,
the view looks beyond
Capability’s parkland
to Brecon’s Beacons.

At the fourteen-acre pool
trees, cane and reed
mirror in the still water
where Common Kingfishers,
blue green with fowler pink feet
vie with Grey Herons,
funereal grey,
to ruffle this autumn scene.

November Colours

In pigeon light
this damp day
settles itself
into lamp-room grey.

The trees intone
farewell farewell:
An autumnal valedictory
to reluctant leaves.

Yet a few remain
bold coloured

Porphry Pink
Fox Red
Fowler
Sudbury Yellow


hanging by a thread
they turn in the stillest air.

Then fall
Then fall

December Colours*

Green smoke* from damp leaves
float from gardens’ bonfires,
rise in the silver Blackened sky.

Close by the tall railings,
fast to lichened walls
we walk cold winter streets

to the warm world of home, where
shadows thrown by the parlour fire
dance on the wainscot, flicker from the hearth.

Hanging from our welcome door
see how incarnadine the berries are
on this hollyed wreath of polished leaves.
judy smith Aug 2016
TO PUT the art and talent of Mindanaoan fashion design into the spotlight, Kagay’anon fashion designers put their hands together to organize the 5th Mindanao Fashion Summit at the Limketkai Center Rotunda from August 4 to 6, every 4 p.m.

“Being a core event of the Higalaay festival, the opening salvo, the Mindanao Fashion Summit can really highlight fashion designers here in Cagayan de Oro and also in different points of Mindanao to let everyone see what they can do in the world of fashion design especially now that there are only so few opportunities for these designers to show off their works to the public. This is why we have the Mindanao fashion Summit because Kagay-anon designers believe that even if they join national fashion shows like the Philippine Fashion week, most of them still aren't getting the right encouragement as a fashion designer.” said Robbie Pamisa, the overall organizer of the event.

The Fashion Summit is a three-day event composed of seven sub-categories such as the Mindanaoan collection, the Menswear collection, and the Ororama orange collection for the first day, the Guest Designers’ collection, the Fashion Institute of the Philippines collection and the Loop Lifestyle Fashion Show for the second day, and the Holiday Grand collection for the third day which will serve as the culmination of the fashion event.

Mindanaoan Fashion designers from Cagayan de Oro as well as Davao, Butuan, Iligan, and Bukidnon have come to showcase their talents. Some of the fashion geniuses of the event include Alma Mae Roa, Angela Soriano, Ann Semblante, Benjie Manuel, Boogie Musni Rivera, Gil Macaibay III, John Mark Magellan’s, Joshua Guibone, Juniel Doring, Kiko Domo, Mark Christopher Yaranon, and Mavy Cooper de Leon.

One of the highlights of the event is the Oro Fashion Designers’ Guild and the Designers Assembly featuring a collection of clothes using Mindanao material such as the Mindanao silk. Sponsors such as Ororama and The Loop Towers will also be showcasing their products in the fashion event.

“Even student fashion designers from the Fashion Institute of the Philippines have been encouraged to participate so that they will be able to experience how a fashion show works. This is also a way for us to fulfill our mission to be another avenue for fashion designers to show what they have,” Paisa said.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/long-formal-dresses
judy smith Sep 2016
When I was chief creative officer for Liz Claiborne Inc., I spent a good amount of time on the road hosting fashion shows highlighting our brands. Our team made a point of retaining models of various sizes, shapes and ages, because one of the missions of the shows was to educate audiences about how they could look their best. At a Q&A; after one event in Nashville in 2010, a woman stood up, took off her jacket and said, with touching candour: “Tim, look at me. I’m a box on top, a big, square box. How can I dress this shape and not look like a fullback?” It was a question I’d heard over and over during the tour: Women who were larger than a size 12 always wanted to know, How can I look good, and why do designers ignore me?

At New York Fashion Week, which began Thursday, the majority of American women are unlikely to receive much attention, either. Designers keep their collections tightly under wraps before sending them down the runway, but if past years are any indication of what’s to come, plus-size looks will be in short supply. Sure, at New York Fashion Week in 2015, Marc Jacobs and Sophie Theallet each featured a plus-size model and Ashley Graham debuted her plus-size lingerie line. But these moves were very much the exception, not the rule.

I love the American fashion industry, but it has a lot of problems and one of them is the baffling way it has turned its back on plus-size women. It’s a puzzling conundrum. The average American woman now wears between a size 16 and a size 18, according to new research from Washington State University. There are 100 million plus-size women in America, and, for the past three years, they have increased their spending on clothes faster than their straight-size counterparts. There is money to be made here ($20.4 billion (U.S.), up 17 per cent from 2013). But many designers — dripping with disdain, lacking imagination or simply too cowardly to take a risk — still refuse to make clothes for them.

In addition to the fact that most designers max out at size 12, the selection of plus-size items on offer at many retailers is paltry compared with what’s available for a size 2 woman. According to a Bloomberg analysis, only 8.5 per cent of dresses on Nordstrom.com in May were plus-size. At J.C. Penney’s website, it was 16 per cent; Nike.com had a mere five items — total.

I’ve spoken to many designers and merchandisers about this. The overwhelming response is, “I’m not interested in her.” Why? “I don’t want her wearing my clothes.” Why? “She won’t look the way that I want her to look.” They say the plus-size woman is complicated, different and difficult, that no two size 16s are alike. Some haven’t bothered to hide their contempt. “No one wants to see curvy women” on the runway, Karl Lagerfeld, head designer of Chanel, said in 2009. Plenty of mass retailers are no more enlightened: under the tenure of chief executive Mike Jeffries, Abercrombie & Fitch sold nothing larger than a size 10, with Jeffries explaining that “we go after the attractive, all-American kid.”

This a design failure and not a customer issue. There is no reason larger women can’t look just as fabulous as all other women. The key is the harmonious balance of silhouette, proportion and fit, regardless of size or shape. Designs need to be reconceived, not just sized up; it’s a matter of adjusting proportions. The textile changes, every seam changes. Done right, our clothing can create an optical illusion that helps us look taller and slimmer. Done wrong, and we look worse than if we were naked.

Have you shopped retail for size 14-plus clothing? Based on my experience shopping with plus-size women, it’s a horribly insulting and demoralizing experience. Half the items make the body look larger, with features like ruching, box pleats and shoulder pads. Pastels and large-scale prints and crazy pattern-mixing abound, all guaranteed to make you look infantile or like a float in a parade. Adding to this travesty is a major department-store chain that makes you walk under a marquee that reads “WOMAN.” What does that even imply? That a “woman” is anyone larger than a 12 and everyone else is a girl? It’s mind-boggling.

Project Runway, the design competition show on which I’m a mentor, has not been a leader on this issue. Every season we have the “real women” challenge (a title I hate), in which the designers create looks for non-models. The designers audibly groan, though I’m not sure why; in the real world, they won’t be dressing a seven-foot-tall glamazon.

This season, something different happened: Ashley Nell Tipton won the contest with the show’s first plus-size collection. But even this achievement managed to come off as condescending. I’ve never seen such hideous clothes in my life: bare midriffs; skirts over crinoline, which give the clothes, and the wearer, more volume; see-through skirts that reveal *******; pastels, which tend to make the wearer look juvenile; and large-scale floral embellishments that shout “prom.” Her victory reeked of tokenism. One judge told me that she was “voting for the symbol” and that these were clothes for a “certain population.” I said they should be clothes all women want to wear. I wouldn’t dream of letting any woman, whether she’s a size 6 or a 16, wear them. Simply making a nod toward inclusiveness is not enough.

This problem is difficult to change. The industry, from the runway to magazines to advertising, likes subscribing to the mythology it has created of glamour and thinness. Look at Vogue’s “Shape Issue,” which is ostensibly a celebration of different body types but does no more than nod to anyone above a size 12. For decades, designers have trotted models with bodies completely unattainable for most women down the runway. First it was women so thin that they surely had eating disorders. After an outcry, the industry responded by putting young teens on the runway, girls who had yet to exit puberty. More outrage.

But change is not impossible. There are aesthetically worthy retail successes in this market. When helping women who are size 14 and up, my go-to retailer is Lane Bryant. While the items aren’t fashion with a capital F, they are stylish (but please avoid the cropped pants — always a no-no for any woman). And designer Christian Siriano scored a design and public relations victory after producing a look for Leslie Jones to wear to the “Ghostbusters” red-carpet premiere. Jones, who is not a diminutive woman, had tweeted in despair that she couldn’t find anyone to dress her; Siriano stepped in with a lovely full-length red gown.

Several retailers that have stepped up their plus-size offerings have been rewarded. In one year, ModCloth doubled its plus-size lineup. To mark the anniversary, the company paid for a survey of 1,500 American women ages 18 to 44 and released its findings: Seventy-four per cent of plus-size women described shopping in stores as “frustrating”; 65 per cent said they were “excluded.” (Interestingly, 65 per cent of women of all sizes agreed that plus-size women were ignored by the fashion industry.) But the plus-size women surveyed also indicated that they wanted to shop more. More than 80 per cent said they’d spend more on clothing if they had more choices in their size and nearly 90 per cent said they would buy more if they had trendier options. According to the company, its plus-size shoppers place 20 per cent more orders than its straight-size customers.

Online start-up Eloquii, initially conceived and then killed by The Limited, was reborn in 2014. The trendy plus-size retailer, whose top seller is an over-the-knee boot with four-inch heels and extended calf sizes, grew its sales volume by more than 165 per cent in 2015.

Despite the huge financial potential of this market, many designers don’t want to address it. It’s not in their vocabulary. Today’s designers operate within paradigms that were established decades ago, including anachronistic sizing. (Consider the fashion show: It hasn’t changed in more than a century.) But this is now the shape of women in this nation, and designers need to wrap their minds around it. I profoundly believe that women of every size can look good. But they must be given choices. Separates — tops, bottoms — rather than single items like dresses or jumpsuits always work best for the purpose of fit. Larger women look great in clothes skimming the body, rather than hugging or cascading. There’s an art to doing this. Designers, make it work.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/black-formal-dresses
briannah rae Sep 2017
blonde hair.
blue eyes.
thin body.
designer clothes.
popularity contest.
matter over mind
over matter
over mind.
prom queen.
cheerleading captain.
top of the social ladder.
perfect.

depression.
anxiety.
lies.
secrets.
fake smile.
makeup.
insecurities.
tears.
eating disorder.
masks.
heartbreak.
sadness.
insecurities.
insecurities.­
insecurities.
insecurities.
Smoke Scribe Mar 2015
Part II  of "Got 0 Followers"

aim high
to keep
it low

expectations
such an
Awesome Awful
curse
others infect
you with

don't, yada yada,
ya wanna be like
Tom, **** and Jane,
even Harry, a transgendered
friend and fellow (ha) outcast,
all with a good job
prospects of a
goodly tented long life?

so ya write poems
to nobody
about nothing and
you are pleased
to be pleasing just yourself

in writing you have
nothing to prove,
so read them
like keepsakes
ya like,
keep 'em & me hid,
in the shoebox
under the closeted
pile of ***** clothes,
special designer outfits concocted
so they keep my remains,
privatized and unsanitized,
my equity,
hidden,
disguised as disgusting

but for god-sakes
don't follow me,
unless
you want to curse us
both with
Expectations of Expectations,
then comes with
illiteracy of
Affection

then the literary
pre-tension
that always follows,
leading to

Affectation,
the first derivative of the infection of affection

yeah,
then comes
caring
and it instantly it's too late,
you're *******,
right up the mental heine,
lost condemned
ruined annihilated
crushed subverted
crushed into
mental death camp suffocation of more, please ma,
can I have some more?

**crap, why did you have to go and follow me?
Robert Ronnow Aug 2015
1

I say I'm a designer of systems, plans
Man's
Parts that stand together, set in place to serve
Trees and planets, too, which are unplanned by us
The observant, wise man
Tries to understand
Name the parts, pistil and stamen
Rocks, eskars
Elements.

Winter is shuddering to an end, mud roads
Cardinal pairs
Robin flocks return that will soon pair off
Buds
Soils swell
Will I live to smell it again, learn the lobelias
Understand and name the parts
It ought to be a great comfort to be so insignificant
Go among weeds, a wind
Thinking to myself

One's never alone
A dichotomous key is needed, a book of twigs and fruits
Accumulated over time and generations
Without it mine would be a blank mind

To be blank but knowledgeable
Without any machinery
In a perfect silence
That is the definition of death for which we have only to wait
But in my panic last night I thought death's inert
Grace requires consciousness
Hold on long to the senses
At least a century, maybe more
A boy hanging upside down from a fence at sunset, counting
      clouds

2

Now we go to our daily practice
And chosen disciplines
Sustained by the satisfactions of being good men among our
      fellow men
Women
Choosing to do this and not that
With the finite days allotted us that at first seemed like a lot
They're now few
But the chickadee's life to the chick and the cankerworm
      moth's to the worm
Seem as long to them as ours to us
What question am I asking today
By now, past half a century, I should have chosen a discipline
And been satisfied

To be a war president one must have war
May you live in interesting times - wish or curse?
Squirrels, high in oaks,
Fiber, fat and protein in acorns
Strong runners, leapers, climbers
Should stay off the roads which some cannot avoid being
      where they're born
Natural selection is occurring
Those that look for machinery in motion
Hesitate or don't as needed before crossing
Live in larger numbers than those whose modus operandi's
Guessing
The ravens eat the fur and guts of bad guesses off the roads

I impose my own small order
Having chosen mountains over plains or shore
Go to my daily discipline
And estimate the motions of the seas and stars
Measuring my satisfactions by my children's satisfactions
"I design systems that allow people to do their best work regularly and predictably, instead of intermittently and by chance, and to produce outcomes in quantities large enough to make a difference in their communities."

www.ronnowpoetry.com
judy smith Apr 2015
The DisArt Festival aims to bring people together through different modes of art to further the discussion about disability and community. One such way the Festival is doing so is through fashion.

On Friday, the DisArt Festival hosted two events to talk about accessible fashion, a workshop in the morning and a runway fashion show that evening. The Festival showcasedOpen Style Lab from MIT, Fashion Has Heart, Kendall College of Art and Design fashion students and Spectrum Health Innovations designs for people of all ages with disabilities.

Friday morning at 9 a.m. students, designers and festival goers came together in the Ferris building at Kendall College to discuss their involvement in the Festival.

“(Through the DisArt Festival) we wanted to do something that flipped perceptions on its head,” says Chris Smit, director of the DisArt Festival.

Open Style Lab began as an extracurricular student group at MIT where students wanted to create functional, stylish clothing that people with or without disabilities could wear. The group pairs a person with disabilities up with an engineer, an occupational therapist and a designer to work together to create the most comfortable, functional and good looking garment possible.

Fashion Has Heart is a Grand Rapids-based nonprofit that makes clothing and boots designed by veterans to tell their stories. All proceeds of sales go toward veteran support.

Kendall College was approached by Spectrum Health Innovations about creating clothing for kids that receive occupational therapy at Spectrum. Many clothing companies that make garments for kids with disabilities are not sure how to do so or sell their product at a prohibitively high price. Students in a fashion for action and function class were each teamed up with one child and made a one-of-a-kind, fashionable garment that the child would be proud to wear while also being helped by it.

At 7 p.m. Friday night, there was a fashion show in the same room at Kendall College to show off all the designs from the different companies. All of the models featured in the show were local to the Grand Rapids area. Led by Robert Andy Coombs, fashion coordinator for the festival, the event was a packed house, with nearly 300 guests filling the runway space lit with green and pink festival colors while a DJ played club music.

Open Style Lab created three jackets that were easy for people with disabilities to put on and take off but were not only for Disabled users. The Lab really wanted to focus on making multi-way gear as to include more people and to bring more attention to bringing accessible clothing into the mainstream.

Fashion Has Heart featured five of their styles, each with a t-shirt and a pair of boots that tell the story of the veteran who worked with the company to create the design.

The Kendall College students created five styles over the course of the semester and were able to showcase their pieces on the kids that they were created for. The kids benefitted most from compression clothing, so the students were challenged to create clothes that they kids would want to wear but would also help compress and engage their muscles.

“Fashion is communication,” says Liz Bartlett, the Kendall College professor that teaches the fashion class. “It’s a way for people to express their identity. DisArt celebrates identity differences but also our similarities.”Read more here:www.marieaustralia.com/vintage-formal-dresses | www.marieaustralia.com

— The End —