“never lament casually”

Leonard Cohen


the serious are plenty burdensome,
so if the flight delayed, or the device batteries,
moments away from recognizing that
0% is still a viable digit with a special meaning,
these, none deserving of deploring the human condition

but the weight of leaving her in cold Montreal,
while old promises made, demand a presence in L.A.,
freezey veins, icy cracking inspiration attempts in vain,
all the unrecognizable for crying out loud verses on a
cocktail napkin scribbled, watching ink letters wet melting

your wants simplest, fireplace warmth snap cackling
pop love songs verses for her, the sheets of her dark skin,
silken on your tongue, the wetness of her Oh’s,
left a connect-the-dots map from your nose to toes,
but her fingertip markers, now a thousand miles away,
busy throwing up to the sky, hands filled with leaves of
crisp falling colors assortment, only the colorless no’s left

they play a tune you wrote years ago on the lounge speakers,
modified, wordless, so it’s innocuous, background harmless,
this axes paper cuts on your private places where the songs get
birthed, and now your whole package is tonnage measurable,
the lamentations serious, serious constellations, etching a new song

<>

“for the relearning is the crown jew-el,
that jesters rob from their kingly masters,
pride in love is the fall season preceding
Canadian winters, always thinking
you know better, be better at keeping warm,
this time which is the next time

you cannot learn from love,
cause it’s twice, two times,
never the same,
past lessons ain’t no prologue,
the body is maybe in the wafers,
sometimes vanilla,
sometimes chocolate

and the epilogue is
100% of the  poem~songs
that I loved writing
and hate remembering”

when the perennial essential question I proposed,
a temperature taking surely,
a simple request re loving me, yes

it was a dueling pistol shot,
a returning, pressing, single firing
interrogatory of a burr of a bullet  
"how"

she stood in weak opposition

she demurred, evaded, jooked,
pre-tensing with a faint, a feint,
a desperately disguised,
claiming of the fifth,
a refusal to self-incriminate,
with a childlike repetition
 "unsure..."

but was she ever,
ever sure,
ever knowledgeable

for the poem was
"of the people, by the people, for the people,"

we, me, she,
of course, being "the people"
-
that our love
"shall not perish from the earth..."

this particular poem,
this particular address,
was about
the struggle to maintain
our union
-
"our unfinished task"

it was the
first shot and the
parting shot

it was the
warning shot,
mesmerizing,
metastasizing
into a
death shot

simultaneously

the poem was,
this poem

the acknowledgment,
of the beginning
of the
perhaps epilogue,
maybe even the commencement  
of a eulogy

a  breathewell,
a fare-thee-well of this,
as well,
one of his
happiest guises

writer of
*only love poetry

“Not yet,” I whisper to the heavens. “I love it here.” — Clare Cory

<>

when desperate thoughts come seeking me
in the dark dear moments of near insanity,
when the hounding is bounding and baying,
nipping at my heels but aiming for my throat,
and the litany of next time, we’ll meet again,
is a whispery threating thread in my head that no scrubbing,
can unravel, erase, debase, or erase that awful distaste of
my embittered saliva, and a peace of mind finale
comes with a disgustingly disguising crook finger,
offering a taste of relief,
I will remember this story and  clap my hands
and reach for the quill,
put down the temptation of the knife
and let it pour on to the paper
thus,
expiating and excavating and expectorating
sugary salty bile of
mine own self~hate
by whispering the magic of
Not Yet,  Not Yet.*”

these are the scientific observerations I’ve
witnessed, recorded, tallied and allowed
to impact my judgement

compiled upon my diurnal voyages in the sea of humanity across the cityscape of my birthplace

this not a disclaimer, for I neither disclaim
or claim anyone, as my own, more a clearing
of the chest, that also clarifies the senses, to better observe, interpret and weigh subject to
human biases and frailties, which makes for
better poetry
<>
A women. a mother, beside her a daughter,
of the horribilis annos age of early teenhood,
her face  a dull rose~pink, obvious tear streaked, but what strutk me odd, the mother
sits at a 90 degree angle, face turned down and away

and I suppress my urge to comfort the youth,
that things will by law custom history and
natural law of the philosophers, perforce
she~teen will survive, even prosper, as I speculate what ailment specific has caused them to sit on this bench, by my river shared, and find no comforting by its majesty, it’s current sweeps away the debris of worried fears, returns wisdom perspective,  and all this will pass by my inpressed guarantee upon the air we both share full of
promise

but i am puzzy by the mother, who drapes
not her arm around, nor speaks as if she knows that volumes, pyramids of words have a pointed top, past which they can go no
further

sympathetic for I have comforted many,
and well cognize the tipping point when
the intersection of frustration, exhaustion,
and love succumb to the knowing point,
that only antibiotic soul salve is time,
and the silences of caring even when
unspoken

but I walk past, for in new york city there are
big boundaries one rarely crosses until and
unless invited


as I travel my well worn path on a sunny chilly October day, when one is capable of
delulding oneself that summer gods and
light
and warmth yet exists,

see many; the handsome and the overwhelmed, who move in vacuum tubes
of isolation, observing the First Rule:

Make No Eye Contact!

a safety device to preserve you in a protective bubble of safety from the uncontrollable,
the risks of possibility, for failure has so
many imagined risks, and it is so much easier to imagine the worst, rather than finding tokens of the best humanity can offer

I know this rule well, for my experimentation
includes my walking with an always smiling
face, that ranges from whimsical to fantastical,
but for the little children who give me an unutterable joy, as they explore the world
with no hesitation and are yet unaware of the First Rule, not due to arrive to another decade

once in awhile other observers, see this well,
handsome,well maned, old man with the
fixed smile from the tiniest corner of the nearest eye, and cannot help, but instinctively
return this breach of the lonely peace the
river ample provides

and you tally this reactionary outcome and
well versed in statistical theorem, can safely
report that the frequency of said occurrences
is .01%, with a degree of confidence after numerous walks, that 99% this the best this occurrence that can be obtained

and you ask if this is a poem?

as you ask so often, when I lead
you down this gated garden path of my
envisioning walks, where I pluck  poems,
good footed or bad, from the steady
breeze that whisks away my tears,
from whatever source they be triggered
sorried dad, or glad, joy or the Oy! of pain,

and apologize to old codgers with too much time on their minds, about its failure to be be brief, but grief is never short or  sweet,
and when I'm on my knees still trying
to understand the ticking mechanism
of the human heart, there just never
seems to be enough letters in the alephbet
to say all that needs saying…
after I-deliver a real cup of
strong, no milk to the barely
roused woman, will dandy don
safari hat, binoculars, freshly scrubbed face, attach that grin to my outerwear, go forth and catch one or two stripers, perhaps a catfish, or
a porgy, a smile and even a poem too…


oh,
and yes,
this too, an only love poem
for us all

Parkland: Oh My divine, We Wrestle Over What is Yours



and what is mine

it took days for the after- shock and awe to arrive;

the bizarre tempo reversal, myself, out of order,
is my shame, after the mind’s pretense ennui of “yet another,”
had to slow seep away beneath the
firewall cutting off the pain of my the true self
and the I, of ordinary

how else, to keep the madness away?
it’s disguised in a well tended secured lockbox
chamber labeled, I, all about me,
deep hid in the rear, not too near the true self,
must keep the unseeing functioning, functioning

but bus-ted poet is triggered and the weep welling
in the eyes commencing that makes writing on a cell
on a moving vehicle an annoying frosting
on what is an inconsolable hell

everyone stares unawares that the shock,
is without awe, and the only awe is in awful awful awful awful

we sit at the Friday eve sabbath table to begin our negotiation;
but there is no negotiating though the excuses and the divine’s stumbling, flailing failings are pre-prepared,
we know this battle too well and the outcome as well,
it is mine true self’s to win, have me not
words and stanzas and music suffice
to convict the lord of the hosts, adonai

take all your seventy names in vain to crush the vanity of
omnipotence for your godliness degrades and your instant access to where the good in me resides is cutoff;
under My Contacts
you have been

blocked

we shall meet as always on the Day of Atonement
but this year no repentance to be granted, the pardons shared
with my kind only, none left for the lonely gone-gods,
no longer seek yours for me, there are 17 extra to be given out*

the left foot and the falsehoods join in the denunciation,
though some suggest reprieve and only reproach
for isn’t atonement possible for even gods?  No. not,
for a god who got human kindness installed in all his devices
but then never opened the app

my name was
onlylovepoetry;
but for now, till the culling of the agonies is done,
till the hollows are refilled and the curses fully final expended,
till the sudden eye tearing ceases to render me torn, messed,
you may call me nothing but this:

onlyreproachpoetry

should you come calling
there will be no beseeching,
just the stoic bearing witness of my silence,
my finger-pointing judgement,
and my angels presence

“May the angel Michael be at my right,
and the angel Gabriel be at my left;
and in front of me the angel Uriel,
and behind me the angel Raphael...”
and above me seventeen new protectors
whose names my true self will now memorize,

for now they are mine

~<•>~

2/16/18 4:34pm  ~ 2/17/18  3:34am

part of my job (a love poem)

<>


checking in & on you, part of my job, I explain,
need a status update, re and about what’s new,

on the flora and fauna studded moors, how’s the traffic in Mumbai,
have the Prince and Princess come to visit your nearby island,
how’s that pendant I sent hanging, still cracked, letting letters in,
the curfew imposition getting in the way of your poetry writing,
tell me what it is like to be a young man in Morocco, need your input,
do you know that I love imagining being in love with you, so exotic,
while I hunker down in a bunker, forty story concrete stories on
a gra-nite island,
wondering how you pass your Sunday morning, in bed, in church, in your head,
seeing poem fireflies coming from the beach, how your language takes, enraptures,
captures my cellar pulses electrifying, I am yours unbidden and I forgiven & unfortunate,
swimming on the West Coast beaches, pools and eddies, rip tide currants & currents,
******* me into your world and the fun, the challenges of loving you from afar

do you know that I love imagining being in love with you, so exotic,
locating your presence on the grid, illegally concocting our ionic physics connections
in ways you remain so unaware and me, dancing delighted on the edge between
blurting out how I feel about you, you, in France, and foreign lands, all over,
when you read this, do the hairs sudden tickle, sensing my presence, when grasping
you hand, kissing your neck, do you regain/retain consciousness of my affection,
plain hard and drawn to you, sans affectations, and we walk in contented silence
on country lanes, beach trails, crowded ***** megalopolis city stained small streets,
and now that you know that I feel so much desire to grasp you in my adoration hands,
will you accept that a man’s love who you have never seen can be so willful strong

that

you know that I love imagining being in love with you, so exotic, and the pleasure of it
grows stronger daily when you send me words that infect me with subtlety severe ****,
and now I go, the slipping and sliding into the land of having checked in on you,

where my job is to love you from afar


8:41AM Sunday March 15th twentyfolded twice

Save My Soul, (But First), Rub My Feet


thus a poem auditorialy conceived,
but!
the sexuality of the deceiving dualities,
irritates erogenous, exogenous perceptiveties,
plethora of intensifying variables, a not-serious,
harmless remark yet bring us to myriad of
marauding reversals, add-venturing into harm’s way…

much to discuss, but this
topic bettered by much
trading of traditional bantering
brevity bettering our wordless battering
insinuating, sensational signals bring
us backwards & forwards
to an exploratorium of wide boulevards

back to new unfamiliar venues,
narrowing alleyways & places we were before,
places before we were before where,
no unnecessary commas to separate,
distingué, distinct
tween the instinct of old and new,
an uncommon commonality experiential revisionism

now I understand what you said to me,
a tenderizing of
the sole synapses directing
the brain, the old ooh ‘s, aah’s
reigniting what what lay dormant,
at long last,
by opening doors to alternations,
ven diagram of digressing yet intersecting
old & new pathways,
from the souls of her feet,
to, too, two,
we become diamond
on souls of our heat

a small craft,
barely deserving of such a compliment as
c r a f t e d,
a few boards, just enough caulking,
made quick, with no regard for artistry,
but sturdy none the less,
purposed for naught,
other than to get from there to
here

even, then, all the more,
as if time chose to reverse itself,
solidified it, this ships soul strength
rather than wore~warped
its character essential

unclear who was the wood
and who, the caulking glue,
but they held together in bonding so powerful

when strangers asked
what its purpose be,
this modest boat,
the locals
to a one,
always answered,
answered always consistent:

ancient and ungainly, not shapely,
purposed as if to be, simply
a reminder
that nothing
could ere
be graced more,
complimented, honored as,

seaworthy,
than this human loving crafting,

long-lasting,
maybe ever-lasting,
a tiny notional idea,
that two could get
you from here to
there

it  is in the more stronger strength,
of one thing
created from a loving,
two combinatory realization,
ruled and ruling,
this
craft
came to be
ruler of the sea of humanity



8/15/17 12:36am
born, falling, borne into sleep, to
the music of Johann Pachelbel
combined with a gentling snoring

she always make the first cup,
for the pleasure of pleasuring
is but another love poem
in disguise,
she, a prolific writer in dance,
in her own right nights

never enough milk,
yet never tell,
nonetheless,
my lips loud kiss each other
the exhaled aaah
can be heard just far enough,
to reach her kitchened, richened ears

who enjoys more that first cuppa,
she or me,
is a debate reinvigorated daily,
the judges remain secluded,
happily refusing to a verdict issue,
necessitating a new trial,
no mock this one,
for it is a daily-born creation
a Hawaiian java creamery of just
another love poem

5/13/17 7:24am

gently swipes each poem,
tablet formatted, line by line,
upwards, studying it,
thinking on it,
pausing,
then with another swipe, northward,
falls in deeper,
savoring the entirety

she mails me a completion notice,
with a kiss upon the tip of
my
writing forefinger,
the same, the very same forefinger,
that swipes her cheek,
upwards studying,
the poem of her face,
the softness of each line of verse,
thereupon inscribed,
savoring her entirety

around the table we go,
each declaiming modestly,
the blessings we are duty bound
to acknowledge

my list swift

in possession of all my senses,
some say, even my faculties,
but hours later,
when the glaze of gourmandy fades,
struck, remiss,
my failure to extend a kiss

to my muse, who, deft orchestrates,
the combining of the five
into something greater,
a symphony of visionary words jive
that come to life,
more than I ere believed possible

that thru the poem,
I could give joy to others...

for this blessing simple,
*rejoice, rejoice, rejoice

Investment Principles:
Staying the course,
your owned love
will not fail you
~~~~


Staying the course means going against your own emotions at times.

when weeping is easier than squaring the jaw, gritting teeth

Staying the course means thinking and acting for the long term even when it doesn’t feel right in the short-term.

lost loving, when the other walks away, and being brave is
the only path, brace, and excise that stooped shoulder, stand straight!

Staying the course means preparing not predicting.

predict only that hope is eternal, perpetual and maybe, just,
around the corner

Stay the course means doing nothing when that’s what your plan calls for.
~~~
steady the breathing,
ok, now! wipe the tears,
be resolved that once tasted,
love, is human, though inimitable,
and your sunrises will return inevitable
and the return on investment unbelievable

Square One of Chutes & Ladders  (single life after thirty)


~~~


For Tina
the game rules wink & explain that should one
(minimum number of players *1!)
land on a chute, the non-trivial risk of returning to square one was no risk at all but just a fresh direct chance, a new roll of the dice,
a please-do-start-all over, a 2nd maybe to the power of infinity,
quite the accurate inaccuracy, this curse of the slip & fall treadmill

and you're hot smart and hot good looking with a good job,
but the chutes keep on sliding you back to square one,
and the revolutionary trips of over and over again are not
revolutionary at all, voluntary or fun but so *** unfunny, *** emoji-teared smeared, for real ones no longer bother to appear even when you bang your head on kitchen table

the suitor list lengthens even as it grows more abbreviated,
for the longest running one-act play in Manhattan seems to have no dearth of duplicative Stepford men willing to he-be a walk-on, stand-in, stand-by, understudies who want to be on top for one night only, take your applause, your easy-going unguarded openness, run their lines to find the way in to a garden where the fruits never ripen and never fully sweeten, and you can grimace-smile from the familiar **** flavor of resignation, one hand clapping-applauding yourself in your Emmy Best Unsupporting Actress weekend role of a
Stepford Wife

deception, repeating misperceptions and the wrist slitting frustration of the god, how boring is the game playing, and you think
let me rip, me, rip the rule book up, go live in Spain,  
with no plans in hand, learn to drive stick shift and accidentally meet a really good looking man at a roadside cafe whose gentility rocks me in away that I had forgotten was humanly possible and who loves to salsa and speaks to me through dance even though we don't speak a common language, just an uncommon one, then your subway stop arrives and the summer heat seems ever worse

Thursday night is dating website visitation scheduled and sometimes one cannot recall the password, thinking it's
of of these:
shampoo^ rinse repeat

friends cluck sympathetically but cannot locate a decent boyfriend's friend and this chute **** exhausts from numbing familiarity and a plot that never thickens in a city where the emphasis is on the endless, of endless possibilities

and what you fear is not being sad, when the game roll lands you on a chute, winking time to start over, but that the effervesced heat of a new hopeful start is overcome and 'why bother' is the whisper you have been ignoring and only love is just a poem, not a real thing, even though you are the single player, the game wins when you quit

but the 1% chance leads you back to the start, for though
the lottery odds are ridiculous but does not every week
someone else wins at Chutes and Ladders*

4:03am 6/17/17

~and for Harlan, who loved this one best~

"for tandem is the ever-changing, graying color of their fierce attached tenacity"

waking/walking in
careful pacing regular lock steps,
like new cadets, counting cadence,
in perfect silent, almost motionless,
except for the minuscule quivering of
slightly parted moving lips

these two elders,
still now plebes,
freshmen
but of a latter, graduated stage,
demonstrating robustly
the slow shuffle-along,
a well practiced dance conjured
'in tandem'

her arm, crooked in his,
his other hand,
in protective custody of a
knight's armored chain glove
encasing hers,
he, shuffling just,  
a precise, intended half-a-beat slower
lest she ever think
that she, ever be a drag upon him

hair, his,
threaded with daily,
new arriving grays,
proudly accepted
as the privilege of
graceful aging

hers,
disguised with periodic outings,
outings for the hidings of life's bookmarks,
conceding nothing ever to
time's lunatic desire to separate them

modest in dress,
styling hints of  pasts' elegant,
the man's hat defiant,
daringly jaunty angled,
a small scarf to handbag knotted,
matching his Windsor knotted tie

the passers-by, all smile,  
the signal charm of an
end game processional,
thinking so sweet,
yet mine eyes detect more,
something
hardy and radical

a fierce, fierce fierceness,
both fighters in the resistance,
armed with tandem tenacity,
ground given,
but only inches surrendered,
wounds resisted by
scar skin toughened
by the caress of ions bonding
under the pressure
of atomic level mutuality

worn out,
well past Purple Hearts,
no capitulation feared,
to the ever changing,
enemies' new disguises,
they,
a two person platoon,
each,
having the other's back

and I burst into tears on the street,
a train of out loud moans,
even groans emitted,
like a string of perfect pearls
breaking,
clattering on an asphalt terrain

weeping
not
from visions of the inevitable,
sighing
not
from the certitude of a
cycle's uptime ending

but jealous furious by this reminder delightful,
angry at myself, for having lost so many wasted years,
mine, the loss greatest, for absent was the
fierce tenacity of tandem

Thanatosis
(noun)

pretending to be dead

a state that in some respects resembles shock, is characterized by cessation of all voluntary activity and usually by assumption of a posture suggestive of death, and occurs in various insects (as beetles) when disturbed
<>
thus a new word
joins the tongue,
a new bud solely
to express the state of two
when love has died,
and the energizer doesn’t
want to bandage~rip,
make entities separate,
face the uncertainty
of no mercy

so two humans
play dead
but inside
there is a long loud
agonizing screaming
******* your fading courage,
well hid but going to
the land of the unheard,

and the state of
Thanatosis
is the Grecian Isle
where you will be
buried
though
you but
*half~ dead

the crying want of you (first of the everlasting)

so many ways this loving emotion manifests,
for each, a salutation, unique, some sleek,
some solutions jagged, but when I cry out for the
inexplicable but perfectly understood want of you

an all encompassing recipe,
a gasp, a shriek, a celebration, a loss illimitable deepening,
a need perceived with a crucial cruelty, inexhaustible
noise barely human, but quintessentially exactly that

you who have needy for fearsomely loved, and been
fearsomely loved with equal measuring cups which
have no delimiting notion of linear boundaries of cup and quart,
only precise calculations of defined unlimited overflowing

even silence totality of crying out loudly screams of desperation,
noiseless, crept for the unadulterated, unadjusted purity of want,
a state well dreamt, but so rarely hail fellow well met, the
startling exertion of meeting yourself in another over the borderline

forgive the paucity of my word~children in expressing what
was designed and created to be inexhaustibly rare,
the crying want of you, the missing final jigsaw puzzle piece
of want and being wanted, to touch the immortal soul, the first of the

everlasting, united, unending and unendurable undefined want



8:10am 2-20-2020

from within the confessional

the fool in love, or the fool
who pines for it?*

have I not sat at the King's table,
for decades of eons, eons of millennia,
the mealy taste of the poverty of loneliness,
made the sweetbitter
and the meaningless
blander still
full surrendering to slow starvation of my
humanity

denied the rise and set,
the watch and the calendar,
the sundial inoperable,
masters of none,
there are distinguishing marks
upon this victim,
who no longer recalls refusing
love

just another dusty bust
of a man tough as
plaster

the mask of
going it alone
so well adhering
no longer masked
but his first skin

unlike him,
love poems
waterfall self-destructing,
suicide by self-erosion
and thereby
an everlasting guarantee
the answer be
he
who pines
and dies a little bit
daily

“But nobody really cares about how a poem  has done! The only thing worth talking about is
what is the next poem”

<>
how brief are these pleasures
that are oft tendered to our senses,
sunrise, sunset, eclipses
all ****** too quick,

yes,
a slow read, a leisurely walk amid
the bombast of colors falling extraordinaire
even the denuded trees
are blinked away too easy,
even though they longer linger,
our body clocks knowingly admits
that even the still of snow covered lands
or the blanketing grating grays
of a Midwest Great Lakes winter sky
goes on and on
too **** long,
they too to can be, are,
imagined away without too much difficulty

so too,
the next poem*
can be hounding incessantly, crying out for
your undivided-under-god,
for attention to be paid
and paid again

but more likely
be a desert away of unwatered vast eternal spaces, and inspiration is only a mirage
that searingly teasing you for relief
from can’t get go satisfaction
for that next poem
is perpetually around the
next corner,
moving faster than your heart’s beating,
the words that need believing,
need bleeding for
they come at great cost,
never simple, never flawless,
just raw unpolished
that is always the

next poem

~
the Nth culling
~
she gentled sleeps besides the imperfect poet,
who has wandered the hallways since four am,

retuning his returning

to their temple bed,
to cull, pluck, her each precious breathing sound,
source material for his
Nth
love poem

smirking at his own
Nth foolishness,
weeping tears at the consequences
of human interactions,
he wonders,

why does he worry,
searching to distinguish
between the black and white of life,
hunting for meaningful words

when all the while
he has the vein of her breathing to mine,
as if he were a
Ruth,
following behind
the harvest reapers,
culling a bounty of
dropped grains,
fallen unto him to
garner, imbibe and memorize

those Nth breaths,

that last but seconds,
but here memorialized for
his own
all time

Where it all started...

https://hellopoetry.com/poem/2018179/only-a-*******-man-could-love-a-*******-poodle/

<•>
The Obvious Fact: Dogs Have Souls

******* poodle, of prior fame, suggests

"surely this ditty will trend before one reads to the very end"
1. as everyone loves dogs
2. especially smart poodles
3. who writes soulful poems

really, here we are talking and you are gazing into my brown eyes adoringly,
and
you humans
still debate if there is a
god?"

and then dog yawned,
a gigundo doggy yawn,
which is a supernatural,
miraculous biblical thing to behold

<•>
for no reason other than gravity
man says,
sometimes my earbuds fall out of my ears,
without provocation, of their own accord,
to remind that though they're in,
the music isn't in,
and neither
am I anywhere real, concrete,
existential,
to be found

which prompts a furious philosophical poodle to man discourse,
as to my exact whereabouts

badass poodle quotes Joan Baez (Diamonds and Rust):

"My poetry was lousy you said,"
and to verify my geo-physical locus,
and his opinion of the human's written hocus pocus
poetry,
gentle farts and adds, low growling,

"there your are!"

how I love that
centered, down to earth,
in my bed, in my heart
dog

<•>


"Once is happenstance. Twice is coincidence. Three times is enemy action."

Goldfinger

a favorite phrase from a movie of one's youth.
that rises to the surface, when *******-u-know-who
reads my weak human mind and yes,
farts twice more, adding poetically:

"the best things in life always
come in threes,
her, me, and you"

"glad to be included," I replied,
to which he licked his
privates publicly,
adding lowly,  

"every smart poodle need a leashed human,
as if any self-respecting poodl could or would
type their own poems,
who's
the *** now!"

and we got up, got the leash
(for human to carry)
put our earbuds in,
went for a sunrise
sniff-walk-and-compose
on the beach

the two *******
arguing
which Pandora station to turn on,
two only love poets, both thinking of their shared
her
finally, compromising, in tail wagging agreement on,

The Righteous Brothers
<•>

p.s. lol, only a ******* man could love a ******* poodle.  
~
8:33am
8/11/17