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Effy Sky Feb 2014
I think it's crazy that they want me to type an essay over deforestation for a score or practice or to better my writing. That's 60 more minutes I'm wasting of my life. They say that sooner or later everything we do we will do with technology. So here I am now writing this essay that's supposed to be about deforestation and the effects and consequences. We are not discussing the issue. We are sitting in wooden chairs with our computers sitting on our wooden desks surrounded by wooden bookcases. So much irony right? I seem to be the only one to notice anyways.
We come here seven hours a day, do hours of homework, "study" the information, aka memorize regurgitate then forget all of it. This is not teaching us. We are not learning anything useful to help us live. It's all numbers and words that do not matter to me.
If anyone thinks that all us kids come to school to learn they're wrong and if they think that the teachers come to teach they're even more wrong. We come to pass class after class so we can leave and actually make something of ourselves. The teachers come because they have to for the money. They do not care about us or our feelings. They put all this pressure on us to be the best we can be which really means make a good grade.
I've been silent for so long now. Not expressing my feelings towards much of anything. Also toward the reason I have to wake up at five every morning to be around people I do not even like.
I feel as though the education system is unfair and cruel and does not take into consideration what the kids who go through this cycle everyday think.
So that's what I think about deforestation.
This is what I wrote on my writing assessment that was sent into the state. Many other students also wrote expressing their thoughts about the education system. This was a really big step for me to began and I hope others can relate.
Eccentric Enigma Oct 2014
Hidden once their calling
Vast forests old growth trees
Ancestors cloaks there wearing
Spirit voices echoing once free
But as time marching silently
Crossroad signposts passing by
Empty bookcases attract the dust
Corridoors traveled doors unlocked
Gazing skyward stars reviled
Clouds they veil horizons far
Full moon gently caresses the land
Mighty rivers flow to the sea
Gathered silent sandbanks wide
Flowers garland meadows long
Seasons changing as they should
Nature smiling in her chosen way
(GE2014) (C) Reserved
Kat Aug 2018
What if there's a door that's always sitting there.
The surface is bare.
And it carries a mysterious air.
No matter what people do to the door that just sits there.
The next morning the door is always repaired.

Something so curious like the door.
Everyone finds it a bore.
After all it's just a boring old door.
After seeing the damage disappear you would think people would write lore.
But the door isn't interesting, the door is a bore.

The door's been places.
The door has guarded libraries full of bookcases.
The door has seen everything from schools to fireplaces.

Whenever the place, the door has been goes away,
the door is always there insistent to stay.
But eventually the door gets found and gets transported away.

The door doesn't change.
The door is always a door but no one thinks it's strange.
But the door moves from place to place.
No one knows where or which door frame the door will choose as a base.
Charlie Chirico Sep 2012
I guess it was when I found the eviction notice on the front door, or when I was going on three months being unemployed, or maybe even the point where I questioned myself as a writer, is when I sat down and started writing out facts. I was a writer in love with fiction, and besides my non-fiction work that allowed me enough money to eat (mostly to drink, unless there were food specials at the bar) I was writing short stories. I never thought about writing about my life, because in my mind I was still young. I was wet behind the ears; a little **** that thought he knew everything. I know nothing.

Dr. Seidman asked me if I wanted to play a board game.
I didn’t respond, in fact I looked as if I was ignoring him purposefully, but I wasn’t. He sat patiently and waited for me to respond. The truth was that I was apprehensive. This was the first time I had been in front of a therapist, and I didn’t know what to say, let alone how to act. I found it odd that the first thing he asked me was if I wanted to play a game. I was ****** as well. Before I got in the car with my mother I sat upstairs in my bedroom, took out my “inhaler” and packed the bowl. (During this time in my adolescence I was fascinated with marijuana and also with the devices used to smoke it with. I didn’t like rolling joints, and blunts had not caught on at that time. Instead, I would make my own bowls. My inhaler became one of my favorites; it was easy to conceal). I got ******, headed downstairs, grabbed a water, lit a cigarette (my parents were adjusting to the fact their fourteen year old was a smoker), waited outside of my mom’s station wagon, finished my cigarette, flicked it at the end of the driveway, and got in the car. The car ride to Dr Seidman’s office was unbearable. Neither of us spoke, the radio was turned down to a low volume, playing music form the 70’s and 80’s; Elton John’s Someone Saved My Life Tonight was playing. It was ironic to say the least. By the time the song ended we were in the general vicinity of his office. My mother was gripping the steering wheel, her knuckles becoming white, her face becoming red. It was at this point that I realized she was just as nervous as I was.

“**** her,” I thought. She was the reason I was going to see this man. I didn’t ask to come here and she had the audacity to be nervous. She was being selfish. We could have turned the station wagon around and went back home. We could have taken care of any of our problems at home. We didn’t need to consult a “professional” and talk about our “feelings.” This was the point that I felt my life had become the stereotypical suburban life: a life that you would see on television shows; one that consisted of doctors, prescription drugs, confused youth, mid-life crisis, and of course the nervous breakdowns.

We are in front of the doctor’s office. The area surrounding us looks like an industrial park. I don’t know what to think of this, but I in any sense an exterior cannot speak for an interior.

My mother and I are still in the station wagon, seat belts still buckled, the radio still down low, when she turns to me. She looks at me, only the way a mother can, and smiles. I can only bring myself to return her smile with a smirk. I have always been known for my apathetic smirk. I’m waiting for her to speak. I know she is trying to think of the right words, but like me, we have a habit of saying the wrong thing. Our words are always misplaced even though we might have the best intentions.

“Don’t ******* him,” she said

“Okay,” I said in return.

There must be a catalogue book that caters to therapists.

Dr. Seidman’s office looked very generic, like I had fallen into a bad movie, or like the only furniture allowed in the office had to be leather. That is the one smell I will always remember from his office. Even now when I smell leather I think of his office.

On his desk was a calendar, assorted writing utensils (although he had a name placard with a golden pen inserted in the center), and a desk lamp with the customary green glass shade. The wall to the right of him, and next to the office door, was lined with assorted books; filling up the bookcases that took up the full space of the wall. I was sitting on a leather couch that faced the office door. He was sitting in his leather armchair in front of his desk. He looked at me; I looked at the elaborate stitch work of the carpet. The office was calmly lit and relaxing, even though I still looked tense. I didn’t want him to look me in the eye. They were dry and red and I was high.

“Would you like to play a game?” He asked me.

I continued to stare at the carpet. He kept silent while waiting for my answer. I was thankful for that.

When I was tired of the carpet I glanced up and over to where he was sitting to find him looking at a marble chess set. I was expecting his eyes to be on me. They weren’t.

“What kind of game?”

“What do you like? I have board games, we can play cards, or checkers, or chess. Why don’t you tell me what game you’re good at? I’ve played them all countless times, but I’m always looking for a good challenge.” He said with a subtle level of smugness. He was trying to entice me, to challenge me, and it was working.

I spotted the checker board. “Checkers. I’m good at checkers.”

“Then checkers it is,” he said brightly. He stood and grabbed the antique looking checker board and grabbed a table to put in between us. He placed the board on the table and moved his seat closer. We were now face to face and ready to start our first of many strategic games.

Our first meeting was spent in front of a checker board in silence. Very seldom did we exchange words. After three games of checkers (which he won), we shook hands and he told me our session was over for the night. He walked me to his office door, said hello to my mother with a formal introduction, and told us both that he was looking forward to seeing us both the next week. My mother asked me to wait in the car while she asked the doctor a question. I didn’t argue. I walked to her car and unlocked it. I sat and for once in a long time felt at ease.

I went into Dr. Seidman’s office with a pre-conceived notion of talking, or not talking, about my feelings and what caused them. Instead we played checkers. We watched each other’s moves on the checker board. He had a way of making a vulnerable situation bearable. He put my anxiety at ease. But while I sat alone in my mother’s station wagon I couldn’t stop thinking of one thing he said before I walked outside. He said he was looking forward to seeing both of us the next week. I was curious by what he meant when he said “both of us.”
When I was a child, the hallways stretched for miles
Mahogany and ceramic floors, polished bookcases
A mansion for fictional paperbacks
All neatly tucked under fluorescent lighting

The librarian would wait behind her desk
She reigned silent
besides the tapping of her fingertip to her glasses
I can’t remember her ever looking happy

Until the day I noticed the chirping
Sang somewhere between the realistic & historical fiction,
a bird cage sat next to the woman’s desk
It was an unexpected visit

I should have brought a better dressed book to check out
Mine was bound by yellowing pages
But I met the canary and heard her song
As I watched the librarian smile
dean Sep 2012
She doesn’t let herself think about it anymore. She has a schedule now, a timetable, something that might look like a life if you don’t scratch the surface too hard.

Wake up, call the hospital. Tend her garden, call the hospital. Get driven to the hospital and sit with Dean for hours, hours, hours, go home, cry. Lather, rinse, repeat. The only thing that changes in her life is the sky and the inversion it brings.

She walks on the sky when it clouds, because it’s more solid and sure under her feet than the traitorous ground that swallowed her children whole.

She bargains when it rains, to God or Big Brother or Allah or the deity of the day, because if the Jehovah’s Witnesses are right and their god is a merciful god, He will give her family back.

Once there was an earthquake and she smiled so wide she thought her face would hurt, stood between two rickety, heavy bookcases, prayed that she would die.

The most tragic part of her life is that she doesn’t. She knows this, knows it runs through the marrow of every bone in her body, which has to be why they all ache when they see the sunrise, as if to say another day, another tragedy .

Today she wakes before the sun and hugs her knees to her chest, sits there for a good three hours after he’s called the hospital and heard the same thing as always - the only thing that changes in her life is the sky - “We’re sorry, Mrs. N----, he’s the same.” Every day it’s the same, the same, the same-
-but that doesn’t make it any easier.

Same dingy cab, same crotchety driver, same stale cigarette smell. She lets herself smoke in here because if she’s lucky that’ll **** her first, but she doesn’t fool herself into believing that. Her luck ran out the moment she heard that shot from the door, heard her husband scream and saw all the blood staining the foyer-

But she’s not thinking about that. She’s smoking and she’s listening to the sound of the tires pummeling the ground mercilessly and she’s thinking maybe I should be that ground and she’s not making much sense at all, because she doesn’t sleep anymore and she thinks she might be halfway to insane by now.

They pull up outside the hospital. She’s always surprised her feet haven’t worn a track in the ground yet that leads straight to Dean’s room. She supposes she doesn’t need one.

She pushes the door open and the spark of hope he can never suppress dies with a silent scream, because Dean is the same, her life is the same, she’s the same and the same and the same and she hates it.
Nihl Jun 2013
CHAPTER II

At once I was spat out into a familiar space, although still swimming in darkness. As I slowly adjusted to the dark, I realized I was sitting in my room at home. I was surrounded by large, vacant, white walls and a sturdy black bedside table. Crested on top of the sturdy black table was the same familiar dodgy lamp that never seemed to work particularly well. My whole world was spinning as I sat up in my bed, scanning the room for outlines and shapes to ensure I was in fact back home. Back home and not caught in another hellish fantasy.
My bed linen had been kicked off my bed during what I imagined was another nightmarish spasm, leaving me drenched in cold sweat and shivering. I lifted my hand to my brow to quickly swipe away some of the salted perspiration that had gathered in the corner of my eye.
I spread my hands out beside me, feeling the bed beneath me to ground myself.
I wasn't in danger, I was safe, I had to keep telling myself that it was just a dream to try and stay sane.
-
I picked myself off the bed until I was standing upright in the center of the room, still surveying every nook and space, places where things could hide. Nothing, there was nothing in this room but me, standing in the room sweating and spinning around like a madman. I pulled on a shirt and went to the bathroom. White tiles, a shower, toilet and sink. Everything in there was normal and safe. I was relieved, switching on the light as I entered. I stood in front of the mirror gazing into my reflection, I was older and I wasn't surprised. The events of the nightmare had actually happened, not five minutes ago but six years ago. And ever since then, this nightmare had been somewhat of a regular occurrence. Recently however, it has been getting worse, more lucid, every time, closer.
-
My father did in fact vanish six years ago, police found me cowering in the cabin three days afterwards, bruised, cut up and mumbling, they only came looking because dad stopped turning up to work without warning. And after the events of that night I’d struggled somewhat to maintain a normal life, having my parents stripped from me at sixteen. Growing up in foster care was hard; my foster parents were kind enough. But the system moved me around a lot, making school very hard to commit to.
-
Looking in the mirror I saw myself staring back, eyes slightly reddened and itchy, and my skin dry and flaky. I turned a faucet and splashed my face with some cold water, ice cold from sitting in the taps in the dead of the night. The cool was extremely grounding, it felt sharp and real. The nightmare had faded to shadows of thought, I felt human again. Quickly drying my face with a clean hand towel and moving back to my room. The room didn't feel so sinister now, probably because I was getting so used to these nightmares. I climbed back into bed, glancing the time on my alarm clock before getting under the covers. 3:25 Am. I moaned at the image, 3:25 Am means four and half hours until I had to go to work. Another disrupted sleep meant another day at work where I was in a state zombification. I turned off the dodgy lamp, instantly flooding the room with darkness once more, Only, I don't remember turning the lamp on. ‘Don't be an idiot’, I thought, before rolling over and falling into a quick, shallow sleep.
-
The next morning I got up, showered, brushed my teeth as usual and caught the express bus to work. I stood in front of 'Bayside Books', my place of employment. I enjoyed it there; it wasn't too demanding and paid for my rent and whatever little I ate. It was a warm little shop that stood unique amongst its surroundings, tall concrete hives of advertising and production on every side. ‘Bayside Books’ was little mahogany box on the bottom floor of some non-descript scraper.
-
As I entered the bookstore the greeting bell chimed, filling the shop with simple song. Just as the bell stopped a rotund man with a sky blue button down shirt almost bursting at the seams, emerged from behind a bookshelf.
“Coulter!” he called cheerfully, “Coulter! You’re late buddy, miss the bus?”
He asked harmlessly, now standing before me with an armful of old books. Assorted popular horror books like ‘Dracula’, ‘Frankenstein’ among some more obscure works I’d never seen.
“I slept through my alarm, I’m sorry Mr. Dupas.” I replied.
-
Mr. Dupas was a large man, although not much taller than me, he was far wider.
Dark, greasy, curly hair seemingly glued onto the top of his round head. Protruding cheeks and a chin that was almost just a button perched in front of a larger chin. He maintained an interesting standard of hygiene, fresh pressed clothes on an almost un-showered man. Perhaps he was just an extremely perspiring person, but I didn't have the courage to ask any time soon.
-
I did sleep through my alarm that morning. I didn't exactly have a habit of getting into work late, but it seemed that with all the sleep I had been losing and the fact I hadn't been blessed with a full nights rest for two weeks now. It was really starting to catch up to me.
-
“Don’t worry about it, happens to the best of us” He smiled.
Mr. Dupas moved behind the shop counter just beside the doorway, piling the stack of books into a small, neat cardboard box on the counter. I could see clearly scrawled on its side in block letters, ‘TO CLIFFORD’. I removed my thick black coat and hung it behind the desk squeezing past Mr. Dupas as I did. Dupas grabbed his coffee mug and drew it to his lips as he moved towards the back of the shop, taking a large gulp of his almost noxiously caffeinated drink.
“Put away the new arrivals then clean the shelves and when you get a chance, go take that box to Clifford!” He called from behind several bookcases. “The invoice for the box is in the second drawer!” as he followed I could hear each stride in his voice.
-
I spent most of the morning stacking the newly arrived books onto the ‘New Release’ shelves. The same old crime stories, successful underdog sportspersons biography and feel goods. I finished putting them in their respective places before quickly dusting the shelves. At about noon I’d finished my jobs, grabbed the cardboard box from atop the counter and hurried out the door, letting Mr. Dupas know that I’d gone.
-
‘Clifford’s’ was only a short walk from ‘Bayside Books’ and it was a journey to and from the store I’d have to make at least twice in any normal week. Mr. Dupas and Mr. Clifford had a little partnership, Dupas would send the odd box of all the supernatural, paranormal, grim dark stories, biographies and spell books of such to Mr. Clifford, where Clifford would pay a paltry price for these books that had been left unsold and gathering dust at ‘Bayside Books’.
-
As I made my way down the street towards ‘Clifford’s, I spotted a few people watching a news report as it was broadcasted through the gaps between security bars, guarding the window of a small electronics store. The images displayed across the several monitors within were of soldier, armored vehicles and unruly citizens in some nondescript middle-eastern country. American flags burning in the middle of busy streets, and giant dolls with paper heads that from a distance, looked uncannily like our American president. The only difference being, that the life-size doll on the monitor seemed as if it was created by an angry eight-year-old student as some twisted school project.
-
I passed the electronic store a ways down the street until I arrived in front of the familiar poorly-lit arcade. Neatly nested at entrance to the arcade was the dark and foreboding storefront. A wood paneled exterior, crowned with five large dusty windows, inside each window stood displays of everything creepy you could imagine, voodoo dolls, satanic bibles, pendants, candles,  statues of vague deities, dried pelts and skulls, and indistinguishable skins and teeth. Not to mention the books, there were hundreds of books. Unlike at ‘Bayside, where our books were categorized and organized by alphabetically author. These books were stacked and scattered in no inherent order. Every now and then I'd spot a group of vampire stories in close proximity and then the order would be disturbed by the odd ‘Cooking: How to prepare human flesh. ‘ followed by the uncommon Serial killer biography. This store, this little jewel of the unnatural and the unfathomable, this was ‘Clifford’s’’
-
‘Clifford’s’ Collectibles; oddities and curiosities.’

N.H.
Rapunzoll Jan 2017
sometimes boys will whisper  
i love you's too quickly
and you, anon, will believe them
with your gentle heart, and
capacity to believe in miracles.

sometimes the first guy isn't
the only one,
sometimes you didn't like him
to begin with and that's okay.
i know you wish it was that easy.

people say to look for love
in all places, but love likes to hide
in the nooks of bookcases,
in cars parked under trees,
in his reflection in the rear mirror
as he glances to see you
walk past with your heels too high,
and smile too giddy.

but that wasn't love.
love is mutually shared.

sometimes you fall in love
and it will hurt worse than that time
you broke your wrist.
you will shake with tremors
of madness and you will
remember his name.

it's like hearing a song
you haven't listened to in years.
something jogs your memory
and you still remember the lyrics.
you will list his hobbies,
his favourite colour, with
perfect memory.

anon, you keep finding love,
and you keep losing it,

but be patient, please.
when you are ready
tell love to come another day.
© copyright
Chris Saitta Jun 2019
Autumn was an old Viennese street held up in sacrifice to the sky,
With burnt-song offerings that still see through the clouds, as they see through you.
His was cobbler craft of reed-winded flame for the foot in tune,
Amid the outsnuffed shopkeepers’ lights and the candlesmoke of midnight hours,  
Pulsing above the inner heart of the Ringstrasse
Of brass signs and paving stones, misted and mute.
His was the candelabra of wick-notes
Wanded through the windowed rooms of forested night.
His were those woods filled with doorways, bookcases, and stairs
And everything dim and warm with people, no longer there.

***

The winter sunlight played across the keyboard of crypted windows,
And in the muted under-roofs of ice and snow,
On one window, like a hand in whole rest,
The caramelized glass swallowed the flame-image of the stray redbird
And the black carriage wheels that passed.

In the long hallway of the Viennese flat,
One candle remained lit in the mouth of song.
The Ringstrasse is the well-known road around Old Vienna, the inner heart of the city.

For a slide video of this and other poems, please check out my Instagram page at ChrisSaitta or my Tumblr page at Chris-Saitta.
Erica Danielle Feb 2017
Allow me to show myself to you
Before you paint a picture of me without a reference
Let me show you what beauty looks like
Below the surface of the skin

I’ll show you the flowers in my mind
They’re so vibrant you’ll think it’s magic
If you tried to recreate them, you’d never be able to find a shade that matches just right
Some of these flowers might be wilted, but they’re still growing
I try to be like them

I’ll walk with you
Down the spiraling staircase, from the garden of my mind
We’ll walk among bookcases filled with my thoughts
In a giant library of ideas

My mind is a castle
With thick walls
And moats deeper than your imagination
The drawbridge is almost always closed
If you see it open, you know that’s one of the good days

My castle is built of similes and metaphors so strong
They could shatter a window better than any rock ever could
I use diction as bricks
I built this castle myself out of literary devices and pure magic

My hypothetical brain castle is full of more secrets than you might think
There are trap doors down every hallway
Hidden rooms full of memories i like to keep to myself

My castle has a dungeon
I like to lock away the things I don’t want to think about
There are doors that don’t open, in my castle
Keys i lost a long time ago
When i lose another key, it’s called “forgetting”
Usually I don’t even notice

There are vines creeping up the side of my castle
Things that shouldn’t be there, but they won’t go away
Later, you’ll realize they made it more beautiful

Sometimes, I mistake the castle for a prison
I forget that these walls are meant to protect me, not keep me sealed away
My castle looks more like a cell, than a home

I feel lost among in my library of ideas
The books full of my thoughts seem to be written in a language i do not recognize
I fall down trap doors i forget are there, and i mistake the flowers as weeds
My castle looks more like a cell, than a home
And all I want is to escape my own mind
Mateuš Conrad Apr 2016
sometimes a private message on the sly
outlasts a poem,
i'm no quack - my prescription list
if a bunch of theories,
i can't the Hippocratic oath even if i wanted to,
which also means a theory here,
or a theory there can't hurt -
it's levitating as a chanced choice of consideration,
in terms such stated, there are
the questions of consolidating the problem
socrates faced as to how confront a unity
of particulars and universals -
well, a mathematical impression
with the prime expression of division would be
a start, a comprehension of units
akin to millimetre, centimetre and mile
would be due a referencing to.

i hardly know what to call the cartesian
subsequence equation -
sartre tried to invert it -
let's say that thinking is an *essence

and being is existence -
drag in newton's causality and einstein's
lack of causality - i do believe
descartes is pivotal in terms of causality
and what existentialism suggested
via sarte: that existence precedes essence
or vice versa - causality i should think -
but if the itemisation of space
as divided enduring placebos of millimetre
and centimetre with each point
as the Freudian id to divide is loosely estimated -
i understand Sartre's argument when
being a revisionist via Descartes -
existence does indeed precede essence -
you learn from your mistakes -
first can existence example itself
before thought (essence) begins its learning process -
indeed it can't be otherwise, intuition
does exist to a cloning zenith reached by animals
who're only vociferous via the medium
of onomatopoeia - ferrous sounds -
but among men there are more enzyme-related
processes to create the Enlightenment from
the Renaissance - the latter an artistic progress
the former the scientific -
study chemistry or physics and philosophy becomes
a playground - biology for some reason
has too many octopus tentacles attached to
obvious things - mutations of Chernobyl to mind -
and history, **** sake's the stone age and the
17th century will deviate far between on the spectrum
of analysis - there is much more bureaucracy from
the 17th century than crude cave drawings from the stone
age - i'm hardly saying it's not plausible
but the time-scale leveraged with boiling a cup of tea
is the worst kinds of distraction - scout's honour,
cross my heart and count to 20 in under 10 seconds.
anyway, for the majority, people are hardly
innovators, a few can claim to be a pure res cogitans
(a thinking thing), since such a being would require
an id scale of division, not necessarily a scale of division
akin to the majority of people, with their
9 to 5 working days, monday through to sunday,
january through to december -
with the latter list of exemplification we're talking
about a res narro / a narrative thing - alt. include
res transloquor (a thing talking over -
a loss of etiquette when talking over older people)
etc. -
           since i find that thinking is primarily
about innovative feats - but most of the time what we
call thinking is actually narration -
a book never written, an idea never materialised -
and the existence of the Buddhist "mindfulness" /
simply not thinking, a full cartesian sum embodiment,
akin to driving a car, a bike, whatever you like.
or i could have written about the news review
articles from sunday: the boo! that's Broadmoor,
the lush living conditions in blocks 2 & 5
and the squalor in blocks 1 & 6...
names include the murderers:
jonathan lowe (aged 52) writing a letter about
the Ritz hotel like conditions in 1898,
croquet and cricket, tea weak beer and gambling,
tobacco luxury and servants via the lesser
fortunate inmates,
william chester minor's addition to the inaugural
edition of the oxford english dictionary (ex-military
surgeon he was),
chippendale bookcases, bathed once a week,
shaved three times a week,
(now you can understand my fascination with
Ezra Pound) - thomas harry a would be assassin
of the p.m. Gladstone of 1893 walking about
the asylum gardens mentioning Gladstone's
last plea with a smile akin to the eager buds of
may appealing to harry's sense of "remorse",
a dutchman who attacked his wife with a mallet
pleading to renter the lunatics' Ritz circa 1895 -
a jack the ripper suspect amongst them -
dr. richard brayn hardly ***** burroughs' dr. benway -
a madman had never so much luck under **** brayn -
but the less fortunate remarked:
'my name is T Perkins, i have been murdered here,
by those that know not what they do,
because they have ether in their heads!'
i'd guess ammonia to add to such a confession,
or skunk ***** to mind the least.
thomas cutbrush was the ripper suspect.
jimmy saville wetted his ***** in the female wards...
can't complain with ******* adolescent girls
why complain about ******* crazed chicks -
Michael Meyers in the room? i thought so,
democracy is the ideal export, people know
jack the ******* by compliments from the toilet's
perfumery as described: strawberry scented,
mm hmm - Kentucky tattooed on my left buttock's
cheek. but boo! a.k.a. Broadmoor is closing,
pristine lunatics on the street - mind you
in the news review they had an article about
seymour hersh - what he called
dum-dum and darth vader of the galactic empire
surround fashion trends of 9 / 11...
joy uu bushy and st. francis cheney -
prior to this poem looking at russian sables in
fur farms going berserker over the size of the cages,
a lynx rummaging in a theory of geometry
walking out lemniscate treading on its own faeces,
and i felt good for the jews
not wearing leather on Yom Kippur -
in their orthodox black attire walking into a
synagogue wearing trainers -
yep, lived next to a synagogue for several years,
a flat above an estate agents...
but of course weddings and mazel tov a rekindled
happy event!
scurrying like rats in an area not allowing pride -
apologies for the comparison,
but Gants Hill wasn't exactly Golders Green,
well the Hanukkha did stand proud at the roundabout,
but then the social project took over
and subsequent evictions proceeded -
Bangladesh came over - and half of Pakistan.
am i ee Sep 2015
racing through the night
fast as light,
toward the great unknown,
the little acorn nut was
reminded of the old adage,
"hang on to your hat"
and so she did.


first stop was to the factory
where well crafted &
educated hands
stroked her smooth grain
& magnificent wood,
so long hidden,
standing so long un-admired.

at last the day came,
she was loaded upon the truck,
so very carefully,
gentle to not mar
nor bump,
as she was moved.

reaching the city,
all the brights lights,
the city trees dotted
the avenues
and huge grand park,
spurning the excited hi's
of this little country
bumpkin.

but she would not dally,
nor carry on, with
the highend bookcases,
chairs, tables and others,
living floor after floor
above the city.
those in the penthouses
holding the works and books,
those rubbing shoulders  
and bums,
with the highfalutin
literary few.
the poets & artists & writers
that deign to look down on
poor you.

every night,
under the light,
she laid there beaming,
her beauty so deep
for all to see,
gleaming.

no diva, nor screeching ingenue,
puffed up egotisical  baffoon,
or shrew,
could bring her down.
for she knew,
that without her,
there could be no show.
for without her,
in all her floor glory,
there simply
would be
no stage!

and the little acorn nut
was glad!
The life of the Little Acorn Nut continues.  See previous piece for background history.
YieShawn Scutt Mar 2016
My minds a jumbled mess
I wanna say it all but all I actually do is say less
I want superman to come save this here mind
But frfr. I think he's resigned
Or maybe I'm not worth of any of his time
I'm drowning in my own thoughts
We train ourselves to act the same and I feel like I'm surrounded by robots
No one will rock the boat
No one will actually stand by me and make sure that I stay afloat
Me speaking my mind to others can't be translated I just sound like a goat
This cruel world is blizzard cold and I can't find my coat
Or maybe it's too small
Right now I'm standing outside and I'm forced to say I don't feel anything at all
Even though we're all cold
No One will come clean and admit it and boy oh boy man is it getting old
I'm done forcing myself to fit into that mold
Even when you scold me because I'm divergent
I cleanse my soul
(breath in)
smell that?
clean like detergent
I'm done letting social acceptance control my life like Ima a servant
Being cool and getting Instagram likes really ain't that important
Wether you got fans or not don't matter *** the world keeps on flowing
Need to stop and think about it "wait"
What direction am I goin
What outcome in life for me is the lord currently bestowing
I wanna be able to look back and ask myself "Hey was it worth it"?
And be able to reply "ya baby you fulfilled your purpose"
Weather or not I'll become successful is a difficult topic
I stay up at night just thinking about it
Dreaming about it
Living it in my mind and I can't even stop myself
I scream and shout about it
No not literally
But mentally
I strain my mind on a daily bases
I feel that up until now my whole life has been suspended by braces
But I don't wanna be strait that's not how he makes us
I don't wanna be another boring book on the boring bookcases
I refuse to be like those faces
Those aliens who have tricked theirselves that what is real is tasteless
Trying to look like ken and Barbie sending theirselves on wild goose chases
You know what this world needs?
Not a revival we have no chance of a survival as long as we live on earth
It's like spilling spaghetti sauce on a white t-shirt
U can't get it out
it will never revert
This pitiful world is in chronicle need of a rebirth
Erica Danielle Feb 2017
Allow me to show myself to you
Before you paint a picture of me without a reference
Let me show you what beauty looks like
Below the surface of the skin

I’ll show you the flowers in my mind
They’re so vibrant you’ll think it’s magic
If you tried to recreate them, you’d never be able to find a shade that matches just right
Some of these flowers might be wilted, but they’re still growing
I try to be like them

I’ll walk with you
Down the spiraling staircase, from the garden of my mind
We’ll walk among bookcases filled with my thoughts
In a giant library of ideas

My mind is a castle
With thick walls
And moats deeper than your imagination
The drawbridge is almost always closed
If you see it open, you know that’s one of the good days

My castle is built of similes and metaphors so strong
They could shatter a window better than any rock ever could
I use diction as bricks
I built this castle myself out of literary devices and pure magic

My hypothetical brain castle is full of more secrets than you might think
There are trap doors down every hallway
Hidden rooms full of memories i like to keep to myself

My castle has a dungeon
I like to lock away the things I don’t want to think about
There are doors that don’t open, in my castle
Keys i lost a long time ago
When i lose another key, it’s called “forgetting”
Usually I don’t even notice

There are vines creeping up the side of my castle
Things that shouldn’t be there, but they won’t go away
Later, you’ll realize they made it more beautiful

Sometimes, I mistake the castle for a prison
I forget that these walls are meant to protect me, not keep me sealed away
My castle looks more like a cell, than a home

I feel lost among in my library of ideas
The books full of my thoughts seem to be written in a language i do not recognize
I fall down trap doors i forget are there, and i mistake the flowers as weeds
My castle looks more like a cell, than a home
And all I want is to escape my own mind
Daniel MAkwetey Aug 2019
I would argue that what is happening here isn’t the crushing of creativity but the addition of knowledge. As people get more knowledgeable they are better able to evaluate their ideas and sift out the ones that won’t work. Looking at the quantity of ideas for the use of a paperclip tells you nothing about creativity but the quality of the ideas might.

If we want pupils to be good at problem solving we need to give them a lot of knowledge with which to solve problems. There is no generic problem solving short cut we can use. The problem solving skills of “I need to put up a bookcase but have lost the instructions” is very different from the problem solving skills of “We need to resolve the conflict in the Middle East.” I we spent less time trying to find these short cuts we might have a lot fewer wonky bookcases and a little more chance of peace.

I can’t speak for all subjects and contexts but in secondary school geography we are constantly problem solving. It is what Geographers do but each problem needs a wide body of very specific knowledge. We look at how they would solve the problem of the UK’s energy mix, how they would improve housing in informal settlements and yes, even how to solve the problems in the Middle East (if someone without a knowledge of catchment hydrology tries to pontificate on the issue I wouldn’t give them the time of day).

The same applies to “creativity”. The ability to create is an important and wonderful thing. Music, art and drama should play a full and important part in the curriculum but they aren’t about teaching something as generic as “creativity”. They are about teaching the skills to allow you to be creative in that particular domain. Learning to express your creativity in art is unlikely to help you pick up the trombone and learning how to write is unlikely to make your interpretive dance any less awkward.

If you think that these things can be taught as stand alone generic skills (I assume you there is a 54% chance you are) then please do send me a lesson plan because I would love to see how it is done.

Conclusion

I think the term “21st century skills” is a nonsense. The generic skills that people will need in this century will be the same as they have needed in all of them because they are the things that make us human. I don’t think they can be taught in isolation. I don’t think we get better at “problem solving” by solving problems in different domains or better at “creativity” in one domain by practicing another.

Schools play a role in preparing children for the future and that role is to ensure they leave us as knowledgeable and well informed adults.
I would argue that what is happening here isn’t the crushing of creativity but the addition of knowledge. As people get more knowledgeable they are better able to evaluate their ideas and sift out the ones that won’t work. Looking at the quantity of ideas for the use of a paperclip tells you nothing about creativity but the quality of the ideas might.

If we want pupils to be good at problem solving we need to give them a lot of knowledge with which to solve problems. There is no generic problem solving short cut we can use. The problem solving skills of “I need to put up a bookcase but have lost the instructions” is very different from the problem solving skills of “We need to resolve the conflict in the Middle East.” I we spent less time trying to find these short cuts we might have a lot fewer wonky bookcases and a little more chance of peace.

I can’t speak for all subjects and contexts but in secondary school geography we are constantly problem solving. It is what Geographers do but each problem needs a wide body of very specific knowledge. We look at how they would solve the problem of the UK’s energy mix, how they would improve housing in informal settlements and yes, even how to solve the problems in the Middle East (if someone without a knowledge of catchment hydrology tries to pontificate on the issue I wouldn’t give them the time of day).

The same applies to “creativity”. The ability to create is an important and wonderful thing. Music, art and drama should play a full and important part in the curriculum but they aren’t about teaching something as generic as “creativity”. They are about teaching the skills to allow you to be creative in that particular domain. Learning to express your creativity in art is unlikely to help you pick up the trombone and learning how to write is unlikely to make your interpretive dance any less awkward.

If you think that these things can be taught as stand alone generic skills (I assume you there is a 54% chance you are) then please do send me a lesson plan because I would love to see how it is done.

Conclusion

I think the term “21st century skills” is a nonsense. The generic skills that people will need in this century will be the same as they have needed in all of them because they are the things that make us human. I don’t think they can be taught in isolation. I don’t think we get better at “problem solving” by solving problems in different domains or better at “creativity” in one domain by practicing another.

Schools play a role in preparing children for the future and that role is to ensure they leave us as knowledgeable and well informed adults.
Edward Coles Sep 2014
They put nails in my palms
for loving you.
You described bookcases
as a ladder to the moon,
and they did not care for that.
You labelled the radio
as the death of the album,
and upon each of your words
another sparrow flew
from the windowsill in my mind,
off to join you for warmer times,
your flesh on mine,
your glass, my wine.

They told me that you eat men.
High heels and corsets
as you make their acquaintance,
a black hood and axe
as you take a moonlit walk
past the old cemetery.
I would be lying
if I said I was not scared of you.
I would also be lying
if I told you I came with devotion,
or any other plan that did not
involve taming you with ***.
They put nails in my palms
for loving you.

They put nails in my palms
for never wanting you to go.
c
Daisy King Nov 2013
i. How the weathermen can predict happiness. Especially my mother's. Especially Swiss weathermen.
ii. I am glad that winter' is here, for finding warmth in the itch of wool, hat around ears, socks over knees.
iii. I am trapped in between walls and other people's walls and my bookcases and their bookends that may not ever end but can look like ends and ends and no no ends to the layers built in brick, all boxed in beyond this building. And my words are trapped in my mouth. They escaped from my mind to my mouth and now I don't trust them on my tongue.
iv. The strangeness of Roman numerals and the study of such numerals.
v. Is there a word for the study of numerals, specifically those of the Romans? There must be, as there is one for the act of eating whilst lying down, a fear of having fears, and the delusion that one is a cat.
vi. My wrists. No watch.
vii. Watch out for what you must keep a hold on, but know there are some things you need to just L.E.T.G.O.
viii. Morse code, S.O.Ss', plurals on top of plurals, mnemonics, anagrams, one blink for yes, lasts longer for no.
ix. Photoraph of my cousin on the day I found out she was going to die and we are kissing at the camera.
x. X for the kiss I need from the right one, or for the answer, and something telling me I got it wrong.
xi. Thinking is counter-intuitive when I'm thinking too much of absences. Silences. My thoughts don't know where to go and neither do my eyes and I can't look up because the photograph will look back down.
xii. Look at yourself. Steps: reflection; dissection; cut. it. out.
xiii. I cried harder than I have ever cried since I can remember a while ago and it's wasn't even a Wednesday or a Tuesday then, and those are my crying days.
xiv. When I get touched, I go back in time, sometimes.
xv. Transformations.
xvi. Condensation. Where do clouds come from? There are things we see everyday and we say we know exist with not a clue about how they work. How does a ball find its bearings? Where did the train begin to lay down its tracks?
xvii. Questions. Questions. Quote: Indecisions and revisions. Unquote: the more you cut it up, the more divisions.
xviii. How many parts am I divided into now? How many incisions? I can't keep count.
xix. The sun sets early in winter and the comfort of darkness is something you can count on. It stays longer, and you can count on that too.
**. Kiss kiss, one for me and one for you.
xxi. This doesn't count.
Tawanda Mulalu Aug 2014
THE SCIENCE SECTION IN THE LIBRARY.




Why is it hard?

To suggest to me, you;
that I do not love you,
as Einstein and Newton
glare at us from their spines,
in truth and in shelves,
here?


Because when months pass you’ll be both here and not here
like a creeping silhouette: a black cat in shadow
-though within the boundaries of bookcases
instead of inside some sad quantum box.

Because when I am here, you will always let go
again of my hand or may not. Regardless,
I begin to notice- the bookcases expand…
…leaving space for more spines to glare at me.


Stupid, stupid questions;
curious, unanswerable.


Why is it that

I will then hear your name,
as rusting papyrus
is turned by young fingers
crossing yellowed ruins,
for truth in these shelves,
here?


Because today passes; you‘re both here and not here
like how light makes your tired iris amber-
by absorption of all visible rays but one,
which when reflected, leaves the rest forgotten.

Because when I am here, you will always let go
again of my hand or may not. Regardless,
memory is vacuum; you won’t hear me choking
in the Brownian motion of reality.


Thus the library is such
an awkward place to break up




*T.W.T Mulalu
I've got a few more at www.lifeinthethirdperson.blogspot.com
Steve Page Apr 2023
Somethings last longer when kept in cool dry places
and I for one have found the perfect resting place,
surrounded by plenty of taken up shelf space
where I can store up my strength, and sit contented
in this inspired, quiet space, amongst the bookcases
where we are encouraged to slow our pace
in the long-lasting embrace of Carnegie’s generous bequest.

Yes, we’re blessed with quiet, at least for the most part,
apart from the softly voiced query and help at the desk,
apart from the dad reading aloud and reading time’s louder address
to cross legged, momentarily suppressed younger guests.

It’s quiet apart from the regular swish of the obliging doorway
swinging wide its welcome followed by
the vital wipe of wet feet on the new red mat,
punctuated by the unsnapping of buggy straps
and empathetic mum to mum picked-up-from-last-time chats.

It’s quiet apart from the regular slap of scrabble tiles,
clicking knitting needles
and the long considered placing of a jigsaw piece
accompanied by a contented creak
of a chair as someone adjusts a numbing *** cheek.

It’s quiet apart from the buzz of book clubs and poetry recitals
exchanging much treasured lines and long loved titles.
It’s quiet apart from the beep of books returned or issued out
under the arms of rested readers, no doubt
heading home to their own cool dry places,
reading lamps and carefully positioned comfy chairs.

It’s quiet apart from the spoken thankfulness of readers young and old,
each enjoying spending time within the fold
of this, our beloved Hanwell Community Library.
My local library is kept open by the efforts of volunteers and sponsors.  Its a real sanctuary.
Beth C Apr 2012
This is the illusion
of flowered wallpaper
and flowerless vases,

the masked truth
behind luxurious lampshades
and towering bookcases;

Do not be fooled
by the furniture,
this house is as empty
as they come.
SG Jun 2010
I am motherless.
She sits on the hutch in our dining room, in a ceramic urn.
Watching her fall has made me rise
I will be her polar opposite.
Her failure is my success.
I was numb to her death,
Like watching through one-way glass,
My heart feeling no pain, no loss.
Just relief.
I am safe now.

I am a muzzle.
I keep my feelings and frustrations to myself,
Bottled like colored sand and shells.
They rest on the tip of my tongue sometimes,
Rehearsed words to finally say what I mean.
But every time I talk myself down,
And push the words back down,
Fingers thrusting cork underwater.
From time to time I wish to shed a skin of attentiveness,
To take the words for what they are, rather than how they’re said.

I am a dream drawer
With broad strokes of man-made nostalgia I paint
A colonial home,
On a tree lined street,
A square front yard,
A big oak tree,
Green grass and a wraparound porch.
Inside,
There are varnished floors,
Built-in bookcases,
An Ikea kitchen,
And a Pottery Barn living room.
The kids wear Abercrombie,
The school bus stops at our front door,
and I am a mother for my children and for myself.

I am a street photographer.
Windows are my viewfinders,
showing a moment of life inside of a house. Click.
I am fascinated by the insides of a home.
I wish I could stop time and walk inside,
To see what’s behind that glass photograph.

I am a poet.
My dreams and desires,
My feelings and frustrations,
Are not spoken, but written.
I cannot just “turn on” my poetry,
I need something to speak to me,
Like my toes in a backyard pool during twilight,
Or a restless night.
They whisper at me,
Cast me meaningful glances.

I am a miner,
Searching for diamonds in a harmony,
Where I just have to close my eyes,
Smile, and be swallowed by the whale of melody and drums.
I am Jonah,
Wrapped in a musical hurricane,
I am surrounded and forced to forget
Everything but what I’m hearing.
The first English assignment of my freshman year.
anastasiad Dec 2015
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http://www.vxl.net/ghds/
Meaghan G Sep 2012
This morning I was all black daffodils and headless mannequins,

the hours turned into twisted clouds that always look like rain,

this morning I was ripped white duvets, spindle bookcases,

thick laminate book covers stolen from library stacks.

Tonight I am a yawning cat stretch, a heart one beat off,

a tiny jar of salt from leftover tears.

I shoved my face into a towel today, let out one sob and

went about my day.

(I can’t even find the effort to cry.)

Tonight I am a half-deflated balloon, forgotten in the corner of a room,

I am the sun hiding on the other side of the world,

I am a smile just waiting to burst,

I am sore muscle ripped sweatshirt blanket cocoon.

This morning I was an unopened window and tonight I am

blinds hiding the night.
brooke Aug 2016
what have the drunkards told you?

that you were beautiful--
different, gentle, pure
while they were busy
vacillating, you found
yourself whole among
their stormy seas, a tidal
wave bearing down upon
choppy waters where sailors
are lost and boats are sunk
ships full of diatribes and
bitterness, crippling resentment
folded into the bathus --

What have the drunkards told you?


to be less, to dissolve, to speak expressly in
salt and ***, come down from the hill, from
the towers, from the lighthouses where you
poured over the bounding main
learning to be for others lost
what have the drunkards told you?
mixed and unbecoming, double minded
and hopeful for your body


but testimony seeps out from beneath your dress
and some men are scared of lights and lamps
of flowers pressed into the walls, quiet and
unassuming, of stair steps and bookcases
without books

be the light
be the light
(c) Brooke Otto 2016

it is what it is.
Miss Clofullia Mar 2017
Phase 1.
He will be missed.

that's what they'll write on your Facebook
tombstone,
after they'll scatter your ashes
all over the big blue virtual ocean.

small pieces of your memory
will end up on people's profile pictures
(the full black ones
are small parts of your
Nick Cave t-shirt).

they'll suddenly remember
that you once existed and
that they had the honor
of not picking up YOUR phone calls.
they'll share all your favorite songs
on their side of the wall,
saying this and that
and how you inspired them
through your nonsense.
they'll hashtag your big fat ***
with that special #RIP *******,
knowing that you haven't
slept well in a while.


Phase 2.
Something's missing.

that's what they'll say
after a couple of months,
when they'll look at the empty places
in their bookcases
and realize that,
indeed,
it wasn't a good idea to lend their books
to a depressed as **** *******.

they'll go online
and order new books
and try to forget your absence;
your song will be played again.
you'll be an echo one more time,
water under their bridge,
a white paint mark that they leave behind on the road,
on their way to the seaside,
a decent line
in a Romanian new wave movie
that makes them smile for a second
and then, after the screening's over, try to remember..

you had the choice of carving smiles into stone or
that of throwing stones into smiles.
what do you think people saw?

Phase 0.**

you don't have to live a great life.
you just have to die a simple death.

[https://www.youtube.com/watch?v=SBlNUkEVA4A]
derelictmemory Sep 2014
Don't make love sound like wispy trees.
It's a bad commercial on a static age-old tv
on replay in the darkest corner of the apartment covered in cobwebs.
The stale air around it from keeping your windows shut
tight and the door locked with words stuffed in between its hinges.
Maybe love can warm ice cold hearts that have
frozen over from the heat of hypothermia.
Perhaps it has the ability to perpetuate that
painful kind of longing for a bed so small it doesn't
make you feel alone when you end your day staring blankly into the ceiling.
Many kinds of ghosts will haunt you in their wake
when you think that you could be safe.
But death and decay exist as ice cream flavours
in that abandoned parlor down on 79th street like
the broken frames you see in the alleyway still
holding flash-frozen memories of the distant past
and things that will never be again.
Walk down streets covered in dried leaves and
the stench of potpourri in the air reminding you
of a time with flare skirts and victorian columns.
You might feel the gazes on your neck in ounces
of gleeful displeasure and tantalizing advancements
but love is not always a lustful venture.
You've gotten used to the layer of dust enveloping your skin
and the celestial cocoon keeping you on the barren side
of the decaying hedge.
The whispers and groans from swings will tell you stories
of great loves and greater passions and you will quiver
underneath the weight of finding a love that fits you
the same way lakes drown in the midst of forests
Take a walk past the buildings erected from ideas of efficiency
and settle in a nest that breeds the quirkiest of all sounds
underneath a clear midnight sky
Let weeping willows hold you close and tangle your fingers
in languid bodies of water, unashamed and unafraid
Dust your bookcases and let the deep sighs of your floorboards speak.
Let the phone lines crackle and the panels heave.

(m.e.)
Lyzi Diamond Jan 2014
Long winds are coming through
the building, they blow via taps
left on, they spew hot air.

Circle games, let's just move in
and stack the cardboard tubes
in an intelligent fashion,
let's pull it together for
breaking ice and watering down.

Power up and out of the office
and into the wires of emergency
rock, the tables, the walls, the
bookcases taut and tensionless
and keeping secrets of the room,
imprisoned by gravity and friction.
Terry Collett Apr 2012
You sit in the Common Room
of the guest house
in the abbey.

The room is silent
except for the chime
of the clock
in the clock tower
every seven and a half minutes.

You look about the room
at the old battered sofas
and the odd chair here and there
and the bookcases stuffed
with Catholic books written
by abbots and priests
about prayer or God
or words of Christ.

You had read one
about the Lord’s Prayer.
Line by line. The meaning.
There’s a knock at the door.

Father Joe enters
and puts his head around
the door and smiles.

He enters the room
and closes the door
after him quietly.

He says
Father Abbot says
you can come
next September
to try your vocation
and he hugs you
and you almost drown
in the black serge
of his stained habit
and you mutter
Thank you thank God
and Oh that’s good news
and he holds you back
to get a good look at you.

Yes he says it’s the will of God.
I knew you had that something
the first time I saw you.

And you smile and feel
as if your feet are off the ground
as if you’d grown wings and could fly.

Well says Father Joe
I must be off
I have others to see
and talk to but I‘ll see you
tomorrow after mass.

And he’s gone
and the room is silent again.

You sit and feel the history
of the room embrace you.

The clock chimes the hour.

The ghosts have gone now.

The monk’s cemetery
is full of them.

You’d seen their graves
and tombstones earlier
in the day. The familiar names.

And amongst them
beneath the leaf
covered ground
Father Joe
lays silent and still now
making no sound.
Nayana Nair Mar 2018
My life is divided into different rooms
as is my heart.
For as long as I remember,
from the time I used to care for decorations
to the time I am too lazy to clean up.
From the moments of sweet solitude by the window
to the clinking glasses and winking eyes.
The room belonged more to them
than to me.



And I often found it unsettling,
as if on a night
when I would be hiding under covers
not knowing what to fear,
someone would knock at the door
and with that knock, would come a pair of shoes
and a set of clothes, holding a person
whose face, motive or aim
would soon be inconsequential.



And slowly she would drag me
out of each room,
snatching away each memory that she touched,
knocking down my bookcases filled with my escape,
tearing away the wallpapers
behind which I hid my unvoiced cries.
The doors would be shut on my face,
leaving me out in a storm on a moonless night,
leaving me alone to face all that I didn’t know of
taking away all that I know.
Nigdaw Jun 2019
I wrestle you out of the cupboard under the stairs
Every weekend
Scaring the ******* out of the cat
Who by now knows what is happening,
Perceived as a fight to the death
Filled with electric noise, until finally
I tame the monster and put it to bed
He elects to hide
In the kitchen, under the table.

We dance the waltz of cleanliness
Over carpet, lino, round litter trays
Up stairs and across bookcases
Just you and I, an odd couple
Locked in a battle against dirt and dust
The build up of bacteria (yuk!)
Cleaning away the footprint of a week
On the possessions of our life.

My wife doesn't know about us
You and me and our OCD
We share for an hour, or so, while she's out
Shopping, drinking coffee, with her mum
Ours is a secret affair
******* cat fur out of the crevices,
When I am done we part company
Hiding our passion behind closed doors
Until we meet again, next saturday

My love.
Sophie Jul 2013
Stacks of records filled my bookcases like extinct animals just looking for a home
And you told me to burn them,
so the music could float up into the trees and teach the leaves to dance
to Talking Heads and Tchaikovsky.
But as the records burned,
the smoke filled my lungs and smothered the leaves,
and I realized that even the best poetry will leave you empty,
wondering when words stopped being the truth.
Jodie-Elaine Jun 2020
If I had to say something now, in this moment of a great nonsensical sense of loss it would be that I too, can’t stop falling in love but am stuck in the 1950s, I can’t carry a tune or stand in line so there is very little hope, they said hope was the last thing in the jar, and when the lid slammed shut, we were saved from it all. That earth angel knew what she was doing, wholly like a lock of blonde hair from Doris Day, when she set the paper moon on fire, and I guess Bobby knew it too, when he dunked it underwater, hoping to send it somewhere flameless and soggy, beyond the sea. I cried into the moon, tripping over my slippers and I put my head on the bookcases’ shoulder, Paul Anka and Chubby Checker themselves couldn’t quench the tears, I was twisted you see, and I didn’t think it could be the same again. Time to put the cardboard cut-out down, the picket signs chopped to fences and I dragged my toes, I fell in love with the plastic walls, the table I built and a thick, encompassing sense of home, like a teenager in love, I don’t know why they did it but the high crooning voice of Lymon helped me unstick from the walls. Some spirit of left creativity, me and my bereftment belong together, tied when Ritchie Valens dropped us down behind the chest of drawers, I yelled to grab a hand, but it fell quietly onto the curtain pole, impaling itself. Nathaniel entered the room, came looking but answered the ringing with a “Hey, Mama” and left. I couldn’t save my own last dance, I didn’t know that I was it, it drifted and said it would meet me someplace. It said it would meet me when the air clears, it’s getting late and tonight I look something dear and washed up. I miss you so dearly, send me. I hadn’t known that that would be it, this impressive but horrific amalgamation, and I’ve been here for too long.
The screen is dark and blank, I can’t see anything past it here.
Here in this empty space where it all was.
Stream-of-consciousness poetry heavily inspired by music
poeticalamity Mar 2014
It seems so hard nowadays to persuade me that I am anything more than a young and dark girl who tends to write down too many terrifying thoughts. I have no other substance or rhyme or reason for any other purpose. I can't put the jumble/tangle/mess of ideas in my head into sequence that another can understand. Even those who tend to think the way I do cannot make the pictures as words into any sort of cloud shape. They used to, and we spoke in languages the natural populace struggled to decode. We his behind palms held to our mouths as we laughed at their furrowed brows and puzzled expression. We controlled them and their thought processes. Now it seems that I have faded too far into our lands in between the stars; even the other people think my jabber too complex to translate. It is futile to rip the pen from my hand, either. I will ***** my fingers with the various hairpins around my bedroom/jail cell. cavern and write in my own blood. It must have the color and consistency of ancient violet ink by now (the type Victorian kings and queens wrote in, mind you) considering all the vats I drink to give me inspiration. If that doesn't function the way I wish, then I will carve the screaming in my frontal lobe in relics and hieroglyphics and runes across the furniture and bookcases and walls in an act of rebellion against your repression of my mind. It grows and grows and the forest in my skull cannot/should not/will not cease until someone/anyone/probably you finally toss me into the "done" pile of the people you discovered, understood, and conquered.
Poetic Artiste Jun 2015
I could have owned bookcases filled with sentiments of my love for you,
I’d have written journals, diaries and stories on the passage of our love,
Where we met,
The first place we’d left ridden with our pooling scent.
I knew from the first time our eyes connected,
I could strip bare and expose my flaws.
I knew the chemistry was mutual,
That our bond would brew and you’d realize our tie.
I’d learn that you were already broken,
That you believed you were mangled beyond repair,
I’d trust you could free yourself,
That you would soon forgive and understand.
You possessed too many damaged knots.
Years passed and you were still a black hole,
No letter, novel, or journal, could soothe over the darkness within you,
Now I am writing with a broken pencil,
Because you are no longer worth the lead I use.
I could have loved you endlessly,
I now understand,
That I can never love someone,
Who will not forgive the past.
Little Wren Nov 2016
The lacy veneer of mortality drapes about my shoulders.
The cluttered mind is the beautiful mind,
Cognition the wax pooling in calderas
Of candlelight.
Transcendence is stifling--
I never realized it could hold such irony,
Now fused like a copper plate
To my inner skull.
Continually we starve ourselves,
And the starvation is reminiscent
To everything we've lacked throughout life;
The metallic taste under the tongue,
Bookcases of beating hearts.
The desire is absurdly overwhelming
To give a shred of my soul to everyone I encounter
Before I disintegrate and have nothing
To leave behind on this world.
Delilah Jul 2015
Bookcases are falling
Stars are coughing
Dogs are sleeping

We are not together

The planets open my windows with a distant whistle
The dirt under my nails match my eyes
And my hair knots as a cry for help

Nostalgia is out of reach
Always intercepted the monster under my childhood bed

Flowers match flowers match flowers

A thief cries through the radio
One electric bulb lights my mind but
I am fading fast

I scale the roof because I hear Santa hides all unanswered letters under the shingles
and I know the taste of my words drive off the reindeer

Six months ago
I was lace-less and cross eyed
thinking to myself

Someday Yarn and Lights will cease to wake me
and Oxygen will become thick enough to drown
William Rogers Apr 2016
London, 1999

Oh the fences they hold true,
wandering through heavy woven forests of tree roots
to pastures of sunken vegetation
along dirt roads nestled in overcast shadows,
as a family picnics, or so it would appear.
A rejoice of sorts if only you were still here.
I see your silhouette appear and reappear,
the wind etching your likeness
upon each cairn that dots pastoral.

The walking path becomes overwhelmed by sunlight.
Perhaps you are still working in the fields,
Your wind-burned and calloused exterior
holding rough rooted abhorrence in your lowered brow.
You remain sanctified and unpolluted,
piling sun bleached stone upon sunken roots,
the dark shadows solidified in foreground fate.

Oh how your canvas womb gives heartless birth.
Thrice mangled memories,
of dark French roast in an earth tone demitasse
and crumpets served slightly charred on the veranda
on a chipped porcelain Victorian saucer
with only a faint shade of lavender along its edge.

As the dark brown stain in the once white silk tablecloth
glowers through the prongs of your tarnished silver fork,
You stare across the table
at the emptiness of the once filled bookcases.

I realize that your only genuine notion of remorse
is in the severed piece of an antique plate.
Olivia Kent Apr 2015
SEPARATE ROOMS
Feeling miserable.
A defrosting snowflake.
Tear stained wedding dress.
A bedroom at mums.
Mum's hat for bridal events.
Left in the closet.
Can't say goodbye.
Hangs out in fairyland.
In all the best stories.
She loved holding you close.
Poppet.
Can't stop it growing.
He knows it's coming.
Can't stop it.
He won't let her.
She won't let him.
Their feelings bit both of them on their behinds.
Books on bookcases.
Inventive suggestions.
Not up for progression.
Full of bright ideas.
These lovers are head cases.
Looking in her places.
In ways speaking sense.
Intense.
Hiding their faces.
At the end of the day.
No more to lay together again.
(c) Livvi

— The End —