Welcome to the land of golden trout

Where black bears roam and hawks still shout

In the eastern Sierras, hills of the west

Tales of the Adventurers and their first test.

Forming an alliance in Santa Cruz

They left together, unwilling to lose.

Packing up and heading down the trail

They knew as a team they would never fail.

Without a moment’s hesitation nor shred of doubt

The crew took their Tools of Tenacity out

And in less than three months flat

The Adventurers finished, exclaiming “that’s that!”


But who composes this mysterious crew?

Wait just one moment, I promise I’ll tell you.

First, there’s Nico the Noble, the leader so fearless

Who also frightens many when he’s not beardless;

Followed by Ben the Benevolent with his hearty laugh

And never without his Capitals hat;

Kahn the Courageous has his wild antics

Telling stories with Buckeye semantics;

Jamie the Just and her vegan ways

Had to eat lentils for most of her days;

See Jen the Jubilant with camera-in-hand

Shaving logs for as long as she can;

The team’s newest member, Maggie the Merciful,

Has now experienced the wilderness in full;

Tim the Wise lacks alliteration, unlike the others

But has chased many cows, some scraping their udders;

And at last there’s me, the Notable Narrator,

So our crew’s legacy can live forever.


In our quest the crew has changed slightly.

Those unable to handle the tasks lightly

Had left- like Mary, Bobby, and Stary the Skeptical

All well-admired, and mostly respectable.


Now let’s shift our story to the work completed

In the struggling meadow, its health near-depleted.

Using fallen trees that have long-since passed

We found a clearing with their numbers quite vast.

Cutting the deceased into sixteen-foot longs

And lugging them over thickets and bogs

Our team stacked them perpendicular

To the stream, or creek, in particular

And in a magician’s “ta-da!” moment

Water rose up to our new component,

Flowing over the freshly-made dam

Then briefly meeting with dirt and sand

At the bottom. Multiplied by thirty

And that was work: rigorous and *****.

But why were the Adventurers sent there,

To build check-dams and do repairs?

It was, in part, human consumption

That led to the meadow’s near-destruction:

America’s insatiable need for beef

Will not, for a long time, see any relief,

So Industry has pushed forward, sending cows to the fields

Grazing and growing to become our future meals.

But little did Industry know how devastating

Hundreds of cattle leave an ecosystem suffocating.

Trampling grass and dispersing banks underhoof

The bovine are easily guilty, there’s so much proof.

Stupid, noxious, and obnoxious creatures

Recognized by these, easily their best features.

Incessantly screaming day and night

They are more like demons by every right.

Yet the Forest Service lets ranchers send

Hundreds of cattle, seemingly without end.

And while the Golden Trout crew fixed things,

It’s not enough to ease the strain the cows will bring.


So what can we do, if anything at all

If we go veggie will Industry stall?

Can the end of beef save the earth

Is society only worried when we gain in girth?

That’s not for me to say right now

It’s up to you to answer the “how?”


But I digress, I must end the story

Of the Adventurers and their summer glories.

In the end they saved the meadow, saved the day

Held the bovine rampage at bay,

Raised water levels, erosion erased,

Then was the time to leave that place.

So the Adventurers hopped in their van,

Eight warriors mean, lean, and tan,

And took off down the mountainside

To Santa Cruz and the oceanside.

Each followed one’s own path

But only after taking many baths.

The Golden Trout legacy will live forever,

Only made possible by the best crew ever.

You began as a dream
Dreamt by leaders with vision
Evolving to surpass
All of man's wildest ambition...

With adventurous men
Like Shepherd and Glenn
You stubbornly strove
To prove, once again
Beyond any doubt
That bounderies could be broken...

Despite mishap and fire
Alas, you did inspire
A generation to dream...

From Mercury to Apollo
The world, it did follow
Your steady pace
To Tranquility Base...

Via Viking and Voyager
Your efforts did prove
That exploration of the universe
Was well on the move...

To Mars, Jupiter, Saturn and Neptune...
You tenaciously endeavored
To, your accomplishments, festoon...

Your progress was sure
As you strove to endure
The incessent chatter
Of the grossly short-sighted
Their nonsense did clatter
Proving they were poorly enlightened...

With untold discoveries
Like non-stick surfaces and airtight seals
Through your numerous breakthroughs
You've shown us how it feels
To live better...

From Columbia to Hubbel
You've saved us great trouble
In our daily lives...

With your Space Station mission
You've shown the same vision
And, continue to lead in gaining cognition
Of our universe...

Lead on, great adventurers
Lead on.

I. The Door

Out of it steps our future, through this door
Enigmas, executioners and rules,
Her Majesty in a bad temper or
A red-nosed Fool who makes a fool of fools.

Great persons eye it in the twilight for
A past it might so carelessly let in,
A widow with a missionary grin,
The foaming inundation at a roar.

We pile our all against it when afraid,
And beat upon its panels when we die:
By happening to be open once, it made

Enormous Alice see a wonderland
That waited for her in the sunshine and,
Simply by being tiny, made her cry.

II. The Preparations

All had been ordered weeks before the start
From the best firms at such work: instruments
To take the measure of all queer events,
And drugs to move the bowels or the heart.

A watch, of course, to watch impatience fly,
Lamps for the dark and shades against the sun;
Foreboding, too, insisted on a gun,
And coloured beads to soothe a savage eye.

In theory they were sound on Expectation,
Had there been situations to be in;
Unluckily they were their situation:

One should not give a poisoner medicine,
A conjurer fine apparatus, nor
A rifle to a melancholic bore.

III. The Crossroads

Two friends who met here and embraced are gone,
Each to his own mistake; one flashes on
To fame and ruin in a rowdy lie,
A village torpor holds the other one,
Some local wrong where it takes time to die:
This empty junction glitters in the sun.

So at all quays and crossroads: who can tell
These places of decision and farewell
To what dishonour all adventure leads,
What parting gift could give that friend protection,
So orientated his vocation needs
The Bad Lands and the sinister direction?

All landscapes and all weathers freeze with fear,
But none have ever thought, the legends say,
The time allowed made it impossible;
For even the most pessimistic set
The limit of their errors at a year.
What friends could there be left then to betray,
What joy take longer to atone for; yet
Who could complete without the extra day
The journey that should take no time at all?

IV. The Traveler

No window in his suburb lights that bedroom where
A little fever heard large afternoons at play:
His meadows multiply; that mill, though, is not there
Which went on grinding at the back of love all day.

Nor all his weeping ways through weary wastes have found
The castle where his Greater Hallows are interned;
For broken bridges halt him, and dark thickets round
Some ruin where an evil heritage was burned.

Could he forget a child's ambition to be old
And institutions where it learned to wash and lie,
He'd tell the truth for which he thinks himself too young,

That everywhere on his horizon, all the sky,
Is now, as always, only waiting to be told
To be his father's house and speak his mother tongue.

V. The City

In villages from which their childhoods came
Seeking Necessity, they had been taught
Necessity by nature is the same
No matter how or by whom it be sought.

The city, though, assumed no such belief,
But welcomed each as if he came alone,
The nature of Necessity like grief
Exactly corresponding to his own.

And offered them so many, every one
Found some temptation fit to govern him,
And settled down to master the whole craft

Of being nobody; sat in the sun
During the lunch-hour round the fountain rim,
And watched the country kids arrive, and laughed.

VI. The First Temptation

Ashamed to be the darling of his grief,
He joined a gang of rowdy stories where
His gift for magic quickly made him chief
Of all these boyish powers of the air;

Who turned his hungers into Roman food,
The town's asymmetry into a park;
All hours took taxis; any solitude
Became his flattered duchess in the dark.

But, if he wished for anything less grand,
The nights came padding after him like wild
Beasts that meant harm, and all the doors cried Thief;

And when Truth had met him and put out her hand,
He clung in panic to his tall belief
And shrank away like an ill-treated child.

VII. The Second Temptation

His library annoyed him with its look
Of calm belief in being really there;
He threw away a rival's boring book,
And clattered panting up the spiral stair.

Swaying upon the parapet he cried:
"O Uncreated Nothing, set me free,
Now let Thy perfect be identified,
Unending passion of the Night, with Thee."

And his long-suffering flesh, that all the time
Had felt the simple cravings of the stone
And hoped to be rewarded for her climb,

Took it to be a promise when he spoke
That now at last she would be left alone,
And plunged into the college quad, and broke.

VIII. The Third Temptation

He watched with all his organs of concern
How princes walk, what wives and children say,
Re-opened old graves in his heart to learn
What laws the dead had died to disobey,

And came reluctantly to his conclusion:
"All the arm-chair philosophies are false;
To love another adds to the confusion;
The song of mercy is the Devil's Waltz."

All that he put his hand to prospered so
That soon he was the very King of creatures,
Yet, in an autumn nightmare trembled, for,

Approaching down a ruined corridor,
Strode someone with his own distorted features
Who wept, and grew enormous, and cried Woe.

IX. The Tower

This is an architecture for the old;
Thus heaven was attacked by the afraid,
So once, unconsciously, a ****** made
Her maidenhead conspicuous to a god.

Here on dark nights while worlds of triumph sleep
Lost Love in abstract speculation burns,
And exiled Will to politics returns
In epic verse that makes its traitors weep.

Yet many come to wish their tower a well;
For those who dread to drown, of thirst may die,
Those who see all become invisible:

Here great magicians, caught in their own spell,
Long for a natural climate as they sigh
"Beware of Magic" to the passer-by.

X. The Presumptuous

They noticed that virginity was needed
To trap the unicorn in every case,
But not that, of those virgins who succeeded,
A high percentage had an ugly face.

The hero was as daring as they thought him,
But his peculiar boyhood missed them all;
The angel of a broken leg had taught him
The right precautions to avoid a fall.

So in presumption they set forth alone
On what, for them, was not compulsory,
And stuck half-way to settle in some cave
With desert lions to domesticity,

Or turned aside to be absurdly brave,
And met the ogre and were turned to stone.

XI. The Average

His peasant parents killed themselves with toil
To let their darling leave a stingy soil
For any of those fine professions which
Encourage shallow breathing, and grow rich.

The pressure of their fond ambition made
Their shy and country-loving child afraid
No sensible career was good enough,
Only a hero could deserve such love.

So here he was without maps or supplies,
A hundred miles from any decent town;
The desert glared into his blood-shot eyes,
The silence roared displeasure:
looking down,
He saw the shadow of an Average Man
Attempting the exceptional, and ran.

XII. Vocation

Incredulous, he stared at the amused
Official writing down his name among
Those whose request to suffer was refused.

The pen ceased scratching: though he came too late
To join the martyrs, there was still a place
Among the tempters for a caustic tongue

To test the resolution of the young
With tales of the small failings of the great,
And shame the eager with ironic praise.

Though mirrors might be hateful for a while,
Women and books would teach his middle age
The fencing wit of an informal style,
To keep the silences at bay and cage
His pacing manias in a worldly smile.

XIII. The Useful

The over-logical fell for the witch
Whose argument converted him to stone,
Thieves rapidly absorbed the over-rich,
The over-popular went mad alone,
And kisses brutalised the over-male.

As agents their importance quickly ceased;
Yet, in proportion as they seemed to fail,
Their instrumental value was increased
For one predestined to attain their wish.

By standing stones the blind can feel their way,
Wild dogs compel the cowardly to fight,
Beggars assist the slow to travel light,
And even madmen manage to convey
Unwelcome truths in lonely gibberish.

XIV. The Way

Fresh addenda are published every day
To the encyclopedia of the Way,

Linguistic notes and scientific explanations,
And texts for schools with modernised spelling and illustrations.

Now everyone knows the hero must choose the old horse,
Abstain from liquor and ****** *******,

And look out for a stranded fish to be kind to:
Now everyone thinks he could find, had he a mind to,

The way through the waste to the chapel in the rock
For a vision of the Triple Rainbow or the Astral Clock,

Forgetting his information comes mostly from married men
Who liked fishing and a flutter on the horses now and then.

And how reliable can any truth be that is got
By observing oneself and then just inserting a Not?

XV. The Lucky

Suppose he'd listened to the erudite committee,
He would have only found where not to look;
Suppose his terrier when he whistled had obeyed,
It would not have unearthed the buried city;
Suppose he had dismissed the careless maid,
The cryptogram would not have fluttered from the book.

"It was not I," he cried as, healthy and astounded,
He stepped across a predecessor's skull;
"A nonsense jingle simply came into my head
And left the intellectual Sphinx dumbfounded;
I won the Queen because my hair was red;
The terrible adventure is a little dull."

Hence Failure's torment: "Was I doomed in any case,
Or would I not have failed had I believed in Grace?"

XVI. The Hero

He parried every question that they hurled:
"What did the Emperor tell you?" "Not to push."
"What is the greatest wonder of the world?"
"The bare man Nothing in the Beggar's Bush."

Some muttered: "He is cagey for effect.
A hero owes a duty to his fame.
He looks too like a grocer for respect."
Soon they slipped back into his Christian name.

The only difference that could be seen
From those who'd never risked their lives at all
Was his delight in details and routine:

For he was always glad to mow the grass,
Pour liquids from large bottles into small,
Or look at clouds through bits of coloured glass.

XVII. Adventure

Others had found it prudent to withdraw
Before official pressure was applied,
Embittered robbers outlawed by the Law,
Lepers in terror of the terrified.

But no one else accused these of a crime;
They did not look ill: old friends, overcome,
Stared as they rolled away from talk and time
Like marbles out into the blank and dumb.

The crowd clung all the closer to convention,
Sunshine and horses, for the sane know why
The even numbers should ignore the odd:

The Nameless is what no free people mention;
Successful men know better than to try
To see the face of their Absconded God.

XVIII. The Adventurers

Spinning upon their central thirst like tops,
They went the Negative Way towards the Dry;
By empty caves beneath an empty sky
They emptied out their memories like slops,

Which made a foul marsh as they dried to death,
Where monsters bred who forced them to forget
The lovelies their consent avoided; yet,
Still praising the Absurd with their last breath,

They seeded out into their miracles:
The images of each grotesque temptation
Became some painter's happiest inspiration,

And barren wives and burning virgins came
To drink the pure cold water of their wells,
And wish for beaux and children in their name.

XIX. The Waters

Poet, oracle, and wit
Like unsuccessful anglers by
The ponds of apperception sit,
Baiting with the wrong request
The vectors of their interest,
At nightfall tell the angler's lie.

With time in tempest everywhere,
To rafts of frail assumption cling
The saintly and the insincere;
Enraged phenomena bear down
In overwhelming waves to drown
Both sufferer and suffering.

The waters long to hear our question put
Which would release their longed-for answer, but.

**. The Garden

Within these gates all opening begins:
White shouts and flickers through its green and red,
Where children play at seven earnest sins
And dogs believe their tall conditions dead.

Here adolescence into number breaks
The perfect circle time can draw on stone,
And flesh forgives division as it makes
Another's moment of consent its own.

All journeys die here: wish and weight are lifted:
Where often round some old maid's desolation
Roses have flung their glory like a cloak,

The gaunt and great, the famed for conversation
Blushed in the stare of evening as they spoke
And felt their centre of volition shifted.

If you wander off
The beaten path
Alone
Then you are
A lost hiker

If you wander off
The beaten path
With friends
Then you are
Adventurers

*It's too bad I'm always alone

We’ve set sail and
Our heads have been in the clouds
For the past six months.

I took you to other worlds
You took me to
The real world,
Not flushed out of
Perspective from
A skinny blonde
With a pocket of
Perfectionism and
Middle class ignorance.

You’ve never looked down
Your nose at me,
Even when we kiss
You close your eyes
And breathe me in fully.

Rejects with big dreams
And big hearts
And a big hatred for the world.

And you said you couldn't ever love
But you hold me so close when
You’re dreaming in the early hours of the night.

They set off from white rocks,
red geraniums, blue tile,
and let the green sea
lift and drop their ships far above the white foam waves.

The stony islands that were home
were swallowed in minutes by the hungry Atlantic
but they hunted the big fish,
the giant whales  with human eyes
who rolled and sang and swam
in oceans a continent away.

They came from Sao Jorge, Sao Miguel
Faial, Pico, Terceira, Horta -
Nine island emeralds set in a black volcanic chain,
neither of the old country nor the new:
Halfway there and halfway gone -
secret jewels of the Portuguese sailors.

They sailed into unknown waters,
south around tropical shores
where dragons smoked and writhed on the rocks
and birds with brilliant red and yellow plumage
rose in clouds around their heads.

Then north, and north, north again
to colder waters
where sea lions barked and lunged
at the strange massive wooden beast
that coursed the waters,
strung with brown bodies swaying
on the lines and cursing the sails.

North still they swept
casting contemptuous eyes on
the cheap turquoise waters and monstrous slow turtles
of the Sea of Cortez.
Coming up from the desert, past the palms and the yucca,
the Joshua tree and Spanish daggers,
they chased their smooth grey prey,
riding the vast Pacific on their wooden island,
herding the leviathans onto their spears,
adventurers with an audience of only
gulls and sky and seal.

Until they sailed too close one day
to a rock-strewn shoreline
and saw the golden hills.
Gnarled oaks like grandmothers from home
with orange poppy jewels at their feet,
missions strung like beads in a ruby marked rosary.

The boats slowed, ****** in by a Scylla of soil
rich and brown and loamy
waiting to be seeded with grapes and apricots
peaches, avocados, lettuce, alfalfa,
fertile and heavy with sweet promise.
And the whales sang and the lions barked and the gulls cried
but the sailors were entranced, encharmed, ensorcelled.
The treacherous sea, the mysterious deep, the stony jewels of home,
called and wept
and waited in vain for the sailors 
 - beached and grounded -
cutting not waves but earth,
tracking seasons not whales,

seduced by dirt.

When a man starts out with nothing,
When a man starts out with his hands
Empty, but clean,
When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.

First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.

The eyes see there materials for building,
See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood,
To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help,
A community of hands to help-
Thus the dream becomes not one man's dream alone,
But a community dream.
Not my dream alone, but our dream.
Not my world alone,
But your world and my world,
Belonging to all the hands who build.

A long time ago, but not too long ago,
Ships came from across the sea
Bringing the Pilgrims and prayer-makers,
Adventurers and ***** seekers,
Free men and indentured servants,
Slave men and slave masters, all new-
To a new world, America!

With billowing sails the galleons came
Bringing men and dreams, women and dreams.
In little bands together,
Heart reaching out to heart,
Hand reaching out to hand,
They began to build our land.
Some were free hands
Seeking a greater freedom,
Some were indentured hands
Hoping to find their freedom,
Some were slave hands
Guarding in their hearts the seed of freedom,
But the word was there always:
   Freedom.

Down into the earth went the plow
In the free hands and the slave hands,
In indentured hands and adventurous hands,
Turning the rich soil went the plow in many hands
That planted and harvested the food that fed
And the cotton that clothed America.
Clang against the trees went the ax into many hands
That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls
That moved and transported America.
Crack went the whips that drove the horses
Across the plains of America.
Free hands and slave hands,
Indentured hands, adventurous hands,
White hands and black hands
Held the plow handles,
Ax handles, hammer handles,
Launched the boats and whipped the horses
That fed and housed and moved America.
Thus together through labor,
All these hands made America.

Labor! Out of labor came villages
And the towns that grew cities.
Labor! Out of labor came the rowboats
And the sailboats and the steamboats,
Came the wagons, and the coaches,
Covered wagons, stage coaches,
Out of labor came the factories,
Came the foundries, came the railroads.
Came the marts and markets, shops and stores,
Came the mighty products moulded, manufactured,
Sold in shops, piled in warehouses,
Shipped the wide world over:
Out of labor-white hands and black hands-
Came the dream, the strength, the will,
And the way to build America.
Now it is Me here, and You there.
Now it's Manhattan, Chicago,
Seattle, New Orleans,
Boston and El Paso-
Now it's the U.S.A.

A long time ago, but not too long ago, a man said:
        ALL MEN ARE CREATED EQUAL--
        ENDOWED BY THEIR CREATOR
        WITH CERTAIN UNALIENABLE RIGHTS--
        AMONG THESE LIFE, LIBERTY
        AND THE PURSUIT OF HAPPINESS.
His name was Jefferson. There were slaves then,
But in their hearts the slaves believed him, too,
And silently too for granted
That what he said was also meant for them.
It was a long time ago,
But not so long ago at that, Lincoln said:
        NO MAN IS GOOD ENOUGH
        TO GOVERN ANOTHER MAN
        WITHOUT THAT OTHER'S CONSENT.
There were slaves then, too,
But in their hearts the slaves knew
What he said must be meant for every human being-
Else it had no meaning for anyone.
Then a man said:
        BETTER TO DIE FREE
        THAN TO LIVE SLAVES
He was a colored man who had been a slave
But had run away to freedom.
And the slaves knew
What Frederick Douglass said was true.

With John Brown at Harper's Ferry, Negroes died.
John Brown was hung.
Before the Civil War, days were dark,
And nobody knew for sure
When freedom would triumph
"Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery,
Guarding in their hearts the seed of freedom,
The slaves made up a song:
   Keep Your Hand On The Plow! Hold On!
That song meant just what it said: Hold On!
Freedom will come!
    Keep Your Hand On The Plow! Hold On!
Out of war it came, ****** and terrible!
But it came!
Some there were, as always,
Who doubted that the war would end right,
That the slaves would be free,
Or that the union would stand,
But now we know how it all came out.
Out of the darkest days for people and a nation,
We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land,
And men united as a nation.

America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud,
Nor write them down on paper.
The people often hold
Great thoughts in their deepest hearts
And sometimes only blunderingly express them,
Haltingly and stumblingly say them,
And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there,
Always the trying to understand,
And the trying to say,
"You are a man. Together we are building our land."

America!
Land created in common,
Dream nourished in common,
Keep your hand on the plow! Hold on!
If the house is not yet finished,
Don't be discouraged, builder!
If the fight is not yet won,
Don't be weary, soldier!
The plan and the pattern is here,
Woven from the beginning
Into the warp and woof of America:
        ALL MEN ARE CREATED EQUAL.
        NO MAN IS GOOD ENOUGH
        TO GOVERN ANOTHER MAN
        WITHOUT HIS CONSENT.
        BETTER DIE FREE,
        THAN TO LIVE SLAVES.
Who said those things? Americans!
Who owns those words? America!
Who is America? You, me!
We are America!
To the enemy who would conquer us from without,
We say, NO!
To the enemy who would divide
And conquer us from within,
We say, NO!
   FREEDOM!
     BROTHERHOOD!
         DEMOCRACY!
To all the enemies of these great words:
We say, NO!

A long time ago,
An enslaved people heading toward freedom
Made up a song:
     Keep Your Hand On The Plow! Hold On!
The plow plowed a new furrow
Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody,
For all America, for all the world.
May its branches spread and shelter grow
Until all races and all peoples know its shade.
     KEEP YOUR HAND ON THE PLOW! HOLD ON!

I will follow you
Down the alleyways of your mind
Lying under your sun
Meling into dreams
Left behind by a shadow
We are loves words
Floating in time
The adventurers of space
Touches emblems, enshrined
Never let it be said
We didn't care
For every fraction of day
Held together
This man and this woman
Looped by a golden bow.

Love Mary

For her Roger ***

On our knees
with arrows sticking out
we used to be adventurers like you
till we got married.

A desolate shore,
The sinister seduction of the Moon,
The menace of the irreclaimable Sea.

Flaunting, ****** and grim,
From cloud to cloud along her beat,
Leering her battered and inveterate leer,
She signals where he prowls in the dark alone,
Her horrible old man,
Mumbling old oaths and warming
His villainous old bones with villainous talk--
The secrets of their grisly housekeeping
Since they went out upon the pad
In the first twilight of self-conscious Time:
Growling, hideous and hoarse,
Tales of unnumbered Ships,
Goodly and strong, Companions of the Advance,
In some vile alley of the night
Waylaid and bludgeoned--
Dead.

Deep cellared in primeval ooze,
Ruined, dishonoured, spoiled,
They lie where the lean water-worm
Crawls free of their secrets, and their broken sides
Bulge with the slime of life.  Thus they abide,
Thus fouled and desecrate,
The summons of the Trumpet, and the while
These Twain, their murderers,
Unravined, imperturbable, unsubdued,
Hang at the heels of their children--She aloft
As in the shining streets,
He as in ambush at some accomplice door.

The stalwart Ships,
The beautiful and bold adventurers!
Stationed out yonder in the isle,
The tall Policeman,
Flashing his bull's-eye, as he peers
About him in the ancient vacancy,
Tells them this way is safety--this way home.

I spent years of my life in a fantasy world.

waters inhabited with murlocs
Forests with centuars and unicorns
I had badass armor
Spellbooks, Abilities, Charisma modifiers!

When you live in Dungeons and dragons you finish quests, unlock gods,
Slay Monsters

When my DnD group broke up

I didn't lose a group of friends.
I lost a party of adventurers

Their eulogies pronounced at the end of that final nat one
Will never be forgotten.

Portaits carved like improv comedy routines.
Characatures of our ideal selves
Bound, sealed, stuck on a book shelf
We deserved another sequel.

When the party healer crumpled her car against a Concrete wall at 70 miles an hour
It made sense nobody else knew how to cast raise dead.

In a world that is supposed to play out our ideal realities
it was no question her charecter lived eternal. the way she would have wanted.
The way we wanted so badly to be true.
Nobody felt right taking over her charecter.
And nobody wanted to **** her off.
So we wrote her story.
Every die she had tossed this whole adventure. Each murloc she ran from, each unicorn she rode, etched into a leather bound tome.
Placed Right on the same shelve we kept our pathfinder books.
Her headstone.
We never played after that.
But she did.
When we placed the novel next to the flowers her mother left.
We felt her cast healing song
one last time
And that night
We got a full rest

Let's not be one but two separate beings working towards one goal. Not about you or me but what we achieve. Kind of like an epic adventurers love story. Temptation will be dragons and obstacles will be evil mages for us to battle and conquer! Over the years and through the Boss fights our exp and levels will grow. Reward will be plenty with treasures and material things.
Let's not be one but two separate beings working towards the same goal. When ever it ends if it ever does at least we will be known as Heroes to the young because we where adventurers until we where gone.

I will travel the world with you.
Or just travel the country.
Or at least travel the distance
between your bottom lip
and your ear,
and the valleys between
each of your fingertips.
I will explore the surface
of your torso
and the depth of your mind.
I will study the curvature
of your jaw
and learn the history
of your eyes.
I will completely immerse myself
in your voice and your laughter
until I am no longer a tourist.
And THEN we can travel the world.

This trail leads to the animal crossing
It fails to accommodate intrepid adventurers,
Bushy tailed explorers, mountain climbers,
Talkers to squirrels and chewers of pine pitch.
The divine medicine denies us the headspace to believe we're really dead,
The reclined estrogen felt good against twenty million years of insecurity
Golden-layered, factually flawed
It lay exposed for decades
Rusting innards and misfiring sparks
None of the heavy equipment does what it says
Robot arms move with intensity
No programmer yet programs tenderness
The limiting factor has always attracted the acting crowd
Always desperate for theatrical work they magically appear
When it's clear that they're needed
But heed the warnings, they're known to be cheaters; the people who say so could also be wife-beaters
No need to wait for a stereotype
Follow the one you haven't lost touch with

Ye distant spires, ye antique towers,
That crown the watery glade,
Where grateful Science still adores
Her Henry’s holy shade;
And ye, that from the stately brow
Of Windsor’s heights th’ expanse below
Of grove, of lawn, of mead survey,
Whose turf, whose shade, whose flowers among
Wanders the hoary Thames along
His silver-winding way.

Ah happy hills, ah pleasing shade,
Ah fields beloved in vain,
Where once my careless childhood strayed,
A stranger yet to pain!
I feel the gales, that from ye blow,
A momentary bliss bestow,
As waving fresh their gladsome wing
My weary soul they seem to soothe,
And, redolent of joy and youth,
To breathe a second spring.

Say, Father Thames, for thou hast seen
Full many a sprightly race
Disporting on thy margent green
The paths of pleasure trace,
Who foremost now delight to cleave
With pliant arm thy glassy wave?
The captive linnet which enthral?
What idle progeny succeed
To chase the rolling circle’s speed,
Or urge the flying ball?

While some on earnest business bent
Their murm’ring labours ply
‘Gainst graver hours, that bring constraint
To sweeten liberty:
Some bold adventurers disdain
The limits of their little reign,
And unknown regions dare descry:
Still as they run they look behind,
They hear a voice in every wind,
And ****** a fearful joy.

Gay hope is theirs by fancy fed,
Less pleasing when possest;
The tear forgot as soon as shed,
The sunshine of the breast:
Theirs buxom health of rosy hue,
Wild wit, invention ever-new,
And lively cheer of vigour born;
The thoughtless day, the easy night,
The spirits pure, the slumbers light,
That fly th’ approach of morn.

Alas! regardless of their doom
The little victims play!
No sense have they of ills to come,
Nor care beyond today:
Yet see how all around ’em wait
The Ministers of human fate,
And black Misfortune’s baleful train!
Ah, show them where in ambush stand,
To seize their prey, the murd’rous band!
Ah, tell them they are men!

These shall the fury Passions tear,
The vultures of the mind,
Disdainful Anger, pallid Fear,
And Shame that skulks behind;
Or pining Love shall waste their youth,
Or Jealousy with rankling tooth,
That inly gnaws the secret heart,
And Envy wan, and faded Care,
Grim-visaged comfortless Despair,
And Sorrow’s piercing dart.

Ambition this shall tempt to rise,
Then whirl the wretch from high,
To bitter Scorn a sacrifice,
And grinning Infamy.
The stings of Falsehood those shall try,
And hard Unkindness’ altered eye,
That mocks the tear it forced to flow;
And keen Remorse with blood defiled,
And moody Madness laughing wild
Amid severest woe.

Lo, in the vale of years beneath
A grisly troop are seen,
The painful family of Death,
More hideous than their Queen:
This racks the joints, this fires the veins,
That every labouring sinew strains,
Those in the deeper vitals rage:
Lo, Poverty, to fill the band,
That numbs the soul with icy hand,
And slow-consuming Age.

To each his suff’rings: all are men,
Condemned alike to groan;
The tender for another’s pain,
Th’ unfeeling for his own.
Yet ah! why should they know their fate?
Since sorrow never comes too late,
And happiness too swiftly flies.
Thought would destroy their paradise.
No more;—where ignorance is bliss,
’Tis folly to be wise.

We see it
As a victory
Of the human spirit,
Tales of glory
That makes us proud.
But it’s a pity
She’s denuded bare,
Ravaged her virginity,
And up there
There’s a crowd.
The height is made to pale,
They’re dwarfing the peak,
Adventurers on glory’s trail
Litter the path they scale.
We take it as a test
Of man’s superior might
That would not rest
Till it scales the greatest height.
But the mountain is no more clean,
Tons of wastes scar its air,
She’s turned into a dustbin
By the crowd going up there.
Should we feel proud,
And not hear the warning bell,
As the mountain is trodden like hell
By the mindlessly adventuring crowd?

it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.

it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.
   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.

- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a

Around the world untold mysteries await
Carefully sealed behind hidden cryptic gates
A few brave adventurers who know the truth
Have fearlessly become God’s secret sleuths.

They are searching for things that to the world are unseen,
Looking for the buried proofs of the chimera and the Gibborim.
Enduring the elements and the government spies
Clandestinely placed to protect the lies.

Lies protected and told for centuries in order to hide
Those things that would surely open men’s eyes.
The truth upon which these adventurers are fixed
Was revealed long ago in Genesis six.

It is a journey into mystery upon which they have embarked
Without fear of the shadows they stand firm facing the rulers of the dark..
They brush off the attacks of the scoffers and enter even the realms of tyrants
In order to find the protected and hidden remains of the giants.

Who are these men who search for the artifacts of earths earliest ages,
Who can decipher the clues with the wisdom of sages?
Searching the world’s most dangerous, hidden and secret places
Uncovering every stone and uncovering all the traces.

Deciphering the clues that have survived now for centuries
Then sharing the truth in revealing documentaries
Following a plan conferred by heavenly instruction
These men are the men of Gen 6 productions.

Take heed to the reports given by these men
They will guide to the Alpha and Omega the final Amen
Through exploits and discovery they have but one burden they bear.
That man will see truth and for the future prepare.

It took months for the refugees, fugitives, and adventurers,
Fleeing their homes and native lands,
For the chance to make a new home in the New World
A New World declared open by their king for development plans.

These Colonists came for many reasons.
Some came because they were persecuted,
For reasons of identity and conscience they were victims.
They could not live a free life where they were before.

Other Colonists came to escape-
Escape the law, themselves, and even their family.
An empty slate awaited them at their new Colony-
If they could only brave the journey.

Others were not running away but towards,
Seeking riches and power in the New World as Lords.
So they came: on multiple ships, in multiple waves.
They shared origins, not objectives.

The New World fit their purposes:
There was space to spare and keep apart
There were resources to live on and exploit.
They neither knew nor cared that native strangers governed.

The Colonists could see hints of native fauna upon arrival
As they landed and settled in seemingly empty spaces.
In this New World they took their places.
But kept a cautious distance from the nearby natives.

“Technology is what makes a species higher in order.”
So they regarded the natives as mere animals with tools and talk.
What is flora and fauna to stand in the way of expansion-
Or the needs and whims of a far more developed people?

“This is our land; they are subject to our law-
This is our life, our World, our all”
How can some stranger from another point in Space,
So casually assert sovereignty over this place?

But then issues of technology did not provide the Natives’ only woes.
This New World was already divided into nations with established foes
There were those who feared these well-equipped strangers
And in seeking office sold this fear for their personal advantage.

The foreign Colonists saw these fissures and engaged in malicious diplomacy.
They played one Nation against another in order to obtain supremacy.
In small numbers the Colonists were vulnerable and equally scared,
If the natives were united their colonies could fall.

Some Natives attacked but did not pose a threat,
As the Colonists had better arms and their allies would assist.
This increased fear and distrust of the local “savage”
Many begun to think that these natives were a liability and not an advantage.

More and more Colonists came to settle
And the areas they occupied came to be too little.
So by the authority of their far away king,
They evicted some natives and kept others for working.

As years went by the conflicts increased.
Attempts to repel were shown to be futile,
As the natives, outgunned, lost their sovereign territory.
These nations of old would no longer hold their old glory.  

With time the foreigners outnumbered the Natives.
The remnants of which were at the outsiders’ mercy.
And were driven and marched to more convenient locations.
The nations of old now crammed on sparse reservations.

Canada and the United States did fairly well for fallen nations.
Those both now exist on some massive shared reservations,
On land formerly made up of North Dakota and Manitoba.
The New World is now alien, divided along lines with no resemblance of the past.

Deep below the surface,
of a sea stormy and frenetic;
lies buried an ancient relict,
once radiant but now pathetic.
It is a long ago sunken ship
the mast and canvas rotten.
The stern revealing injuries,
that are not yet forgotten.
It once carried adventurers,
looking for brand new land;
But now it's decrepit and cursed,
never to reach a strand.
But if you would look closer,
to the shattered and mouldered deck,
you would see the dissembled treasure,
that waits to be found within every wreck.

Gwar'th, a scranny peasent boy
from Deastbhillow
Frequented the tavern to hear the local bard play
Enthralled by stories of shipwrecks, cataclysms, Corpses rising from their graves.
He begged the bard over and over.
"Please! take me on your next adventure?"
Gwar'th locked eyes with the bard
Gave him every bit of attention.
The bard always declined,
"it's too dangerous for a child." He said,
"But I'll sing you a song.
The tale of the Red Metal Lute."
~~~
The sky was black
pouring buckets.
You couldn't see but walls of rain
you couldn't hear a ****** thing.
Not even each other speak
Until A loud wail rose from the sea
shattered every window and bottle on board.
In the distance, a figure
unwaivered by the storm.
A ghostly figure,
with a red metal lute
Seemed to fly,
Loom on the rain.
the figure plucked a single string
wailing screams from years of forgotten dead
some sailors on board went mad
The woman and children ran inside.
The captain headed out the cabin.
Grabbed his lute from off the wall
Walked right up to the ghostly demon
Challenged him to a duel.
"I win, you lure me the biggest fish
inside this ghostly sea
Once we haul it back to shore,
you let my sailers leave."
The ghostly demon preached back in wail
"My spoils claim each drop of blood
left upon your ship,
you'll join all the eternal tongues
wailing from my instrument."
They played their lutes so hard that storms whipped bruised wailed and brown
Lighting struck, fire popped and squeltched under the heavy rain.
Not a soul on board could hear the music, for they all deaf from the banshees wail.
But one small float snuck cloaked in shadows from the duel above the sails.
It had a mother and a brother
a baby in the mothers arms.
They made mostly to shore.
The oceans trials took all the family, but I, the baby,
A boy.
I don't know who won, the Captain, the Demon.
But I know one thing is true.
The power that lies within' an instrument
is more then anybody knew.
~~~
One foggy night in Deastbhillow
Long after the tavern closed
The bard was packing for a 'venture
loading up the partys caravan to head out of town
Gwar'th snuck on behind the treasure chests.
It stopped in front of a cavern
Five adventurers stepped off
A knight, a priest, a bard, a Clairvoyant
And In the shadows,
Gwar'th.

Down in the belly of the cave
Past the bones and the torches
there was a red glowing from the end
THE RED METAL LUTE
Gwar'th, excited, lunged from the shadows
Alerting the party.
The knight drew his weapon
The bard struck a chord
The priest prayed
And The Clairvoyant read the boys mind.
Together They killed the boy in cold blood.

"What did it look like to you?" Said the Preist
to the knight who slaughtered the boy.
"A beautiful woman.
What did it look like to you?" The knight asked the priest.
"My god."
"What did it look like to the boy?" The bard asked.
"An instrument," said the Clairvoyant, "A powerful instrument.
What did it look like to you?"

The bard looked down.
"The boy."

Man and mouse holding hands, beholding

what they have done together.
A magic Marcelline, MO:

a portal to lands that beckon, but never compel.
Trees, silent water, castle walls dividing

off magic gardens and sacred
spaces.Tiki torches leading in

to a real rainforest with fake animals,
fedora'd adventurers and no dust

or hunger or poison. A whilring, infernal
rocket sprung from the mind

of Jules Verne, raisng your hopes that
one day you'll own that jetpack,

flying car, ticket to the moon.
A fairytale castle, draw-bridge down—

a glittering carousel inviting from behind forbidding walls.
A fort with wide open doors that fear only animatronic

Indians and where every frontiersman is a hero to be
emulated by your children.

You need not choose right away.
No need to be hasty. If you wish, you may

choose to stay here, to linger, the aroma of the popcorn
cart competing with the fragrance

of the popcorn blossoms on the sheltering trees
and the flowerbeds decorating, protecting

Walt's silent, inanimate memorial,
until the stars come out and

the crickets chirp in the voice of a
conscience content, and popcorn

lights form haunting outlines, constellations
telling whispered stories and seductively

suggesting that tomorrow you stand
in line for a new ride: falling in

love, signing the papers, applying
for that loan, giving it just

one more chance. Here, you cannot
sleep, but you will dream.

And rest in the heart, in the womb.

Take me back to the days
When we were artists
With the clouds as the paint,
With the sky as the canvas;
Who sang their hearts out
In front of the electric fan
Which became the microphone and auto-tuner.
Take me back to the days
When we were adventurers
Who ran outside after morning showers to
Find the end of the rainbow
Hoping to meet a fellow
Who can grant our greatest wish
That tomorrow would be sunnier than today;
Who balanced between life and death
Every grocery shopping with our mothers
As we carefully tried to avoid the lines of the tiles which
We believed was made up of deadly red lasers.
Take me back to the days
When we were heroes:
Scientists who calculated the intensity of the rain
In the race of raindrops that
Roll down the car window
In the pouring traffic jam.
Ninjas who would wake up early to
Catch the floating dusts that swim in the sun's rays
When you open the curtains of the wide window.
Generals of an army who built
Mighty forts of cotton and feathers and
Found safety beneath warm pillows and sheets
On dark and windy nights.
Take me back to the days
When we were
Engineers,
Doctors,
Politicians,
Pilots,
Astronauts, and
Teachers
Take me back to the days
When we were
*Who we wanted to be.

Excitement trembles
Coursing through tiny veins
Until the day arrives
For the fun to begin

Sweet high school memories
Riding in the backseat
One friend at the wheel
The other in the passenger side
Calm, rippling breeze

Smooth leather seats
Music for every mile
Never a dull moment

Places to go
Adventures to be had
Traveling arm in arm
Across the sandy stone
Over the curious cliffs
To see the wondrous waves
Crash against a well-worn shore

Together we go
Together we see
Here, in this time,
We are free

We are adventurers
Going places one or the others
Haven't been before
Breathing in the salty sea
Content as the sea lions
Basking in the evening glow

Walking the narrow dirt path
Happy as we can be
Sun gently upon our backs
Legs tired as we collapse
Back into the comfort of the car

The day almost at it's end
Making a turn, just around the bend
One dropped safely home
Just a bit longer until it's my turn

Talk of life
Of the past and possibility
And of the future
Getting used to things that just might be
One day I could be behind the wheel
Now that's a thought
That's just so real

Thank you,
My dearest friends
One like a little sibling
The other like an older brother
They are my family
My family of soul

Five, ten years from now
I'll remember how
We rode the day away
On our own little adventure
Just us high school kids

- Jay M
October 19th, 2020

Metaphor for Metabolisms
and adventurers of culinary
conquests catering for those
with bilingual taste buds in
an Irish city called Belle Feast.


ps.

Bia is the Irish word for food.
Bia Rebel is a restaurant in
Belfast Ireland.

https://www.theguardian.com/food/2019/feb/24/jay-rayner-restaurant-review-bia-rebel-belfast-noodles-ramen

My body is a rugged mountain pass
whose dangerous peaks and valleys
call out to the hubris of would be adventurers
with its hungry siren song.

Lovers have come the world over
with their maps, pickaxes, fire starters and rope.
Some brought tents intending to go the distance;
several with flags to stake their claim at the summit;
a few with pocket knives for carving their names.
All leaving trash on the trails as they went.

“Did I make you ***?”
they would ask believing in their foolish arrogance
that their movement and noise were really capable
of causing my avalanche.
Covered in the sweat of my labors in Sherpa-ing them to the peak
I whisper “Yes.”
Understanding in those moments that some things cannot be taught.

Only one ever came truly naked -without intention or ego.
The many times he found himself cresting my summit
it never occurred to him to pierce me with his pride
but instead he kissed the earth beneath him in gratitude.
He always moved through me as if he had gone this way his whole life
and yet still could get lost on the trails of a single limb.

He made himself an eager student of my skin
and produced waterfalls where before there had been none.
Singing songs into me as he studied my topography with adept fingers.
The echoes of which ring through me even now.
Never was he concerned with the ridges
for he being too preoccupied with the beauty of my slopes
thought of them only as trail markers.

The songbirds in the trees of me call always for him.
The animals of my wilds stay hungry as never before.
A small fire burns constantly for his return.

Unclothed.

Adventurers travel
to places where they could shoot themselves and
have it mean something – wait for
steel-toe boots and whimpering floorboards to remove a gun

from the kitchen sink, the tile is as green as
moss statues in pool water
and the caulking is about to be dyed red.

I follow tracks, the pads of my feet. I want to be one
of them – steal a rusted van
with shotgun shells in the passenger seat, safety uncocked.
A home for the only things I care about
has no door. Squirrels

carried it away in a drought, bad men lit a wildfire,
birds stay safe in eggs that never hatched
hanging by spider webs in someone’s daughter’s room –
her hair remains in the velcro of a teddy bear.

She is the only ghost – everyone
else’s corpse had some reason or another to stay here.
I see ashes in a skull, I smell **** on the center of girl palms
old blood used to keep eyes glued open,
mine holds dolls to
my wounds, my emptiness fuses plastic hair to me.

Almost little pillows of ravioli
bloated bellies, frayed skin, so white that morning
cannot detect us – in death, pimples
might pop like balloons, and we get left to look beautiful for
for the next person who wanders along.

“"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown" –HP Lovecraft*

I stood in what I examined to be an ancient and forgotten shrine, to what god or devilish soul, I did not know, but it surrendered a sinister sensation. Its ruined ****** walls lay with some sections long collapsed on the ground, while texts and runes, in dead languages decorated some of the still upright rock. The roof itself was alarming, seen as if it were hanging reluctantly and willing to fall at any moment. A dispiriting, cold wind began blowing upon my face. The air became thick, difficult to breathe, turning every inhalation into a hard fought one and forcing me to continue onwards with this unwanted journey. I slowly crept out of the temple and found myself in complete darkness. There was no sun, moon or stars above, only a great barrier of pitch black nothingness. I studied the veil trying to make sense of this but surrendered and commenced following a wrecked trail carved on the earth.

The scene caused a sudden sorrow to spellbind me. Few trees remained in root, dry and dead, with branches pointed up at the heavens they appeared to be praying for mercy from a god that refused to answer. The ground was littered by branches and the grass was so withered that it was ash more than anything. This dim path that I found myself walking through warned me and all other unfortunate travelers, sending a clear, terrifying message: All hope and joy were gone, completely disappeared in this abduction of the mind. This domain was a plagued one. I heard in the distance howls of suffering and pain, savage and demented laughter; I assumed that these were emanated from whatever tormented and diseased creatures that resided here in this unholy place. These sounds, these horrid songs would’ve made even the strongest adventurers, quiver and cower. Evil permeated the region.

As I walked, a sickening green mist with the presence of death rose from the soot drenched soil surrounding and covering everything ‘neath my knees. Out of the corner of my eye, I saw something shift in the dirt; a shadow now lurked hidden. I hoped that it were nothing but a mirage produced by my disturbed and weakened senses. Signs that my state of mind was slowly driving itself into mental insanity, yet lunacy at this point was bettered desired than a confrontation with any beast of cosmic horror that slithered through this wasteland.

Quickly, I discarded such an idea; it terrified me, the presence of a monster did. Gripped and strangled by panic I began to gently ease myself forward when again a shade dashed through the mist, this time, the sound of hooves accompanied it. I staggered back in fright and tripped ******* a branch, falling and hurting. I whimpered, feeling something wet, most likely blood, seeping from my now wounded left leg. “Please! No!” I yelled at the mysterious specter. Pleading to the unknown being, my vision was blurred by the sick fog, my lungs drowned with the stench of otherworldly dread and a fit of coughing possessed me.

The shadow stepped closer becoming distinguishable but not yet fully visible. It was humanoid in form and stood hunched, breathing heavily, on two legs. The fog dispersed for a few seconds. Pale skin, hair black as the ground, malevolent blood red eyes; those dead, revolting eyes glaring! Staring! The most shocking thing I then discovered: The beasts face, ‘twas mine!

Different words we will seek out, some are new and strange
The Enterprise has left dry dock, she's the only ship in range
We'll explore the distant galaxies, find other new life forms
There has been stars and nebulas, and hostile ion storms

The star ship Exeter has been found, orbiting Omega Four
Only uniforms remain, and the crew they are no more
They have suffered a disease, No one is left on board
We must beam down the landing party, lives we can't afford

Captain Ron Tracy has gone rouge, violating the Prime directive
While in pursuit of long life, this was his main objective
Crystal remains of the Exeter's crew, was it the planets evolution
The Omega Glory can be solved, with the American Constitution

If your not of the body, then brainwashing could turn sour
Mr Sulu is in paradise, just beware of the red hour
Hooded lawgivers are out there, for the bidding of Landru
Waiting for The Return Of The Archons, another Starfleet crew

Stella would chastise Harry Mudd, but he didn't get annoyed
Finally having the last word, with his special wife android
The arrogance of Harcourt Fenton Mudd, with a touch of eccentricity
Many androids created in I Mudd, a planet of multiplicity

Is Professor John Gill guilty, of a prime directive violation
Advanced technology has been used, to create a **** nation
The Planet Ekos is contaminated, evolutions set off course
Zeon pigs are off the street, to evade Patterns Of Force

Trelane wanted fun and games, It was time to make a stance
An ancient duelling pistol, may be Captain Kirk's one chance
Challenging The Squire Of Gothos, who is the sharpest shooter
War games against four federation ships, with The Ultimate Computer

The Mark Of Gideon was Kirk's blood, and Odona was infected
Kirok experienced The Paradise Syndrome, before the asteroid was deflected
In the body of Mr Spock, Henoch didn't have no sorrow
Will the essence of the captains mind, Return To Tomorrow

Plato's Stepchildren used telekinetic abilities, to force an interracial kiss
Zefram Cochrane's in love with The Companion, in Metamorphosis
We are stranded on a planet, something's threatening our lives
Body cells are being disrupted, so protect That Which Survives

A Requiem for Methuselah, Flint is part of ancient history
Miri is a young woman, the Grup's disease is now our mystery
Klingons in Errand Of Mercy, tried to take Organian's turf
A warhead in the past was detonated, in Assignment Earth

The Lights Of Zetar invaded the body, of Lieutenant Mira Romaine
Bread and Circuses gladiator sacrifices, a fight to the death again
Lost in the past will we get back, from All Our Yesterday's
Lazarus is positive and negative, The Alternative Factor's split two ways

Was the creature made of rock, we didn't know for certain
A fight with history's greatest foes, behind The Savage Curtain
Janice Lester captured Capitan Kirk, he could not elude her
She took over his body and ship, in Turnabout Intruder

An impostor is on board the ship, Kirk has been separated
Men have good and evil sides, but now there segregated
Does passive need aggressiveness, a malfunction caused their sever
Transporters need to be repaired, to splice Kirk back together

These are the voyages of the crew, of the enterprise
Many officers have died, and we've said our last goodbyes
Missions placed in the ships logs, along with crew memoirs
Our adventurers may continue, with our trek to unknown stars. . .

1

At peace perhaps too much
a fine Spring rain
we seek news from the desert or capitol
of those who have dedicated their lives to losing their lives
      for us
adventurers, ancient honor, land runners
this campaign a must to advance one's career
a war president needs war

2

All you need to know is the names of things
chambers of commerce and large corporations
elements, products, decay fungi, egg masses
cultivars and their relation to wild grasses and the edge
uses of herbs, languages of mammals,
purposes of insects, placement of rocks
the names of everything by which we know our way

3

I've read about those remarkable souls who maintain
      self-control
among murderers and the unentertained multitude
who may have even spoken persuasively
at the right moment for speaking
and thus attracted a now unwanted immortality
there are only two ways you can tell
a bird of prey from a vision - humor and ritual

4

the Fedex gal
would be unlike taking off Emily Dickinson's clothes
over the counter perfume and spray paint hair
postman's shorts, black socks
a woman's legs are much like a man's
yet she too is beautiful, too beautiful, weekends
boating with her man

5

Suburbs, lawns, blankets
in a long, long nursery of babies
napping, old, blameworthy
and, I say this respectfully, blind
certain and uninterested
in motives more subtle than their immediate comfort
Who am I to complain?

6

Plants, poems: riches
our financial advisor doesn't count. Good and simple
a man as he is. Comes tousled
from early morning golf and puffy
from a late night fight or lovefest with his wife.
Inchworm
letting out its rope down an oak.

7

Late afternoon meeting
like the dry samara, achene or capsule surrounding a seed
how often have I tried to escape
my need, community, chamber of commerce
you cannot drive
the roads are theirs and the signs, perhaps
you can walk if you can name the plants and rocks and are
      willing to die

8

O happy family
there's some contentment in letting community and family
      decide
your place in it. Gatekeepers -
unconscious god, invisible hand, natural selection -
kind when refraining from violence
when not responding with force to the universe's effort
to extinguish us.