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"anchors" poems
There were dividing lines between Springfield and Mariners Gate soft, subtle lines that spoke of origin and code and biting union it was all the reason for being; alive and living dead or dying deep in a pack of pint size resistors hell bent on the marsh crow and cannabis tower jumping the rush with *** shots and anchors and tribunals camouflage creepers and transient floaters marked rebellion at the gates (skullduggery and taunt high on their favor list) jack straws and flat paddles for the evening charade beakers and flailing hands from the foot washing baptist (the Pleasant Street conservatives with their own something to say…“there’s gonna be hell to pay!”) there's a lingering effect to this sentiment (evident in the pump house stride) the river winds blow gently into the night as the huddling packers and **** backs chase the evening hours it’s a bitter sweet end of an era; those traction bars hood scoops and nickel bags will always be the rage
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Feb 21, 2017
Feb 21, 2017 at 11:13 PM UTC
Blood lines
Searching my heart for its true sorrow, This is the thing I find to be: That I am weary of words and people, Sick of the city, wanting the sea; Wanting the sticky, salty sweetness Of the strong wind and shattered spray; Wanting the loud sound and the soft sound Of the big surf that breaks all day. Always before about my dooryard, Marking the reach of the winter sea, Rooted in sand and dragging drift-wood, Straggled the purple wild sweet-pea; Always I climbed the wave at morning, Shook the sand from my shoes at night, That now am caught beneath great buildings, Stricken with noise, confused with light. If I could hear the green piles groaning Under the windy wooden piers, See once again the bobbing barrels, And the black sticks that fence the weirs, If I could see the weedy mussels Crusting the wrecked and rotting hulls, Hear once again the hungry crying Overhead, of the wheeling gulls, Feel once again the shanty straining Under the turning of the tide, Fear once again the rising freshet, Dread the bell in the fog outside,— I should be happy,—that was happy All day long on the coast of Maine! I have a need to hold and handle Shells and anchors and ships again! I should be happy, that am happy Never at all since I came here. I am too long away from water. I have a need of water near.
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31.5k
Exiled
For centuries philosophers have speculated the role sleep plays in society But it was not until the 1950s that sleep woke up in academia And today sleep studies show what dormant minds really look like Information about our rest we've never seen before However, I've always understood the importance of bedtime You see my parents taught me that sleep and love are soul mates My mom She's the sleeper She loves to sleep She cuddles up on any piece of furniture in my house and snoozes for hours Never views a sitcom past the first commercial break when she's tired And she's okay with that Dad never lets her drive on road trips when night falls Preferring his sleeping beauty tucked safely in the passenger seat Their hands meet as she lets the stars serenade her to slumber While he anchors his left hand on the steering wheel Thanking his lucky stars for his real life princess My dad He's the snorer He loves to snore He roars like a lion on his love seat and naps for hours Never views a sitcom past the second commercial break when he's tired And he's okay with that Mom never lets him sleep alone too long though Keeping his nose plugged strong enough to signal for bedtime They both stand together as he lets her guide him to slumber While she ushers her left hand around his back Thanking her lucky stars for her own prince charming Now my parents call me the dreamer And I sure do love to dream It seems my parents are textbook role models for me Because when you live inside a fairytale for far too long Your reality becomes an endless stream of fantasies Your expectations are exceptionally out of context Strictly written for poetic lines in picture books Never meant to be held Never meant to be felt Only meant for spines stuck on rosewood shelves My parents call me the dreamer And boy I love to dream I believe in creating the unthinkable And when you live inside a fairytale for far too long Nothing is fictional You picture a life with storybook endings Praying the author never runs out of ink You crown each syllable the king of the moment Treating each page like royalty And I've always been okay with that So when I asked my mom when she knew she fell in love She spoke of an instant of unadulterated emotion She said she knew instantly She didn't need to sleep on it When I asked my dad when he knew he fell in love He just smiled back at me He must have known instantly He didn't even speak on it So when I ask myself when I might fall in love I can't help but smile Think of fairytale titles Mile wide love notes in all shapes and styles And a moment where my reality sets my hopes on fire And I won't need to dream about it anymore
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Feb 4, 2014
Feb 4, 2014 at 2:35 PM UTC
Dreamer
For centuries philosophers have speculated the role sleep plays in society But it was not until the 1950s that sleep woke up in academia And today sleep studies show what dormant minds really look like Information about our rest we've never seen before However, I've always understood the importance of bedtime You see my parents taught me that sleep and love are soul mates My mom She's the sleeper She loves to sleep She cuddles up on any piece of furniture in my house and snoozes for hours Never views a sitcom past the first commercial break when she's tired And she's okay with that Dad never lets her drive on road trips when night falls Preferring his sleeping beauty tucked safely in the passenger seat Their hands meet as she lets the stars serenade her to slumber While he anchors his left hand on the steering wheel Thanking his lucky stars for his real life princess My dad He's the snorer He loves to snore He roars like a lion on his love seat and naps for hours Never views a sitcom past the second commercial break when he's tired And he's okay with that Mom never lets him sleep alone too long though Keeping his nose plugged strong enough to signal for bedtime They both stand together as he lets her guide him to slumber While she ushers her left hand around his back Thanking her lucky stars for her own prince charming Now my parents call me the dreamer And I sure do love to dream It seems my parents are textbook role models for me Because when you live inside a fairytale for far too long Your reality becomes an endless stream of fantasies Your expectations are exceptionally out of context Strictly written for poetic lines in picture books Never meant to be held Never meant to be felt Only meant for spines stuck on rosewood shelves My parents call me the dreamer And boy I love to dream I believe in creating the unthinkable And when you live inside a fairytale for far too long Nothing is fictional You picture a life with storybook endings Praying the author never runs out of ink You crown each syllable the king of the moment Treating each page like royalty And I've always been okay with that So when I asked my mom when she knew she fell in love She spoke of an instant of unadulterated emotion She said she knew instantly She didn't need to sleep on it When I asked my dad when he knew he fell in love He just smiled back at me He must have known instantly He didn't even speak on it So when I ask myself when I might fall in love I can't help but smile Think of fairytale titles Mile wide love notes in all shapes and styles And a moment where my reality sets my hopes on fire And I won't need to dream about it anymore
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62
and i am eleven again feeling like tomorrow is a couple yesterday's ago smothered in cayenne pepper hot enough to take off taste buds and tonight i am eating a meal only worth burning it tastes like my parents anniversary it tastes like a zinfandel left on the counter too long it's a bad story, see there's no silverware 'cause my mom sold it to keep the lights on and somewhere in heaven somebody in a suit doing commentary on this fiasco is telling someone else in a suit that "you have to eat love with your hands" so we sit, four plates on the table for the two of us my brother's long gone dad's even further away & he's not the one who's buried i carry both their names like anchors that i cannot unmoor from while she looks at the empty table and says something about the news she says something else but she's not talking we aren't proud of this, see my dad likes to wax his car he's proud of it and my mom says she sees a lot of him in my hands says, i touch the things i find like they didn't belong to people sleeping in the ground she says i touch photo albums the same way- you know, i never used to believe that history could repeat itself not until i could fast forward seventeen years and still wake up to smoke alarms how i would go into our kitchen to find it empty and the dinner smoldering & my mother in her bedroom looking through family photos like it's a just another summer day and the sirens are just the birds i don't ask, i never say a word in this moment i am an archeologist afraid to dig up the past cause history repeats itself- you see my brother is dead and my father is gone they have been for some years now and my mother sometimes forgets and sets their place at the table like they're still here and in the confusion ends up ankle deep in pictures of how it used to be she let's dinner burn and douses it in red pepper hoping i won't know the difference
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Oct 10, 2014
Oct 10, 2014 at 6:42 PM UTC
jamais vu
and i am eleven again feeling like tomorrow is a couple yesterday's ago smothered in cayenne pepper hot enough to take off taste buds and tonight i am eating a meal only worth burning it tastes like my parents anniversary it tastes like a zinfandel left on the counter too long it's a bad story, see there's no silverware 'cause my mom sold it to keep the lights on and somewhere in heaven somebody in a suit doing commentary on this fiasco is telling someone else in a suit that "you have to eat love with your hands" so we sit, four plates on the table for the two of us my brother's long gone dad's even further away & he's not the one who's buried i carry both their names like anchors that i cannot unmoor from while she looks at the empty table and says something about the news she says something else but she's not talking we aren't proud of this, see my dad likes to wax his car he's proud of it and my mom says she sees a lot of him in my hands says, i touch the things i find like they didn't belong to people sleeping in the ground she says i touch photo albums the same way- you know, i never used to believe that history could repeat itself not until i could fast forward seventeen years and still wake up to smoke alarms how i would go into our kitchen to find it empty and the dinner smoldering & my mother in her bedroom looking through family photos like it's a just another summer day and the sirens are just the birds i don't ask, i never say a word in this moment i am an archeologist afraid to dig up the past cause history repeats itself- you see my brother is dead and my father is gone they have been for some years now and my mother sometimes forgets and sets their place at the table like they're still here and in the confusion ends up ankle deep in pictures of how it used to be she let's dinner burn and douses it in red pepper hoping i won't know the difference
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* Cné I believe in love... In a blink of an eye, a life goes by extinguished in the end. And all that's done returns to dust. No omen can portend. Yet love lives on, infecting all and never really dies It goes beyond the realm of man to live in fragrant skies. And on the spacious sea of clouds, it waits to find a port. And then it anchors in a soul to caper and cavort. Traveler Perhaps In the emotional beginning When head was yet held high Stumbling through clouds Of bright blurry skies Love was a foolish quest Of paralyzing highs And now you're telling me Love can never die? Cné Translucent, the clouds we've sailed and golden sunsets made Kisses that we could have had while watching rainbows fade. Alas, a life's too short to spend in fathomless regret. Perhaps the wheel will turn again another lifetime yet. And so, my love the voyage goes on, to "golden years"? We'll see. Until the other side reveals what shall become of "we". Traveler Indeed A dangerous theory I can't imagine Love roaming free The source of all misery Another invisible ghost Possessing unaware host Surely Love is the blood we bleed All across time and history Love is more than a mere key More than a want Love is a need... **Cné   Traveler Tim** *
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Aug 3, 2017
Aug 3, 2017 at 10:41 AM UTC
LOVE, a theory (collaboration with Traveler)
Willets cull the seawall snapper on the grill rock ***** swoon in shallow lagoons long boats pass under quiet palm shade Plovers dance and flutter handrails frayed and torn graffiti spots at lovers rock frigate-birds fall from a high noon sun Thatched roof on a mud wall fish flags settle score anchors arch in front line march pillar cracks form under rust brown scars Elegant tern and grebe watchmen fall in cue children play on crested waves whimbrels and notchers perch above Tentaciones Striped pelícanos the bandits of the sea! merchants grow in steady flow siblings jostle in a tide cooled sand Heerman gull and boobie durango smoke in yurt boiler shrimp and puffer blimp castle buckets and scrapers under a dusk light cheroot Six pulls on a lead line painted toes in sand shearwater run in a rainbow sun the portly mexicano flaunts his tacos and wares Rooster house for swordfish bamboo shoots and sails broken shells and ocean swells rise on the perfect La Ropa bay
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Apr 14, 2017
Apr 14, 2017 at 2:22 PM UTC
Sotavento
# *if you are the ocean then I am the mist that kisses the morning the way I’d want to be kissed if you are the ocean then anchors aweigh we'll sail through the evening and on to the light the daystar is dawning we'll keep to the right like Peter and Wendy to Neverlands' door we'll sail on forever and touch every shore if you are the ocean, come wash me away to some misty morning and there we will play if you are the ocean, then sing me a song of sailors and treasures and places long gone if you are the ocean come wash me away to a place, together we’ll forever stay...* #
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Sep 14, 2018
Sep 14, 2018 at 6:05 AM UTC
If You Are The Ocean
What if I had fallen to my knees On the cold parking lot concrete Tears washing over my cheeks And cries no one should ever have to hear Bellowing out from beneath my ribs Screaming at the sky Looking up at your face Forcing you (and everyone else) To see me in this godforsaken state Of absolute chaos Heartbreak In it's rawest form What if I had begged you to stay? What if I'd told you I can't do this without you? What if I'd told you how much I needed you What if I did anything other than fighting back the tears Maybe for myself, maybe for you, Mostly for the crowd of people gathering Saying their goodbyes Anxiously looking around to bear witness to everyone else's reactions And I didn't want to be that girl That girl who falls to the ground Kicking and screaming and crying and begging But what if I was? What if I was any girl other than the one I pretended to be that day The one that held her tongue and kept her mouth shut because she knew the second she opened it to speak she would sob The one that wrapped her arms around you for the last time, and the one that let go The one that couldn't bear to watch you walk away So she kissed you goodbye Got back in the car And drove home What if i wasn't that girl who didnt allow herself to completely fall apart until she was alone in the privacy of her own home? What if instead I'd made a scene, Doing what everything inside me so desperately wanted to Grabbing hold of your hand and refusing to let go Losing the facade of confidence The charade of strength But I'm not that girl And I never will be So each and every time you leave I kiss you goodbye I unclench my fists and retract my anchors I untether my heart from it's human home And I put on a brave face Maybe for myself, maybe for you, Or maybe For that girl.
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Jun 11, 2018
Jun 11, 2018 at 12:19 PM UTC
That girl
What if I had fallen to my knees On the cold parking lot concrete Tears washing over my cheeks And cries no one should ever have to hear Bellowing out from beneath my ribs Screaming at the sky Looking up at your face Forcing you (and everyone else) To see me in this godforsaken state Of absolute chaos Heartbreak In it's rawest form What if I had begged you to stay? What if I'd told you I can't do this without you? What if I'd told you how much I needed you What if I did anything other than fighting back the tears Maybe for myself, maybe for you, Mostly for the crowd of people gathering Saying their goodbyes Anxiously looking around to bear witness to everyone else's reactions And I didn't want to be that girl That girl who falls to the ground Kicking and screaming and crying and begging But what if I was? What if I was any girl other than the one I pretended to be that day The one that held her tongue and kept her mouth shut because she knew the second she opened it to speak she would sob The one that wrapped her arms around you for the last time, and the one that let go The one that couldn't bear to watch you walk away So she kissed you goodbye Got back in the car And drove home What if i wasn't that girl who didnt allow herself to completely fall apart until she was alone in the privacy of her own home? What if instead I'd made a scene, Doing what everything inside me so desperately wanted to Grabbing hold of your hand and refusing to let go Losing the facade of confidence The charade of strength But I'm not that girl And I never will be So each and every time you leave I kiss you goodbye I unclench my fists and retract my anchors I untether my heart from it's human home And I put on a brave face Maybe for myself, maybe for you, Or maybe For that girl.
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To distant lands And open doors, To bright white sands On distant shores, I must away. I cannot stay. Set free the sails! We must make haste To catch the gales! No time must waste To seize the day; Anchors aweigh!
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Aug 6, 2014
Aug 6, 2014 at 2:11 AM UTC
Anchors Aweigh
you sowed this **** into my brain... why do you even "think" that i want... you?              i, want your children... the meme-mutation is what i'm after...    and there are plenty of useful idiots to allow me to process the intermediating processes for: the sigma, "accomplishment"; which is unlike what infected mushroom's -   trance party track sounds like, outside of my own head. why do these people even think i'm after their genes of memes?                 i want, their infantile replicas...                  i want to craft a worthwhile curiosity, on a canvas, that that they call their gene replicas, children, and... like why called me... easy meat..                  einfachfleisch... what?     i'm not here for these news' anchors... i'm here for their children... nibble nibble nibble chew chow cow tow and main...             prawn crackers... ah... news anchors are easy targets...     slightly pointless 20x bulls eye honing devices... it's their children...      i want their children...     i want their cognition to become replica of wheelchair bound infirmaries; why?     oh... you know... football and wrestling, given the Qatar investment plan... the whole sport "thing" became a tad bit boring...   had to resort to secondary sources of entertainment; children of news anchors? the secondary, "last", albeit, the best resort;    schindler...   required a list,      to become reincarnated... and revive a **** a heartlessness of an reincarnation     anomaly:   i.e.: what, a limited number of people, to begin with?!      so the rest is primitive "a.i."? now i'm starting to think... thank the blue indians for their culinary innovations... but when it comes to their theology?                            **** 'em; did i advocate that? if i did... within what pronoun guarantee of advocacy? playing the grammar card...         which pronoun? the plural singular, or the singular plural, or the gender neutral?    thank you jean-paul sartre,      for the...  "i"... i simply love, this revised concept of a unit...            the revision clinging to the royalist affirmation of pronouns... i.e. 1 would say... so...          and 1... would, so, will, do so. **** the pronoun debate in Canadian politics...    if i have to resort to this? then i will... like your plain citizen...      may "i" speak within the confines, of the royal, one, given the example:    one might suppose... to be the former, and the current, highest, etiquette? gender neutrality of pronouns... last time i checked... one was never allowed pronoun stature... why not address this conundrum, to begin with?! oh, right... too late... too many loud mouths without a guillotine... so, basically, a cow fart's worth of argumentation.
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Aug 2, 2018
Aug 2, 2018 at 11:51 PM UTC
I non Q
you sowed this **** into my brain... why do you even "think" that i want... you?              i, want your children... the meme-mutation is what i'm after...    and there are plenty of useful idiots to allow me to process the intermediating processes for: the sigma, "accomplishment"; which is unlike what infected mushroom's -   trance party track sounds like, outside of my own head. why do these people even think i'm after their genes of memes?                 i want, their infantile replicas...                  i want to craft a worthwhile curiosity, on a canvas, that that they call their gene replicas, children, and... like why called me... easy meat..                  einfachfleisch... what?     i'm not here for these news' anchors... i'm here for their children... nibble nibble nibble chew chow cow tow and main...             prawn crackers... ah... news anchors are easy targets...     slightly pointless 20x bulls eye honing devices... it's their children...      i want their children...     i want their cognition to become replica of wheelchair bound infirmaries; why?     oh... you know... football and wrestling, given the Qatar investment plan... the whole sport "thing" became a tad bit boring...   had to resort to secondary sources of entertainment; children of news anchors? the secondary, "last", albeit, the best resort;    schindler...   required a list,      to become reincarnated... and revive a **** a heartlessness of an reincarnation     anomaly:   i.e.: what, a limited number of people, to begin with?!      so the rest is primitive "a.i."? now i'm starting to think... thank the blue indians for their culinary innovations... but when it comes to their theology?                            **** 'em; did i advocate that? if i did... within what pronoun guarantee of advocacy? playing the grammar card...         which pronoun? the plural singular, or the singular plural, or the gender neutral?    thank you jean-paul sartre,      for the...  "i"... i simply love, this revised concept of a unit...            the revision clinging to the royalist affirmation of pronouns... i.e. 1 would say... so...          and 1... would, so, will, do so. **** the pronoun debate in Canadian politics...    if i have to resort to this? then i will... like your plain citizen...      may "i" speak within the confines, of the royal, one, given the example:    one might suppose... to be the former, and the current, highest, etiquette? gender neutrality of pronouns... last time i checked... one was never allowed pronoun stature... why not address this conundrum, to begin with?! oh, right... too late... too many loud mouths without a guillotine... so, basically, a cow fart's worth of argumentation.
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My mother had two faces and a frying *** where she cooked up her daughters into girls before she fixed our dinner. My mother had two faces and a broken *** where she hid out a perfect daughter who was not me I am the sun and moon and forever hungry for her eyes. I bear two women upon my back one dark and rich and hidden in the ivory hungers of the other mother pale as a witch yet steady and familiar brings me bread and terror in my sleep her ******* are huge exciting anchors in the midnight storm. All this has been before in my mother's bed time has no sense I have no brothers and my sisters are cruel. Mother I need mother I need mother I need your blackness now as the august earth needs rain. I am the sun and moon and forever hungry the sharpened edge where day and night shall meet and not be one.
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7.2k
From the House of Yemanja
Isn’t it Wonderful, The suffocating love of a hundred people They want you, what’s best for you What’s best for you, what is best for you? Rejecting them means rejecting love, but you are in short supply of you As demand increases, so does price the price of you the price is you. Sanity sets in, escape’s let out every night let it out, beats staying in Some are in short supply of love ******** Not you The suffocating love of a hundred people let you know Across the room, across the country a hundred people can’t help shedding ‘bout one sixty does only, you have to shed it anchors only work when attached love it pulls your judgment, mind from its foundation wants to make your choices wants to make your coffee you start to save you, in a container with a seal the shiny latch makes a pop noise You can see through the otherside No one can get in, Not with the pop noise Its where you keep you in the house, Close the door pressure mounts let it out in drops, thoughts and blood watch it heal, know you’re better lets you know, you are better, you are better You are Better, better isn’t with help, it doesn’t come with age it’s a choice you make the suffocating love of a hundred people they pile on blankets, keeps you warm but at a hundred blankets deep you aren’t moving move. Don’t think about me, don’t think about him Just move and keep moving, roots and anchors Learn which is which Remember which is which Act on which is which you grow roots, anchors are placed upon you usually around the neck region. Box up all the memories, store them if you like But don’t stay attached, burn if necessary Anchors only work if they’re attached You can’t ‘be ready’ for something that’s already happened It’s the past in those boxes, the fond death of past nothings, Life only exists in the future, Not to be too dramatic but we’re dying, right now in the present we breath out life out as we speak Only the future has life, stored as potential just take the steps cut out the cancer if you want to be ready for something, be ready for what’s next
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May 16, 2010
May 16, 2010 at 9:46 AM UTC
Isn't it Wonderful
Isn’t it Wonderful, The suffocating love of a hundred people They want you, what’s best for you What’s best for you, what is best for you? Rejecting them means rejecting love, but you are in short supply of you As demand increases, so does price the price of you the price is you. Sanity sets in, escape’s let out every night let it out, beats staying in Some are in short supply of love ******** Not you The suffocating love of a hundred people let you know Across the room, across the country a hundred people can’t help shedding ‘bout one sixty does only, you have to shed it anchors only work when attached love it pulls your judgment, mind from its foundation wants to make your choices wants to make your coffee you start to save you, in a container with a seal the shiny latch makes a pop noise You can see through the otherside No one can get in, Not with the pop noise Its where you keep you in the house, Close the door pressure mounts let it out in drops, thoughts and blood watch it heal, know you’re better lets you know, you are better, you are better You are Better, better isn’t with help, it doesn’t come with age it’s a choice you make the suffocating love of a hundred people they pile on blankets, keeps you warm but at a hundred blankets deep you aren’t moving move. Don’t think about me, don’t think about him Just move and keep moving, roots and anchors Learn which is which Remember which is which Act on which is which you grow roots, anchors are placed upon you usually around the neck region. Box up all the memories, store them if you like But don’t stay attached, burn if necessary Anchors only work if they’re attached You can’t ‘be ready’ for something that’s already happened It’s the past in those boxes, the fond death of past nothings, Life only exists in the future, Not to be too dramatic but we’re dying, right now in the present we breath out life out as we speak Only the future has life, stored as potential just take the steps cut out the cancer if you want to be ready for something, be ready for what’s next
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70
Lungs burning with affliction, no prayer can help you realize that you are on fire. Help me, open my ribcage and read the encryption that is my heart. This is where my ideas form; this is where the magic happens. This is where trees become homes when I turn to prose. This is where love becomes tangible. Take the helm from my chest cavity and steer me home. Sew me back up and pretend you didn’t figure out how my mind works from studying my heartbeat. You can keep my memories there, keep my stanzas there. But you cannot lock up an idea. Do you realize that every single time you open your mouth I’m wishing I could have a lobotomy? I don’t want my brain to miss you when you leave. I don’t want my heart to miss you when it realizes that it no longer beats in sync with yours. You can take yourself away from me. You can make me cry so the salt water stings my face like it’s a burning map. You can take my poems from my veins and scatter them in the river. But you cannot lock up an idea. Oh Captain my captain, I think we are going down. But everyone is just an arm’s length from drowning. When life preservers are anchors and every single thing is whispering for you to sink. The Bermuda triangle is just another place where sailors go to pray and what kind of god ***** you in and tests you with a tempest? You and I are so much more than child’s play. Tell me to stay. Tell me my ideas do not belong on the ocean floor. Because you cannot lock up an idea. If the sun shines through your blinds, think of me. Think of the morning. But without all your leaving. Don’t think of the bags packed, of the plane tickets bought. Of the ferry setting off its horn for you in the middle of the night. Think of the morning. Without all your leaving. With the coffee, with the metaphors that were leaking through the walls as you blinked. You wanted to keep them for yourself, hold them hostage in your bones. But you cannot lock up an idea. So next time you think of leaving, think of taking the ferry across the ocean. Next time you think of whispering my secrets into the waves that kiss the rocks like they are not hurting anyone, think of me first. Without the poems. Before I even started writing. Remember how I chased butterflies and the sunset. How I begged you to let me climb up on the roof to watch the sun rise again. Remember that my ideas are my prayers to a god I have not yet found in the curve of your spine. Remember that I want nothing more than to not have to miss you. Remember that every time you dismiss my words, my art, my need to chase the sunset; you are diminishing my creativity. Remember that you cannot lock up an idea.
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Nov 7, 2013
Nov 7, 2013 at 10:18 AM UTC
You Cannot Lock Up An Idea
Lungs burning with affliction, no prayer can help you realize that you are on fire. Help me, open my ribcage and read the encryption that is my heart. This is where my ideas form; this is where the magic happens. This is where trees become homes when I turn to prose. This is where love becomes tangible. Take the helm from my chest cavity and steer me home. Sew me back up and pretend you didn’t figure out how my mind works from studying my heartbeat. You can keep my memories there, keep my stanzas there. But you cannot lock up an idea. Do you realize that every single time you open your mouth I’m wishing I could have a lobotomy? I don’t want my brain to miss you when you leave. I don’t want my heart to miss you when it realizes that it no longer beats in sync with yours. You can take yourself away from me. You can make me cry so the salt water stings my face like it’s a burning map. You can take my poems from my veins and scatter them in the river. But you cannot lock up an idea. Oh Captain my captain, I think we are going down. But everyone is just an arm’s length from drowning. When life preservers are anchors and every single thing is whispering for you to sink. The Bermuda triangle is just another place where sailors go to pray and what kind of god ***** you in and tests you with a tempest? You and I are so much more than child’s play. Tell me to stay. Tell me my ideas do not belong on the ocean floor. Because you cannot lock up an idea. If the sun shines through your blinds, think of me. Think of the morning. But without all your leaving. Don’t think of the bags packed, of the plane tickets bought. Of the ferry setting off its horn for you in the middle of the night. Think of the morning. Without all your leaving. With the coffee, with the metaphors that were leaking through the walls as you blinked. You wanted to keep them for yourself, hold them hostage in your bones. But you cannot lock up an idea. So next time you think of leaving, think of taking the ferry across the ocean. Next time you think of whispering my secrets into the waves that kiss the rocks like they are not hurting anyone, think of me first. Without the poems. Before I even started writing. Remember how I chased butterflies and the sunset. How I begged you to let me climb up on the roof to watch the sun rise again. Remember that my ideas are my prayers to a god I have not yet found in the curve of your spine. Remember that I want nothing more than to not have to miss you. Remember that every time you dismiss my words, my art, my need to chase the sunset; you are diminishing my creativity. Remember that you cannot lock up an idea.
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44
I fell in love twice the first time. First pinching myself assuring the initial first. The initial first I realized how silent love was. Seeing all but hearing nothing. This was my first kiss. Coming into contact with a quiver my lips have never before felt. Falling in love twice. Certain that I am uncertain of nothing. Learning to speak a new language. Lips poked out. Exposed to foreign land. Overlooking my feet. My ship never before having sailed. Day turned to night. My heart stead fast. Crashing against the ripple of tides. The experience of something new, Tides pulled by the hull of rubber soles. Our arms like anchors. Our feet hesitant, losing all feeling of finding ground. Our tongue the cargo set to provide entry  into things no longer forbidden. Night reconstructs day. The initial first of two times I fell in love. Eyes closed. Our breath becoming more shallow, Passing through the canal of each others mouths. Overlooking the side of my nose against hers. An anchor dropped. Chain link after chain link, plunged deep Far from the shore of everything I knew. My shoes soaked. The pavement with every reason to worry. Forever fractured. This anchor falling faster and faster. Without worry of kink
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Oct 22, 2018
Oct 22, 2018 at 7:44 PM UTC
Twice
your mouth is on fire, i am between it. the smoke which we are forever in need of swims like salmon in between brain and skull scared (rinse and repeat this part) i beat into you, desperately carving the cold flesh twitching as though recalling a bad dream but you cave into yourself. a sand castle shifting and dripping with sea eyes cast off like anchors i want, w-want, sorry (in a whisper) stuttering and shaking and trying, forever trying, to save something, anything of this moonlight which wakes me i break open my chest, unzip the seams of my lungs and invite you inside offering a home, how selfish. how heavy, and you crumble into dirt and ash, prayers answer, destiny met. left behind, i am buried under you. asleep. unseeing.
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Sep 15, 2012
Sep 15, 2012 at 1:29 AM UTC
because love is a burden to those in pain
I was a child of the river. Always living within walking distance of the restless water, the uneasy docks, and the anchors that kept the boats steady. Even as the current smacked against the starboars, the sailboats would waiver but never fall. I admired their tenacity. A child of the river: strong but restless; the anchor and the starboard; a suburban sadness-- a yearning for something beyond the river, but too weighed down to sail. A child of the river, stuck in a stagnant town.
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Aug 5, 2014
Aug 5, 2014 at 12:31 AM UTC
River Child
Thou, too, sail on, O Ship of State! Sail on, O Union, strong and great! Humanity with all its fears, With all the hopes of future years, Is hanging breathless on thy fate! We know what Master laid thy keel, What Workmen wrought thy ribs of steel, Who made each mast, and sail, and rope, What anvils rang, what hammers beat, In what a forge and what a heat Were shaped the anchors of thy hope! Fear not each sudden sound and shock, ’Tis of the wave and not the rock; ’Tis but the flapping of the sail, And not a rent made by the gale! In spite of rock and tempest’s roar, In spite of false lights on the shore, Sail on, nor fear to breast the sea! Our hearts, our hopes, are all with thee. Our hearts, our hopes, our prayers, our tears, Our faith triumphant o’er our fears, Are all with thee,—are all with thee!
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4.4k
O Ship Of State
I was the tides and you were the moon,                              you brought me too close all too soon and just like the tides all I can feel is the cold                              we suddenly came crashing to a unfortunate halt. You shouldn't have said you revolve round another                              my voice sounds so dull when before it was thunder if these words were lies I would surely paint them white                              because honestly baby, I just don't wanna fight. So please won't you stop rubbing salt in my wounds?                              I wish what we had could again be resumed however you are the moon and no doubt you'll move on                              I barely even had you and you're already gone. So your words are like anchors and I'm helplessly drowning                             my heart was so strong but you stopped its pounding.
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Sep 24, 2014
Sep 24, 2014 at 4:30 PM UTC
The Melancholy of the Tides
Ladle Guilt, blame, and regret into me Someone should convict me and restrict me from emotion Crest-fallen, I yearn for redamancy I tormented time with a turbulent fallacy Condemn my illicit distribution of preconceived notion Ladle guilt, blame, and regret into me I can’t recall tasting stories without choking on hypocracy For all that makes peace & love stems from chaotic commotion Crest-fallen, I yearn for redamancy But too long my eyes merely saw until the day I learned to see Not importance placed like a trophy case but in honest raw devotion Ladle guilt, blame, and regret into me Promises sink like anchors, for their nightmare’s being free We struggled finding solace and settled for continuous motion Crest-fallen, I yearn for redamancy If only I could do things differently Cast a spell, think before I speak, perhaps produce a potion Ladle guilt, blame, and regret into me Crest-fallen, I yearn for redamancy
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Nov 27, 2013
Nov 27, 2013 at 6:53 AM UTC
Crest Fallen, I Yearn for Redamancy
Unconditional love Amazing journey above Truth or Lie? Or just one more catchphrase? . Freedom or the Cage Freedom in a cage Hard decision   We have to make . Complexity and fluidity Loving without condition Behavior versus a feeling No more restriction . Non-attachments No chains or anchors. Spread your wings Start to fly above
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Sep 13, 2018
Sep 13, 2018 at 12:49 PM UTC
Unconditional love
I want to write something to fix me. I want to write something to heal my wounds, to hide my scars. I want to write something to wear that will make me beautiful. I want to sew something from words that will fit me perfectly, something that flows like linen, curves of S's fitting curves of hips, legs like L's and F's soft like lips. I want to write something to wear like new skin, something to make me interesting to look at, to make me a poem worth reading. I want to be the one you tuck into your notebook and read in class. When you're tired of listening, tired of focusing, tired of everything, you can read a few lines off my shoulder blades, from my palms or knees, and maybe you'll feel better. I want to write something that will make you laugh. God, I love your laugh, I'd write myself into a joke just to see you smile like that, my shoulders to set it up, collar bone to draw you in, my stomach could be the punch line and I'd have you cracked up for sure. I don't need to be taken seriously, as long as I can see you laugh. I want to write something strong and heavy. I'll melt the letters together, weld T's to G's and K's to X's until I've written us an anchor. It'll be just light enough for us to carry, just heavy enough to weigh us down. I'll weave J's into ropes, we'll tie ourselves together, and toss our anchor overboard. No matter how the ocean writhes and tosses my words will be heavier, my ropes stronger. The anchor will hold us fast, words weighted by promises, fighting angry seas around us. No matter what, we will always be close enough to read each others' poetry. I want to write something that will last forever. I want to set words in stone to be discovered long after I'm gone, to paint hieroglyphics on the walls of my house to be interpreted by future civilizations. "This is where I ate cereal." "This is where I showered." (Did I make you laugh? You know how I love your laugh.) I want to write razor-sharp, white-hot points of infinite logic, and I want to write children's books. I want to write something that means anything but God, all I want is to write anything that means something. I want to write something to fill pages, to break silence. I want to write something to fix me.
0
Oct 31, 2012
Oct 31, 2012 at 2:55 AM UTC
Anchors.
I want to write something to fix me. I want to write something to heal my wounds, to hide my scars. I want to write something to wear that will make me beautiful. I want to sew something from words that will fit me perfectly, something that flows like linen, curves of S's fitting curves of hips, legs like L's and F's soft like lips. I want to write something to wear like new skin, something to make me interesting to look at, to make me a poem worth reading. I want to be the one you tuck into your notebook and read in class. When you're tired of listening, tired of focusing, tired of everything, you can read a few lines off my shoulder blades, from my palms or knees, and maybe you'll feel better. I want to write something that will make you laugh. God, I love your laugh, I'd write myself into a joke just to see you smile like that, my shoulders to set it up, collar bone to draw you in, my stomach could be the punch line and I'd have you cracked up for sure. I don't need to be taken seriously, as long as I can see you laugh. I want to write something strong and heavy. I'll melt the letters together, weld T's to G's and K's to X's until I've written us an anchor. It'll be just light enough for us to carry, just heavy enough to weigh us down. I'll weave J's into ropes, we'll tie ourselves together, and toss our anchor overboard. No matter how the ocean writhes and tosses my words will be heavier, my ropes stronger. The anchor will hold us fast, words weighted by promises, fighting angry seas around us. No matter what, we will always be close enough to read each others' poetry. I want to write something that will last forever. I want to set words in stone to be discovered long after I'm gone, to paint hieroglyphics on the walls of my house to be interpreted by future civilizations. "This is where I ate cereal." "This is where I showered." (Did I make you laugh? You know how I love your laugh.) I want to write razor-sharp, white-hot points of infinite logic, and I want to write children's books. I want to write something that means anything but God, all I want is to write anything that means something. I want to write something to fill pages, to break silence. I want to write something to fix me.
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10
"A patient man bides his time," Theodore tells the man in the mirror Tomorrow, all the levees will break And all the fables will be told Of distant Decembers and forgotten fathers Livelihoods will be threatened And remorse will fall by the wayside He watches as icicles on the awning Melt away into puddles on the ground "Warmer every day," he thinks to himself He hangs up his scarf and overcoat The way a simple man, with complex demons, is wont to do And as his wants devolve into needs And as all his anchors deteriorate to rust Her smile unnerves a once-settled man To think of the quality of glove necessary To hold onto the wagon in this day and age So Theodore pulls the door to, Leaving Chopin's "Horseman" to gallop in peace And in pieces He watches her from across the courtyard "Such sweet bliss in her footsteps," he sighs And it seems to him as if the snow dissipates Just from the warmth in her steady gait Just from the radiation behind her brown eyes He slides open the dresser drawer A haven for scattered trinkets, odds, and ends A place of respite for the weary souvenir There, amidst all the corroded memories Lies a corroded pistol, unspoken and unburnished "And a lonely man drinks his wine," Theodore says, as intrepidly as he is capable For there is a time when fathers stop teaching A time when mothers stop singing And a place where the sins stop searching A last breath is deeply inhaled But never again will find its escape With a thud that echoes to Seymour Street Theodore crumples to the cold wooden floor, A simple man, finally free of complex demons
0
Jan 25, 2023
Jan 25, 2023 at 1:19 PM UTC
Levees (Theodore's Tale)
"A patient man bides his time," Theodore tells the man in the mirror Tomorrow, all the levees will break And all the fables will be told Of distant Decembers and forgotten fathers Livelihoods will be threatened And remorse will fall by the wayside He watches as icicles on the awning Melt away into puddles on the ground "Warmer every day," he thinks to himself He hangs up his scarf and overcoat The way a simple man, with complex demons, is wont to do And as his wants devolve into needs And as all his anchors deteriorate to rust Her smile unnerves a once-settled man To think of the quality of glove necessary To hold onto the wagon in this day and age So Theodore pulls the door to, Leaving Chopin's "Horseman" to gallop in peace And in pieces He watches her from across the courtyard "Such sweet bliss in her footsteps," he sighs And it seems to him as if the snow dissipates Just from the warmth in her steady gait Just from the radiation behind her brown eyes He slides open the dresser drawer A haven for scattered trinkets, odds, and ends A place of respite for the weary souvenir There, amidst all the corroded memories Lies a corroded pistol, unspoken and unburnished "And a lonely man drinks his wine," Theodore says, as intrepidly as he is capable For there is a time when fathers stop teaching A time when mothers stop singing And a place where the sins stop searching A last breath is deeply inhaled But never again will find its escape With a thud that echoes to Seymour Street Theodore crumples to the cold wooden floor, A simple man, finally free of complex demons
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40
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
0
Sep 11, 2013
Sep 11, 2013 at 6:36 PM UTC
9/11 Distilled
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
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67
Hey stranger, Sitting at the bar alone, Let's exchange our numbers, Or get a taxi home. You've got me on your mind, You've caught me like a cold, The gun is locked and loaded, Let's pull the trigger and watch the night explode. We'll lead a revolution once more, Lying on the bedroom floor, The white flag is buried beneath our piles of clothes, We'll search it like it's treasured gold, Just kiss me and surrender. Throw our anchors out onto the shore, The storm is raging, But we're engaging In an intimate warfare and we're breaking the law. Wolf in sheep's clothing and the wool covers my eyes, Held my heart in your hands and you're feasting On the lies, The love, Lust, Desire, It's getting hot and we're playing with the fire. Throw our anchors out onto the shore, The storm is raging, But we're engaging In an intimate warfare and we're breaking the law. You know, I know, One of us will win, But for now we'll dance in the dark and do everything.
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Jul 17, 2013
Jul 17, 2013 at 5:25 AM UTC
Intimate Warfare
All I've ever known is the ghost of my past, and we shook hands once they took the form of my past skeletons. I'd like to slither out of my skin like a snake, leaving behind the trail of memories and fingertips that I'd love to forget. Do you remember the day I told you I'd like to leave this world behind? Do you remember the day you told me you wished I'd leave this world behind? (I should have followed through.) You are the anchors at my feet and I am drowning in your eyes. I have let you go a thousand times, but you are still here in the form of everything that is burying me alive.
0
Dec 21, 2013
Dec 21, 2013 at 6:54 PM UTC
Skeletons