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Jun 2014 · 1.1k
this Stupid Book
wes parham Jun 2014
This stupid book has nothing to offer me
In eight pages on stiff paper board.
The pictures are saccharine,
A fat headed boy
In colorful clothes
Shows us what he can do.
How could I see the value
In knowing this simple stuff?
I’m too far removed from my point in time
When “jump” and “run” were just sounds,
When jumping and running were just what they are,
Far removed from the labels we gave them.

So it comes to this: this stupid book
Among all of God’s ink-sodden paper,
Is an achievement of gold,
the height of literature,
a swell in my throat,
When you brought it to me
just today, and said,
“dada”
“read”
I never liked reading that book. When my daughter asked me to read it specifically, I knew it wasn't because it held some special place in her toddler heart. She wasn't talking much, but she said those two words to me, holding out that stupid book, and I realized why we read together. It's to BE together, *******, just as much as anything. I understood so much in that moment.
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Jun 2014 · 1.4k
the Lights of Fires
wes parham Jun 2014
Do you see yourself there,
In this life that you've made?
Arcs traced, just so, by the motion of eyes?
The flicker as they search, the pause before they rest,
The metrics of biology, could they possibly tell?
Whose child was whose,
and what they were thinking?
My children's eyes fascinated me when they were infants, the consciousness burning so bright within.  I wanted to know what experiences sounded like to them, pristine and yet disconnected from the source from which we all derive being.
..read here by the author:
https://soundcloud.com/warmphase/the-lights-of-fires
May 2014 · 1.0k
but, "still", she said...
wes parham May 2014
I led her, at last, to the lip of the crater.
The smell and heat had been increasing as, each conversation,
We drew closer to it.

Apprehensive, I searched her eyes.
She saw it fully, my greed and my shame,
The cavernous need of my worst natures.
Flames singed her hair and the smell choked us both.
But, "still", she said, "be still..." and smiled into my face.
28 may 2014, intended to be fleshed out into some kind of surreal prose describing how kindness can dispel fear, anxiety, "our worst natures" dissolving when understanding replaces unhealthy reactions, when someone who loves you just...  well, understands.  Encourage me to expand upon this.
May 2014 · 728
fucking Insomniacs
wes parham May 2014
My friend, My friend, Insomniac,
You're ******* crazy.
You asked me to stay up late again,
like every other visit.
We smoked and smoked, We kept sleep at bay,
Held it off with caffeine,
but tempted it with liquor,
and you awoke me in single digits, low ones,
and wanted me to hear that song.
As much as I care for you, I realized something that night...
I'm no insomniac! Just a pedestrian, a faker!
Honestly believing that the sleep deprivation and
Not the drugs, not the alcohol, or the company,
Were actually killing me in the morning hours,
and, mumbling incoherently, I could not appreciate
The thing you wanted me to hear or see.
It might have been both.
So, yeah.
Sorry about that.
You're the best in my book and always will be.
Thanks for some great nights.
Purely experiential anecdote, with Serious apologies to actual insomniacs.  The friend in question, technically, suffered from sleep apnea.
Read here by the author:
https://soundcloud.com/warmphase/*******-insomniacs
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May 2014 · 1.2k
lean raven head
wes parham May 2014
Hello again, raven, I’m glad that you’re here,
It’s been far too long since you came.
I missed your black feathers, your gravelly call,
Becomes music when speaking my name.
Lean close, my bird, and tell me a secret,
Any, if yours, will do.
I’m too long alone, and the world is too guarded,
I’m pinning my hopes all on you.

Lean again, bird, and tell me some more,
Black feathers cantilevered,
Away and Away.
Drink of me,
And Drink of you,
As we think all the night into day.
Music, when speaking my name.
Her voice, unkind; her heart, steady set against a storm of blackness.
By your thoughts you will change this world for the better.

Read here by the author:
https://soundcloud.com/warmphase/lean-raven-head?in=warmphase/sets/poems
May 2014 · 2.2k
non-Photographic Blue
wes parham May 2014
Take countless photos, when the mood so inspires.
You may as well have not even thrown the shutter.
For the things that move you right in this moment,
Will not adhere to the chemistry of film
Will not flip one single electronic switch
Cannot be stored, except in the mind,
(A shoddy storage medium)
For the sight of your face,
Your beautiful otherness
Mingling with me in the air in between us-
( As you try to pick my nose… )
Your head is on my shoulder,
Heavy with sleep
And trust, always growing,
As your eyelids drop lower
My arm, sore, bends to raise you up.
I’m relishing the time
To be quiet, close, and still.
When I can find, in my heart,
All the words that mean something,
Not tossed about casually, in the noise of the day.
Children turn you into a media machine, hell-bent on capturing the way you feel all the time.  Give it up, it's impossible!  Seriously, though make sure to enjoy the moment and don't miss it by trying too hard to preserve it.  The title refers to blue lines used in old technical drawings that were, essentially, invisible to a camera when you went to photograph the drawing, but still visible to the eye.  That is, something impossible to capture.
Read here by the author:
https://soundcloud.com/warmphase/non-photographic-blue
wes parham May 2014
Confidences
   were something we shared, but then,
Secrets are nothing per sè...

Confidence
   was a thing that I'm lacking, but that
Never stopped me, anyway...

I pressed you, you starved me,
It was wrong, but it couldn't be helped.
I said some things that I don't quite recall
You said a few things yourself.

It was a ridiculous assumption, and god **** it,
You're right.
Forgive me if I don't always hear your advice,
Or look away from the truth.
I'm still listening, I swear it.
I'm afraid you might think I'm just here for your ***,
Or afraid you might think that I'm boring and dull.
I'm just beginning to learn that others perceptions,
Are all, as they should be,
well beyond my control,

But, still...

Your eyes of ocean depth see me,
I want you to speak my name.
Searching all my cliches in the dark,
Forgetting the lies from which we came.
But what if all my words are true?
What if they show me the way?
What if the light between oceans is thought,
And words sufficient to make you stay?
(continued from part one)  Nasty business, this.  The story takes a dark turn, polluting the waters but pulling through in the end, hopeful.  Hopeful.  This is all metered for a reading over some music sent to me by a distant collaborator through soundcloud.  I'll link when that noise is ready.
http://soundcloud.com/warmphase
(UPDATE:  IT'S COMPLETE.  Thanks to soundcloud musician Dennis Ramler for taking me on in a collaborative effort )
https://soundcloud.com/flowermouth/the-light-between-oceans
May 2014 · 1.9k
the Light Between Oceans pt1
wes parham May 2014
It's a ridiculous cliche but, ******* it, your eyes...
Forgive me if I don't always make eye contact,
Or look away too soon.  I'm listening. I swear it.
I'm afraid you might think that I'm full of myself,
Or afraid you might think that I've no self-esteem.
The truth is much simpler than either extreme.
The truth is I'm somewhere right in between.
but still:
Twin seas draw my stare and I fear what I'll say.
Fear falling into their unlit depths, where even my silence could betray.
The source to illuminate and fuel our lives' desires,
Find it in her hands , her touch,
Find it in her eyes.
Her eyes of ocean depth see me,
Giving no safe place to hide,
Searching bad cliches for the light, the otherness inside.
But what if all of my words are wrong?
What if they drive you away?
What if the light between oceans is mute?
Insufficient to make you stay?
What light passes to the heart or soul through those twin gates, but look!
The gates themselves, ruinous sirens that must be heeded.  Reverence, fascination, a constant meditation, your eyes, your heart-breaking eyes.  I can think of nothing else. I can see little else.
-  improvised for a musical collaboration with a distant artist.
part 2:
http://hellopoetry.com/poem/718577/the-light-between-oceans-pt2/

(UPDATE:  IT'S COMPLETE.  Thanks to soundcloud musician Dennis Ramler for taking me on in a collaborative effort )
https://soundcloud.com/flowermouth/the-light-between-oceans
May 2014 · 1.3k
drive Away
wes parham May 2014
Young, you watch the wheels, mama's car reflects the sky.
Turning,  shifts the scene across the glass as she drives by.
Good-bye for now, good-bye until the dusk begins to crack.
Hello is payment for the night to ransom her hugs back.

Young, the wheels are slowly turning on a new red trike.
Older now, two wheels race beneath a brand new bike.
Two and three wheels' independence foreshadow what's in store.
The freedom found in two wheels, three, compared to that in four.

Drive away, the day was always waiting in my heart.
You drive away, this is the task I took on from the start.
That once you knew  enough to really take care of it all,
To seek the challenge of the world, to fly, and hurt, to fall.
To measure all the joy and pain, the cost from what was free,
I hold you close, but teach you how
to drive away from me.
Here's one more paradox about parenthood.  
Our whole goal as parents is to make sure that, one day, these little people _don't need us.  It's bittersweet, because your pride in their independence contrasts with the love and holding close that helped them learn confidence, compassion, and strength.  I can barely read this without weeping.  **** changes you, man.  At the core.
May 2014 · 2.3k
personal Problme 10w
wes parham May 2014
It always feels like
I'm the one reaching
your way.
You Can't Spell ProblemWithout “Me“, Right?
May 2014 · 891
loving Giants
wes parham May 2014
Perhaps you’ll remember,
though most of us don’t
recall our earliest days.
What relative scale could you use
to describe the things you saw
and the things you felt?
It seems too unreal for a mind
you would one day call mature
and an intelligence
deemed sufficient.
If you could, would you choose,
and what would you find,
if you could retrieve these moments?

when a warm, familiar heartbeat
kept reassuring time,
in a comforting bed at blood temperature,

when hands twice your size
would cradle you completely; move you
from bath to crib,

when loving giants would come
when you called,
to sing or to soothe your pains,

when sleep held dreams of this and more,
in a language we all have spoken,
Beautiful to hear, forgotten on waking
As I struggled with the challenges of being a new parent, I imagined what the perspective might be from my infant daughter's mind.  I wondered what she thought of us, how she would describe us once she could do so in our language.  I say "our language", since the mind must be forming thought before language comes around, some ur-language of the collective conscious mind.  The phrase "loving giants" kept coming to mind, since we must seem colossal to a newborn as we move them about, cause some discomforts, alleviate others, as we sing and laugh to let them know they are safe and cared for.
Read aloud here by the author:
https://soundcloud.com/warmphase/loving-giants
May 2014 · 1.1k
the Memory Palace
wes parham May 2014
Raise, for your experiences, a city.
Build a warehouse, down the block,
Where you’ll keep the cosmos.
Build a bookshelf, within a brownstone,
Where some other things can go.
Like the time you grasped a flower,
Felt beneath, felt the spines that
Pricked your skin,
Made you cry.
But that shelf will be revisited many times,
In this fragile, crumbling zip code,
Forsaking more majestic memory palaces,
Because the vision reached your soul,
Through pain,
Of all that beauty, soft, red, enfolded into itself,
On such a slender stem.
Revel in the joy, but don't forget the pain. It is your god-given right and a valuable ally once accepted and befriended.    
One of the devices for memorizing inordinate amounts of data is to imagine a place and travel through it, mentally, placing items here and there along the way.  Recall is achieved by simply traveling through this imaginary space again, where the logic of placement becomes a natural mnemonic for recall.  Time and Memory are themes I find myself flying to again and again.   The flower was a person I felt wounded by, but learned that nothing is as it seems.
Hear it here, read by the author:
http://soundcloud.com/warmphase/the-memory-palace
wes parham May 2014
Always, I have been here before.
I tried living backwards with her,
Asking the questions after her answers,
Falling in love once she was long gone.
But that was another, not the same, in a chain of serial Dulcineas.
But then you came along and climbed down from that pedestal,
you slapped me,
Hard,
But laughed,
And I realized,
how you had been right,
All along.
You've got it all wrong.  You're doing it wrong.  Listen to that coarse voice because it is much more practical than you.  There is nothing romantic about a pining Quixote, he's just another giant mouth to feed.  Elevation and desire, the one you need is not the one you want, candy is sweet, but can give you indigestion.  Life's best lessons are painful, don't ignore their value.
Hear that noise here:
https://soundcloud.com/warmphase/i-have-always-been-here-before
May 2014 · 1.3k
like her more
wes parham May 2014
His love for her made her
More like him.
Her love for him made him
Like her more.
His love for her made him
More like her.
Moreover, for them,
She made love more like him.
He made love, at her whim,
More like her than like him.
The heart embraces what the eyes have made welcome.
A relationship evolves constantly, motives and incentives shift, carrying lovers along a river unlike what they could ever dream of predicting or controlling.  That said, I wrote much of this only for it's clever wordplay, the rhythms of speech, and to impress a woman.  Oh, fatal vanity!!   Hear it read aloud here:
https://soundcloud.com/warmphase/like-her-more
Apr 2014 · 800
free Run
wes parham Apr 2014
I floated in the corner, and I waited for a sign,
From the place where visions come at cost,
Where three sharp eyes, two heads, inclined,
To see me where I stood and spoke,
Aloud, to no avail,
Some truth, some lies, some love, some hate,
Was then I felt the nail.
Two eyes spoke, but only then,
To ask that I had felt,
The flesh that held the nail I bore,
From up there where they knelt.
The single eye was silent, still!
She would not even cast,
Her monoscopic field of view on all this violence past.
If only she would turn her face,
And three eyes become four,
Then she might open for the one,
Come knocking on her door...
Speaking with two friends, one fully attentive, the other, a female, turned aside.  The speaker seeks to reach the inattentive female with his rambling, lies, truth, love, hate...  The first, the only one attentive, gives the speaker a hard time about his statements, driving this nail of pain and maybe shame.  The speaker laments that the single eye, this female with her head turned and focused sideways, could just look at him, or give some slight glimmer of recognition,  that she would see his need, open a door, know that he wants, sorely, just to reach her.
Apr 2014 · 1.1k
ocean's Floor
wes parham Apr 2014
"Nothing waits below for you", mermaids smiled, and spoke to me.
Memory fled, then all I knew was written on the sea.
Great paragraphs, on ocean swells,
In running, sodden ink,
The bow broke foam from recollections,
My wedding day,
I think.
Words rose up the sides of waves,
and flung me down the other side.
Then licked the shore for crumbs they found,
That rose up in the tide.
Heartbeat slowed, my body sank,
Turned empty eyes beneath.
Rays of light revealed your face,
Colossal, in the reef.
The poet's memories are stripped away as his life is ending.  Drowning at sea, his final sight is the staggering vision of beauty in a human face, seen formed out of the reef on the sea floor.    Inspired by a dream and after a steady musical diet of nick cave's "push the sky away", including a track called "mermaids" which contains the haunting verse:
"I believe in the rapture, for I've seen your face,
  on the floor of the ocean, at the bottom of the rays..."
Hear that noise recited by the author here:
https://soundcloud.com/warmphase/oceans-floor
Apr 2014 · 909
when Miss Understood
wes parham Apr 2014
Miss sits in silence and understands,
Nothing breaks the spell.
Missing nothing, understanding,
As far as I can tell.
Miss spoke and said, the word was "sure",
An understanding guess,
Missing understanding pure,
The answer could be "yes".
Miss came and understood for sure,
But wouldn't stay for long.
Thought was insufficient lure,
When I think my guess was wrong.
You think you know what's happening beneath the surface, but you don't, you really don't.  Let it ride, give your thoughts time to let it go properly.  This one's for those being misunderstood, whether you know it or not.  This one's a shoe in your face when you thought you had it all figured out but you were wrong.
Hear the author shovel that noise here:
https://soundcloud.com/warmphase/when-miss-understood
Apr 2014 · 2.1k
combat zoology
wes parham Apr 2014
Twice lost, one soul appeared, unbidden,
Ambushed, in plain sight.
Results?     All hidden.
As I walked, I thought of this,
Imagined as I sought,
A sign of full surrender,
In the battles that we fought.
I threw what always seemed, to you,
The ordnance of the soul,
Words on leaves and tissue tigers,
Weak and boring, far from whole.
My engine had an inner working, impossible to see.
My feet still carry me to you,
And you just stare at me.
It was bad enough to have her occupy every minute of my brain's time.  She ignored me like an Olympic class apathetic, but my feet, those damnable devices of divination, could find her like a dowser's wand.  I began to see this as open hostilities on the part of my angels and muses, to torture my animal so.  Fighting to be heard, fighting to be seen, forced to always find and helpless to engage the enemy at such unexpected close quarters.
Apr 2014 · 1.2k
Useless Feet
wes parham Apr 2014
His feet carried him there with no plan but to see.
Beyond that, the ****** appendages were ******* useless.
But he can't blame his feet for the failures above,
In the brain that is always awash in a chemical storm,
Not of it's creation,
But rather, from failures up higher,
Where angels throw darts and roll dice with God,
(who disdains such a sport),
And anyway...
So, here he is again,
With a mind full of wonder,
When he wants only, sorely, for this:
To have something to say,
Through the fog and the chatter,
To find that within,
Which is real.
If you've ever been drawn to someone, but never felt able to connect, it was probably just your useless feet dragging you over to talk to her (or him as it suits), but then just leaving you there afterward, brain terrified and devoid of anything reasonable to say, much less entice the mermaid to further intrigue.  The poem ultimately gives up, blaming a whimsical deity and bored host of angels.  Sigh...
If this sounds familiar, then this poem is dedicated to you.  
You are not alone, not by a long shot.

Read here by the author:
https://soundcloud.com/warmphase/useless-feet?in=warmphase/sets/poems

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— The End —