Submit your work, meet writers and drop the ads. Become a member
 
My body runs on anger
what shall I do with despair?
I am uncertain of how
to handle gloom and sorrow

my body runs on anger
I’ve no use of thee, despair
so out with you, oh, fowl cow
and return to the dark of below

what did this to you, my strong one?
what reduced you to such a state
so cold and pale and weak and frail
as though someone didst sedate..
wake! wake! I cannot take the wait.

you, never meek, who forbade me to weep
how can you lie so, with no trace of life?
I choked at the sight
but did not shed a single tear
I did not, I promise, not even one

the needles and pipes and tubes and pins
cover every available inch of skin
no stretch of wrinkled flesh remains unprobed
icy skin makes my blood to fire akin

vile, putrid bile rises in my throat_
wretched sorrow, arointh thee!
-I cannot handle woe.
Words belong to everyone
but you could put some together
in the order that you wish
like no one else could
and they become yours

Words belong to everyone
these mystical, magical things
they can be twisted and turned
to the way your tongue talks
and they are your own

Words belong to everyone
*but some of them are mine
I've always found it amusing how a group of words can be put together by a person the way that nobody else would be able to and that just becomes *their* way- and then those words in that sequence become theirs.

.
Vile photos and sounds play on 'palace' walls;
mud in her fingernails form shapes of the night's sticky, grubby events-
a twisted, ****** Rorscharch-esque blot.
Knee-deep in grit and grime, soot on her feet,
she sludges on, puking night after night on assorted side-walks
with soaked, soily calves.

'Just pretty pictures' painted on a wall
show her a true reflection of her mind;
she seeks familiarity, hides/searches in them for herself.
In distorted jumbles, she looks for her kind.

The splayed stuff stutter and splutter
and stop and grind.

Insomnia and intoxication,
a victim of lack of inspiration-
life falls into a slow degradation.

Nothingness swallows all once more.
She thrusts against the shoddy shut doors
while the slimy sticky dross glues her shoes to gory floors.

-she trails off with a wince
at the hat man's scoff.

Foul filth fills the squalid air; and
sullied and smoky, sighing, she (s)tumbles
halfway to sleep.
Love* tastes like beauty, devotion and affection, rolled into a wafer together.

Love is the beauty of the vain, lone rose of the wild,
fading on the skin of your arms like a lotion.

Love is the devotion of watery jasmine and apples,
running smoothly down the back of your throat.

Love is the affection of thick, chocolatey hazelnuts,
dying so they can remain for everafter on the tip of your tongue.

the sweet, smoky taste of Love rubs in your limbs and your veins
until it is one with your blood and is the only thing you feel.

You devour Love, but it consumes you.
just wondered what the taste of love was and came out with this.
Your heart is ice,
but my hands can be fire,
I promise.
                just stay.
I can melt through you-
let me hold you,
and take the pain
                              away.
But I can't help but leave
destruction in my wake.
I'm burning up
                          our days.
An apology for my selfish ways


.
A dizzy flake of snow falls,
perfectly balanced, upon
one outstretched finger's squat end.
It clings tight for a second-
a sticky, icy second
where I hold with fragile care
the weak sliver, and my breath.
Yet, the next moment, only
water my digit holds up.
It melts away instantly
with the dry warmth I supply,
and I find that, always, all
the delicate, pretty ones
with exquisite tender grace
burn out ever the fastest, first.
So snowdrop kisses, on the
frosty, red nip of my nose
now only make me shiver.
It's all just skin and ice,
and more ice and skin.
Peels of snow and chips of freeze
make chilled my blood and glazed eyes.
I'm only lukewarm, marginally mediocre.
Not quite laid-back enough to be considered cool
Nor adequately exciting for red hot.
Just going by, average, as a rule.
I'm much too old to be reckless and immature,
Yet not as old as wisdom and a good war story.
Not so rich to live out luxurious abandon
but far too rich to be tragically sorry.
I'm unremarkable, uneventful, uninteresting,
Uncool and unattractive, unfit and unaware.
I assume I'm just not- I'm everything 'un' already,
A stale glass of water, gone oddly warm in stagnant air
I am lukewarm, at best.
Perhaps some day I'll be blast frozen
Or I had once been boiled hot.
For now though, there are no cubes of ice
That I can swallow and be more than not.
I am the everyday masses, lost in the throng,
The not-particularly-bright, non-slacker, no-name brands
That believe they're not good enough- or quite the sharpest prong.
We, the herd lost in the middle bench lands-
We're wild and we're sober,
Frightened and unafraid.
We're nothing like you, but we're just the same.
But we, the ones who spend our lives
In the middle bench,
                                                          ­ will be alright.
           We can persevere, *we can.
.

Representation to the majority,
the unnoticed masses.
To all the forgotten faces of the herd.

.
Often people,
mesmerised by
the depth of others,
comment that they had
no idea they had so many layers,
that such profundity existed. I have myself
been likened to a coconut with a hard shell,
with undiscovered realms within. Hah.
I think perhaps though, that I
am more of an onion.
You can peel all
that you
want
but
-I'm just the same inside.
Maybe I could even
make you cry.
This world, of beauty,
lifts myriad vacant skies
for blank world to view.
.
My first attempt at a haiku
.
Time dons His thief's mask.
While we count days and hours,
He steals my stopwatch.
Next page